Authors Posts by Rita J. Egan

Rita J. Egan

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Staller Center line-up

By Rita J. Egan

As the air begins to chill, Stony Brook University’s Staller Center for the Arts is ready to warm up audiences with a variety of exciting performances with its Fall 2024 season.

Alan Inkles, Staller Center director, said planning a season is similar to putting together a puzzle when deciding who to include and working with the artists’ schedules. He added he and his team like to create a season that is a mixture of newcomers and well-known names, which he feels both challenges and entertains audiences.

Record breaking artist Jackie Evancho heads to Stony Brook University on November 23.
Photo courtesy of Staller Center

“What I’ve begun the last couple years is to mix the stars in with what I call discovery shows,” he said. “We’ve got to keep going back to bringing in shows with great, talented people that maybe you might remember them from America’s Got Talent or you may have seen them somewhere. That’s the joy of going to an arts center.”

Among those who have appeared on America’s Got Talent scheduled to perform at the Staller Center are Malevo on Oct. 26 and Jackie Evancho on Nov. 23.

Inkles described Malevo’s show as “high energy.” The dance group from Argentina was a semi-finalist on AGT in 2016. The dancers will perform zapateo, similar to tap dancing, using a type of weapon called boleadora.

Evancho is known for competing as an opera singer and coming in second on AGT in 2010 at the age of 10. Inkles said the artist, now known for singing pop, has created a show that will include opera, pop and Broadway tunes. 

“That will be a fun night,” Inkles said. “That’s something different that I like to bring in.”

Among those appearing at the Staller Center this season will be comedian Wanda Sykes (sold out), Tony Award winner Renée Elise Goldsberry, musician John Pizzarelli and Cirque Kalabanté: Afrique en Cirque.

The season will kick off on Sept. 15 with the Emerson Legacy Concert Presents the Han-Setzer-Finckel Trio performing the music of Haydn, Beethoven and Dvorak. The trio continues the tradition of the Emerson String Quartet with former members Phil Setzer on violin and David Finckel playing cello, with the addition of pianist Wu Han.

Entertainers perform on the main stage or recital hall depending on the performance. Inkles said on Nov. 13, “It’s going to be a really cool night at the recital hall.” The night will feature viral star Stella Cole, Postmodern Jukebox’s Benny Benack III and tap dancer Jabu Graybeal for Some Enchanted Evening with Stella Cole. The trio will perform Jazz-inspired selections of Broadway hits spanning the decades.

The Peridance Contemporary Dance Company will take on the Staller Main Stage on Nov. 16. “If you like modern dance … if you want to see amazing movement, if you’re taking dance class, there is ballet, there is tap dancing in it,” Inkles said.

Last year, the Staller Center debuted a new concept showing a children’s movie. At the same time, a live orchestra performed along to the songs with Disney’s Coco. This year, the arts center will show Disney’s Encanto on Oct. 14, with a Latin band playing the musical score. After the viewing, attendees can meet the band members.

“It gives the kids the opportunity to see a live band as well as a movie,” he said.

Changes through the years

For this year’s fall season, like most performance periods, Inkles and his team began planning two years ago when he started traveling around the country to attend shows featuring various artists to see who would be a good fit for the arts center.

After the COVID-19 shutdowns and venues began to open again, Inkles said a decision was made to have a fall and spring season instead of one long performance period due to people tending to go out less after the pandemic. “People aren’t buying in advance as much or as many shows,” he said.

Regarding post-pandemic, Inkles said that out of the other State University of New York campuses with arts centers, the Staller Center is doing better than others audience-wise, and things are returning to normal. “We’re thriving in a time when a lot of our centers have either closed their doors or are doing much, much less,” he said.

Inkles said it’s vital to have such an arts center on campus grounds. For every show, the center makes at least 100 free tickets available to SBU students who wish to attend a performance. “We want to give these students culture and entertainment that they’ve not seen before,” he said. “It’s growth of the future. If we don’t do this, in 20 years there won’t be art centers. People will just be watching on their phones.”

Inkles added he and his team aim to create shows that are good not just for Long Island but also in general.

“When you come to see a show at the Staller Center, in my mind, it is as good, if not better, because the acoustics are great in the recital hall, or our sound system is better than most theaters on Broadway,” he said. “You need to walk out thinking it’s as good, if not better than something you could see in New York City, and that’s sort of my rule of thumb. I’m not looking for something that is pretty good, I’m looking for something that’s really great.”

Calendar of Event

  9/15 — Emerson Legacy Concert at 5 p.m. (RH)

  9/21 — Renée Elise Goldsberry at 8 p.m. (MS)

  9/28 — John Pizzarelli: Stage & Screen at 8 p.m. (RH) 

10/14 — Disney’s ‘Encanto’ Sing-Along at 4 p.m. (MS)

10/18 — Wanda Sykes at 8 p.m. (MS) *Sold out

10/26 — Malevo at 8 p.m. (MS)

  10/9 — Cirque Kalabané: Afrique en Cirque at 7 p.m. (MS)

11/13 — Some Enchanted Evening with Stella Cole at 7 p.m. (RH)

11/16 — Peridance Contemporary Dance Company at 8 p.m. (MS)

11/21 — Starry Nights at 7 p.m. (RH)

11/23 — An Evening with Jackie Evancho at 8 p.m. (RH)

11/24 — ‘Don’t Let the Pigeon Drive the Bus’ at 3 p.m. (MS)

  12/6 — Anthony Nunziata: A Broadway Italian Christmas at 8 p.m. (RH)

 12/14 — Caroline Campbell with guest Chloe Flower at 8 p.m. (RH)

RH: Recital Hall

MS: Main Stage

Stony Brook University’s Staller Center for the Arts is located at 100 Nicolls Road, Stony Brook. To order tickets, call the box office at 631-632-2787 or visit stallercenter.com.

Runners at the starting line at Run the Farm. Photo from TOB

By Rita J. Egan

An annual race proves it can go the distance.

The organizers of the ShopRite Run the Farm 4-mile Run/Walk, which benefits Bethel Hobbs Community Farm in Centereach, will celebrate the event’s 10th anniversary on Saturday, Aug. 10. Brookhaven Town Clerk Kevin LaValle and Brookhaven Town Councilman Neil Manzella will co-host the annual challenge that ShopRite of Selden is sponsoring.

LaValle, former councilman for Brookhaven’s 3rd Town Council District, said he was pleased when Manzella expressed interest in helping to organize and host the race when he was elected to fill LaValle’s vacant seat last year.

Manzella said he’s happy to help and bring the race to the next level.

“Kevin has done such a fantastic job,” the councilman said.

He described the farm as a “hidden gem.”

“The 3rd District where I live is a very developed district, very business-oriented district, so to have this little farm tucked away in the middle of it, it’s just a nice change of pace,” Manzella said.

Before his tenure in the Town of Brookhaven, LaValle worked with the late Suffolk County Legislator Tom Muratore. He said that after the two visited the 11-acre community farm and met with its founder and director, Ann Pellegrino, they knew they had to help.

“Tom and I got back into the car after taking the tour, and literally, at the same moment, we both looked at each other and said, ‘We need to do something for this place,’ because that’s how much of an impression that first tour really meant to us,” LaValle said.

Runners take to the streets of Centereach for Run the Farm event. Photo from TOB

He added that while Muratore initially was able to secure county grants for the farm, when Suffolk County had to tighten its budget, the legislator couldn’t acquire the same funding he once did. LaValle, at the time a councilman, sat down with Pellegrino and discussed the idea of hosting a race, the proceeds of which would benefit the farm.

“It turned out to be a big hit,” Pellegrino said. “We get a good number of people, and they help us raise funds that go directly into the farm allowing us to do what we need to do.”

The farm provides produce for those experiencing food insecurity in the community. Over the years, it has also added an educational element where students can learn about farming. Volunteers help grow from 70,000 to 100,000 pounds of food donated to more than a dozen food pantries throughout the Island. The farm also has a stand where visitors can buy vegetables. 

Recently, Pellegrino said one food pantry, which feeds more than 100 families over the course of a few days, stopped by for 200 bunches each of collard greens and Swiss chard.

She added that many race participants tell her they never knew the farm existed, and some have come back to visit. Others work for companies that will organize ways to give back to the community farm, whether by donating funds or physically helping out, after they hear about it from their employee.

“We get all walks of life and all age groups,” she said. “It’s pretty impressive seeing older runners run it when I know I can’t.”

Pellegrino, LaValle and Manzella all said they have never run in the race. While the elected officials mingle with participants as they cross the finish line and assist those representing community groups, such as Girl Scouts who hand out water, Pellegrino works at the farmstand. She said this year, she will have help and will be able to be at the start line, something she has only been able to do once since the event started.

Manzella said he would like to run in the race one day, especially after seeing his chief of staff, Thomas Heinlein, participate in the challenge and receive a trophy. The councilman added that last year, he was surprised that in the time it took him to walk from the starting line at Oxhead Elementary School to the farm, a shorter distance than the overall race path, someone was already approaching the finish line.

The race includes two miles of even terrain followed by two challenging miles, which include a mile of gentle slope followed by two demanding climbs. Runners begin at the elementary school, travel through the streets of Centereach and end at Bethel Hobbs Community Farm.

“It’s a challenge, and it’s a beautiful course,” LaValle said. “Runners love it. It’s through the streets of Centereach, so it’s very shaded throughout a lot of the course.”

On average, more than 250 runners enter the race, and approximately 100 to 200 people come to cheer participants on, the town clerk said. In each age group, there are awards for the top three runners, and there are also special recognitions, including awarding the fastest runner who is an active or past member of the military. People come from all over the Island to enter, LaValle added. In 2019, two winners, a father and son, were from France.

Soon after Run the Farm was created, it was made official by USA Track & Field and timed and kept track of like other official races. This year is the first time the 4-mile run/walk will have a lead sponsor, ShopRite of Selden. LaValle said Charles Gallagher, president of Gallagher Family Markets, which owns the supermarket, donated money to the event in previous years. One day while shopping, LaValle was talking with Gallagher, and he decided to be a lead sponsor to show his support for the community event.

Pellegrino said she’s grateful LaValle approached her about organizing a race 10 years ago.  

The funds raised help with general expenses and larger projects. In the past, proceeds from the race have been used to repair the barn roof, update the irrigation system and construct a wheelchair garden. In the future, she said the farmstand will need some work.

“It’s just a tremendous help when the community comes together to support what we’re doing the way we’re doing it,” Pellegrino said.

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ShopRite Run the Farm 4-Mile Run/Walk will be held on Saturday, Aug. 10, rain or shine. Fun Run for children begins at 8:30 a.m., and the 4-mile challenge starts at 9 a.m. The cost to enter is $30 for those who pre-register and $35 the day of the race; $5 for  children under the age of 10. The challenge starts at Oxhead Elementary School, 144 Oxhead Road, Centereach, and ends at Bethel Hobbs Community Farm, located at 178 Oxhead Road, Centereach. To register in advance, visit events.elitefeats.com/24runthefarm.

By Rita J. Egan

The owners of one Port Jefferson dance school will take their final bows on June 14 and 15 at their annual recital.

In October, Amy Tyler-Worrell and John Worrell, owners of Amy Tyler School of Dance, announced that the dance studio would close permanently at the end of the school year. Tyler-Worrell operated the business for 36 years.

“The hardest thing was telling the kids,” the dance teacher said.

The business owner, who has been dancing since she was 6, bought the school in 1988 from her dance teacher, Karen Fitzgerald. Two years later, she met Worrell, and in the third year of the school, he began teaching and assisting with the technical side. In 1992, they launched their annual production of The Nutcracker.

Through the years, Amy Tyler School of Dance has moved twice: once from its first location by Theatre Three in Port Jefferson to farther north on Main Street, where the cigar store is today, and finally to its current location on Reeves Road. 

The couple juggled their responsibilities at the dance studio with raising three children. All three have been involved with the studio. While 24-year-old Ryan is a dance teacher, 20-year-old Jack, a sound engineer, helps with sound and lights at the recitals. The couple’s youngest, Cassidy, 17, who has been dancing since she was 3 and performing in the recitals, will be attending Temple University this fall. Ryan will continue to teach dance at another school, according to his mother.

“Everybody’s in a transition period,” Tyler-Worrell said.

The turning point

Tyler-Worrell and her husband witnessed the business change during the COVID-19 pandemic.

During the lockdowns that began in March 2020, the school offered Zoom classes for half price. Tyler-Worrell said most students took the virtual classes, and some insisted on paying full price for them.

“Some people were working from home and still earning the same salary, and some were struggling,” she said. “We tried to balance it out and make it work for everybody.”

Tyler-Worrell said that the students were happy when they could dance in the studio again.

“It was so wonderful to see,” she said. “We could have just said this is it for us. We stuck it out, and the kids really needed it at the time. I’m really glad we did it.”

However, she added that studio attendance was cut by a third after the lockdowns. When the doors opened again, many students were uncomfortable dancing with masks and in squares six feet apart. The recital that year was held virtually, and The Nutcracker performance was canceled in 2020. In 2021, the school owners had a stage built on their property and held their recitals outdoors for the last three years.

“Things didn’t go back to how they used to, and being in it for 36 years, we thought this was the time,” Tyler-Worrell said.

Lasting memories

Tyler-Worrell and her husband have countless memories due to the school, and she said the one good thing that came of the difficult decision was hearing from former students, many of whom will perform in this year’s recital.

She said several former dancers have formed longstanding friendships, attending important events in each other’s lives, such as weddings and showers.

“They’re still supporting each other into their adult life so that makes me feel really good about what we created,” she said.

Tyler-Worrell added that the teachers taught technique and the importance of community. She said that while a small percentage of students become dancers, “hopefully, the skills they learn carry them into other things.”

Sara Barasch is one of the former students who fondly remembers the school and the skills she acquired. She started dancing in kindergarten in 1988 and continued until 2001. She said there was a point when she was at the studio practically every day of the week.

“It’s the end of an era,” Barasch said, “It’s something I took for granted, because I thought it would always be there.”

She hasn’t danced much for the last 20 years, but as an agent who books clients with performing arts venues across North America, she said her experience with dance comes in handy since many clients are dance companies.

“Having the background as a dancer and knowing what it’s like physically and emotionally, it helps to provide a lot of perspective,” Barasch said. 

She added she was happy to drive from Queens to rehearsals to participate in the recital’s alumni dance, and she has kept in touch with a few of her former fellow Amy Tyler School of Dance students.

Barasch credited the school with helping her gain independence as she would go buy lunch at the local deli by herself when it was located on Main Street. Additionally, the Worrells would provide students with an opportunity to work at the front desk or help clean to earn money, and she said she cleaned at the dance school more than she did at home.

“I can’t imagine Port Jefferson without the studio,” Barasch said.

For Kai Sherman, who has taken the adult ballet class at the school for the past 10 years, she said the studio helped her become familiar with the community when she moved to Long Island at the age of 32. She added she feels fortunate to have found the Worrells.

“It’s just been amazing to have them as my ballet teachers,” she said.

Sherman is grateful that in addition to adult ballet she was able to take pointe classes at the school where she has danced with the Worrells’ daughter and other young dancers.

“To see those girls go through their high school years and to see how much they’re improving and working on dance but also their schooling, you just have these proud moments,” she said.

As the recital approaches, Sherman said, the memories won’t be sad ones.

“There are all these beautiful, wonderful memories and that’s what we’re going to take away from it,” Sherman said. “And having to end on the recital is just even better because then you’re just going out on such a high note.”

The last dance

Titled “Glorydaze,” Tyler-Worrell said this year’s recital will include songs from past years with new choreography and will feature current and former students as well as the school’s famous chase scene. After the recital being held outdoors the last few years, she said she’s pleased that it will be held in an auditorium for the last performance.

“We’re doing our final one inside at J.F.K. (Middle School) and kind of trying to go out with a bang,” Tyler-Worrell said.

Amy Tyler School of Dance’s recital will take place at John F. Kennedy Middle School, 200 Jayne Boulevard, Port Jefferson Station, on Friday, June 14, at 7 p.m., and Saturday, June 15, at 2 p.m. Tickets can be purchased at eventbrite.com (search for school’s name) and at the door.

Artist Stuart Friedman paints at Frank Melville Memorial Park during a previous Wet Paint Festival. Photo courtesy of Gallery North
Two-day plein air painting event combines art, history and nature

By Rita J. Egan

Gallery North’s 20th annual Wet Paint Festival will take place in what was once considered a Setauket hub.

Held on June 1 and 2, the plein air painting event, featuring more than 40 artists, will be held on the grounds of the Tyler Homestead. Located at 97 Main Street, the mid-1700s home sits across the street from the Setauket Post Office and Frank Melville Memorial Park. Right in the homestead’s backyard is the Patriots Rock Historical Site, where the Battle of Setauket was fought.

For the 2024 event, Gallery North has partnered with Three Village Community Trust (TVCT), which owns the Tyler home. Erin Smith, Gallery North’s director of development, said they were pleased that the land trust was willing to make the Tyler Homestead available for the event.

The property will serve as the center point, where artists can explore around and near the property to decide the subject of their paintings. Choices include the house and property, Frank Melville Memorial Park, Patriots Rock, the Setauket Green, Emma S. Clark Memorial Library, nearby churches and the three Factory Worker Houses located less than a mile down the road.

“You bring your easel, and whatever vignette or view that moves you, you paint,” Smith said. “It’s nice because the whole idea of plein air painting is that it captures the light really well, and it gets you outside. You can really capture the historic beauty of the area in a unique way.”

Smith added that, during past festivals, some artists have chosen to paint objects such as an ice cream truck or bench. As for the Tyler Homestead and the area, it was chosen for “its historical significance and natural beauty.”

“It’s a highly visible central location for the community,” she explained.

Herb Mones, TVCT president, agreed that the Tyler house is the perfect location.

“It not only has the expansive yard, but it’s on Main Street, and it’s so close to so many other historical sites, parks and venues that the artists could spread out, and yet the Tyler house is the central focus,” he said.

In addition to various activities set up in the Tyler Homestead’s back and side yards, Mones said TVCT will provide tours of the Patriots Rock site and discuss the role early Setauket residents and British occupiers played during the American Revolution.

Artist Angela Stratton, who has participated in past Wet Paint Festivals, said she always looks forward to being outside and choosing what to paint.

“When you go out to paint, and you’re looking around, it’s kind of what hits you in your heart,” Stratton said. “One day, to some, a certain spot can look beautiful. The next day you can go and that doesn’t intrigue you.”

The artist added that she welcomes spectators’ questions and appreciates children being exposed to art at the festival. How quickly an artist completes a painting, she said, depends on the person and the canvas size. She said many base how long they spend on a painting on how the sunlight hits a subject during a certain time of day or some will stay despite the light passing.

For Three Village Historical Society Historian Beverly C. Tyler, the homestead is more than a landmark; it’s the home he grew up in. The historian said for a time the property had flowers all over, from front to back, that his stepfather, Lou Davis, cared for. Tyler described the flowers as “absolutely gorgeous.”

“Having the Wet Paint Festival there is sort of a continuation of his efforts to use the property,” Tyler said.

The historian fondly remembers playing on the grounds.

“Everything was very interesting around there, and I would sometimes sit on the front porch and just watch the cars go by and count the number of Chevys and Fords and other types of cars that were going by, and I could see everybody that came into the post office.”

Tyler added the area appeared in several postcards, and the Neighborhood House next to his family home was once a summer boarding house his grandfather ran in the late 1800s and the early 1900s.

In addition to viewing artists at work, attendees can participate in wildlife and plant life lectures or go on a guided tour of plein air paintings with regional artists Doug Reina and Christine D’Addario. WUSB 90.1 FM/107.3 FM will present live musical performances each day. Visitors will also be able to purchase food from LevelUp Kitchen and enjoy a delicious picnic in an idyllic setting.

Later in the month, from June 25 to July 7, art lovers can enjoy an exhibition at the Reboli Center for Art and History, 64 Main St., Stony Brook featuring the participating artists’ paintings. An opening reception will be held on June 25 from 6 to 8 p.m.

Schedule of Events

Saturday, June 1

11 a.m. History Walk with members of the Three Village Community Trust

Noon to 2 p.m. Music by Tom Killourhy

12:30 p.m. Meet local wildlife from Sweetbriar Nature Center

2 p.m. Take part in a plein air art tour with artist Christine D’Addario

Sunday, June 2

11 a.m. History Tour with Margo Arceri of Tri-Spy Tours

11:30 a.m. Nature Walk with the Four Harbors Audubon Society

Noon to 2 p.m. Music by Kane Daily

1:30 p.m. Plein air Art Tour with artist Doug Reina

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Generously sponsored by the Village Art Collective and Suffolk County’s Department of Economic Development and Planning., the Wet Paint Festival will be held on the grounds of the Tyler Homestead, 97 Main St., Setauket from 10 a.m. to 4 p.m. on Saturday, June 1, and Sunday, June 2. The event is free of charge for spectators. A rain date is scheduled for June 15 and 16. For more information, call 631-751-2676 or visit gallerynorth.org/pages/wet-paint-festival.

By Rita J. Egan

Despite the threat of rain, the Setauket Memorial Day Parade went on as planned on Monday, May 27.

Hosted by Veterans of Foreign War Post 3054, the event began with a wreath-laying ceremony on the Village Green. After the ceremony, veterans, volunteer firefighters, elected officials, the Ward Melville marching band, Scouts, dancers, twirlers and more marched up Main Street to Route 25A, where hundreds of participants lined the street.

The parade ended with Post 3054 hosting another wreath-laying ceremony at Setauket Veterans Memorial Park on Shore Road and Route 25A.

Dave Morrissey Jr. as Col. Benjamin Tallmadge in a scene from 'One Life to Give.' Michael Pawluk Photography

By Rita J. Egan

For nearly 15 years, Dave Morrissey Jr.’s career path has taken him from playing Revolutionary War hero Col. Benjamin Tallmadge in independent productions to taking on bad guy roles on television. In a recent phone interview, the actor said he credits his theatrical experiences on Long Island for helping him pursue his acting goals.

Currently living in Bushwick, Brooklyn, Morrissey was born in Port Jefferson and grew up in Selden and Miller Place. He said the seeds of his career were planted during his formative years studying at The Performing Arts Studio of New York in Port Jefferson, which his mother, Terri Morrissey, owns, along with Deborah and Michael Livering.

Playing a hero

A graduate of Suffolk County Community College and Fashion Institute of Technology, Morrissey first had the opportunity to play Tallmadge, who oversaw the Setauket spies during the Revolutionary War, in the independent film The Culper Spy Adventure. He became involved in the movie thanks to his connection with one of the directors, Michael Tessler, who had attended The Performing Arts Studio of New York. He would have the chance to play Tallmadge again for the TBR News Media-produced One Life to Give and its sequel, Traitor: A Culper Spy Story.

Morrissey said being part of the two films with local actors was a fun and “sweet experience.” One of his favorite memories includes the night when the actors decided to sleep over at Benner’s Farm in East Setauket, one of the film’s locations, to get the feel of sleeping in a fort, which was constructed by the crew.

“That was a real fun method-acting experience because it was July Fourth weekend, and it was camping out with a bunch of reenactors,” he said.

Regarding playing Tallmadge, Morrissey said he wished he could do it again. “I still get people reaching out to me, texting me or messaging me on social media saying, ‘Oh, I saw you in The Culper Spy Adventure,'” he said.

One of the things the actor appreciated most about appearing in the independent films was that they weren’t as dramatized as they were in Turn: Washington’s Spies, the AMC series about the Culper Spy Ring.

“The thing that I liked about One Life to Give was that it had a certain level of authenticity,” Morrissey said. “Everyone really loved that time period. Everyone really loved the experience. I don’t know if I’ve ever really had a set that magical.”

Taking on the bad guys

Since his time on the One Life to Give and Traitor: A Culper Spy Story sets, he has had roles on Law and Order: Organized Crime, American Horror Story and FBI, where he has been cast as bad guys.

“I quickly found that casting is going to like me if I play a bad guy, and I’m not a bad person,” he said, adding the roles are fun to play. “It’s a challenge, and it’s complex.”

Having varied experiences when starting a career in movies and television is essential as well as producing content, according to Morrissey. “When I got out of high school, it was right when content creation was kind of starting, and everyone was saying you have to make your own work,” he said. “I really leaned into that.”

It led to the creation of the former Bluebox Theatre Company with his friend Joe Rubino, where they produced what he called “dark” productions. Morrissey also produces, hosts and directs gaming technology and branded content. 

In addition to playing Tallmadge and bad guys, Morrissey said one of his favorite performances has been in the movie Our Lady of Queens, which he produced and acted in along with prolific character actor Austin Pendleton. He described the film as a family drama that delves into the subject of dementia. He recently submitted Our Lady of Queens to film festivals along with a short film he narrated titled Cowboy Killer.

Currently, the actor said he’s been busy completing a documentary series with the United States Space Force and Space.com and a short documentary, Chasing Electric, about the rise of electric motorcycles. Morrissey is also appearing in a play about artificial intelligence titled A Groundbreaking Achievement of Outrageous Importance at Theatrelab in New York City through May that is produced and directed by fellow Long Islander Andrew Beck. 

Sharing advice

His advice for people interested in acting is that they can start at any age, and he said living on Long Island is a good place to start as the “industry is right here.”

“When you really see what the industry is made of, you’ll be less intimidated by it,” he said. “So, you should just go for it 100 percent.”

Among advice such as actors must know what type they are before getting headshots and having the pictures taken before trying to find a manager, Morrissey said it’s important for aspiring actors to “spread yourself out and make your pond as big as possible.”

The actor added that he believes the local Long Island theaters provide different perspectives essential for actors entering the entertainment industry.

“You’ll see there are some people who come out of Long Island who are unbelievable and they succeed,” Morrissey said. “I think it’s because we have the opportunity to really have these different communities that are really so amazing — these theater communities on Long Island.”

Rabbi Margie Cella. Photo courtesy Margie Cella

By Rita J. Egan

For Rabbi Margie Cella, the path to serve her congregation differed slightly from other rabbis.

At the annual Jewish University for a Day held at Stony Brook University on Sunday, April 7, Cella shared with attendees her experiences when converting from Lutheranism to Judaism and ultimately becoming a rabbi. The Port Jefferson Station resident, who taught math for 30 years, became a part-time rabbi with The Jewish Center of the Moriches in Center Moriches and an educator with the Women’s League for Conservative Judaism in the last few years. Her new career blossomed after she wrote the book “Hindsight Is 2020: Torah Lessons from a Turbulent Time.”

In a recent phone interview with TBR News Media, she discussed her decision to convert to Judaism and how she became a rabbi after working as a math teacher for 30 years.

The journey from the Lutheran Church to Judaism

Growing up in Massapequa, Cella attended St. John’s Lutheran Church with her family. Her father was raised a Lutheran, and her mother converted from Catholicism to Lutheranism after she married Cella’s father. The rabbi said her mother devoted herself to the Lutheran Church, which became part of the family’s social life in many ways,

“It was a big part of our life growing up,” she said. “We went every Sunday, and I went to Sunday school.”

Her husband, Raymond, who was raised Roman Catholic, joined the Lutheran Church after it began morphing into a mixture of Christianity and Judaism. In 1982, the Cellas along with their children, Jessica and Benjamin, converted to Judaism after realizing St. John’s church was becoming more like a cult, according to Cella.

At its peak, the rabbi said the congregation included approximately 2,000 members from every denomination. People came from all over Long Island, the five boroughs, Westchester as well as out of state to attend services. She added while it was the way she was introduced to Jewish practices, due to the mixture of Judaism and Christianity, she felt “it was inauthentic to both religions.”

“I don’t think that it is actually possible to practice both religions, because they diverged so much,” Cella said.

However, as the church changed, Cella said she did a “total 180” initially and became involved, at times she felt due to peer pressure. After being part of the mixture of religions for 11 years, she said the church “gradually morphed [as] more and more Jewish practice was introduced.”

She added, “Christianity was emphasized and spoken about less and less, so when we left there … we were faced with a decision, where do we go and what do we do?”

After realizing they were traumatized by the experience, Cella said she and her husband knew “the one thing that made sense to us out of everything that we were doing were the Jewish practices we were observing.”

Once they decided to convert, the couple talked to Rabbi Moshe Edelman, who led the congregation of North Shore Jewish Center at the time, to ask what they needed to do. The conversion included a course of study and practice for at least a year, such as studying the basics of the Jewish religion and observing the practices.

“Now, in our case, we were already observing a lot,” she said. “It was just we had a lot of misconceptions.”

At the end of their studies, the couple was interviewed by a rabbi and two congregants. Soon after, a ceremony marked their conversion by immersing them in water using a mikvah.

From teaching math to leading congregants

Cella and her husband moved to Maryland soon after they were married. They were both certified teachers. However, according to the rabbi, there were no available teaching positions on Long Island at the time. After living in Maryland for approximately a year, the couple moved back to Long Island, living in Coram and then Miller Place until they moved to Port Jefferson Station in 1985.

When the couple first returned, there were still few teaching jobs, so Cella worked in retail until she had her first child. She stopped working for a few years and returned to teaching after her second child was 3.

The rabbi said while it may have taken nine years after graduating from college in 1975 to begin her teaching career in New York, in total she spent 30 years as a math teacher. The rabbi taught at William Paca Middle School in Mastic Beach, North Babylon High School, Bridgehampton High School and for the last 25 years at Southampton High School.

It was after she retired from teaching, that Cella began her studies to become a rabbi. She said for 25 years she thought about going to rabbinical school, but it wasn’t practical with raising a family and the necessity of being a two-income family. 

She attended the Jewish Theological Seminary of America, describing the five-year program at a school in Manhattan as “intensive.” For the first four of the five years she studied, she traveled into the city and attended every weekday except Friday. She also lived and studied in Jerusalem for one semester. She now holds master’s degrees in Bible and rabbinic ordination and was ordained in May 2019.

Cella said her 30 years of teaching comes in handy. One example is instead of a sermon for Shabbat, she said hers is more like a study of a week’s Torah portion, which is interactive, involving the congregants in the discussion.

Reflecting on the Torah leads to publication

Before leading The Jewish Center of the Moriches, during the COVID-19 mandatory shutdowns, Cella said North Shore Jewish Center’s Rabbi Aaron Benson reached out and asked if she could help him sustain the congregation while they could not attend in-person services.

“I had this idea, because I have always been a lover of text and a lover of teaching, I decided to do a daily study of part of that week’s Torah portion,” she said.

The rabbi added that each Torah portion is divided into seven parts, making studying a portion each day ideal.

“I would write about it, and I would relate it not only to what it said in the Torah portion, but where possible, I would relate it to what was going on in the world at that time, because that was a unique year,” Cella said.

Her writings were emailed to the congregation every day. When members were able to return to the synagogue to worship, Cella said she decided she wanted to finish what she started.

“It takes a full year to go through the whole cycle of the Torah, and that’s what I did,” she said. “I wrote basically every day for a year. I wrote on every piece of every Torah portion, the entire Torah, over the course of a year, and it wasn’t until I got to the end that I said to myself, ‘I think I have the makings of a book here.’”

Cella said she learned a good deal from her book-writing experience.

“I think now that we’ve returned to what we call normal — or the new normal — I think that a lot of times we tend to forget the lessons that we learned from that year,” she said. “There were a lot of really profound things that we could take away from that year because nobody ever anticipated we would have something like that in our lifetimes. It wasn’t just COVID, there was so much else going on that year. There was political unrest in the country. There was social unrest in the country. There was so much going on. That all shows up in my book.”

The rabbi said she also feels it’s important to talk about her life as she did on April 7, as she believes it’s a cautionary tale regarding following religious leaders blindly, especially those who may prey on younger people. She hopes to share her experiences in another book one day.

As she reflected on her life and all the changes that had occurred over the past few years, Cella believes that if a person has something they want to do, they can make it happen regardless of age.

“One thing I like to tell people is you’re never too old to pursue whatever your dream is,” the rabbi said.

For more information on “Hindsight Is 2020: Torah Lessons from a Turbulent Time,” visit www.rabbicella.com.

Gordon Lightfoot performing in Interlochen, Michigan in 2009. Photo courtesy of Charles Backfish

By Rita J. Egan

WUSB’s Sunday Street Series at The Long Island Museum has a tradition of bringing artists together to celebrate musical legends. On March 24, they will be adding a bit of Canadian flair.

The series will present Long Island Celebrates Lightfoot — a celebration of the songs of Gordon Lightfoot, the renowned Canadian songwriter and singer who passed away on May 1, 2023 at the age of 84.

With a music catalog encompassing 20 studio and three live albums, more than a dozen musicians will perform hits such as “Early Morning Rain,” “If You Could Read My Mind,” “Sundown,” “Carefree Highway,” “Ribbon of Darkness,” “The Wreck of the Edmund Fitzgerald” and some of his lesser-known tracks on March 24.

Producer Charles Backfish said Lightfoot had been recording and touring since the 1960s up until a year or so before he passed away. “I’m really excited about this one, because, first of all, he is a songwriter of major stature, and secondly, he’s someone from up north that I think needs to get a little bit more acknowledgement in the United States,” he said.

Backfish added that while the singer/songwriter is known to some degree in this country, people may not be familiar with the range of Lightfoot’s albums. One song, “Black Day in July,” is about the 1967 Detroit Riot. The single was banned from some U.S. radio stations because many thought it was too political.

Ray Lambiase, who will be performing during the show, said when he was younger, his friends would listen to groups such as The Beatles. He, however, was listening to artists such as country blues singer Missippi John Hurt and folk-blues duo Sunday Terry and Brownie McGhee. He learned how to play guitar listening to folk music, and Lightfoot’s “Early Morning Rain” was one of the songs he would play early in his career.

“I’ve been playing ‘Early Morning Rain’ since I was 18, and that was over 50 years ago,” he said.

Lambiase will perform the song with other artists on March 24. He will also play “Did She Mention My Name” and “Sundown.” He added the shows allow singers and songwriters of every age an opportunity to collaborate.

“It’s just nice having everybody together, and you don’t often get that kind of a chance where everybody’s in the same room,” Lambiase said. “You get to catch up a little bit, and it generates such a warm feeling. It’s always a wonderful night and hopefully that somehow translates to what the audience is picking up.”

Among those multigenerational artists will be Andrew Fortier and his son and daughter, Cole and Andie. 

Andrew Fortier said it’s been interesting watching his children discover Lightfoot’s work. “They actually bring up stuff that I missed,” he said, adding both have eclectic tastes.

The singer, who has always been a fan of Lightfoot’s work, said digging into an artist’s music catalog for The Sunday Street Series is always a pleasant surprise.

“I’m 60 years old, so I grew up with Gordon Lightfoot in the 70s,” he said. “I’m a total fan, but you become more of a fan when you start backtracking and listening to cuts you’ve never heard before.”

Andrew’s son Cole said this will be the second Sunday Street show he has performed in. The musician said he’s enjoying studying Lightfoot’s music, describing the songs as fluid.

“What I’ve noticed about him particularly is his songs are very strophic, there’s not really any bridges, and they’re played through, which is kind of typical as a more traditional folk sound,” Cole said. “But, what’s interesting is just the long form vibes of these songs that go on and roam for a little while with these amazing lyrical narratives.”

Mary Lamont, who was raised in Canada, will also be among the performers at the Lightfoot event. The lead singer of the Mary Lamont Band said she was familiar with the singer/songwriter when she was younger but grew to appreciate his songwriting and singing more in later years.

The Sunday Street Series shows feature the artists performing two songs each. Lamont, whose husband Jim Marchese and bandmate Rich Lanahan will accompany her on acoustic guitars, said it can be challenging to narrow it down to two tracks when someone has such an extensive catalog. To choose, she listens to the artist’s albums until a song hits her. In this case, she chose two songs, “Cold on the Shoulder” and “Alberta Bound.” In the latter Lightfoot included references to Canada, including Toronto, which is about three hours from where Lamont grew up.

“That was the reason why I picked that song,” she said. “It had so many Canadian references.” She added she feels “every country has its own pride about people.” 

“I feel a certain pride and really a newfound respect for Gordon Lightfoot’s music, too,” Lamont said. “I have to thank Charlie for that.”

Backfish and the performers hope the audience will leave the show with a deeper appreciation of Lightfoot’s music.

“They’re going to hear a lot of songs that they’re not familiar with, and for me, the best thing would be for them to walk away realizing what a career and what a lasting body of work Gordon Lightfoot really left us,” Lambiase said.

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Long Island Celebrates Lightfoot will take place in the Carriage Museum’s Gillespie Room at the Long Island Museum, 1200 Route 25A, Stony Brook on Sunday, March 24 at 5 p.m. and will feature local musicians Gene Casey, Caroline Doctorow, Mick Hargreaves, Ray Lambiase, Mary Lamont with Jim Marchese, Rich Lanahan, Russ Seeger, Hank Stone, Bob Westcott, and Andrew, Cole and Andie Fortier. 

Advance sale tickets are available at www.sundaystreet.org for $25 with tickets at the door, if available, for $30 (cash only).

By Rita J. Egan

The cold weather on Saturday, March 9, couldn’t keep St. James residents from the hamlet’s 40th annual St. Patrick’s Day Parade.

Former Suffolk County Deputy Executive Peter Scully, nicknamed the water czar for his work in improving the county’s water quality, headed up the parade as grand marshal. Scully, who lives in neighboring Stony Brook, grew up in St. James. Former County Executive Steve Bellone was on hand to cheer on Scully, holding a sign that read, “Suffolk is lucky to have Scully.”

Hundreds of attendees lined up along Lake Avenue to cheer on the elected officials, volunteer firefighters, Scouts and representatives from local organizations and businesses who marched along the street from Woodlawn Avenue to the Long Island Rail Road train station.

By Rita J. Egan

Bradlee and Marci Bing show the hands they’ve been dealt in the acting world in Theatre Three’s The Gin Game, and they are winning ones. The tragicomedy opened at the theater on Saturday, Jan. 13.

In the Pulitzer Prize-winning play by D.L. Coburn, Weller Martin (Bradlee Bing) and Fonsia Dorsey (Marci Bing) meet at the Bentley Nursing Home. As the only two residents with no family and friends coming to see them on visitors’ day, they find solace on the home’s unused sun porch. Weller invites Fonsia to play gin rummy with him. Even though it’s supposedly her first time playing, he quickly learns that luck is on her side.

Playing the game a few times over a couple of weeks, the two reveal their life stories. While a bond seems to form between the two, the figurative walls they have erected in life also appear. As the play progresses, the audience discovers how both play the cards they are dealt in gin rummy and in life.

The Gin Game opened in Los Angeles in 1976, and a little more than a year later it debuted on Broadway with husband and wife Hume Cronyn and Jessica Tandy. In addition to being awarded a Pulitzer Prize for Drama in 1978, Tandy won the Tony Award for her portrayal of Fonsia. After more than 500 performances on Broadway, Cronyn and Tandy toured with the production.

Revivals in the past have included E. G. Marshall, Maureen Stapleton, Charles Durning, Julie Harris, James Earl Jones and Cicely Tyson. In 2003, PBS presented a televised version starring Dick Van Dyke and Mary Tyler Moore.

In Theatre Three’s production, Bradlee Bing convincingly delivers the belligerent and sarcastic Weller. His rage over losing game after game is frightening, especially when he curses or forcibly uses his cane. Yet, in the more humorous moments, he portrays the character with a bit of charm that makes you feel sorry for him.

Marci Bing is also convincing as the prim and proper Fonsia, who reveals more of her true nature as the two get to know each other. The actress seamlessly transitions from a sweet woman to one whose stories reveal that in her attempt to control her circumstances in life, she can become rigid and vindictive.

The actors easily deliver the humorous lines, and a short dance sequence demonstrates the chemistry between the two married actors. The real measure of their immense talents is seen during the play’s more serious and darker moments. It’s apparent that the actors realize the depth of the multi-layered piece as Bradlee Bing powerfully delivers the lines, “God gave you that card, didn’t he? Didn’t God give you that card?” Marci Bing strongly responds, “Yes, Weller, God gave me the card.”

The Bings, along with director Colleen Britt, have masterfully developed characters that many can relate to and all can learn from. Audience members should arrive at the show and settle in their seats a few minutes early for an extra touch added to the Theatre Three production, which enhances the theatrical experience.

Lending a subtle sense of just how run down the nursing home is, set director Randall Parsons has created a stage that is believable as a barely used back porch with a collection of books, crutches and other items.

In a Jan. 11 interview with TBR News Media, the Bings said they hoped audience members would leave the theater thinking about aging, not only about how difficult it can be for some but also how wallowing in the past doesn’t do anyone any good. The two successfully drive that point home on stage as Weller and Fonsia.

Theatre Three, 412 Main Street, Port Jefferson, presents The Gin Game through Feb. 3. Tickets are $40 for adults, $32 for seniors 65 and over and students and $25 for children. Wednesday matinees are $25. To order, call 631-928-9100 or visit www.theatrethree.com.