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Jeffrey Hoffman

By Heidi Sutton

The temperature outside was a bone-chilling 22 degrees as I drove into Theatre Three’s parking lot in Port Jefferson last Sunday morning. Once inside, however, the atmosphere was warm and inviting as families with young children settled in their seats to watch a most excellent performance of Jack and the Beanstalk or The Boy Who Cried Giant!

Written by Jeffrey Hoffman, Douglas J. Quattrock and Jeffrey Sanzel the original musical combines the well known fairytale with the classic fable The Boy Who Cried Wolf and tells the story of a nice boy named Jack (played by Sean Amato) who lives in a small village with his mother (Josie McSwane) and his best friend in the entire world, Filpail the Cow (Julia Albino).

But Jack has a problem — he tends to exaggerate and has told so many tall tales (“I can even wash a cat!,” “My cow can speak in seven different languages!”) that no one believes him anymore. “Someday your stories are going to get you in trouble,” his mother warns. Jack also receives a visit from the Fairy Mary Goodwing (Cassidy Rose O’Brien) who tries to convince him to “always tell the truth and you will be true to yourself.”

One day his mother tells him that they have no other choice than to sell Filpail to Butcher Blackstone (Ryan Worrell). On the way to the market, Jack and his cow meet two pirate gypsies, Marco and Margot (Liam Marsigliano and Kaitlyn Jehle), who claim they want to buy Filpail for “cowpanionship” (they really want to sell her to Butcher Blackstone) and trick Jack into trading her for some magic beans.

Jack’s mother is furious when she finds out what happened and throws the beans away. A giant beanstalk suddenly appears, signaling the start of a wonderful adventure.

In Act Two, Jack climbs the beanstalk and discovers a castle in the sky occupied by a cranky (and whiny!) giant (Ryan Worrell), the giant’s wife (Gina Lardi), a golden harp (Liam Marsigliano) and a hen that lays golden eggs (Kaitlyn Jehle). 

When Jack returns home and tells his mother and the villagers what he has seen no one believes him. He decides to return to the giant’s castle with Filpail to bring something back as evidence. The giant’s wife gives Jack a pair of her husband’s enormous pants. But as they are about to leave, the giant gets a whiff of the boy and his cow (“Fee Fi Fo Fum!”). Will they escape in time?

Under the direction of Steven Uihlein, a talented cast of eight adult actors play multiple roles during this action adventure. The songs, accompanied on piano by Douglas J. Quattrock, are catchy and fun and there’s even a tap dance number choreographed by Sari Feldman.

Costume designer Jason Allyn deserves “giant” accolades for the beautiful outfits and props, including a three-foot-long sneaker and a beanstalk that magically grows all the way to the ceiling. 

With the important message that one should always tell the truth, Jack and the Beanstalk will warm your heart. Don’t miss this one. Meet the cast in the lobby after the show for photos. 

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Theatre Three, 412 Main St., Port Jefferson presents Jack and the Beanstalk through Feb. 3. Children’s theater continues with Dorothy’s Adventures in Oz from Feb. 21 to March 16; The Adventures of Peter Rabbit from April 13 to 27; and a brand new show, The Mystery of the Missing Ever After, from May 25 to June 15. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

The cast of 'Side By Side By Sondheim'. Photo by Steven Uihlein/Theatre Three Productions, Inc.

By Rita J. Egan

The cast and crew at Theatre Three have once again created an entertaining production of music and laughs with Side by Side by Sondheim. The show debuted on the Port Jefferson stage Feb. 18. 

Countless songs throughout the decades have been loved for generations, and Broadway tunes are no exception. The late composer and lyricist Stephen Sondheim is among the talents who created those gems, and Side by Side by Sondheim is a testament to his immense talent by celebrating his earlier works.

From left, Linda May and Emily Gates in the duet ‘If Momma Was Married’ from Gypsy.

The production featuring music and lyrics by Sondheim as well as music by Leonard Bernstein, Mary Rodgers, Richard Rodgers and Jule Styne debuted in London in 1976 and on Broadway in 1977. The musical revue may leave some in the audience wanting to know more about Sondheim, as he composed so much more after the late 1970s. Despite this factor, it’s the perfect starting point to enjoy his contributions to the arts.

In Theatre Three’s version, director Christine Boehm has expertly directed a cast of five, and conductor Jeffrey Hoffman, on piano, leads bassist Logan Friedman and percussionist Don Larsen seamlessly from one number to another. The three are visible on stage the entire show and, a few times, join in on the jokes with the actors.

Emily Gates, Linda May, Ryan Nolin and Jack Seabury are the main vocalists in the production and have wonderful chemistry together. All four deliver strong performances whether singing as a quartet, trio, duo or solo.

Ana McCasland serves as narrator to fill in the audience on some of the backstories of Sondheim’s songs and his life, including how he met Leonard Bernstein, providing an interesting glimpse into musical history for Broadway enthusiasts.

May shines during “Send in the Clowns” from A Little Night Music, and then just as easily makes everyone laugh during a silly number called “The Boy From,” a song featured in Sondheim’s off-Broadway revue The Mad Show.

Jack Seabury and Ryan Nolin perform ‘We’re Gonna Be All Right’ from Do I Hear a Waltz.

Gates belts out a “Losing My Mind” from Follies so beautifully and perfectly that it’s the tearjerker it’s meant to be. She and May on “A Boy Like That/I Have a Love” capture all the anger, sorrow and tenderness that Maria and Anita felt after Bernardo’s death in West Side Story.

Seabury sings a touching “Anyone Can Whistle” from the musical of the same name, and Nolin delivers a strong “Being Alive” from Company. Nolin also is a delightful surprise during “You Gotta Get a Gimmick,” a favorite tune from Gypsy. Seabury and Nolin are also priceless singing the duet “We’re Gonna Be All Right” from Do I Hear a Waltz. The song was originally written for a woman and man singing about their relationship, but the singers are wonderful in embracing the updated spin on the song.

McCasland is a charming narrator and has her chance to sing during “I Never Do Anything Twice,” featured in the movie The Seven-Per-Cent Solution. Not only did she shine, she also had fun with the song, garnering laughter from the audience as she performed the tune to the hilt.

Subtle choreography and simple, colorful blocks of light on stage rounded out the show beautifully. Theatre Three has produced a lighthearted Side by Side by Sondheim, which is a breath of fresh air. The Cabaret-style revue is perfect for ending a special night or taking in some musical history.

Theatre Three, 412 Main St., Port Jefferson presents Side By Side By Sondheim through March 18. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12 (under 5 not permitted), $20 Wednesday matinees. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Steven Uihlein/Theatre Three Productions, Inc.

By Barbara Anne Kirshner

Do you ever think back to your teenage years, to the time you were hanging out at the beach, local candy store or park and you turned around to stare into the eyes of the most gorgeous person you’ve ever seen? That snapshot is lodged somewhere in the deep recesses of your mind, but when you allow it to surface, you get that sweet nostalgia of those “Summer Nights.”

Grease, now rockin’ the rafters at Theatre Three, is that journey down memory lane with 1950’s Pink Lady jackets, Greasers and Greased Lightnin’. It explores the innocence of youth, the pangs of first love and the teenage psyche when everything was a crisis and monumental. This effervescent romp brimming with electrifying familiar songs ignites the audience making it difficult not to jump up, dance and sing along with the spirited ensemble.

The team of Jim Jacobs and Warren Casey wrote the book, music and lyrics with the original concept derived from Jacobs’ personal experiences at William Taft High School in Chicago. The name was changed to Rydell High in deference to the pop 50’s singer Bobby Rydell. Grease was first produced at the Kingston-Mines Theatre Company, Chicago in 1971, then went to Off-Broadway before moving to Broadway closing on April 13, 1980. The show received seven Tony Nominations in 1972.

This story of teenage love centers around greaser Danny Zuko and innocent Sandy Dumbrowski who have a summer romance that ends as the new school year begins. To the surprise of both, they bump into each other on the first day of school. But this reunion is awkward at first. Danny, leader of a greaser gang, is not what Sandy thought he was and Danny doesn’t want his gang to know he fell for this prim girl. Supported by a cast of exuberant characters and bursting with hits, this show has continued to delight audiences for decades.

The success of the 1978 movie version launched John Travolta and Olivia Newton-John into movie history and their performances are etched in our brains making it a monumental task for other actors to compare, but Jon Sawyer Coffin as Danny and Jenna Kavaler as Sandy are charismatic. The moment Coffin struts down the aisle in his seductive first entrance, he has the audience eating out of his hands. Kavaler, with her sweet smile, emits wholesomeness and her floating soprano wraps Hopelessly Devoted to You with emotion. We are with this Sandy right from the start and cheer for her and Danny to get together. 

Director Jeffrey Sanzel has assembled a dazzling ensemble of supporting characters with Pink Ladies, Rizzo (Rachel Greenblatt), Jan (Alanna Rose Henriquez), Marty (Heidi Jaye) and Frenchie (Michelle LaBozzetta). They are the cool girls hanging out with the super cool Burger Palace Boys, Kenickie (Steven Uihlein), Doody (C.J. Russo), Roger (Eric J. Hughes) and Sonny (Darren Clayton). This powerhouse company attacks the rock and roll score with vigorous dancing and stunning voices.

There are many stand out performances. Greenblatt’s Rizzo is dynamic as she grasps the audience with her cynical teasing of Sandy in Look at Me, I’m Sandra Dee, then exposes her vulnerable side with There Are Worse Things I Could Do. Jaye’s Marty portrays sophistication beyond her years and her Freddie My Love is such fun. LaBozzetta’s bubble-headed Frenchie flunks out of beauty school, but finds guidance from her Teen Angel played with animated elan by Londel Collier. The not so cool Jan (Henriquez) teams up with the jokester Roger (Hughes) for a comical Mooning. And, of course, we can’t have Grease without a hot rod, so suddenly taking center stage is Kenicke’s dream car replete with big round headlights prompting the Burger Palace Boys into a lively Greased Lightnin’.

Costumes by Ronald Green III from Pink Lady jackets to black leather jackets mirror the personalities of the characters. Sandy is wrapped in white cardigan over pastel full skirt as opposed to Rizzo’s tight-fitting reds and blacks. The dream sequence of Beauty School Drop Out is a delight with silver curlers piled on the girls’ heads and the entire company swathed in silver beauty parlor capes.

Nicole Bianco’s choreography is bouncy and artistic with many dance routines ending in gorgeous tableaus. Born to Hand-Jive with its synchronized sequences is frenetic.

The multi-level set design by Randall Parsons allows action to flow seamlessly. Lighting design by Robert W. Henderson, Jr. sets the mood from bright to sultry and provides flawless continuity.

Music director, Jeffrey Hoffman, and his four-piece band underscores the fun with their sparkling orchestration. A standout is Bill Kinslow’s sexy saxophone in There Are Worse Things I Can Do.

Theatre Three is celebrating its 51st season of bringing fine entertainment to Long Island audiences by kicking off the festivities with the world’s most popular musical, Grease. Come join in the fun!

Theatre Three, 412 Main St., Port Jefferson presents Grease through Oct. 30. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For COVID protocols, please visit the website at www.theatrethree.com. For more information, call 631-928-9100.

All photos by Brian Hoerger/Theatre Three Productions, Inc.

By Barbara Anne Kirshner

Main Streets all across our great nation are home to local theatres with their sparkling neon lights inviting us in to enjoy the enchantment of musicals, comedies and dramas. However last March, due to an unprecedented pandemic that forced the entire world to shut down, theatres suddenly fell into darkness, becoming specters of their former selves. But recently one by one those extinguished lights were turned back on once more illuminating Main Streets as they proudly announce the resurrection of live theatre.

Theatre Three, housed in that distinguished 160-year-old historic building in Port Jefferson, reopened its Mainstage doors on July 16th with the heartwarming fan favorite, The Fantasticks.

Kudos to Jeff Sanzel for celebrating the comeback of live theatre with this much loved classic. We need to escape into an endearing romantic musical right now and Theatre Three delivers. The message of The Fantasticks, that we can all survive and grow, is especially meaningful as we rise once more from a world ravaged by.

This allegorical tale is loosely based on the 1894 play The Romancers (Les Romantiques) by Edmond Rostand. Tom Jones (libretto and lyrics) and Harvey Schmidt (music) created a show that holds the distinction of being the world’s longest running musical having premiered at the Sullivan Street Playhouse off-Broadway on May 3, 1960 accumulating 17,162 performances before it closed on January 13, 2002, after 42 years. A revival opened August 23, 2006 at The Theater Center off-Broadway where it ran through June 4, 2017. 

Simplicity accompanied by theatricality are key elements to The Fantasticks and are exquisitely displayed through the light romance of a girl and the boy next door against a backdrop of minimal set by Randall Parsons with a small platform, two benches, two trunks, streetlight and a piano. Lighting design by Robert Henderson, Jr. helps create the intimacy, the magical moonlight and the reality that comes with the sun. 

Director Jeffrey Sanzel has assembled a versatile cast with actors called upon to not only sing, dance and act but play musical instruments.

Steve McCoy is captivating as the swashbuckling narrator El Gallo who weaves an irresistible spell immersing us in this timeless tale. With the beautifully melodic and pivotal song “Try to Remember,” he entreats us to return to a time of innocence   “When life was slow and oh, so mellow” and if we remember then “follow, follow, follow.” He is the conjurer creating romance, then mischief.

The Mute portrayed by Michelle LaBozzetta provides the only concrete tones to this intentionally abstract show. She is the wall separating the houses; she gracefully throws confetti into the air representing the change of seasons and she passes out props.

Meg Bush as Luisa/The Girl with her operettic soprano in addition to her ability to play both the flute and guitar is unique. Her Luisa personifies innocence. She is the dreamer, the moonstruck girl who pleads, “I am special. Please, God, please, don’t let me be normal.” We can’t help but empathize. Matthew Hoffman as Matthew/The Boy with his resonant tenor adds a depth of emotion to Jone’s lyrics. His seductive saxophone embraces Schmidt’s jazzy score.

Kyle Imperatore as Bellamy/The Girl’s Father and Jeffrey Hoffman, Hucklebee/The Boy’s Father give delightfully comedic performances as their pretense of a feud tricks their children into falling in love. Hoffman is a multi-talented force who smoothly transforms from musical conductor and pianist to Hucklebee and back again. 

The fathers know all too well that the feud must appear to finally come to an end. They enlist El Gallo to “kidnap” Luisa so Matt can be her hero by rescuing her. To assist in staging this first class abduction, El Gallo calls upon The Old Actor (Henry) played by Jeffrey Sanzel and his sidekick, The Man Who Dies (Mortimer) played by Steven Uihlein. Their antics are so much fun the moment they climb out of their costume box.

It is interesting to note that Tom Jones played the role of The Old Actor in the original Off-Broadway production and in the 2006 revival Jones recreated the role in addition to directing as Sanzel is doing in this production.

Chakira Doherty’s costumes help to reinforce the mood from Luisa’s floating dress emphasizing the innocent, dream-like quality to El Gallo’s dashing long black coat. Sari Feldman’s choreography supplies the right touch of theatricality particularly in the frenzied “The Abduction Ballet” and the frenetic “Round and Round.”

Theatre Three’s production of The Fantasticks is charming and entertaining with catchy songs that you leave the theatre singing.

Theatre Three, 412 Main St., Port Jefferson presents The Fantasticks on Fridays and Saturdays at 7 p.m. and Sundays at 3 p.m. through Aug. 15. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

tale of redemption, an epic battle of good and evil, teen romance, the bonds of friendship — these topics and more will be explored as Theatre Three celebrates 50 years of “Broadway on Main Street” with a revival of the six most popular shows in the theater’s history.

The season opens with a thrilling and chilling adaption of “Jekyll & Hyde: The Musical” by Paul Hadobas with book and lyrics by Leslie Bricusse and music by Frank Wildhorn featuring additional songs like “I Need to Know” and additional material which were cut from the original Broadway show.

Jeffrey Sanzel, who directed the theater’s 2005 production, returns to the helm to create a beautifully haunting show that is not to be missed.

Based on Robert Louis Stevenson’s 1886 gothic novella, “The Strange Case of Dr. Jekyll and Mr. Hyde,” the classic story follows Dr. Henry Jekyll’s ill-fated quest to find a cure for his father’s mental illness. Years of experiments have produced a chemical formula that Jekyll is convinced can “separate the good and evil” from the human soul … “to help the tortured mind of man.” All he needs is a human test subject.

When his request to inject the formula into a patient at a mental hospital is turned down by the Board of Governors, a decision they will later regret, Jekyll feels he has no choice but to experiment on himself. The noble attempt to help those that cannot help themselves backfires and gives life to an evil alter ego, Edward Hyde, who terrorizes the citizens of London after dark.

From the moment Hyde makes an appearance, he seeks revenge for Jekyll and methodically hunts down the members of the Board of Governors and with a crack of the neck or a stab in the side they fall one by one. Jekyll remembers little of the murders, praying “they are merely nightmares,” but eventually Hyde “comes out of the shadows” and becomes an addiction, causing Jekyll to lose self-control in an emotional climactic ending.

In his Theatre Three debut, Alan Stentiford is simply incredible in the dual role of Dr. Jekyll and Mr. Hyde. The actor’s transition from respected doctor to psychotic madman will make the tiny hairs on the back of your neck stand up. After each injection, the actor morphs into a rabid creature who slinks and lurks about in the dark, peering out through his unkempt hair with wild eyes. And wait until you hear him sing! Stentiford’s split-personality faceoff in “Confrontation” is mesmorizing and his opening night performance of “This Is the Moment” brought the house down.

Tamralynn Dorsa plays Jekyll’s loving and always supportive fiancée Emma Carew. Dorsa shines in this angelic role and her rendition of “Once Upon a Dream” is magical.

TracyLynn Conner is equally impressive as prostitute Lucy Harris who Jekyll befriends during a visit to the seedy drinking establishment, The Red Rat. It is her that Hyde visits the most often until his jealousy consumes him. Her emotional performance of “No One Knows You I Am” is wonderful.

Another standout in the show is Steven Uihlein in the role of Simon Stride, a former boyfriend of Carew, who has made it his personal mission to see Jekyll fail at every turn. Andrew Lenahan is also one to watch. As John Utterson, Jekyll’s friend and attorney, Lenahan gives a brilliant performance in “His Work and Nothing More.”

The beautiful costumes and wigs by Chakira Doherty meld perfectly with the evocative choreography by Nicole Bianco and the Victorian set, designed by Randall Parsons features Dr. Jekyll’s laboratory. Kudos also to musical director Jeffrey Hoffman, whose seven-piece orchestra keeps perfect pace and tune.

Jeffrey Sanzel has assembled an incredible cast and crew to kick off the theater’s golden anniversary and they all deserve a big round of applause. Happy anniversary Theatre Three! It’s time to relish the well-deserved spotlight.

The cast of ‘Jekyll & Hyde’: Melanie Acampora, Bryan Bowie, TracyLynn Conner, Dennis Creighton, Anthony D’Amore, Lindsay DeFranco, Tamralynn Dorsa, Emily Gates, Eric J. Hughes, Heather Kuhn, Michelle LaBozzetta, Krystal Lawless, Andrew Lenahan, George Liberman, Linda May, Stephanie Moreau, Douglas Quattrock, Jim Sluder, Alan Stentiford, James Taffurelli, Briana Ude, Steven Uihlein, and Ryan Worrell

Theatre Three, 412 Main St., Port Jefferson presents “Jeykll & Hyde: The Musical” through Oct. 26. Contains adult themes and situations. The 2019-20 Mainstage season continues with Charles Dickens’ “A Christmas Carol” from Nov. 16 to Dec. 28, “Driving Miss Daisy” from Jan. 11 to Feb. 1, “Joseph and the Amazing Technicolor Dreamcoat” from Feb. 15 to March 21, “Steel Magnolias” from April 4 to May 2 and “Grease” from May 16 to June 21. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

 

The cast of 'The Addams Family'. Photo by Brian Hoerger

By Heidi Sutton

Halloween is still a few weeks away, but there’s something creepy and kooky and altogether spooky going on at Theatre Three that’s not to be missed.

The theater opens its 49th season with the musical comedy “The Addams Family,” a nostalgic trip down memory lane for fans of this atypical clan, and judging by the packed house on opening night, that amounts to quite a few.

Created by Charles Addams, the lovable, albeit macabre, family first appeared in a New Yorker comic strip in 1938 but truly came to life in the 1960s ABC television series starring John Astin and Carolyn Jones as Gomez and Morticia. The two film versions in the 1990s paved the way for the Broadway musical in 2010 starring Nathan Lane and Bebe Neuwirth.

The cast of ‘The Addams Family’. Photo by Brian Hoerger

Last Saturday’s opening performance began as it should, with the audience snapping their fingers or clapping their hands to the iconic theme song, and suddenly they appeared — all the familiar, eccentric characters we have all come to love — Gomez (Matt Senese), Morticia (TracyLynn Conner), Uncle Fester (Rick Grossman), Grandma (Ginger Dalton), Wednesday (Jessica Murphy), Pugsley (Max Venezia), Lurch (James Taffurelli) and Thing and Cousin Itt (both played by Cameron Turner). What followed was a fun, wonderful evening of live theater.

Directed by Jeffrey Sanzel, the show opens, most fittingly, in the family cemetery (“Oh the intoxicating smell of the graveyard!”) as the family lets their ancestors out of a mausoleum to celebrate what it is to be an Addams. It is here that we see the first of many “Thriller”-inspired musical numbers, expertly choreographed by Nicole Bianco, that dominate the show.

The storyline revolves around Wednesday who is all grown up and has fallen in love with a “normal boy,” Lucas Beineke (Matt Paredi) from Ohio (“the swing state!”), and wants to bring him and his parents, straight arrow Mal (Steve Ayle) and the perfectly rhyming Alice (Linda May), over for one “normal night.” She confides in her father that she wants to marry Lucas and makes him promise not to tell her mother yet, putting Gomez in several hilarious sticky situations and leading up to his solo, “Trapped (like a corpse in the ground).”

Matt Senese as Gomez and Jessica Murphy as Wednesday. Photo by Brian Hoerger

Uncle Fester, on the other hand, recruits the ancestors to find out if this is really true love, and if so, to help it along. Dressed in ghostly white costumes, they float in and out of every scene as they spy on the family’s affairs.

As the Beineke family arrive, they are invited to take part in the family game, Full Disclosure, during which everyone takes a sip from a sacred chalice and reveals something they’ve never told anyone. When Pugsley steals a magical potion from Grandma (“One swig of that and Mary Poppins turns into Madea!”) and pours it in the chalice, the evening takes a dark and eventful turn.

Accompanied by an outstanding eight-member band led by Jeffrey Hoffman, the 20 musical numbers perfectly tie the storyline together.   The costumes by Chakira Doherty are wonderful, especially for the ghoulish ancestors, and the Gothic set, cleverly designed by Randall Parsons includes panels that swivel and rotate to reveal different scenery. As the actors sing their solo or duet, they move toward the edge of the stage as the curtain closes, allowing the set to be quickly changed for the next scene.

With exceptional vocals, the entire cast become fully immersed in their individual character. The chemistry between Gomez and Morticia is as alive as ever. Morticia: “I feel darkness and grief and unspeakable sorrow.” Gomez: “I love it when you speak sexy, Cara Mia.” 

Matt Senese as Gomez and TracyLynn Conner as Morticia. Photo by Peter Lanscombe

Although she’s in love, Wednesday’s inner darkness makes several appearances, and Uncle Fester is as lovable as ever (yes, he is still in love with the moon.) Pugsley secretly loves to be tortured (electrocuted to be precise) by his big sister, Grandma is still wacky and Lurch is still grunting; but in the end they are just one big family that has to deal with every day issues just like everyone else.

In his director’s notes, Sanzel sums it up perfectly. “The ultimate message of ‘The Addams Family’ musical is to find out who you are so you can be true to yourself. Whether vacationing in the sewers of Paris, starting out in a new marriage or finding the spark in an old one, or flying to your true love (‘To the moon, Alice!’), the Addams Family and ‘The Addams Family’ remind us to ‘live before we die.’”

Go see this wonderful show. You’ll find much to cherish.

Stay after the performance for a photo with the cast on stage if you wish — the $5 donation goes to support the theater’s scholarship fund.

Theatre Three, 412 Main St., Port Jefferson will present “The Addams Family” through Oct. 27. Tickets are $35 adults, $28 seniors and students and $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.