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District to rename high school after Robert Grable

The Mount Sinai community held a vigil remembering Robert Grable on July 22. Photo by Kyle Barr

The storm loomed large and dark from the west, just as members of the Mount Sinai community were starting to say their goodbyes to High School Principal Robert Grable, who passed July 19.

However, instead of turning around and running for their cars, the Mount Sinai community, family and friends of Grable, turned and moved into the high school. His vigil would continue, rain or shine.

The Mount Sinai community held a vigil remembering Robert Grable on July 22. Photo by Kyle Barr

“On July 19, as he went about his business, his usual routine going off to the gym, Rob Grable passed away,” said school board President Robert Sweeney to the assembled crowd. “Use his name. It keeps him with us. No matter what we do, no matter how hard this is, what would he want us to do? Do your best, be professional, be strong.”

Grable joined the school district in 1998, teaching fourth, fifth and sixth grade before moving up to assistant middle school principal and in 2005 to middle school principal. He would become high school principal in 2010, during a reshuffling of staff where TBR News Media reported at that time he was there to help facilitate a “diversity of staff.”

In his earlier years, before he entered education, Grable played Major League Baseball for the Detroit Tigers and Philadelphia Phillies. He can be found in the Suffolk County Sports Hall of Fame. The 49-year-old was a lifelong resident of Connetquot and father of three girls.

But if his true calling was education, it showed, according to both those who worked with him and those students he guided.

Lynn Jordan, a Mount Sinai resident who had been on the board of education since 2007 until this year, said the high school is where he truly thrived.

“That was his building — that was where he belonged,” she said, only a few hours after learning of his passing.

The high school principal would be instrumental in several programs that saw the high school thrive, Jordan said, including a “collegial observation process” that had teachers sit in on other instructors’ classes, having them learn from each other. While the program met with some initial resistance, it soon became an important part of teachers mentoring each other, especially for those just coming into the district.

“Teachers are very funny about having other people in their classrooms while they’re teaching,” she said. “It grew tremendously. I think about every teacher was participating in the collegial rounds eventually.”

Scott Reh, the district’s athletic director, knew Grable for nearly 20 years, having been one of his closest comrades. He said the principal cared about the students like they were his own children.

“He had a vision — he was a presence in the high school,” Reh said. “If you look at the Mount Sinai High School, Rob created that, he made it.”

Vincent Ammirato, who taught and coached alongside Grable, would later work under him as principal. He said he remembered joking, saying Grable once worked for him, and he was now his boss. Even with him moving up in the district, Ammirato said the principal never lost that personal connection to his students.

The Mount Sinai community held a vigil remembering Robert Grable on July 22. Photo by Kyle Barr

“The kids loved him, the parents loved him, the teachers loved him,” he said. “It’s very rare that you find that in education or any walk of life to be loved by so many people.”

Students who spent years with the principal, both in the middle and high schools, would come to see him as more than just an administrator.

Daria Martorana, a Mount Sinai native who graduated in 2014, said she had traveled the road from middle to high school with Grable, adding he was magnanimous to her and the other students.

“To say Mr. Grable was a passionate and dedicated educator is an understatement,” she said. “He has always been the one who his students could go to for a laugh when we were down, guidance when we were lost, and help when we were confused … he would even escort us to class, so we didn’t get in trouble for not having a late pass.”

Sidney Pirreca, a Mount Sinai graduate of the class of 2015, said Grable was a friend to students, even tacitly participating in that year’s senior prank where the soon-to-be graduates hosted a tailgate party in the faculty parking lot.

“I asked him to bring a tub of cream cheese,” she said. “He was a great person, friend, leader and mentor … A thank you will never
be enough.”

To those who paid attention to his methods, Grable took a look at teaching like a coach would on the baseball field, seeing how each individual student has strengths that had to be pushed and nurtured. He was adamant that students just looking to coast through easy courses should challenge themselves.

“[He] mentored them all through the year, making sure they were really getting what they needed,” Jordan said. “He worked with kids. He tried to make the final outcome better.”

Grable spoke at the 2019 senior commencement ceremony just last month, June 28. Jordan said that, even though he had spent nearly 19 years in the district and could have moved up higher in administration, he considered the high school his home.

The Mount Sinai community held a vigil remembering Robert Grable on July 22. Photo by Kyle Barr

“Robert Grable was so much more than a principal,” said Gabriella Conceicao, a 2014 Mount Sinai graduate who would later become a teacher in the district. “There are few educators who take the time to get to know their students on a personal level, and he was one of them. He built relationships that would last far beyond high school, and he touched the lives of countless students and faculty members … I feel so lucky to have known him as a principal, friend, mentor, and co-worker.”

Mount Sinai school district announced it would be changing the name of the high school in honor of its late principal.

“There are no words to show the impact Mr. Grable has had on each and every one of his students,” Martorana said. “We are so lucky to have had him as a mentor and teacher but more importantly as a friend.”

A scholarship fund has been created to help Grable’s three daughters. Checks can be made payable to Mount Sinai Administrators Association, mailed to Mr. Matt Dyroff c/o Mt. Sinai High School, 110 North Country Road, Mount Sinai, NY 11766.

 

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Basil Ice Cream

By Barbara Beltrami

There is something so satisfying about traipsing among the plants in one’s own herb garden and pinching the leaves to enjoy their fragrant and sometimes acrid pungency. And no herb offers a redolent summer perfume like basil. Nothing beats plucking one’s own basil for extravagant use in summer dishes. 

Basilico in Italian, basilic in French and derived from the Greek word for “kingly,” this marvelous herb was considered a sacred plant long ago. In fact, legend has it that St. Helena, mother of the Emperor Constantine, received a divine revelation that the true cross would be found where the air was sweetly perfumed. And guess where she found it? Under a basil patch! 

Although sweet basil with small delicate foliage is preferable to the more familiar large, broad-leafed variety, even the latter plant produces an intensity of flavor that few methods of preparation can diminish and most can enhance. 

Thinking inside the basil box, it’s thick red slices of just-picked garden tomatoes, still warm from the sun, drizzled with extra virgin olive oil and slivers of fresh basil leaves; it’s linguine gently tossed with a basil pesto or breast of chicken stuffed with basil and goat cheese. Thinking outside the box, it’s basil as a flavoring for mayonnaise or a refreshing summer cooler or ice cream. Yes, I know. I’ve written about basil in past columns. But it’s that kind of herb; it’s so good that it bears repeating every now and then. 

Basil Ice Cream

Basil Ice Cream

YIELD: Makes four ¾-cup servings

INGREDIENTS:

2 cups whole milk or half-and-half

3 tablespoons finely chopped fresh basil leaves

½ cup sugar

Pinch of salt

4 large egg yolks

½ cup very cold heavy cream

DIRECTIONS:

In a medium heavy saucepan, bring milk, basil, ¼ cup sugar and salt to a boil, stirring constantly. Remove from heat and let steep 30 minutes. Transfer to blender and process until basil is finely ground, about one minute. In medium bowl, beat egg yolks with remaining ¼ cup sugar until thick and pale, about one minute. Add milk mixture in a thin stream, beating constantly with an electric mixer, until well combined. 

Pour entire mixture into saucepan and cook over medium heat, stirring constantly with a wooden spoon, until mixture coats back of spoon and reads 175 F on thermometer. (Do not let boil!) Immediately remove from heat and pour through fine sieve into metal bowl; set bowl over larger bowl of ice water and stir until cold, about 10 to 15 minutes. Stir in cream and transfer to ice cream maker; freeze according to manufacturer’s directions. Transfer to airtight container and freeze at least two hours before serving with biscotti.

Basil-Parsley Mayonnaise

Basil-Parsley Mayonnaise

YIELD: Makes about ¾ cup

INGREDIENTS:

2 egg yolks

2 tablespoons freshly squeezed lemon juice

1 tablespoon mustard powder

1/3 cup chopped fresh basil leaves

¼ cup chopped fresh flat-leaf parsley

2/3 cup extra virgin olive oil

1 smashed garlic clove

Salt and freshly ground pepper to taste

DIRECTIONS:

In the jar of an electric blender, combine egg yolks, lemon juice and mustard powder; pulse a few times; add herbs. With machine running, drizzle in oil until mixture emulsifies. Transfer to container, cover and chill. Serve with fish or chicken.

Basil-Citrus Cooler

Basil-Citrus Cooler

YIELD: Makes 4 servings

INGREDIENTS:

1 cup lightly packed basil leaves

1 tablespoon + 1 teaspoon sugar

2 cups orange juice

1 cup sparkling water

4 sprigs fresh basil for garnish

DIRECTIONS:

In a medium nonreactive bowl, combine the basil and sugar. With the back of a wooden spoon crush the basil leaves until thoroughly bruised; stir in orange juice. Strain through cheesecloth or wire mesh strainer into ice cube-filled glasses. Add sparkling water; stir and garnish with basil sprigs. Serve immediately with tea cake or cookies.

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By Bob Lipinski

Bob Lipinski

Franciacorta is a “classic method” sparkling wine made in the province of Brescia in Italy’s northern region of Lombardy. According to its DOCG (1995) regulations, Franciacorta can be made into a white or rosé sparkling wine, which can range from demisec (semisweet) all the way to extra brut (extremely dry).

Franciacorta is Italy’s highest-quality sparkling wine and is made using the same production method as champagne using pinot noir and chardonnay grapes. Aging requirements for Franciacorta are longer than champagne and most sell at a lower price.

While pinot noir is the only red grape permitted, white grape varieties include chardonnay, pinot bianco and erbamat (a local specialty). 

Franciacorta made with lower pressure in a brut style from chardonnay and pinot bianco grapes is called Satèn. A millesimato (vintage-dated) and riserva (aged over 5 years) styles are authorized.

Some recommended Franciacorta wines are:

2012 Monte Rossa “Cabochon” Brut (70% chardonnay/30% pinot noir). Full celery-apple bouquet; citrus notes along with bread dough; full-bodied, rich fruit flavored.

2014 Monogram, Castel Faglia “Dosage Zero” Millesimato (90% chardonnay/10% pinot noir). Bread toast bouquet with hints of green apple and celery. Medium-full bodied; melon, pear and citrus flavors.

2011 Corte Bianca, “Rosé” (100% pinot noir aged 3 years). Full berry nose; clean and crisp with flavors of cherry, cranberry, rhubarb, and raspberry. Full-bodied and full of flavor.

NV Ca’ del Bosco “Cuvée Prestige” (75% chardonnay/15% pinot noir/10% pinot bianco). Crisp, delicate bouquet; creamy in the mouth; hints of dried flowers, Bosc pears and Granny Smith apples.

2012 Bellavista Brut Millesimato (63% chardonnay/27% pinot noir). Straw-colored; pinpoint bubbles; bouquet of almonds, dried fruit and pears. Delicate with a strong, elegant aftertaste.

NV Cavalleri “Blanc de Blancs,” Brut (100% chardonnay). Apple and pear bouquet with hints of biscuits, celery and hazelnuts; well-balanced and quite dry with a long aftertaste.

NV Guido Berlucchi Rosé (60% pinot noir/40% chardonnay). Very fruity bouquet; plenty of pinot noir berries; good structure; balanced with an aftertaste of cranberries.

NV Majolini “Blanc de Noirs” Brut (100% pinot noir). Hint of color with a full fruity bouquet of strawberries and rhubarb. Hints of candy apple, black figs and wheat.

Cheese and sparkling wines are an extra special indulgence we need to enjoy more often. Some of my favorite cheeses to nibble on while sipping a “glass of bubbly” are Boursin, brie, blue cheese, Excelsior, Gruyere, manchego, Monterey Jack and Parmigiano-Reggiano.

Bob Lipinski is the author of 10 books, including “101: Everything You Need to Know About Whiskey” and “Italian Wine & Cheese Made Simple” (available on Amazon.com). He conducts training seminars on wine, spirits and food and is available for speaking engagements. He can be reached at www.boblipinski.com OR [email protected].

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‘Come for the film, stay for the talk’

By Kevin Redding

It began more than 15 years ago with a group of film lovers gathered around the television on Oscar night. Lyn Boland, a former lawyer and adjunct professor from Setauket, was among them, and as she and her friends gushed over clips from the year’s Best Documentary Feature category, she wondered: Why can’t we ever see any of these powerful films?

‘Horn from the Heart: The Paul Butterfield Story’ will be screened at Theatre Three on May 20.

Around this time, she was called on by her law partner, and a fellow cinephile, to help rebuild the Greater Port Jefferson-Northern Brookhaven Arts Council’s faltering film program. Boland had just recently watched “Spellbound,” the Academy Award-nominated doc about a group of eight young students competing in the Scripps National Bee; it was exciting, artistic, moving and it made Boland cry. It seemed obvious what to do with the local cinema program.

“Let’s make it a documentary series,” she recalls saying to her friend. While the initial concept was to hold screenings around the work primarily of local filmmakers, this proved to be difficult and limiting. So, members of the program’s board decided to pluck documentaries straight from the source: high-profile film festivals, from the Hamptons International Film Festival to DOC NYC to Tribeca Film Festival to Stony Brook Film Festival, and more, where new, important works are debuted, and the voices of blossoming filmmakers are heard for the first time. 

And thus, in the fall of 2005, the first Port Jefferson Documentary Series was born. “The idea was to make a place where we can actually see these films while they’re still very current,” Boland, one of three co-directors of the now-14-year series, said. “I think that this particular area on Long Island has a well-educated population, people who want to stay up-to-date, and, for some people, watching a documentary is a great way for them to go into depth on an important issue for a couple hours.”

She continued, “We used to travel to Cinema Arts Centre [in Huntington] to see documentaries, and it seems like there was this giant hole in our ability to see independent films like these in this area. Our criteria now is that the film is new and not available elsewhere, has critical acclaim, and tells an important story.”

Sponsored by the Greater Port Jefferson-Northern Brookhaven Arts Council and the Suffolk County Office of Film and Cultural Affairs, the spring 2019 season of the award-winning documentary series begins March 4 and will run until May 20. The seven-film lineup will be spread across several local venues, including Theatre Three, 412 Main St., Port Jefferson; the Charles B. Wang Center at Stony Brook University, 100 Nicolls Road, Stony Brook; the Long Island Museum, 1200 Route 25A, Stony Brook; and Robert Cushman Murphy Junior High School, 351 Oxhead Road, in Stony Brook. 

Each of this year’s emotional and thought-provoking films will be followed up by  a Q&A session with guest speakers involved in the documentary, like directors, producers, the movies’ subjects and outside experts. 

They include the compelling journalism-focused “The Panama Papers”; “Under the Wire,” about a heroic Sunday Times correspondent who was killed while covering the war in Syria; “Weed the People,” in which medical cannabis is posed as “a human rights issue”; as well as “Liyana,” “City of Joel,” “Horn from the Heart: The Paul Butterfield Story” and “Emanuel,” about the Charleston church shooting.

As is the case every year, the documentaries are selected by the series’ seven-member film board, or “The Film Ladies,” as they are called — made up of Boland, fellow co-directors Barbara Sverd and Wendy Feinberg, as well as board members Honey Katz, Phyllis Ross, Lorie Rothstein and Lynn Rein. 

Each member sees upward of 100 documentaries during the preliminary film festival blitz, and whittle their favorites down to 10 or less to present to the board. Out of that batch, seven films, one from each person, are selected to be screened. From the get-go, the board member assumes responsibility for “her” film, presenting it to the board, writing press releases and making sure the venues have all the right equipment for a proper screening. 

“The earlier we get the film, the better it is for us because then we can actually help the filmmakers and expose their film  —  we like getting them early in their emergence,” said Boland. 

“There’s also the discovery aspect of it. For example, we just saw a film we’re considering for the fall that hasn’t been anywhere, no film festivals so far, but we saw it and it was great. The idea that you could see somebody’s first documentary, really help them along in the huge process [is rewarding],” she said. 

Because of the series’ longevity, its members have developed a relationship with the many distributors of the films, as well as their directors, most of whom are just pleased to have more eyes on their work. 

Last summer the Port Jefferson Documentary Series held a special screening of “RBG,” which focused on the life and career of Supreme Court Associate Justice Ruth Bader Ginsburg and which was recently nominated for Best Documentary Feature at the Academy Awards.  

In the early years of the series, they showed “Taxi to the Dark Side,” a film that went on to win the Oscar in 2008, and in 2017, Daniel McCabe, the director of “This Is Congo,” an immersive, and brutal, examination of the conflict in the Democratic Republic of Congo, discussed his film after the screening.

The board, supported by ticket receipts and a grant from Suffolk County, routinely pays filmmakers to come out and discuss the film in their Q&As, but McCabe actually donated his fee back to them that night, saying “You are the people that really make this happen … You’re the ones who really deserve this money.” 

“We have a responsibility to curate really well,” Boland explained. “Because we get public funds, we can’t just run anything … it’s a high bar to get to be one of the seven documentaries we select.”

Among the upcoming films, Boland is particular excited about “The Panama Papers.”

“Our series reflects the value of journalism,” she said. “[The director] is very good at taking a complicated topic and turn it into a very exciting film. It has you on the edge of your seat in anticipation of what’s going to happen next.”

Sverd’s favorite is “Under the Wire,” which will be shown at Stony Brook University and will involve the college’s School of Journalism. 

“Over the years, the documentary has become an extremely important and effective tool for information and social change,” she said. “All of these are very special films to whoever chooses them.”

Feinberg, a retired teacher who joined the board in fall 2014, recognized a highlight for her this year: the closing night music film “Horn from the Heart: The Paul Butterfield Story,” an “interesting, educational, heartbreaking”  film about a blues harmonica player who formed an interracial band. 

“Other than being a cinephile, I love music and love music of such varying genres,” Feinberg said. “I try to always push for one music documentary, and I’m usually successful when I see that the audience really responds to the film. I remember we had one gentleman say to me, ‘Every time you screen a film, every one is better than the one before, I don’t know how you do that.’ Feedback like that warms my heart, and confirms that we’re doing something good and lasting.”

Boland agrees and encourages community members to show up and help grow the series. “These films compel us and can introduce you to a powerful, personal story you might not ever have heard,” she said. 

The Port Jefferson Documentary Series will be held at 7 p.m. on select Monday nights from March 4 to April 15 and at 7:15 p.m. on May 20 (see sidebar for locations). Tickets, which are sold at the door, are $8 per person. (No credit cards please.) If you would like to volunteer, please call 631-473-5200. For more information, visit www.portjeffdocumentaryseries.com.

Film schedule:

■ The spring season will kick off with “The Panama Papers” at Theatre Three on March 4. Leaked by an anonymous source to journalists in 2015, the Panama Papers were an explosive collection of 11.5 million documents, exposing the use of secretive offshore companies to enable widespread tax evasion and money laundering. Director Alex Winter speaks to the journalists who worked to ensure the release and examines how it reshaped our understanding of corruption in the highest tiers of government.  Moderated by Tom Needham, host of “The Sounds of Film” on WUSB, guest speaker will be Kevin Hall, chief economics correspondent and Pulitzer Prize-winning senior investigator for McClatchy newspapers in Washington, D.C.

■“Under the Wire,” the chilling and inspiring documentary about Marie Colvin, the celebrated Sunday Times correspondent, and photojournalist Paul Conroy as they enter war-ravaged Syria in February of 2012 to cover the plight of trapped and slaughtered civilians in Homs, a city under siege by the Syrian Army, heads to the Charles B. Wang Center at Stony Brook University on March 11. Deliberately targeted by Syria’s top leaders, Colvin was killed in a rocket attack that also gravely wounded Conroy, who eventually managed to escape. Co-sponsored by the Stony Brook University’s School of Journalism’s Marie Colvin Center for International Reporting, guest speakers include Catherine Colvin (Marie Colvin’s sister) in person and Paul Conroy, photojournalist (via Skype). 

■ The season continues on March 18 at The Long Island Museum with “Weed the People.” Through the emotional stories of children fighting cancer, the documentary educates mainstream audiences about medical cannabis as a human rights issue and begets the unsettling question at the heart of the film: If weed is truly saving lives, why doesn’t the government want people to access it? Guest speakers include  director Abby Epstein and cancer survivor and co-founder of NYC Botanics, Jill Fagin. Screening will be held in the museum’s Gillespie Room, located in the Carriage House Museum. 

■ “Liyana,” which will be screened at Robert Cushman Murphy Junior High School on April 1, is a touching and unique film set in Swaziland (now Eswatini). Told by five children who were orphaned by the AIDS epidemic, this extraordinary film uses animation and narrative to illustrate their plight. Ultimately hopeful, this is a visually beautiful and unforgettable film presented in a poetic and creative style.  “Liyana” has recently been nominated for the prestigious 2019 Cinema Eye Honors Award for Nonfiction Filmmaking for the Outstanding Achievement in Graphic Design or Animation Award. Guest speaker will be executive producer Susan MacLaury.

■ The series continues with “City of Joel” at Theatre Three on April 8. The town of Monroe, which lies 50 miles north of New York City and deep within the Hudson Valley, is one of the fastest-growing Hasidic communities in the country. Shot over several years with seemingly boundless access, Emmy-winning director Jesse Sweet’s documentary observes the simmering tensions that have come to define the community, and the myriad ways in which the town’s divide echoes the country’s as well. Co-sponsored by Temple Isaiah of Stony Brook, the guest speaker will be the film’s subject, B.J. Mendelson.

■ In collaboration with the Long Island Museum’s Long Road to Freedom: Surviving Slavery on Long Island exhibit, “Emanuel” will be screened on April 15 in the museum’s Gillespie Room. The documentary highlights the mass shooting at Emanuel African Methodist Episcopal Church in Charleston, South Carolina, on June 17, 2015 and is a poignant story of justice, faith, love and hate. Featuring intimate interviews with survivors and family members, this film examines the healing power of forgiveness. Sponsored by The Law Offices of Michael S. Ross in Smithtown,  Building Bridges in Brookhaven, the Bethel AME Church and the Multicultural Solidarity Group, guest speaker will be producer Dimas Salaberrios.

■ The series concludes with “Horn from the Heart: The Paul Butterfield Story” at Theatre Three at 7:15 p.m. on May 20. The documentary follows the complex story of a man many call the greatest harmonica player of all time. The film features Butterfield’s music and words, along with firsthand accounts from his family, his band mates and those closest to him, with appearances by David Sanborn, Bonnie Raitt, B.B. King, Bob Dylan and more. Co-sponsored by the Long Island Blues Society and the Long Island Music Hall of Fame, the evening will be moderated by  WUSB’s Tom Needham with guest speaker executive producer/producer Sandra Warren. A prefilm blues concert with Kerry Kearney, Frank Latorre, Gerry Sorrentino and Mario Staiano will be held at 6 p.m. (Combo concert, film and Q&A ticket is $15.)

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From left, Hyunsik Kim, Associate Professor Matthew Lerner and Erin Kang. Photo from Lerner’s lab

By Daniel Dunaief

This is part one of a two-part series on autism research conducted by Hyunsik Kim and Erin Kang.

If someone in a family behaves in ways that are difficult to understand, the family might look for a support group of people with similar characteristics, visit a doctor or seek to document and understand patterns.

Finding a doctor who has seen these types of behaviors, speech patterns or actions before could provide comfort, as the physician may either engage in a course of treatment or provide context and understanding for the current behaviors. The doctor may also offer advice about any likely changes in behaviors in the near or distant future.

For researchers, understanding a range of symptoms, some of which might be below the threshold to meet a specific diagnosis, can lead to a more specific awareness of a condition, which could help guide patients toward an effective treatment.

Hyunsik Kim and Erin Kang, graduate students in the Department of Psychology at Stony Brook University, recently published papers examining autism, hoping to get a more specific understanding of subtle differences and symptoms.

Kim was looking for a better way to conceptualize autism. He used advanced statistical methods to compare three theoretical perspectives to find the one that best characterized the symptoms.

“According to my study, autism is not an all-or-nothing phenomenon, but is dimensional [and is] comprised of three related spectra of behaviors,” he explained. 

Researchers can characterize everyone’s autism symptoms through a combination of levels in each domain.

Each of these three areas can range from very mild to severe.         As an analogy, Kim suggested considering the quality of being introverted. A person can be mildly, moderately or highly introverted, which offers a continuum for the dimension of introversion.

In a dimensional approach that involves exploring these three different categories, researchers can get a better understanding of the symptom profiles.

“For decades, people thought of autism as purely categorical,” said Matthew Lerner, an associate professor of psychology, psychiatry and pediatrics in the Department of Psychology at Stony Brook University. “You either have it or you don’t. In fact, autism was thought of as the easiest diagnosis to make.”

Kim, however, has “a goal of answering the fundamental question: what are we talking about when we’re talking about autism?” Lerner said. “Slowly, autism has morphed from the most categorical to the most dimensional. Literally, people talk about the spectrum when they talk about autism.”

With a dimensional approach based on levels of the three major domains for diagnosing autism, Kim suggested that researchers and doctors could better understand people who fall just below the current diagnosis for autism.

“It’s especially important to identify individuals who show a borderline range of symptoms, who barely fail to meet the diagnostic criteria of a given disorder, and provide them with appropriate treatments,” Kim explained.

Ideally, he hopes a dimensional approach incorporates the severity of symptoms into the current diagnostic system to promote better treatment procedures and outcomes.

Kim recognized that he could have just as easily created a dimensional approach that incorporates a greater number of criteria. His statistical analysis, however, revealed that the three dimensions provide the parsimonious explanation about autism symptoms.

Kim analyzed data from a parent questionnaire. He recognized that self-reporting by parents may underestimate or overestimate the severity of symptoms. He believed the over and under estimate of symptoms likely “evened out.”

Lerner suggests this multidimensional approach has numerous implications. For starters, it can help capture more of the types of symptoms in a diagnosis. It can also highlight the specific area of autism a clinician might want to target.

“We should be focusing on the factors that are most relevant for the individual and which are getting in their way,” Lerner said.

Treating autism broadly, instead of focusing on specific symptoms, may be “misguided,” Lerner added. A more specific characterization of autism could also help advance the field of neurogenetic research. “With more contemporary genetic analysis, we can use findings like this as a road map for what those genetic differences mean,” he said.

For his next step, Kim hopes to expand this work to observational data, adding that to the existing pool of information from parental questionnaires.

“People go on a home visit and take video of autistic kids interacting with others,” Kim said. “We can have some people code their behavior.”

More broadly, Kim would like to answer fundamental questions about the classification and conceptualization of mental disorders by using advanced quantitative modeling and other data-driven approaches. He believes a factor may represent a person’s vulnerability to developing a specific mental disorder.

A high level of this factor, combined with life stressors or adversity, would make it more likely that a person develops a disorder. As someone who studies psychology, Kim said he is well aware of his own emotional patterns and he tries to use his training to help himself cope.

He is not particularly comfortable doing public speaking, but he tells himself that whatever anxiety he feels is normal and that his practice, knowledge and expertise should allow him to succeed.

A resident of Middle Island, Kim lives with his wife Jennifer. The couple has two young children. Kim describes his wife as a “really good” amateur baker, who bakes cakes, muffins, cookies, macaroons, chiffon cakes and more. He has encouraged her to start her own YouTube channel and one day they hope to open a bakery that is online and offline.

As for his autism work, he hopes the dimensional approach is “incorporated into the assessment stage so that individuals do not merely receive a diagnosis, but are informed of their unique symptom profiles, so that clinicians can take them into consideration.” 

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Mill Creek running after Feb. 12 snows. Photo by Kyle Barr

At a Port Jefferson village board meeting Feb. 4, Mayor Margot Garant held up a picture of West Broadway in front of Ecolin Jewelers from March 2, 2018. It’s a panorama of part of the village underwater after the area was hit by winter storm Riley, taken by photographer Craig Smith. 

Though that photo spoke of how the village had once been known as Drowned Meadow, Garant said it was telling that the picture could have been any number of occasions in the past year.

“Unfortunately, this is becoming an all too familiar picture,” Garant said. “We have probably had five or six events since 2018 that caused the three-way intersection to flood … flooding in and around Barnum Avenue is becoming a regular concern.”

“In short, I think it’s going to get worse.”

— Frances Campani

In July 2018, Port Jeff put in an application to New York State for a Local Waterfront Revitalization Program grant to update the 2013 Waterfront Revitalization Plan, an appendix to the village Comprehensive Plan Update. At the Feb. 4 meeting the board voted to go forward with Port Jefferson-based Campani and Schwarting Architects, who in part submitted for the grant last year, to create a visioning study to address the issue of stormwater runoff, storm surges and future rising tide protection in an effort to resubmit for the grant in July.

The proposed analysis would look at the flooding problem in the harbor, including Main Street and East and West Broadway, what causes it and what is predicted to happen in the next two, five and 10 years.

“In short, I think it’s going to get worse,” said architect Frances Campani. 

In addition, the proposal document for the visioning study states they would study the watershed groundwater flooding problem, including bringing in existing data on stormwater catch basins, the culvert running to the Mill Creek at Village Hall, flooding and ponding at Barnum Avenue and flooding in the area between Wynne Lane and Maple.

While the shoreline and Harborfront Park would be the expected areas of concern, Campani said the most concerning areas are East and West Broadway and the main stormwater drainage line, which partially runs underground and has become overcharged with water in the past. She added another problem could be the amount of asphalt in the village, which unlike dirt cannot absorb any water. In addition, there could be a mention of widening certain parts of Mill Creek to allow more water flow.

“Two things should be studied, certainly the park itself with an eye to flood mitigation and waterfront park design methods to help the uplands areas,” said Campani at the Feb. 4 meeting. “Also the watershed area — it’s so closely linked we should tie them together as a study.”

“A thing that really needs to be looked at is where do you put the water.”

— Larry Lapointe

In September 2018, Port Jefferson was hit with major rains that inundated the village in water, causing people to become trapped in their cars and thousands of dollars in damage to local businesses, especially village staple Theatre Three. In the basement of the venerable theater, waters rose as high as four or five feet. New York State Assemblyman Steve Englebright (D-Setauket) said he was concerned that such damaging flooding could happen at low tide.

He and other local officials feared what could happen if the same circumstances occurred at high tide.

The visioning study proposal said it would be completed in four months, adding up to a total cost of $9,800.

Village trustee Larry LaPointe said it was important to consider just where the water might go in efforts to drive it away from the village business hub.

“A thing that really needs to be looked at is where do you put the water,” LaPointe said. “How do you get the water to go into places where it’s not interfering with our use of the village?”

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By Daniel Dunaief

Daniel Dunaief

Old school. It’s a phrase that suggests someone, like yours truly, does something one way, even if there might be an easier, more efficient or modern alternative method for doing things.

Take reading a book. My teenage children think nothing of doing their assigned reading for classes on electronic devices.

That just doesn’t work for me. For me, reading has
always been a multisensory experience. I enjoy finishing a page and flipping to the next one, anticipating the next set of words even as I know how many pages are left in the book by the size of the stack to the left and right.

When I was young, I used to figure out the exact middle of a book. I had an understated celebration when I reached the midpoint, even though the prologue, or introduction, often tilted the balance slightly.

Of course, I could do the same thing with an electronic version of a book.

And yet it’s just not the same for me. I also liked to see the names of the people who read the book in school before me. These students had perused the same pages, found the same shocking revelations and associated with the characters as they moved through the same year in their lives.

When I reread a chapter, searched for symbols or literary devices, I could recall exactly where on a page I might have seen something.

In an e-book, every page is the same. None of the pages is slightly darker, has a bent corner where someone might have stopped, or has a slightly larger “e” or a word that’s printed above the others on a line. The virtual pages are indistinct from each other, except for the specific words on the page or the chapter numbers.

I suppose people like me are why a store like Barnes & Noble can still exist, despite the ease and low cost of uploading books. And, yes, I understand when I travel how much lighter my suitcase would be if I uploaded 100 books without lugging the weight of the paper. I also understand that e-books are more environmentally friendly. Once a paper book is produced, however, it no longer requires constant battery recharging.

Passing along books read by earlier generations connects us to our parents and grandparents. We can imagine them holding the book at a distance as their eyes started to change, falling asleep with the book in their laps, or sitting on the couch until late at night, eager to finish a book before going to bed. We can also picture them throwing a book that frustrated them across the room or out the window.

Among the many Titanic stories that sticks out for me is the tale of Harry Elkins Widener, a 27-year-old book collector who boarded the ill-fated ship with his mother and father in Cherbourg, France. Legend has it that he died with a rare 1598 book, “Essays” by Francis Bacon, that he had bought in London. Harry and his father died aboard the ship, while their mother survived the sinking. After her son perished, she donated $2 million — an enormous sum in 1912 — to Harvard to construct a
library which is still on the main campus.

While I’m sure it’s possible to pick a random section of an e-book, I have grabbed books from a shelf and leafed to a random page, trying to figure out where in the story I have landed.

I am delighted to hold children’s books, including many of the Dr. Seuss collection. Also, I remember my children searched each page of “Goodnight Moon,” by Margaret Wise Brown for the mouse. There’s probably a mouse in the virtual version and touching it may even make the mouse grow, scurry across the virtual page or offer lessons about rhyming couplets.

Still, for my reading pleasure, I’m old school: Hand me a book and I’ll carry around a friend.

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At a Labor Day celebration on the Village Green in 1919, above, Setauket’s Ernest West is second from right in the front row; George West is second from right, fourth row; Harvey West is third from left, third row. Photo from the Three Village Historical Society

By Beverly C. Tyler

“Victory and Peace,” the headline proclaimed, “War Ends — Fighting Ceased at 6 a.m. Monday.” It was Nov. 11, 1918, and World War I had come to an end for the Americans fighting in Europe. In a railway car in the French Forest of Compiègne, at 5 a.m., the German delegates accepted the strict terms of the armistice and at 11 o’clock that morning the world war came to an end.

Percy, Ernest, George and Harvey West of Setauket all served during World War I. Photo from the Three Village Historical Society

President Woodrow Wilson that morning issued a proclamation that said, “My fellow countrymen. The armistice was signed this morning. Everything for which America fought has been accomplished. It will now be our fortunate duty to assist by example, by sober friendly council and by material aid in the establishment of just democracy throughout the world.”

The men and women who served in “the war to end all wars” were coming home. Many of the soldiers were suffering from what they called “shell shock.” Today we know it as post-traumatic stress or simply PTS. Other world war soldiers were gassed. In many of these cases soldiers came home without revealing their need for help. In other cases, soldiers were treated and released back into civilian life with or without continued care. Many soldiers never recovered from their wartime experiences.

The following year, after the soldiers and sailors had returned home, a celebration, parade and memorial service was held Labor Day, Sept. 1, 1919. As reported by the Port Jefferson Times, “All Setauket was there and most of Long Island by the appearance, for long before the time scheduled for the start of the procession, automobiles began to line the road on either side. Promptly at 2:30 p.m. the 42nd Infantry Band from Camp Upton led the parade away from the dock at East Setauket.”

The parade continued along Shore Road from the harbor and then paused while the Rev. A.Y. Holter dedicated the new East Setauket Park in honor of those who served in the war. The parade then re-formed and proceeded up Main Street, turning right at the Methodist Church and continuing to the Village Green.

The parade brought out many local groups and some $5 gold pieces were awarded as prizes. The award for the best decorated carriage went to  Henry Smith of Setauket whose buggy was decorated with pumpkins and other farm products. One of the decorated trucks that didn’t win a prize was in the shape of a submarine chaser, with real guns mounted fore and aft. Among the groups that marched were the mechanics of Setauket and Port Jefferson and 70 or so soldiers and sailors who later posed for a picture on the Village Green. Others in the parade included a car filled with men who had fought in the Civil War, men on horseback, decorated trucks carrying members of various organizations and school children carrying a “Welcome Home” sign.

Muriel Hawkins, of East Setauket, daughter of Clinton West, remembered the parade and how her uncle Ernest West, who was a ship’s carpenter in the Navy, made seven trips across the Atlantic and back during the war. Ernest was one of four brothers who served during the war. The other three, George, Harvey and Percy were in the Army. All four were the sons of Setauket blacksmith Samuel West and all four returned, in some cases with mental and physical scars that would last the rest of their lives. There was, however, a lot of family support as their father, Samuel West raised 10 children, with help from his own extended family, as his wife, Ida Hulse West, died after the delivery of their 10th child.

A young Forest West, born June 19, 1910, wears a child’s World War I uniform with his Uncle Harvey West on Bayview Avenue, East Setauket, looking north. Photo from the Three Village Historical Society

Percy Hulse West was born July 18, 1889, and enlisted in the U.S. Army April 13, 1917. The War Department telegram written Oct. 21, 1918, to his father says, “Deeply regret to inform you that it is officially reported that Private Percy H. West, Infantry was severely wounded in action about August twenty-eight [actually July 10]. Department has no further information. Harris, Acting Adjutant General.” Over the next few months, Percy was transferred to a number of different Army hospitals including Army Hospital No. 3, Rahway, New Jersey. 

On Nov. 5, 1918, Clinton West, Town of Brookhaven justice of the peace and Percy’s brother, wrote to Maj. Fayermather at the hospital requesting information “regarding the revoking of the furlough of my brother Private Percy H. West. Father was quite upset as this was Percy’s only furlough since his enlistment in May, 1917. He being the first of our local boys to return from active front line service and crippled, we had planned to give him a good time and a chance to visit his relatives and friends …” On Nov.18, 1918, Samuel West, Percy’s father wrote to Capt. Sellers to request “that Percy might be allowed a little time to see his people [in East Setauket] after the service he has rendered his country.” Additional letters from Selah Strong and H.G. Rogers were received at the hospital with the same requests.

Percy did return after he was discharged March 3, 1919, as he is pictured in the photo of the celebration on the Setauket Village Green Sept. 1, 1919, as well as a family photo taken the same day with his father and his other three brothers who served in the war.

The following year, the 1920 census lists Percy as living at “Mattawan State Hospital, Beacon, Dutchess County, NY.” In the 1930 census report, Percy was living as a boarder with Fred and Lydia Bartoo (or Barton) in Oxford, Chenango, New York, where he was working at a golf course. Percy died July 6, 1957. Percy’s brother Ernest West returned to East Setauket and continued working there as a carpenter until his death in 1966. Percy’s brother Harvey West, in 1930, was a patient in the Middletown State Homeopathic Hospital in Orange County. He later went to live with his brother George and Elsie West in Stratford, Connecticut. He died in 1967. George West, following World War I and his return home, lived the rest of his life in Connecticut, in 1920 with his sister Hazel West Jayne and her husband Robert Jayne. George married Elsie in 1922 and made his home in Stratford, Connecticut. He died in 1975.   

“World War I was the first ‘modern’ war. Industry enabled weapons and explosives to be manufactured in vast quantities that brought death and destruction on a scale never previously experienced by mankind and that affected all combatants. On Sept. 18, 1918, American Sgt. Charles S. Stevenson wrote: “This is the seventh day of the St. Mihiel drive and I find myself sitting in a thick, muddy forest, with my knees and a gas mask as a table, writing to you. It was some drive. Small, in comparison to many operations, to we rookies it was a real battle. Machine guns, rifles, shells, aeroplanes and tanks — everything you read about — I saw ’em all. We followed the first line (the attacking party) for twelve hours and ours was a sort
of ‘after the battle’ review. I saw all kinds of German trenches, barbed wire entanglements, busted houses, burning trees, deep shell holes, torn-up railroad tracks, peaceful gardens, dynamited bridges.All kinds of German prisoners passed me on the way back.” (Exhibition: Fields of Battle, Lands of Peace: The Doughboys 1917-1918 — National World War I Museum, Kansas City, Missouri). This exhibit has been touring the world and is now at the Navy Pier in Chicago, Illinois until Nov. 18.

Beverly C. Tyler is Three Village Historical Society historian and author of books available from the society at 93 North Country Road, Setauket. For more information, call 631-751-3730 or visit www.tvhs.org.

Editor’s note: Armistice Day was changed to Veterans Day in 1954.

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Setauket United Methodist Church circa. 1909. Mechanics Hall, which was once used as a parsonage, is to the right. Photo from Three Village Historical Society

Members of a Three Village church are recalling its history with a significant milestone around the corner.

The Setauket United Methodist Church, located on the northeast corner of Route 25A and Main Street and known locally as the “light on the hill,” will be celebrating its 175th anniversary Oct. 14 with a special service.

Setauket United Methodist Church as it looked today. Photo from Setauket United Methodist Church

Congregants originally gathered in a schoolhouse in 1835 not far from its present location, according to church documents. The Methodist Society of Setauket was formed by Alfred Darling, Peter Darling, Charles Darling, William Cargill and Richard Terrell after attending a revival in Port Jefferson in 1843.

They first purchased what was known as the Baptist Meeting House on the corner, and in 1869 members who were employed in the local shipbuilding industry began building the current church when it was agreed that a bigger building was needed. The congregants sold the old church in 1869 and moved the building across Route 25A. The new building was dedicated Oct. 12, 1870.

Dennis Hutchinson was baptized in the church in 1939 and has been a member all his life. Through the years, he said he has seen the congregation, which currently includes approximately 500 members according to Rev. Steven Kim, grow due to developing surrounding communities and at times shrink.

Hutchinson said he remembers many renovations through the decades, including a new steeple that cost $16,000 in the late ’70s. At a horse show organized by philanthropist Ward Melville, Isaac Lyness, a member of the church, attended the event and was able to meet Melville and tell him about the steeple and the church’s historic significance in Setauket. Melville gave $4,000 to help pay for the new steeple.

“That was quite a generous gift at the time,” Hutchinson said.

Through the decades, church members held various fundraisers including fairs and bake sales, and Hutchinson said local residents always remember how the church would sell clam chowder in the spring. He said one year they made 600 quarts of chowder.

Cecelia Lundquist said during the last 10 years the church members have redecorated the sanctuary and installed a handicapped elevator. Lundquist and her husband, Bob, have been members since 1967 when they moved back to Long Island after her husband was briefly transferred to Virginia. A lawyer they knew from their church in Brooklyn told them about Setauket and suggested they join the church.

“We became members of the Setauket United Methodist Church more than 50 years ago,” Lundquist said. “It has been the center of our lives, both spiritually and socially.”

Barbara Thomas has been a member of the church since she attended as a child, and she remembers when the children would meet under the sanctuary for a brief service in the basement hall named after Samuel Gurney, a missionary with family in the area. The service would be followed by classes.

The original steeple of the 1870 church building is being painted by Ray Tyle, who was a local photographer and artist known for his aerial photographs commonly taken from the tops of flagpoles and other tall structures. Photo from Three Village Historical Society

“I remember long velvet drapes that divided the classrooms,” Thomas said. “The drapes were hung from wire which ran from the walls to the columns that braced the church.”

Thomas said the church bought Mechanics Hall, a building near Main Street that was converted into a parsonage for the pastor, and when the Sunday school and church membership  grew during World War II, to accommodate the growing congregation, an addition was built to connect what then became the former parsonage. It was named after Carl J. Norton, who once produced Christmas pageants for the church. With the addition, the church now had two offices, and the former parsonage was named after early members of the church, the VanBrunt family.

“I am still a part of this wonderful little church and sometimes I witness the return of former members,” Thomas said. “I remember with fondness the men and women who have come to guide us through the years as pastors, and I remember the many sisters and brothers who have graced the church and been a loving family to me.”

There have been approximately 75 pastors through the decades. Rev. Kim has led the congregation since 2016 and said he is looking forward to the anniversary.

“I hope people would rediscover the significance of the great spiritual heritage that has run through Setauket Methodist Church upon our 175th Anniversary,” Kim said.

Hutchinson will speak on the day of the service. He said he let Kim know he has a lot to share.

“In my little talk that I’m going to give on that Sunday, I have so many things [to share] but I should try to get them home by dark,” Hutchinson said.

The anniversary service will be held Oct. 14 at 10 a.m. at the church located at 160 Main St., East Setauket. The service will include sharing memories, guest preachers, a luncheon and a
performance by musicians from The Jazz Loft. For more information about Setauket United Methodist Church and the anniversary service, visit www.setauketumc.org or call 631-941-4167.

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From left, Major Benjamin Tallmadge (Art Billadello) and Abraham Woodhull (Beverly C. Tyler) read a copy of The Royal Gazette dated July 21, 1780 on the grounds of the Sherwood-Jayne Farm in East Setauket as Big Bill the Tory, aka William Jayne II (David Burt), looks on. Billadello is wearing a dragoon coat from the AMC television series ‘TURN’ that will be auctioned off at Gallery North’s Studio during Culper Spy Day. Photo by Heidi Sutton

 ‘Lucky is the child who listens to a story from an elder and treasures it for years.’

— Barbara Russell, Town of Brookhaven Historian 

By Heidi Sutton

Margo Arceri first heard about George Washington’s Setauket spies from her Strong’s Neck neighbor and local historian, Kate W. Strong, in the early 1970s. Arceri lights up when talking about her favorite spy, Anna Smith Strong. 

“Kate W. Strong, Anna Smith Strong’s great-great-granddaughter, originally told me about the Culper Spy Ring when I used to visit her with my neighbor and Strong descendant Raymond Brewster Strong III. One of her stories was about Nancy (Anna Smith Strong’s nickname) and her magic clothesline. My love of history grew from there,” she said.

Five years ago Arceri approached the Three Village Historical Society’s President Steve Hintze and the board about conducting walking, biking and kayaking tours while sharing her knowledge of George Washington’s Long Island intelligence during the American Revolution.

Today, Arceri runs Tri-Spy Tours in the Three Village area, which follows in the actual footsteps of the Culper Spy Ring. “I wanted to target that 20- to 60-year-old active person,” she said.  “I have to thank AMC’s miniseries “TURN” because 80 percent of the people who sign up for the tour do so because of that show,” she laughs. 

It was during one of those tours that Arceri came up with the idea of having a Culper Spy Day, a day to honor the members of Long Island’s brave Patriot spy ring who helped change the course of history and helped Washington win the Revolutionary War.

The Brewster House, considered to be the oldest house in the Town of Brookhaven, will be open for tours on Culper Spy Day.

“Visiting places like the Brewster House, which is owned by The Ward Melville Heritage Organization, the grave site of genre artist William Sidney Mount at the Setauket Presbyterian Church cemetery (whose paintings are at The Long Island Museum) and the Country House, which every one of the spies visited,” Arceri thought “there has to be a day designated to celebrating all these organizations in the Three Village and surrounding areas; where each of us can give our little piece of the story and that’s how Culper Spy Day developed.”

After a successful three-year run, the fourth annual Culper Spy Day will be held on Saturday, Sept. 15 from 9 a.m. to 4 p.m. offering self-guided tours of 24 locations including eight new spots for the ultimate Culper Spy Day experience. “The more the merrier,” laughs Arceri.

One new event you won’t want to miss is an interactive tour at the Sherwood-Jayne Farm in East Setauket where you’ll experience a different spin on George Washington’s Culper Spy Ring. Maintained by Preservation Long Island, the property boasts a 1700s saltbox home, apple orchard, barn, an ice house, corn crib, a pasture and nature trail.

According to Darren St. George, education and public programs director at Preservation Long Island, the farm was originally owned by the Jayne family.

“The property was purchased by Mathias Jayne in 1730 [who built a lean-to saltbox dwelling] which is eventually passed down to William Jayne II in 1768 who expands the house after his second marriage,” he said, continuing, “[William] was involved with local government, he was a constable, so he had some stature and clout in the community and it was nice to have a more substantial home.”

However, when the Revolutionary War broke out, Jayne chose to remain a Loyalist and a steadfast supporter of the crown.

Meet Big Bill the Tory at the Sherwood-Jayne Farm in East Setauket on Culper Spy Day and learn the TRUTH about George Washington’s pesky band of renegade spies! Photo by Darren St. George, Preservation Long Island

“William Jayne II was a known Tory in the neighborhood,” said St. George. “Long Island was occupied by many Tories, many people still supported the king and didn’t want to upset the status quo, but as the war concluded, most Torys moved to Canada or Connecticut or they turned their back on the king entirely, but Jayne doesn’t. He still stays a Tory, he has his reputation and still thrives in the community,” eventually acquiring the nickname Big Bill the Tory.

When Jayne passed away, the home remained in the family until it was sold in 1908 to Preservation Long Island’s founder, Howard C. Sherwood, who used the home to showcase his many antiques. It was placed on the National Register of Historic Places in 2009.

During Culper Spy Day, ticketholders will be able to take part in a 20-minute guided tour of the first floor of the home, specifically the Jayne Parlor (which was added after the Revolutionary War), the Sherwood Living Room (which was the original 1730 home) and the Tap Room (kitchen/dining room).

One of the more interesting features of the home are the original late-18th-century hand-painted floral wall frescoes on the walls of the Jayne Parlor. Commissioned by William Jayne II, they were rediscovered underneath wallpaper by Sherwood in 1916 who had them restored by well-known artist Emil Gruppé. “One small panel was left untouched so that you can see how it’s weathered through the years,” St. George pointed out during a recent tour.

The home contains artifacts that specifically relate to the American Revolution, including paneling on the fireplace wall and shutters on a bar in the Tap Room that came from the Tallmadge House of Setauket, believed to be the birthplace of Colonel Benjamin Tallmadge, a founding member of the spy ring who would become George Washington’s chief intelligence officer.

As a special treat, Big Bill the Tory, portrayed by David Burt, will make a guest  appearance during each tour and share his views on the Culper Spy Ring and the noble intentions of King George III. “He’ll explain what life has been like for him as a Loyalist — the other side of the story that we’re really not hearing too much of,” explained St. George.

Parking will be in the field next to the property and visitors are asked to line up at the back door for the tour, which will be ongoing from 9 a.m. to 4 p.m. Apple cider and donuts will be available for purchase.

Arceri’s favorite part of the day is “seeing all these different organizations coming together as a whole. It really is our Revolutionary story,” she said. “Everywhere you turn in the Three Villages you are looking at an artifact, and as the historical society believes, the community is our museum and that I would really love to put on the forefront of people’s minds.”

Admission is $25 adults, $5 children ages 6 to 12 and may be purchased in advance at the Three Village Historical Society (TVHS), 93 North Country Road, Setauket, by calling 631-751-3730 or by visiting www.tvhs.org. Veterans and children under the age of 6 are free. 

Tickets may be picked up at the TVHS from Sept. 11 to 15. At that time, participants will receive a bracelet and a copy of the Culper Spy Day map with all event listings and include access to 24 Culper Spy Ring locations. If available, tickets on the day of the event may be purchased at the historical society.

Participating organizations: 

The fourth annual Culper Spy Day is presented by Tri-Spy Tours, the Three Village Historical Society, the Long Island Museum and The Ward Melville Heritage Organization in collaboration with the Benjamin Tallmadge District of the Boy Scouts; Campus Bicycle; Caroline Church of Brookhaven; Country House Restaurant; Custom House; Discover Long Island; Drowned Meadow Cottage Museum; East Hampton Library, Long Island Collection; Emma S. Clark Memorial Library; Fairfield Historical Society, Fairfield Museum & History Center; Frank Melville Memorial Park; Fraunces Tavern® Museum; Gallery North; History Close at Hand; Huntington Historical Society; Huntington Militia; Joseph Lloyd Manor House; Ketcham Inn Foundation; Northport Historical Society; Old Methodist Church; Paumanok Tours; Port Jefferson Chamber of Commerce; Port Jefferson Free Library; Preservation Long Island; Raynham Hall Museum; Rock Hall Museum; Setauket Elementary School; Setauket Harbor Task Force; Setauket Neighborhood House; Setauket Presbyterian Church; Sherwood-Jayne Farm; Stirring Up History; Stony Brook University Libraries, Special Collections; Stony Brookside Bed and Bike Inn; Three Village Community Trust; The Three Village Inn; Times Beacon Record News Media; and the Underhill Society of America Inc. 

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