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Reviewed by John Turner 

We humans have done a pretty good job at mucking up the planet, scraping away the planet’s skin for minerals and timber, farms and ranches, not to mention the type of development that characterizes so much of Long Island — shopping centers, industrial parks, and residences. These impacted places, especially the first few, lend themselves well to rewilding to restore the natural, living fabric that was once there.  

You might reasonably ask “What is rewilding?” not to mention what wilding means. As we learn in The Book of Wilding: A Practical Guide to Rewilding Big and Small (Bloomsbury Publishing  PLC) by Isabella Tree and Charlie Burrell, it is a form of ecological restoration (to restore to the wild condition). What separates it from typical ecological restoration efforts, however, is that the rewilder may not try to restore exactly what was once there or definitively know what species end up colonizing a rewilded site. In this regard rewilding falls in between active, intense hands-on ecological manipulation and non-intervention or just letting “nature take its course.” 

The concept of rewilding developed in the late 20th century when several conservationists offered a vision of North America, rewilded through the implementation of three “C’s” as guiding principles — cores, connectors, and carnivores. Cores involve the expansion of national parks and other public spaces; connectors involve land protection work to connect these expanded public spaces so wildlife can move between sites to promote genetic health among species through genetic exchange and as a hedge again local extirpation in one area; and, lastly, carnivores means the introduction of predators such as wolves, bears, etc. where possible, recognizing the critical role they play in maintain the health of ecosystems.

In Europe, where there are not the expansive wilderness areas like those found in North America, rewilding has taken on a slightly different definition or tone. Here it is viewed as “kickstarting the ecosystem” or as the authors state: “Putting nature back in the driver’s seat.” They do this by restoring rivers and wetlands by restoring their hydrology, promoting keystone species (species that play a disproportionate role in maintaining the stability of a natural community just as a keystone in an arch keeps an entire arch intact), reintroducing missing species (or if they cannot be reintroduced due to extirpation introduction of surrogate species that behave in a similar way ecologically) and implementing strategies to promote biodiversity, which as its name suggests is the full suite of living things in a specific area.       

We learn this and so many other things in this rewilding guide. And what a guide it is, all 559 pages worth, providing both breadth and depth on insights, principles, ideas, and strategies on rewilding. It is easy to get intimidated by this book given its level of detail and the sheer amount of information it contains. However, it is written in a clear and straightforward style, the authors recounting years of experience in their effort to rewild  a 3,500 acre estate in West Sussex, Great Britain. 

The book is a “how to guide,” covering all the elements necessary to make places that have been compromised once again ecologically diverse and stable, thereby providing the numerous benefits in the form of goods and services intact wild areas provide (e.g. clean water and air, soil creation, timber and wild food production). 

While some chapters on wilding have limited applicability to Long Island or New York State, such as introducing large herbivores, a number of chapters in the book have specific relevance to Long Island.

One such chapter is the discussion on “rewilding water.” As the authors note,  wetlands — rivers, streams, ponds, lakes, bogs, marshes etc.  — cover a tiny percentage of the Earth’s  surface, estimated to be about 1 to 2%, but contain habitat for 10% of  all animal species and 30% of all vertebrate species. It is clear: wetlands are important from an ecological and biodiversity perspective. 

What are the elements of rewilding a wetland, say, a stream? 

◆ Restore naturally meandering, S-shape channels in the waterway if previously straightened (so many streams and rivers have been in an effort to carry water away); 

◆ Revegetate the banks to eliminate erosion and plant trees along the banks to create shade that create cooler water conditions conducive for fish like trout (the authors recommend 50% of the water surface be shaded);

◆ Leave tree trunks and branches that have fallen in the stream since they provide hiding places for aquatic wildlife; 

◆ Create pools in the stream bed so water remains for invertebrates and fish during low water periods and create gravel bars that provide microhabitat for invertebrates; 

◆ “Daylighting” streams by unburying them and removing structural conduits; and

◆ Removing weirs, dams and other impediments to the movement of fish and other aquatic animals.  

This last recommendation has special relevance to Long Island as the overwhelming number of streams contain obstacles from past road and railroad construction and placement of grist mills. Dam removal would immediately help a number of species such as river herring and American eel. 

The book makes similar constructive recommendations relating to other rewilding elements such as vegetation and with animals. A section entitled “Rewilding Your Garden — Applying rewilding principles in a small place” may be of special interest to homeowners. It contains great tips on how to make the surroundings around a home more diverse and environmentally friendly, not to mention beautiful.  

Each chapter has an introduction and then for ease of reading has distinguishing green colored pages which highlight a separate but related section providing informative specifics of the rewilding effort; these are called “Putting It Into Practice”. This approach is useful in distinguishing theoretical and scientific underpinnings of rewilding from the practical steps needed to achieve the desired rewilding element.  

Underpinning this book is an optimistic perspective that with careful, sensitive and appropriate human intervention, nature can heal itself, if given half a chance. 

As the book makes clear, if the ideas, strategies, and recommendations flowing from rewilding principles are implemented in your backyard garden, neighborhood park, or on a much larger scale knitting together national parks, the natural world will be a more healthy, diverse, richer and beautiful place.  

The Book of Wilding: A Practical Guide to Rewilding Big and Small is available online at Amazon and Barnes and Noble.

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From Angels to Werewolves: Animal-Human Hybrids in Myth and Art

By Elizabeth Kahn Kaplan

St. James resident Philip F. Palmedo has produced a beautifully written and generously illustrated book on a subject that has intrigued, delighted, and frightened children and adults from ancient days to the present: therianthropy, the mythological ability of humans to metamorphose into animals or animal-human hybrids.  

“The concept of the therianthrope can catalyze the creative imagination,” writes Palmedo. 

The first that we know of is the Upper Paleolithic Lion-Man carved out of woolly mammoth ivory some 40,000 years ago. While we can only conjecture why it was created, we know that more recent animal-headed deities like the jackal-headed Egyptian god Anubis played important roles some 5000 years ago in weighing the worth of a person after death.

In the Hindu pantheon, elephant-headed, four-armed Ganesha is widely revered as a bringer of good luck; in Christian art winged angels abound, by turns avenging and comforting. In the 20th century, the ancient Greek legend of the fearsome Minotaur, a man with the head and tail of a bull, served as Pablo Picasso’s “allegorical alter-ego . . . with many of his etchings, paintings, and sculptures featuring this mythical bull-man.” 

Imaginative minds past and present have created talking animals, from the wicked snake in Genesis that tempted Eve in the Garden to the Cowardly Lion in The Wizard of Oz, Disney’s Mickey Mouse and Donald Duck, and lovable Big Bird of Sesame Street. 

Shape-shifting, the ability to change from human to animal or to an inanimate object, abounds in Greek mythology. One rather improbable example is that of the god Zeus changing into a swan to seduce Leda. In another example, as retold by the ancient Roman poet Ovid, the beautiful river nymph Daphne was “shapeshifted” by her father, morphing into a laurel tree to defeat the unwelcome advances of Apollo, the Greek god of the arts. The sadder but wiser Apollo paid tribute to her by adopting the laurel wreath as his crown. 

In America, therianthropy is on display in The Wolf Man horror films, from Lon Chaney’s 1941 portrayal to Benicio del Toro’s in 2010. More recently, the widely consumed Harry Potter tales spun by prolific British writer J. K. Rowling charmed children and adults with a talking bird, Hedwig, and with Firenze, the centaur who rescued Harry from the villain Voldemort. 

Centaurs, mythic creatures with the upper body of a human and the lower body and legs of a horse, are the land complement to creatures with human upper torsos ending in huge fish tails — mermen and the alluring mermaids sighted by lonely mariners whose names derive from the French word for the sea, La mer. Palmedo’s chapter, Merpeople, is richly illustrated with examples in art from 6000 BC Serbia and 4th century BC Greece to 19th and 20th century India, Japan, Great Britain, and Denmark, including the bronze sculpture The Little Mermaid that overlooks the harbor in Copenhagen. Based on Hans Christian Andersen’s tale published in 1837, that fable might bring tears to one’s eyes. 

On the other hand, Norman Rockwell’s 1955 Saturday Evening Post cover, The Mermaid, can only make us chuckle with its depiction of an elderly fisherman hauling a beautiful mermaid home, her long elegant tail protruding from the large wooden fish trap on his back. 

This elegant, art-illustrated book written with clarity, printed on glossy paper, will entertain and enlighten. It can be purchased from Amazon. 

ABOUT THE AUTHOR:

A Ph. D. in Nuclear Engineering from M.I.T., Philip F. Palmedo, former head of the Energy Policy Analysis Division at Brookhaven National Laboratory, was for many years Chairman of the Washington-based International Resources Group, which he founded. A former Trustee of Williams College in Massachusetts, where he majored in Physics and Art History as an undergraduate, Palmedo formed and was President of the Long Island Research Institute. He also serves on the MIT Council for the Arts, and is a fellow of the Williams College Museum of Art. Palmedo’s previous book was Deep Affinities: Art and Science.

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Reviewed by Jeffrey Sanzel 

“I had a couple of script pages in my hands (my palms were also good and sweaty): I had six lines to read. The show, titled Happy Days, was to revolve around a group of wholesome high school kids in 1950s Milwaukee. The character I was reading was the group’s one renegade. His name was Arthur Fonzarelli, aka the Fonz.”

Henry Winkler fittingly opens his extraordinary autobiography Being Henry (Celadon Books) with his audition for the television sitcom that would make him one of the most memorable cultural icons of the 70s. Happy Days would run for eleven seasons: Winkler (along with Tom Bosley) would appear in all 255 episodes.

But Winkler is not solely defined by this. In a nearly sixty-year career, in addition to a wide range of acting, he has been a producer, a director, a philanthropist, and a children’s book author. With Being Henry, Winkler offers an honest, engaging, and thoroughly entertaining memoir. At that heart is a man who “can’t remember not feeling an intense need to perform.”

Born in New York City to German Jewish immigrants who fled Berlin in 1939, Winkler shares his difficult childhood with emotionally distant parents and dyslexia—undiagnosed until he was thirty-four. He “was the kid who couldn’t read, couldn’t spell, couldn’t even begin to do algebra, or geometry, or even basic arithmetic.” His failing grades led to humiliation; his parents referred to him as dummer Hund—dumb dog. With these challenges, he marvels at graduating from high school and college (a BA in drama from Emerson College, with a minor in psychology) and a Masters in acting (Yale School of Drama). 

From there, he paints a portrait of a struggling New York actor working in commercials to support low and non-paying theatre. His film break came with The Lords of Flatbush. Soon after, he moved to Hollywood, making a memorable guest appearance on The Mary Tyler Moore Show. Continuing through rounds of auditions and disappointments, he landed the role of Fonzie when he was twenty-eight.

The career-defining rebel eventually became a bit of a trap, but Winkler shows enormous gratitude for Happy Days. He is particularly generous in praise of his colleagues on both sides of the camera. He is forthcoming about his relationship with the cast, especially Ron Howard, who was the original focus of the series. Howard’s frustration with the shift from ensemble to a Fonzie-centered show moved him towards his directorial pursuits. Winkler and Howard maintained a personal and professional relationship, with projects spanning from Night Shift to Arrested Development.

He claims many of his initial movie jobs came from fame and not necessarily talent; he spent years trying to escape the shadow of the Happy Days persona. “The truth was that the Fonz aside, I was half-baked as an actor. Self-conscious.” Few performers are as brave and self-reflective. 

Winkler is honest about his insecurities, his frugality, and even his occasions of obliviousness. He addresses the double-edged dangers of stardom. He talks about his verbosity, which increases when he is insecure or nervous. He admits when he feels disconnected or unsure, he talks too much.

He finds humor in his early failed romantic forays and smartly lets his wife, Stacey, speak for herself in various junctures in the book’s narrative. He does not shy away from his guilt and frustrations with intimacy and communication, something he did not fully deal with until therapy in the last decade. (He has been married to Stacey since 1978. He helped raise a son from her first marriage, and they have two children together. In addition, they have six grandchildren). 

After the Happy Days run, he did not act for seven years. Rather than retreating, he embarked on new vistas. He started a production company, began directing, and developed into a sought-after voice artist. Years later, he added best-selling children’s author, collaborating on twenty-eight “Hank Zipzer” novels about an elementary school student with dyslexia. The books became a well-received television series. 

Eventually, his acting career blossomed again. Scream, The Water Boy, and Royal Pains, along with “a string of authority figures lacking authority,” were hallmarks in later years. He returned to the stage, appearing in two Broadway productions, including a Neil Simon premiere.

His most recent sensation, HBO’s Barry, rewarded him with a much-deserved Primetime Emmy Award. (Note: He had already received two Daytime Emmy Awards.)

Winkler analyzes his initial meteoric fame and values its many gifts; he remains humble in his over half a century of remarkable and unique achievements. He is philosophical, embracing “that you couldn’t have known then what you know now. That only the process of living gets you there: you must do the work in order to eat the fruit of growing—of being.”

Henry Winkler’s beautiful account is, of course, a book for Happy Days fans. But it is also for readers seeking to understand the world of show business as told through a transparent and often profound narrator. And finally, Being Henry should be read by every actor or artist who has ever questioned their own value.

Being Henry: The Fonz…and Beyond is available on Amazon and at your local Barnes and Noble bookstore.

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Author Carl Safina with Alfie

Reviewed by John L. Turner

Perhaps it’s due to an owl’s forward facing eyes, imparting a humanlike aspect to its face, that is the source of the long-held belief that owls possess great wisdom and intelligence. Actually other birds, most notably members of the crow family like ravens, crow, and blue jays do best in intelligence tests but you wouldn’t know it from the photo of Alfie, a screech owl, that adorns the cover of Carl Safina’s new book Alfie & Me: What Owls Know, What Humans Believe. With an intense stare suggesting human level concentration possessing sickle shaped talons clutching the branch, Alfie is a vibrantly alive bird,  an impressive predator that fully “knows” how to be an owl.    

The book involves the author raising a young screech owl dealt a terrible hand that would have been a fatal one were it not for the intervention of the author. Along the way Alfie learns to become more independent, finds a mate and raises a family of three.     

Author Carl Safina

What becomes immediately clear and what I did not know despite being neighbors and friends of Carl and Patricia, but what I should have known given their abiding and deep interest in the natural world, is just how much time they spent closely watching Alfie reach her potential, blossoming into a fully functioning adult owl, one member of a five member family — all during the COVID pandemic. 

They both, but especially Carl, spent what must be hundreds of hours observing Alfie.  And as a reader of the book will soon discover, this world enlarges with the appearance of her mate Plus-One and the logical results of Plus-One appearing on the scene — three young baby screech owls. These babies, individually and together, are variously described as: “little spheres of fluffiness,” “a fat ball of a baby,” and a “fluff-jacketed cutie.” The quintet were named “The Hoo,” who together “remained down-jacketed, fluffy, light as the clouds above them.”

In this way the book is a classic story of a scientist delving deeply into the world of a wild animal, along the lines of Douglas Chadwick’s The Wolverine Way, Bernd Heinrich’s Mind of the Raven or Maria Mudd Ruth’s detailed study of the Marbled Murrelet in Rare Bird. There’s exploration and analysis, observation and interpretation, study and understanding, and most importantly the development of a strong relationship. 

What’s unique in Alfie & Me is this all takes place in an acre or so around their suburban home, and within that area most within a 50-foot envelope around the house. This story, the development of an intimate “around the house” wild bird-human relationship, ties Alfie & Me with Julie Zickefoose’s Saving Jemima, in which the author spends a good part of a year raising a blue jay to health and independence. There are many delightful parallels between the two books.  

Unlike Safina’s earlier books like Song for a Blue Ocean, A Sea in Flames, Voyage of the Turtle, and Eye of the Albatross, Alfie & Me, is more of an extension of, and elaboration upon, some of the concepts advanced in Safina’s three most recent books: The View from Lazy Point, Becoming Wild and Beyond Words: What Animals Think and Feel. These later books explore the intellectual, emotional, and sensory world of animals, their societies and culture, and complexities in the relationship and attitudes of humans with other life forms, specifically, and the natural world generally. 

A fundamental aspect of the book is, of course, the interspecies relationship between a few humans and a few owls with colorful side notes on a few dogs and a flock of chickens; an overlapping connection between the one world of the two species, the author aptly emphasizing Alfie being able to place “a wing in ours, I, with a foot in hers.” Or “….the ability to walk the bridge Alfie had opened between their world and ours.”  

The Eastern Screech Owl (Megascops asio) is one of two common woodland owls that find breeding habitat here on Long Island. Along with their much larger cousin, and sometimes mortal enemy the Great Horned Owl (Bubo virginianus), Screech Owls are surprisingly common in forests both large and small. Even parcels as small as ten acres are likely to host a breeding pair. Less common woodland owls here include Saw-whet (Aegolius acadicus) and Long-eared Owls (Asio otis) “whoo” are joined by open country visitors during the winter months — Snowy Owls (Bubo scandiacus) and Short-eared Owls (Asio flammeus), coastal and grassland inhabitants respectively.  

And unique to the owl species found in eastern North America, screech owls come in two color forms or morphs. Alfie and Plus-One are red or rufous morph individuals which is the more common form on Long Island. Or as Safina notes “a magical russet comet.” The grey form, however, is more common throughout the species range.  

Safina is a highly gifted writer, quite adept at turning a phrase and the book is replete with colorful imagery and strong sentences, to wit: “I have always felt that my generation existed in a time spanning the last good years and the beginning of the end of the world,” “The air was stock still. Leafy canopies of maples and the spires of cedars formed a denser darkness against the star-studded vault of space”,  and “If they fell to the ground, they’d still climb straight up a trunk, but they were also realizing that crossing distances involved flapping their interesting upper limbs. In a way, they were finding their inner owl.”  

This book would be a worthwhile read if all it presented was a highly articulate description of  screech owls and their behavior and ecology. But it’s so much more. Alfie provides a feathered springboard for the author to discuss how western thought, espoused by western thought leaders (think Descartes, Bacon, Dawkins, et al.) has led to the dangerous result and our current predicament where so many members of human society are estranged from animals and nature with the resultant deterioration of the global environment. Their “reductionist” thinking of animals as being nothing more than soulless machines incapable of thoughts, emotions, even the ability to feel pain, was all pervasive resulting in the view that humans commanded a lofty and unique perch above lowly forms of life that gave them full dominion over all animals.   

In contrast, Safina documents, Eastern and North American Indigenous cultures and religions held views that better harmonized humankind with the animal kingdom and the natural elements of the world. A world with more passion and less consumption. Clearly, the book is an exploration of proffered beliefs, strongly held. 

This book also is an exultation of life and living things, a fundamentally and qualitatively unique aspect in this otherwise lifeless universe, a concept that Safina notes and embraces and Alfie illustrates. Life is something worth celebrating, cherishing, and protecting. “The owls gave us the opportunity to pay attention. That was their main gift to us: to be present for a while in the always magical here and now.”

Through Safina’s prose we all can take delight in his decision to intercede and change what was clearly a fatal trajectory for Alfie. We are all the richer for his intervention. Safina ends: “It was amazing how quiet and empty the air could feel once you subtracted owls. But now I knew they were out there, livening up the nights with or without me. Yes, I felt an empty nester. But I’d been dealt a full house, a winning hand.”   

Both Carl and Alfie have a lot to say. And we gain pleasure in listening. Alfie & Me is a most important book and a most compelling and worthwhile read — we too have been dealt a winning hand. 

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Image from LIM

Culinary Historian Sarah Lohman returns to the Long Island Museum, 1200 Route 25A, Stony Brook on Sunday, November 12 at noon to talk about endangered American food traditions featured in her latest book, Endangered Eating: America’s Vanishing Foods. Lohman has traveled the country learning about and documenting ingredients at risk of being lost to time, from those who are passionate about keeping those traditions alive.

After her talk, join Sarah in the LIM Visitors Center for an Author Meet & Greet and Book Signing! Copies of the book will be available to purchase on the day of the event.

The event is free with Museum admission. No registration required.

For more information, visit www.longislandmuseum.org.

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By Kevin Redding

“There’s nothing like stories on a windy night when folks have found a warm place in a cold world.”

— Stephen King, “The Dark Tower: The Wind Through the Keyhole”

As the air gets chilly, and the season drifts from spooky toward snowy, there’s no better way to spend the long stretch of time indoors than slipping into comfy clothes, pouring yourself a hot drink, and curling up with a good book. We asked eight local librarians about their favorite novels and new recommendations to ensure you’ll be enthralled, entertained, and enriched in the coming months.

 

Lorena Doherty

 

Lorena Doherty

North Shore Public Library, Shoreham

What is your favorite book and why?

That’s a hard one because you have a favorite book in every period of your life. One of my favorites is an international book called “The Murmur of Bees” by Sofia Segovia and translated by Simon Bruni. It’s a book about love, family saga, history, healing, bees, Valencia oranges, a special boy, and really the ties that bind us as human beings. It was charming, delicious, and had a huge impact on me because of her ability to weave this brilliant story as a window into her culture. And the translation into English was done very well. Simon Bruni did not lose its essence or lyricism.

What is a new book that you would recommend and why?

“Flags of the Bayou,” a standalone historical fiction book by James Lee Burke. This is his 42nd book. What I love about him is that he writes from the landscape in which he lives, which is New Iberia, Louisiana. If you are new to this book and you’ve never read him, it is I think the best book he’s ever written and I felt that two-thirds of the way through. This is a work of historical fiction that is centered in the timeline of events near the end of the Civil Area in the area of New Iberia, the Bayou Teche, and the Mississippi River, where the North is waging and winning battle against the Confederates. It’s a unique window into the culture of plantations, social castes, freed men and women, those who live in servitude. There’s abolitionists and mixed cultures in that area. And in the midst of all the cruelty and chaos of the war, it’s also a love story. The characters are so fleshed out and the reader is carried away with the nuances of changing allegiances and how they choose to live with the possibility of their own deaths. He grounds you in there and there’s a huge level of the spiritual connection to the greater world. And if you love language and appreciate a writer who writes prose, he’s the kind of writer where I find myself going back and reading a sentence over and over again, like “Wow!” It’s a damn good read.

Jeff Walden

Jeff Walden

Emma S. Clark Memorial Library, Setauket

What is your favorite book and why?

Yeah, it’s an old classic but it’s my favorite book and I just reread it recently again. It’s “The Hobbit” by J.R.R. Tolkien. For me, it’s just a great adventure story. It’s got dragons, hobbits, dwarves and elves, treasure, adventure. It doesn’t get old, it never ages to me. It’s a book I can read and enjoy just as much the fifth time as I did the first time. Tolkien  was just a great storyteller and for that genre, he was really the first to create that whole other world that you can immerse yourself in very easily. It’s the ring, it’s Gollum, there’s just so many amazing parts to it. It’s just a fun story to read over and over again. I was just reading an original book review by C.S. Lewis [“The Chronicles of Narnia”], Tolkien’s contemporary, and even he predicted in 1937 that it was going to be a book that was going to be read over and over again. It came out to be, for me, true.

What is a new book that you would recommend and why?

I have one I’m reading right now, “The Armor of Light” by Ken Follett. It’s the fifth installment in his Kingbridge series. He’s another great storyteller with good, deep characters that you really get to know. It does mention some of the other books because it’s set in Kingsbridge, this fictional town in England over the course of hundreds of years…I think they’re up to the French Revolution in the late 1700s…but it has totally different characters. There’s creative license with it but he does incorporate a lot of historical facts about the time period in the books. And I think you can still read this new one if you haven’t read the other ones and it might interest you in going back and reading the other ones. It does help to have a little bit of the background but I think they can stand on their own.

Jenna Ely

Jenna Ely

Comsewogue Public Library, Port Jefferson Station

What is your favorite book and why?

One of my favorites is “True Believer” by Nicholas Sparks and it’s actually what made me want to become a librarian. I worked in a different industry before this and worked in television, and I would read this book just as a way to escape while on my commute. The main character in this book is a librarian and while I was reading it, I was like, “Oh my gosh, that sounds like a dream job. Why did I never think of becoming a librarian?” and then I ended up going to library school and pursuing this career. So that book was really monumental and influential for me in that way. And it’s Nicholas Sparks, so it’s a great love story.

And then if I had to pick my favorite book of all time, it would be “Beartown” by Fredrik Backman, who blows me away with all of his books. I’ve read all of them and he just continues to outdo himself. “Beartown” was the first book in a trilogy and in it you’re introduced to this hockey town and the obsession with sports and teams and the impact that it has on the community as a whole. And there’s a tragedy and the town has to choose sides. A lot of people’s hearts are broken, someone is killed, and it’s really dramatic. I feel like the winter is a really good time to dive into it. All the books in that series are so worth the read.

What is a new book that you would recommend and why?

So this is a new book that I think is just phenomenal. It’s called “Remarkably Bright Creatures” by Shelby Van Pelt. It is actually her debut novel, so it was incredible that someone’s first novel really took off and was so astounding. I actually loved it so much that I wrote a mini review of it on Goodreads. I was so moved by it. The characters, the stories…it hooked me from the first page and I devoured it in like 48 hours. It was so good I couldn’t put it down. There’s so much heart in these characters and there’s so much love, you really root for them. They’re flawed and they might do something that aggravates you but almost like how your family or friends might do. Not a protagonist where you’re like “Oh my God I hate this person, why are they doing this?” but more like “I feel for you and want you to find happiness!” And one of the narrators is a giant Pacific red octopus, which is really cool and I felt like I got to learn so much.

Donna Brown

Donna Brown

Northport-East Northport Public Library, Northport and East Northport

What is your favorite book and why?

That’s a pretty easy one for me to answer. I am a Teen Librarian right now but I do read a lot of adult fiction, nonfiction, everything…I used to run the Adult Book Club, so I definitely have a broad range of reading. But for me, my favorite book of all time is “The Outsiders” by S.E. Hinton. The movie came out in 1983, I was 10 years old and my mom would not let me see it but I read the book and it changed my life and the way I think forever. It is, I think, one of the best books of all time. I think it transcends. It’s a story about teenagers struggling to fit in, fighting, and bad incidents…but at the end of the day, all of them are pretty good kids and that’s one of my favorite things about that book. I can hand it to a teenager or an adult now and I overwhelmingly get such a great response. Most people want to meet a celebrity or a professional athlete, but it’s my dream to meet S.E. Hinton!

What is a new book that you would recommend and why?

My most recent one, which I’d recommend to anyone who likes to read realistic fiction with a little bit of imagination in it, is “Remarkably Bright Creatures.” It’s one of the only books that has made me sob in recent years because of what a beautiful story it is. It is the story of an octopus and the octopus’ caregiver in a marina in the Pacific Northwest. It is such a beautiful story that teaches you about humanity and mankind and how much every single person has worth in this world and makes a contribution in some way or another, even though a lot of the time people don’t see that. I run a book group and it overwhelmingly touched the hearts and minds of every single person.

Anne McNulty

Anne McNulty

Port Jefferson Free Library, Port Jefferson

What is your favorite book and why?

My favorite book has been my favorite book since 2013 when it came out…it is “Ancillary Justice” by Ann Leckie. It’s a sci-fi space opera novel and it won the Hugo and the Nebula awards. It is absolutely amazing. It’s just one of the most unique books I’ve ever read. I’m a really big fan of sci-fi and space operas, so I really love the kind of alien worlds they can make with them, and Ann Leckie did such a great job building the worlds and societies in her book. And she also did interesting things with playing with pronouns. So, in her book, everyone uses she/her pronouns, even if they’re not technically women. It’s very, very interesting and I love it. I love Tolkien so much and have read all of his books.  

What is a new book that you would recommend and why?

So it is Halloween time and I do love horror as well. I’m actually in the middle of this book “Never Whistle at Night: An Indigenous Dark Fiction Anthology.” It’s an anthology of short stories, which is nice if you don’t have time to sit and  read a whole book. All the stories are written by Native American authors and it’s really good so far. It’s horror so it’s perfect for the season and the stories I’ve read so far have been really creepy. I also love all Stephen Graham Jones’ books, especially “My Heart is a Chainsaw,” one of my favorite horror books.

Jennifer Zwolak

Jennifer Zwolak

Comsewogue Public Library, Port Jefferson Station

What is your favorite book and why?

I would say my favorite book in recent years has been “The Maid” by Nita Prose. It’s been popular but it’s very interesting for anyone who likes murder mysteries but ones that aren’t too graphic. The main character has a very unique perspective, which I enjoyed a lot. I’m actually rereading “The Maid” right now because I enjoyed it so much. I would recommend cozy mysteries when you really want to get that fall-winter feeling. 

What is a new book that you would recommend and why?

I would recommend reading “Lessons in Chemistry” by Bonnie Garmus. It’s about a female scientist in the 1950s and all the struggles she goes through. Again, another unique perspective that gives a different type of person a voice. There’s a lot of science and a lot of feminism in it.

Erin Schaarschmidt

Erin Schaarschmidt

Port Jefferson Free Library, Port Jefferson

What is your favorite book and why?

“High Achiever: The Incredible True Story of One Addict’s Double Life” by Tiffany Jenkins, a nonfiction book about a woman who overcame a drug addiction. And she was married to a police officer so she had a double life. I love nonfiction and to read how she was able to hide from the police officer who she’s married to and all that was just amazing and then they all found out she was a drug addict and she went to rehab. And then something I read around this time every year is…I’m a huge Edgar Allan Poe fan so I always do his collected stories, like “The Raven,” “The Tell-Tale Heart,” and “The Cask of Amontillado.” I re-read them every year just because it’s the spooky time of year and it’s very nostalgic. 

What is a new book that you would recommend and why?

I just finished reading “The Daddy Diaries: The Year I Grew Up” by Andy Cohen. I really like nonfiction and it was a fun read about his family because you don’t usually hear about his kids and stuff like that.

Connor McCormack

Connor McCormack

Northport-East Northport Public Library, Northport and East Northport

What is your favorite book and why?

It’s like choosing your favorite kid, but probably “The Left Hand of Darkness” by Ursula K. Le Guin in terms of fiction. It’s really well written. Ursula Le Guin is one of the most prolific sci-fi writers from the 60s and 70s, and this one is considered her best work. It’s just really unique world-building and explores a lot about human condition, psychology, gender roles…just explores a lot of themes in a really well-done way. And for nonfiction, I read a lot of military history such as “The Guns of August” by Barbara W. Tuchman, and “Say Nothing: A True Story of Murder and Memory in Northern Ireland” by Patrick Radden Keefe. Those are probably my two favorite nonfiction books. 

What is a new book that you would recommend and why?

For a favorite one I’d say “Sea of Tranquility” by Emily St. John Mandel and then “Memory Police” by Yōko Ogawa. And then for nonfiction, there’s this book called “Sea People: The Puzzle of Polynesia” by Christina Thompson that I think I’ve recommended to everyone in my family at this point. It’s all about how the Polynesian culture spread across the Pacific Ocean — how they traveled between the islands, what their navigation methods were, the myths that they told, just like a whole view of their culture, and how it spread. 

A special thanks to all of the librarians who took part in this article.
Happy reading!

— Photos by Heidi Sutton

 

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Above, books by the six authors participating in the event. Photo from Donna Newman
Cynthia Braun
Dr. Stuart Plotkin
Gary Kamen
Rabbi Adam Fisher
Rabbi Stephen Karol

By Donna Newman

Temple Isaiah of Stony Brook invites the community to an Authors Roundtable on Saturday afternoon, October 28, at 1 p.m. The event features a panel of six published authors from the congregation who will speak about their books and answer questions. Rabbi Joshua Gray will be the moderator. A reception is planned afterward where attendees may mingle, enjoy refreshments, and purchase books.

It is said that after the Romans conquered their homeland in 70 CE and destroyed the Temple of Jerusalem, Judaism transformed from a religion of temples, priests, and sacrifices to one that emphasized reverence to scripture, its associated symbols, and rituals, and became The People of the Book. That appellation was later also applied to followers of Islam and Christianity, the other Abrahamic religions, as all three are rooted in — and connected by — the belief that Abraham was their first prophet.

Ancient scripture’s value and importance fostered a foundation for the written word and it’s not surprising that books are a natural extension for adherents of the three religions.     

Carole-Ann Gordon is a book-enthusiast who founded the temple’s monthly Book Group more than two decades ago. She was its first facilitator and is now its current facilitator, following a long interim of service by Anita Gaffan. Aware of the many authors in the congregation, and desiring to celebrate their creativity, she started thinking.

“It occurred to me that we’ve never given the authors in our congregation an opportunity to share their talents,” said Gordon. “I thought it would make an interesting and entertaining afternoon. Rabbi Josh agreed as soon as I mentioned it — and I was delighted when he volunteered to be the moderator.”

She enlisted the input of one of the congregant authors to plan the event.

“Carole-Ann approached me with her Authors Roundtable idea,” said novelist Gary Kamen, who had similar thoughts. “We merged our concepts and created a format that allows each author a brief presentation time, followed by a Q&A and refreshments. Each of the authors will donate a portion of their book sales to the temple.” 

Participating authors are Temple Isaiah’s two Rabbis Emeriti:  Adam Fisher (liturgy, stories, and poetry) and Stephen Karol (Jewish perspectives on death and the world-to-come); Gary Kamen (Western historical fiction); Dr. Stuart Plotkin (non-fiction: dinosaurs and podiatric advice for hikers); Dr. Arnold Katz (medical text and poetry); and cancer survivor Cynthia Braun, whose memoir about her treatment is upbeat, wise, and full of resourceful advice.

“Temple Isaiah is blessed to have so many talented authors whose combined works represent incredible diversity in their subjects and styles,” said Rabbi Emeritus Stephen Karol. “It is our pleasure to share this blessing with the community.”

Free and open to all, you must preregister to attend. Please do so by email to [email protected] or telephone the temple office at 631-751-8518.

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'Gemja: The Message'

Reviewed by Jeffrey Sanzel

In K.M. Messina’s debut novel, Gemja: The Message, the author presents an engaging blend of science fiction and fantasy, combined neatly with a dose of romance and shades of New Age. With Resa Stone, she offers an honest, smart, and insightful protagonist. The book spans three worlds as well as ventures into dream states and astral projection. All the elements fuse to create a compelling, fast-paced read.

Author K.M. Messina

Gemja takes place in an alternate present. “Five years ago, an alien culture had presented itself on Earth, changing everything humans knew and thought they knew about the universe. Besides Earth, there were twenty-five other known planets in the cosmos that harbored sentient life, and alien technology had made interstellar travel among these civilizations simple and quick.” Resa’s father, a former chief of police, was the first person on Earth to make contact with alien life. The Stones became part of the “Worlds Meeting Worlds” experiment, a function of the Interplanetary Peace League (IPPL), which is central to the action. The family was one of a few chosen to live for six months on a foreign planet. 

As the story opens, Resa, her parents, and her twin brother, rebel-want-to-be Dakota, have lived under the tangerine sky of Wandelsta for three months. Resa, a witch-in-training, is a wonderful contradiction in terms—in short, a true teenager: “I was a logical, straight-A science geek, yet I believed in magic and ghosts. I would take the time to stop and help a turtle safely cross the road, but then I’d rush home to join my brother in watching a UFC fighting match where guys in a cage pounded each other to a pulp for sport.” Both spiritual and one hundred percent American youth, Resa struggles with day-to-day existence on the crimson-sanded Wandelsta that serves as an interplanetary garbage dump, with spaceships leaving tons of waste for disposal. The strange atmosphere shifts daily into a dangerous, polluted, and tangible “toxia.”

Resa spends her day drawing and writing in a journal to be published upon her return. At night, a dream vision, Nitika, tells her, “You are the one,” and there is something she must retrieve. In addition, she meets a strange young man with violet eyes to whom she finds an immediate attraction. Later in the story, this enigmatic figure becomes important in Resa’s journey.

Incidents send the family back to Earth early. They return to Mount Desert Island, Maine, greeted as celebrities. Resa learns of a deeper connection to her Wiccan grandmother, now suffering from dementia. The mystery surrounding her grandmother informs a great deal of the supernatural aspects. In the magic world of the novel, “a spell was a prayer said with intent, and earthy objects like wood and stones have the energy to give life to your most far-fetched wishes.”

From there, Resa, her friend Sarah, and Dakota travel to the Academy in Oganwandok, the universe’s capital, to engage in secret studies. The Academy trains young people to “become the future leaders, peacekeepers, and advocates for change across the cosmos.”

The driving force of the novel’s mythological foundation is the titular legend of Gemja, explaining the origin of the universe. The crystals of Gemja contain extraordinary powers, one of which comes into Resa’s possession. The unification of the crystals will no doubt be central to subsequent books. “… If all the crystals are found and activated, space will warp to reveal Gemja, a glorious crystalline planet where our every wish comes true.”

The author expertly weaves exposition and character, smartly painting a picture of a family dealing with a unique situation. Messina is a gifted world-builder, introducing a range of species: the rodent-like Slopees, the kind, well-meaning, and generous indigenous population of Wandelsta; the charming plant-like Yrdians from the rain-deprived Yrd; and the docile pacifists, the Ploompies of Glucosa, a sugar-based planet, under attack by the insectoid Siafu.

One of the book’s most memorable and affecting elements deals with the Stones’ homecoming, where life is now somehow more alien. Messina makes a profound and pointed statement about the ugliness of immigrant paranoia in several incidents in their brief time back on Earth.

Gemja is rich in adventure, humor, and humanity, balancing its reality with the fantastical. From first to last, the novel will delight readers of all ages, a gateway to a unique world that promises to grow with each welcomed addition to the series. 

Gemja: The Message is available at www.amazon.com. Visit the author’s website at www.kmessina.com.

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'Rest in Peace'

Reviewed By Melissa Arnold

No matter how old you are, there’s something fun about celebrating all things weird and spooky on Halloween. To get into the spirit with your family, consider Rest in Peace (Scoot Comics), an adorable rhyming picture book from debut author Tyler Ham. 

‘Rest in Peace’

The story centers around Ghoul who just wants to do is go to sleep after a long Halloween but his monster pals  — Dracula, the Werewolf, the Mummy, Frankenstein’s Monster and the Blob — want to keep the party going.  

Raised in California, Ham was not one for horror, but he loved Halloween and “slightly spooky” entertainment. Now a father of two, Ham has embraced that lighthearted spookiness with a cast of funny monsters and a positive message of friendship that even the youngest kids can enjoy. 

Tell me about your childhood. I assume that you loved horror movies.

I was a very timid child, but I loved Halloween, so “spooky” has always been my go-to genre. It’s funny how much I love horror movies now, because when I was a kid, they scared the heck out of me! I wanted nothing to do with it. But at the same time, I always loved Halloween and mildly spooky things. Michael Jackson’s “Thriller” video was about as far as I could go.

I read something in a book once about the array of emotions we can experience in life that really stuck with me. Basically, you can feel happy, sad, excited in the real world, but those emotions typically come from a place of safety. On the other hand, when you’re scared, it’s because you don’t feel safe. That’s not a feeling that you want. But when you watch a scary movie, you can tap into the experience of being scared in a safe way, and there’s something fun about that.

So did you do a lot of writing in that ‘spooky’ genre as a kid?

I was a creative kid, though more artistic – more into drawing, painting, papier mache, that sort of thing – but never writing. 

I wasn’t a great student.  I did the work but didn’t particularly enjoy it. And I didn’t like English class, either. But in high school, I had two really great English teachers who actually loved my writing assignments. They said I was a good storyteller and would even read my stuff in front of the class. 

When I graduated, I went to film school at California University of Monterey Bay wanting to direct, and the same thing happened. I wasn’t interested in the writing aspect, but was often praised in classes for my screenwriting so it was clearly an ability I had.

After college, I moved back home with my parents and was looking for work. My mom met someone at a charity event who had just opened a new school for 3-D art. I was always curious about that, but didn’t know how to begin learning about it. And then this opportunity came along. I took a tour and enrolled for the next semester, which was only six days away. That experience ultimately took me into the visual effects industry.  I spent about 16 years working in the digital effects industry as a 3-D artist for film studios, and then I switched over to the toys and collectibles industry. Writing was something I did for fun.

When did you start thinking about writing a children’s book?

My oldest daughter was one of those babies that just wouldn’t go to bed. She loved to be read to, so we would sit in our chair and read book after book. Over time, I learned that while some kids’ books are great, others are honestly just bad. I knew I wasn’t going to write anything legendary, but I figured I could at least do better than some of the books I’d seen.

So one night, I put my daughter to bed and went into my office. I knew I wanted to write about Halloween, since it’s my favorite holiday and it’s a fun time for kids, and I knew I wanted to have different kinds of monsters. As I wrote, I’d read it to myself and make sure the rhymes felt natural and not clunky. 

Did you pursue traditional publishing or self-publishing? What was the process like?

The first draft was actually completed nine years ago. I shopped it around, but no one was biting. I’d get discouraged and leave it for a while, rewrite parts and try again. Eventually I was working for a publishing company in product development, and they would occasionally have employee submissions. The woman who was reading the manuscripts contacted me and said that while my book wasn’t the right fit for our company, it was really good, and she invited me to join a writing group. She was my first mentor, and the book went through many revisions until it was really polished.

Ultimately, a friend of mine wrote a comic book, and his company was starting a children’s book division. I submitted my original Halloween story, along with ideas for other holiday concepts featuring this cast of monsters, like Valentine’s Day and the Fourth of July. They liked the ideas and agreed to publish me.

Do you relate to Ghoul, the main character of ‘Rest in Peace’?

Yeah! It doesn’t make me look great, but I share a little bit of that lighthearted grumpiness — my kids tease me and say “Hey, you’re grumpy like Ghoul is!” But he has good intentions, just like I do.

What was it like seeing the finished product after all those years?

It was just surreal getting those first copies of the book, especially after nine years of work. This story was meant for my first daughter, and it took so long that now I’m reading it to my second daughter’s kindergarten class. She wasn’t even in the picture when this all began!

How did you find the illustrator, Firulas Ilustra? 

I found Sâmara, who along with her illustration partner Thaís form Firulas Ilustra, on the social media platform reddit. She lives in Brazil — she had some pictures up and I really liked her style. I could tell right away that she really understood what I was envisioning and connected to the idea. 

Do you have plans for future books?

I have plans to publish several holiday-themed books with this cast of monsters! The next book in the series, The Yule Ghoul (available now!) continues the story of Rest In Peace, and has the Ghoul throwing his first Christmas party! He is very excited but is afraid none of his monster friends will come. The follow up Valentine’s day book is written, and a few more are in various stages of completion. 

What’s the target age group for ‘Rest in Peace’?

It’s interesting — originally the target age was 3 to 7. But then I read it to my daughter’s 5th grade class and they really loved it. The publisher also suggested that there are 9- and 10-year-olds that would get a kick out of it as well.

Is there a message you hope kids take away from reading this?

Ghoul has this difficulty where he gets so frustrated with his friends being in his space after a long Halloween, but they really just want to spend more time [with him]. It’s about accepting people into your life and being patient with them, even when they do things that you don’t understand. All of our friends have their own little quirks. And I also hope that people see that monsters can be fun!

‘Rest in Peace’ is available now through your favorite online booksellers. Follow Tyler Ham at his official website, www.tylerham.com.

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Ward Melville High School. File photo by Greg Catalano

By Mallie Jane Kim

Internet controversy over a novel taught to Ward Melville High School juniors spilled over into the public comment section of a board of education meeting Wednesday, Sept. 27, when two concerned parents stood up to support the book and caution against efforts to ban it.

The book in question, “The Absolutely True Diary of a Part-Time Indian” by Sherman Alexie and a multi-award winner, is a semi-autobiographical novel about a young Native American growing up on an Indian reservation who leaves his underfunded reservation school in favor of a majority-white public school in a neighboring town. The problem expressed by some parents is that in this coming-of-age story about a teenage boy struggling to discover his identity, there are a few passages where the speaker discusses his sexual self-discovery.

The administration has received calls in favor of and against the novel, but there have been no official requests from parents of students actually studying the book, according to Assistant Superintendent for Educational Services Brian Biscari. “It’s a bigger online issue than an actual issue,” Biscari said.

The controversy started when a parent shared a passage mentioning self-pleasure in a screenshot on a local Facebook group, Three Village Moms, where it was both attacked and supported in a series of nearly 500 comments. Some commenters expressed concern over sexualizing children too early, or that the passages may be too explicit for required reading in a Regents course.

Others asked their peers to consider the passage in context of the entire book, or worried the rhetoric might foment into a movement to ban the book, in light of efforts to censor literature at school districts nationwide.

The American Library Association has noted a “record surge” in requests to remove books from libraries and public schools during the first eight months of 2023, and primarily books “by or about a person of color of a member of the LGBTQIA+ community,” according to a Sept. 19 statement.

At the board meeting, district parent Ian Farber said exposure to an unfamiliar point of view is one of this book’s strengths. “This book provides a valuable perspective of a Native American who grew up on a reservation, a perspective that would be foreign to many of us without books like this one,” said Farber, who has also been a part of the district’s budget advisory committee.

Farber shrugged off the concerns over the passages about an aspect of human sexuality that, he said, most students know about by 11th grade. Instead, he praised the “robust and diverse” curriculum in Three Village school district and emphasized that the passages causing outrage are not even a main point of the book.

“He had a teacher that inspired him to do more with his life than previous generations — we should all want our children to achieve more than we have. This is a key part of the American Dream, and as such this book is patriotic in the best sense of the word.”

Anne Chimelis, a retired teacher and parent in the district, agreed in her public comment. “If we start banning books due to a single word that makes some people uncomfortable, we’re going down a very slippery slope,” she said.

Biscari noted that the district is happy to provide a list of novels taught in Three Village schools to parents who ask, and there is a clear process for parents to request for a materials review for novels in their child’s grade level if they have a concern. If that process does not go the way parents hope, he added, each parent is also welcome to opt a child out of a particular book.

On Alexie’s book, though, Biscari said most of the calls he’s gotten are from parents “who love the fact that there’s a book their kids can read and relate to.”

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