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Tony Award

Cast and crew of 'Maybe Happy Ending' at the Tony Awards after party, from left, Peter Hylenski, Hue Park, Ben Stanton, Dane Laffrey, Helen J. Shen, Darren Criss, Michael Arden, Pamela Hurst-Della Pietra and Hunter Arnold. Photo by Connor Macchi (KateMadeMedia)

By Daniel Dunaief

The back story for Maybe Happy Ending, the Tony Award winner for best musical, could in and of itself become its own drama.

The show chronicles an unusual love story between two “Helperbots,” which are humanoid robots that had been personal assistants. The musical wasn’t exactly a smash hit out of the gates, despite a compelling script and, as it turns out, well received performances from its leads Darren Criss of Glee fame and Helen J. Shen.

“It was a situation of, can we get people to come to the musical, because it is an exciting new original musical” that is set in the future, said co-lead Producer and long-time Setauket resident Dr. Pamela Hurst-Della Pietra. “While it doesn’t dwell on technology or futurism, it tells a story of two human-like robots that are living in the not too distant future.”

It was a challenge to introduce Broadway audiences to this story and these characters, when it was competing against legacy shows and revivals.

Amid early concerns about whether Maybe Happy Ending was financially viable, Hurst-Della Pietra said the team “used to call ourselves the little engine that could.”

Indeed, amid positive reviews and with enough support, the show survived its early unsteady beginnings.

“You’ve heard of the expression, ‘It takes a village?’” Hurst-Della Pietra asked rhetorically. “I’m really delighted that people believed in the show. I personally adore the show and really had my heart and soul in it. I can’t be more pleased with the outcome.”

Hurst Della-Pietra, who played Anita in West Side Story at French Woods in the summer when she was growing up, became involved with theater professionally when her daughter Ava started performing. She has been a producer on nine other shows.

Amid the tailwinds of numerous awards, including five other Tonys including one for Best Actor for Darren Criss and for set design, the show is planning to travel around the country and through Europe.

The music in the show deals with themes of loneliness and the search for connection.

The song “How to Not Be Alone,” which Hurst-Della Pietra describes as “very warm” and “poignant,” frames love as a choice, even as it doesn’t guarantee anything.

“I feel like there’s a lot of young people in their 20’s and 30’s that are kind of wanting,” said Hurst-Della Pietra. “They’re not as connected as prior generations.”

The two HelperBots are different from each other, but they are “giving it a go and they’re willing to try for love and they’re not perfect,” she said.

The song is “really about choosing not to be alone as long as you can help it,” said Hurst-Della Pietra.

Darren Criss plays Oliver, is obsessed with his jazz albums and taking care of his plant, while Shen plays Claire, who is affected by the rancor of her previous owner’s unhappy relationship.

Oliver plans to travel to Jeju Island to reconnect with his former owner James. Claire decides to join him to see fireflies, although the two HelperBots aren’t allowed to travel on their own.

To appear human, they develop their own story, which becomes a song called “The Rainy Day We Met.”

Hurst-Della Pietra describes that song as “cute and comical and super well done.”

Every time she’s seen the show, which, at this point is over 20 times, “I shed a tear.”

The title refers to the ambiguity about the ending of the show as well as the ambiguity that occurs throughout the show, the co-lead producer said.

She appreciates that the show addresses how we all deal with the fact that we are going to lose the people we love.

The show explores “the reality we all face,” she said. “I really like that human story.”

Hurst-Della Pietra is thrilled with the team that made this show possible, including Criss and Shen as well as director Michael Arden, scenic designer Dane Laffrey, video and production designer George Reeve, as well as the contributions of the two main lead producers Hunter Arnold and Jeffrey Richards.

“I couldn’t have had better people with whom to do it,” said Hurst-Della Pietra. “It was a joyful experience.”

Tessa Grady (As Millie Dillmount) in a scene from ‘Thoroughly Modern Millie.’ Photo by Michael DeCristofaro

By Heidi Sutton

“Thoroughly Modern Millie” opened at the John W. Engeman Theater in Northport last Saturday, a fitting finale to its 2015-16 season. With music by Jeanine Tesori, lyrics by Dick Scanlan and book by Richard Morris and Scanlan, the play is based on the 1967 film starring Julie Andrews and won six Tony awards, including Best Musical in 2002. It has been making the rounds in community theater and high school productions ever since.

Sarah Stevens (as Miss Dorothy Brown) and Tessa Grady (as Millie Dillmount) sing “How the Other Half Lives” in a scene from ‘Thoroughly Modern Millie.’ Photo from Michael DeCristofaro
Sarah Stevens (as Miss Dorothy Brown) and Tessa Grady (as Millie Dillmount) sing “How the Other Half Lives” in a scene from ‘Thoroughly Modern Millie.’ Photo from Michael DeCristofaro

Drew Humphrey directs the talented cast with polish and precision. From the jazzy opening number, “Not for the Life of Me,” the show takes off running and never loses momentum.

The year is 1922 and “modern gal” Millie Dillmount, played by Tessa Grady, has just arrived in the Big Apple from Salina, Kansas, with the sole intent of marrying for money instead of love. Within minutes, she is robbed of her hat, her purse and a shoe. She quips, “10 minutes in this town and I have my New York horror story.” Grady is perfectly cast as a determined woman who takes charge of her own destiny and jumps right in to the flapper lifestyle with a new wardrobe and hairstyle. However, things start to go haywire when her “Chinese” landlady, Mrs. Meers, turns out to be an impostor involved in a white slavery ring in China, and the rich man Millie wants to marry doesn’t seem to notice her.

Daniel Plimpton (as Jimmy Smith) and Tessa Grady (as Millie Dillmount) sing “I Turned a Corner” in a scene from ‘Thoroughly Modern Millie.’ Photo by Michael DeCristofaro
Daniel Plimpton (as Jimmy Smith) and Tessa Grady (as Millie Dillmount) sing “I Turned a Corner” in a scene from ‘Thoroughly Modern Millie.’ Photo by Michael DeCristofaro

With fancy footwork and pitch-perfect voices, the entire cast shines, with special mention to Daniel Plimpton (playing Jimmy Smith), Sarah Stevens (as Miss Dorothy Brown), Nicole Powell (as Muzzy Van Hossmere) and Tim Rogan (playing Mr. Trevor Graydon), who all gave stellar performances. However, it is Michele Ragusa, in the delicious role of Mrs. Meers, and her two henchmen, Ching Ho, played by Anthony Chan, and Bun Foo, played by Carl Hsu, who steal the show. Meers’ famous line, “Sad to be all alone in the world,” said every time she comes upon an orphan and next victim, draws the most laughs.

The show is a feast for the eyes, with glittering flapper dresses and three-piece suits designed by Kurt Alger perfectly capturing the era. The set is equally impressive. Cleverly designed by Jonathan Collins, panels on the stage resemble a sparkling New York City skyline, and when spun around reveal small additions to a scene such as a desk or a bench.

Nicole Powell (as Muzzy Van Hossmere) and Tessa Grady (as Millie Dillmount) in a scene from ‘Thoroughly Modern Millie.' Photo by Michael DeCristofaro
Nicole Powell (as Muzzy Van Hossmere) and Tessa Grady (as Millie Dillmount) in a scene from ‘Thoroughly Modern Millie.’ Photo by Michael DeCristofaro

Choreographers Dena DiGiacinto and Humphrey do an incredible job incorporating the jazz age’s dance styles, including the Charleston, the shimmy and the can-can. “The Speed Test” in which Millie shows her typewriting speed, accompanied by a highly energetic tap ensemble, is breathtaking. As a special treat, conductor/keyboardist James Olmstead and his eight-piece powerhouse band belt out jazz and blues tunes flawlessly throughout the night, completing a wonderful evening of live theater.

The John W. Engeman Theater, 250 Main St., Northport will present “Thoroughly Modern Millie” through July 10. Running time is approximately two hours, including one 15-minute intermission. Tickets range from $69 to $74 with free valet parking.

The season continues with “Mamma Mia!” from July 21 to Sept. 11, “1776” from Sept. 22 to Nov. 6 and “Mary Poppins” from Nov. 17 to Jan. 1, 2017. To order tickets, call 631-261-2900 or visit www.engemantheater.com.

Anthony Chan (as Ching Ho), Michele Ragusa (as Mrs. Meers) and Carl Hsu (as Bun Foo) sing “Muqin” in a scene from ‘Thoroughly Modern Millie.’ Photo by Michael DeCristofaro
Anthony Chan (as Ching Ho), Michele Ragusa (as Mrs. Meers) and Carl Hsu (as Bun Foo) sing “Muqin” in a scene from ‘Thoroughly Modern Millie.’ Photo by Michael DeCristofaro