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A May 21 car parade was as classic as it gets.

Classic car owners from various clubs on Long Island came together to drive pass Huntington Hospital to show their gratitude for health care workers battling COVID-19. Hospital employees and neighbors had the chance to see scores of classic cars going pass the facility located on Park Avenue.

Before the parade, the car owners met at Mill Dam Park at 6 p.m. where the drivers donated food to Hauppauge-based Long Island Cares. Approximately, 1,000 pounds of food and $680 in funding was collected for the nonprofit that provides food for local residents experiencing food insecurity.

Organizations involved in the parade included Vintage Chevrolet Club of America, Mopar Club of Long Island, Classic Car Club of America, Long Island Corvette Owners Association, Mustang Shelby Club of Long Island, Model A Ford Club of Long Island, Long Island Street Rods, Antique Automobile Club of Long Island, Thunderbird Club of Long Island and Cap-A-Radiator Co.

Also on hand May 21 were residents who every day at 6:45 p.m. show up at the hospital entrance to cheer for the health care workers around the time shifts change.

Along Nicolls Road, where dozens of people held signs thanking the hospital workers both leaving and arriving at Stony Brook University Hospital, another truck, one bearing a large screen and speakers, rumbled down the road bearing another kind of thank you to the folks on the front lines.

Christian Guardino, a Patchogue resident, came down to the hospital late on Thursday, May 22 to serenade the workers just after their 8 p.m. shift change. The singer, a America’s Got Talent’s Golden Buzzer and Apollo Theater Competition Grand Prize Winner, sang three songs to a crowd gathered in front of the children’s hospital. Others watched from the windows above, even waving lighters from a dark room as Guardino finished a rendition of Billy Joel’s “New York State of Mind.”

He said he too has been stuck at home because of the pandemic, unable to perform because practically all venues have been shut down. First performing at Mather Hospital in Port Jefferson, he came to Stony Brook to make sure those workers knew they were top in people’s hearts and minds.  

“The one thing I want to say and for them to get out of this is just thank you, how grateful we are for everything they’re doing for us,” Guardino said. “They’re on the front lines taking care of the people who are sick, risking getting the disease and I just want to thank them.”

Nicole Rossol, the chief patient experience officer at SBUH, said Empire Entertainment, a New York City-based event management company, reached out to Stony Brook looking to do a late show. At the same time, the patchogue singer also made mention he wanted to give back to the hospital. Guardino’s mother, Beth, had worked as a nurse at the hospital previously for nearly a decade.

“We thought if we could do it together, it would be a very beautiful thing for our staff,” Rossol said. “I think the staff has been looking for things to keep them upbeat and help them through this time. Every piece of support from the community really makes a difference.

Empire Entertainment, with their Illuminate Our Heroes tour has brought crews from the city, to New Jersey, and now out to Long Island. Alyssa Bernstein, a senior producer for empire entertainment is herself a Setauket native, and she said she made it a point to come back and support her hometown during the ongoing pandemic.

“We decided, what is a way that we can give back and say thank you, and that’s putting on a little show, that’s what we do best,” Bernstein said. “The work that they’re doing means that we’ll get back to work.”

 

By Rich Acritelli

Kindness, devotion, hard work, and determination; these are the words to describe the loyalty that the Long Island State Veterans Home at Stony Brook has toward its patients. While the COVID-19 pandemic has made their mission immensely difficult, this facility is carrying out its responsibilities to support our local veterans at this nursing home. This staff has adapted to the hardships of this virus, and they are finding different ways of helping many elderly veterans who have served in practically every military branch.

The vets home has created a multi-faceted program that helps people from Riverhead to Massapequa. Leading the way is Jean Brand, the Program Director of the Adult Day Health Care Program, with their efforts based in Stony Brook and in the homes of these older populations who rely on the services.  Even before the coronavirus changed operations, staff members have provided assistance in cooking, bathing and nutritional aid that allows for breakfast and lunch to be served along with taking home a meals for dinner. They also provided rehabilitation for physical and speech therapy programs. As the veterans ages range from the mid 60’s to over 100 years old, the staff’s devotion also allows the older counterparts to take a brief break in handling the rigors of treating their loved ones.  

From the start of the day, the state nursing home provides transportation to bring citizens that served from World War II, Korean and Vietnam to Stony Brook. Due to this current pandemic, the programs are now more home based. Although these were necessary changes, according to Brand, the organization is finding new ways to help these older citizens. Through a home delivery program, several meals a week are organized and distributed to the elderly. Brand and her staff are currently preparing food that is non-perishable and easy to eat. Deliveries also include necessary items that have been difficult to purchase such as toilet paper, masks, wipes, paper towels and soap. They have also sent home word puzzles and and other games to help keep their minds sharp and to pass the time, as many of these veterans that are spending numerous hours in their houses.

With many longterm relationships built up at Stony Brook, the staff misses these familiar faces and their stories of service of defending our nation during many trying times. Many of these men and women are considered family members to the staff. The entire staff, through expertise and professionalism, has for many years attended to the many diverse needs of these men and women. They have implemented telehealth to boost morale and at the same time to safely utilize social distancing initiatives to keep a watchful eye on the health of their patients. Although sending home food is a primary function of this program, many of these telephone calls are keeping the lines of communication open, and range from a simple hello to necessary inquiries about serious ailments.

Brand spoke about a unique program that was created to connect the patriotic stories of national service to the students of today. The Long Island Museum has worked with the vets home through a pen pal project which has younger men and women reach out to veterans to learn about their lives. Even as this has been tough period, this idea has developed relationships between different generations. Young people have seen and heard the examples of service by our senior population. This writing programs has also allowed younger students to identify the various issues that impacted the mobility and health concerns that have widely plagued older populations. 

Not since the days of the 1918 Spanish Flu has our nation had to handle a health crisis of this magnitude.  The numbers of the people that have been impacted are still staggering, but the efforts of places like the Long Island State Veterans Home continue to adapt and overcome many of these medical challenges that still pose a major concern to this country. This homecare program has completely shown the determination of longtime staff members like that of Brand and her fellow workers to help their patients before, during and after this sickness is finally subdued.

Rich Acritelli is a social studies teacher at Rocky Point High School and an adjunct professor of American history at Suffolk County Community College.

Many drivers were honking their horns at the intersection of Veterans Highway and Route 25 in Commack May 14, but it wasn’t due to traffic.

More than 100 people rallied in front of the Macy’s parking lot in support of businesses deemed nonessential during the coronavirus pandemic opening up as soon as possible. While many were honking in support of the participants, a couple of drivers yelled disapproving comments out their windows.

The Reopen NY rally was the second one to take place at the location this month with the first one held May 1. The May 14 event was posted on the website Meetup by Olivia M. who asked attendees to decorate their cars, wave their flags and wear patriotic colors.

Many held signs with messages such as “My constitutional rights are essential,” “My sons are not lab rats for Bill Gates vaccine” and “Cuomo to businesses: drop dead.” One large dog wore a sign that read, “Dog grooming is essential.”

The dog’s owner, Debbie Wilson, who traveled from Freeport, said she was a retired dog groomer who came out of retirement to take care of some people’s pets.

“Dogs need maintenance,” she said. “Grooming dogs is not a luxury, it’s a necessity. For the life of me, I’ll never understand why they shut down dog groomers.”

She added it’s important to maintain many dogs’ ears and nails for health reasons and this is done while grooming. 

During the rally, News 12 Long Island reporter Kevin Vesey was filming participants with his smartphone live on Facebook. He had concluded interviews with his cameraman and was documenting the event for social media.

While describing the scene, one woman confronted him saying she noticed he was wearing a mask which she said he didn’t do at the May 1 rally. Vesey responded he did wear a mask last time. The woman was quickly followed by another female, and both had megaphones. The duo was questioning him about his reporting of the May 1 Commack rally saying he was trying to paint the narrative instead of reporting it and said his report prompted people to call the May 1 protesters “murderers.” One man yelled that Vesey was not a real journalist but a “political operative.”

As he kept backing up, continuing to film them, about a half a dozen kept following him aggressively, criticizing his reporting and asking why his job is considered essential and theirs are not.

During the verbal confrontation, a few police officers were standing nearby and evaluating the situation. The May 14 rally had a strong police presence, and before it started, an announcement by the Suffolk County Police Department was made to remind participants of the importance of wearing facial masks and social distancing.

Across the street, a nurse took in the rally and said she was surprised by how many people participating, especially children who were there, were not wearing masks.

“I guess they don’t know anyone who died from this,” she said.

After the event, the Setauket Patriots, who were among the organizers, took to Facebook and apologized to Vesey for their fellow protesters’ behavior.

“We can tell you that the few who decided to harass you and try to prevent you from doing your job are not members or affiliated with the Setauket Patriots group in any way, shape or form,” the post read. “We were looking forward to you giving us fair coverage with what you documented when we first arrived. But as with all mass rally events, you will always get a few idiots to disrupt an otherwise peaceful, pleasant demonstration and they should have been removed by police.”

At press time, Long Island still had not met the seven health metrics required by Gov. Andrew Cuomo (D) to reopen the region. The state’s pause order was extended until May 28 for regions that didn’t meet the requirements to reopen May 15.

SHOP LOCAL: The Port Jefferson Farmer’s Market is officially open for the season! Over 25 vendors gathered at a temporary spot at the Mariners Way/Gap parking lot located off Arden Place on May 10 and will be open every Sunday from 9 a.m. to 2 p.m. through Nov. 15. Purchase local produce, jams, pickles, olives, soaps, plants and much more.

Participating vendors include:

Sweets by Amy

AB Fresh Food

Natural Hounds LLC

Bee Natural Body Care

Arlotta Food Studio

Maryhaven Center of Hope

Turmeric Store

Laurel’s Butter

Beaverdam Organic Farms

Priscillas Farm

Malik Farms LLC

JoAnns Desserts Inc.

Quality Parks

Condzella Farm

The Ferm Kombucha

Twin Stills Moonshine

Mecox Bay Dairy

Pickle Packin’ Papa

Terra Nut

The Spice Cabinet

Modern Primal Soap

Naela’s Organics

Beewitched Bee

Knot of this World

The Perfect Pickle

Sweet Melissa Dip

Foundation for Wellness Professionals

For more information, call 631-473-4724 or visit www.portjeff.com.

All photos by Kyle Barr

 

By Daniel Dunaief

It’s not exactly a Rembrandt hidden in the basement until someone discovers it in a garage sale, but it’s pretty close.

More than two decades ago, a Malagasy graduate student named Augustin Rabarison spotted crocodile bones in northwestern Madagascar, so he and a colleague encased them in a plaster jacket for further study.

David Krause, who was then a Professor at Stony Brook University and is now the Senior Curator of Vertebrate Paleontology at the Denver Museum of Nature & Science, didn’t think the crocodile was particularly significant, so he didn’t open the jacket until three years later, in 2002.

When he unwrapped it, however, he immediately recognized a mammalian elbow joint further down in the encased block of rock. That elbow bone, as it turned out, was connected to a new species that is a singular evolutionary masterpiece that has taken close to 18 years to explore. 

Recently, Krause, James Rossie (an Associate Professor in the Department of Anthropology at Stony Brook University) and 11 other scientists published the results of their extensive analysis in the journal Nature.

The creature, which they have named Adalatherium hui, has numerous distinctive features, including an inexplicable and unique hole on the top of its snout, and an unusually large body for a mammal of its era. The fossil is the most complete for any Mesozoic mammal discovered in the southern hemisphere.

“The fossil record from the northern continents, called Laurasia, is about an order of magnitude better than that from Gondwana,” which is an ancient supercontinent in the south that included Africa, South America, Australia and Antarctica, Krause explained in an email. “We know precious little about the evolution of early mammals in the southern hemisphere.”

This finding provides a missing piece to the puzzle of mammalian evolution in southern continents during the Mesozoic Era, Krause wrote.

The Adalatherium, whose name means “crazy beast” from a combination of words in Malagasy and Greek, helps to broaden the understanding of early mammals called gondwanatherians, which had been known from isolated teeth and lower jaws and from the cranium of a new genus and species, Vintana sertichi, that Krause also described in 2014.

The closest living relatives of gondwanatherians were a group that is well known from the northern hemisphere, called multituberculates, Krause explained.

The body of Adalatherium resembled a badger, although its trunk was likely longer, suggested Krause, who is a Distinguished Service Professor Emeritus at Stony Brook. 

Krause called its teeth “bizarre,” as the molars are constructed differently from any other known mammal, living or extinct. The front teeth were likely used for gnawing, while the back teeth likely sliced up vegetation, which made probably made this unique species a herbivore.

The fossil, which probably died before it became an adult, had powerful hind limbs and a short, stubby tail, which meant it was probably a digger and might have made burrows.

Rossie, who is an expert in studying the inside of the face of fossils with the help of CT scans, explored this unusually large hole in the snout. “We didn’t know what to make of it,” he said. “We can’t find any living mammal that has one.”

Indeed, the interpretation of fossils involves the search for structural and functional analogs that might suggest more about how it functions in a living system. The challenge with this hole, however, is that no living mammal has it.

Gathering together with other cranial fossil experts, Rossie said they agreed that the presence of the hole doesn’t necessarily indicate that there was an opening between the inside of the nose and the outside world. It was likely plugged up by cartilage or other soft tissue or skin.

“If we had to guess conservatively, it would probably be an enlarged hole that allowed the passage of a cluster of nerves and blood vessels,” Rossie said. 

That begs the question: why would the animal need that?

Rossie suggests that there might have been a soft tissue structure on the outside of the nose but, at this point, it’s impossible to say the nature of that structure.

The Associate Professor, who has been a part of the research team exploring this particular fossil since 2012, described the excitement as being akin to opening up a Christmas present.

“You’re excited to see what’s in there,” he said. “Sometimes, you open up the box and see what you were hoping for. Other times, you open the box and say, ‘Oh, I don’t know what to say about this [or] I don’t know what I’m looking at.’”

For Rossie, one of the biggest surprises from exploring this fossil was seeing the position of the maxillary sinus, which is in a space that is similar across all mammals except this one. When he first saw the maxillary sinus, he believed he was looking at a certain part of the nasal cavity, where it usually resides. When he studied it more carefully, he realized it was in a different place.

“All cars have some things in common,” said Rossie, who is interested in old cars and likes to fix them. The common structural elements of cars include front and back seats, a steering wheel, and dashboard. With the maxillary sinus “what we found is that the steering wheel was in the back seat instead of the front.” 

A native of upstate Canton, which is on the border with Canada, Rossie enjoyed camping growing up, which was one of the initial appeals of paleontology. Another was that he saw an overlap between the structures nature had included in anatomy with the ones people put together in cars.

A resident of Centerport, Rossie lives with his wife Helen Cullyer, who is the Executive Director of the Society for Classical Studies, and their seven-year-old son.

As for the Adalatherium, it would have had to avoid a wide range of predators, Krause explained, which would have included two meat-eating theropod dinosaurs, two or three large crocodiles and a 20-foot-long constrictor snake.

Members of Village Chabad in East Setauket and Lubavitch of the East End organized a car parade to thank the health care workers at Stony Brook University Hospital May 12. Dozens of cars were led past Stony Brook Children’s Hospital and the main building by a Setauket Fire Department truck and SBU police. The group was even joined by a music truck for entertainment.

Car parades to celebrate birthdays and other momentous occasions have become popular during the pandemic as people look for alternate ways to commemorate their loved ones’ milestones.

On May 9, a short distance from the TBR News Media office, a car parade was held for Siena Figliola who turned five the day before.

In addition to her father, Anthony, mother, Christine, and siblings 7-year-old Anthony and 14-month-old Celine on hand, friends, family members and her fellow Setauket Elementary School pre-K classmates headed down her street.

Her mother said the family had an amazing time.

It was so wonderful seeing the children with big smiles on their faces,” she said. “For a brief moment parents and their kids were able to forget about what was going on in the world and just be happy. The pre-K class was adorable — the children hanging out of their car with signs, birthday cards and presents. One dad retrofitted his car with microphones and flashing lights.”

Christine Figliola said the hope was to not only celebrate her daughter’s birthday but also give other children a “small break from the lack of normalcy they’ve all been experiencing.” During the birthday parade, participants received curbside favors, treats and goodie bags, handed out from a safe distance.

The mother said her daughter has been taking the recent changes to everyday life in stride and enjoyed her big day.

I know she will look back on this time, and it will be a birthday for her in the history books,” Figliola said.

By Irene Ruddock

Ron Becker

Ron Becker’s talent as a muralist was expressed at any early age where he designed and painted murals at his elementary, junior, and high school. Later, after he received a degree in art from Niagara County Community College (NCCC), he went on to be an art display director. His life took a dramatic turn when he successfully pursued a professional career in entertainment: modeling, acting, singing and dancing in summer stock, television and nightclubs.

Ron eventually began a 27-year career as Director of Therapeutic Recreation in hospitals and nursing homes, where he combined all of his skills in the arts. Today, he is immersed in the fine art world exhibiting leadership skills that have led him to become a former president of the Deer Park Arts Council, while currently serving on the Community Advisory Board of Suffolk County for the Arts, as well as board member on the Babylon Citizens Council of the Arts. Being a lover of the outdoors all his life, he started painting landscapes and nature scenes in oil and acrylic and, today, devotes much of his time to exhibiting in art shows and galleries on Long Island.

How did your art career evolve when you were young? 

Raised in western New York, my talent was supported and nurtured by my parents and teachers. I was asked by my fourth and eighth grade teachers to make murals using pastels, and stayed after school to work on them. I attended a summer art camp in Niagara Falls in ninth grade and as a senior in high school I attended a summer camp for artists near Watertown, New York. These opportunities helped expand my confidence and artistic talent. Finally, I attended NCCC and received my Associate’s degree with a major in art, helping to solidify techniques in drawing and painting. 

Your career as a muralist has spanned your entire life. What project was most rewarding? 

Overseeing murals in Deer Park allowed me to work with the Long Island Railroad, Deer Park Community Association and eight other artists, to complete twelve large mural boards under the Long Island Railroad  train trestle. It was very rewarding to help give artists a voice and give something lasting to the community. Painting murals in primary and elementary schools through the Eastern BOCES services gave me the opportunity to work with young artists and show them how a mural is done, start to finish. Their joy and ongoing interest was infectious. Painting murals in hospitals was a gift as well, seeing the therapeutic outcomes for the patients.

Are you working on anything right now?

I was recently involved with Splashes of Hope, an organization dedicated to creating art to transform spaces by painting murals in health care facilities, comforting patients during their healing process. I was asked to paint a ceiling tile of the Coindre Hall Boathouse, next to the home and art studio for Splashes of Hope, located on the grounds of West Neck Farm in Huntington. The finished tile will be installed in the ceiling above a bed on one of the units in Huntington Hospital. I encourage artists who want to paint, with a humanitarian purpose, to contact Splashes of Hope at www.splashesofhope.org.

I have learned that you work extensively for charities that supports the arts. Can you tell me about that?  

I became president of the Deer Park Arts Council, a non-profit charity that advocates for and supports the visual and performing arts in the Deer Park School District. I worked with the board to spearhead a variety of fundraising events to offer summer workshops and programs for students to expand their training in the arts, as well as offering financial scholarships to outgoing seniors.

Ron Becker with ‘Joyous Abandon’

What is your most recent charitable  contribution?  

Since I spent twenty-seven years as Director of Therapeutic Recreation at nursing homes and hospital, I fully understand the therapeutic value art has for the disabled or sick. Therefore, when I was asked to donate a painting for Mather Hospital’s newly renovated oncology wing, I chose a painting of wild horses galloping on the shore titled Joyous Abandon.  

Tell me about your years as Director of Therapeutic Recreation at nursing homes and hospitals. 

While Director of Recreation at two city hospitals, outside of my managerial duties, I taught the residents drawing and painting. I was amazed at their progress, joy, and commitment, which inspired me to curate exhibits and work with galleries to exhibit the resident’s work. The facilities also had auditoriums with stages, so I would create backdrops and environments for concerts and special events.

How did you become interested in the impact of art as a tool of social change? 

While on a retreat at Chapel House, I got a vision of doing an exhibit on social justice issues after listening to the song “God Weeps.” The first topic I selected was unjust incarceration. After completing my first three pieces, I was introduced to Bartholomew Crawford, a writer who is presently incarcerated at Sing Sing Correctional Facility, and reached out to collaborate.

How did the two of you proceed? 

After sharing the exhibit’s intent, Mr. Crawford agreed to send me four written pieces about his prison experience. I integrated them into a collection of visual and narrative pieces to help tell the experience of life behind bars. Four years of working on this has resulted in an exhibit entitled “My Block.” The exhibition will be housed in the jail of Babylon Old Town Hall, which was in service from 1918 to 1958, and is on the National Historical Register. The show will be rescheduled later this year when guidelines are relaxed and allow for public exhibits.

Can you explain what iconography is and what drew you to work in this genre?  

Iconography is the practice of creating icons in the ancient method used by monks centuries ago. Its main mediums are egg tempera and gold leaf on a board covered with linen and a plaster/gesso mix. I wanted to integrate my faith and spirituality into my art on some level and met Janine Manheim, an iconographer, at a local art gallery. She had an icon on display that intrigued me, so since that initial meeting, I have been attending her classes.

Could you explain a bit more about the process of egg tempera as a painting medium? 

Egg tempera is a recipe of egg yolk and water mixed with mineral pigment color. It creates a translucent look that I strive to create as shown in my icon, Mother of Tenderness. 

Why did you decide to devote your time to fine art creating landscapes in oil and acrylic? 

I love to interpret the beauty all around us, hoping to motivate others to slow down and see and feel what I experience in nature. Painting is relaxing and allows me to express my inner self, visually. A year before retiring, I turned half my garage into a studio, experimenting with different techniques in both oil and acrylic to help find my voice. Taking photographs while on trips or here on Long Island, I began to interpret what visually excited me. Once I felt confident in sharing some of my work with the public, I began to show my work in outdoor art fairs and in member shows on Long Island. 

What has been your best experience so far?  

I had a one- man show, “An Artist’s Nature,” at the Bayard Cutting Arboretum in 2019, allowing me to exhibit 43 pieces I had created over the last several years. It was an amazing experience to see all of my work in one space, that could really present my artistic style. I also exhibited at the Roosevelt Island Visual Arts Association, an ethnically diverse group of artists dedicated to enhancing cultural developments through the arts. Due to the success of these shows, I have ventured into exhibiting at several galleries on the Island.  I now sell my work through my website www.rbeckerart.com. 

Jessica Liao, a junior at Ward Melville High School in East Setauket, garnered the top spot in the 2020 Model Bridge Building Contest, held virtually and broadcast online for the first time this year by the U.S. Department of Energy’s Brookhaven National Laboratory. 

Students from 17 Nassau and Suffolk County high schools designed and constructed a total of 190 model bridges intended to be simplified versions of real-world bridges. In this contest, efficiency is calculated from the bridge’s weight and the weight the bridge can hold before breaking or bending more than one inch. The higher the efficiency, the better the design and construction.

Student competitors typically bring their bridges to the Lab to be tested. But for this year’s competition, to help maintain social distance during the developing coronavirus pandemic, engineers at Brookhaven ran the tests and broadcast them to the students virtually.

Liao beat out the competition by building a bridge that weighed 17.25 grams and supported 59.44 pounds. Her bridge had an efficiency of 1562.98, the number of times its own weight the bridge held before breaking or bending more than one inch.

Aidan Wallace, a junior from Walt Whitman High School placed second with a bridge that weighed 17.54 grams, held 51.01 pounds, and had an efficiency of 1319.14.

Third place went to junior Michael Coppi from Ward Melville High School. Coppi’s bridge weighed 9.02 grams, held 25.01 pounds, and had an efficiency of 1271.77.

Sophia Borovikova, a senior from Northport High School won the aesthetic award for the best-looking bridge. Her bridge took 10th place in the contest, weighing 16.17 grams and holding 33.29 pounds for an efficiency of 933.83.

The construction and testing of model bridges promotes the study and application of principles of physics and engineering and helps students develop “hands-on” skills, explained Ken White, manager of Brookhaven Lab’s Office of Educational Programs. Students get a flavor of what it is like to be engineers, designing structures to a set of specifications and then seeing the bridges they build perform their function.

“These same skills are put to the test for the Lab’s engineers on projects like the National Synchrotron Light Source II and the Relativistic Heavy Ion Collider, both world-class research tools that operate as DOE Office of Science user facilities for scientists from all across the world, and the upcoming Electron-Ion Collider,” said White. “Preparing the next generation of engineers to work on projects like these is important to the Lab and the Department of Energy.”

Brookhaven Lab’s Office of Educational Programs coordinated the Regional Model Bridge Building Contest. Now, the two top winners — Liao and Wallace — are eligible to enter the 2020 International Bridge Building Contest in May. For this year’s contest, contestants will mail their bridges to the Illinois Institute of Technology in Chicago, where university faculty and engineers will run the breakage tests and post the results online.

Prior to COVID-19-related school closures on Long Island, Gillian Winters, a science teacher from Smithtown High School East, conducted a bridge competition in her classroom to help students prepare for the contest at Brookhaven. She also built a bridge of her own to compete among students.

“My favorite part is to see the creativity the kids can come up with because they’re all very different,” Winters said. “Some of them have a pretty straightforward way of doing things, and some of them want to put a new twist on things. I love to see how they develop, and by the end, they really have learned a little bit about how to follow the instructions and what a specification really means.”

Borovikova said she plans to pursue civil and environmental engineering or mechanical engineering after graduation. “I really enjoyed the creative process — trying to figure out all of the different parts that are going to come together to form the bridge,” she said. “Designing the bridge was actually a pretty quick process for me because I like to try to imagine concepts right off the top of my head. Then actually letting the bridge come to fruition was really interesting for me, because I saw my design come to life.”

Wallace said he spent many hours creating his bridge and making sure it would qualify. “From this contest, I have learned more about hands-on building and the engineering of bridges,” he said. “I was happy with my results, but of course would have liked to place first!”

The award ceremony for the competition is currently pending, but the Lab hopes to hold it before the end of the academic year, according to Susan Frank, the competition coordinator and educator at the Lab’s Science Learning Center. For more information, please visit www.science.energy.gov.