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Authors Posts by Rita J. Egan

Rita J. Egan

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Colleagues pay tribute to Peter Paul

Paul, second from right, in 2002 with colleagues David Fossan, Linwood Lee, Robert McGrath and Gene Sprouse; and Paul in a family photo. Photo from Gene Sprouse

For nearly 50 years, Setauket’s Peter Paul was a prominent member of the Department of Physics and Astronomy at Stony Brook University. With his death March 11 at the age of 84, the physicist left behind a legacy that will be remembered for years to come, especially by his former colleagues.

A native of Dresden, Germany, Paul received a Ph.D. from the University of Freiburg, and immigrated to the United States when he accepted a postdoctoral position at Stanford University. 

Linwood Lee, emeritus professor, recalled when he recruited Paul in the late 1960s. A former co-worker of Lee’s worked with Paul at Stanford University and told him how impressive the physicist was. Lee knew he had to hire him during a time when he called coming to Stony Brook University “an adventure” because the school was in its infancy.

Peter Paul. Photo from Stony Brook University

Lee said Paul was marvelous, and he’s grateful he recruited the professor.

“We established a laboratory here, and from the moment he got here, he was the driving force to make us all do better,” Lee said.

Paul was a professor at the university from 1967 to 2015 and later a distinguished service professor in the department and served as chairman twice during his tenure. One of Paul’s greatest achievements was building a first-class nuclear physics group along with his colleagues at Stony Brook.

In 1973, when the physicist spearheaded a small group to develop, design and construct Stony Brook’s superconducting linear for heavy ions, an improvement of the university’s existing Van de Graaff accelerator, it became the first such machine at a university lab.

Gene Sprouse, now a distinguished John S. Toll professor at SBU, was a graduate student at Stanford University when he met Paul. He later came to Stony Brook and worked on the accelerator project with him.

“That machine was really unique. It was a very powerful accelerator at a university,” Sprouse said.

Paul Grannis, another of Paul’s colleagues at SBU, said Paul was very proud of the accelerator project.

“It enabled research that had previously not been possible to be done, and it was quite a unique facility in the country,” Grannis said. “I know Peter was very proud of that and considered it one of his major achievements.”

Paul became a member of the Nuclear Science Advisory Committee in 1980, and as chair, led the development of the 1998 Nuclear Science Long Range Plan, which in turn led to the construction of the Relativistic Heavy Ion Collider at Brookhaven National Laboratory.

Paul was appointed deputy director for science and technology in 1998 at BNL, and when John Marburger was appointed as President George W. Bush’s scientific advisor in 2001, Paul stepped in as interim director at the laboratory until 2003. Under Paul’s direction, BNL made many advances, including starting the construction of Brookhaven’s Center for Functional Nanomaterials, and conceptualizing the electron-ion collider as a successor to RHIC.

Peter Paul with Stony Brook University President Samuel L. Stanley, M.D. Photo from Stony Brook University

Paul returned to SBU after serving as interim director at BNL, and his ongoing success was never a surprise to those who knew him.

“Peter was very energetic and driven,” Sprouse said. “He was always pushing for excellence.”

Sprouse described Paul as a visionary who helped to create the Stony Brook University people know today, especially the Department of Physics and Astronomy.

“Throughout his career he helped to build the nuclear physics groups at Stony Brook, he helped to build the department, and then he helped to build things at Brookhaven,” Sprouse said. “He always kept an eye out for putting in place instruments and institutes that could strengthen Stony Brook in particular and Brookhaven, too.”

Grannis echoed Sprouse’s praise of Paul.

“He was very motivated to do the best that he could in all of his scientific endeavors and to insist that all those who worked with him do so,” Grannis said.

Chang Kee Jung, a SUNY distinguished professor, said when Paul returned to Stony Brook after his time at BNL, he looked for a research program to be involved in. He said he was surprised when Paul knocked on his office door one day and told him he was interested in the projects he was working on at the time.

Jung said he was hesitant at first due to Paul’s extensive experience. However, Paul assured him he would never do anything to interfere. Jung said Paul was always curious to learn more in his field, and didn’t have an ego despite all of his successes. The professor said Paul was the perfect person to have on his team, and he became an advisor to Jung. The two worked together until Paul became the university’s associate vice president for Brookhaven affairs — a position he held until his retirement in 2015.

He also remembers Paul fondly on a personal level and said he was grateful for the opportunity to visit the professor at home a couple of weeks before his death.

“Among all the people I met at Stony Brook, he was the strongest supporter of me, personally,” Jung said. “For whatever reason he liked me and the projects I was doing.”

Lee added that like many professors, Paul was always proud of his students. Many left SBU for prestigious careers, including Michael Thoennessen, chair, APS division of nuclear physics at Michigan University. Thoennessen wrote in an email Paul was his Ph.D. adviser when he attended SBU in the late 1980s.

Peter Paul. Photo from Bryant Funeral Home

“In Germany the Ph.D. adviser is called the ‘Doktor Vater’ (Ph.D. Father) and that is exactly what Peter was to his students,” Thoennessen wrote. “In addition to being a brilliant scientist and a great administrator, Peter was an amazing mentor. I would not be where I am right now without Peter’s advice and guidance.”

Grannis added that despite a demanding career, Paul led a well-rounded life.

“He had a very broad range of interests not only in science but in music, in travel, in reading,” Grannis said. “He was very well-informed on many things.”

Paul was an ardent opera-goer and hiker, and Jung remembers the professor being in his 70s and still traveling upstate to go skiing. His career provided him the opportunity to travel extensively, too. Among his trips were vacations to his homeland of Germany.

In his lifetime, Paul received numerous awards including the American Physical Society Fellow, Institute of Physics Fellow, Sloane Research Fellow, Alexander von Humboldt Senior Scientist Award and the Order of Merit First Class from the German government. Paul is also an inductee in the Long Island Technology Hall of Fame. However, his greatest honor may be the legacy he leaves behind at Stony Brook University.

“Peter was one of the people that made us a better university,” Lee said. “He was active in associating us with Brookhaven, and he was always a booster of the university, and we always boosted Peter. It was hard to keep him because he was recognized as a top scientist. He turned down some very good offers to stay here.”

Sprouse said Paul inspired many to come to SBU and helped them, with his encouragement and leadership, to develop their careers.

“I just think that he was somebody that was really dedicated to the university and wanted to build it,” he said. “For those of us who were at Stony Brook, 40, 50 years ago, Stony Brook was kind of a dream, and Peter really made it a reality.”

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By Rita J. Egan

Dog Ear Publishing recently released John P. Cardone’s fourth book, “Waterviews: The Healing Power of Nature.” In his new book, the Ronkonkoma resident shares the wealth of knowledge he has gained from his kayak and nature photography adventures, more than 30 years of experience in health care education and his bout with cancer.

“Waterviews: The Healing Power of Nature” is a valuable resource for those who are looking to improve their health and well-being. The writer and photographer has written an easy-to-read, comprehensive guide where readers can learn about the health benefits of nature, the importance of calming one’s mind, how to foster the spirit of nature in children and more.

In addition to the author sharing his experiences and research, Cardone also includes photographs he has taken in various locations including Long Island sites such as Heckscher State Park, Cedar Beach, Carmans River and Little Neck Run, which are perfect examples of nature’s calming elements. Recently, Cardone took time to answer a few questions about himself and his latest venture.

Author John Cardone

 

Tell me a bit about yourself.

For starters, I’m a lover of the outdoors, so I spend a good chunk of time kayaking the waters around Long Island, hiking and biking the paths around our parks and taking photographs of nature. For over 30 years, I have been an educator writing and producing health education videos working mostly for hospitals. I have always liked teaching and helping people learn more about good health. Over the last 10 years or so, I have been a teacher in a different way — teaching people about the health benefits of spending time in nature.

How did you get involved with writing?

My interest in writing started when I studied literature in college. I found I love to read — I still do. But professionally, I was writing videos and some print pieces on health topics. Then one day, while commuting home on the Long Island Rail Road, I closed the covers of a mystery book and it hit me … could I write a book? I accepted my own challenge and started to write on paper every day on the train home from work. Some years later, I self-published that story — “Without Consent.” The book got great reviews and is still sold on Amazon’s and Barnes and Noble’s websites.

You are also a noted photographer. Where has your work been exhibited?

I have been very fortunate to have my photos on exhibit around Long Island. And, I like to point out that most of the photographs have been taken while kayaking Long Island waters — a challenge, of course. They have been exhibited at art shows with the Northport Arts Coalition, the Good Ground Artists out of Hampton Bays, the Islip Arts Council, the Art League of Long Island, Levittown Library, Sachem Library and Connetquot Library among others.

How did you become interested in how nature plays a part in a person’s well-being?

My very first introduction to how nature can help people took place years ago when I was working on creating teaching videos with stress reduction and relaxation experts for a couple of hospital clients. These experts were teaching people how to use the images of nature and the outdoors to relax them during stressful times.

Then, there was my own firsthand experience while I was fighting my own battle with cancer. During the later stages of chemotherapy, when I was too weak to paddle my kayak or bike, my wife and I would take slow, gentle walks at Bayard Cutting Arboretum. In my “Waterviews: A Collection of Photographs, Thoughts & Experiecnes” book, I wrote about this in a section in Chapter 4 called, “Can a River Be a Friend.” During those walks I always felt better, and frequently forgot that I was ill, forgot that I was a cancer patient.

The cover of John Cardone’s latest book

How has nature helped in improving your life in other ways?

I think nature has helped me with a positive, happy outlook on life. We’re all here on earth only a relatively short time. We can choose how we want to live — I choose to see the beauty and wonder of nature and let it inspire me. Sometimes, when I paddle my kayak deep into Yaphank Creek, a tributary off the Carmans River, I’m in an area untouched by man. What I see could very well be what Native Americans might have seen over 200 years ago. Those quiet moments, with a gentle wind blowing, and an occasional quack or chirp, recharges my batteries and prepares me for the next challenge.

How would you describe your book to someone who hasn’t read it?

I think the book’s subtitle is a good start: “A practical exploration of how nature can influence our health and well-being.” But then I would go on to explain that in our high-tech, hurry up world, spending time in nature can do wonders to help us calm our minds. I present many ideas and facts on how nature can improve our health. There are over 75 color photographs of nature, places to visit and ways nature can help us. There are also details about happiness and how spending time in nature can make a difference. I would tell anyone who has children in their lives that the book points out the importance of fostering the spirit of nature in children … to help them be connected and in learning ways to protect the earth.

You featured many spots on Long Island in your book. What are a few of your favorite places to visit on the island?

If I am walking or hiking, then the Bayard Cutting and Planting Fields arboretums come to mind, along with Avalon Park & Preserve in Stony Brook. If I am bicycling, then you’ll find me in the woods within Heckscher State Park in East Islip and the paths through Massapequa Park Preserve. If I am kayaking, then the lower portion of the Carmans River within the Wertheim National Wildlife Refuge and the waters near Orient Harbor and the Orient Beach State Park.

Tell me about the PowerPoint presentation you created to promote the book?

I created the presentation to teach people about the importance of being out in nature. It is based on the research I conducted over the last three years. Of course, the presentation is only a small part of what the book covers. I focus on a few of the major points; these include a section on what nature we are referring to and how much time we have to be in it, how nature can calm our minds. I address a few of the real health benefits; things like less sadness and depression, the ability to cope with stress and improved function of the aging brain. On the physical health side, things like lower blood pressure, better cardio-respiratory function and a boost to the immune system.

What are your plans for the near future?

For me, my work is just starting. The book is only one step on the path to help people fully understand how to connect (or re-connect) with nature and how doing that can benefit their health. So, over the next months I have booked a number of presentations on the topic, as well as a number of book signings and photo exhibits. The places, dates and times are listed on the events page of my website, www.WaterviewsBook.com.

I’m also expanding my photography classes. I teach at the Art League of Long Island and at the Islip Arts Council. I now offer an introduction and an advanced class on Waterscape & Wildlife Photography. Plus, there is a Photo Printing Workshop to help folks interested in printing high-quality prints. The classes are an important part of my work for they help people appreciate nature, as well as get them outside to study it and to capture the images they see.

“Waterviews: The Healing Power of Nature” is available on Amazon’s and Barnes and Noble’s websites.

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7-year-old uses Disney award, projects to continue to brighten lives of pediatric patients

Kayla Harte poses by character Band-Aid boxes she collected from students at W.S. Mount Elementary School for pediatric patients at Stony Brook Children’s Hospital. Photo from Three Village school district

She may only be a 7-year-old, but Kayla Harte already has a huge heart. For the last two years, with the hopes of cheering up young patients, the second-grader has been a frequent visitor to Stony Brook Children’s Hospital’s pediatric oncology department.

Kayla’s mother, Robyn Harte, said when the W.S. Mount Elementary School student started visiting the patients, she would bring homemade get well cards and care packages. She began drawing cards with Minion characters from the film “Despicable Me” on them after she heard they were some of the children’s favorite characters, and she would always be looking for new things to bring them.

Kayla Harte with other donations she received as part of her Band-Aid and toy drives. Photo from Robyn Harte

“Every time we would go and deliver the items she would see that they would be so well received,” her mother said. “The coordinators would tell her how much the children would appreciate it and enjoy it, and it really motivated her to do more.”

During the summer while watching television, Kayla saw a commercial for the Disney Summer of Service grant through Youth Service America and asked her mother if she could apply for it. In November Kayla was one of 340 young leaders in the country awarded a $500 grant.

The money was given to Stony Brook Children’s Child Life Services Department, and Kayla and Director Joan Alpers decided it would be used to buy character bandages and musical toys for the patients. The young volunteer planned to match the grant by starting a project called Friends for Child Life, and she felt that boxes of Band-Aids as well as toys would be easy for people to bring to her, especially her fellow students.

“It makes me feel like she has this gift that she wants to give to other children, and she’s so genuine about it,” her mother said. “She really wants to help other children. She wants to make them feel better. It’s just such a lovely thing for me. It makes me feel really proud and very inspired.”

To kick off her character Band-Aid and musical toy drives, Kayla first asked friends and family members by emailing or texting them a video she and her mother created. Before she knew it, she received approximately 70 boxes of bandages and six musical toys. Her Girl Scout Troop 337 also donated items, and during Random Acts of Kindness Week at her school, fellow students joined the cause and she received close to 100 Band-Aid boxes that week, according to her mother.

“It makes me feel like she has this gift that she wants to give to other children, and she’s so genuine about it.”

— Robyn Harte

Kayla said she was excited when she heard she received the grant, and she’s happy with the amount of donations she has been receiving, especially since she is three-quarters of the way to her goal of 200 character Band-Aid boxes and 40 musical toys.

“I can’t wait to see the happy people at the hospital,” she said.

Even though her project for the Disney grant ends March 31, she plans to continue the drives on a smaller scale. The second-grader, who wants to play for the Mets one day, said once you start volunteering your time it feels so good that, “you can’t even stop doing it.”

Her mother said she and Kayla’s father, Dennis, are proud of how she ran with the project.

“I’m really proud of her,” she said. “I think she’s setting a really good example for other children her age to let them know that you don’t have to be a teenager or a grown-up to make a difference.”

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Ward Melville's graduation ceremony will look a little different this year. File photo

Things will look a little different at Ward Melville High School’s graduation ceremony this year.

Gone now are the separate green and gold gowns for males and females. Replacing them, are gender-neutral green ones with gold stoles that feature the high school emblem, breaking the school’s half-century commencement tradition.

“This year, as we mark the 50th anniversary of the Three Village Central School District, we are focusing on honoring the traditions of the past, while building new traditions for our future,” Ward Melville High School Principal Alan Baum wrote in a letter posted on the school district’s website March 2.

The letter came after nearly 100 students participated in a walkout March 1, protesting the news of even the possibility of a color change.

One of the factors considered in making the decision was to meet the concerns of transgender and gender-fluid students.

“In addition to creating a unified senior class, it is our hope that creating a unifying color scheme will eliminate the anxiety that is caused by forcing a young adult to wear a gown that labels them differently than how they identify,” Baum wrote in the letter. “This decision also reflects the progressive nature of our district, our high school and our community. Through the use of the unified gowns, we are no longer separating our students by gender; rather, we will be promoting a more inclusive practice at graduation.”

News of the gown change circulated on social media Feb. 28, prompting a number of students to start petitions and participate in the walkout.

Seniors Brianna LaSita, Charlotte Schmidt and Isabelle Antos were motivated to start a petition on Change.org to support same-colored gowns. The trio sent a joint statement to The Village Times Herald to explain their motive.

“We created our petition in response to the petition that was made in support of keeping the traditional colored gowns,” the three wrote. “As it gained supporters and hateful comments, we decided we needed to support our class and protect our LGBTQA+ peers from the hateful rhetoric featured on signs during the walkout.”

Some of the signs held by students had slogans like “Straight Lives Matter” and “Don’t Tread On Me.”

David Kilmnick, CEO of the LGBT Network, a Long Island-based nonprofit, said the organization heard about the debate after the walkout. He said a few students from the school emailed his group seeking help, claiming they heard anti-transgender rhetoric spewed from students and teachers.

“Through the use of the unified gowns, we are no longer separating our students by gender; rather, we will be promoting a more inclusive practice at graduation.”

— Principal Alan Baum

The CEO said the decision to have one gown color solves the issue of transgender children feeling a sense of anxiety when it comes to choosing a color. He said when making such a decision, most feel that if they choose the color that represents their true identity, they’ll risk harassment from their peers. If they don’t choose the color, they’re “not feeling whole in who they are.”

“This is not as simple as black and white, or even about green and gold anymore — this fair debate over tradition has devolved into an excuse to promote transphobic hate speech,” the petitioner organizers wrote. “That is not what our community is about.”

As of March 8, their petition to support the same colored gowns had almost 700 signatures. One petitioner wrote on the site: “I would be so grateful if we can all leave Ward Melville more loving and empathetic individuals, we should always be working to ensure that all of our class feels comfortable every day but especially a day as special as graduation.”

A senior at the high school, who asked to remain anonymous, said many students were disappointed by the color change, especially after having already had their senior portraits taken adhering to the now-former color tradition. The school rectified the problem by notifying parents March 7 that students could retake their graduation photos at no additional cost.

According to the student, it was felt the gown change was made by the administration after consulting with only a few students.

The senior wrote that even though a portion of the student body felt the change was only based on the needs of transgender students, those upset were not discriminating against anyone, but were just hoping to continue tradition.

“My issue, and the issue that my peers that participated in a walkout protest during class today share, is that a choice is being made that benefits a minute minority of people, not the majority,” the student said. “This is an underlying theme that is playing out across the country. Lawmakers, educators and school administrators are making changes based on what a small population wants, not what the majority of the school or state or the entire nation feels is right.”

Ward Melville’s old cap and gowns were green for boys and yellow for girls. File photo by Bob O’Rourk

Jennifer Segui, who is the mother of two children at W.S. Mount Elementary School, said she was disappointed when she read a number of negative reactions on social media after the decision.

“It would have been so beautiful if the idea of the new graduation gowns had been embraced by all students and parents from the beginning,” Segui said. “Sadly, that didn’t happen. Hopefully, people can learn and move forward.”

But the anonymous student said those who participated in the protest felt as though the administration did not listen to opinions from most of the students when making the decision.

“Instead of listening to our voices, our principal brought our protest in the auditorium, and basically stifled our statements in what was a clear attempt to silence us,” the student said. “It is clear, to me at least, that the school has no intention of doing what is right. They would rather follow in popular culture than face the fact that what they are doing is blatantly unfair. Again, I carry no prejudice. I speak with the basic ideal of a democratic republic that what is done should be decided by the majority.”

Ward Melville isn’t the first Long Island school to break tradition, following in the footsteps of Paul D. Schreiber High School in Port Washington and Island Trees High School in Levittown. Kilmnick said he feels the administration made a bold move in the right direction.

“I think we’re seeing a movement,” Kilmnick said. “Even though Ward Melville is the third school on Long Island to do this, I think we’ll see a lot more on Long Island. And we’re certainly seeing schools across the country getting rid of the separate colored gowns because they’re not inclusive for all students. What the change does, in fact, is let everyone in Ward Melville wear green and gold, from looking at the new gown, and it allows the entire school to move forward as one community, and to celebrate graduation in a safe, inclusive manner — and make graduation celebratory for all.”

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Tom Sarc

By Rita J. Egan

When Thomas Sarc had enough of telemarketers interrupting his life, he decided to have a little fun with them by playing pranks on the callers. The result of his antics as well as others’ pranks is his latest book, “Tom Sarc Gets Revenge on TELEMARKETERS.”

The Central Islip resident has written a dozen books covering various genres, and “Tom Sarc Gets Revenge on TELEMARKETERS” is a funny one. And, while he can’t guarantee that readers will get less calls, some of his past telephone conversations will garner a chuckle, while others will have the reader laughing aloud.

At the end of the book, Sarc offers a few practical tips to try to eliminate calls from telemarketers, as well as advice on how not to fall for the telephone scams that are happening more frequently nowadays.

Recently, the husband, father and grandfather, took time to answer a few questions about the book via email.

The cover jacket of the author’s latest book.

Why did you decide to write this book?

Half a dozen times a day, seven days a week, during dinner, while watching TV, even before I get up in the morning, these pests call. It does no good to tell them to put you on the “do not call” list because, personally, I don’t believe there is such a list. So, if I can’t stop their calling, I can at least have fun with them—and annoy them too. My book is a compilation of my personal interactions with telemarketers as well as those of others who sent their stories to me. I wrote the book to show others, who are also fed up with telemarketers, some things you can do when they call.

How would you describe the book to someone who hasn’t read it?

I am sure that most people are fed up with receiving telemarketer calls. I bet even telemarketers hate getting calls from their own kind. My book is a weapon against these pests. It is a humorous collection of conversations that actually took place between the telemarketer and the victim that was called. If you are looking for a way to have fun dealing with telemarketers, this book is the one you want.

What has been your funniest exchange with a telemarketer?

Not to give away the entire “exchange,” let me just say that I pretended to be a detective at the home of the person the telemarketer called — in this case the telemarketer asked for me, Tom Sarc. I pretended that I was investigating the murder of Tom Sarc and asked questions indirectly accusing the telemarketer of being involved in the murder. The telemarketer became very upset and nervous. I believe that this is the most hilarious interaction I have had with a telemarketer and will use it again for future calls.

Have the number of calls you receive from telemarketers decreased since you started pulling pranks on them?

No. I didn’t expect them to. I have even gotten calls from the same telemarketers but probably a different person calling.

This isn’t your first book. In addition to the humor genre, what do you like to write about?

I write about what the “moment” or a “situation” puts me in. My first book was a humor book — ”E-Mail Letters From a WACKO!” — that actually started out as a serious book dealing with unethical practices of a former employer. From there I moved on to children’s books, teen horror, general horror and more humor. I even published a family recipe book titled “Dishing Out Delicious.”

How did you start writing?

I first started writing while in college.  I found that I was very good in literature and writing and received a lot of praise from my professors regarding my writing — both short fiction and poetry.  My very first published writing was poetry for various magazines and anthologies.

What books do you have in the works right now?

Currently I am working on a nonfiction “covert operation” type book. I also finished a children’s book about dogs and started a book about how to “beat the system.” I am also working on a book about a murder that took place on Long Island in the 1800s.

Are your books self-published?  

Yes, although I am in contact with some major publishing houses and literary agents who are interested in my work.

Any advice to those who want to publish their own books?

The first thing I would do is buy a copy of “Writer’s Market” and study what various publishers are looking for. The hardest part of writing is sitting down and doing the work. You have to invest everything you have into creating your book and that requires discipline. After you come up with an idea for the book, you write a sentence, then a paragraph and, if you are lucky, an entire chapter. Writing happens in little bits and pieces.  It’s a step-by-step process but it is not complicated.

Here are some steps to follow:

1. Decide what your book will be about.

2. Set a daily word count goal.

3. Have a set time to work on your book every day.

4. Write in the same place every time.

5. Embrace failure (not everyone can be Stephen King or James Patterson).

6. Don’t give up!

“Tom Sarc Gets Revenge on TELEMARKETERS” is available in bookstores, at www.thomassarc.com and through the Amazon and Barnes & Noble websites.

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Susan Deaver will conduct the Stony Brook University Orchestra on Feb. 28. Photo from SBU

By Rita J. Egan

The musicians of the Stony Brook University Orchestra, consisting of 70 undergraduate students, are tuning up their instruments. On Feb. 28 at the Staller Center, they will present their Annual Family Orchestra Concert, The Magic of Music, featuring pianist Emily Ramonetti, winner of the school’s 2016 Pre-College Concerto Competition.

Previously called the Annual Family Concert, university conductor Susan Deaver said this year the word “orchestra” was added to the title of the event so those attending will have a better understanding of the type of music featured in the show when purchasing tickets. Deaver said the one-hour concert includes short pieces and is a great way to introduce orchestral music to children who may be attending this type of performance for the first time. She also does her best to choose music that people of all ages will enjoy, and priced at $5, tickets are affordable so everyone in the family can easily attend.

Northport High School senior Emily Ramonetti will be the featured pianist at the concert. Photo from SBU

The conductor said the focus on shorter pieces allows the orchestra to demonstrate a variety of numbers from various composers from different countries as well as centuries. Plus, during the show each of the sections — woodwinds, strings, brass and percussion — are featured. The hope is for the audience to get a well-rounded orchestral experience. “They get the maximum amount and variety of orchestra music in one hour as possible,” Deaver said.

Mozart’s Overture to the “Magic Flute,” which will be performed on Feb. 28, influenced this year’s theme, The Magic of Music, according to the conductor. “Always, music has some magic to it. It’s such a universal language. Something is, I think, so magical and wonderful about the sounds of the music and instruments of an orchestra,” Deaver said.

The concert will include Saint-Saens’ “Danse Bacchanale” and a tribute to Leonard Bernstein with selections from “West Side Story,” according to Deaver. She said the concert will open with “Festival Prelude” composed by Alfred Reed. “It’s brilliant orchestration. It’s short, it’s just a perfect opener,” the conductor said.

Deaver’s wish for the annual event is that everyone in attendance from the young children to the grandparents will gain a greater appreciation for orchestral and classical music. During the concerts, the conductor said she and the orchestra members always interact with the audience by asking them questions in hopes that they will feel more involved with the show. “I think it helps them break down any sort of barriers, because they feel part of the concert, too, because they are,” she said.

As for featured pianist, Ramonetti will be playing the 1st movement of Shostakovich’s Piano Concerto No. 2. A member of the university’s pre-college program since 10th grade, she won the 2016 Stony Brook University Pre-College Concerto Competition right before Thanksgiving. Deaver said at the competition the young pianist “was very well prepared, very musical.”

The senior at Northport High School has fit right in with the orchestra during rehearsals. “She’s been great. She’s a very mature, musically prepared musician. She already had it memorized from the competition, so then when she came to rehearsal, she fit in right way. She did really great. So it’s been our pleasure to work with her,” the conductor said.

Ramonetti, who has studied piano since she was three years old, said she realized she had a passion for music in fifth grade when the theme of the school’s yearbook was “We Dream Big.” “My dream that I put in the yearbook was to be a performer and travel around the world,” she said.

The pianist, who is also a violinist and composer, is enjoying rehearsing with the orchestra, and while in the past she has participated in performances, including playing background parts for her school orchestra, she admits that rehearsing with the college ensemble is different. “It’s definitely a much bigger sound than just rehearsing with a second piano,” she said.

Her performance piece was featured in the Disney classic “Fantasia,” and she explained that Shostakovich composed it in the 20th century. “It’s very, very difficult, very virtuosic,” she said. The teenager is looking forward to performing with the orchestra and presenting the concerto to the audience. “I hope they’ll see how much I love this piece, and how much I love performing it with this orchestra,” Ramonetti said.

Stony Brook University’s Staller Center for the Arts, 100 Nicolls Road, Stony Brook will present The Magic of Music on Tuesday, Feb. 28 at 7:30 p.m. on the Main Stage. Tickets are $5 for all ages and are on sale at the center’s box office, 631-632-ARTS (2787). For more information about the University Orchestra, visit www.stonybrook.edu/music or call 631-632-7330.

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Director Robert Ozman leads members of the Harbormen Chorus during a concert at the Unitarian Universalist Fellowship at Stony Brook in E. Setauket on June 27. Photo by Heidi Sutton

By Rita J. Egan

Current and former members of the Harbormen Chorus are warming up for a special luncheon scheduled on Aug. 13 at Lombardi’s on the Sound in Port Jefferson. The North Brookhaven chapter of the Barbershop Harmony Society, well known in the area for its four-part harmony chorus and quartet performances, is celebrating its 50th anniversary and decades of musical memories.

Chapter president Fred Conway is looking forward to the celebration commemorating decades of business in the community. “I don’t think there are a lot of organizations in Brookhaven, especially in North Brookhaven, that have achieved that,” he said.

Conway said on hand for the anniversary luncheon will be Chris Moritz and Ray Gape, the chapter’s first musical director and president, respectively, who in 1965 took out an ad looking for men who were interesting in singing. Also, on hand will be Don Van der Kolk who was a member of the Three Village Four Quartet along with Moritz, Gape and the late Bill MacDevitt.

The organization, which officially became a chapter in 1966 of what was then known as the Society for the Preservation and Encouragement of Barbershop Quartet Singing in America Inc., held its first meeting in 1965. That meeting drew a handful of potential members, and by their first performance in the fall of 1966, there were approximately two dozen men performing. In early 1967, the group had its first annual show.

Since then the Harbormen’s barbershop quartets have performed at the Good Shepherd Hospice Memorial Service, the Port Jefferson Village Dickens Festival, the annual Brookhaven Town Fair, New York Mets and Long Island Ducks baseball games, as well as offered Singing Valentine quartets to serenade local sweethearts.

The chorus, which meets every Monday at the Unitarian Universalist Fellowship in Stony Brook, is open to men of all ages, who are interested in singing a cappella versions of Doo Wop, show tunes, love songs and other old favorites, even if they can’t read music. Conway, who has been a member for 47 years, said his experience with the group is a perfect example of how one doesn’t need to read music.

He was sitting on a crate in his new first house in Rocky Point while watching Super Bowl III when his neighbor knocked on his door and asked if he had seen the announcement in a newspaper. Conway said the ad asked: “Do you like to sing in the shower or in a bar?” “So the two of us went to the chapter meeting, and I stayed there ever since,” Conway said.

He said it took him three years before he could sing in a quartet due to not being a music reader. Since then he has been in nine registered quartets, including his current group Antiquity. Conway, who sings lead, uses a tape recorder to learn. “I form the quartet around myself being a weak link. Those other three guys they all play piano and organ and guitar and they read music, understand music,” he said.

On June 27 the chorus celebrated its first graduating class of “Ready, Set, Sing,” which included 14 men from college to retirement age interested in singing. Conway said the program is a “teaching mechanism.”

“The stipulation was that you have a love of music. You didn’t have to read music or really understand the science involved in it,” Conway said.

Chorus Director Rob Ozman said they don’t turn interested singers away as long as they can carry a tune and like to sing. “It’s nice if someone has a little bit of basic ability, and you just teach them everything they need to know to be able to sing, to work in the chorus,” he said.

The chapter’s director, a music teacher at Mattituck-Cutchogue school district, Ozman started in the chorus in 1980 and in 1981 became music director. He stepped down as director in 1995 to raise his family and was replaced by Antiquity member Gary Wilson as director. He returned a year and a half ago to direct the singers once again.

With over 30 current members as well as former members on hand for the luncheon on Aug. 13, there will be plenty of stories to share. Among Ozman’s favorite memories with the Harbormen is a visit to a local hospital to sing to patients during Christmastime. “There was a young woman who was in a coma and we went into the room, and we were singing for her and she woke up in the middle of the singing. She had been out for quite a while, a number of weeks. And, I’m not saying that we brought her out of it either, we may have just happened to be there at the time, but it’s sure was kind of neat to think well maybe there was just something about it that registered in her brain and woke her up,” Ozman said.

Like Ozman, chapter secretary David Lance, a member for 10 years, has many favorite memories from his years with the chorus. One is a show the group performed in 2012, “Return of the Pirate Chorus.” The chapter secretary said the singers donned pirate costumes while singing parodies such as “Don’t Walk the Gang Plank” to the tune of “Under the Boardwalk.”

He said the Good Shepherd Hospice Memorial Services, where they perform “Irish Blessing” and “I Believe” twice a year, are also special to him. Over the last few years, the Harbormen Chorus has donated part of the proceeds, totaling over $16,000, from their annual show to the health care organization.

“The Good Shepherd Hospice Memorial is the most moving of all because when we sing for them it gives them such encouragement and comfort,” Lance said.

The singer added that anytime the audience responses to the music that “appeals to an older crowd but is not only for them” is a good memory for him. He said they have had many great responses with people singing along, especially at nursing homes. He has witnessed a patient in a wheelchair standing up to direct the chorus and one patient that was practically catatonic perking up upon hearing a song.

Ozman said one of the interesting things about singing in a barbershop quartet for him has been meeting people from all different backgrounds. He said sharing an interest in the four-part harmony genre has brought so many people together.

“You can meet up with people you don’t know, you never sang with them before, but you can sing a song together,” Ozman said.

Among its milestone anniversary activities this year, the chorus will also hold its 50th anniversary annual show at the Unitarian Universalist Fellowship at Stony Brook in Setauket on Oct. 15 at 2 p.m. and 7 p.m. For more information about the Harbormen Chorus and its 50th anniversary party at Lombardi’s on the Sound, call 631-476-6558 or visit www.harbormen.org.

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Hans Paul Hendrickson, second from right, with the cast of ‘Godspell’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions Inc.

By Rita J. Egan

When it comes to the lead role in “Godspell,”  one important trait for the actor to have is charisma. During a recent interview with Hans Paul Hendrickson, it was obvious that he not only possesses this important characteristic but also enthusiasm for the musical’s upcoming run at Port Jefferson’s Theatre Three, as well as working with his fellow cast members and director Jeffrey Sanzel.

The company member was in middle school when he first saw the production at a local high school. “I was just blown away by how it was so different than anything else I had known in the musical theater realm,” he said.

After seeing the show, Hendrickson bought the album on iTunes. “I bought it and I lived it. I listened to it over and over again. And then, when I found out that they were doing it this year when I was signing my company contract, I was very much excited, and very eager to get a chance to get a crack out of it,” the actor said.

While it’s a role he always wanted, Hendrickson explained his reasons have changed since rehearsals started. He also said he finds himself getting along even easier with people, and taking the stance of turning the other cheek when someone does him wrong. “Originally I wanted to play it because it’s the lead, and he has great songs, and who wouldn’t want to play Jesus Christ. And also, the person who played it at the high school was someone I admired through doing theater and looked up to, which made me want to play it even more,” he said.

“But as I’ve gotten the role it’s kind of become a situation where, I’m not saying I’m becoming the character, but I’m adopting his teachings. I’m becoming able to relate to what he’s saying because a lot of what he says in the show is straight out of the Bible, and it’s not exactly written in the most plain of terms, but through my work with Jeff I’m able to connect that stuff with my life. And I’m able to adopt these ideals and these thoughts and these concepts of this man, and the character and the actor are becoming one,” he added.

The actor said the play asks, “If this charismatic character came into your life for one day, how will he change you?”

“In our production, we kind of take the name of Jesus out of the play. We are focusing more on the teachings and the identity, the being, the idea of Jesus. Rather than them addressing me as Jesus and me wearing a beard and long hair, we kind of focus on the love aspect,” said Hendrickson.

“Throughout the rehearsal process, Jeff [Sanzel] has been emphasizing the idea to me of leading from behind. Yes, [Jesus] is the leader but he kind of is the gas in the tank of the ensemble. He helps them to realize that they have all the teachings and understandings in themselves. And as he teaches them to tell these parables and these stories, not only do they learn the lessons about the stories but they learn lessons about themselves.”

The actor explained that the Theatre Three production takes place in an old theater, and as the musical opens, we are introduced to characters representing theater regulars such as the shining star, the understudy, the costumer and the director. While the beginning number shows disconnect, the Jesus character, who happens to be the janitor, comes in to help connect everyone. “We kind of wanted to emphasis the idea that he could be anyone. It’s not about, yes, he was the son of God, but he’s also the son of man.”

While Hendrickson has a number of favorite moments in the musical, he said he loves how the cast comes together in “Save the People” and feels a surge of energy that he said organically came along in the rehearsal process. The number first starts with Hendrickson and Patrick O’Brien, who plays Judas, on stage, and then everyone joins in with the band dropping out for about four measures where everyone sings a cappella.

“There’s such a surge of energy. And, it’s something that you don’t get in every production, and it’s something that you can’t take for granted as a performer, because it’s so genuine of everybody coming together for this one purpose. I’m getting goose bumps just talking about it,” Hendrickson said. “They’re almost coming together to be together. They’re not entirely sure why they are coming together but there’s something pulling them, there’s something bringing them in. Their vocals are just so on point at that moment.”

As for his fellow cast members, Hendrickson said they all bring different energies and personalities, and they jokingly refer to themselves as the God Squad. “There’s not a weak link up there.”

The actor credits Sanzel for bringing out the best in all of the cast members. He explained the director doesn’t just simply direct but also pulls the best from each actor, discussing with each their thoughts about the role and any problems they may encounter. Hendrickson said Sanzel also understands how to take into account the actors’ ideas of approaching a role and making the entire cast feel connected. “He’s created a completely judgment-free zone, which we’re able to try, and which we’re able to grow, and which we’re able to love and love each other, and love the work that we’re putting together.”

After “Godspell,” Hendrickson said he will appear at the theater in the one-act play “OK Computer” by Tom Moran  at the Ronald F. Peierls Theater on  the Second Stage at the end of April and as Pinocchio in the Mainstage musical “Shrek” in May. The 23-year-old plans to take the summer off and then audition, something Hendrickson said he’s more confident about than in previous years due to this past year as a Theatre Three company member.

Theatre Three, 412 Main Street, Port Jefferson, will present “Godspell” from Feb. 27 to March 26. For more information, please visit www.theatrethree.com or call 631-928-9100.

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George Liberman reprises role for 9th year

Alexander Yagud-Wolek and George Liberman in last year’s performance of ‘A Christmas Carol.' Photo by Elizabeth Castrogiovanni, Kayline Productions

By Rita J. Egan

In the classic tale “A Christmas Carol,” a glimpse of his younger years working for Mr. Fezziwig provides a delightful vision of Christmas past for Ebenezer Scrooge. This holiday season, for the 9th year in a row, actor George Liberman will take on the role of the miser’s former boss in Theatre Three’s adaptation of the holiday classic.

It’s a character the actor loves portraying and one whose kind-hearted spirit he captures perfectly, with great energy and a jovial laugh.

The Ghost stopped at a certain warehouse door, and asked Scrooge if he knew it. “Know it!” said Scrooge. “Was I apprenticed here?”

They went in. At sight of an old gentleman in a Welsh wig, sitting behind such a high desk, that if he had been two inches taller he must have knocked his head against the ceiling, Scrooge cried in great excitement: “Why, it’s old Fezziwig! Bless his heart; it’s Fezziwig alive again!”

Old Fezziwig laid down his pen, and looked up at the clock, which pointed to the hour of seven. He rubbed his hands; adjusted his capacious waistcoat; laughed all over himself, from his shows to his organ of benevolence; and called out in a comfortable, oily, rich, fat, jovial voice.

— Excerpt from Charles Dickens’ “A Christmas Carol,” 1843

“Fezziwig was a good businessman, but he believed that a happy workplace is a prosperous workplace, exactly the opposite of the environment that Scrooge is working in. His workplace was miserable; he was miserable. The Fezziwig workplace was totally different. You kind of see that when you go into the whole Fezziwig sequence in the show. It’s just a happy place,” said Liberman, who has played this role more than 400 times.

“The Fezziwig party — he’s inviting all of his workers, regardless of their class. He’s inviting his neighbors in; he’s having a great time. He wants everyone to enjoy themselves,” the actor said. “He’s bubbly, he’s happy; he has a great relationship with his wife. That’s kind of the way I try to portray him — being very, very happy and very bubbly, very full of life — and that’s what I love about the role.”

Douglas Quattrock, director of development and marketing, and group sales and marketing coordinator, who has played Bob Cratchit in the production for the last 12 years, said Liberman has a great understanding of the Fezziwig role. Quattrock explained that the character adds that touch of humanity to the story, where the most important thing is love.

“I think George embodies that. I’ve noticed that tenderness grow over the years. Every year he’s brought that nuance to it that a lot of actors who might play the role once or twice might not capture,” Quattrock said.

Liberman’s relationship with Theatre Three began in 1991, when he attended a performance of “Sweeney Todd.” The actor enjoyed the show so much he began auditioning and through the years has appeared in “Man of La Mancha” (Captain of the Inquisition), “Guys and Dolls” (Rusty Charlie) “Fiddler on the Roof” (Lazar Wolf), as well as others.

Jeffrey Sanzel, Theatre Three’s executive artistic director, describes Liberman as a go-to person who always has great chemistry with his castmates. “George is one of the easiest people to work with. I have never heard anybody say anything other than he’s wonderful,” Sanzel said, who also directs “A Christmas Carol” and stars as Scrooge.

Liberman’s interest in performing began during his days at Adelphi University. While a student there, he was a member of the Adelphi University Octet. The singing group would perform throughout New York State, and he appeared in one of the university’s musicals, “Little Mary Sunshine.” However, he said after graduating from college, due to working full-time and family responsibilities, he didn’t perform again until 1991, appearing in Theatre Three’s production of “Man of La Mancha”.

It wasn’t until the husband and father retired from working as an administrator for the New York State Office of Mental Health nine years ago that he approached Sanzel about participating in “A Christmas Carol.” He explained that the holiday production’s rehearsal and performance schedule would have been too demanding for him while working full-time.

Sanzel said he knew Liberman was perfect for the role of Fezziwig. “He’s very warm. There’s a real honesty about George, which comes across on stage because he’s that way in life,” the director said.

Liberman’s participation in “A Christmas Carol” keeps him, as well as the other actors, extremely busy the last few months of the year. Rehearsals this year began in the beginning of October, when the cast met downstairs to run through their lines, and on Oct. 26, they began rehearsing on stage, with a good percentage of the set constructed. Liberman, who loves to golf, said jokingly that he’s not quite sure what he would do this time of year if he weren’t rehearsing and performing on stage, especially with golf season being over.

Jenna Kavaler, George Liberman and Jeffrey Sanzel in last year’s performance of ‘A Christmas Carol.' Photo by Elizabeth Castrogiovanni, Kayline Productions
Jenna Kavaler, George Liberman and Jeffrey Sanzel in last year’s performance of ‘A Christmas Carol.’ Photo by Elizabeth Castrogiovanni, Kayline Productions

Liberman said he enjoys working with his fellow “A Christmas Carol” actors, both those who have returned from previous years and newcomers. He said Michelle Cosentino will be playing Mrs. Fezziwig for the first time and is wonderful in the role.

Cosentino enjoys working with Liberman as well, and she said she appreciates how welcoming and patient he is. “He’s pretty much Christmas 24/7. It’s like happiness is bursting out of him,” Cosentino said.

Liberman said he continually learns more about the story and the role and has added some refinements over the years, and he said he has grown as an actor as well. The growth has occurred not only due to playing Fezziwig each year, but also by watching Sanzel take on the role of Scrooge every holiday season. Liberman said he has learned a lot by watching the director, especially with how he shades his character in different ways.

In addition to his appreciation for what Fezziwig stands for, Liberman said the theme of “A Christmas Carol” also brings him back each year. He said, for him, the classic holiday story shows that even when you are as mean as Scrooge is, a person can learn the errors of his way.

“The message of the show is a very uplifting, positive message, as it progresses through the show. So I really enjoy doing it,” the actor said.

Liberman hopes that theatergoers will enjoy the message of the holiday story as much as he does. “I would hope that when people walk away, they’re inspired, and they come away with the notion that even the meanest of characters, the meanest of people, can be redeemed and can change, can see the positive in people and can do something positive for those around them,” he said.

Theatre Three, 412 Main Street, Port Jefferson, will present its 32nd annual production of “A Christmas Carol” from Nov. 14 to Dec. 27. Ticket prices range from $15 to $30. For more information and show times, visit www.theatrethree.com or call 631-928-9100.

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