Arts & Entertainment

Photo courtesy of Kent Animal Shelter

This handsome man is Spencer, a 7-year-young poodle mix currently waiting to be adopted at Kent Animal Shelter. Rescued from a kill shelter in South Carolina, this friendly pup dreams of the day he will finally have a home and family of his own. Could that be with you? Spencer comes neutered, microchipped and as up to date as possible on vaccines.

Kent Animal Shelter is located at 2259 River Road in Calverton. The adoption center is open from 10 a.m. to 4 p.m. every day. For more information on Spencer and other adoptable pets at Kent, visit www.kentanimalshelter.com or call 631-727-5731. 

by -
0 1678
Elsie Fisher in a scene from ‘Eighth Grade’. Photo courtesy of A24

By Kyle Barr

There’s something inherently unrealistic in movies about young kids. Everyone remembers “Stand By Me,” where young but intelligent kids with hard home lives take an important step in becoming an adult, or the recent Netflix hit show “Stranger Things,” which plays more as a standing ovation to the media of the ’80s through children who use their pop culture knowledge as a weapon against evil. 

Perhaps what’s so unrealistic about them is that they’re made by adults far and away from their youth, looking back on it all with at least some form of fond nostalgia. Those movies centered around kids in the grade school age always seem to say life swings around a single turning point, where kids, who often speak much more eloquently for a person their age, at some point switch from the naiveté of childhood to the outlook of adulthood. It’s a nice thought, if unrealistic. 

Elsie Fisher in a scene from ‘Eighth Grade’

“Eighth Grade,” written and directed by Bo Burnham, remembers school like most of us do. It was an awkward age where young people are not only trying to learn how to exist as a teenager, but also start becoming an adult. Unlike your usual stock of movies centered around kids, nobody is really learning how to keep it all together, nobody talks like an adult, and everything is in transition.

Thirteen-year-old Kayla Day (played with such exactitude by Elsie Fisher) is just about to finish up her last week of eighth grade, which means soon she will enter the strange and complicated world of high school. Kayla is shy and quiet, but she doesn’t want to be. The teenager makes YouTube videos giving advice in often uncertain terms on how to be brave and outgoing while she herself was voted “the most quiet” of her grade.

Kayla spends time scrolling through social media liking or commenting on other people’s Instagram posts. When she makes YouTube videos, she rarely gets any views. At the dinner table she stares down at her phone, mindlessly shuffling through social media despite her dad, Mark Day (sincerely played by Josh Hamilton), attempting to interact with her. At school, she is just one of hundreds of students with their nose in their phones as she stares longingly at her crush Aiden (Luke Prael.) One day, after being invited to the popular Kennedy’s (Catherine Oliviere) birthday party, Kayla tries to transform herself into the girl she portrays on her YouTube videos, often with results that are both sincere, cringe-worthy and glorious all at once.

A scene from ‘Eighth Grade’

What makes the film so compelling and so realistic is the way it portrays Kayla. There is no “Mean Girls” level of commentary. Nobody is looking down on her; instead the audience looks straight at her. She talks like many young girls do, with constant breaks for “umms,” and “likes.” As she stares out the door to Kennedy’s party, the audience is bombarded with kids being kids, of them turning their eyelids inside out, of a girl walking backward on a bridge, all the while the music plays something like out of a dark carnival. Scenes like that strike a very real cord with anybody who grew up around the time of burgeoning social media. Nothing really feels real.

Burnham’s comedy always includes a musical element, and that sense of musical timing is used to full effect in his breakout movie. Every time Kayla sees Aiden, the ambient sound is drowned out by a heavy bass. The musical choices, often listened to by Kayla diegetically through her omnipresent earbuds, are very appropriate for each scene.

Burnham’s final stand-up comedy special “Make Happy” slowly became a commentary about comedy itself. The now-former comedian asked questions of the point of comedy, whether it’s right to make people laugh to forget their problems, even if he himself might not be happy. He baited the audience, often making them laugh before directly insulting them. Really, the show was an expression of how Burnham did not see the performance as “real.” It was his criticism of the entire entertainment industry that goes for glitz and easily digestible media rather than substance. 

“Eighth Grade” is Burnham’s answer to those criticisms. I’m glad to say it is a pretty good response, and it will be exciting to see just where all those involved will take their careers in the future. 

Rated R for language and some sexual material, “Eighth Grade” is now playing in local theaters.

Photo by Jay Gao

We have a winner!

Congratulations to Jaimie Lane of Selden for being the winner of our latest Caption This! photo contest. Jaimie’s creative caption, “No, you ask him to refill the bird feeder …,” beat out the competition to win a family four-pack to see “Shrek The Musical” at the John W. Engeman Theater. Congratulations and thanks to all who participated in our contest. Special thanks to the John W. Engeman Theater, 250 Main St., Northport for being our sponsor. Be sure to look out for our next Caption This! photo contest in the near future.

Summer Garden Pasta

By Barbara Beltrami

As much as a hearty ragu with rigatoni is welcome in the winter, so is a light sauce with capellini, spaghetti or farfalle in the summer. Summer pastas call for delicate shapes, light ingredients and minimal saucing. They also require taking advantage of summer veggies, using fresh tomatoes rather than canned ones, and seasoning with lots of fresh herbs. This is the time to let your imagination take you on a cook’s tour, to invent as you go along and to use unlikely fresh ingredients like arugula, melon (that’s right!), citrus and fish.

Summer Garden Pasta

Summer Garden Pasta

YIELD: Makes 4 servings

INGREDIENTS:

1 pound pasta

1 pound very small zucchini, washed, trimmed and cut into small dice

½ medium red onion, peeled and cut into small dice

½ medium cucumber, peeled, seeded, and cut into small dice

2 celery ribs, cut into small dice

2 large tomatoes, cut into small dice

2 carrots, peeled and minced or shredded

½ cup chopped fresh basil leaves

½ cup chopped fresh flat-leaf parsley

½ cup or more extra virgin olive oil

Sea salt and freshly ground pepper, to taste

DIRECTIONS:

Cook the pasta according to package directions. Meanwhile combine the veggies, basil and parsley in a large bowl. When pasta is al dente, drain well and add, along with the olive oil, to the veggies. Season with salt and pepper. Toss to mix. Serve immediately with a crisp dry white or rose wine.

Pasta with Baby Shrimp, Cherry Tomatoes and Chives

Pasta with Baby Shrimp, Cherry Tomatoes and Chives

YIELD: Makes 4 to 6 servings

INGREDIENTS:

1 pound pasta

1pound baby shrimp

1/3 cup extra virgin olive oil

1 garlic clove

1 pound cherry tomatoes, halved

1 cup chopped fresh chives

Sea salt and freshly ground black pepper, to taste

DIRECTIONS:

Saute shrimp and garlic in two tablespoons of the olive oil until shrimp are pink and garlic releases its aroma, one to two minutes. Set shrimp aside; discard garlic. Cook pasta according to package directions; drain and set aside to keep warm. Meanwhile, puree tomatoes in a food processor. In a medium skillet, heat the remaining oil and add tomatoes with their juice. Cook, stirring occasionally for 10 minutes over medium heat. Add shrimp, chives and salt and pepper; continue cooking another 5 minutes until sauce is slightly thickened. Toss with pasta in a large bowl. Serve warm or at room temperature with a spinach salad.

Spaghetti with Cantaloupe and Prosciutto

Spaghetti with Cantaloupe and Prosciutto

YIELD: Makes 4 to 6 servings

INGREDIENTS:

1 pound spaghettini

4 tablespoons unsalted butter

1 tablespoon olive oil

3 cups cantaloupe, rind and seeds removed, cut into small dice

1cup heavy cream

1 tablespoon freshly squeezed lemon juice

½ teaspoon tomato paste

2 ounces prosciutto, cut into ¼-inch strips

Salt and freshly ground black pepper, to taste

DIRECTIONS:

Cook pasta according to package directions. Meanwhile, in a large skillet over high heat, combine butter and oil. When very hot, but not smoking, add melon and cook, stirring frequently, for two minutes, until soft but not mushy. Add cream, lemon juice and tomato paste and cook over high  heat until reduced to one-quarter its original volume. As soon as pasta is al dente, drain and transfer to large serving bowl. Toss with sauce, prosciutto, salt and pepper. Serve with a salad of baby greens and sliced grape tomatoes.

'Untitled' by Bill Shillalies

By Heidi Sutton

“Conjoined” by Elizabeth Heaton of Amityville

The Long Island Biennial returns to The Heckscher Museum of Art with fervor this year as the fifth edition of the exhibition offers Long Island’s top artists the opportunity to share their artwork with the Huntington community and beyond. The juried exhibit opened on Aug. 4 and will run through Nov. 11. 

Contemporary artists who live in Suffolk and Nassau counties and who have specialized training in art were invited to submit artwork created within the past two years. The result is twofold: providing artists the opportunity to showcase their work to a broad audience in a unique and exciting space and allowing art lovers to see snapshots of what is happening artistically on Long Island.

The brainchild of former curator Kenneth Wayne, the first biennial opened in 2010 in conjunction with the museum’s 90th anniversary. Now, eight years later, the juried exhibit has grown in popularity, receiving a record 351 submissions this year, with 52 works representing communities from New Hyde Park to Montauk selected for the show. Of those selections, 38 of the artists were first-time exhibitors.

‘Wafting Bubinga; by John Dino

This year’s judges — Christine Berry of Berry Campbell Gallery in New York City; Robert Carter, professor of art at Nassau Community College in Garden City; and Bobbi Coller, an independent art historian and curator — were tasked with selecting six winners, which were announced on Aug. 8. 

“The art world needs as many venues as possible for new artists; this is so important and very much appreciated,” said Carter, who was impressed with this year’s submissions. “The artist entries were surprising in how they varied in media use and subject matter — touching on nature, social issues and more.”

Mediums included oil, acrylic, pastel, woodcut, watercolor, sculpture, mixed media, ceramic, bronze, embroidery, tempura, sculptures, photographs, prints and more.

“Buttermilk Falls,” woodcut on paper, by Beth Atkinson of Northport; “Abrasha in Port-au-Prince,” oil on canvas, by Peter Beston of East Quogue; “Wafting Bubinga #2,” carved wood, by John Cino of Patchogue; “Conjoined,” pastel and water on paper, by Elizabeth Heaton of Amityville; ‘Untitled,” ceramic/bronze, by Bill Shillalies of Massapequa; and “Slight Disturbance,” acrylic on clay surface, by Frank Wimberley of Sag Harbor rose above the competition to receive Awards of Merit.

According to museum’s curator, Lisa Chalif, the Long Island Biennial “is about the creativity that surrounds us on Long Island. The show is extremely diverse in terms of medium and subject and style. It is just very appealing — there is something for everyone here.”

‘Abrasha in Port au Prince’ by Peter Beston

The exhibit spans two of the four galleries at the museum. The adjoining exhibits include The Tile Club: Camaraderie and American Plein-Air Painting (through Nov. 4) and Surface Tension: Pictorial Space in 20th Century Art (through May 5, 2019).

“Long Island is teaming with talented artists and the museum is pleased to bring this fact to the public’s attention,” said Executive Director and CEO at The Heckscher Michael W. Schantz in a recent email, adding, “A high quality juried exhibition, such as the Heckscher Museum’s Biennial, remains one of the best ways of doing so.”

The Heckscher Museum of Art, located at 2 Prime Ave., Huntington is open Wednesday through Friday from 10 a.m. to 5 p.m. and Saturday and Sunday from 11 a.m. to 5 p.m. For more information, call 631-351-3250 or visit www.heckscher.org.

In conjunction with the Long Island Biennial, several related programs are scheduled at the museum:
‘Slight Disturbance’ by Frank Kimberly

Exploring Art … Making Memories

A guided tour and activity for those living with dementia and their care partners will be held on Monday, Aug. 20 from 1 to 2:30 p.m. Members pay $8; nonmembers $10; care partners are free.

Gallery Talk

Meet Long Island Biennial artists John Cino, Rachelle Krieger and Alisa Shea at a gallery talk on Sunday, Sept.16 from 1 to 3 p.m. Members are free, nonmembers pay $5.

DRAW OUT! With Biennial Artists

Join The Heckscher Museum and its 2018 Cultural Partners for this free Community Arts event on Sunday, Sept. 23 from noon to 4 p.m.  (rain date Sept. 30). See demonstrations and meet Biennial artists Mario Bakalov, E. Craig Marcin and Inna Pashina. Hear live music, sketch a model, paint en plein air and much more.  

The Heckscher Museum of Art was founded in 1920 by philanthropist August Heckscher and is listed on the National and New York State Register of Historic Places. The museum’s permanent collection comprises more than 2,500 works from the 16th to the 21st centuries. 

Symptoms of diverticular disease include lower abdominal pain and feeling bloated.
Fiber intake can affect results

By David Dunaief, M.D.

Dr. David Dunaief

Many patients say they have been diagnosed with diverticulitis, but this is a misnomer. Diverticulitis is actually a sequelae, or consequence, of diverticular disease. Diverticular disease is one of the most common maladies that affects us as we age. For instance, 10 percent of 40-year-olds are affected and, for those over the age of 60, more than 50 percent are affected (1).

The good news is that it is potentially preventable through modest lifestyle changes. My goal in writing this article is twofold: to explain simple ways to reduce your risk, while also debunking a myth that is pervasive — that fiber, or more specifically nuts and seeds, exacerbates the disease.

What is diverticular disease? It is a weakening of the lumen, or wall of the colon, resulting in the formation of pouches or out-pocketing referred to as diverticula. The cause of diverticula may be attributable to pressure from constipation. Its mildest form, diverticulosis may be asymptomatic. 

Symptoms of diverticular disease may include fever and abdominal pain, predominantly in the left lower quadrant in Western countries, or the right lower quadrant in Asian countries. It may need to be treated with antibiotics.

Diverticulitis affects 10 to 25 percent of those with diverticulosis. Diverticulitis is inflammation and infection, which may lead to a perforation of the bowel wall. If a rupture occurs, emergency surgery may be required.

Unfortunately, the incidence of diverticulitis is growing. Between 1998 and 2005, hospital admissions for acute diverticulitis increased 26 percent overall with a 73 percent increase in those between the ages of 18 and 44 (2).

Fiber, or more specifically nuts and seeds, does not exacerbate the disease.

How do you prevent diverticular disease and its complications? There are a number of modifiable risk factors, including fiber intake, weight and physical activity.

In terms of fiber, there was a prospective (forward-looking) study published online in the British Medical Journal that extolled the value of fiber in reducing the risk of diverticular disease (3). This was part of the EPIC trial, involving over 47,000 people living in Scotland and England. The study showed a 31 percent reduction in risk in those who were vegetarian. 

But more intriguing, participants who had the highest fiber intake saw a 41 percent reduction in diverticular disease. Those participants in the highest fiber group consumed >25.5 grams per day for women and >26.1 grams per day for men, whereas those in the lowest group consumed less than 14 grams per day. Though the difference in fiber between the two groups was small, the reduction in risk was substantial. 

Another study, which analyzed data from the Million Women Study, a large-scale, population-based prospective UK study of middle-aged women, confirmed the correlation between fiber intake and diverticular disease, and further analyzed the impact of different sources of fiber (4). The authors’ findings were that reduction in the risk of diverticular disease was greatest with high intake of cereal and fruit fiber.

Most Americans get <14 grams of fiber per day. The Institute of Medicine (IOM) recommends daily fiber intake for those <50 years old of 25 grams for women and 38.5 grams for men. Interestingly, their recommendations are lower for those who are over 50 years old.

Can you imagine what the effect is when people get at least 40 grams of fiber per day? This is what I recommend for my patients. Some foods that contain the most fiber include nuts, seeds, beans and legumes. In a study in 2009, specifically those men who consumed the most nuts and popcorn saw a protective effect from diverticulitis (5).

Obesity plays a role, as well. In the large prospective male health professionals study, body mass index plays a significant role, as did waist circumference (6). Those who were obese (BMI >30 kg/m²) had a 78 percent increased risk of diverticulitis and a greater than threefold increased risk of a diverticular bleed compared to those who had a BMI in the normal range of <21 kg/m². For those whose waist circumference was in the highest group, they had a 56 percent increase risk of diverticulitis and a 96 percent increase risk of diverticular bleed. Thus, obesity puts patients at a much higher risk of the complications of diverticulosis.

Physical activity is also important for reducing the risk of diverticular disease, although the exact mechanism is not yet understood. Regardless, the results are impressive. In a large prospective study, those with the greatest amount of exercise were 37 percent less likely to have diverticular disease compared to those with the least amount (7). Jogging and running seemed to have the most benefit. When the authors combined exercise with fiber intake, there was a dramatic 256 percent reduction in risk of this disease. 

Thus, the prevention of diverticular disease is one based mostly on lifestyle modifications through diet and exercise.

References:

(1) Journal of Clinical Gastroenterology. 2006;40:S108–S111. (2) Ann Surg. 2009;249(2):210. (3) BMJ. 2011; 343: d4131. (4) Gut. 2014 Sep; 63(9): 1450–1456. (5) AMA 2008; 300: 907-914. (6) Gastroenterology. 2009;136(1):115. (7) Gut. 1995;36(2):276.  

Dr. Dunaief is a speaker, author and local lifestyle medicine physician focusing on the integration of medicine, nutrition, fitness and stress management. For further information, visit www.medicalcompassmd.com or consult your personal physician.

By Bob Lipinski

Bob Lipinski

Amari (plural of amaro), the Italian term for “bitters,” refers to distilled spirits containing an infusion of bittering “botanicals” such as herbs, roots or barks. Some of the many botanicals used include gentian, rhubarb, quinine, aniseed, saffron, peppermint, cloves, bitter orange and cinnamon. Bitters were originally produced to soothe and relax the stomach after meals and therefore are often referred to as “digestives.” They are also used as ingredients in some cocktails.

Aperire, a Latin word, that means to open, is the origin of the word apéritif — a beverage that usually “opens” lunch or dinner as a stimulant to the appetite. Most apéritifs have an initial sweet taste with a somewhat bitter aftertaste because of the use of quinine, a bitter compound that comes from the bark of the Cinchona tree. This slight bitterness whets the appetite and cleanses the palate.

Unfortunately, many consumers cringe at the bitter flavor of some amari, preferring sweeter beverages to run across their palates, while others look upon bitters as a “cult” or “rite of passage” beverage. There appears to be growing interest in this category, which can easily be shown by the vast number of articles and cocktails about bitters in the news.

Although Italy has the lion’s share of amari, we also find delectable offerings from the Czech Republic, France, Germany, Hungary, the United States and many other countries. 

Here are some of my favorites from Italy:

Aperol (22 proof, Veneto): Luminous orange color. Made from an infusion of aromatic herbs, spices and roots, including bitter orange, gentian and rhubarb.

Averna (68 proof, Sicily): Dark brown with colalike aroma and bittersweet taste; hints of black pepper, cloves, licorice and vanilla.

Branca Menta (60 proof, Lombardy): Dark, red-brown color; bouquet and flavor of spearmint, chocolate, citrus, menthol and herbs.

Campari (48 proof, Lombardy): Ruby-red, bitter beverage; bouquet and taste of bitter orange, cherry and strawberry, with a bittersweet aftertaste.

Cynar (34 proof, Veneto): Brown color; bouquet and taste of almonds, herbs, honey and walnuts.

Fernet-Branca (80 proof, Lombardy): Dark brown, extremely bitter; contains more than 40 herbs and spices.

Ramazzotti (60 proof, Lombardy): Dark brown, bittersweet; made from 33 different herbs, roots and spices.

There is no one correct way to serve amari; they are great served “neat” (room temperature), refrigerator chilled or on the rocks. Each can be served as a tall drink, filled with sparkling mineral water (or sparkling wine) and garnished with a wedge of lemon, lime or even orange. A maraschino cherry on top may provide a finishing touch.

Bob Lipinski is the author of 10 books, including “101: Everything You Need to Know About Whiskey” and “Italian Wine & Cheese Made Simple” (available on Amazon.com). He conducts training seminars on wine, spirits and food and is available for speaking engagements. He can be reached at www.boblipinski.com OR [email protected].

Michael Schatz. Photo courtesy of Cold Spring Harbor Laboratory

By Daniel Dunaief

What if an enormous collection of Scrabble letters were spread out across the floor? What if several letters came together to form the word “victory”? Would that mean something? On its own, the word might be encouraging, depending on the context.

Genetic researchers are constantly looking at letters for the nucleotides adenine, guanine, cytosine and tyrosine, searching for combinations that might lead to health problems or, eventually, diseases like cancer.

For many of these diseases, seeing the equivalent of words like “cancer,” “victory” and “predisposition” are helpful, but they are missing a key element: context.

W. Richard McCombie

Michael Schatz, an adjunct associate professor at Cold Spring Harbor Laboratory who is also the Bloomberg distinguished associate professor at Johns Hopkins, and W. Richard McCombie, a professor at Cold Spring Harbor Laboratory, use long-read sequencing technology developed by Pacific Biosciences to find genetic variants that short-read sequencing missed.

The two scientists recently teamed up to publish their work on the cover of the August issue of the journal Genome Research. They provided a highly detailed map of the structural variations in the genes of a breast cancer cell.

“This is one of many covers [of scientific journals] that we are pleased and proud of,” said Jonas Korlach, the chief scientific officer at Menlo Park, California-based Pacific Biosciences. 

“This is another example of how long-read sequencing can give you a more complete picture of the genome and allow researchers to get a more complete understanding of the underlying biology and here, specifically, that underlies the transition from a health to a cancer disease state,” he said.

Schatz and McCombie were able to see fine detail and the context for those specific sequences. They were able to see about 20,000 structural variations in the cancer genome. “It’s like using Google maps,” explained Schatz in a recent interview. “You can see the overall picture of the country and then you can see roads and zoom out.”

In the context of their genetics work, this means they could see large and small changes in the genome. Only about a quarter of the variants they found could be detected without long-read technology.

In breast cancer, scientists currently know about a family of genes that could be involved in the disease. At this point, however, they may be unaware of other variants that are in those genes. Schatz is hoping to develop more sensitive diagnostics to identify more women at risk.

People like actress and advocate Angelina Jolie have used their genetic screens to make informed decisions about their health care even before signs of any problems arise. Jolie had a double mastectomy after she learned she had the mutation in the BRCA1 gene that put her at an 87 percent risk of developing breast cancer.

By studying the sequence of genes involved in breast cancer, researchers may be able to identify other people that are “at high risk based on their genetics,” Schatz said.

Knowing what’s in your genome can help people decide on potentially prophylactic treatments. 

When people discover that they have breast cancer, they typically choose a specific type of treatment, depending on the subtype of cancer.

“There’s a lot of interest to divide [the genetic subtypes] down into even finer detail,” said Schatz, adding, “There’s also interest in transferring those categories into other types of cancer, to give [patients] better treatments if and when the disease occurs.”

The reduced cost of sequencing has made these kinds of studies more feasible. In 2012, this study of the breast cancer genome would have cost about $100,000. To do this kind of research today costs closer to $10,000 and there’s even newer sequencing technology that promises to be even less expensive, he said.

Pacific Biosciences continues to see a reduction in the cost of its technology. The company plans to introduce a new chip next year that has an eightfold higher capacity, Korlach said.

Schatz said the long-term goal is to apply this technique to thousands of patients, which could help detect and understand genetic patterns. He and McCombie are following up on this research by looking at patients at Northwell Health.

In this work, Schatz’s group wrote software that helped decipher the code and the context for the genetic sequence.

“The instrument doesn’t know anything about genes or cancer,” he said. “It produces raw data. We write software that can take those sequences and compare them to the genome and look for patterns to evaluate what this raw data tells us.”

Schatz described McCombie, with whom he speaks every day or so, as his “perfect complement.” He suggested that McCombie was one of the world’s leaders on the experimental side, adding, “There’s a lot of artwork that goes into running the instruments. My lab doesn’t have that, but his lab does.”

Working with his team at CSHL and Johns Hopkins has presented Schatz with numerous opportunities for growth and advancement.

“Cold Spring Harbor is an internationally recognized institute for basic science, while Johns Hopkins is also an internationally recognized research hospital and university,” he explained. He’s living in the “best of both worlds,” which allows him to “tap into amazing people and resources and capacities.”

Korlach has known Schatz for at least a decade. He said he’s been “really impressed with his approach,” and that Schatz is “highly regarded by his peers and in the community.”

Schatz is also a “terrific mentor” who has helped guide the development of the careers of several of his former students, Korlach said.

Down the road, Schatz also hopes to explore the genetic signature that might lead to specific changes in a cancer, transforming it from an organ-specific disease into a metastatic condition.

A juvenile male common yellowthroat. Photo by Joe Kelly

By Joseph Kelly

Those of you that view the work of nature photographers may enjoy the photographs of birds without thinking very much about what goes into these shots. “A bird. On a branch. Pretty bird.” While these are correct and true observations, they don’t really capture what is actually involved in taking a photograph of a bird, or any wild animal for that matter. 

I’m not complaining or bemoaning my lot in life. In fact, I’m hoping that parts of this little essay will bring a smile to your face. Mix in some nature, a little humor and a dash of knowledge, bake for 30 minutes and maybe we’ll all get to enjoy some wild creatures and places. And maybe we, or our children, will try to preserve the recipe.

Okay, back to the premise at hand. I was talking about photographing birds before I went all philosophical there. It happens, get over it. Photographing birds is not as easy as one might think. First off, you have to find the bird. I know, I know: They’re everywhere, right? But they’re not. Not really. We all have robins or sparrows or blue jays or crows in our backyards. Or pigeons for you city dwellers. But if I or any other wildlife photographer just took pics of those guys, we wouldn’t generate much interest. People might get to thinking that they’d seen all there was to see and why seek for more? No one would want to preserve open spaces or parklands. They wouldn’t understand the why of it.

I did it again. I was talking about finding birds and I went all sideways with it. So, really, you have to find the bird. You need to go where the birds are, whether it’s a park, a river or wetlands, a seashore or wherever. Again, you need to go where the birds are. You’re not done yet. Even when you’re in the right place, you still need to find your quarry. It’s not like birds are lining up to meet you. 

I have friends that can find and identify birds by their calls. I am not so gifted. I have several CDs of bird calls but I find my retention for such recordings — or lack thereof — do not help me in the field. Also, I am mostly deaf in one ear so even if I could recognize a particular call, zeroing in on the location of a particular call is nigh on impossible. By the way, I can hardly believe I found an excuse to use the word “nigh” in a sentence.

Okay, so you’re in a right place and you’ve found a bird. You don’t always see it right off. Sometimes, it’s just a rustle among the branches or a disturbance in the flowers. But it’s a bird. It’s right there, maybe just a few feet away. You know it’s there. Maybe you can even hear it. But can you see it? Can you get a photograph? Is that bird sitting there, proud and dignified, waiting for you to take its picture? Most times, at least for me, the answers are no, no and no. Birds flit and fly from branch to branch and from tree to tree. It turns out that the darn things have wings.

But sometimes, those sweet wonderful sometimes, you get lucky. The bird peeks out from the foliage or the flowers and is right there. All you need to do then is put it in focus. And that is an entirely different conversation. 

A resident of Stony Brook, Joseph Kelly is the official photographer of the Four Harbors Audubon Society. Visit his blog at www.joekayaker.com.

RED DARLING

Mimi Hodges of Sound Beach snapped this gorgeous photo of a garden with a red hibiscus plant in the foreground on July 31 using an Olympus OM-D E-M1. She writes, “This was in the beautiful backyard of dear friends and neighbors.” Hibiscus plants are known for their large, colorful flowers but they also have medicinal uses. The flowers and leaves and calyces (pods that hold the seeds) can be made into teas and liquid extracts that can help treat a variety of conditions.

Send your Photo of the Week to [email protected].