Taylor Dayne belts out a hit song at Funtastic 2023.
Neil Giraldo and Pat Benatar at Funtastic 2023.
Pat Benatar waves to a fan in the crowd during the Funtastic 2023 concert at Bald Hill on July 23.
Catherine Canadeo, Taylor Dayne, and LIMEHOF Chairman Ernie Canadeo pose for photos at Funfest 2023.
The crowd enjoys Funtastic 2023 at Bald Hill on July 23.
On July 23, the Long Island Music and Entertainment Hall of Fame celebrated the power of music with “Funtastic 2023,” a benefit concert for the organization featuring Pat Benatar and husband Neil Giraldo with special guest Taylor Dayne at the Catholic Health Amphitheater at Bald Hill in Farmingville. The packed crowd enjoyed rock favorites including “Love Is A Battlefield, “Heartbreaker” and “Hit Me With Your Best Shot” from Benatar and “Tell It to My Heart,” “Love Will Lead You Back,” and “With Every Beat of My Heart”from Dayne, both native Long Islanders.
From left, Neil Giraldo, Pat Benatar and Taylor Dayne head to the Catholic Health Ampitheater on July 23. Photos courtesy of LIMEHOF
By Tara Mae
Since time immemorial, troubadours have chronicled every aspect of affection and antagonism through song. If love is a battlefield, music is one of the most effective weapons in its arsenal.
On Sunday, July 23, the Long Island Music and Entertainment Hall of Fame (LIMEHOF) celebrates the power of music with “Funtastic 2023,” a benefit concert for the organization featuring Pat Benatar and Neil Giraldo with special guest Taylor Dayne at the Catholic Health Amphitheater at Bald Hill, 1 Ski Run Lane in Farmingville. The concert kicks off at 7:30 p.m.
“We are calling it Funtastic 2023 because we want people to have a lot of fun at this concert with powerful, upbeat music that has survived the test of time,” said LIMEHOF Chairman of the Board of Directors Ernie Canadeo.
Benatar and Dayne, who are each on tour this summer, will play full sets spanning the continuing creative arc of their careers. Giraldo, a musician and five time Grammy Award winning producer, will join his wife, Benatar, onstage.
International artists whose first notes were formed on Long Island, Benatar and Dayne were inducted into the LIMEHOF in 2008 and 2012 respectively. Benatar, a four time Grammy Award winning rock singer/songwriter, is renowned for assertive, commanding hits like “Heartbreaker,” “Hit Me with Your Best Shot,” and “Love is a Battlefield.”
Three time Grammy Award nominated, American Music Award winning singer/songwriter Dayne, is famous for defiantly danceable pop music, including “Tell It to My Heart,” “Love Will Lead You Back,” and “With Every Beat of My Heart.”
These multi-award winning, multiplatinum musical mavens are hometown heroes: Benatar grew up in Lindenhurst and Dayne was raised in Freeport and Baldwin.
“[The board] worked together to put on a concert utilizing the Long Island Music Hall of Fame’s inductees. From there we selected Benatar and Dayne, a natural fit…they are excellent representatives of Long Island. Canadeo said. “We felt that the LIMEHOF clientele would appreciate their music and artistry.”
LIMEHOF’s mission and membership will be well-represented at the event, with a promotional booth onsite selling its merchandise as well as concert t-shirts and raffle tickets for two house seats to a Billy Joel concert at Madison Square Garden. Although LIMEHOF has had smaller shows in the past, this is its premiere big benefit concert, with the goal of many encores to follow.
“I am looking forward to seeing familiar faces and meeting future members of LIMEHOF. We hope it becomes an annual event,” Canadeo said.
Just as a performance requires cooperation, Funtastic 2023 is a collaborative exercise both onstage and behind-the scenes. The idea of the concert was born from a conversation between Canadeo and John Caracciolo, who athrough his company JVC Media, operates 16 radio stations and the amphitheater in Farmingville, which is owned by the Town of Brookhaven.
“I love the venue; it is the largest outdoor venue in Suffolk County, with a terrific sound system, and accommodating seating: people may opt to bring their own chairs to sit on the lawn or take advantage of the stadium seats,” Canadeo said. “…We were discussing how to promote LIMEHOF and the conversation evolved from there.”
While the arts are seemingly threatened by everything from the advent of Artificial Intelligence to streaming sales that yield cents per play, LIMEHOF lauds the universal language of music and honors fluent local musicians. Founded in 2004, LIMEHOF has honored 120 inductees. It is committed to preserving Long Island’s musical legacy so that it may be appreciated and celebrated now and in the future.
A rolling stone for many years, in 2022 LIMEHOF finally found a permanent home at the Stony Brook Village Center. With the price of admission, visitors to its headquarters may enjoy free concerts or immerse themselves in an interactive exhibition. It houses musical mementos and traditionally hosted awards ceremonies, including the Long Island Music Hall of Fame Induction through 2018.
Since settling down, LIMEHOF has reportedly exceeded all of its all attendance goals as visitors immerse themselves in exhibits featuring musician memorabilia or a surround sound theater that plays what Canadeo described as “rare music videos.”
“As a nonprofit, LIMEHOF depends on public support through admissions, donations, and events like [Funtastic] to help us operate and continue to create memorable, exciting experiences,” he said.
The success of these programs also enables a new duo to make its debut. At the concert, Dr. Patrick O’Shaughnessy, CEO of Catholic Health, will announce Health and Harmony. This program, a partnership between the healthcare group and LIMEHOF, is designed to support residents’ mental health.
“People can listen to a select playlist that matches their mood; it is a multifaceted program that incorporates a vision to improve the wellbeing of Long Islanders through the power of music,” Canadeo explained.
During Funtastic, the message of music as sustainable sustenance for the soul is both a refrain and supporting act for Benatar, Giraldo, and Dayne.
“[This] is a wonderful opportunity for all Long Islanders to enjoy a terrific concert in a wonderful venue and support the Hall of Fame’s mission of keeping Long Island’s music heritage alive,” said Canadeo.
Doors open at 5 p.m. Tickets, which range from $52.65 to $106.65 (including fees), are on sale at www.ticketmaster.com. For more information about this event and LIMEHOF, visit www.limusichalloffame.org.
A scene from the NSGC's 2019 Flower Show. Photo from Leighton Coleman III
A scene from the NSGC's 2019 Flower Show. Photo from Leighton Coleman III
A scene from the NSGC's 2019 Flower Show. Photo from Leighton Coleman III
A scene from the NSGC's 2019 Flower Show. Photo from Leighton Coleman III
A scene from the NSGC's 2019 Flower Show. Photo from Leighton Coleman III
By Tara Mae
The allure of foliage and other flora is an alchemy of fanciful imagination, artistic interpretation, and scientific intuition. Such traditions, planted a century ago, will bloom with a renewed vision at the North Suffolk Garden Club’s (NSGC) annual garden show, “Sands of Time,” at Deepwells Mansion, 2 Taylor Street in St. James on Wednesday, June 7, from 1:30 to 4 p.m., and Thursday, June 8, from 10 a.m. to 4 p.m.
Members of the NSGC will be joined by different garden clubs from Long Island and around the country, including the Kettle Moraine Garden Club, whose members primarily hail from Waukesha County, Wisconsin.
Generally affiliated with the umbrella organization, Garden Club of America (GCA), all participating garden clubs will showcase their horticultural aptitude with a variety of individual and collaborative creations. As a juried show, entrees will be assessed by a panel of three GCA approved judges.
Featuring between 30 and 50 horticulture exhibits (plants and cuttings), approximately 12 floral exhibits, and a miniatures exhibit (tiny floral arrangement done in diminutive dimensions), “Sands of Time” is a testament to the NSGC’s robust history of industry and ingenuity.
“We are celebrating our 100th year with this centennial flower show as a way to display our abilities in horticulture, floral design, and photography,” flower show committee co-chair Deanna Muro said. “Our show is based on the history of our club…We picked a historic venue, Deepwells, to set a really nice stage for all our different displays relating to the history of the club and this area.”
With four distinct categories, Floral Design, Horticulture, Photography, and Education, the display explores how NSGC’s growth and development is reflected in the evolution of its surroundings. Every category has different classes that are a tribute and testament to the nature of life and budding environmental awareness in the 1920s.
“Each flower show must include an educational component. ‘Sands of Time’ focuses on 100 years of conservation, which has always been the root of the garden club. In the 1920s or 1930s, women of the NSGC, carrying their parasols and dressed in their finery, sailed down the Nissequogue River to draw attention to runoff and other water pollution. One of the classes is a floral homage to those parasols,” NSGC president Leighton Coleman III said.
From its inception, conservation was a primary concern of NSGC. Established at the onset of widespread automotive culture, the club quickly recognized its environmental hazards: air pollution, littering, disruption of natural plant and animal habitats, etc.
Thus, over the years NSGC has addressed issues both aesthetic and atmospheric, likebattling to ban roadside billboards; preserving scenic views and open spaces; promoting the plight of endangered waterways as it seeks to preserve them; highlighting the vulnerabilities of wildlife dependent on native plants; and creating community gardens.
Hosting this year’s event at Deepwells is itself an homage to this fertile history. It was the summer home of William Jay Gaynor, mayor of New York City from 1910-1913, and his wife Augusta Cole Mayer Gaynor, an avid gardener whose scrapbooks and other belongings will be present in the exhibition.
Intricately intertwined with the local cultural, climate, and communal past, NSGC was founded in 1923 by Smithtown residents. Accepted as an official member of the GCA in 1931, NSGC gained further prominence shortly after World War II when the club’s successful victory gardens and canning kitchens earned it government recognition.
Cited then as a club that others should emulate, NSGC’s membership base continues to strive for such excellence. Over the decades, through education and community outreach, it supported the successful effort to save the 500-acre Blydenburgh Park and amplified the importance of the Pine Barrens legislation in the 1980s. More recently, NSGC collaborated with the Stony Brook Yacht Club to restore the Stony Brook Harbor oyster beds.
Gardeners of NSGC are devoted to furthering its efforts in ecology and conservationism with the varied crop of projects it nurtures throughout the year. “Sands of Time” is just one element of the group’s ongoing effort to advance its original mission of conservationism as it engages the public in ecological and environmental awareness.
“We want to get people interested in gardening, conservation, and things associated with that, like indigenous plants, including pollinators,” Coleman said. “Our history of being involved in ecology dates back to the beginning of the club, starting with the development of auto culture in the 1920s, then expanding in the 1960s with revved up interest in ecology, dealing with pesticides, urban sprawl and development, and promoting habitat for endangered animals and parks.”
NSGC strives to promulgate such interests through its community outreach endeavors including maintaining the Long Island Museum’s herb garden and championing conservation and environmental endeavors on the local as well as national level.
“We are looking forward to letting the public know what we do and giving an idea of the importance of garden clubs…the flower show basically gives you an introduction of what the garden club does and a sense of community,” Rockwell-Gifford said.
The club currently consists of approximately 55 individuals, including retirees and professionals, many of whom are second or third generation members.
“I love all of the friendships I have made joining the garden club…Members are a dynamic mosaic — a real kaleidoscope of personalities. We welcome new people to join us,” Coleman III said.
Nathan Lane and Robin Williams in a scene from 'The Birdcage'
By Tara Mae
Time to fly the coop and settle in at Theatre Three’s Second Stage for St. George Living History Productions’ next interactive talk, “The Making of The Birdcage.”
On Tuesday, May 30, at 12:30 p.m., award-winning playwright and lecturer Sal St. George will guide the audience on a behind-the-scenes tour of the 1996 modern classic, with anecdotes, trivia, insights, and movie clips making cameo appearances.
Featuring complimentary refreshments, cookies, and other treats as well as a Q&A session, “The Making of The Birdcage” invites its patrons to enjoy the presentation as an immersive experience.
“It is LecturTainment at its best. It’s a combination lecture and entertainment package. My goal is to help you learn while you laugh, that is the magic I try to create,” said St. George.
Starring Robin Williams and Nathan Lane, The Birdcage is an acclaimed American remake of La Cages aux Folles (1978). Directed by Mike Nichols, the film chronicles the comedic calamities that befall a gay cabaret owner and his drag queen partner as they try to impress the ultra conservative parents of their son’s fiancée.
It launched the film career of Lane, renowned for his theater work, and solidified Williams’ chameleon-like ability to embody a variety of characters. Further spotlighted by its stacked roster of supporting actors, this film was a box office smash hit and remains a crowd-pleaser today.
“This was Nathan Lane’s first film. He and Robin Williams bonded immediately…This [cast] is a winning combination of talent,” said Sal St. George. “The Birdcage is a modern day classic that will be enjoyed 20 years, 50 years, and 100 years from now simply because it boasts a brilliant script, superb direction, and memorable performances.”
Highlighting, exploring, and understanding such talent is a founding tenet of St. George Living History Productions, which provides a sort of showbiz curriculum about Hollywood of yore and yesterday, including lectures, events, and virtual tours of entertainment museums.
“During our programs we never talk down to audiences; we are informative, educational and entertaining. I think that is what is appealing to them,” added St. George, who runs St. George Living History Productions with his wife Mary, son Darren and daughter-in-law Cassandra.
Such care and consideration is in part what inspired the collaboration between the production company and Theatre Three, which was conceptualized when Darren reached out to Executive Artistic Director Jeffrey Sanzel.
“Sal’s events are so incredibly well-curated. His translation of detailed research into engaging entertainment is unique. He has a way of finding new takes on any topic he selects,” Sanzel said. “We hope this is the first of many events like this with St. George Productions.”
Although this latest installment of St. George’s lecture series is the first partnership with Theatre Three, St. George and Sanzel have previously collaborated on other projects, including earlier incarnations of Port Jefferson’s annual Charles Dickens Festival.
“I have lectured from Long Island to San Diego; it was time to bring my programs to the patrons of Theatre Three and the Port Jefferson community,” said St. George.
Theatre Three is located at 412 Main St., Port Jefferson. Tickets for “The Making of Birdcage” are $25 for adults, $22 for seniors and veterans, and $20 for groups of eight or more people. To order, call 631-928-9100 or visit www.theatrethree.com. Group sales may be made by emailing [email protected].
A statue of Charles Darwin (and finch) created by sculptor Pablo Eduardo overlooks the harbor on the campus of Cold Spring Harbor Laboratory. Photo courtesy of CSHL
By Tara Mae
Scientific study is a perpetual testimony to the feats and foibles of human nature, intricately intertwined in ways that continue to be excavated by inquiring minds bold enough to imagine.
Cold Spring Harbor Laboratory (CSHL), which has largely been a titan in such innovative investigations, will offer a series of walking tours on select weekends from Saturday, May 20, through Sunday, August 27, starting at 10 a.m. The hour and a half long tours will traverse the past, present, and future of the complex and its work therein.
“We are most excited to get people to the Laboratory who have always wondered what goes on here. So many have heard about us, driven by us, read about us, but they have never dug deeper. This walking tour is the chance to learn who we are,” said Caroline Cosgrove, CSHL’s Community Engagement Manager.
Conducted by trained tour guides, including Cold Spring Harbor Laboratory graduate students and postdoctoral fellows, the walks strive to bridge the gap between the physical realm and scientific theory.
“These tours encompass the stunning grounds, the Lab’s history, and our current facilities and work. Community members, whether they have a background and interest in science, can come and learn from current graduate students about the world-renowned work going on in their very backyard,” explained Cosgrove.
Probing CSHL’s ongoing research and program development for plant and quantitative biology, cancer, and neuroscience, the tours will encompass details about its historic and modern architecture, Nobel legacy, and identity evolution. Additionally, these scenic, scholarly strolls explore the practices and procedures of CSHL, with behind-the-scenes sneak peaks into the inner workings of scientific investigation.
“As long as the tour guide’s laboratory is open and available, folks get a walk through and see the student’s own lab station,” Cosgrove said. “Whether it’s a cancer research lab, a neuroscience lab, a plant research lab, you get to see where all the magic happens.”
Established in 1890, CSHL’s North Shore campus is a beacon of biology education, with 52 laboratories and more than 1100 staff from more than 60 countries. Eight scientists associated with CSHL have earned a Nobel Prize in physiology or medicine. This internationally recognized center of scientific research is also a local history and education site, where students of all ages and backgrounds come to study.
“History has been, and will continue to be, made here. Please come get to know us,” said Cosgrove.
Cold Spring Harbor Laboratory, One Bungtown Road, Cold Spring Harbor offers walking tours on May 20 and 21, June 24 and 25, July 29 and 30 and Aug. 26 and 27 at 10 a.m. Tours begin in the lobby of the Grace Auditorium. Tickets are $5 per person. To order, visit www.cshl.edu/public-events/tour-cshl/. For more information, call 516-367-8800.
Art is a form of communication beyond words. It transcends language barriers and is accessible to those who seek to experience it. Cynthia Pascal’s creations speak through muted patterns, rich hues, softness imbued with strength. Her work tells stories of women, sometimes at rest or in repose, but always vibrantly alive.
As a celebration of art and life, Pascal’s posthumous exhibit, Cynthia Pascal: A Retrospective, at the Art League of Long Island, honors the artist who passed away in 2022 at the age of 92. On view at the Jeanie Tengelsen Gallery from April 15 to 28, this showcase features 46 acrylic paintings and six clay sculptures from the late artist. It is an act of love; a tribute from a daughter to her mother in collaboration with the Art League.
‘Abstract of Women in Pink and Blue’ by Cynthia Pascal
“My son brought Cynthia to the Art League and showed her work to the curator, which resulted in booking the show — one last highlight of her life. After she passed, it was in my head to still do the exhibit. I also thought, that for my mom, there was no other way to honor her than to talk about her surrounded by her work,” said her daughter Jeanne Gambardella.
Pascal’s palette and art projects a subtle warmth, even innate safety, whether the female subjects stare assuredly and directly from the canvas, gaze at something only they see, or relax with eyes closed. The lines of the women may be soft but their presence is strong.
“I believe that this exhibit covers all styles, but Pascal particularly leans towards abstract impressionism: figures are flattened with colorful brushstrokes and bright colors. She celebrates the world that she knew: her art focuses on women, friendships, relationships, their roles in society. It is full of life and energy,” said Susan Peragallo, coordinator and curator of the Jeanie Tengelsen Gallery.
A prodigious painter up until the very last months of her life, Pascal, who was a resident of Plainview, pursued both a personal and practical interest in interpersonal dynamics and emotions. She studied painting at Old Westbury College as well as the New School for Social Research in New York City, but was a licensed psychotherapist by profession and maintained a practice out of her home for more than 4 decades.
“I think she innately had a very emotional IQ and got the degree so she could use it. She was really socially, emotionally smart…[and] provided a safe place for everyone who talked to her,” Gambardella said.
This sense of security is evident in the self-assuredness of her subjects and the apparent ease with which they occupy space. That innate serenity can transcend to the audience and perhaps emanated from Pascal herself. She never lost her appreciation of beauty nor ability to create art, even as dementia dominated other aspects of her life during her last years.
‘Two Girls Sitting’ by Cynthia Pascal
“We would talk about [her art]. Cynthia could still talk about the work and the process. We had that language until the end. My mother was painting at the highest level,” Gambardella said. “I thought her work would show deterioration, but her painting was still there. It was the one thing that she still had, in addition to her family. She could access painting, and it was a means by which to express herself.”
As her characters commune in the paintings, Pascal was able to communicate through and about art, although words might otherwise fail her. Her art, which includes pastels in addition to different paints and clay sculptures, is an ongoing dialogue that allows connections to continue to develop.
“I was not familiar with her work before she approached us, and I was really thrilled to become acquainted with it. Her work is exciting, it is vivacious. She was around for a long time and I am delighted to have her work up on our walls,” Peragallo said.
Gambardella estimates that Pascal had about 10 shows in her life but was in a constant state of creation. She painted 20 pieces between 2018 and 2022, and most of the 46 works included in Retrospective were made in the past 10 years.
“I really truly feel joy when I look at her work. It is interesting — over the years, her work reflected her growth as an artist and where she was in life. When she was going through a divorce, I can see it reflected. I derive more pleasure in the joy, color, and strength of the women my mother depicted,” Gambardella said, adding that organizing the exhibit and arranging the remembrance were cathartic exercises as she grieved and adjusted to her new normal, having been her mother’s primary caregiver.
“Organizing this has absolutely been a labor of love for the last 5 months and beneficial to me in handling her passing, working on something to show who she was, her life’s work,” Gambardella said. “I kind of immersed myself in this project. It was a lot going through her decline and death with her, so this was healing. I am her supreme fan; my house has always been filled with her work.”
‘Dance Siesta’ by Cynthia Pascal
Now others will be able to surround themselves with Pascal’s art, and during the opening reception, envelop themselves in an environment resplendent with Pascal’s greatest joys including a soundtrack of her favorite classical music by Antonio Vivaldi, jazz interludes provided by a pianist hired for the evening, the easel she used for more than 60 years, and her favorite hat in her favorite color — pink.
“I am creating an atmosphere that I know she would love. After she died, people were calling about service details, and we instead decided to have a memorial at the gallery. Everyone in my family was in on it,” Gambardella said. “My mom and I were very close, this was the right thing to do…art and painting were her passions in life.”
The Art League of Long Island, 107 E. Deer Park Rd, Dix Hills presents the retrospective exhibit of Cynthia Pascal in the Jeanie Tengelsen Gallery from April 15 to 28 with an opening reception on April 15 from 6 to 8 p.m. A celebratory remembrance introduction will be held from 6 to 6:30 p.m., followed by light refreshments. For more information, visit www.artleagueli.org or call 631-462-5400.
The award-winning documentayr A House Made of Splinters will be screened at John F. Kennedy Middle School on March 20.
By Tara Mae
Documentaries are artistic passion put into practice. They require the fervor and drive not only of subjects and crew but also of those who seek to share their stories.
The Port Jefferson Documentary Series (PJDS) has been honoring and matching such moxie since 2005 and advances the plot this season with the seven films on its spring roster. Held at 7 p.m. on every Monday in March, from the 6th to 27th; April 10 and 17; and May 22, each showing is followed by a Q&A session featuring either the director or producer of the project.
Emceed by Tom Needham, executive producer and host of “Sounds of Film” on WUSB, the Series is a labor of love for all involved, giving both filmmakers and festival organizers the opportunity to revisit what initially drew them to these stories and share it with an attentive public.
“I like seeing the films again. With most of these films, we have been working on arranging the screenings for at least 3 months. I really do enjoy being in the audience, seeing the films again, thinking about them for the Q&A, and noticing what the audience reacts to. And then, meeting the documentarians and hearing their stories is one of the most exciting parts of the whole process,” said PJDS co-director Lyn Boland.
This season starts with Dr. Tony Fauci, which explores the professional and private life of a man striving not to be blinded by the spotlight as he does his job.
Immediate Family highlights the harmonies of five star session musicians whose notes, if not their names, are famous.
A House Made of Splinters chronicles the efforts of intrepid social workers on the front lines of the war in Eastern Ukraine as they endeavor to create an orphanage oasis for children displaced by war and woe.
I Am Not follows the journey of Oren Levy, a young adopted Israeli man who travels back to Guatemala in search of his identity.
Lift illuminates the invisible story of homelessness in America through the experiences of a group of young homeless and home-insecure ballet dancers who are selected to study their craft at the New York Theater Ballet.
Bobi Wine: The People’s President traces the career evolution of a man from musician to politician as he heralds the opposition to Uganda’s 35-year regime.
Lastly, Unfinished Business offers an inside look at the creation and legacy of the WNBA, as exemplified through the champion New York Liberty’s dramatic 2021 season.
“We try to balance it between serious and entertaining documentaries,” explained PJDS co-director Wendy Feinberg.
Screenings, held either at Theatre Three in Port Jefferson or John F. Kennedy Middle School in Port Jefferson Station, are arranged and organized by PJDS’s co-directors: Boland, Feinberg, and Barbara Sverd. Known as the “Film Ladies,” they are dedicated both to spotlighting the art form of documentary filmmaking and the often lesser-known stories that they champion.
“When I choose a film to be reviewed by the film board, I feel it must tell a story, have an emotional connection and appeal to a general audience. When I view a documentary for the first time, regardless of its subject matter, I want to feel like I am taking a class and learning something new,” Sverd said. “The greatest pleasure is sharing this experience with our audience and having the director, producer or someone from the film there for the Q&A to enhance the learning experience.”
Such an opportunity for more informed dialogue is part of the appeal for the documentarians as well; it acts as an avenue for deeper understanding between audience and artist.
“A smaller series or festival offers a unique and intimate connection with those who come to a theater and watch your film. It’s not about the publicity, or agents, or distributors. It brings us, as filmmakers, back to the fundamental reason we made this work: to listen for an answer back,” said David Peterson, director of Lift.
In addition to personal, there are also practical reasons that the PJDS and other such events are vital to the endurance of documentaries, a genre that generally has far less star power and thus less funding than its cinema siblings.
“These films would never have a chance if it was not for festivals and documentary series…to get distribution is really hard. That is where PJDS and other festivals can help.You have to show distributors that you have an audience,” said Denny Tedesco, director and executive producer of Immediate Family.
After each viewing, audience members are given the opportunity to rate the documentary: Excellent, Very Good, Good, or Poor. At the end of the season, the votes are tallied and the Audience Award winner is announced.
The members of the Film Board, which in addition to Boland, Feinberg, and Sverd, includes Honey Katz, Lynn, and Lorie Rothstein, then chip in money to donate to an organization of the winning director’s choosing.
Sponsored the Greater Port Jefferson-Northern Brookhaven Arts Council, Maggio Environmental, Port Jeff Storage, Inc., and Covati and Janhsen, CPAs, with funding from Suffolk County, PJDS is seeking volunteers to assist with screenings, marketing, and social media.
Theatre Three is located at 412 Main Street, Port Jefferson. John F. Kennedy Middle School is located at 200 Jayne Blvd, Port Jefferson Station.
A season pass for all seven documentaries is $56; single tickets are $10 online or at the door. To purchase passes, tickets, or for more information, visit www.portjeffdocumentaryseries.com.
A scene from ‘Lift.’ Photo courtesy of PJDS
Film Schedule:
■ The season begins with a screening of Dr. Tony Fauci at Theatre Three on March 6. This intimate film chronicles Fauci at home, in his office and in the corridors of power as he battles the ongoing COVID-19 pandemic and the political onslaught that upends his life and calls into question his 50-year career as the United States of America’s leading advocate for public health. Guest speaker is Director Mark Mannucci. Sponsored by Danfords Hotel & Marina and The Waterview at Port Jefferson Country Club.
■ Immediate Family will be screened at Theatre Three on March 13. If you listen to 1970s pop music, you’ve undoubtedly heard these guys play, but do you know their names? The documentary highlights five talented men—Danny “Kootch” Kortchmar, Leland Sklar, Russ Kunkel, Waddy Wachtel and Steve Postell—who shunned the spotlight for themselves, yet enjoyed decades of success as session musicians on iconic tracks. Guest speaker is Director Denny Tedesco. Sponsored by Danfords Hotel & Marina and The Waterview at Port Jefferson Country Club and the Long Island Music and Entertainment Hall of Fame in Stony Brook.
■ Next up is A House Made of Splinters at JFK Middle School on March 20. As the war in Eastern Ukraine takes a heavy toll on poor families living near the frontlines, a small group of strong-willed social workers works tirelessly in a special kind of orphanage to create an almost magical safe space for kids to live in while the state decides the fate of the child and family. The film is nominated for a 2023 Oscar in the documentary film category. Guest speaker is Director Simon Lereng Wilmont via pre-recorded Zoom.
■ I Am Not will be screened at JFK Middle School on March 27. Oren Levy, a young Israeli man, who is an adopted child with Asperger’s, faces challenges adapting. Suddenly, his life changes with the help of the camera, which becomes an extraordinary therapy tool assisting him on a long journey which takes Oren and his family to Guatemala in search of his identity. Guest speaker via Live Zoom will be Ehud Levy, Oren’s father and subject in film. Sponsored by North Shore Jewish Center in Port Jefferson Station and Temple Isaiah in Stony Brook.
■ The season continues on April 10 at Theatre Three with Lift which shines a spotlight on the invisible story of homelessness in America through the eyes of a group of young homeless and home-insecure ballet dancers in New York City. The story centers around ballet dancer and mentor Steven Melendez, who was a seven-year-old boy living in a Bronx homeless shelter who had his life turned around when he was the recipient of the New York Theater Ballet (NYTB) Project LIFT’s generosity. Guest speakers will be Director David Petersen and Steven Melendez, Principal Dancer & Artistic Director at the New York Theatre Ballet and subject in the film.
■ Bobi Wine: The People’s President heads to JFK Middle School on April 17. First-time co-directors Christopher Sharp and journalist Moses Bwayo tell the story of Bobi Wine, the musician-turned-politician leading the opposition to the 35-year regime in Uganda. Withstanding arrests, torture, and violence from the government, Bobi Wine and his wife Barbie risk their own lives and the lives of their children to lead their country towards freedom. Bobi Wine: The People’s Presidentis a brave exposition of an authoritarian government that highlights the power of documentary journalism. The film won the Hamptons Film Festival 2022 Best Documentary Audience Award. Guest speakers via Zoom will be Co-Directors Christopher Sharp and Moses Bwayo.
■ Unfinished Business, the final film of the season, heads to Theatre Three on May 22. An intimate look at the formation and legacy of the WNBA, and its flagship team, the New York Liberty’s, dramatic 2021 season, as they play for acceptance, respect, and the future of basketball. The film is named for a song “Unfinished Business” written for the New York Liberty basketball team in 2001 by Joan Jett, a Liberty super-fan who appears in the film. Guest speaker is Director Alison Klayman.
Artist Hulbert Waldroup with his painting, The Life and Legend of Pyrrhus Concer, at the Whaling Museum of Cold Spring Harbor
By Tara Mae
Serving in one of the 19th century’s most profitable and perilous industries, Black mariners risked their lives, livelihoods, and liberty in the pursuit of a meager but available wage. The Whaling Museum of Cold Spring Harbor’s new two year special exhibition, From Sea to Shining Sea: Whalers of the African Diaspora, examines the too-frequently ignored Black heritage and contributions to the whaling industry.
Guest curated by Dr. Georgette Grier-Key, Executive Director of Eastville Community Historical Society in Southampton, the exhibit opened on Feb. 15 and will run through 2024.
“This exhibit is focused on expanding and expounding on stories of Black mariners in maritime history and sharing the untold/under-told stories of whalers of African descent and whalers of color in our whaling history,” said Gina Van Bell, Assistant Director of the Whaling Museum.
From Sea to Shining Sea exhibit at the Whaling Museum
The exhibit casts the African American whalers for what they were: main characters in their own lives, who took up whaling as a means of survival and, in many cases, transformed it into a stepping stone for other successes.
“We want people to understand the vastness of their lives, which is sometimes missed,” Dr. Grier-Key said. “We really wanted to focus on that, just going a little bit deeper and not stopping at the surface of BIPOC whalers and their lives, probing what they were able to do and what it meant in the context of the times. We want to offer more of a world view, a holistic look at whalers and their lives.”
Like a ship’s crew comprised of many individual roles, this exhibit consists of items from the museum’s own archives as well as items on loan from 10 different historical organizations. It honors the artistic pull the sea has had on creators throughout the centuries by incorporating art inspired by the water and maritime culture.
Awash with primary source documents, artifacts, and artwork, the interactive display explores what life was like at sea and ashore for non-white mariners while contextualizing the greater experience of people of color who in lived in coastal areas during the 1800s.
The story of one such Black man, Pyrrhus Concer, inspired local artist and Southampton gallery owner Hulbert Waldroup, whose oil on canvas painting The Life and Legend of Pyrrhus Concer (2022), is included in the show. This circular painting, reminiscent of the shape of a porthole, depicts in vibrant colors the nautical scope of Concer’s life, framed in repurposed boat wood rescued from a salvage yard.
A formerly enslaved Southampton man of African descent, Concer became a sailor after he was freed in 1832 (slavery in New York formerly ended in 1827.) He sailed aboard the whaling ship Manhattan, the first American ship to visit Tokyo, Japan, where he was greeted with wonder, being the first Black man many of the Japanese had ever seen.
“It was painted purely out of love and respect for Concer,” Waldroup said. Drawn to the stories of Black cowboys and whalers, who have traditionally been erased from popular lore, Waldroup was intrigued by Concer, whose career as a whaler enabled him to establish himself as a businessman and philanthropist on the shore.
Whaling and other maritime endeavors were often precursors for the precarious promise of more stable lives away from the water, but such pursuits were fraught.
Part of the Sea to Shining Sea: Whalers of the African Diaspora exhibit at the Museum.
“The first Black Americans who were treated as ‘citizens,’ in a way, were sailors. During the nineteenth century, working as a merchant seaman or whaler was one of the few occupations which offered free Black people a relative level of independence and self-sufficiency, along with the opportunity to travel the world with a Seaman’s Protection Certificate,” said Executive Director of the Whaling Museum Nomi Dayan.
From circa 1796-1940, American mariners carried this document as proof as citizenship. It was particularly vital to Black sailors, as they were not defined as citizens under the law until the ratification of the 14th Amendment in 1868.
African Americans took very big risks for mitigated reward when they sailed with whaling ships. When docking in harbors of the South, for example, they were subject to being jailed or captured and sold into slavery.
From Sea to Shining Sea features receipts for the imprisonment and release of Alfred Gall, an African American crew member on the Cold Spring Harbor Whaling Company’s Tuscarora, whose captain had to bail him out of jail. His crime? Being a free Black man in a Southern port.
Yet despite the marine and manmade dangers, whaling was considered to be a viable, even comparably steady trade. The sea offered a sort of freedom to men who might not find it on land as long as the voyage did not kill them.
“Whaling employed the most diversified workforce among all other occupations at the time. Many whalers of color who endured hard work, poor pay, awful living conditions, and serious danger, chose to work at sea because work options on land were limited,” Dayan said. “African American whalers who faced work discrimination on land were more likely than other racial groups to continue whaling.”
Whaling records indicate that rank prevailed over the color of one’s skin. Recruiters did not record race, just complexion, which was a subjective categorization. Herman Melville, the white author of Moby Dick was even listed as “dark.”
Light-skinned African American sailors had more opportunity for advancement. And while Black whalers did encounter barriers to advancing their ranks and were relegated to service-based positions, they usually earned the same rate of pay as other men of the same rank.
“On these voyages, your life and your counterpart’s life depended on how well you did you job. So in that way, you were equal in the sense of doing the work … tough, backbreaking work that was dangerous — you could lose your life but could achieve financial success,” Dr. Grier-Key said.
This made whaling unique to other industries. Whaling could provide a sort of networking opportunity for the African Americans and other people of color. Ancillary jobs associated with the sea were also available to them, such as being caulkers and coopers. Wives of BIPOC whalers might be seamstresses for the captains’ wives.
Such a utilization of community building is a trait understood by the team behind this exhibit, for whom From Sea to Shining Sea is a labor of love and longevity, part of the Whaling Museum’s ongoing efforts to share the whaling tales generally omitted from the history books.
Dr. Grier-Key and Dayan served together on the board for the Museum Association of New York, and Dr. Grier-Key knew of Waldroup through her work in the Southampton community. Together with Van Bell, they coordinated an exhibit that the stories of BIPOC whalers are no longer submerged in the murky annals of time.
RELATED PROGRAMS:
Black History: Whaleboat Chat
Join the special edition of a Whaleboat Chat highlighting the Whalers of the African Diaspora exhibition on Tuesday, Feb. 21 at noon. Gather around the star of the museum’s collection, the whaleboat, and listen as a staff member shares the tale of the dangerous Nantucket Sleighride and the brave whalers. Free with admission. No reservations necessary.
Black History: Build-A-Boat Workshop
Drop by the Museum any time on Feb. 21 and Feb. 24 from 1 to 3 p.m. to learn about African American whalers who designed, built and worked on whaling ships in the 19th century and then imagine, design and create unique wooden vessel models out of a variety of materials in this open-ended workshop. Entry: Admission + $10 participant.
Beyond the Book
Join the Whaling Museum’s new book club! Read Whaling Captains of Color by Skip Finley at home andgo on new adventures through history. Then meet at the museum on Feb. 23 at 6:30 p.m. to dive deeper into the story through connections with the Museum’s collection. Adults only. $15 per participant. Registration required.
The Whaling Museum, 301 Main Street, Cold Spring Harbor is open Thursday to Sunday, 11 a.m. to 4 p.m. during the winter months, and Tuesday to Sunday, 11 a.m. to 4 p.m. in the summer. Admission is $8 for adults; $6 for seniors; $6 for children ages 4-17; free for children three years old and younger; and free for members. For more information, visit www.cshwhalingmuseum.org or call 631-367-3418.
Sweetbriar Nature Center volunteer Dan Defeo with Hoover the Goat. Photo by Janine Bendicksen
By Tara Mae
Hoover the Goat has foreseen the future…of football. Located in Smithtown, Sweetbriar Nature Center’s resident sports seer has predicted that the Philadelphia Eagles will beat the Kansas City Chiefs in the Super Bowl this Sunday.
Sweetbriar Nature Center volunteer Dan Defeo with Hoover the Goat. Photo by Janine Bendicksen
In a video posted to Sweetbriar’s social media accounts on Feb. 5, Hoover, who normally prefers hay, vegetables, and goat food, can be seen rather emphatically eating up the idea that the Eagles will take home the Vince Lombardi Trophy.
If there is a method to his magic(Hoover has correctly predicted the Super Bowl winner for the past five years) he has selected not to share it. When pressed for comment about his decisive digestives, Hoover declined to spill the oats.
Since he is not one to reveal trade secrets, the origin of Hoover’s psychic prowess remains a mystery. Nonetheless, he is adamant in how he articulates his chosen team.
“We make up pictures of the two teams, and whichever one he eats is the winner. Hoover is very precise: he thinks about it and then takes a chomp,” said Wildlife Rehabilitation Director Janine Bendicksen. As a rule, Hoover does not deign to get emotionally involved in the team he tastes, but Bendicksen does wonder if they would otherwise cheer for the same one.
“I am just curious to see if he goes for the underdog or the sure win. I always go for the underdog,” she added.
Rooting for the underdog is a common experience for the staff and volunteers of Sweetbriar, a wildlife education, preservation, and rehabilitation center; they may see and treat hundreds of injured animals in a year. Many come for a recuperative stay and are rereleased when rehabilitated, but others live out their days in structures located on the preserve’s property, tended to and supported by a dedicated group of caregivers.
A Sweetbriar rescue who has lived at his forever home for 13 years, Hoover is one of approximately 100 permanent residents. He is, thus far, the only creature that has exhibited such clairvoyance at the sanctuary.
“We were looking to figure out an animal that might be able to predict the Super Bowl as a spoof, and Hoover has never been wrong,” Bendicksen said.
Although Hoover does not perform his talent for a live audience, opting to make his selection with only a couple of his opposable-thumbed friends in attendance, Sweetbriar does offer many other many programs and events that allow patrons to interact with the organization’s ambassador animals.
Hoover the Goat chomps down on a piece of paper depicting his pick for the winning team. Photo courtesy of Sweetbriar Nature Center
“Hoover prefers not to participate in our events and we always honor the animal’s feelings,” said Program Coordinator Veronica Sayers.
Still, the impact of Hoover’s social media presence is an asset to Sweetbriar’s efforts to educate and inform the public while protecting and preserving wildlife and its natural habitat. As a nonprofit that relies heavily on donations, Sweetbriar Nature Center utilizes all the tools it has available including social media and community outreach.
“We mainly use this to educate the public. The more people know about wildlife, the easier our jobs get,” Sayers said. “Social media is a way to get to a lot of people and educate them. For example, in the last five years, possums have gone from being viewed as pests to being appreciated. Social media helped fix that perception.”
To witness Hoover make his prediction, visit Sweetbriar Nature Center on its Facebook page or on Instagram @sweetbriarnaturecenter.
Sweetbriar Nature Center is located at 62 Eckernkamp Drive, Smithtown. The nature center and preserve are open daily, from 9 a.m. to 4:30 p.m. To learn more about Sweetbriar’s upcoming activities and programs, including a day camp for children ages 6-11, during the February public school break, visit www.sweetbriarnc.org or call 631-979-6344.
Abraham Lincoln presenter Garry Rissman heads to the St. James Community Cultural Arts Center on Feb 12.
By Tara Mae
Legacy is where man and myth intertwine. More than a summation of his best ideals, the heritage of President Abraham Lincoln’s humanity takes the stage on his birthday, Sunday, Feb. 12 at 1 p.m. when he visits the St. James Community Cultural Arts Center in Celebrate St. James’ latest Living History event.
Garry Rissman, an Abraham Lincoln presenter, is the conduit for the 16th president. His interactive presentation will consist of scenes from three different plays in which Rissman inhabited the role, a monologue from the movie Lincoln, a game, and an audience Q&A session.
Abraham Lincoln presenter Garry Rissman heads to the St. James Community Cultural Arts Center on Feb 12.
“Many attendees are history buffs and their questions display their knowledge of the historical figures. So far, the Living Historians have been great — they really assume their character — costumes, persona, mannerisms, etc. They are knowledgeable and able to answer audience questions. You would think you are actually in [the historical figure’s] presence,” said Celebrate St. James President Patricia Clark.
Historical re-enactors and living history interpreters showcase an amalgam of artistry, history, and theatricality. They make the past present, facilitating scenarios in which audiences are not simply observers but rather cooperative collaborators participating in the presenter’s paradigm.
In this spirit, Rissman’s Lincoln interacts with his supporters, engaging with them throughout the program and creating an immersive experience.
“The audience members who volunteer to read lines in the Civil War plays really feel more involved by being the characters. It is very fulfilling to see them enjoy a living history lecture,” said Rissman.
A member of the Association of Lincoln Presenters for nearly six years, Rissman, who also belongs to the Screen Actors Guild, has appeared as Honest Abe on stage and screen as well as in private and public occasions.
Not unlike Lincoln, Rissman’s preferred profession is a second career. Whereas Lincoln was first a lawyer, Rissman was initially a working actor. Both roles benefit from a gift of oration.“I decided that being a living historian was more fulfilling than being an actor in a play with little to no pay and usually no possibility of getting a copy of my performance. I can do things my way,” he said.
Abraham Lincoln presenter Garry Rissman
Having found his path, Rissman had not yet selected the persona he would portray as he walked it. Initially, Rissman experimented with representing other prominent men of history, but they were not the right fit, so he sought inspiration from his previous occupation.
Like the five o’clock shadow that eventually yields a full beard, Rissman’s association with President Lincoln grew from portraying him in a play at the Incarn Theatre in Brooklyn to embodying him as a full time job.
“I was playing Lincoln in a Civil War play from [the] Incarn Theatre when I decided to go to the yearly Lincoln festival in his hometown of Hodgenville, Kentucky,” he said. “I believed that I needed to experience the Association of Lincoln Presenters first hand before deciding to spend the $200 for a lifetime membership.”
Finding resources and community to support his passion, Rissman, who is based out of New York City, embarked on his campaign of traveling Lincoln presenter. While he has been stumping, the staff and volunteers of Celebrate St. James have been organizing innovative programming to facilitate not only its mission of rejuvenating the town but buying the historic building in which it rents space.
Celebrate St. James resides in the historic Calderone Theatre. Built in the early 1900s, the organization hopes to purchase the building and restore it as a functional theater and creative arts space. Fundraising efforts are in the early stages and the Living History series, highlighting speakers and living history presenters, is a means of spotlighting the town’s robust history and paying homage to its theatrical roots.
These talks constitute Act One of the organization’s ongoing initiative to engage the public in local culture by invoking the past into the present.
“Our goal is to bring attention to the history of St. James, which is a hamlet with a very rich past,” Clark said. “We want to revitalize St. James as the flourishing hamlet it once was by bringing the cultural arts to our community to drive economic growth.”
Clark and members of her team have been inviting living history presenters to speak at their events following successful visits from Mark Twain, George Washington, and Alice Roosevelt Longworth, President Theodore Roosevelt’s oldest daughter, among others. Rissman and Clark connected via the Association of Lincoln Presenters’ official website.
“The historical recreations have become a regular series of events … Living History: Abraham Lincoln is a very family friendly educational/entertaining event and we encourage attendance from families with school age children to see the Living Historians bringing these historical characters to life,” Clark said.
Other Celebrate St. James endeavors include art exhibits, art classes, senior fitness classes, comedy shows, a virtual book club, various children’s events, a classic film series, and summer concerts at Celebrate Park this summer.
St. James Community Cultural Arts Center is located at 176 Second Street, 2nd floor (no elevator), in St. James. Tickets to Living History: Abraham Lincoln are $25 per person, $20 for members, $10 children ages 10 and up. The event will be followed by a Q&A and refreshments will be served. For more information, visit www.celebratestjames.org or call 631-984-0201.
These talks constitute Act One of the organization’s ongoing initiative to engage the public in local culture by invoking the past into the present.
Prev
