‘Voices and Votes: Democracy in America’ will be on view in Cold Spring Harbor from March 22 to May 3
Preservation Long Island has been chosen to be the first venue in New York State to host the “Voices and Votes: Democracy in America” exhibition which examines the nearly 250-year-old American experiment of a government “of, by and for the people,” and how each generation since continues to question how to form “a more perfect union.”
This initiative is all part of the Smithsonian’s Museum on Main Street program — a national/state/local partnership to bring exhibitions to small town and rural cultural organizations across America. The exhibit will be on view at the Preservation Long Island Exhibition Gallery, 161 Main Street, in Cold Spring Harbor from March 22 to May 3 before touring eleven more communities across New York through January 2026.
“Preservation Long Island is excited to serve as the inaugural site for “Voices and Votes: Democracy in America,” said Alexandra Wolfe, Preservation Long Island Executive Director. “The exhibition’s focus on freedom, civic participation, and political engagement resonates strongly with our commitment to making the past relevant to the present.”
The exhibit engages multimedia interactives with short games; and historical objects like campaign souvenirs, voter memorabilia, and protest material and will include a section that incorporates art and artifacts drawn from Preservation Long Island and other local collections.
“The objects we chose connect the broader historical narratives of Voices and Votes with Long Island people and stories—addressing themes such as the ways people make their voices heard, who is left out of the conversation, and the roles and responsibilities of citizens,” said Lauren Brincat, Preservation Long Island Curator.
Among the local highlights in the exhibition is an original essay by Jupiter Hammon (1711–ca. 1806), America’s first published African American poet, written while he was enslaved at Joseph Lloyd Manor in Lloyd Harbor shortly after the American Revolution, advocating for the citizenship of Black New Yorkers in the new nation. Other items include a bracelet and ring made from scrap sheet metal by women aircraft factory workers on Long Island as the United States fought to preserve democracy abroad during World War II, and the drawings and models for the national monument to African American civil rights leader and women’s rights activist, Mary MacLeod Bethune (1875–1855), created by Long Island artist, Robert Berks (1922–2011) in 1974.
“‘Voices and Votes’ allows us to reflect on Cold Spring Harbor and the surrounding community history and explore what it means to be an active participant in the governance of not only the country but also this community,” said Andrew Tharler, Preservation Long Island Education and Engagement Director.
The series of local exhibition-related programming and free events include a community quilt project, curator-led exhibition and walking tours, lectures, community conversations and an oral history series. To preview the full schedule, visit preservationlongisland.org/voices-and-votes/.
Peter Fedoryk conducts a tour of “Looking for Lange Exhibition” at Preservation Long Island’s Exhibition Gallery. (Courtesy of Preservation Long Island)
This award celebrates museum professionals with five years or less experience who think creatively, inspire change, spark innovation, and exemplify leadership.
Cold Spring Harbor: Preservation Long Island Curatorial Fellow, Peter Fedoryk, is a recipient of the 2023 Rising Star Award, one of the fourteen awards made by the Museum Association of New York (MANY) that celebrate unique leadership, dedicated community service, transformational visitor experiences, community engagement, and innovative programs that use collections to tell stories of everyone who calls New York home.
Peter Fedoryk with Preservation Long Island collections. Fedoryk was named a recipient of the 2023 Rising Star Award, presented by the Museum Association of New York. (Courtesy of Preservation Long Island)
Peter Fedoryk will be honored at the Museum Association of New York 2023 annual conference “Finding Center: Access, Inclusion, Participation, and Engagement” in Syracuse, New York on Monday, April 17 from 12:30 p.m. at the Syracuse Marriott Downtown.
“New York’s museums and museum professionals are reimagining and reinventing their roles within their communities, how they interpret their stories and collections, and the visitor experience,” said Natalie Stetson, Executive Director of the Erie Canal Museum and MANY Program Committee Co-Chair. “This year’s award winners are outstanding examples for the museum field.”
“We were incredibly impressed with the quality and quantity of award nominations this year, which made the review process highly competitive,” said Clifford Laube, Public Programs Specialist at the Franklin D. Roosevelt Presidential Library and Museum and MANY Program Committee Co-Chair. “Museums and museum staff across the state are demonstrating creative thinking and are inspiring institutional change.”
“During the time Peter has been with Preservation Long Island, he has positively impacted the organization in many ways, contributing his diligence and thoughtful creativity to everything from collections management to grant writing and community engagement,” said Alexandra Wolfe, Preservation Long Island Executive Director. “We are delighted that Peter is among our New York State museum colleagues being recognized as an outstanding example to the museum field.”
Since July of 2021, Peter has led Preservation Long Island’s Art of Edward Lange Project, a collaborative effort to reexamine the life and Long Island landscapes of the late 19th-century German immigrant artist. In his role, Peter launched an interactive website featuring nearly 150 artworks accompanied by in-depth catalogue information and interpretive content, curated an in-focus gallery exhibition, published and presented on new scholarship, and spearheaded numerous public programs. He is currently co-authoring and co-editing a new publication on Edward Lange that is slated to be published next year.
Lauren Brincat, Preservation Long Island Curator added, “I am continually impressed by Peter’s initiative, creativity, and leadership. As Curatorial Fellow, he has pushed us in exciting directions and exceeded all expectations. Peter’s future in the field is bright, and it’s been a real pleasure watching him grow as a museum professional.”
The Joseph Lloyd Manor property will serve as a pilot site for the grant project.
Preservation Long Island (PLI) has been awarded an Inspire! Grant for Small Museums from the Institute of Museum and Library Services (IMLS). Collecting since its founding in 1948, Preservation Long Island’s diverse and comprehensive collections comprise approximately 3,000 objects and 185 cubic feet of archival materials.
The grant will enable PLI to undertake an assessment of its inventory practices to improve access and the long-term care and maintenance of the collections displayed and stored at its historic sites and facilities — the PLI Headquarters building in Cold Spring Harbor, Joseph Lloyd Manor and Collections Storage in Lloyd Harbor, Sherwood-Jayne Farm in Setauket, and the Custom House in Sag Harbor. The grant funded project runs from September 1, 2022 through December 31, 2023.
Ranging from artistic and technological masterworks, to documentary imagery and everyday artifacts, PLI’s collections represent the social, cultural, political, and economic history of Long Island over four centuries.
“PLI holds its collection in trust for the public. The IMLS grant represents a strategic investment in the management of its permanent collection,” said Alexandra Wolfe, Preservation Long Island Executive Director.
“Organizationally, the project will enhance how PLI preserves and cares for its important artifacts of Long Island’s history,” said Lauren Brincat, Curator, Preservation Long Island. “Nationally, this project will promote access to and interest in Long Island’s history and cultural heritage.”
“As pillars of our communities, libraries and museums bring people together by providing important programs, services, and collections. These institutions are trusted spaces where people can learn, explore and grow,” said IMLS Director Crosby Kemper. “IMLS is proud to support their initiatives through our grants as they educate and enhance their communities.”
The Joseph Lloyd Manor property will serve as a pilot site for the grant project. The house was the center of the Manor of Queens Village, a 3,000-acre provisioning plantation established in the late 17th century on the ancestral lands of the Matinecock Nation. Jupiter Hammon (1711–before 1806), one of the first published African American writers, was one of the many people of African descent enslaved at the site.
The collections inventory project will help bring to light new stories that can be told with the existing collections at PLI’s historic sites. In addition, with the information gathered through this project, PLI will be able to seek new acquisitions that help make PLI’s collection—and the public programs, exhibitions, interpretations, and digital content the collection supports—more relevant to more people while also enhancing public knowledge of unrepresented stories.
About Institute of Museum and Library Services
The Institute of Museum and Library Services is the primary source of federal support for the nation’s libraries and museums. We advance, support, and empower America’s museums, libraries, and related organizations through grantmaking, research, and policy development. Our vision is a nation where museums and libraries work together to transform the lives of individuals and communities. To learn more, visit www.imls.gov and follow us on Facebook and Twitter.
About Preservation Long Island
Preservation Long Island is a not-for-profit organization that works with Long Islanders to raise awareness, appreciation, and support for the protection of our shared past through advocacy, education, and the stewardship of historic sites and collections.
The Joseph Lloyd Manor in Lloyd Harbor. Photo from Preservation Long Island
Join Curator, Lauren Brincat, and Education & Engagement Director, Andrew Tharler of Preservation Long Island for a special guided tour of the Joseph Lloyd Manor (circa 1767), 1 Lloyd Lane, Lloyd Harbor on Saturday, July 30 or Saturday, Aug. 6 from 11 a.m. to noon.
Attendees will view a new panel exhibition and audiovisual installation centered on Jupiter Hammon’s (1711–before 1806) life and poetry and step into spaces previously closed to the public.
Joseph Lloyd Manor was once the center a 3,000-acre provisioning plantation established in the late 17th century. Hammon was one of the many people of African descent enslaved at the site. Considered the first published African American poet, Hammon authored his most significant writings about the moral conflicts of slavery and freedom at Joseph Lloyd Manor.
*Please note that this tour includes stairs. Only the first floor of the Manor is wheelchair accessible.
Cost is $10, $5 members. Registration is required by calling 631- 692-4664 or by visiting www.preservationlongisland.org.
This year's Wet Paint Festival will be held at the Sherwood-Jayne Farm in East Setauket.
Photo courtesy of Preservation Long Island
By Melissa Arnold
Since 2004, Gallery North’s annual Wet Paint Festival has invited artists from far and wide to revel in nature’s beauty. For a week or a weekend, artists enjoy each other’s company and a healthy dose of plein air painting — the tricky, constantly changing art of working outdoors.
This year’s festival, scheduled for June 4 and 5, will be held at the historic and picturesque Sherwood-Jayne Farm on Old Post Road in East Setauket and seeks to build upon past events where visitors can watch the artists work and ask questions about their creative process. There will also be the opportunity to tour the Sherwood-Jayne House, go bird watching, enjoy live music and more.
An artist paints plein air at the Sherwood-Jayne Farm. Photo from Preservation Long Island
“The landscape of the show has changed in a variety of ways over the years, not just in location but in the way it’s structured,” said Ned Puchner, executive director of Gallery North. “During the pandemic, people could paint remotely for a two-week period. Last year, we had a few different locations to choose from. This year, we’re returning to the traditional style of having a specific site where everyone will come together and paint for a weekend, with some additional activities for the public to enjoy.”
The Sherwood-Jayne Farm was originally slated to host the Wet Paint Festival in 2020, and planning for the event was nearly complete when the pandemic shut things down.
“Gallery North reached out to us a few years ago looking to change up the festival from the way it was done in the past,” said Elizabeth Abrams, Assistant Director of Operations and Programs for Preservation Long Island, which cares for the property. “We used to team up with the gallery for an apple festival, and considering we are just down the street from each other, it was natural for us to work together again.”
Preservation Long Island is a multifaceted not-for-profit organization dedicated to protecting Long Island’s history and culture. Founded in 1948, their focus is on education, advocacy, and the stewardship of historic buildings and artifacts.
Abrams explained that the Sherwood-Jayne House was built in 1730 as an early colonial, lean-to salt box dwelling. The house and surrounding farmland were cared for by the Jayne family for more than 150 years. In 1908, it was acquired by the founder of Preservation Long Island, Howard Sherwood, who lived in the home and displayed a variety of antiques there.
Throughout the weekend, the Sherwood-Jayne House will be open for tours with Preservation Long Island curator Lauren Brincat. Keep an eye out for the Tallmadge wall panels, and the incredibly beautiful wall mural in the parlor that’s meant to look like wallpaper — they are very rare to see, especially on Long Island, Abrams added.
“The house contains a large portion of Howard Sherwood’s personal antique collection and other bits of history from colonial Long Island. This area had a foundational role in American history — exploring the house and its collections are a unique way to learn more about that important time period,” she said.
There will be plenty of outdoor inspiration for the artists at the festival as well. The property is also home to a variety of outbuildings and trails, gorgeous old-growth walnut trees, an apple orchard, and all kinds of wildlife.
The Four Harbors Audubon Society will lead tours exploring the wildlife and ecology of the area, with a particular focus on local birds. If the barn is open, you might be lucky enough to meet some goats, a few sheep, or an old, sweet white horse named Snowball.
Visitors are free to wander the grounds at their leisure, watch the artists work or ask questions, Puchner said. For those who are feeling shy or not sure what to ask, an artist will offer a guided tour and lead discussions once each day.
“The whole objective of the Wet Paint Festival is to help people understand what goes into the process of creating a painting, and to meet local artists. It’s a great way for someone who has no artistic experience to learn how it all works,” Puchner said.
Nancy Bueti-Randall, pictured in her studio, will join over 40 other artists at this year’s Gallery North Wet Paint Festival. Photo by Heidi Sutton/TBR News Media
Over 40 artists will be participating this weekend including Nancy Bueti-Randall of Stony Brook who began to paint outdoors as a way to recharge while raising her three children. She’s spent more than 20 years creating and showing her work, which runs the gamut from pictorial to abstract, figures and landscapes. Most of the time, though, she’s painting in her garden or other familiar surroundings.
Sometimes, she’ll start a painting with the idea to focus on one thing, but something else in a landscape will catch her eye instead.
“There are a lot of challenges with plein air painting. It’s very fleeting — a landscape is always changing, even from day to day,” Bueti-Randall explained. “You have to be fast and responsive to what’s going on around you. It’s about becoming engaged with the thing you’re painting. I can get overwhelmed by beauty, and I try to capture the essence of what I’m seeing in a process of give and take.”
Marceil Kazickas of Sands Point considers herself an artistic late bloomer. She started drawing and painting to cope with a health crisis, and found that when she was being creative, she wasn’t in pain. Kazickas prefers to work in oil, which she loves for its luscious, sensual properties.
“When you go outside, there’s an overwhelming amount of information to take in — the views are always changing, the clock is running, and you want to get your design done quickly because the light and shadows are constantly evolving,” she explained.
“I’m not as focused on painting exactly what I see … People can get caught up in producing a finished, frameable piece of art, but for me it’s exciting to be outside and come up with whatever I can in the short time I’m out there, even if it’s nothing. It’s about the painting process.”
Puchner hopes that the variety of activities, including a scavenger hunt for kids and live music from the Keenan Paul Zach Trio and Tom Killourhy, will appeal to all kinds of people.
“These new additions will give the public the opportunity to enjoy nature, the arts and history all in one place, and our artists will have a fun new location to experiment and be creative in,” he said.
The 18th Annual Wet Paint Festival will be held June 4 and 5 at the Sherwood-Jayne Farm, 55 Old Post Road, East Setauket from 10 a.m. to 4 p.m. Rain date is June 18 and 19. The event is free and open to the public.
All participating artists will have their festival work on display in an exhibit at Gallery North, 90 North Country Road, Setauket, from July 7 through Aug 7. A free opening reception will be held at the gallery from on July 7 from 6 to 8 p.m.
For more information about the festival or to register to paint, visit www.gallerynorth.org or call 631-751-2676. Learn more about Sherwood-Jayne Farm at www.preservationlongisland.org.
Preservation Long Island in Cold Spring Harbor has announced the gift of a group of important early American portraits from descendants of the Nelson and Lloyd families of Boston and Long Island.
For over three hundred years, portraits of Elizabeth Tailer Nelson (1667–1734), John Nelson (1654–1734), Henry Lloyd I (1685–1763), and James Lloyd III (1769–1831) remained in the possession of the same family that commissioned them centuries ago. The artworks, an extraordinary gift from the collection of Orme Wilson III and Elsie Wilson Thompson, in memory of Alice Borland Wilson, have joined Preservation Long Island’s collection and are now available for the public to view in a new digital exhibition titled Facing Slavery: The Lloyd Family Portraits in Context.
“We are honored to be the new stewards of these important pieces of American history and to make them available to the public for the first time,” said Alexandra Wolfe, Preservation Long Island Executive Director.
In gifting the paintings, the donors wrote, “After being in family care all these years, we believe that these portraits are going to the right place with you and your colleagues at Preservation Long Island, where we hope that they will be useful in your development of a deeper historical understanding and contextualization of the issues and events that swirled around the Long Island area in colonial times and later”.
This gift coincided with the launch of the first phase of the Jupiter Hammon Project, a long-term initiative that will transform how Preservation Long Island engages future visitors to Joseph Lloyd Manor (1767) with the entangled stories of the Lloyd family and the individuals they enslaved for more than a century at the Manor of Queens Village on Long Island (Lloyd Neck today), among them, Jupiter Hammon (1711–before 1806) one of our nation’s first published Black American writers.
This multi-generational collection of portraits is a visual reminder of the region’s colonial and early national history, but the individuals they represent reflect only a fraction of the people, both enslaved and free, who lived, formed families, and established communities on Long Island and New England during the seventeenth, eighteenth, and nineteenth centuries.
“We are grateful to the descendants for recognizing the important work of the Jupiter Hammon Project and for giving the portraits a new, permanent home with Preservation Long Island,” said Lauren Brincat, Curator, Preservation Long Island.
“There are no known portraits of Jupiter Hammon or any of the men, women, and children the Lloyds enslaved. By interrogating the hidden history behind these painted surfaces, however, we can uncover a complex story of one family forcibly bound to another across generations,” she said.
Facing Slavery: The Lloyd Family Portraits in Context is now on view at www.preservationlongisland.org. For more information, call 631-692-4664.
In photo, from left:
Elizabeth Tailer Nelson (1667–1734) by an unknown American artist, ca. 1685. Oil on canvas. Preservation Long Island, 2020.5.2.
John Nelson (1654–1734) attributed to James Frothingham (1786–1685) after John Smibert (1688–1751), before 1824. Oil on panel. Preservation Long Island, 2020.5.3.
Henry Lloyd I (1685–1763) by John Mare (1739–ca. 1803) after John Wollaston (active ca. 1742–1775), 1767. Oil on canvas. Preservation Long Island, 2020.5.1.
James Lloyd III (1769–1831) by an unknown American artist, 1800-50. Oil on canvas. Preservation Long Island. 2020.5.4.
