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Smithtown Performing Arts Center

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The cast, from left, Ari Spiegel, Derek Hough, Cassidy Gill and Alexa Oliveto. Photo by Heidi Sutton/TBR News Media

By Heidi Sutton

The children’s picture book Knuffle Bunny: A Cautionary Tale by Mo Willems was an instant success when it was released in 2004 and won the Caldecott Honor in 2005. The story, based on the author’s 3-year-old daughter Trixie and her favorite stuffed animal, was followed by two sequels, Knuffle Bunny Too: A Case of Mistaken Identity and Knuffle Bunny Free: An Unexpected Diversion as well as an animated short film.

The cast, from left, Ari Spiegel, Derek Hough, Cassidy Gill and Alexa Oliveto.
Photo by Heidi Sutton/TBR News Media

Now the Smithtown Performing Arts Center pays homage to the award-winning book with a children’s theater production of Knuffle Bunny: A Cautionary Musical. With script and lyrics by Mo Willems and music by Michael Silversher, it  begins as Dad suggests that Mom take a trip to the spa while he takes their rambunctious pre-verbal daughter Trixie to the neighborhood laundromat. While Mom is hesitant, Dad insists he is up to the job. “It’s just one load of laundry. What could go wrong?”

Mom reminds Dad to make sure Trixie takes along her favorite stuffed animal, Knuffle Bunny, and the adventure begins.

Dad and Trixie walk through their neighborhood, through the park and into the laundromat. Dad decides to go home to fix Trixie a snack but as they head back to the house things take a dramatic turn when Trixie realizes she has lost Knuffle Bunny. Can she make Dad understand what’s wrong? Will he be able to save the day?

Expertly directed by Evan Donnellan with musical direction by Robbie Torries, the four-member cast does a flawless job conveying the funny, silly, engaging and fast-paced story. 

Derek Hough, last seen on SPAC’s stage as Sebastian in The Little Mermaid, is incredible in the role of a clueless but well-meaning Dad and Alexa Oliveto shines in her role as the all-knowing Mom. Their duet “[Life Is] Tricky With Trixie” kicks off the show and sets the tone for a fun afternoon. 

Cassidy Gill is wonderful in the role of a frustrated Trixie and plays her character with infinite energy. While Trixie desperately attempts to communicate with her solo “Aggle Flaggle Klabble” and acts out by going “boneless,” she surprises everyone at the end with her first real word. Can you guess what it is? 

A versatile Ari Spiegel rounds out the cast and plays numerous supporting roles including a pigeon and a giant Knuffle Bunny.

A nice touch is the constantly changing screen in the background, from the exterior and interior of the family’s home to the laundromat and even a video of a fire truck driving by.

In the end, the show reminds us of the amazing lengths parents will go through for their children and that is worth the trip.

The Smithtown Performing Arts Center, 2 E. Main St., Smithtown presents Knuffle Bunny: A Cautionary Musical on Aug. 19 at 6 p.m., Aug. 20 at 2 p.m., Sept. 1 and 2 at 6 p.m. and Sept. 3 at 2 p.m. Running time is one hour with no intermission and snacks and drinks will be sold before the show. All seats are $18. To order, visit www.smithtownpac.org.

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From left, Laura Meade, Steve Corbellini, Christina Muens and James M. Lotito Jr. in a scene from the show. Photo by Jackie St. Louis/SPAC
A scene from 'I Love You, You're Perfect, Now Change' at SPAC. Photo by Jackie St. Louis
A scene from 'I Love You, You're Perfect, Now Change' at SPAC. Photo by Jackie St. Louis
A scene from 'I Love You, You're Perfect, Now Change' at SPAC. Photo by Jackie St. Louis
A scene from 'I Love You, You're Perfect, Now Change' at SPAC. Photo by Jackie St. Louis
Steve Corbellini and Christina Muens in a scene from 'I Love You, You're Perfect, Now Change.' Photo by Jackie St. Louis
From left, James M. Lotito Jr., Christina Muens, Laura Meade and Steve Corbellini on opening night. Photo from SPAC

By Barbara Anne Kirshner

It’s hilarious, fast-paced and so much fun with toe-tapping music — those are the ingredients that make I Love You, You’re Perfect, Now Change the right choice to breathe life into the latest era of the Smithtown Performing Arts Center.

The historic 365-seat theatre with its grand marque still stands proudly on Main Street in Smithtown even after going through several incarnations since first opening its doors in 1933 as a movie house. It was acquired by United Artists in 1968 and ran movies until 2001 when it was purchased privately and segued into presenting live theatre in 2002. 

The Smithtown Performing Arts Council, a non-profit organization, was formed in 2008 to oversee operations of the theatre. Then when the theatre was put up for sale once again in 2021, the Council, with the support from the Town of Smithtown, grants, and community donors, purchased it in April 2022. On August 4 the curtains went up, ushering in a new era of live main stage productions with this gleeful musical comedy.

I Love You, You’re Perfect, Now Change is a series of vignettes joined by an overriding arc that dissects the stages of love and relationships. The musical comedy, with book and lyrics by Joe DiPietro and music by Jimmy Roberts, is the second-longest running Off-Broadway musical having premiered at the Westside Theatre August 1, 1996, until it closed July 27, 2008.

The show calls upon its four-person cast to be outstanding actors and singers with high energy sustained throughout the two hours of lively entertainment. An additional challenge is to be one character in one scene, then do a quick transformation including costume to hair and reappear as an entirely different character with a distinctly different way of walking, talking and feeling. 

The cast, simply referred to in the program as Woman 1 (Laura Meade), Man 1 (James M. Lotito Jr.), Woman 2 (Christina Muens) and Man 2 (Steve Corbellini) have taken on this impressive task to perfection with the audience leaving the theatre exclaiming “That was fabulous!” “Weren’t they amazing?!” YES, all four actors were AMAZING! Each carried his or her parts with gusto and without a weak link in the cast — no small accomplishment since all four actors span the ages from young daters to young marrieds to parents to middle aged into the elderly years and must be believable every step of the way.

Act I opens with “Cantata for a First Date” chanted by four images swathed in white sheets representing monks and giving the impression that we are about to embark on a magical journey. The Cantata is reprised three times throughout the show. Act I is so much fun as it exploits all the quirks in dating and early relationships. The first scene is hilarious when Muens and Corbellini confess “We’ve got baggage” and we are off to the dating disaster stage. 

In “A Stud and a Babe,” Lotito sits opposite Meade in a restaurant as both feel obviously awkward and Lotito mutters to himself, “I’d be better at flirting if I had looks that kill.” Another scene has the two women lamenting “There’s a serious single man drought!” The men follow that up with “I’m a guy! I never stop to ask directions.” 

Act II starts off on high test with Meade fluttering around in a hideous bridesmaid dress as she drones, “All those husbands are gone but those dresses live on.” Act II is poignant as it focuses on marriage, parenthood, divorce then old age. The message that the Epilogue sends is “Go forth with joy. Find someone to love, then spend the rest of your life trying to change them.” Hence, I love you, you’re perfect, now change!

To assist in the smooth transitions is a set that morphs easily from scene to scene constructed by Keith Blum, Jacques St. Louis and Michael Mucciolo. The giant screen upstage center is a nice touch that highlights each scene projecting images including a swirling constellation, a tennis court, a stained-glass cathedral, a cascade of twinkling stars and so on. A few well-placed chairs, round tables and sofa move into place according to their function in each scene.

With so many scene changes, Chris Creevy’s lighting design seems to take the audience by the hand leading them from one vignette into the next with a fluidity that never interrupts the flow of action.

Carmela Newman’s costumes define characters and at times add humor like with the loud print Hawaiian shirt in “Why? Cause I’m a Guy?” and the cringe-worthy pink flouncy gown replete with puffs of red, white and coral flowers in “Always a Bridesmaid.”

Musical Director Bobby Peterson appears upstage center at the piano throughout the entire show with extraordinary accompaniment that makes this production seamless. Sound design by Jacques St. Louis enhances the gorgeous sopranos of Meade and Muens while it adds crispness to the vocal calisthenics of Corbellini and Lotito. Sound operator Harrison Giordano smoothly navigates through all the sound cues in this show.

I Love You, You’re Perfect, Now Change is such fun especially on a warm summer night, so come see it at the Smithtown Performing Arts Center. You’ll be glad you did.

The Smithtown Performing Arts Center, 2 East Main St., Smithtown presents I Love You, You’re Perfect, Now Change on Aug. 11, 12 and 13 at 8 p.m. and Aug. 14 at 3 p.m. Tickets are $45, $40 seniors. To order, visit www.smithtownpac.org.

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SPAC will hold a benefit to raise funds to save the theater. Photo by Kimberly Brown

The Smithtown Performing Arts Center is in need of being saved.

Local elected officials and community leaders gathered at the theater Sept. 8 asking for local residents to help pitch in money to save the building. The owner of the building, Ken Washington, put it up for sale last month.

State Sen. Mario Mattera, left, joined other local elected officials and community members to talk about the importance of the Smithtown Performing Arts Center in the town. Photo by Kimberly Brown

Not only is the SPAC a place for entertainment, as well as education, but it also serves as a sentimental piece of history to the community. The theater itself was built in 1933 and aged well into its years making it 90 years old. It has become a well-known staple and has brought in families from all over the Island.

“This is like the hub of our downtown revitalization,” said state Sen. Mario Mattera (R-St. James). “This is history. This is history we need to make sure is secured and that will still be here for our families — our young, our middle-aged and our seniors.”

Mattera also pointed out that the educational acting programs for 17 and 18 year olds are extremely vital in this day and age. He said coming to the Smithtown Performing Arts Center is one of the few ways to get young people off their phones and learn about art and history. 

“The only way the surrounding businesses will survive is if this theater remains a hub,” said Smithtown Supervisor Ed Wehrheim (R). “If it does not, and it’s sold for other purposes, you will see millions of dollars in expendable income leave Smithtown and go to other places such as Patchogue, Babylon or Northport.”

Currently, a GoFundMe is set up for community members to donate to. The goal is to reach $400,000, with $6,300 raised as of Sept. 8. The board members of the Smithtown Performing Arts Center are very confident they can reach their goal as long as donations are placed and fundraisers are successful.

The Smithtown Performing Arts Council made an offer of $1.3 Million to purchase the historic theater at the time the property was listed, but are currently awaiting a decision on the matter.

With the support of the Smithtown Performing Arts Council, a nonprofit organization, a benefit performance with some of Long Island’s most talented artists will be held on Sept. 18 at 6:30 p.m. All are welcome to come and donate to the cause.

To donate to save Smithtown Performing Arts Center, visit www.gofund.me/93a0c9fe.

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The nearly 90-year-old Smithtown theater is up for sale. Photo by Rita J. Egan

Last week the owner of the Smithtown Performing Arts Center building put it up for sale, leaving the future of local entertainment in the town in jeopardy.

“We need to keep this historic building in the town, and not only do we want to buy the building, we want to bring the building back to how it was before.”

— JoAnne Romanelli

Soon after the building at 2 E. Main St. was listed, a GoFundMe page was initiated by the SPAC board of directors to avoid the possibility of it being purchased by private investors. JoAnne Romanelli, secretary of the not-for-profit SPAC, said the board of directors is hoping to raise $400,000 to put a down payment on the building that is listed at $1.6 million.

“We need to keep this historic building in the town, and not only do we want to buy the building, we want to bring the building back to how it was before,” Romanelli said, adding that SPAC is under new management as well as having a new board of directors.

After only being up a few days, the GoFundMe has already garnered $4,500.

“People have been so loving and giving, and we’re so grateful for that,” she said.

The building which houses the center was once a movie theater. It first opened its doors in 1933, and it operated as such until November of 2001. Live performances began in the theater in 2002. The building, which has not been significantly altered aesthetically in nearly 90 years, is owned by Ken Washington, the former managing and artistic director of SPAC.

Washington said in a phone interview that for the last 15 years he has advocated for the building “to be publicly owned — either owned by the not-for-profit or by the town or by the historical society — so that the building could live in perpetuity to be what it is and what we created back in 2002, when my wife and I renovated it and restored it and created the performing arts center.”

“I’m retiring. I’m 66 now, and I am putting the building up for sale to whoever wants to take it forward.”

— Ken Washington

He said unfortunately it’s something the previous and current board as well as other potential owners have been unable to find the means to do.

“I’m moving on,” he said. “I’m retiring. I’m 66 now, and I am putting the building up for sale to whoever wants to take it forward.”

Washington said he’s pleased with what he, his family and the center have accomplished since 2002.

“I’m proud of the legacy that I’ve left there,” he said, adding selling was a decision that he had to make in the best interest of himself and his family.

The property is being handled by New York Commercial Real Estate. According to the listing, the theater seats 360 people and the taxes are more than $21,000. The real estate company’s owner Jack Jawdat said in a phone interview that the building includes the theater and two storefronts, one which the center currently uses and the other a shoe repair shop. Jawdat said while he has received a few calls about the property, there have been no serious offers.

The center hasn’t had a yearly lease in three years and has been operating with a month-to-month lease, Romanelli said. According to the board member, the owner agreed to lower the rent for SPAC during the pandemic. She said then full rent would be expected once things returned to normal. However, Romanelli said Washington recently wanted back payment on rent.

Washington subsequently issued a statement to TBR News Media: “Smithtown Performing Arts Council is currently operating with an expired lease and is in arrears with regard to past due rent. Nonpayment of rent and termination of tenancy notification has been proffered to the tenant. The building at 2 East Main Street is for sale.”

“We support the organization’s efforts to ensure the building remains a theater, and have been in constant contact with the board to help in achieving this mutual goal.”

— Ed Wehrheim

Romanelli said that the SPAC board members hope their fundraising is successful and their top priority is to serve the community and actors.

“This is a new board,” she said. “This is new management. We’re going to take it to a whole new level.”

Smithtown Supervisor Ed Wehrheim (R) said the town supports the board’s efforts.

“Our main priority is preserving the Smithtown Performing Arts Center and the incredible arts programming the community has enjoyed through the generations,” he said. “We support the organization’s efforts to ensure the building remains a theater, and have been in constant contact with the board to help in achieving this mutual goal.”

Romanelli added that the board is made up of all volunteers who are committed to restoring the building.

“This is our passion project,” she said. “We are committed to the town and investing in Smithtown. We’re committed to our community, and we’re committed to being fiscally sound.”

Romanelli said the board is in the process of writing grants and planning fundraisers to continue SPAC’s role in providing educational programs for children and affordable theater for the community.

“We’re doing everything possible to save this building and to bring it back to its original historic beauty,” she said. “That is our mission.”

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From left, Franklyn P. Butler, Phyllis March, Brian Gill, Robbie Torres, Katie Ferretti, Edward Breese and Jess Ader-Ferretti star in ‘Cabaret.’ Photo by Samantha Cuomo

By Melissa Arnold

The Smithtown Performing Arts Center took its audience on an emotional roller coaster ride Saturday night during its gripping opening performance of “Cabaret.”

Ronald R. Green III serves as both director and costume designer for the show, which is set in early 1930s Germany, just prior to World War II. Written by Joe Masteroff, “Cabaret” is based on a play by John Van Druten and stories by Christopher Isherwood, with music by John Kander and lyrics by Frank Ebb. It is among the most enduring musicals on Broadway, with its first show in November 1966 leading to multiple revivals here and abroad.

“Cabaret” follows wandering novelist Cliff Bradshaw as he travels to Berlin in search of his next great idea. And boy, does he find it! He is quickly drawn into the raunchy, circus-like Kit Kat Klub and becomes entangled with its regulars, particularly the seductive performer Sally Bowles.

Sally Bowles is a woman who knows how to get what she wants, and she quickly wriggles her way into Cliff’s life,  first by moving in with him and then by slowly winning his heart. And they’re not the only ones falling in love. Cliff’s landlady, Fräulein Schneider, is charmed by the perfect gentleman, widower Herr Schultz.

Unfortunately, what begins as a shockingly funny love story grows dark as Adolf Hitler and the Nazis gain momentum in Germany. The characters eventually find themselves torn apart by politics, and the show’s ending is so gut-wrenching that you can almost feel the air leave the theater.

Sally and Cliff are played by Katie Ferretti and Brian Gill, who are both newcomers to the SCPA stage. Ferretti’s portrayal of Sally is full of moxie, and Gill’s effort is totally believable as Cliff falls helplessly in love.

The audience is directly addressed throughout the show by a flamboyant and hypnotizing emcee played by Robbie Torres. If “Cabaret” is a circus, then Torres is its wild ringleader. As crude as his character can be, he’ll capture your heart and hold on long after the show ends. Be warned, the emcee quickly transitions between several languages, and his thick accent may be hard to understand for some.

Worth particular mention in the talented supporting cast are Fräulein Schneider and Herr Schultz, who are portrayed with great tenderness by Phyllis March and Edward Breese. The duets featuring the couple, “Married” and “It Couldn’t Please Me More,” are the sweetest of them all.

Choreographer Danielle Coutieri ensured that the many dance numbers in “Cabaret” were full of all the shock value and sex appeal audiences would expect from a questionable nightclub. The kick-line at the beginning of the second act was particularly fun to watch.

The orchestra is located on the set’s upper level for this show, where they are regularly visible to the audience and even become a part of the story as the Kit Kat Klub’s house band. Led by music director Melissa Coyle, the music is more than just a sound track — they are a driving force for the club and show as a whole. They play powerfully, at times almost overwhelmingly so.

While this is not a show for children, adults are bound to be thoroughly entertained and delighted by “Cabaret.” Just be prepared to leave the theater in stunned silence. This classic will strike you in the heart.

Smithtown Performing Arts Center, 2 East Main St., Smithtown, will present “Cabaret” through May 22. Show includes strong language, intense sexuality and brief violence, alcohol and drug use. Running time is approximately 2.5 hours with one 15-minute intermission.

The season continues with “Hairspray the Broadway Musical” from July 9 to Aug. 28, “Rent” from Sept. 10 to Oct. 2 and “Urinetown the Musical” from Oct. 15 to Nov. 6. All tickets are $35 and may be purchased by calling 631-724-3700 or visiting www.smithtownpac.org.

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