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Mairead Camas

By Stephanie Giunta

Almost 180 years ago, Charles Dickens gave us the immortal gift of A Christmas Carol, which has become a pillar of holiday culture and a reminder to hold the spirit of the season near and dear. 

Port Jefferson’s Main Street, already adorned with wreaths on the lamp posts in preparation for its 27th annual Charles Dickens Festival, was only trumped by Theatre Three’s warmth and inviting decor during last Saturday’s opening night performance of the holiday classic. Carolers, singing familiar tunes before the show, further ignited the magic of Christmas in the air. 

Revisited, adapted, and never told quite the same way twice, Theatre Three’s version transports the audience back to 19th century England for an introspective, festive excursion that touches hearts and minds in a profound way. Jeffrey Sanzel, the show’s executive artistic director who doubles as the stingy curmudgeon, Ebenezer Scrooge, reinvents the show each season, bringing a unique twist and newfound beauty to the timeless tale. 

Sanzel’s versatility is remarkable; his expressive nature and ability to portray a character with such complex, emotional layers is exceptional. Along with the power of his reprimands, I could feel Scrooge’s sardonic “Good Afternoon!” down to my bones. I felt like I was being asked to leave the office along with his chipper and persistent nephew, Fred Halliwell (Sean Amato) and warm and loving clerk, Bob Cratchit (Ray Gobes Jr.) on Christmas Eve. Both Fred, joyful and optimistic, and Bob, loyal and dedicated, are talented bookends who symbolize the redemption, compassion, and transformative power of the Christmas spirit over even the harshest of humans. 

The Fezziwig duo, played by the talented Stephen T. Wangner and Ginger Dalton, are the essence of fanciful charm. Their playful interaction and bubbly nature personify the merriment of the season. I could smell their mince pies, plum porridge, and zest for life from a mile away. In tandem, daughter, Belle Fezziwig (Julia Albino), wonderfully captures Scrooge’s heart, but pivots beautifully to letting him go to his newfound love: money.

A flawless performance from the three spirits is not to forget. Cassidy Rose O’Brien is angelic as the Ghost of Christmas Past, walking Scrooge through a painful review of his mistakes and heartbreaks, including the loss of his relationship with Belle, and the deaths of his older sister, Fan (Alexa Eichinger, Brooke Morrison) and partner, Jacob Marley (Steven Uihlein). 

I was particularly enthralled with the scene in which townspeople are asking Scrooge to “Buy” or “Sell.” There are so many overlapping dialogues intersecting at once, providing the audience with a line of sight into Scrooge’s psyche, and how he may be processing the key occurrences of his past simultaneously. It was brilliant.

The Ghost of Christmas Present (Wangner) has a belly laugh that echoes throughout the theater, yet showcases the firm, tough love Scrooge needs to realize the gravity of matters at hand.

Lastly, I mouthed “wow” when the Ghost of Christmas Yet to Come (Amato) appeared on stage. What a vision! The scenes that follow produce a scared-straight version of Scrooge that even he didn’t know existed. 

I would be remiss in mentioning the short scene featuring Mrs. Dilber, Scrooge’s housekeeper (Dalton), in which she was inebriated on his gravesite. Her quick wit and boisterous mirth adds an unexpected and appreciated twang of comedy to the performance.

Randall Parsons and Jason Allyn truly bring 19th century England to Port Jefferson through beautiful production design and authentic costuming. The audience is transported through time with spine-tingling special effects by Robert W. Henderson Jr., and Brad Frey injects jollity into the atmosphere with signature Victorian carols and hymnal tunes. 

When I first saw A Christmas Carol about 20 years ago, I remember being impressed with Scrooge and the cast because they made the story feel so real. Through an adult lens, it was even more apparent. Somehow, Sanzel and the cast are able to draw out a variety of emotions, connecting you not only to Christmas, but the treasures of giving of yourself to those less fortunate, being kind to others, and finding happiness. It’s a show that plays on the heartstrings in so many different capacities, reminding children and adults alike of what is most important during the holidays.

Theatre Three makes Christmas spirit feel so tangible that you can wrap it up in a box with a big, red bow. Bravo to Sanzel and the cast for bringing something so wonderful to life! Be sure to stick around post-performance for a photo memento with Scrooge. The $5 charge contributes to the theater’s scholarship fund.

CAST & CREW: Julia Albino, Jason Allyn, Sean Amato, Karin Bagan, Steven Barile Jr., Kyle M. Breitenbach, Mairead Camas, Shannon Cooper, Ginger Dalton, Alexa Eichinger, Angelina Eybs, Sari Feldman, Griffin Fleming, Brad Frey, Julie Friedman, Christina Gobes, Ray Gobes Jr., Skye Greenberg, Tim Haggerty, Kathleen Arabelle Han, Robert W. Henderson Jr., Patrick Hutchinson, Zach Kanakaris, Linda May, Brooke Morrison, Cassidy Rose O’Brien, Randall Parsons, William Roslak, Jeffrey Sanzel, Finn Thomas, Isabela Thomsen, Melissa Troxler, Steven Uihlein, Addyson Urso, Stephen T. Wangner, Cassidy Worrell, Kaylin Zeidler and Stanley Zinger

Theatre Three, 412 Main St., Port Jefferson will present “A Christmas Carol” through Dec. 30. All tickets are $25 in November and range from $25 to $40 in December. To order, call 631-928-9100 or visit www.theatrethree.com.

See a trailer of the show here.

By Barbara Anne Kirshner

High adventure, edge of your seat excitement, mesmerizing with mythology sprinkled in, that’s The Lightning Thief: The Percy Jackson Musical, currently receiving its Long Island premiere at the Smithtown Performing Arts Center.

Anyone in their teens knows Rick Riordan’s popular 2005 YA novel with similarities to a Harry Potteresque quest, but instead of wizards and wands, Percy must face mythological creatures and Zeus’ lightning bolt. 

The theatrical version, with music and lyrics by Rob Rokicki and book by Joe Tracz, was adapted from Riordan’s first novel in the Percy Jackson & the Olympians series about a boy who discovers he is a demigod possessing magical powers. 

The musical opened Off-Broadway at the Lucille Lortel Theatre in 2014 as a one-hour show receiving positive reviews before heading into a national tour, then returned to the Lucille Lortel Theatre in 2017 this time with an augmented script. It debuted on Broadway at the Longacre Theatre on October 16, 2019 and ran through January 5, 2020. A 2010 film preceded the musical and presently, a television series is in the works for Disney+.

When the president of the board at SCPA, Michael Mucciolo, was asked why such an innovative yet unfamiliar show to many adults was chosen for their season opener, his response was the hope for the future of theatre lies in attracting both youngsters and adults. From the size of the audience at the time of this review, it seems Mucciolo was right. The house was crowded with eager youngsters accompanied by parents who became fans if the enthusiastic standing ovation at curtain was any indication.

The technical aspects of this magical adventure are impressive. From lighting designer Chris Creevy’s strategically placed strobes to flashes of white lights to mood reds combined with sound designer Jacques St. Louis’ thunderous effects and echoes, each detail builds suspense. The set, constructed by Keith Blum, Jacques St. Louis and Michael Mucciolo, with an upstage screen that projected at once stars then fire, then swirls of smoke, then a silhouette of a tree against an orange sky adds intensity to scenes. 

A particularly thrilling projection was of a Minotaur (half bull, half man) attacking Percy, his friend, Grover, and killing Percy’s mom, Sally. To avenge her death, Percy kills the Minotaur and the projection has this monster keel over and disappear. Additionally, a scaffolding with levels gives flexibility with set changes.

Director Robbie Torres keeps the pace electric assisted by a talented cast with strong voices and playing multiple characters. In the lead role of Percy Jackson, Jason Steven Kopp captivates as the troubled teen with ADHD and dyslexia who is always getting into trouble. Percy was raised by a loving mom, a mean stepdad and wonders about the natural father he never met. 

In a sudden revelation, Percy discovers he is the son of Poseidon, and thus begins his quest with two of his pals to find the lightning bolt that will prevent war between the gods. With innocent eyes that reach out and spirited vocals, Kopp sends chills especially when he challenges “bring on the monsters, bring on the real world.” Though this is a fantasy, the message that your differences may be blessings in disguise that help you rise up and be strong is very real.

When Percy kills the Minotaur, he is knocked unconscious only to wake in a land called Camp Half-Blood, a place for children who are half mortals just like him. It is revealed that his friend, Grover (Cyd Rosenberg), is a satyr, a Greek goat-like protector. Grover remains at Percy’s side through his quest. Also joining them is Annabeth (Lorelai Mucciolo), a daughter of Athena, a strong leader offering Percy direction. Rosenberg and Mucciolo sparkle with robust voices and heartfelt performances. 

A campy moment happens when Clarisse, one of the demigods at Camp Blood, (Mairead Camas) tries to harm Percy, but he is saved when the toilet he is hiding in sprays her with water. Camas with a glint in her eye makes for a menacing villain. 

Peter J. Osterman is dynamic, taking on several roles including Percy’s Latin teacher Mr. Brunner who assists him at several pivotal points and is frightfully delightful as Auntie Em. In the role of Percy’s mother Sally, Ayana Franck gives a tour de force performance. Her vocals reminiscent of Aretha Franklin are powerful and her portrayal as the mother who will do anything even sacrifice herself for her son is gripping.

Rounding out the cast is David Reyes as Luke the son of Hermes who entices Percy to go on the quest that will take him to the Underworld where he will find his mom. Reyes turns in a polished performance with his smooth stage presence and compelling vocals. But is his character friend or foe? Only time will tell.

Assisting in visual effects are the fantastic costumes by Carmela Newman including Grover’s fur appendages for legs, a specter draped in white gauze wings outlined with electric lights and Auntie Em’s green satin robe trimmed in black fur. Julie Stewart’s choreography keeps the energy high and the action is enhanced by thrilling sword play sequences compliments of Heather Legnosky. In addition to directing the show, Robbie Torres takes on musical direction orchestrating an exuberant audio track accompaniment.

SPAC’s action-packed The Lightning Thief grasps you right from the start and doesn’t let go until the final note is sung. This is truly a feast for the entire family. 

The Smithtown Performing Arts Center, 2 East Main St., Smithtown presents The Lightning Thief: The Percy Jackson Musical through Oct. 29. Tickets are $40, $35 seniors, $25 students. To order, visit www.smithtownpac.org.

By Heidi Sutton

When High School Musical was released as a Disney Channel Original Movie in 2006 it was an instant success and its soundtrack became the best selling album of the year. Spinoffs quickly followed with two more films, a series on Disney Plus, several stage adaptations and a novel. 

Now the smash hit musical comes to life on the Smithtown Center for the Performing Arts stage as High School Musical Jr., a condensed production that manages to include all of the wonderful scenes, dances and songs we have come to love.

Often described as a modern version of “Romeo and Juliet,” the show follows high school junior Gabriella Montez as she transfers to East High School the day after winter break. She tells her new friends about a boy she met at karaoke night on New Year’s Eve. Turns out he’s Troy Bolton, captain of the basketball team. The two rekindle their friendship and find that they share a common interest — the theater. They decide to audition for the school play together.

The decision causes an uproar with their friends from different cliques who try to stop them. As if that weren’t enough, Troy’s father, who is also the basketball coach, is mad at him for not having his ‘head in the game’ and Drama Club President Sharpay Evans and her twin brother Ryan set out to sabotage them as well in their quest to win the lead roles. Will Gabriella and Troy succumb to peer pressure or will they remain steadfast and follow their dreams?

Directed by Courtney Braun Murano, Michael Gualtieri as Troy and Adrienne Porti as Gabriella lead a 23-member talented cast in retelling the story. From the first musical number, “Wildcat Cheer,” with its cartwheels and pom poms, to its grand finale, “We’re All in This Together,” the audience is transported to East High and all of the daily drama that comes with it.

The entire cast is superb with special mention of Ryan Van Nostrand who brings flair to the role of East High’s homeroom and drama teacher Ms. Darbus and steals the show. Van Nostrand also has the pleasure of delivering the best line — “Anything is possible in the theatre, Troy. There’s not a star in heaven you can’t reach, but you have to allow yourself to reach for it.”

Choreography is top notch, especially the big numbers like “Start of Something New” and “Getcha Head in the Game.” Costumes by Liz Honig are impressive, from the basketball team uniforms to Sharpay’s flashy outfits. Large panels with the school’s colors and mascot complete the picture.

The cast has poured their heart and soul into this family-friendly production and it shows in spades. Purchase a pair of pom poms in the lobby to cheer them on and to support this wonderful theater.

Cast (in alphabetical order): Gabby Blum, Logan Borre, Kieran Brown, Mairead Camas, Catherine Diakou, Julianne Donohue. Michael Gualtieri, Brody Hampson, Derek Hough, Max Lamberg, Emmerson Lebrecht, Kaylee Nguyen, Zach Podair, Adrienne Porti, Julie Ricotta, Alia Romanelli, Ryan Romanelli, Savannah Shaw, Amanda Sidman, Ari Spiegel, Ryan Van Nostrand, Emily Ann Weaver and Justin Walsh Weiner

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown presents High School Musical Jr. through May 15. Running time is one hour and 30 minutes with one 15 minute intermission. All seats are $25. To order, visit www.smithtownpac.org.

All photos courtesy of Clicks by Courtney, LLC

By Heidi Sutton

When Hans Christian Andersen penned “The Snow Queen” in 1844 he surely had no idea that his beautiful fairy tale would live on and serve as the inspiration for Walt Disney Animation Studio’s Frozen over 150 years later. The second highest-grossing animated movie of all time, (Frozen II is the highest) it has morphed into a Broadway musical, short films, Disney on Ice and everything in between.

Now the timeless tale heads to the Smithtown Center for the Performing Arts Center for 29 performances in the form of Frozen Jr. With music and lyrics by Kristen Anderson-Lopez and Robert Lopez and book by Jennifer Lee, the show features all of the beloved songs from the animated film  along with a few fun new ones.

The story follows two sisters who are princesses in the kingdom of Arendelle. The eldest, Elsa, was born with magical powers that allow her to create ice and snow. As a young child, Elsa doesn’t know how to control her powers and while building a snowman she accidentally harms her sister Anna. Although Anna is healed by the mysterious Hidden Folk, their  parents decide it would be best to protect Anna by keeping the two apart. 

Anna, who has no memory of the accident, can’t understand why her sister avoids her. When the parents are lost at sea, Elsa stays in her room, keeping her secret hidden from her sister and the outside world.

Ten years have passed and it is time for Elsa to become Queen, but on coronation day her magic unintentionally brings an eternal winter to the kingdom. Accused of sorcery, she flees into the mountains to hide. Anna enlists the help of Kristoff the icemaker to help her find her sister and free Arendelle from the spell. Will she succeed?

Directed and choreographed by Courtney Braun with musical direction by Melissa Coyle, the production is polished from start to finish. Ranging in age from 8 to 17, the 24-member cast is extremely talented and clearly love what they are doing. Special mention must be made of Leah Kelly and Lorelai Mucciolo for standout performances in the role of Elsa and Anna.

Lorelai’s bubbly personality shines in “Do You Want to Build a Snowman?,” “For the First Time In Forever” and in her fun duet, “Love is An Open Door,” with Luke Hampson who plays the role of Hans. In contrast, Leah’s character is more reserved, fearful of the powers inside her, and carries herself like royalty. Her vocals are incredible and she literally brings the house down with her powerful number “Let It Go.” Both are perfectly cast.

Elena Grassi and Jillian Cerrato as Young Anna and Young Elsa and Riley Ferraro and Gabby Blum as Middle Anna and Middle Elsa set up the relationship between the two sisters perfectly. Much to the delight of the younger children in the audience, Olaf the Snowman (played by Ryan Romanelli) and Sven the reindeer (played by Derek Hough) make an appearance as well.

Costumes, designed by Chakira Doherty, are stunningly beautiful and her attention to detail is impeccable. Of special note is when Elsa changes costumes mid-song during “Let It Go” and turns into an ice queen with a beautiful blue shimmering dress, drawing gasps from the audience.

A nice addition is the animated projections on a screen depicting different locations in the Kingdom of Arendelle including the inside and outside of the castle, the snowy mountains and Elsa’s ice castle. Large panels on either side of the stage turn with the scenes and the lighting pulls it all together for a magical experience.

The Smithtown Center for the Performing Arts has gone all out in this production and it shows. The team has succeeded in bringing the the mystical world of Arendelle to life on the stage. If your child loves Frozen, they will love this show. And what’s better than live theater? Costumes are encouraged and booster seats are available. Meet Elsa and Anna in the lobby for a photo and pick up a Frozen souvenir on your way out.

The cast: Leah Kelly, Lorelai Mucciolo, Brody Hampson, Ryan Romanelli, Derek Hough, Luke Hampson, Ari Spiegel, Michael Gualtieri, Ryan Van Nostrand, Gabrielle Arroyo, Justin Walsh Weiner, Zachary Podair, Alia Romanelli, Elena Grassi, Jillian Cerrato, Gabby Blum, Dori Alghrim, Riley Ferraro, Adrienne Porti, Mairead Camas, Savannah Shaw, Sophia Weiner, Jonathan Setzer and Gianna Oppedisano. 

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown presents Frozen Jr. through Jan. 17 with a special sensory sensitive performance on Dec. 4 at 7 p.m. All seats are $25. To order, call 631-724-3700 or visit www.smithtownpac.org.

All photos by Courtney Braun