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Tara Mae

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Nan Guzzetta. Photo by John Griffin

By Tara Mae

The Port Jefferson Village Center’s second floor gallery unveiled its latest exhibit today, March 3. Titled Celebrating Women’s Suffrage and the Timeless Collection of Nan Guzzetta, it recognizes the determined advocacy of historical local suffragists and celebrates the life and legacy of Port Jefferson’s Antique Costume and Prop Rental proprietor Nancy Altman “Nan” Guzzetta, who passed away in 2021. The show runs through March 31. 

Fifteen costumed mannequins supplied by the estate of Nan Guzzetta and a comprehensive display on the suffrage movement by Town of Brookhaven Historian Barbara Russell are the focal points of the exhibit, which consists of textiles, photos, posters, and documents. It was conceptualized by Port Jefferson Mayor Margot Garant. 

‘The sky is now her limit’ by Elmer Andrews Bushnell. Image courtesy of loc.gov

“This serves a twofold purpose: celebrating Women’s History Month in March and honoring and memorializing the life work of Nan, a longtime resident,” said Mayor Garant. “Nan’s work has in particular helped this village for many decades, as she put her trademark costume design on many of our festivals including our traditional Dickens event. This exhibit gives us the ability to open up her displays to the general public with a special emphasis on the women’s suffragette movement.”

Established in 1977, Guzzetta’s shop on Main Street in Port Jefferson Village provided costumes and props for parties, weddings, historical re-enactments, museum exhibits, and other private and public events. The women’s suffrage display was her last project.

“Mom got the mannequins ready for another suffrage exhibit that then didn’t happen due to COVID. They were dressed in the parlor and throughout the house when she died; we preserved all those mannequins. They have been dressed that way for a long time, waiting to go on display,” said Nan’s son, Dave Guzzetta. 

Port Jefferson historian Chris Ryon reached out to Guzzetta’s family to request the use of the styled mannequins for the exhibit. Expertly draped, Guzzetta’s historical replicas add a dynamic element to the display, according to according to Sue Orifici, who is the Graphic, Archival, and Special Projects Coordinator for the Port Jefferson Village. “The show is in part a homage to her contributions to the community,” she said. 

Through her passion for her craft and history, Guzzetta sought to make sure the past, including the stories of suffragists, was not only remembered but alive. “She loved history and bringing it to life,” her daughter-in-law Lorraine said. 

A co-founder of the Port Jefferson Charles Dickens Festival, Nan collaborated with the Port Jefferson Village Center and local educational nonprofits such as the Port Jefferson Historical Society and the Three Village Historical Society, offering her expertise, insight, costumes, and accessories.

“Nan was a tremendous part of our annual Spirits Cemetery Tour, outfitting and designing each costume worn by actors for nearly 20 years,” said Director Mari Irizarry of Three Village Historical Society. “Nan will forever be remembered as a significant contributor toward the fostering of interest in local history and a fuller appreciation of the rich historical and cultural heritage of our community.” 

It was such a shared professional and personal investment in historical education and preservation that connected Guzzetta with Barbara Russell. Like many people involved in the suffrage exhibit, Russell worked with Guzzetta and personally experienced how the intersection of her interests formed her business and her support of the community. 

Annie Tinker

“I met Nan when she first started her business. She called Fran Child from the Port Jefferson Historical Society and suggested a fashion show using her costumes and models from the Society. I think it was circa 1978…I ended up modeling 19th ‘underclothes.’ Trust me, I was well covered up in cotton fabric. It was a really fun event and kicked off Nan’s new business,” said Russell.

Now, once again, Guzzetta and Russell’s efforts complement each other. The mannequins are the three-dimensional component to the pictures and documents that comprise the rest of the exhibit, specifically Russell’s traveling suffrage display, which explores the suffrage movement on a local, state, and national level.  

“One display is six panels on the centennial of women’s right to vote in 2017, organized by the New York State Library, New York State Archives and New York State Museum,” Russell said. “The other standing display is from the National Archives. The town has loaned both displays to the Port Jefferson Harbor Education and Arts Conservancy.” 

Individual local suffragists, such as Alva Vanderbilt Belmont and Annie Rensselaer Tinker, are highlighted in the exhibit. Belmont, a wealthy socialite who parlayed her social status and money into fighting for women’s suffrage, founded the Political Equality League and co-founded of the National Woman’s Party. She opened up her lavish Oakdale estate Idle Hour for fundraisers, networking, and strategizing. 

Tinker, a member of the Woman’s Political Union, who summered in Poquott, participated in meetings, rallies, marches, and theatrical benefits for women’s suffrage. She also established and trained a women’s cavalry.

These individual profiles and details enhance the human interest element that Guzzetta strove to embrace with her costuming, combining art and entertainment with learning. “She really loved the historical, the theatrical. She really wanted to be sure that everyone had fun. It was not enough to be appropriately dressed. She wanted people to have fun … people had to have fun,” her widower Charles said.

Guzzetta’s joy in sharing stories and making history more tangible were hallmarks of her business, one that Dave and Lorraine hope to continue. “There is a plan and we are in the middle of organizing… We are hoping there is a call for her work, that it is able to sustain itself,” Dave said. 

Celebrating Women’s Suffrage and the Timeless Collection of Nan Guzzetta will be on view on the second floor of the Port Jefferson Village Center, 101-A East Broadway, Port Jefferson through March 31. The Center is open seven days a week, from 9 a.m. to 9 p.m. Join them for a reception on Sunday, March 6 from 2 to 4 p.m. For more information, please visit www.portjeff.com/gallery/ or call 631-802-2160. 

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Meet Stella the Cow at Hallockville Museum Farm's Winter on the Farm program. Photo courtesy of Hallockville Museum Farm

By Tara Mae

Suffolk County families looking to give their children engaging educational opportunities during February break have a number of options from which to choose. Local organizations, such as the Huntington Historical Society, the Suffolk County Vanderbilt Museum, Sweetbriar Nature Center and Hallockville Museum Farm are offering wonderful programs this year.

Huntington Historical Society

The Huntington Historical Society will host a Winter Break Camp for children in grades 2 to 6 on February 22 and February 23 at the David Conklin Farmhouse, 2 High St., Huntington from 9 a.m. to noon. Participants will learn about local history through activities, play and crafts, according to Education Coordinator Ivy Van Wickler.  

“During our February camp, kids will participate in a variety of hands-on history activities, including learning traditional weaving techniques on our shaft looms, as well as fun President’s Day crafts and games. The children will have the opportunity to handle historical artifacts, including toys. We will play games and there will be a different craft each day with the focus on the only two sitting presidents [George Washington and Theodore Roosevelt] who visited Huntington,” said Van Wickler. 

The cost is $35 per child per day, $30 members. Pre-registration is required by Feb. 18. A snack for the children will be included each day. Masks are mandatory and social distancing will be observed. Call 631-427-7045 ext 404 or visit www.huntingtonhistoricalsociety.org.

Suffolk County Vanderbilt Museum

The Suffolk County Vanderbilt Museum, 180 Little Neck Road, Centerport will offer two winter workshops for children in grades K through 4 on Feb. 21 and 23 from 10 a.m. to noon. 

On Feb. 21 children will tap into their inner artists with a workshop titled Portraits & Mixed Media Collage “Selfie.” Partcipants will tour the historic mansion and examine Vanderbilt family portraits. Using the images as inspiration, they will then employ paint, paper, yarn, clay, and other materials to create individual self-portraits, according to Associate Director of Education Beth Laxer-Limmer. 

Bulb Botany and Winter Blooms on Feb. 23 will also provide interactive engagement for attendees, encouraging them to familiarize themselves with the grounds and exhibits while studying flora and fauna.  

“In the wildlife dioramas, we will discuss what animals eat and how they get their food, then walk around the mansion gardens looking for plants and winter-blooming bulbs and discuss photosynthesis. Children will create a forcing vase out of a repurposed plastic water bottle,” Laxer-Limmer said.

Tickets are $20 per child and all participants must be masked. To register, visit www.vanderbiltmuseum.org or call 631-854-5579.

Sweetbriar Nature Center

Sweetbriar Nature Center, 62 Eckernkamp Drive, Smithtown will host Winter Discovery Days from Feb. 21 to Feb. 25 from 9 a.m. to 3 p.m. Designed for children ages 5 to 11, each day of the program incorporates a different natural science theme, with time spent both indoors at the headquarters and barn or outside on the grounds. The activities are curated to encourage awareness and appreciation of the environment. 

Meet Turnip the Screech Owl during Winter Discovery Days at Sweebriar. Photo by Veronic Sayers.

“Kids generally don’t spend a lot of time outside in the winter; we help them discover nature in the winter. For the parents, many of whom may not be off of work, we have the kids during school hours,” said Program Coordinator Veronica Sayers .

Featuring 54 acres of garden, woodland, wetland, and field habitats on the Nissequogue River, Sweetbriar’s winter camp facilitates its mission to offer natural science education and native wildlife rehabilitation.

Ambassador animals, which are wild animals who are generally unable to be rereleased into the wild and include owls, squirrels, hedgehogs, etc., will visit with the campers. “The kids will do at least one craft a day. Sometimes we’ll have them interacting with the animals or playing games, doing scavenger hunts and exploring with their senses,” Sayers added. 

Children may be registered for one, two, three, four, or all five days of Winter Discovery Days. Masks will be worn indoors. The cost is $75 per day or $325 per week for members; $85 per day or $375 per week for nonmembers. For more information, visit www.sweetbriarnc.org or call 631-979-6344.

Hallockville Museum Farm

Hallockville Museum Farm, 6038 Sound Ave., Riverhead a non-profit educational farm, and Farm Hands, a program created to enable hands-on outdoor learning opportunities for young people, have collaborated for Winter on the Farm, a program tailored for children ages 5 to 10 from Feb. 21 to 25 from 9 a.m. to noon. 

Through a tour of the farm and experiential learning, the students will learn about Long Island agriculture as it was hundreds of years ago and as it is today. 

Situated on 23 acres, nineteen historic houses, outbuildings, and barns are preserved on the land; cows, chickens, and other farm animals reside at Hallockville. 

Farm tours will include equipment, outbuildings, and the Hallock Homestead and the Hallock Barn, structures that are more than 250 years old. Camp activities will highlight 19th century farm chores and entertainment, like collecting maple sap for syrup, churning butter, and playing historic instruments and games.

“The age-appropriate activities are based on the children’s abilities and designed to capitalize on the physical and historic resources at the museum farm. Activities will develop an appreciation of farming and local history while creating lasting memories for each camper. Campers will feed the farm animals, collect eggs, and get the farm ready for spring,” said Director and Head Teacher of Farm Hands Jessica de Vera Wells said. 

Proof of negative COVID tests will be required prior to arrival on the first day of camp and temperature checks and screening questions will be administered daily. Masks are required for all indoor activities. Prices is $300/week, $75 per day for drop-in if available, $25 discount for additional sibling for full week only. To register, visit www.hallockville.org or call 631-298-5292.

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'The Queen's Burial Chamber 2' by Ellen Hallie Schiff
'Ritual Blue' by Gina Mars
“Driving at Night to Meet Fran for Noodles” by Ellen Hallie Schiff
Ellen Hallie Schiff in her studio
Two person show explores color and chance through sculpture and abstract painting

By Tara Mae

Kicking off 2022, Gallery North explores the beauty born of controlled chaos and how that informs the power, impact, and usage of color through the raku sculptures of Gina Mars of Huntington and the abstract oil paintings of Ellen Hallie Schiff of Glen Cove in an exciting exhibit titled Chroma-Tenacity. The show opens Jan. 13.

Although Mars has a long-standing relationship with Gallery North, it is Schiff’s first exhibition at the gallery, and the pairing provides a unique opportunity for the artists to showcase their work in a way rarely seen, according to Executive Director Ned Puchner. The mixed media display, featuring approximately 53 pieces, was a calculated departure from the gallery’s standard procedure. 

“I am excited to see 3-dimensional work shown at the same time as 2-dimensional work. Often, we segment those things: the former in the gift shop, the latter in the gallery. I love the interplay between 3-D and 2-D; it’s important to me,” he said. 

Despite their different modes of expression, Mars and Schiff’s work shares certain commonalities that are interwoven into overall continuity and themes of Chroma-Tenacity.

“It really has to do with them trying to experiment and stay driven towards the goal of creating something beautiful that contains chaos. The exhaustion that comes with uncertainty runs through how we live right now and also this work,” said Puchner. 

This notion of tranquility in turbulence and meaning in mayhem are continuous themes of Mars and Schiff’s art, from concept to creation, reflected in the process and the final product.

“Control and chance are elements in both of their work. Both artists focus on the importance of color, attention to detail, and creating refined pieces. Gina’s sculptures focus on understanding the chemistry that exists within the glazes and surface texture, yet allowing them to have this spontaneous reaction. Ellen’s work involves destroying things to build them back up,” said curator Kate Schwarting.

Mars primarily works in raku, a sculptural style that involves rapidly firing pottery or sculpture. Her decorative and functional pottery is removed from the kiln at 2000 degrees and put in a covered container with combustibles (Mars likes to use pine needles and newspaper). The smoke interacts with the glaze and creates all different colors. 

Mars makes her own glazes, either color or crackle, which is a white glaze that, upon being taken out of kiln, shrinks in the air causing cracks. When the sculpture is put into the bin, the smoke gets into the cracks and makes incredible hues. 

Her pottery features iridescent glazed bodies and crackle glazed lids.  

“I love to go bold with my work and with color, push the limits of creativity, mixing different mediums. I may use different kinds of glaze firings, or different kinds of materials,” said Mars. “I like to take a lot of risks and [create] the vision that I see in my head; I don’t let anything influence me but my own ideas.”

Schiff is also open to the experience of creation informing her art, rather than adhering to a preconceived plan. Her work captures not only what is there but what is left behind as she applies layers of paint and then scrapes them away to form her works. 

While experimenting with different markings, Schiff has sought to expand her color palette in the past year. 

“I am interested in exploring. I try to really be open to what is happening on the canvas, what may occur, what I may explore with. I am intentional but I am also open to what may happen. I’m starting with the paint, I’m not starting with a narrative. Narrative may develop from putting the paint on the canvas. My work is about color and intention,” she explained. 

This shared willingness to play around with colors, tones, and forms is what first drew Schwarting to assembling this joint exhibition. 

“Gina started branching out in the past year [with] new motifs, materials, and experimenting with her process. I was really drawn to the sculptural elements and the dark surfaces that become luminous. Ellen’s art also evolved — it got brighter. The attention to texture and color is what really stood out to me: earthy, weathered, worn, but with incandescent color. Gina’s art has a very similar feeling to what Ellen has in her paintings. The breadth, range, and simultaneous cohesion of this exhibition make it a truly unique experience and one we are excited to share.”

Exhibition-related programming will include an ArTalk on Location, featuring both artists, to be published on YouTube on Feb. 3 and a one-day pottery workshop with Gina Mars in the Studio on Feb. 4 from 5:30 to 8:30 p.m.

Gallery North, 90 North Country Road, Setauket is open Tuesday to Saturday, from 11 a.m. to 5 p.m. and Sunday from 1 to 5 p.m. For more information, call 631-751-2676 or visit www.gallerynorth.org.

 

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Above, a light display at the drive-thru Smith Point Light Show

By Tara Mae

Suffolk County’s festive light shows have returned to illuminate the holiday season. Whether you prefer a starlit stroll or a cozy car trip, the unique displays at the Vanderbilt Museum, Smith Point County Park, Suffolk County Farm and Education Center, and Splish Splash Water Park offer peaceful reprieves from the hustle and bustle of everyday life. 

Bright Lights

A scene from Bright Lights at the Vanderbilt Museum.

Now in its second year, Bright Lights, a magical holiday celebration, returns to the Suffolk County Vanderbilt Museum and Planetarium, 180 Little Neck Road in Centerport.

A collaboration with Redmax Events, the display is open  form 5 to 9 p.m. Fridays to Sundays through Dec. 19, and Wednesday and Thursday, Dec. 22 and 23. The event features holiday lights, wandering carolers, festive music, tasty treats, and themed light-up displays. 

Santa Claus and his friends, including reindeer, snow people, gingerbread people, nutcrackers, and elves, will all be there, portrayed by costumed actors. The Posey School of Dance will perform The Nutcracker on Dec. 17, 18 and 19.

“We’re thrilled to invite everyone to kick off the holiday season and celebrate with us. The decorated Estate grounds will become a winter wonderland,” said Executive Director Elizabeth Wayland-Morgan. “As you walk through the estate at night, it’s as if you’re entering a magical children’s book.” 

Admission for members of the museum is $20 per adult, $10 per child age 12 and younger, children under the age of 3 are free. For nonmembers of the museum, admission is $25 per adult, $15 per child age 12 and younger, children under the age of 3 are free. Tickets may only be purchased online. For more information, visit https://www.vanderbiltmuseum.org/events/bright-lights. 

Smith Point Light Show

Above, a light display at the drive-thru Smith Point Light Show

Girl Scouts of Suffolk County’s annual holiday drive-thru display, the Smith Point Light Show, will be held daily (except Dec. 24, 25, 31 and Jan. 1) through January 9, from 5 to 9 p.m. Located at Smith Point County Park Campground 1, William Floyd Parkway in Shirley, it features 1.5 miles of lights on the beachfront land that is part of Fire Island. 

“It’s the 18th annual show at Smith Point. The Girl Scouts partner with Suffolk County Executive Steve Bellone to put it together. Many of the lights and displays were designed by girl scouts who won a special contest and then assembled by Girl Scout staff. The show benefits the Girl Scouts of Suffolk County, including funding for programs, campgrounds’ maintenance, stewardship system, and community outreach,” Multimedia Designer for Girl Scouts of Suffolk County Elena Rios said. 

Tickets are sold online or in person. Via the website, tickets are $22 per car and $25 per car at the gate. No cash transactions will be accepted. For more information, visit www.smithpointlightshow.com or call 631-543-6622. 

Winter Wonderland

Winter Wonderland at the Suffolk County Farm and Education Center in Yaphank first appeared in 2020, and offers a self-guided walking tour through the grounds of the interactive, educational, working farm, which is a Cornell Cooperative Extension.

Above, a holiday scene from walk-thru Winter Wonderland at the Suffolk County Farm

Visitors may enjoy the light show, farm animals, and photo opportunities as well as hay rides, hot chocolate, and a  lantern craft to take home. The event will take place on Dec. 4, 11, and 18, from 4 p.m. to 7 p.m.  

“Experiencing the farm at night is super unique and special as we [normally] close at 3 p.m. daily. The farm is magical at night,” said Director of the Suffolk County Farm and Education Center Vicki Fleming. 

To attend the show, pre-registration is required. Tickets are $15 per person for people age 3 and older; children under the age of 3 have free admission. For more information or to purchase tickets, visit https://suffolkcountyfarm.campbrainregistration.com. The event ends at 7 p.m.; the last admitted entry is at 6 p.m. For more information, call 631-727-7850.

Located at 350 Yaphank Avenue, Yaphank the farm provide hands-on, research-based learning to participants in its immersive programs, with a focus on agriculture, animal sciences, STEM history, healthy living, and life skills. 

Riverhead Holiday Light Show

Above, a light display at the drive-thru Riverhead Holiday Light Show.

Now in its fourth year, for the first time the Riverhead Holiday Light Show will be held at Splish Splash Water Park, 2549 Splish Splash Drive in Calverton. The display runs at 5 p.m. on select dates through Dec. 30.

“We’ve got dozens of dazzling, larger-than-life holiday themed displays to delight the entire family! The show is entirely new this year, so returning guests and new visitors alike will be amazed. Visitors are welcomed to bundle up in their car and tune their radio to enjoy the synced light performance as they travel the more than 1 mile route through the Holiday Light Show™,” Marketing Director of Bold Media Madeline Oliveira said. Bold Media produces the event and puts on other holiday light shows throughout the country. 

The Riverhead Holiday Light Show syncs to the holiday music playing on participants radios and the displays dance along to the music. And as the largest water park in New York, with over 95 acres to its name, Splish Splash offers plenty of space for a melodious, merry drive.

Tickets are available at http://holidaylightshow.com/riverheadticketcard. General admission is $23 per vehicle and allows admittance for a certain date and time slot. VIP admission is $35 per vehicle and allows admittance for anytime the show is open. For more info, call 631-210-6711.

 

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Vanderbilt Museum tour guide Ellen Mason at the entrance to the exhibit. Photo from Vanderbilt Museum
Alva during the suffrage movement.
Above, Alva Vanderbilt Belmont with her children, from left, Harold, William and Consuelo
A portrait of Alva Vanderbilt Belmont

By Tara Mae

Suffolk County Vanderbilt Museum’s new exhibit, Alva Belmont: Socialite to Suffragist, traces Alva Vanderbilt Belmont’s evolution from Alabama belle to New York suffragist. 

Originally planned for 2020 as a centennial celebration of the ratification of the 19th Amendment, it is on display in the Vanderbilt Mansion’s Lancaster Room on the first floor and offers an overview of Alva’s life while highlighting her fervent support for the women’s suffrage movement. 

“Alva Vanderbilt Belmont was the mother of William K. Vanderbilt II, who built the estate, mansion, and museum,” said Executive Director Elizabeth Wayland-Morgan. Alva’s first husband, William II’s father, was the grandson of Cornelius Vanderbilt, a business tycoon who amassed his wealth through railroads and shipping. 

From a prominent Southern family, Alva brought her own money and social standing into the marriage and later used her position to fight for women’s rights. 

“As a Southern socialite, she became an unexpected champion of women’s rights. Alva gave important support and funding to the National American Woman Suffrage Association and several women’s suffrage groups in the U.S. and the United Kingdom,” Wayland-Morgan added. “Alva was in a position of considerable power, influence, and social connections. For such a woman in any era to take up the fight for the rights of all women was startling. I wanted to know more about her extraordinary life.”

The exhibit is set up in five sections: Early Life, First Foray, Marble House, The National Woman’s Party, and Later Life. 

“Each section represents a pivotal moment in Alva’s life that shows how she became involved in the suffragist movement over time,” explained Archives and Records Manager Killian Taylor during a recent tour.

Primary sources and artifacts, including newspaper articles and “Votes for Women” plates commissioned by Alva, are on display and the Estate of Nan Guzzetta loaned 13 replicas of historic suffragist outfits to set the stage. The focal point of the exhibit is the photographs that adorn the walls. 

Images are included from the museum’s collection, the Library of Congress, and the National Woman’s Party, as well as loaned from the Southampton History Museum. Port Jefferson Village historian Chris Ryon also provided prints. A video installation, sponsored by Bank of America, chronicles her life.

“It is primarily a photo-based exhibit; Alva’s life through photos. Alva was savvy about using the media to her advantage” said Taylor.

Featuring pictures of Alva’s private and public lives, photos depict Alva with her children, at her homes, such as Marble House in Rhode Island (site of her “Conference of Great Women”), and with her fellow suffragists, among them Alice Paul and Lucy Burns.  

Taylor’s favorite images pertain to Alva’s work with the suffrage movement. 

“The first is a photo of Alva, Alice Paul, and a number of members of the National Woman’s Party; everyone is centered around Alva, who is sitting at a desk that belonged to Susan B. Anthony. The second is a photo of Alva’s funeral in 1933; the mausoleum is a replica of one designed by da Vinci. Alva’s pallbearers were all women and her casket flanked by members of National Woman’s Party,” he said.  

Recognizing the influence of her social capital, Alva leveraged it for promoting women’s suffrage. Any event, even her own funeral, could be used for publicity. 

“One of Alva’s strong points was that she was very, very good at using the press, so when she became heavily involved in the movement she made sure that she got in the papers,” Taylor said.  

Alva joined the National American Woman Suffrage Association circa 1909, following the death of her second husband, Oliver Belmont, and quickly put to good use the connections she had initially fostered while married to her first husband, William Kissam Vanderbilt.  

Alva networked, hosted events, organized, founded the Political Equality Union of New York to elect candidates who supported women’s suffrage, created a new national press bureau, worked the press, and with Paul even arranged the first picket protest to be held outside the White House. 

As a leader of women’s suffrage, Alva was advocating for women to have power beyond what was allocated to them by the men in their lives. Before women had the right to vote, their primary access to power was through their husbands (or fathers.) 

And so, prior to her participation in the women’s suffrage movement, Alva sought authority through the means most available to her: making a socially and economically suitable marriage for herself. Alva understood the importance of a “good match,” as Taylor noted, and with William K. Vanderbilt, she made one.

“Their marriage was pragmatic; it was not a love match,” he added. “For an American woman who wanted independence during the 19th century, the option was to marry rich.” 

William was certainly rich; he was part of the wealthiest family in the country. He and Alva had three children: Consuelo, William, and Harold. 

Alva divorced William Sr. for having an affair, at the time an uncommon response to such behavior. 

“She is the one who suffered the backlash,” Taylor said. Still, she emerged with several of their estates and a financial settlement reportedly in the range of $10 million. 

Her second marriage, to Oliver Belmont, was by all accounts a happier union. In 1908, her husband died of appendicitis and Alva fell into a depression. To cope, she immersed herself in charitable works and causes, which led her to the women’s suffrage movement. 

“At Consuelo’s urging, she attended a suffrage event in the United Kingdom and that lit the spark,” Taylor said. 

Consuelo was involved in the women’s suffrage movement in England, and the two pooled their resources and clout for women’s suffrage in the United States. They had reconciled after a rift caused years earlier by Alva’s machinations in arranging Consuelo’s marriage.

She selected Charles Spencer-Churchill, Duke of Marlborough, as Consuelo’s husband. Alva apparently saw the union as an opportunity for further upward mobility and international social standing. Consuelo refused to wed him, wanting instead to elope with her secret fiancé, Winthrop Rutherford. 

In retaliation, Alva had her locked in her room and threatened to shoot Rutherford. “Alva was very strong-willed,” Taylor said. Consuelo continued to resist until Alva emotionally blackmailed her into compliance, feigning she was dying of a heart ailment to get her then seventeen year old daughter to acquiesce. On the day of the wedding, while Consuelo reputedly wept behind her veil, Alva appeared to have made an immediate and full recovery. 

A little over a decade into the marriage, Consuelo and Charles separated. They later divorced and sought an annulment, with Alva’s full support. During the process, Alva told an investigator “I forced my daughter to marry the duke.”

The common goal of women’s suffrage helped heal the once frayed relationship between the two women, and as Consuelo worked abroad, Alva, with the National Woman’s Party, sought a constitutional amendment to guarantee women the right to vote in the United States. 

Victory came in 1920 with the ratification of the 19th Amendment. Alva then moved to France to be near Consuelo. She died there in 1933 and is interred in the Belmont Mausoleum at Woodlawn Cemetery in the Bronx. 

“The museum is proud of Alva’s national leadership role as a champion of women’s rights, as was her family. Her success in the suffrage movement and in securing the right of women to vote is a significant, pivotal chapter in American history,” Wayland-Morgan said. 

The Suffolk County Vanderbilt Museum, 180 Little Neck Road, Centerport presents Alva Belmont: Socialite to Suffragist through mid-January 2022. Tickets to the museum are $10 for adults, $9 for seniors, $9 for students with ID, and $7 for children age 12 and younger) Children under the age of two are free. Current hours for the museum, mansion and planetarium are Friday to Sunday from noon to 4 p.m. For more information, call 631-854-5579 or visit www.vanderbiltmuseum.org.

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'Love It Was Not'
'United States vs. Reality Winner'
'Not Going Quietly'
'Mission Joy — Finding Happiness in Troubled Times'
'In Balanchine's Classroom'
'Dear Mr. Brody'
'Claydream'

By Tara Mae

A Holocaust survivor’s complicated connection to the SS officer who nursed her through typhoid. An heir to a margarine fortune determined to give away his $25 million inheritance. A whistleblower whose patriotism leads to prison. These are just some of the stories explored when the award-winning Port Jefferson Documentary Series (PJDS) kicks off its Fall 2021 season on Sept. 20. 

Since 2005, the film series has been providing audiences access to films, artists, and stories that may otherwise not be as available to the general public. 

‘In Balanchine’s Classroom’ will be screened at Theatre Three on Oct. 25.

Sponsored by the Greater Port Jefferson-Northern Brookhaven Arts Council, the Suffolk County Office of Film and Cultural Affairs, Maia Salon Spa and Wellness, and Covati and Janhsen, CPAs, the PJDS will present seven intriguing documentaries at Theatre Three, located at 412 Main Street in Port Jefferson. 

The documentaries were handpicked by a six-member film board that includes co-directors Lyn Boland, Barbara Sverd and Wendy Feinberg along with Honey Katz, Lorie Rothstein and Lynn Rein. Although the final selections are made by the board, the screening committee also includes four longtime volunteers Denise Livrieri, Yvonne Lieffrig, Debbie Bolvadin, and Mitch Riggio. 

“We run the documentary series as a real democracy. Every film has a showrunner; you pick a film that you are particularly excited about, and everyone votes it in,” explained Lyn Boland.

The films include Love It Was Not, Claydream, Dear Mr. Brody, United States vs. Reality Winner, Not Going Quietly, In Balanchine’s Classroom, and Mission Joy — Finding Happiness in Troubled Times. Screenings will take place 7 p.m. on Mondays, September 20 and 27; October 4, 11, 18, 25; and November 15. (See sidebar).

With the exception of Claydream, the films will be also offered virtually the following day. In addition, an eighth film, Torn, will be only offered virtually on Nov. 8. 

Each screening will be followed by a Q&A with the documentary’s director or producer, who will join the event via personal appearance, Skype call, or, in one case, a pre-recorded Zoom interview. Tom Needham, host of The Sounds of Film on WUSB, will act as emcee. 

“Tom is the consummate interviewer. We are so lucky to have him. He chooses his own very interesting questions which really gets to the heart of each film and the filmmaker’s reasons for making the film,” said Wendy Feinberg.

‘Love It Was Not’ will be screened at Theatre Three on Sept. 20.

Boland believes that this series may be the most diverse series yet. “This season is the most varied season I can remember us presenting. It covers a huge range of topics,” she said. Love It Was Not, a film by Maya Sarfaty, was Boland’s recommendation to the panel.

“It’s a Holocaust story about a prisoner who had an SS officer fall in love with her; a remarkable story,” Boland said. “He secretly nurses her through typhoid, decades later his wife calls her to testify at his Nuremberg trial. Of course this is a dilemma for her…”

Boland is excited to see all the films, especially Dear Mr. Brody, directed by Marc Evans and United States vs. Reality Winner directed by Sonia Kennebeck. 

“Dear Mr. Brody is such a nostalgia piece from the 70’s, a period I loved, and it was a story I had never heard. I thought it was very unique and it was sparked by finding the trove of letters sent to him from that period.” 

United States vs. Reality Winner stood out to the co-director for how it explores the difficult decisions individuals in fraught situations may be forced to make. “It is important that the missed stories be told, the stories that really define their times,” she said. “I thought what Reality did was so brave, so right and what she went through for it shows how twisted up motivation and rules can be.” 

‘Dear Mr. Brody’ will be screened at Theatre Three on Oct. 4.

It’s that sort of authenticity that Boland believes makes documentaries so arresting and engaging. “I think what makes documentaries special is the extra dimension of knowing that they are true…there is no forgetting about the camera, like you do in a feature film. You are really aware that someone had to be there, in that situation, with a camera, and even if it is not dangerous or daring, it is still access, and with access you can make the film. Documentarians don’t always know how a story is going to unfold, but finding the story arc, that makes it a really riveting documentary,” she said. 

Everyone associated with the series is first and foremost a fan of the genre, according to Boland. And while many of the works are discovered by board members at festivals such as the Tribeca Film Festival, they are also being contacted by film distributors. 

“Distributors are reaching out to us more often. We’re not a festival, so we don’t solicit entries the way festivals do. We really feel that we are picking from an already selective group of films when we see them at a film festival. We used to absolutely require that a film had to have won an award or gotten rave critical review; we now trust our own judgement more,” she said. 

A labor of love for all those involved, holding the live screenings and Q&As at Theatre Three is an ongoing partnership.

“We’re providing an opportunity for an arts organization in our community. It is very valuable to screen films that people wouldn’t necessarily get to see in movie theaters; many of them noncommercial. The series offers a truly wonderful service,” said Theatre Three’s Artistic Director Jeffrey Sanzel.

Film Schedule:

■ The season begins with a screening of Love It Was Not on Sept. 20. Flamboyant and full of life, Jewish prisoner Helena Citron found herself the subject of an unlikely affection at Auschwitz: Franz Wunsch, a high-ranking SS officer who fell in love with her magnetic singing voice. Their forbidden relationship lasted until her miraculous liberation. Thirty years later, a letter arrived from Wunsch’s wife begging Helena to testify on Wunsch’s behalf in an Austrian court. She was faced with an impossible decision: should she help the man who brutalized so many lives, but saved hers, along with some of the people closest to her? Follow her journey in Love It Was Not. Guest speaker, recorded via Zoom, is Director Maya Sarfaty. This film is sponsored by Temple Isaiah and North Shore Jewish Center.

■ Up next on Sept. 27 is Claydream which follows the story of Will Vinton, a modern day Walt Disney who picked up a ball of clay and saw a world of potential. Known as the “ Father of Claymation,” leading a team of artists and writers, Vinton revolutionized the animation business during the 80’s and 90’s. But after thirty years of being the unheralded king of clay, Will Vinton’s carefully sculpted American dream came tumbling down. The film takes us on an exciting journey, rich with nostalgia and anchored by a trove of clips from Vinton’s life work, including his iconic, classic California Raisins. Guest Speaker is Director Marq Evans via Skype. *Please note, this film is not available virtually.

■ Next up on Oct. 4 is Dear Mr. Brody. In 1970, hippie-millionaire Michael Brody Jr., the 21-year-old heir to a margarine fortune, announced to the world that he would personally usher in a new era of peace and love by giving away his twenty-five million dollar inheritance to anyone in need. Instant celebrities, Brody and his young wife Renee were mobbed by the public, scrutinized by the press, and overwhelmed by the crush of personal letters responding to this extraordinary offer. Fifty years later, an enormous cache of these letters are discovered – unopened. 

In this riveting follow-up to his acclaimed film, TOWER, presented by the PJDS in 2016, award-winning director Keith Maitland reveals the incredible story of the countless struggling Americans who sought Brody’s help. Guest Speaker is Melissa Robyn Glassman, Producer and subject in the film.

■ United States vs. Reality Winner will be screened on Oct. 11. A state of secrets and a ruthless hunt for whistleblowers, the documentary tells the story of 25-year-old NSA contractor Reality Winner who leaked a top secret document to the media about Russian interference in the 2016 United States elections. Guest speaker will be Director Sonia Kennebeck.

■ The season continues with Not Going Quietly on Oct. 18. When 32-year-old activist and father Ady Barkan is diagnosed with ALS and given four years to live, he finds himself in a deep depression, struggling to connect with his young son, whose presence reminds him of the future he will miss. But, after a chance confrontation on an airplane with Senator Jeff Flake goes viral, Ady decides to embark on a tour of America, using his final breaths to fight for healthcare justice, and ultimately discovering that collective action and speaking truth to power can not only inspire movements, they can offer personal and emotional transformation as well. Guest speaker will be Director Nicholas Bruckman.

■ Up next on Oct. 25 is In Balanchine’s Classroom which takes us back to the glory years of Balanchine’s New York City Ballet through the remembrances of his former dancers and their quest to fulfill the vision of a genius. Opening the door to his studio, Balanchine’s private laboratory, they reveal new facets of the groundbreaking choreographer: taskmaster, mad scientist, and spiritual teacher. Today, as his former dancers teach a new generation, questions arise: what was the secret of his teaching? Can it be replicated? This film will thrill anyone interested in the intensity of the master-disciple relationship and all who love dance, music, and the creative process. Guest speaker is Director Connie Hochman.

■ Directed by Max Lowe, Torn will be screened virtually only on Nov. 8. On Oct. 5, 1999, legendary climber Alex Lowe was tragically lost alongside cameraman and fellow climber David Bridges in a deadly avalanche on the slopes of the Tibetan mountain, Shishapangma. Miraculously surviving the avalanche was Alex’s best friend and climbing partner, renowned mountaineer Conrad Anker. After the tragedy, Anker and Alex’s widow, Jennifer, fell in love and married, and Anker stepped in to help raise Alex’s three sons. The film will follow Max Lowe in his quest to understand his iconic late father as he explores family’s complex relationships in the wake of his father’s death. 

■ Mission Joy — Finding Happiness in Troubled Times, a profound and jubilant exploration of the remarkable friendship between Archbishop Desmond Tutu and His Holiness the Dalai Lama, closes out the PJDS Fall season on Nov. 15. Inspired by the international bestseller, The Book of Joy, the documentary welcomes viewers into intimate conversations between two men whose resistance against adversity has marked our modern history. Co-Directed by Louis Psihoyos and Peggy Callahan, the documentary reflects upon their personal hardships as well as the burden both men carry as world leaders dedicated to bringing justice to and fighting authoritarianism in their communities. Guest speaker is Co-Director Peggy Callahan via Skype.

The Fall 2021 Port Jefferson Documentary Series will be presented at 7 p.m. on select Monday nights from Sept. 20 to Nov. 15 at Theatre Three, 412 Main St., Port Jefferson and virtually the following day.  

Please note COVID-19 protocols will be fully enforced at Theatre Three. All ticket holders must show proof of vaccination status at the door, where it will be checked by two physician volunteers. Minor children too young to be vaccinated must be accompanied by a vaccinated adult, and all audience members must wear masks. 

Live screenings are capped at 100 people while virtual screenings are capped at 50 people. Tickets are $10 per person online or at the door. A film pass to see all the documentaries is $56. To purchase tickets, please visit www.portjeffdocumentaryseries.com. For more information, call 631-473-5220.

 

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This year's headliner will be Chris Smither.
Claudia Jacobs
Travis McKeveny band
Quarter Horse
A scene from a previous festival.
Festival tickets are on sale now at www.fiddleandfolk.com

By Tara Mae

A celebration of music, community, and nature, the 9th annual Fiddle and Folk Festival at Benner’s Farm will be held on September 12, from noon to 8 p.m. 

Participating musicians will include headliner Chris Smither, Travis McKeveny & The Famous Dr. Scanlon Band, Quarter Horse, Mick Hargreaves with Pete Mancini and Brian Moritz, CB Jacobs & Russ Seeger: Songs from the Black Book, Maria Fairchild and Bill Ayasse, and Jonathan Preddice and Brian Chabza. 

Most of the musicians are locals and have played at previous Fiddle and Folk festivals, according to Benner’s Farm’s co-owner, Bob Benner. The event will also feature artist workshops, and activities for children in the Kids’ Corner, including music, crafts, and more. 

“This is a low-key day with high quality talent,” said Amy Tuttle, program director for the Greater Port Jefferson-Brookhaven Arts Council and a member of the festival committee.

Four festival stages

This year there will be four venues at which to hear the music with each stage offering its own audience experience and ambience. 

The event barn’s Back Porch will serve as the main stage of the festival, offering sets of 45 to 60 minutes long, and align with a traditional festival concert experience while Jam Hollow will be a designated space for musicians to bring their instruments and play together. The Shady Grove stage will offer a more intimate opportunity for artists and audiences to interact, with conversations as well as Q&A sessions. Performances at the Shady Grove stage will be hosted by a to-be-announced radio personality from radio station WUSB.  

This year, the fourth stage is making its Fiddle and Folk debut. The stake bed of a 1924 model-T truck owned by Benner’s Farm co-founder Bob Benner, it will serve as an informal stage for anyone interested in participating in an open-mic. Guests can sign up on site. 

Musical acts

Chris Smither

Making his Fiddle and Folk debut is Chris Smither, a folks/blues singer based out of Massachusetts. Smither is a favorite of both Benner and Claudia Jacobs, a musician and friend of the Benners who helped book the acts. “Bob and I are massive fans,” said Jacobs.

Smither is happy for the opportunity to play at the festival and reconnect with audiences in person, having missed that connection during online, live-stream performances. “You try to build an entity between you, that exists among you. It’s electric; it’s a life-affirming, ephemeral sort of substance,” he said.  

Blue Point resident Travis McKeveny, of Travis McKeveny and The Famous Dr. Scanlon Band, considers his favorite part of playing live to be the “chance to experience the interchange of energy between myself and the audience.” The singer/guitarist is excited to be “…sharing the bill with peers, but especially sharing it with Chris Smither, the headliner, who is one of my songwriting heroes.” 

One of the returning favorites is Quarter Horse, a group that blends elements of rock, folk rock, Americana, and jam band. Quarter Horse, which five years ago had its album release party on Benner’s Farm, feels a connection not only to the people but to the place. 

“We know Ben Benner [Bob’s son] heard us and liked us, and asked us to play at another concert series he did on the farm. We eventually decided to have our album release party there. We’ve all gone to Benner’s Farm, even as kids on school field trips,” drummer John Reizi, of Centereach, said. “There has always been a connection to Benner’s Farm, it’s a really pleasant place. I take my daughter there sometimes; you don’t feel like you’re in suburban Long Island — you’re in a sort of portal.”

Jonathan Preddice, of Port Jefferson Station, echoes the sentiment. “I love spending time at Benner’s Farm. It has a great “down home” feel and sets a great atmosphere for relaxing and listening to good music.” A member of the band Miles to Dayton, the singer/songwriter will be focusing on his solo folk/America work with fiddler Brian Chabza. 

The farm’s environment is part of what appeals to Hicksville resident Maria Fairchild too. A singer and banjo-player, she is drawn back to the farm by “the setting; it is one of the few places to see traditional and roots-based music on Long Island.”

Benner’s Farm

In addition to hosting the Fiddle & Folk Festival, the 15-acre organic farm hosts everything from school field trips to weddings and offers seasonal festivals, summer camp, workshops, and other programs. Bob Benner believes this versatility is part of its appeal. 

“This farm, partly planned, and partly because of the way it is set up, changes its personality depending on what you’re doing. There is a friendliness to this space and we tried to keep the aesthetic beauty,” he said. 

Bob and his wife Jean, purchased the farm in 1977 and over the years have transformed it into a prominent local educational non-profit and one of the last true working farms in the area.

“There are very few farms around here now; we are trying to keep the farm as an agricultural place,” Benner said. “Also because we have educational backgrounds, we opened it up so people can take courses and have festivals and do things on the farm. People can see what the farm is like.”

The Benners were drawn to the farm’s educational potential: first for themselves, and then for the public. “We have absolutely no background in farming, but we could read…we’re learners and teachers,” he added. 

Community outreach began with local pre-school children visiting the farm to learn where their vegetables came from and expanded into educational opportunities for people of all ages. 

Continuing a tradition

Part of Benner’s Farm’s ethos is to support the people of the area and preserve cultural customs for current and future generations. So when Bob Benner learned that the original Fiddle and Folk Festival at the Long Island Museum was being discontinued, he reached out to the people who ran it, volunteered to revive it at the farm, and then assembled his own team to help put it together. 

“I always thought the farm was the perfect place to have a big event, like the ones the Benners and I went to. The timing was right. We pretty much created it together,” said Jacobs. 

Following so many months of isolation, this year’s festival holds particular meaning for everyone involved in it, said Jacobs. “This one is really special. Bob’s great desire for this year was to keep it local. He felt that it should be a big community event. A ‘return to the farm’ in a gathering, communal way,” she added. 

For Bob Benner, hosting and supporting the musicians is a way to honor both his own musical interests and his dedication to the community. 

“I am not a musician, but I like a variety of music…I thought I would have local people because local musicians have been royally impacted by COVID. We’re having local bands and local people singing (open mic) and an incredible visiting headliner who will be playing with a whole bunch of locals…I have never been let down by the bands we have chosen, ” he said.

The 9th annual Fiddle and Folk is supported by Benner’s Farm, Homestead Arts, WUSB, the Greater Port Jefferson-Northern Brookhaven Arts Council, and TBR News Media and sponsored by the Folk Music Society of Huntington, Long Island Blues Society, and Jack and Karen Finkenberg. 

Benner’s Farm is located at 56 Gnarled Hollow Road in East Setauket. Advance ticket sales are now open: adults are $22 per person, seniors are $17 per person, and children are $10 per person. Tickets on the day of the event are $25 for adults, $20 for seniors, and $12 for kids. To order, visit www.fiddleandfolk.com. Audience members are encouraged to bring their own seating. A full schedule of performances and events will be available online. For more information visit the website or call 631-689-8172. 

Photos courtesy of Bob Benner

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A view of the grounds of the Long Island Museum from the Art Museum on the hill.

By Tara Mae

The Long Island Museum (LIM) in Stony Brook unveils three exciting new exhibitions — Tiffany Glass: Painting with Color and Light, Fire & Form: New Directions in Glass and the 8th annual LIMarts Members’ Exhibition, Fragile — this Friday, Aug. 20. All three will be on view through Dec. 19.

Art exhibit, Fragile, showcases work of LIMarts members
Long Island Museum’s Visitor Center and History Museum

Peace may be found in both the practice and presence of art. Fragile explores how art enriches our lives, particularly during times of stress and strife. On display in the recently renovated Cowles Gallery in the History Museum and Visitors Center (pictured on the right), the show features works by 92 members of LIMarts, both amateur and professional, working in different formats and mediums including sculpture, printmaking, oil painting, watercolor, etc. 

“LIMarts is a collaborative arts group designed for artists dedicated to creating a new forum within our cultural community,” said Neil Watson, Executive Director of the LIM. “The group offers space for the exhibition and sale of artwork, varied programming events, lectures and opportunities for social gathering with other artists and the public.”

All LIMarts members were invited to submit one piece for the exhibit, which enables the museum to introduce or amplify the art of local artists to its audience. Although a few of the artists have works already in the museum’s permanent collection, the art included in Fragile is being exhibited for the first time. 

Thanks to a sponsorship by Maryellen and Michael Lubinsky, the museum was able to waive its normal commission; all proceeds from art sales will go directly to the artists. 

There were no confines put on the artists’ interpretations of the theme, but they were constrained by space; each participant’s work had to fit on 12″ x 12″  canvas boards. This restriction enabled creative solutions and unique results. 

“When everybody’s work is the same size, it distills a different type of beauty…they are all on the same panel and figuring it out,” said Joshua Ruff, Deputy Director of the LIM and the show’s curator. “The diversity of approaches and how the exhibit was interpreted are amazing: fragile, as an idea, departure point, and concept.”

During the past 19 months, emotional and physical fragility have been ideas arguably at the forefront of the collective conscience. Most of the submissions were created during this time frame, and these ideas are recurring subjects, especially as they relate to the delicate nature of both the environment and human condition. Yet fragile does not equal weak, and the exhibit is also a testament to how fragility can be infused with fortitude.

“This is not an exhibition of 92 different ways of suffering; rather it shows there is an inner reserve of strength in all of us. You can be vulnerable but have other positive qualities of strength. I think some of the artists were trying to say that you can be fragile but be strong or have a fragile environment that produces great beauty and great strength,” said Ruff.  

Certain artists chose to explore the intersection of fragility and vulnerability by experimenting with new painting styles or artistic techniques. “Some artists were trying new things and you can be vulnerable when you are trying new things,” Ruff explained. “It’s really impressive to see how many ways people approached the subject and how many different points of view and perspectives you see.”

Tiffany Glass: Painting with Color and Light
Wisteria Library Lamp, ca. 1901, Tiffany Studios, NYC

Organized by the Neustadt Collection of Tiffany Glass in Queens, Tiffany Glass: Painting with Color and Light will be the first exhibition of its kind at the LIM. This compelling exhibition will include five windows, twenty lamps, and several displays showing how Louis C. Tiffany’s lamps were assembled, and how collectors today can distinguish between authentic lamps and forgeries.

The exhibition features some of the most celebrated of Tiffany’s works. Chosen for their masterful rendering of nature in flowers or landscape scenes, they exemplify the rich and varied glass palette, sensitive color selection, and intricacy of design that was characteristic of Tiffany’s leaded-glass objects. This exhibition also highlights some of the key figures at Tiffany Studios who made essential contributions to the artistry of the windows and lamps— chemist Arthur J. Nash and designers Agnes Northrop and Clara Driscoll.

 

 

Fire & Form: New Directions in Glass
Acesa (Ascend), 2019; by Toots
Zynsky;
Heller
Gallery, NYC

Fire & Form: New Directions in Glass , organized by the Long Island Museum, will feature nearly 50 works from nine contemporary artists, all reinforcing that glass is a sculptural material of near-infinite artistic and narrative possibilities. The artists included in this exhibition represent some of the most renowned names in American contemporary glass: Joseph Cavalieri, Deborah Czeresko, Trefny Dix, Bengt Hokanson, Beth Lipman, Judith Schaechter, Andy Stenerson, Marianne Weil, and Toots Zynsky. These exceptional artists all demonstrate a variety of approaches, methods, and inspirational starting points. Fire & Form will inhabit more than 2,500 square feet in LIM’s History Museum and Visitor’s Center and will  be accompanied by a richly illustrated 30-page catalogue that will be printed as a takeaway for visitors.

“Fire & Form and Tiffany Glass are two of the biggest and most beautiful exhibitions we have ever mounted here,” says Joshua Ruff, Deputy Director the LIM and one of the curators of Fire & Form. “The comparison between Tiffany’s approach with some of the striking other work people will see  — modern stained glass, blown glass, and cast glass — will really give people some perspective on how versatile a medium it really is.

IF YOU GO

The Long Island Museum is located at 1200 Route 25A in Stony Brook. It is open Thursday to Sunday from noon to 5 p.m. Admission is $10 for adults, $7 for seniors (62 and older), $5 for students (including college students with IDs), $3.50 for people with disabilities (personal care assistants admitted for free), and free for children under the age of six. For more information about the above exhibits or orther programs at the LIM, call 631-751-0066 or visit longislandmuseum.org.

 

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'West Meadow Afternoon' by Mary Jane Van Zeijts
'Boys Night Out' by Doug Reina
'White Goddess' by Han Qin
'Jupiter Red Spots' by Alicia Peterson
'Coastal' by Jim Molloy

By Tara Mae

After a 3 year absence, Local Color returns to Gallery North, a proclamation of the connection between art, artist, and community. On view from Aug. 19 to Sept. 26, the exhibit is presented in conjunction with the North Shore Artists Coalition and includes a reception and Open Studio Tour. 

The beautiful show features artists whose work is both universal and local in impact, meaning, and appeal. 

“[Executive Director] Ned Puchner and I decided to bring Local Color back this year and re-envision it to show through these artists what local culture is about. The exhibit is defining the role artists play in shaping identity of community and showing diversity of how artists define community: creating culture, creating beautiful and impactful work, adding to the identity through their outreach, etc,” said curator Kate Schwarting. 

The show’s art is as varied as its interpretation of theme, featuring oil and acrylic paintings, photography, sculptures, and digital renderings. Thirty artists, from St. James to Mount Sinai, will be featured including Kelynn Alder, Arts.codes (Margaret Schedel and Melissa Clarke), Fred Badalamenti, Joan Branca, Sheila Breck, Pam Brown, Nancy Bueti-Randall, Sue Contessa, Micheal Drakopoulos, Paul Edelson, Peter Galasso, Han Qin, LoVid, Flo Kemp, Karen Kemp, Jim Lecky, Jim Molloy, Carlos Morales, Patricia Morrison, Patricia Paladines, Mel Pekarsky, Alicia R. Peterson, Doug Reina, Joseph Rotella, Angela Stratton, Mary Jane van Zeijts, Lorraine Walsh, Annmarie Waugh, Marlene Weinstein, and Christian White.

“What is so special about this exhibition is that each artist brings a different thing to the exhibition,” explained Schwarting. “A plein air painter captures the essence of a familiar location and allows us to see it in different light; someone else [deals] with a scientific topic that is so difficult to comprehend, but creates art that enables us to know through physical form and visual cues.”   

Several of the participants are also activists who champion social, technological, and environmental awareness and change through their art. 

According to Schwarting, a number of the artists were recruited through the gallery’s association with the North Shore Artists Coalition, while others were invited by her and Puchner. 

Pam Brown, a sculptor who lives in Stony Brook and co-founder of the coalition, helped facilitate the partnership between the group and the gallery. Her piece, Armour, is a sculpture fabricated out of sheet metal, wire, boar bristles, and vinyl. Brown’s efforts in facilitating the relationship between Gallery North and the North Shore Artists Coalition reflect the connection she sees between art and community outreach. 

“Community engagement creates an opportunity for the arts and artists to be seen by their communities — it initiates new ways for the public and artists to build connections between different groups. It brings together communities so they can articulate their own history and culture and to acknowledge that art is taking place in a larger context,” she said. 

For artist Doug Reina of Stony Brook, who has exhibited at Gallery North in the past, showing his work in Local Color is reconnecting with a “fun, summertime tradition.” 

“My work is about sharing the interesting, touching, emotional, funny, beautiful, sad human things that mean something to me with the viewer,” said Reina. His oil painting, titled Boys Night Out, depicts 4 teenage boys sneaking out of the house on a summer night. “The painting is based on real life experiences we had when our son was that age,” he explained.

Interpersonal connection is a recurring subject of the show’s art. This focus extends outward into explorations of our interactions with and responsibility to the world-at-large.

Han Qin of St. James will be entering her cyanotype on paper, White Goddess, which incorporates digital photo editing, drawing, and papermaking. It was inspired by two poems: “The White Goddess” by Robert Graves and “Quiet Night Thoughts” by Li Bai. 

“I started the White Goddess series during my pregnancy and have been developing it until now. Poetry and life experience are the main inspirations. The idea behind the artwork becomes a shared experience that brings people together,” she said.

“We as a people have a long continuous personal storyline. Artwork is the moment on the storyline. My moment connects with others’ moments in their individual storylines; thus, a web of emotional connections builds up. That is a community, too,” said Qin.

Such cultural connections are enhanced through community involvement. In this spirit, exhibiting artists of Local Color will also be featured in an Open Studio Tour hosted by the North Shore Artists Coalition and Gallery North on Sept. 25 and 26, from 11 a.m. to 6 p.m. each day. 

“With one piece from each of the selected artists in the exhibit itself, the Open Studio Tour allows for an expanded view of the individual artists,” said Schwarting. 

Gallery North, 90 North Coutry Road, Setauket presents Local Color from Aug. 19 to Sept. 26. Join the artists for an opening reception tonight, August 19, from 6 to 8 p.m. The gallery is open Wednesday to Saturday from 11 a.m. to 5 p.m. and Sunday from 1 to 5 p.m. For more information, call 631-751-2676 or visit www.gallerynorth.org.

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The Port Jeff Hill Climb has been postponed to Sept. 30. Photo by Bob Savage

By Tara Mae

What’s old is new again as Port Jefferson’s Hill Climb returns on Saturday, August 14, from 10 a.m. to 2 p.m. Continuing in the tradition of the 1910, 1911, and 1925 Port Jefferson hill climbs, this event is an historic tribute that features an antique car parade with about 50 automobiles and a photo exhibit at the Port Jefferson Village Center. 

File photo

“This is a celebration of the history of the hill climbs,” said Bob Laravie, a Port Jefferson Conservancy board member. “The parade starts at the Port Jefferson Village Center, goes up East Broadway hill and hits Belle Terre Road, turns onto North Country Road, and heads back to Main Street, and East Main Street.” 

The parade concludes when they circle back to the Village Center where visitors can view prints of historic photographs by Spooner and Wells. Primarily images of the 1910 Port Jefferson Hill Climb, they are shown courtesy of the Detroit Public Library which now houses them in its collection. 

Hill climbing is one of the oldest forms of motorsports, with the first one taking place in France in 1897. Generally, rather than race each other, cars race the clock as they ascend a peak. Port Jefferson’s version is arguably more a combination of parade and car show rather than a traditional hill climb. 

As each vehicle joins the parade route, the announcer will provide insight and details about the car, its history, and its owner. The cars are driven to a height of about 2,000 feet before beginning their descents.

Participants were recruited from car clubs and car shows, according to Laravie, who is showing the electric car replica he constructed, a Baker Torpedo Kid. The primary requirement for the entries is that they are at least 74 years old, although there are some exceptions. 

“My car is modified for actual hill climbing,” explained Laravie. “I built a replica/tribute to a 1903 electric racecar and they let me in the event …”

In 1910, the Port Jefferson Automobile Club sponsored the first Port Jefferson Hill Climb to promote its cars. “Port Jefferson was a good location for a hill climb; you didn’t need a track or tremendous spectator control. There was a very good turnout the first two years,” Laravie said. A commemorative hill climb was held in 1925. The modern incarnation has been held periodically for the past 50 years and run every 5 years since 2000. Scheduled for 2020, the event was postponed due to the pandemic.

“It is a great piece of Long Island automotive history,” said Howard Kroplick, of East Hills, who is returning for his third Port Jefferson hill climb, having participated in 2010 and 2015. This year, Kroplick will be driving the “Black Beast,” a restored racecar that won the 1909 and 1910 Vanderbilt Cup races and was in the first Indy 500.

“The hill climb has a kind of a legacy about the beginnings of automotive history, not only on Long Island but throughout the United States. We respect history by participating in this event. Also, it’s a lot of fun. It gives [drivers and spectators] the opportunity to utilize these cars and see them in action; most car shows are really stationary,” added Kroplick. 

Sponsored by the Port Jefferson Conservancy, East End Shirt Company, Bridgeport & Port Jefferson Ferry, Blacktop Yacht Club and the Village of Port Jefferson, the Port Jefferson Hill Climb is free to the public with a rain date of Aug. 21. For more information, please call 631-965-0797.

Please note: Parking at the Port Jefferson Village Center, 101-A E. Broadway, Port Jefferson is reserved for the hill climb’s participants; other public lots are available to spectators.

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