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Port Jeff and the spirit of incorporation: The road to self determination

by Raymond Janis - April 29, 2022

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barent-zanen-895161_1920 — Industrial dredging vessels such as this were used to remove sand from the Belle Terre coastline, wiping out large sections of territory. This drove residents of the area to incorporate as a village in 1931. File photo from Pixabay

Nearly six decades ago, the residents of Port Jefferson made a pivotal decision: to incorporate as a village.

On a snowy day Dec. 7, 1962, villagers voted 689-361 in favor of incorporation. After court challenges, the vote was made official in April 1963.

Philip Griffith, co-editor of Port Jefferson Historical Society’s newsletter, said the incorporation of Port Jeff had been under discussion as early as 1960.

“At that time, Port Jefferson was part of the Town of Brookhaven,” Griffith said in a phone interview. “They were concerned that things happening in Brookhaven were being done independently of the residents of Port Jefferson. A lot of people were starting to feel, ‘Why don’t we incorporate as Belle Terre had done.’ Then we can make our own decisions, we can raise our own money through taxation and we can use those tax monies locally.” He added, “Instead of relying on representatives of the Town of Brookhaven, we would have our own elected representatives, all of whom would be residents of the village.”

While there were many proponents of incorporation, Griffith said there were also persuasive arguments made in opposition: “The main arguments against were people having a fear of leaving Brookhaven and not having the ability to raise sufficient finances to carry a village.” He added that opponents of incorporation were mainly driven by fear: “Fear of something that’s new, fear of change, fear of losing the umbrella of Brookhaven — and the fear of going on out your own.”

State Assemblyman Steve Englebright (D-Setauket). Photo from Englebright’s Facebook page

Legacy of Belle Terre

This week, TBR News Media sat down with state Assemblyman Steve Englebright (D-Setauket), who shared his perspective of the legacy of incorporation in Port Jefferson and beyond.

One of the first village incorporations in the area was Belle Terre, a coastal community preyed upon by industrial dredgers. In the early 1920s, hydraulic sand miners dredged large swaths of Belle Terre’s coastline to support the growing concrete industry which helped in the expansion of New York City.

“The sand had to come from somewhere and it came in the 1920s and ’30s mostly from the North Shore of Long Island,” Englebright said. “It was very threatening to the people who had homes and dreams of continuing to live in those homes and pass those homes on to their children. They lived in fear of having the sandy grounds under their homes sandblasted away.”

“The sand had to come from somewhere and it came in the 1920s and ’30s mostly from the North Shore of Long Island.” — Steve Englebright

Endangered by the sand miners right in their backyards, the residents of Belle Terre were advised to incorporate.

“The relationship with the town had become fraught because the town was basically trading against the best interests of the people who lived where the resources were extractable,” the assemblyman said. “It was clear that sand dredging was a real threat to the quality of life for these North Shore communities.” He added, “It wasn’t just Brookhaven that was trading against the best interests of the North Shore residents, but all of the towns were doing this.”

After its successful incorporation in 1931, mining in Belle Terre had stopped altogether.

The incorporation movement

Port Jefferson accommodated a prosperous shipbuilding industry from the 1790s until the 1920s. After it wound down, the residents of the area were left with little choice but to adapt to the changing circumstances.

With the construction of a new power plant between 1948 and 1960, villagers were motivated to incorporate to draw from this as a revenue stream. “They said if they incorporated as a village, they would be able to draw some revenue from that industrial facility and it would only be fair because they were hosting that facility and it served all of the town,” Englebright said. “They rationalized that it would be reasonable to draw the tax benefits from the imposition of such a heavily industrialized facility because it served for improving the quality of life for the village, most particularly the school district.”

This is the first story of a series on the incorporation of the Village of Port Jefferson. If you would like to contribute to this continuing series, please email [email protected].

Correction: In the original version of this story, it was reported: “The first village incorporation in the area was Belle Terre.” This statement is historically incorrect as Old Field had incorporated in 1927, four years before the incorporation of Belle Terre in 1931.

Squires family heirloom returns to Port Jefferson

by Raymond Janis - April 29, 2022

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A flag once flown outside of the post office in the former Echo area of Upper Port has been returned to Port Jefferson and now resides at the Village Center.

The flag is unique in that it contains only 46 stars. It had flown outside the Echo post office between 1908 and 1912. Chris Ryon, village historian, charted the timeline of the 46-star flag.

“The 46-star flag came about when Oklahoma became a state in 1907,” Ryon said. “The following July Fourth in 1908 produced the 46-star flag, as stars are always added to the flag on July Fourth. In 1912, it jumped from 46 to 48 stars because two more states were added, Arizona and New Mexico. That flag lasted until Hawaii and Alaska were added in the late ‘50s.”

Before the present boundaries, “the post office was right up against the railroad tracks in Upper Port Jefferson,” Ryon said. “That area was called Echo — Echo was a racehorse and that’s what it was named after. The post office was the building on the right when you crossed over the railroad tracks into Port Jefferson Station. That building is still there, but it’s an empty building right now.”

On April 10, Lee Squires Sussman and her son Grayson Sussman Squires met with Ryon to exchange the flag. “This has been in the family and has been passed down through the generations,” Ryon said. “She decided it belonged back in Port Jefferson.”

A journey through time

Last week, TBR News Media reached out to Lee Squires Sussman for an exclusive interview. Through our correspondence with her, which included a phone interview and an email exchange, she detailed her genealogical background and her family’s place in the local history of Port Jefferson.

“I grew up outside of Washington D.C.,” she said. “My father, Donald Fleming Squires, was the deputy director of the Smithsonian Museum of Natural History when I was a child. When I was 12, we moved back to Long Island, to Stony Brook, because my dad had decided that he really wanted to get back to his roots, and back to science, not administration.” She added that by returning to Long Island, her father sought “to give back to his home community, so he went to work for Stony Brook University.”

In 1965 Donald Squires helped found SBU’s Marine Sciences Research Center, the predecessor of today’s School of Marine and Atmospheric Sciences. A renowned marine biologist, he wrote several books investigating the waters outside of New York City and Long Island. “Interestingly enough, as a sidenote, when we moved back to Stony Brook, we moved into a rental house while we looked for a place to permanently live,” Sussman said. “That house was a house that my other great-grandfather, Harry Fleming, built in Stony Brook.” She added, “We really were going back to our roots.”

Village historian Chris Ryon, left, with Lee Squires Sussman, right, and her son Grayson Sussman Squires, middle. Photo courtesy of Chris Ryon

A family keepsake

“My great-grandfather was Charles A. Squires and he was the original owner of the flag,” Sussman said. “It flew outside the post office at Echo, New York. Following his retirement, my granduncle, Dwight Squires, took over as postmaster. When he retired, my understanding is that my great-grandfather had left it with my Uncle Dwight.”

At some point in time, Dwight had given the flag to Sussman’s grandfather, Charles W. Squires. Charles W. held onto the flag into his mid-90s and passed it along to her father, Donald. When Donald moved to Tasmania, he gave the family artifacts to her.

“All of the pictures, the certificates, the family Bible, the flag and all of that came to me when my dad moved overseas,” Sussman said. “I’ve had [the flag] stored in my living room in a sea chest that has also been passed down through the family.”

After years of storing the flag, she started considering what to do with this family memento. During the COVID-19 pandemic, a high school friend had referred her to Ryon. The two got in touch and agreed to meet in Port Jefferson to exchange the flag.

“I have five Squires-related children,” Sussman said. “I discussed with the kids what to do with some of these possessions. We all agreed that the flag would be best back home where it could be viewed. It really was just a matter of finding the right time to get out to Long Island and get it to Chris so that he can display it for Port Jefferson.”

Squires legacy

At around the time when Sussman began having children, she and her father took up a deep interest in the Squires family history. Her father contacted Tiger Gardiner, author of “The South Fork Squires, Long Island, New York.”

“I would say her life’s work was the genealogy of the Squires family,” Sussman said. “She documents the Squires from really early on in Long Island. When my dad left me all of the photographs and items when he went overseas, that’s when I started getting involved in the Squires family research. It was very easy because I had all of the stuff.”

Sussman described the pride of continuing this Squires tradition, documenting and sharing her genealogy for future generations. When asked how she would like the Squires to be remembered, she said for their hard work, altruism and outlook on education, which she said were central to their system of values.

“The values that the Squires family brought to me were that public service and hard work are the foundations for success,” she said. “There were times when members of my family had money and there were times when members of my family lost all their money. When money was tight, they offered help and shelter to people who were less fortunate.”

Sussman also recalled the renovations made to her grandfather’s house to accommodate and shelter the needy, adding, “During the Depression, the attic had been made into two apartments and the basement had been made into two other apartments where people who were less fortunate lived. Those values really sunk in for all of us and they’re very clearly part of what made my family members click.”

Civic engagement and public service also mattered deeply. “They were very involved in their community and they also never quit exploring,” she said. “Those are things that are a gift to any community, beyond philanthropic gifts — a sense of pride in your local surroundings and a willingness to help.”

Sussman said her family members were acutely aware of the significance of education and passed down this value to their offspring.

“History is so much bigger than us all. It doesn’t do anyone any good to leave it in a box in the house.” — Lee Squires Sussman

“There was a sign that was printed in my great-grandfather’s printing shop in Echo that we had a copy of in our house,” she said. “I gave one to Chris. It says ‘We study to please,’ which was an old-fashioned way of saying the more modern ‘we aim to please.’” Interpreting the meaning of this sign to her, she said, “To me this was always an indicator of how important study was to my family.”

Today, the Squires family flag hangs inside the Village Center. Reflecting upon her joy in seeing the flag once again on display for the residents of Port Jefferson, Sussman said, “History is so much bigger than us all. It doesn’t do anyone any good to leave it in a box in the house. This makes me incredibly happy. I’ve shed more tears over the pictures of that flag hanging in the Village Center than I can believe. It makes me incredibly happy to see it back home.”

Historical perspective: Remembering our local liberators

by Rich Acritelli - April 28, 2022

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american-m36-tank-destroyers-during-battle-of-the-bulge-during-world-war-ii — Photograph of an American tank during the Battle of the Bulge, above. File photo from Getty Images

“The same day I saw my first horror camp. It was near the town of Gotha [in Germany]. I have never felt able to describe my emotional reactions when I first came face to face with indisputable evidence of Nazi brutality and ruthless disregard of every shred of decency. Up to that time I had known about it only generally or through secondary sources. I am certain, however, that I have never at any other time experienced an equal sense of shock.” — Supreme Allied Cmdr. Gen. Dwight D. Eisenhower

At that moment almost 78 years ago, Hitler’s Third Reich was rapidly crumbling away.

This was in large part due to the massive strength of Eisenhower’s armies, which were determined to finish the war in Europe. With the end in sight, Allied soldiers entered German soil with the hope of receiving a speedy surrender. During this advance, American soldiers quickly noticed that the enemy had some notable similarities to their own countrymen.

The German population was similar in size to the American middle class, and lived in heated homes surrounded by picturesque natural beauty from the German and Austrian landscapes. As Allied forces continued their eastward push, however, any feelings of closeness with the enemy quickly evaporated, as they had come to learn of Hitler’s “final solution.” American soldiers, many from neighborhoods along Long Island’s North Shore, had discovered and liberated the German death camps.

For the men who witnessed this shocking brutality, these experiences would never be forgotten. Although hardened by the Battle of the Bulge and other combats against a fanatical resistance unwilling to surrender its losing cause, Americans were utterly unprepared for the scenes at these camps. Some had heard of the cruel treatment inflicted by the Nazis, but they were horrified after entering these camps. At once, the medics distributed food, water and medical treatment to save as many lives as they could.

After visiting the Ohrdruf concentration camp on April 12, 1945, a sickened Eisenhower said, “We are told the American soldier does not know what he is fighting for. Now, at least, we know what he is fighting against.” Renowned journalist and radio broadcaster Edward R. Murrow accompanied the American 6th Armored Division into the Buchenwald concentration camp. Laying witness to the atrocities, he reported, “I pray you to believe what I have said about Buchenwald. I have reported what I saw, but only part of it. For most of it I have no words. … If I’ve offended you by this rather mild account of Buchenwald, I’m not in the least sorry. I was there.”

“The inmates liberated by our forces were skeletons. … It was enough to make strong men weep — and some American officers did so unabashedly.”

— Robert Murphy

Diplomat Robert Murphy was also present to see the conditions of these camps. He recalled: “The inmates liberated by our forces were skeletons. … It was enough to make strong men weep — and some American officers did so unabashedly.” Many American soldiers were ordered to see these camps for themselves, as Eisenhower wished to prevent any future deniers of the Holocaust.

Two local heroes

Among these soldiers was the late John D’Aquila, resident of Belle Terre. A member of the 11th Armored Division, he served under Gen. George S. Patton’s famed Third Army. D’Aquila was a native of Middletown, Connecticut, who landed in France during the Battle of the Bulge. As a medic, he was ordered toward the strategic Belgian town of Bastogne which was surrounded by German forces. During one of the worst winters in recorded history, D’Aquila treated wounded soldiers as they turned back this German offensive. For his valiance and unceasing treatment of wounded servicemen, D’Aquila received a Purple Heart after being wounded during this battle.

Like many other soldiers at the end of this war, D’Aquila wondered if he would survive. On May 5, 1945, the 11th Armored Division entered the Mauthausen concentration camp in Austria. By the end of the war, those camps in Central Europe had considerably higher death rates as they were the last to be captured by Allied forces. D’Aquila remembered the inability of the local Austrian citizens to accept responsibility for the savagery committed there, despite the stench of death that hung in the air, the piles of bodies stacked up “like cordwood.”

After the war, D’Aquila attended college and later earned a degree in law, where he defended the interests of insurance companies. Locally in Port Jefferson, he was on the board of directors of Theatre Three, and a play was later created by Jeffrey Sanzel, “From the Fires: Voices of the Holocaust.” Until his death, D’Aquila openly addressed his wartime experiences because he wanted to ensure that citizens, especially the youth, did not forget the severity of the Holocaust.

In 2008, D’Aquila described his experience of liberating Mauthausen during a Veterans Day program at Rocky Point High School. As though it had just occurred, D’Aquila spoke of his duty to medically care for the survivors of the concentration camp as they were finally being liberated. At another program at the high school, D’Aquila joined Werner Reich, who had survived Theresienstadt, Auschwitz and Mauthausen, and was liberated by the 11th Armored Division.

Reich was a 17-year-old young man who weighed only 64 pounds at the time of his liberation. In this condition, he was not expected to survive. At RPHS, he looked at the audience and vividly stated that if it had not been for Americans like D’Aquila, then he would have surely perished from starvation. Although from different backgrounds, both men were inextricably tied to one another through their shared experience of “man’s inhumanity to man.” For years, Reich has spoken to high schools across the North Shore to ensure that good people do not stand by when innocent people suffer from such atrocities.

Even though World War II ended long ago, the world now watches history repeat itself through the images of fighting in the Ukraine. Americans are again learning of the massive losses of Ukrainian civilians suspected of being killed by Russian forces. People such as D’Aquila and Reich made it their mission in life to alert people that history will repeat itself if good people do nothing. We must learn from the examples of the past, we must always act, protect and preserve the rights and freedoms of people everywhere.

Rich Acritelli is a history teacher at Rocky Point High School and adjunct professor at Suffolk County Community College.

Setauket Elementary School hosts Founders Day for fourth grade students

by Beverly C. Tyler - April 28, 2022

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“It is so cool that [Setauket] school has so much history around it and that it looks like it’s just a regular school.” (Mount Elementary School fourth grade student during this year’s Founders Day Original Settlement guided tours)

On April 11 and 12, Three Village fourth grade students in 19 classes came to the Setauket Elementary School auditorium in celebration of Brookhaven Town Founders Day to learn about the history of Setauket/Brookhaven through the murals of artist Vance Locke. Most of the students from the other four Three Village elementary schools raised their hands when asked, “Is this the first time you have seen these murals in the auditorium?”

Town of Brookhaven historian Barbara Russell and local historian Bev Tyler discussed each of the murals and the students heard from local artist Katherine Downs-Reuter. She described how the murals, the polychrome statues and the New York State Coat of Arms, which they now see in their original brilliant colors, were restored. Students were also treated to stories of Long Island’s indigenous people by Helen Sells, a Setalcott Native American descendant who, like both Russell and Tyler, attended Setauket school and viewed the murals as a student. Brookhaven Town Councilmember Jonathan Kornreich, who also served this year as a guide, showed students a map of Brookhaven and how the town grew from 1655 in Setauket to encompass 323 square miles and stretch from Long Island Sound to the Great South Bay.

For the next two hours, each class, led by guides from the Three Village Historical Society, explored the Original Settlement area that surrounds the Setauket Village Green. The tour began with the polychrome statues of Setauket’s early leaders Richard Woodhull and General Washington’s intelligence chief Benjamin Tallmadge on the gables of the auditorium and gymnasium. On the front pediment of the school is the New York State Coat of Arms. Students learned about each restored artifact and about the U.S. Postal Service’s mile marker, encased in brick, that has stood along the road in front of the school since the first half of the 19th century.

Walking into the Setauket Presbyterian Church cemetery, students identified the gravestones of three ship captains who moved commerce around the Atlantic coast and voyaged as far as China and Japan. They were also introduced to genre artist William Sidney Mount, one of the first artists to portray African Americans, both enslaved and free, as everyday people doing everyday activities. The last stop in the cemetery was at the grave and memorial to Setauket’s farmer and Culper spy ring leader Abraham Woodhull.

At the Caroline Church cemetery, students learned about the 1751 gravestone of Elizabeth Moore, an inscription-carved rock, which was found during the 1937 restoration of the church. “Was she an indentured servant? Was she an enslaved person? We may never know.” The fourth graders were also introduced to philanthropist Thomas Hodgkins, his niece Emma Clark and the Melville family — Frank, Jennie, Ward and Dorothy — philanthropists all.

At the Setauket Village Green, students learned about the long history of Long Island’s indigenous people and the Setalcott Native Americans who signed land deed agreements with Brookhaven’s original English settlers on April 14, 1655. At the veterans memorial, they saw and discussed the diversity of immigrants who lived and worked here, as well as the world-wide ancestry of the Three Village soldiers whose war-time deaths are memorialized here.

In the Frank Melville Memorial Park, our fourth grade boys and girls learned about the importance of gristmills, millers, blacksmiths, post offices and the story of one of the Original Settlement’s 17th century homes.

The next stop was at the location of the Tyler Bros. General Store, which offered people the opportunity to purchase needed supplies, pick up mail, visit to hear about the news of the day, or buy penny candy. Lucy Hart, when she was six or seven, used to stop at the general store on her way home from school. There was a glass case in the store which contained a number of selections of sweets. Lucy remembered, “You would get four of five round things for a penny. Jaw Breakers, three or four for a penny; and stick candy was a penny a stick.”

At the Amos Smith House, students saw how the house changed and grew over more than 200 years. They discussed the seven generations that lived in the house with as many as nine children in two of the families. They heard that the house and property were donated to the Three Village Community Trust in 2017 and will be environmentally and historically preserved forever.

At the Setauket Neighborhood House, students learned about travel and transportation from the era of the indigenous people on Long Island to colonial travel with overnight stops at inns and ordinaries, which provided essential services. They saw how railroad lines were established on Long Island in the 19th century, significantly increasing travel and tourism from New York City to Long Island. The railroads also helped bring the industrial revolution to the area with Setauket factories hiring European immigrants who flooded into New York City; the new workers producing pianos and rubber goods. The fourth graders saw, heard and discussed how the Elderkin Hotel progressed from a hotel, with stage coach service from the Lakeland Railroad Station, to a tourist home, called the Lake House, with station wagon service from the Long Island Railroad’s Stony Brook station, and finally to its present name and its use as a meeting place for the entire community.

Patriot’s Rock, a remnant of the last glacier and a Native American meeting place, provided an opportunity for students to learn about the Revolutionary War Battle of Setauket and Caleb Brewster, an artillery officer who directed the cannon fire. Also, how Brewster was an important member of the Setauket-based Culper Spy Ring. “I thought that it was so cool that we got to stand on the battlefield of the American Revolutionary War.” (Mount fourth grade student)

“Founders Day is more than learning about our local history,” said Brookhaven Town Historian and Founder’s Day Committee Member Barbara Russell, “It is an historical experience for our Three Village fourth grade students … Learning that the Emma S. Clark library is not just the place to find books or attend a program, but is an architecturally interesting structure that was built by a local resident [Thomas Hodgkins] as a gift to the community; and there really was a person named Emma S. Clark is enlightening to fourth graders. Then they walk toward the Caroline Church and see the Hodgkins and Clark headstones — it all comes together in this fascinating look on a student’s face that they have just put it all together.”

At the end of the tour, each student receives a copy of the Founders Day Companion (walking tour) Book prepared by the Three Village Historical Society, courtesy of the Three Village Central School District. Students, who can now be considered knowledgeable guides to the area’s local history, are encouraged to take their family members on the walking tour.

Setauket school fourth grade students were so inspired by the 2018 Founders Day tour that they decided to produce a video story of each of the Vance Locke murals in the Setauket School auditorium. The students were led by Three Village Schools District Lead Teacher for Instructional Technology, Andy Weik, and fourth-grade teacher Eric Gustafson. The students recorded the videos and they were produced with a QR code added at the base of each mural. All but two were completed in time for Culper Day, a community-wide celebration of the Setauket-based Culper Spy Ring with a wide range of community organizations and businesses taking part. For the first time, due to the student videos, the Setauket School auditorium was opened on a Saturday to take part in the celebration. A number of the students who worked on the video stories were present in the auditorium, in colonial costumes, to answer questions and talk to some of the 800 people who bought tickets for the Culper Day celebration as well as a few who wandered in to see what was happening. Setauket School principal Karen Mizell noted that this year the Setauket school auditorium will once again be open to the public on Culper Day, Saturday, Sept. 10.

This year marked the 17th year that Three Village fourth grade students have come to the Setauket school auditorium to learn about the murals of the history of Setauket/Brookhaven and the eighth year the Founders Day Program has included the Original Settlement Walking Tour. The Founders Day program is updated every year, bringing new concepts and ideas needed within a changing curriculum. We hope that every fourth grade student will continue to experience the wonder of our local history and be excited to learn more of the stories of the people who lived here and what they contributed to our history.

Beverly C. Tyler is a Three Village Historical Society historian and author of books available from the society at 93 North Country Road, Setauket. For more information, call 631-751-3730. or visit www.tvhs.org.

Stony Brook Village launches new audio experience

by Press Release - April 28, 2022

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Sean Mills Sunrise PO — The Stony Brook Post Office is one of the stops on the Stony Brook Village Audio Experience. Photo courtesy of Sean Mills

Stony Brook Village has announced that the Stony Brook Village Audio Experience is now available and can be enjoyed on your own time and at your own pace! The experience is free to the public and will allow all visitors of Stony Brook Village to immerse themselves in the quirky history and stories of the lifestyle center and some of its surrounding properties. The audio experience is obtained by scanning QR codes throughout the village and is also available at audio.stonybrookvillage.com.

Currently, the experience has ten stops, and covers the history and the stories from the Three Village Inn’s original residents to the entire development of Stony Brook Village Center. It is recommended that participants of the experience begin at the Three Village Inn. Additional stories about the Country House (c.1710), the Stony Brook Grist Mill (c.1751) — including the first vineyard on Long Island, and T. Bayles Minuse Mill Pond Park will be added soon.

To learn more about events and activities in Stony Brook Village Center, visit stonybrookvillage.com.

Legislator Bontempi secures key funding for Vanderbilt Mansion, Museum and Planetarium

by Press Release - April 19, 2022

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At the April 12^th general meeting of the Suffolk County Legislature, Legislator Stephanie Bontempi (Centerport) sponsored legislation that secured much-needed funding for critical repairs and improvements at the historic Vanderbilt Mansion, Museum and Planetarium.

“We are so lucky to have this cultural and educational resource in Suffolk County. The Vanderbilt is frequented by countless schoolchildren each year and tourists of all ages from near and far. Keeping up with the maintenance ensures that we can continue to deliver its wonderful programs, while simultaneously avoiding greater costs down the road,” said Bontempi.

Soon after being elected, Bontempi learned of the specific needs of the facility when she met on site with its executive director, Elizabeth Wayland-Morgan. Although the grounds were an impressive sight to behold, it was clear that its components were showing their age. The funding, sponsored by Bontempi, addresses new seating, carpeting and kiosks at the planetarium, improvements to thwart water intrusion affecting numerous buildings, and a new boiler for the mansion.

“Like many tourist attractions during the COVID-19 pandemic, the Vanderbilt felt the economic pinch,” said Bontempi. “These improvements will play an important role in the museum’s recovery and future.”

To learn more about the Vanderbilt Mansion, Museum and Planetarium, please visit its website at: https://www.vanderbiltmuseum.org/.

Catharine Lorillard Wolfe Art Club celebrates 125 years with exhibit at Deepwells Mansion

by Melissa Arnold - April 7, 2022

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By Melissa Arnold

Over the past few generations, hardworking and determined women from all walks of life have fought to be heard and seen. Their efforts laid the groundwork for today’s women to break all sorts of glass ceilings.

In the late 19th century, Catharine Lorillard Wolfe was the richest woman around thanks to her family’s inheritance of the famed Lorillard Tobacco Company. Wolfe was generous with her fortune, doing whatever she could to support education, the arts and museums.

Portrait of Catharine Lorillard Wolfe, 1876,
by Alexandre Cabanel

One major recipient of that generosity was Grace Church on Broadway in New York, where Wolfe was a parishioner. Among her final wishes was a request that the church use her financial gift for some sort of “women’s work.”

In response, the church founded the Catharine Lorillard Wolfe Art Club (CLWAC) in 1896 to provide counsel and support for female art students in the city. This year, the club is marking its 125th anniversary with a series of special exhibits around the tri-state area, including a juried satellite exhibit at Deepwells Mansion in Saint James. from April 10 to 30, and will culminate with a national juried exhibition at the Salmagundi Club in Manhattan from June 20 to July 1.

“The goal was always to support women artists in particular. Cooper Union [a college focused on arts, architecture and engineering] was in the area, so there were plenty of women who needed a place to go to relax, have lunch, and exhibit their work,” said Karene Infranco, president of the CLWAC.

The club has boasted a number of famous artists in its lifetime, including sculptors Anna Hyatt Huntington and Harriet Whitney Frishmuth, to name a few. By paying modest dues, any woman can become an Associate Member and participate in select shows and events, but the requirements for full membership are rigorous.

“In order to become a Juried Member, you have to be selected to exhibit your work in at least two of our open shows within a five-year period — shows that are just for Associates don’t count, as the competition for the open shows is on a much higher level, with many more people entering,” Infranco explained.

Entrants can exhibit in five categories: pastel, oil and acrylic, watercolor, graphics (pencil and printmaking), and sculpture. Selections are made by a committee of five artists, and then each competition is judged for prizes by a three-person jury of curators, critics and fellow artists that are well-known in their field. A computerized system allows jurors to score each piece by objective criteria. Those who make the cut twice are then invited to join the club as a full, lifetime member.

Member artists range in age from their 20s to their 80s, with wide-ranging careers and art interests. Infranco owned a healthcare advertising agency and, in 2013, decided to sharpen her skills in drawing and painting by taking classes at the Visual Arts Center of New Jersey. She eventually began exhibiting her work at the national level with numerous groups, including CLWAC, and currently serves as a docent for the Metropolitan Museum of Art in Manhattan.

“When the Met was incorporated in 1870, Catharine Lorillard Wolfe contributed $2500 of her funds and became the only woman founder,” Infranco said. “The club stands out to me because of its long history, that unique relationship with the museum, and the fact that it caters specifically to women. While there are other women-focused organizations out there, Catharine was such a savvy, interesting and influential person with spot-on taste for art and the ability to carve her own path in life. That’s a big attraction for all of us.”

Catharine Lorillard Wolfe ultimately bequeathed her personal collection of 140 paintings, along with an endowment for its maintenance, to the Met. Her endowment was the Museum’s first, and her donated paintings formed the beginning of the museum’s European painting collection.

Today, the club still meets in person at Grace Church, and its ranks are growing with 410 club members located throughout the country. There is a sizable Long Island contingent in the group, and many of the local women have known each other for years.

Flo Kemp of Setauket and Eleanor Meier of Centerport became friends after spending time together at many of the area’s drawing clubs and classes. Kemp has devoted herself to marketing her oil paintings and etchings for years, and Meier pursued her own art style after a long career as a high school art teacher.

“I entered shows with CLWAC intermittently over the years until I was eventually invited to become a member,” Kemp said. “It’s a great encouragement and inspiration to be around so many excellent artists through the club. It has deep roots, and it’s an honor to be a part of that history.”

While she works with oils, Kemp specializes in soft ground etchings that have a “painterly” effect. Her inspirations are land and sea scapes which she enjoys for the calming, serene way they draw the viewer in, she said. Her submissions for the exhibit are two etchings: one of Flax Pond, and another of West Meadow Beach.

Meier first heard about the club at a luncheon for the National League of American Pen Women, a professional organization for female writers, artists and composers. She was intrigued by the club’s mission as well as the opportunity to learn from others, and was invited to join them around 1990.

“Being a member of the club has given me an opportunity to meet artists from all over, people I never would have met otherwise, which is always exciting,” she said.

Meier prefers to focus on detailed still life drawings of simple items she finds around the house, saying that they’re easy to set up and fun to create. Her two submissions to the exhibit are watercolor paintings: one of stacked cups, and the other of a Mason jar filled with hydrangeas.

“For all the years I was teaching, the art projects that I did were for the classroom. It wasn’t until after retirement that I had the chance to work on and develop my own personal style,” Meier said. “I’ve been showing at Deepwells with [a local group] for several years now … it’s a classic building and Suffolk County has put a lot of work into it. There’s so much history and gravitas there.”

Indeed, Deepwells Mansion, located at 2 Taylor Lane in St. James, is the perfect venue for such a prestigious show. Dating back to 1845, it is in the Greek revival style built for Joel L.G. Smith — one of the family for whom the Smithtown Township is named. Its most famous owner was W.J. Gaynor, mayor of New York City from 1910 to 1913. In 1989 the house became the property of the Town of Smithtown and is now managed by the Deepwells Farm Historical Society.

The Catharine Lorillard Wolfe Art Club exhibit will be on display at Deepwells from April 10 to 30. Gallery hours are from 11 a.m. to 4 p.m. Wednesday through Sunday (closed April 17).

The exhibit will feature 45 works of art from 41 artists, including a small collection of oil and pastel pieces by the late Jeanette Dick of Belle Terre, a past president of the CLWAC who passed away in January of this year. Many of the included artists will act as docents for the exhibit, guiding guests through the gallery and sharing their personal insights. All artwork on display is available for sale. An awards ceremony will be held on April 30 at 2 p.m. For more information about the CLWAC, visit www.clwac.org.

Cayla’s Column: Against the Grain – A women’s history walking tour in Stony Brook Village

by Cayla Rosenhagen - April 1, 2022

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By Cayla Rosenhagen

For centuries, the Three Village area has been home to fearless and heroic women who were ahead of their time. During the Ward Melville Heritage Organization’s (WMHO) Women’s History Walking Tour: “Against the Grain” on March 25, eager listeners heard tales of these courageous ladies, spanning from colonial times to the 20th century.

When I arrived in Stony Brook Village for the 3:50 tour, blooming daffodils and crocuses were sprouting up across the town, celebrating the recent arrival of spring. Our group met at the historic Grist Mill, where I met the other participants and our guide, Kayla Cheshire. Kayla has worked as the WMHO’s education and outreach manager for about three years and is a passionate and knowledgeable history buff.

The event attracted history enthusiasts from all over, however, many of the participants were locals. We were even fortunate to have descendants of a local historic figure, suffragette, conservationist, and town founder Jennie Melville among us.

We gathered around Kayla as she told us about the history of the area, including how it was home to conductors of the Underground Railroad in the mid-1800s. According to legend, conductors would use coded quilts to help enslaved people, who were escaping from the still-legal slave trade in the South, along their way to freedom. Details of the quilts, including morningstar and hourglass symbols would indicate the time and type of planned journeys to the next stations, bringing them one step closer to Canada. For instance, a squiggly emblem called the “Drunkard’s Path” implied the path they had to take was a difficult, zigzagged one, possibly through rough terrain and rivers, so they wouldn’t be tracked by bounty hunters.

The tour proceeded to All Souls Episcopal Church on Main Street, then to the Stony Brook Village Center, just in time to see the majestic eagle atop the Post Office flap its wings at 4 p.m. Here we learned of philanthropist and town matriarch Dorothy Melville, wife of Ward Melville, who was known as Stony Brook’s “fairy godmother.” She was a crucial contributor to the Stony Brook Community Fund and the Museums at Stony Brook and is credited with making the village handicap accessible.

Our next stop was The Jazz Loft. Its rich history included being utilized as a fire department in the early 1900s. In 1935, the building was transformed into a museum by the Melville family and prominent local Dr. Winifred Curtis, among others. Over time, the museum changed locations, and is now called the Long Island Museum on Route 25A.

The tour came to a close at the fascinatingly historic Three Village Inn. We learned about the inn’s former owners including Richard Hallock, Jonas Smith, and Jennie Melville, and its former uses as a private residence, tea room, and finally an inn. After the last story was told, Kayla offered us all free desserts with the purchase of an entrée at the Inn and told us about some of the upcoming happenings around town.

On Saturday, April 23rd, the entire village will honor spring with Spring Appreciation Day, which entails live music, a car show, a scavenger hunt, and a petting zoo. Admission is free and the events will take place between 1:30 and 3:30 PM.

The Women’s History Walking Tour is now available by request for private groups. Additionally, the WMHO offers “Secrets of Stony Brook Village” to the public throughout the season, with completely unique and newly uncovered stories and legends about the town. The tours will be held on April 7 and 21, as well as on June 2 and 16. There are two sessions each on these days, one at 11:50 a.m. and another at 3:50 p.m. The tours are $10 per person and the WMHO asks you to please call ahead to make a reservation at 631-751-2244.

Visitors can learn even more about the stories of Stony Brook by taking a tour of the 300-year-old Grist Mill. The historic, working mill will open again on April 16th, and Sunday tours will be available all season long, from April 24 through October.

The Ward Melville Historical Organization plays a crucial role in supporting local history. You, too, can do your part by supporting them. The WMHO suggests you can help by making general fund donations, purchasing a memorial plaque, or by sponsoring an event or historic property. The organization also has several volunteer opportunities. Please visit wmho.org/support-wmho/ for more information on how to get involved.

Heckscher Museum to host Environmental Justice on Long Island virtual discussion April 5

by Press Release - April 1, 2022

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0-1 — Richard Mayhew, Clamdiggers, n.d., oil on board. Courtesy of the Petrucci Family Foundation Collection of African American Art. (c) 2022 Richard Mayhew; Courtesy ACA Galleries, New York

The Heckscher Museum of Art in Huntington will host a virtual panel on Environmental Justice on Long Island on Tuesday, April 5 at 5:30 pm.

The panel is presented in coordination with Richard Mayhew: Reinventing Landscape now on view at The Heckscher Museum of Art. Mayhew’s luminous landscapes address the historic and spiritual connections between Native Americans, African Americans, and the land.

The panel features Dr. Mark Chambers, Professor of Africana Studies at Stony Brook University, and Jeremy Dennis, a contemporary fine art photographer, tribal member of the Shinnecock Indian Nation, and founder of Ma’s House, and is moderated by Justyce Bennett, Curatorial Assistant at the Heckscher Museum of Art. They will discuss the environmental justice movement to address how environmental hazards impact communities of color disproportionately.

Jeremy Dennis is a fine art photographer and a tribal member of the Shinnecock Indian Nation. His photography explores Indigenous identity, cultural assimilation, and the ancestral traditional practices of the Shinnecock Indian Nation. His work is included in the collections of The Heckscher Museum of Art, The Hudson River Museum, the New York State Museum, and others.

Dr. Mark Chambers is a professor in the Africana Studies department at Stony Brook University. His interests include environmental and technological contacts between Indigenous peoples and free and enslaved miners in North America. His recent book, Gray Gold: Lead Mining and Its Impact on the Natural and Cultural Environment, 1720 to 1840, is a cultural history of lead mining in the region that became the state of Missouri.

Justyce Bennett is the Curatorial Assistant at The Heckscher Museum of Art. She completed her master’s degree at the Winterthur Program for American Material Culture at the University of Delaware. She is interested in Black feminist art history and wrote her master’s thesis on the landscape and historic preservation efforts on St. Croix, United States Virgin Islands.

The event is free to the public, with registration at Heckscher.org/mayhewpanel

Journalist Tanzina Vega to deliver keynote at SBU’s Women’s History Month closing program March 28

by Press Release - March 25, 2022

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Hybrid Event Open to the Public

Former National Public Radio host and New York Times/CNN reporter and Stony Brook University alumna Tanzina Vega (’96) will serve as keynote speaker at the Stony Brook University “Women’s History Month Closing Program” on Monday, March 28, at 4 pm in the Student Activities Center Ballroom A. This will be a hybrid event with in-person seating available on site and accessibility via Zoom. To attend, register here. The event is open to the public.

For more than a decade, Tanzina Vega’s journalism career has centered on inequality in the United States through the lens of race and gender. She’s been a reporter and producer for The New York Times and CNN, where her work spanned print, digital and broadcast television. She most recently spent three years as the first Latina host of “The Takeaway” on WNYC, New York Public Radio.

Vega, who earned a bachelor of arts degree in sociology from Stony Brook, has covered many of the most consequential news events of the past decade, including multiple presidential elections, the COVID-19 pandemic, the rise of #BlackLivesMatter, Puerto Rico’s political crisis and the January 6 Capitol insurrection. In 2019, she was awarded the Robert G. McGruder Distinguished Lecture and Award from Kent State University. Prior to that she was a fellow at the Nation Institute and a Ferris Professor of Journalism at Princeton University. Vega is a distinguished graduate of the Craig Newmark School of Journalism at City University of New York, where she earned a master’s degree in digital journalism.

Women’s History Month (WHM) is an annual celebration of the continuous, significant, vital contributions women have made to society, history and their respective cultures. The WHM Closing Program is presented by the Office of Multicultural Affairs and the Women’s History Month Committee.

This year’s theme is #BreakTheBias, adopted from International Women’s Day, which is held annually on the first Tuesday in March.

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