Richard Mayhew, Clamdiggers, n.d., oil on board. Courtesy of the Petrucci Family Foundation Collection of African American Art. (c) 2022 Richard Mayhew; Courtesy ACA Galleries, New York
The Heckscher Museum of Art in Huntington will host a virtual panel on Environmental Justice on Long Island on Tuesday, April 5 at 5:30 pm.
The panel is presented in coordination with Richard Mayhew: Reinventing Landscape now on view at The Heckscher Museum of Art. Mayhew’s luminous landscapes address the historic and spiritual connections between Native Americans, African Americans, and the land.
The panel features Dr. Mark Chambers, Professor of Africana Studies at Stony Brook University, and Jeremy Dennis, a contemporary fine art photographer, tribal member of the Shinnecock Indian Nation, and founder of Ma’s House, and is moderated by Justyce Bennett, Curatorial Assistant at the Heckscher Museum of Art. They will discuss the environmental justice movement to address how environmental hazards impact communities of color disproportionately.
Jeremy Dennis is a fine art photographer and a tribal member of the Shinnecock Indian Nation. His photography explores Indigenous identity, cultural assimilation, and the ancestral traditional practices of the Shinnecock Indian Nation. His work is included in the collections of The Heckscher Museum of Art, The Hudson River Museum, the New York State Museum, and others.
Dr. Mark Chambers is a professor in the Africana Studies department at Stony Brook University. His interests include environmental and technological contacts between Indigenous peoples and free and enslaved miners in North America. His recent book, Gray Gold: Lead Mining and Its Impact on the Natural and Cultural Environment, 1720 to 1840, is a cultural history of lead mining in the region that became the state of Missouri.
Justyce Bennett is the Curatorial Assistant at The Heckscher Museum of Art. She completed her master’s degree at the Winterthur Program for American Material Culture at the University of Delaware. She is interested in Black feminist art history and wrote her master’s thesis on the landscape and historic preservation efforts on St. Croix, United States Virgin Islands.
The event is free to the public, with registration at Heckscher.org/mayhewpanel
'Jazz Solo II,' 1988, oil on linen canvas by Richard Mayhew. Courtesy of the Petrucci Family Foundation Collection of African-American Art. (c) 2021 Richard Mayhew; Courtesy ACA Galleries, New York)
Nationally renowned, Long Island-born artist celebrated close to home
From Jan. 20 to April 24, the Heckscher Museum of Art in Huntington will feature the work of artist Richard Mayhew (b. 1924) in a solo exhibition, the first ever organized so close to Amityville, where the renowned artist grew up.
Titled Richard Mayhew: Reinventing Landscape, the exhibit will highlight more than two dozen vibrant paintings and works on paper created by the artist over the past six decades and will explore how Mayhew reimagined nineteenth and twentieth-century American landscape painting through a uniquely personal style that expresses his perspectives about African American and Native American history and culture.
‘Pescadero,’ 2014, oil on canvas by Richard Mayhew; (Courtesy ACA Galleries, New York)
The show is drawn from private collections and institutions such as Hudson River Museum, National Academy of Design, and the Petrucci Family Foundation Collection of African-American Art.
Coinciding with the exhibition, The Heckscher Museum announces the acquisition of one of Mayhew’s vivid paintings, Pescadero, 2014. The Museum already holds a number of Mayhew’s lithographs.
“The purchase of Richard Mayhew’s Pescadero is an important springboard into the Museum’s second century,” said curator Karli Wurzelbacher. “We are honored to have the opportunity to share the stunning and thoughtful work of this major artist with our audiences, both now and in the decades to come. Mayhew’s work will allow us to tell a more complete and compelling story about the histories of abstraction and landscape painting in America.”
Richard Mayhew’s paintings express his African American and Native American heritage. “It’s a dual commitment to nature. The land is very important to both cultures, in terms of stimulation and spiritual sensitivity, and it’s very important to me,” he said. The Heckscher Museum, located less than 15 miles from the artist’s birthplace, will introduce people from Long Island and the greater New York metropolitan region to Mayhew’s art within the context of Long Island’s diverse cultural history.
Wurzelbacher notes that the artist’s subjects may suggest the appearance of natural forms, but they are symbolic only of his emotional interpretation. He conceives his painting as “mindscapes.” Mayhew intuitively uses evocative color and diffused form to explore, in his words, “desire, ambition, love, hate, fear—that’s my painting.”
Although Mayhew has resided in other parts of the country (currently in Santa Cruz, CA), his place of birth remains at the center of his work. Here, his love of nature and artistic talents were first stimulated. He took from the Long Island landscape a life-long response to the spiritual essences of nature and delved into complex emotions that permeate his canvases.
Richard Mayhew grew up in Amityville, on Long Island’s South Shore. It is among the oldest Black-Indigenous communities on Long Island.
During the 1930s and 40s, artists visited the area in the summertime to paint en plein air along the ocean coastline, and the young Mayhew would watch them: “I was fascinated by the artists dipping their brushes into the paint like a magic wand; the beautiful images that came out on the end of it were amazing.”
Following military service in the South Pacific, Mayhew spent time as an illustrator, ceramic painter, and a jazz singer. In 1951, he began courses at the Brooklyn Museum School of Art. A degree in art history from Columbia University added to his framework of artistic reference. Studies in Europe fostered deeper appreciation of the old masters and for the Impressionists’ mastery of light.
Mayhew’s first solo exhibition was organized by the Brooklyn Museum. During the Civil Rights movement, he joined Spiral, formed in 1963 by a group of Black artists who met to discuss the relationships between Black identity, American culture, and politics. These debates solidified his commitment to working in an abstract style while also engaging with concepts of race and social justice.
Related program:
Panel on Environmental Justice on Long Island, April 5, at 5:30 p.m.
A virtual panel discussion with Jeremy Dennis, a contemporary fine art photographer, tribal member of the Shinnecock Indian Nation, and founder of Ma’s House, and Dr. Mark Chambers, Professor of Africana Studies at Stony Brook University. The panel will discuss Mayhew’s work and the intersections of environmentalism and racial justice on Long Island. Organized by Justyce Bennett, M.A., Curatorial Assistant, The Heckscher Museum of Art.
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The Heckscher Museum of Art is located at 2 Prime Ave., Huntington. In addition to Richard Mayhew: Reinventing Landscape, the museum presents Moonstruck: Lunar Art from the Collection from Jan. 20 to Sept.18. For more information, call 631-380-3230 or visit www.Heckscher.org.
