Community

The three bears, from left, discover Goldilocks sleeping in Baby Bear’s bed.

By Heidi Sutton

Summer is just around the corner, making for the perfect opportunity to review safety and stranger danger protocols with young children. Theatre Three’s latest show, “Goldilocks — Is That You?” accomplishes just that through the magic of live theater.

The cast of ‘Goldilocks — Is That You?’

The original musical, written by Jeffrey Sanzel and Kevin F. Story, is an interpretation of one of the most popular fairy tales of all time, “Goldilocks and the Three Bears” by Robert Southey, and encompasses all of the beloved characters from the original story plus a few colorful new ones.

In this production, Papa Bear, Mama Bear and Baby Bear are show biz bears who have retired from the circus and are now living in a house in the country. It’s the first of the month and the banker, Billy de Goat Gruff, has come to collect the rent money, which they don’t have. The grouchy goat gives them until the end of the day or they will be kicked out. While their porridge is cooling down, the bears decide to go for a walk to think of ways to come up with the rent.

In the meantime, Goldilocks, a Campfire Bluebird Pioneer Scout Girl who lives with her grandmother Granny Locks, sets off to her cousin’s house to deliver cookies. She ends up at the bear family’s house by mistake and lets herself in. In one of the funniest scenes of the show, Goldilocks tastes the three bowls of porridge, sits in the three chairs and tries out the three beds, choosing Baby Bear’s bed in which to take a nap.

When Granny Locks realizes that Goldilocks has not arrived at her destination, she seeks the help of local forest ranger Wolf Hunter to find the missing girl. They arrive at the bear’s house just as Baby Bear realizes that “someone’s been sleeping in my bed, and she’s still there!” Luckily for Goldilocks the bears are friendly — they even know Granny Locks from their circus days when she was Eloise of the Flying Trapeze. 

But all’s not well. The banker still wants his rent money, so the group puts on a show to help young people learn about safety to raise the funds. Soon all the children in the audience are learning about the importance of staying safe and that “strangers can mean danger — so don’t talk to strangers.”

Eric J. Hughes, Nicole Bianco and Jessica Contino play the three showbiz bears in ‘Goldilocks — Is That You?’

Expertly directed by Sanzel, the talented cast of seven adults put on a charming and funny show, evident by the constant giggles from the young audience at last Saturday’s opening performance. Meg Bush is perfectly cast as the sweet and innocent Goldilocks and Dylan Robert Poulos, channeling his inner Gilbert Godfrey, is hilarious in the role of Billy de Goat Gruff. Eric J. Hughes, Nicole Bianco and Jessica Contino tackle the roles of the three bears and do a fine job, especially Contino as the adorable Baby Bear. Ginger Dalton plays a fun Granny Locks and Steven Uihlein as the superhero Wolf Hunter, Forest Ranger (“Wherever there’s trouble or danger, you’ll find Wolf Hunter, Forest Ranger!”) is an audience favorite.  

The musical numbers, accompanied on piano by Steve McCoy, are delightful; the choreography by Nicole Bianco, which incorporates baton twirling, ballet and tap, are fresh and exciting; and the costumes, by the design team of Teresa Matteson and Toni St. John, are amazing, especially on the bears and Billy De Goat Gruff. 

All in all, the play can be compared to a great  big bear hug and is just right for young children from beginning to end. Meet the cast in the lobby for photos after the show.

Theatre Three, located at 412 Main St., Port Jefferson will present “Goldilocks — Is That You?” on June 2 and 9 at 11 a.m. with a sensory-sensitive performance on June 3 at 11 a.m. Children’s theater continues with “The Princess Who Saved the Dragon” from July 6 to Aug. 9 and “Alice’s Most Decidedly Unusual Adventures in Wonderland” from Aug. 3 to 11. Tickets are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions, Inc.

Hundreds of St. James residents wore red, white and blue this Memorial Day to pay solemn remembrance to those who have served our country.

St. James held its annual Memorial Day parade and remembrance ceremony May 28. The parade stepped off from Woodlawn and Lake avenues at 10 a.m. featuring local marching bands, fire departments and both Boy Scout and Girl Scout troops.

The community gathered for a wreath-laying ceremony outside Saint James Elementary School. Each veterans group laid a wreath to honor its members, before the names of each member of the services who had passed away in the last year was read while a bell was rung.

Hundreds of Northport residents lined the village streets to honor those who serve our country and have
made the ultimate sacrifice this Memorial Day.

Northport held is annual Memorial Day parade and services May 28, led and organized by Northport American Legion Post 694. The parade stepped off at 10 a.m. from Laurel Avenue School.  As the parade wound its way into the village, members of the American Legion stopped at various memorials throughout town to lay wreaths to honor veterans. One of the wreaths laid was in memory of U.S. airman Master Sgt. Christopher Raguso, also a New York City and Commack firefighter, who died in the line of duty March 15.

Raguso was one of seven members of New York’s 106th rescue unit killed in the line-of-duty March 15 when a H-60 Pave Hawk helicopter crashed while carrying out a mission in support of Operation Inherent Resolve, an American-led mission to defeat ISIS in Iraq and Syria, according to the United States Department of Defense.

Kota, a therapy dog used to comfort patrons at Moloney’s Family Funeral Homes, owned by Peter Moloney, pictured with daughter Erin Moloney, who rescued Kota while in Arkansas. Photo by Chris Mellides

By Chris Mellides

Joined by his closest family, an elderly man sits amid a solemn ceremony, overcome with sadness over the loss of his wife of 72 years.

The 94-year-old World War II veteran pauses during service at the Moloney Funeral Homes’ Center Moriches location long enough to spot a Labrador-Weimaraner mix named Kota, who slowly approaches him.

Peter Moloney, owner of the funeral homes and Kota’s personal handler, gives the grieving man a treat for Kota, which the docile dog gladly accepts before gently resting his head in the man’s lap.

“The man came into the funeral home with his family and his daughter and he was brokenhearted at the loss of his wife,” Moloney said. “Kota provided him with a sense of comfort and he was very appreciative.”

Kota, a therapy dog used to comfort patrons at Moloney’s Family Funeral Homes. Photo by Chris Mellides

The owner explained the thought process behind having Kota on-hand in the right situations.

“Pets are known to reduce stress and anxiety and take people to another dimension in the grief process,” he said.

Moloney’s daughter, Erin, rescued the dog while she was studying at the University of Arkansas, and when Kota was introduced to the family one Thanksgiving Erin’s father knew that Kota would be a perfect candidate as a therapy dog.

Aptly nicknamed “Kota the Comfort Dog,” the young canine travels with Moloney wherever he is needed and has made appearances with his owner across all seven family run funeral homes located throughout Suffolk County, including in Port Jefferson Station.

“He’s a wonderful companion and he’s provided tremendous comfort to families that have encountered him that have a fondness for pets,” Moloney said. “He’s not for everybody, and I would never introduce him to a family without at least having some type of conversation surrounding pets and animals. We would not want to invade someone’s privacy [who] perhaps was afraid.”

While Kota is currently the only certified therapy dog to be used for support in funeral homes on Long Island, according to Moloney, dogs like him have long since been used for similar purposes.

Therapy dogs have been implemented for those in need of comfort as far back as the 1700s, primarily for those people suffering from mental health problems, said Mary Burch, American Kennel Club spokesperson and director of the Canine Good Citizen program, which is used as a prerequisite for many groups that use therapy dogs.

“In the 1970s there were several large organizations that registered therapy dogs and currently, there are hundreds of organizations across the country that register therapy animals,” Burch said.

The AKC spokesperson said facilities tend to contact therapy dog organizations that have “tested dogs and determined where they are best placed.”

A quiet toy breed might be better utilized in a hospital setting where it can be placed on a bed, while larger sporting breeds might do well in a residential program for teenage boys, according to Burch.

“He loves to be petted and he’s very obedient. So, with those characteristics, I felt that he was a very good candidate to assist families within our funeral homes in providing comfort.”

— Peter Moloney

“In a funeral home, a dog would be needed that can provide comfort while remaining under control in this quiet setting where people are upset and in emotional pain,” she said.

Moloney said he saw the success funeral homes throughout the country have had when employing therapy dogs and that a friend in Milwaukee, Wisconsin, used a grief therapy dog with triumphant results, so Moloney thought he’d try to do the same on Long Island.

Kota is certified through Sublime K9 Dog Training, a Wantagh-based organization that among other things, provides dog obedience training and therapy dog services.

“He’s been certified and has passed the test, an obedience test, and needs to be calmer in crowds and he’s passed all of those requirements,” Moloney said. “Kota gets groomed on a regular basis so he’s clean and he’s very well maintained and he has all of his shots. We keep him up to date of course.”

Anne Moyer, associate professor in the Department of Psychology at Stony Brook University, said while more conventional forms of therapy generally involve interaction with a skilled professional, there is evidence suggesting animal interaction can be beneficial.

“Animals are considered useful as facilitators because they create a sense of safety, perhaps because they are nonjudgmental and do not require verbal interactions to connect with,” Moyer said. “Humans form emotional bonds and attachments to animals and these can be therapeutic.”

Kota has been visiting Moloney Family Funeral Homes where he has provided comfort since February and will typically work with families for 20 minutes at a time. Moloney said he is confident his dog will become a fixture at his funeral homes for the foreseeable future.

“Some people have aversions to pets so you know we’re very careful with our approach in introducing him to families,” Moloney said. “But he loves to be petted and he’s very obedient. So, with those characteristics, I felt that he was a very good candidate to assist families within our funeral homes in providing comfort.”

Renovations on the Red Barn in the Frank Melville Memorial Park, including straightening the building, were recently completed. Photo by Rita J. Egan

The weather was finally ideal for Frank Melville Memorial Park trustees, volunteers and friends to celebrate the completion of much-needed repairs to a historic structure.

Workers began restoring the park’s Red Barn at the beginning of September and completed the project a few months later. The 1,056 square-foot barn needed structural restoration, which included straightening, and the building up of the existing foundation to a level where it will be protected from flooding.

“The Melville Park is a historic oasis that now has an improved focal point, the Red Barn, to use to serve a larger population and build a new audience.”

— Kathryn Curran

On May 20 guests of the trustees enjoyed a reception complete with wine, hors d’oeuvres, dinner and desserts from Farm to Table Catering, as well as music from a few of The Jazz Loft performers.

Robert Reuter, president of the Frank Melville Memorial Foundation, thanked those who played a part in restoring the barn including Kathryn Curran, executive director of the Robert David Lion Gardiner Foundation, who helped to secure a $44,330 matching grant for the park.

“Kathryn Curran and the trustees of the foundation saw the real community value in what we’re doing here,” Reuter said. “I think they understood when they saw the application that this really is one of the centers of our community. It’s part of a large area that is rich in history, and it’s often interpreted as that by the historical society and some of the others who celebrate that history.”

He said in addition to the foundation’s endowment, the community’s support also played a big part in the restoration. Trustee Greg Ferguson’s family foundation and another trustee who wished to remain anonymous created a $10,000 matching challenge. Reuter said the trustees’ friends exceeded the goal and came close to matching the Gardiner grant. He said the balance needed for the barn came from park funds that were budgeted for park repairs.

Curran said the Gardiner Foundation seeks out projects through community outreach that advance regional history.

“The Melville Park is a historic oasis that now has an improved focal point, the Red Barn, to use to serve a larger population and build a new audience,” she said.

Curran said she and the foundation board members were pleased with the completed project. Scott Brown was chosen to work on the renovations by the FMMF board and has worked on other Gardiner projects including the Ketcham Inn in Center Moriches, the Modern Times Schoolhouse in Brentwood and the Caroline Church of Brookhaven’s Carriage Shed in Setauket.

“As a restoration carpenter Scott’s empathy to our historic sites is rooted in respect for their traditional construction,” Curran said. “His work helps bring these buildings back to life for their newly designated purposes.”

The Sound Beach Veterans Park memorial

By Ernestine Franco

A few weeks ago, Ann Moran, a member of the board of the Sound Beach Civic Association, was getting the Sound Beach Veterans Park’s garden ready for its upcoming Memorial Day celebration when she noticed something she had never seen before.

On the horizontal slab of the granite stone that displays the plaques of the seven fallen veterans of Sound Beach, someone had left two coins in front of each plaque, two quarters to be exact, and she wondered why. Moran knew that people sometimes leave a small stone on a headstone in a cemetery to indicate that they had been there but had no idea what it meant to leave a coin. When she stopped by the park a few days later someone had left a number of long-stemmed red roses in front of every plaque next to the coins.

When she told me about the coins, I was moved and knew it meant something to the person who left them there — but what? In an effort to understand this ritual, I decided to do some research.

People have been leaving small items on or near the graves of loved ones for a very long time. Excavations of even the earliest graves have uncovered goods meant to serve the deceased in the next world, such as pottery, weapons and beads.

Coins have been around since the late seventh century B.C., and as societies began using monetary systems, the practice of leaving currency at grave sites began as yet another way of equipping the dear departed for the afterlife.

Mythologies of different cultures added specific reasons for coins being left with the dead. In Greek mythology, Charon, the ferryman of Hades, required payment for his services. A coin was therefore placed in the mouth of the dear departed to ensure Charon would ferry the deceased across the river Styx and into the world of the dead rather than leave him or her to wander the shore for a hundred years. Although it is unclear when and why this started, in England and the United States  pennies were routinely placed on the closed eyes of the dead.

 

Coins left on the headstone of Ann Moran’s late husband

Leaving a coin is meant as a message to the deceased soldier’s family that someone has visited the grave to pay respect. Which coin is left on the headstone seems to symbolize different things. Leaving a penny at the grave means simply that you visited. A nickel indicates that you and the deceased trained at boot camp together, while a dime means you served together in some capacity. By leaving a quarter at the grave, you are telling the family that you were with the soldier when he or she died.

Traditionally, the money left at graves in national cemeteries and state veterans cemeteries is eventually collected, and the funds are put toward maintaining the cemetery or paying burial costs for indigent veterans.

In the U.S., this practice became common during the Vietnam War, due to the political divide in the country over the war. Leaving a coin was seen as a more practical way to communicate that you had visited the grave than contacting the soldier’s family, which could devolve into an uncomfortable argument over politics relating to the war. Some Vietnam veterans would leave coins as a “down payment” to buy their fallen comrades a beer or play a hand of cards when they would finally be reunited.

All the coins that Moran found at the memorial park were quarters. Because the veterans honored there died in action between 1942 and 2005, she knew the coins could not mean that the person who left them was with the soldier when he passed. She knew it was a sign of homage and remembrance. 

This past week she went to Calverton National Cemetery to visit the grave of her husband Matt and she left a nickel and a dime — one to remember him and one to just say hello. She did remove the coins at the Sound Beach park and put them in the civic association’s fund for upkeep at the Veterans Park.

We all remember the day that a friend or family member died and we mourn their passing. Memorial Day is the national day of mourning when we as a nation, as a people, remember those who have died to preserve our freedoms. 

Small tokens are left by visitors for no greater purpose than to indicate that someone has visited that particular grave. When visiting the grave of a good friend buried at Calverton, I left a tiny statue of a bunny at her grave for no other reason but that she loved bunnies.

A close-up of the roses and coins left at the memorial.

Town of Brookhaven Councilwoman Jane Bonner (C-Rocky Point) expressed her feelings about Memorial Day by saying, “For 150 years, America has paused on Memorial Day and honored those who made the ultimate sacrifice for our liberty. These brave souls truly defined what a hero is: someone who has given his or her life for something bigger than themselves. It’s a day to mourn their loss and honor their sacrifice, but also to thank God that such men and women have lived.”

A remarkable scene around Memorial Day at grave sites of men and women who have died for our country is the placement of American flags at each grave by Scouts at national cemeteries throughout the U.S. Sound Beach resident Nancy Ford, whose daughter Katie is now in the Air Force Reserves, places another kind of flag at Calverton each year in remembrance of her husband Jim, who served in the Air Force and was in the Sound Beach Fire Dept. Ford said, “Placing a fireman’s flag each year helps to renew my sense of patriotism in Jim’s military service.”

So this Memorial Day, if you visit a soldier at a national cemetery or a family member at a local cemetery, if you place a flag by the grave site, if you position flowers in front of the headstone, if you leave a memento that meant something special to the person buried there, or if you simply leave a coin, know that you are part of a tradition that remembers and honors the person buried there as well as lets family members know that someone has visited, that the person is  remembered. 

The traditions of a people are born from and nurtured by history. History remembers and safeguards the traditions that make up the spiritual center of a people. We follow them because somehow these rituals connect us with our past and link us to our future.

Ernestine Franco is a member of the Sound Beach Civic Association and a proofreader at Times Beacon Record News Media.

All photos by Ann Moran

The cast of ‘Curtains’

By Heidi Sutton

Theatre Three closes out its 48th season with a rousing revival of the musical comedy whodunit “Curtains.” The show, which opened on the Mainstage last Saturday night, will keep the audience guessing, and laughing, right up to until the very end.

With book by Rupert Holmes and music and lyrics by John Kander and Fred Ebb (both of “Chicago” and “Cabaret” fame), the eight-time Tony-nominated show had a successful Broadway run starring David Hyde Pierce (who won a Tony for his performance) from 2007 to 2008. Now the hilarious musical comes to Port Jefferson and does not disappoint.

A scene from ‘Curtains’

The play takes place at the Colonial Theater in Boston in 1959. A theater troupe is performing a new cowboy musical “Robbin’ Hood!” (think “Oklahoma!”) on opening night. As the ensemble performs the final act, “Wide Open Spaces,” it is clear that the star of the show, Jessica Cranshaw (Meg Bush) is a complete mess — singing out of tune, missing dance steps and flubbing her lines. (“I was distracted all night by a man waving his hands at me,” she laments. “That was the conductor,” the director mutters.) 

A few minutes after the final curtain Cranshaw collapses and is rushed to the hospital. It is later discovered that she has been murdered. “Now she has a conflict — she’s dead.”

Lt. Frank Cioffi (Steve McCoy) of the Boston Police Department, a homicide detective who happens to be a musical theater buff, is assigned to the case. The entire company is suspect, so he immediately places them on lockdown, barring them from leaving the theater until the case is solved.

The reviews are in!

The reviews come pouring in and they are brutal, especially from the Boston Globe. The producers decide to invite the newspaper’s critic, Daryl Grady (Andrew Gasparini), back when the show has been revamped.

The crew immediately starts reworking the songs and improving the scenes, with more than the occasional input from Detective Cioffi. “I’ve done a little community theater,” he admits modestly. “In ‘Midsummer Night’s Dream,’ my Bottom was very well-received.” He is also distracted by one of the actresses, Niki (Jenna Kavaler) and their blossoming relationship is fun to watch.

In the meantime, a second victim, co-producer Sidney Bernstein (Lon Shomer) is found hanging from the rafters, Bernstein’s wife, Carmen (Mary Ellin Kurtz) is shot at and Cioffi is pushed off a catwalk and narrowly survives. The plot thickens.

As the show progresses, Cioffi starts peeling away the layers of this “family” to uncover romantic relationships, jealousy, blackmail, rocky family dynamics and infidelity. Will he be able to solve the crime in time or will the entire company be picked off one by one?

A scene from ‘Curtains’

Singing, dancing and clever humor abound in this production that showcases a cast of 23 uber-talented actors directed by Jeffrey Sanzel. The high-energy performances, choreographed by Whitney Stone, are exhausting to watch but the cast pulls them off with ease. The musical numbers, accompanied by a live orchestra led by Jeffrey Hoffman, are a nice blend of show tunes and love songs. The costumes and wigs designed by Chakira Dohertyn are fun, especially the cowboy and cowgirl outfits; and the Western-themed set, designed by Randall Parson, ties the whole show together nicely. 

The incredible cast also features Nicole Bianco, Christopher M. Fretto, Dylan Robert Poulos, James Taffurelli, James Schultz, Tracylynn Conner, Matt Senese, Melanie Acampora, Eric J. Hughes, Lindsay DeFranco, Kyle Breitenbach, Cassidy O’Brien, Steven Uihlein, Alex Esquivel, Jeffrey Pangurn and Kiernan Urso.

If you’re looking for a fun night out, don’t miss “Curtains.” Griswold’s Cafe, located on the lower level of the theater, will be open before the show and during intermission for a snack or beverage, and take a chance on a 50/50 raffle. You may win big! Running time is two and a half hours with one 15-minute intermission.

Theatre Three, 412 Main St., Port Jefferson will present “Curtains” through June 23. Contains mature content. After a brief hiatus, the 2018-19 Mainstage season will open with “The Addams Family” from Sept. 15 to Oct. 27. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Brian Hoerger, Theatre Three Productions Inc.

St. James artist Arline Goldstein stands with a piece of her work in Studio 455. Photo by Kyle Barr

By Kyle Barr

Among the empty storefronts, cracked sidewalk and blighted buildings along Lake Avenue, local artist and longtime St. James resident Arline Goldstein drives down the road and pictures something better, something that will draw crowds and make the area vibrant with art and music.

“When I ride down Lake Avenue, I don’t see [the blight], I see boutiques and cafés and art galleries,” Goldstein said. “I use my imagination.”

In a new twist on St. James revitalization, local artists are putting forth the idea of creating an art district along Lake Avenue in an effort to make St. James a hot spot for art and culture. Goldstein presented the idea to Town of Smithtown officials at the May 8 board meeting.

“It’s in my heart for artists to show their work, and for others to see that work,” she said. “This project is the culmination of all my ideas about art.”

When I ride down Lake Avenue, I don’t see [the blight], I see boutiques and cafés and art galleries. I use my imagination.”
– Arline Goldstein

In April, Golsdstein and Eric Neitzel, the owner of DeBarbieri Associates Real Estate agency, went up and down Lake Avenue from Moriches Road to Woodlawn Avenue. Together, they counted nearly 20 empty storefronts along the approximately .8 mile stretch of road. Nietzel hopes the project could not only increase interest in the arts, but bring in restaurants, retail and other businesses.

“I think we could make a prosperous little downtown here in St. James,” Neitzel said.

The artists involved in the project believe this project could be a way to bring business back to downtown St. James.

“I think it is one thing that will help save this town,” photo artist Jack Ader said. “It has been proven all over the country that when places get together and create an art district, it revitalizes the town, it helps the local businesses.”

On June 12, Goldstein and some of her compatriots will meet with the town board and town planning department in a work group so she can fully explain what she has in mind. She said that if all goes well she hopes they could form a committee to truly start work on creating plans for the project. Supervisor Ed Wehrheim (R) has already shown support for the idea.

“In my opinion it’s a great idea for St. James, and I think it could really work well,” Wehrheim said. “Once it gets advertised, and people come and see it, word of mouth goes around and it really attracts people to it.”

Smithtown historian Bradley Harris said there are a number of historical underpinnings of art in St. James, including the St. James Calderone Theater off Lake Avenue that was built in 1929 and hosted many early vaudeville shows.

“There were a couple of individuals, artists and musicians who made a big impact in the area,” Harris said. “We’re still rediscovering that history in what was devoted to the arts in the past.”

“It has been proven all over the country that when places get together and create an art district, it revitalizes the town, it helps the local businesses.”
– Jack Ader

Even with the excitement she’s seen from the community and town board, Goldstein said she knows that creating an art district could take quite a long time. In March, the Village of Patchogue named Terry Street an art and culture district, but the revitalization of the area into the artistic hot spot it is today took many years. Not only that, but making Lake Avenue an art district would require not a small amount of legal commitment. It would mean a total rezoning of the area, and Goldstein predicted there would likely need to be incentives for businesses to open along the road and for landlords to upgrade buildings while not increasing rents.

Wehrheim said the St. James revitalization project, slated to begin this month, has been pushed back approximately a year to allow the installation of dry sewer mains at the same time. The revitalization plan calls for the renovations of Lake Avenue from Moriches Road to Woodlawn Avenue. This will include new sidewalks, planting of trees, installation of street lighting, curbs, concrete gutters and crosswalks, driveway aprons, asphalt, driveway aprons, benches and other decorative amenities.

Goldstein said she believed that if all goes according to plan and everything from the sewers to the new sidewalks are installed in time, then this project could really get underway.

Natalie Weinstein, the owner of Natalie Weinstein Design Associates and Studio 455 Art Gallery in St. James, said they are not going to wait for the sewers and revitalization to move forward. The artists are already looking to create events to promote art on Lake Avenue this summer, at the St. James gazebo.

“The art district will not be able to occur before we have the sewers hookup,” Weinstein said. “While we are waiting for that we are not sitting on our duffs. We’re doing exciting things to excite people and help spread the word.”

Danny Gardner as Don Lockwood in the iconic scene from ‘Singin’ in the Rain’

By Victoria Espinoza

The latest production at the John W. Engeman Theater will have you dancing and singing — rain or shine. “Singin’ in the Rain” premiered this past weekend to a full house and one of the most energetic crowds in past years. 

The classic movie, which is regarded as one of the greatest movie musicals of all time, comes to life as soon as the curtain rises, bringing the glitz and glamour of Hollywood’s golden age to Northport. It’s 1927 and Don Lockwood and Lina Lamont are the toast of Tinseltown until silent films are threatened with the rise of talking pictures. The Northport stage is set to look like an old Hollywood film studio lot. David Arsenault, the set designer, creates a simple but inviting backdrop, and many times throughout the show the sets are used to enhance musical numbers and bring even more laughs to the audience.

Danny Gardner (Don Lockwood) and Corinne Munsch (Girl in Green) in a scene from ‘Singin’ In the Rain’

While the songs, actors and sets all excel in this production, the choreography comes out on top. Drew Humphrey is both the director and choreographer for this show and brings audiences a nonstop party with intricate and joyful dance numbers that were accompanied by nonstop applause throughout the night. Standouts include “Fit as a Fiddle,” “Make Em Laugh,” “Good Morning” and, of course, the timeless classic, “Singin’ in the Rain.” 

Danny Gardner, who plays Don Lockwood, brings all the magic of Gene Kelly’s iconic scene with his mile-long grin, infatuated attitude and love-struck dance moves. Perhaps the most excited the audience got was when the rain started to pour on stage and Gardner appeared in a fedora with an umbrella under his arm.

Tessa Grady and Brian Shepard round out the main trio as Kathy Selden and Cosmo Brown, respectively, and the chemistry between the three is great fun to watch. Shepard brings the biggest smiles to audiences’ faces with fun jokes and a charming and lovable attitude. He steals the scene in “Moses Supposes,” and you can’t help but look for him in every scene to see what fun little moments he brings to his character.                                                                        All three stars have beautiful voices, and Grady does a great job bringing her talents to Kathy Selden to make her a confident, charming character with some great comedic moments as well. 

Emily Stockdale as Lina Lamont and Danny Gardner as Don Lockwood in a scene from the show.

Of course, the other character who delighted audiences with laughs was Lina Lamont, played by Emily Stockdale. The voice she was able to achieve for Lamont was impressive and hilarious and her short solo number in the second act was sharp and enjoyable. She brought great depth to what could’ve been a one-dimensional character. 

An extra fun treat for audiences was the short films inside the musical. Producer Richard Dolce and Humphrey do a great job making the film shorts hilarious, and as an added bonus a recognizable spot, Northport Village Park, makes a cameo appearance. It makes the black-and-white shorts twice the fun when you see the recognizable white gazebo as a backdrop for a sword fight and a lovers reunion. The ensemble cast who are a part of these shorts also deserve a special shout out for the delight they bring to the small screen.

Musical Director Jonathan Brenner handles the numbers wonderfully, bringing all the right emotion each scene calls for. “Moses Supposes” excels not only for Shepard’s lovable conviction but also the way Brenner handles the music. The same can be said for “Good Morning.” This scene delivers on all the fun the original film brings, and although the characters aren’t trotting together from room to room, this production’s version encapsulates all the charm.

And even with all the fun, this production saves the best for last with a closing number you won’t want to miss. Kurt Alger, costume designer for the show, adds an extra pop with costume choices for the end, bringing extra color and fun to the stage. But, of course, the elegant period pieces in the show’s entirety are also a marvel to see, especially a French-style costume worn by Stockdale. 

With more than just fan favorite songs, this musical promises to deliver a fun-filled evening for all who attend.

The John W. Engeman Theater, 250 Main St., Northport will present “Singin’ in the Rain” through July 1. Tickets range from $73 to $78. To order, call 631-261-2900 or visit www.engemantheater.com.

Photos by Michael DeCristofaro