TIME TO SHOP!
The 56th annual Gallery North Outdoor Art & Musical Festival returns this weekend. Photo by Heidi Sutton/2021
Gallery North in Setauket will present its 56th Annual Outdoor Art Show and Music Festival on Saturday, Sept. 17 and Sunday, Sept, 18 from 10 a.m. to 5 p.m. The two-day event will feature over 100 exhibitors offering a diverse selection of affordable, exciting, original paintings, prints, photography, ceramics, pottery, woodwork, glassware, artisan created jewelry, handmade crafts, decorations, clothing, and so much more! The event will be free and open to the public.
The Outdoor Art Show and Music Festival hosted by Gallery North has featured some of the finest art and craft from regional artists and artisans over its long 57-year history, making it a vital part of the regional art community and a significant tradition for the public. Keeping with the event format of past years, the Outdoor Art Show and Music Festival will include art in a vast range of media, as well as delicious and exciting food vendors, St. James Brewery, raffle prizes, and an area devoted solely to kids’ activities. In addition, Gallery North is teaming up with WUSB 90.1 fm/107.3 fm Stony Brook this year to present live musical performances.
The WUSB Music Stage will feature four music groups each day of the festival, some of which will be featured on WUSB Radio in advance of the Outdoor Art Show and Music Festival. Art show awards and recognition will also be granted for Best in Show within several categories, including crafts, fiber art, glass art, jewelry, painting, photography, pottery, printmaking, and more. This year’s judges will include Marianne Della Croce, Executive Director of the Art League of Long Island; Lorena Salcedo-Watson, Lecturer and Director of Undergraduate Studies in the Department of Art at Stony Brook University; and contemporary artist, Tom Brydelsky. All award winners will be featured in Gallery North’s Winner’s Circle exhibition in 2023.
The Outdoor Art Show and Music Festival will be situated outside along North Country Road in Setauket, between 25A and Ridgeway Avenue, and on the grounds of Gallery North (90 N. Country Rd, Setauket). For more information, call 631-751-2676 or visit www.gallerynorth.org.
Bold colors, rich compositions, lush imagery. Gallery North invites individuals to immerse themselves in the resplendent renderings and impactful art by late contemporary artist Stan Brodsky with Recastings: Stan Brodsky, a memorial retrospective on view from Aug. 11 to Sept. 18. An opening reception will be held on Aug. 11 from 6 to 8 p.m.
“Stan is a very influential artist to many artists practicing right now in our area. We felt it was important to show his work, keep it being viewed by the public and continuing to influence other artists. He has a great collection of work that is still available. The work itself is timeless and it’s important for it to be out there,” said Curator Kate Schwarting.
‘Edge of Summer’ by Stan Brodsky
Brodsky, who died in 2019 at the age of 94, was an artist and educator based out of Huntington. Recastings, the third solo exhibit at Gallery North of the artist’s work, is a cultivated exploration of Brodsky’s more abstract art.
Through his 75 year career, Brodsky created both representational and abstract art. The 1960s and 1970s were mainly periods of representational art, but by the 1980s, Brodsky was incorporating different texture, tones, and styles — developing the abstract techniques he would continue to cultivate for the next 40 years.
Recastings primarily highlights the pieces he created during this era. The exhibit includes approximately 15 oil on canvas paintings of various sizes as well as large framed works on paper, unframed works on paper, oil on paper, and mixed media pieces, reflecting three hallmarks of his career: a powerful command of color, a profound connection to nature, and the support he provided to other artists.
Color is a dynamic and defining character in Brodsky’s art, recognized by each individual interviewed for this article, while nature is a recurrent catalyst and muse.
“Stan Brodsky was renowned for his use of color. One critic called his colors ‘unnameable.’ The paintings change with the light, and so provide endless fascination,” Jeanne Hewitt, Brodsky’s widow and Trustee of the Stan Brodsky Trust, said.
‘Sun and Soil’ by Stan Brodsky
The artist’s distinct use of color showcases the power of his brushstrokes and indicates the impression of the natural world on his work. According to Schwarting, these traits allow a larger audience to relate to Brodsky’s art and are part of what drew her and Gallery North’s Executive Director Ned Puchner to the art that they chose to display.
“There are all different ways to connect with [Brodsky’s] work His use of color is really incredible —the color just vibrates, it is so vibrant and electric; his inspiration from nature; and his mark making is exquisite. There are so many details in his pieces, the push and pull, the layering, each one is very complex,” Schwarting said.
The exhibit is the continuation of a nearly 50 year relationship between Brodsky/his estate and Gallery North. Brodsky exhibited his work nationally and internationally but always maintained and nurtured his ties to the local artistic community of Long Island, including acting as teacher and mentor to many working artists in the area.
“He encouraged and taught other artists up until a few months before his death…Stan was beloved for the encouragement he offered to other artists, and for the help he offered,” Hewitt said.
Delving into Brodsky’s imprint on artists, “Stan Clan: Discussion on Brodsky’s Influence,” a panel talk with six of Brodsky’s former students reflecting on how he affected their creative development, will be held on Aug. 31 at 6 p.m.
When asked about this event, Puchner said he was most looking forward to the stories about Brodsky and his philosophy.
“It seems like he was such a charismatic, emotional person. When watching some of the videos of his previous talks, you see he was not afraid to talk about things like love and the more heightened emotional aspects of the creative process. What elements of his creative process have been picked up by the next generation of his students? How that was imparted to his students and how they and whether they continue to do that themselves will be really interesting,” he added.
Artist Doug Reina, who recently had a solo exhibit at Gallery North and will be one of the guests at the panel discussion, views Brodsky’s roles as artist and educator to be lasting gifts. “For those who know and appreciate his work, Stan Brodsky will always be remembered as a great painter who combined gorgeous colors, shapes, and compositions in a truly unique way,” he said. “For those lucky to have been his students, he will be remembered for his deep knowledge of painting that he always shared so generously. Perhaps the most important part of his legacy is how he helped so many artists grow, to take chances, to push beyond their limits.”
Reina will be joined at the discussion by fellow artists Susan Rostan, Peter Galasso, Marceil Kazickas, Ellen Hallie Schiff, and Alicia R. Peterson, each of whom studied and/or worked with Brodsky.
As a complement to the exhibit, on August 24 at 6 p.m., Art of NYC and Long Island, in conjunction with Brodsky’s estate, will provide a presentation at the gallery about art conservation techniques: identifying and treating condition issues in paintings, works on paper, and also sculptures. The exhibit, panel discussion, reception, and presentation are free and open to the public. A photo catalogue with a short essay about Brodsky and his art will be available to visitors.
Gallery North, 90 North Country Road, Setauket, is open Wednesdays to Saturdays, 11 a.m. to 5 p.m., and Sundays, 1 to 5 p.m. Recastings: Stan Brodsky is sponsored by Nancy Goroff, Jefferson’s Ferry, bid Architecture, and Suffolk County’s Department of Economic Development and Planning. For more information, call 631-751-2676 or visit www.gallerynorth.org.
Over 50 local and regional artists featured in group exhibition
Gallery North celebrates the beginning of summer with a new group exhibit, Inside/Out, featuring the artwork that has emerged from Gallery North programs including the recent Wet Paint Festival and workshops at The Studio at Gallery North. The exhibition will be on view from July 7 to August 7. The community is invited to an opening reception will be held on July 7 from 6 to 8 p.m.
‘Shibori Quilt’ by Andrea Baatz
The Wet Paint Festival and workshops at The Studio at Gallery North both serve as creative catalysts for artists, encouraging experimentation, and engaging with and supporting an inclusive, multigenerational artist community. These programs take place both inside the gallery’s Studio space as well as at locations in the broader community, and they often reflect the impact of the ecological, historical and cultural composition of the region on local artists. Whether the subject of the composition or the natural materials used in its creation, nature plays a role in many of the works in Inside/Out.
Inside/Out includes artists Marceil Kazickas, Nancy Bueti-Randall along with over 50 local and regional plein air artists who participated in the 18th annual Wet Paint Festival at the Sherwood Jayne Farm in Setauket. Artists representing the studio programs include John Benevento, Andrea Baatz and more than 20 other local artists working in a wide range of techniques and media, such as shibori dyed textiles, encaustic and intaglio prints.
As a complement to the exhibition, Joy Cirigliano of Four Harbors Audubon Society will present The Importance of Biodiversity in the Urban Forest on July 16 at 6 p.m..
This exhibition is generously sponsored by Jefferson’s Ferry, bld Architecture, and Suffolk County’s Department of Economic Development and Planning. The exhibition, reception and lecture will be free and open to the public.
Gallery North is located at 90 North Country Road, Setauket. For more information, call 631-751-2676 or visit www.gallerynorth.org.
This year's Wet Paint Festival will be held at the Sherwood-Jayne Farm in East Setauket.
Photo courtesy of Preservation Long Island
By Melissa Arnold
Since 2004, Gallery North’s annual Wet Paint Festival has invited artists from far and wide to revel in nature’s beauty. For a week or a weekend, artists enjoy each other’s company and a healthy dose of plein air painting — the tricky, constantly changing art of working outdoors.
This year’s festival, scheduled for June 4 and 5, will be held at the historic and picturesque Sherwood-Jayne Farm on Old Post Road in East Setauket and seeks to build upon past events where visitors can watch the artists work and ask questions about their creative process. There will also be the opportunity to tour the Sherwood-Jayne House, go bird watching, enjoy live music and more.
An artist paints plein air at the Sherwood-Jayne Farm. Photo from Preservation Long Island
“The landscape of the show has changed in a variety of ways over the years, not just in location but in the way it’s structured,” said Ned Puchner, executive director of Gallery North. “During the pandemic, people could paint remotely for a two-week period. Last year, we had a few different locations to choose from. This year, we’re returning to the traditional style of having a specific site where everyone will come together and paint for a weekend, with some additional activities for the public to enjoy.”
The Sherwood-Jayne Farm was originally slated to host the Wet Paint Festival in 2020, and planning for the event was nearly complete when the pandemic shut things down.
“Gallery North reached out to us a few years ago looking to change up the festival from the way it was done in the past,” said Elizabeth Abrams, Assistant Director of Operations and Programs for Preservation Long Island, which cares for the property. “We used to team up with the gallery for an apple festival, and considering we are just down the street from each other, it was natural for us to work together again.”
Preservation Long Island is a multifaceted not-for-profit organization dedicated to protecting Long Island’s history and culture. Founded in 1948, their focus is on education, advocacy, and the stewardship of historic buildings and artifacts.
Abrams explained that the Sherwood-Jayne House was built in 1730 as an early colonial, lean-to salt box dwelling. The house and surrounding farmland were cared for by the Jayne family for more than 150 years. In 1908, it was acquired by the founder of Preservation Long Island, Howard Sherwood, who lived in the home and displayed a variety of antiques there.
Throughout the weekend, the Sherwood-Jayne House will be open for tours with Preservation Long Island curator Lauren Brincat. Keep an eye out for the Tallmadge wall panels, and the incredibly beautiful wall mural in the parlor that’s meant to look like wallpaper — they are very rare to see, especially on Long Island, Abrams added.
“The house contains a large portion of Howard Sherwood’s personal antique collection and other bits of history from colonial Long Island. This area had a foundational role in American history — exploring the house and its collections are a unique way to learn more about that important time period,” she said.
There will be plenty of outdoor inspiration for the artists at the festival as well. The property is also home to a variety of outbuildings and trails, gorgeous old-growth walnut trees, an apple orchard, and all kinds of wildlife.
The Four Harbors Audubon Society will lead tours exploring the wildlife and ecology of the area, with a particular focus on local birds. If the barn is open, you might be lucky enough to meet some goats, a few sheep, or an old, sweet white horse named Snowball.
Visitors are free to wander the grounds at their leisure, watch the artists work or ask questions, Puchner said. For those who are feeling shy or not sure what to ask, an artist will offer a guided tour and lead discussions once each day.
“The whole objective of the Wet Paint Festival is to help people understand what goes into the process of creating a painting, and to meet local artists. It’s a great way for someone who has no artistic experience to learn how it all works,” Puchner said.
Nancy Bueti-Randall, pictured in her studio, will join over 40 other artists at this year’s Gallery North Wet Paint Festival. Photo by Heidi Sutton/TBR News Media
Over 40 artists will be participating this weekend including Nancy Bueti-Randall of Stony Brook who began to paint outdoors as a way to recharge while raising her three children. She’s spent more than 20 years creating and showing her work, which runs the gamut from pictorial to abstract, figures and landscapes. Most of the time, though, she’s painting in her garden or other familiar surroundings.
Sometimes, she’ll start a painting with the idea to focus on one thing, but something else in a landscape will catch her eye instead.
“There are a lot of challenges with plein air painting. It’s very fleeting — a landscape is always changing, even from day to day,” Bueti-Randall explained. “You have to be fast and responsive to what’s going on around you. It’s about becoming engaged with the thing you’re painting. I can get overwhelmed by beauty, and I try to capture the essence of what I’m seeing in a process of give and take.”
Marceil Kazickas of Sands Point considers herself an artistic late bloomer. She started drawing and painting to cope with a health crisis, and found that when she was being creative, she wasn’t in pain. Kazickas prefers to work in oil, which she loves for its luscious, sensual properties.
“When you go outside, there’s an overwhelming amount of information to take in — the views are always changing, the clock is running, and you want to get your design done quickly because the light and shadows are constantly evolving,” she explained.
“I’m not as focused on painting exactly what I see … People can get caught up in producing a finished, frameable piece of art, but for me it’s exciting to be outside and come up with whatever I can in the short time I’m out there, even if it’s nothing. It’s about the painting process.”
Puchner hopes that the variety of activities, including a scavenger hunt for kids and live music from the Keenan Paul Zach Trio and Tom Killourhy, will appeal to all kinds of people.
“These new additions will give the public the opportunity to enjoy nature, the arts and history all in one place, and our artists will have a fun new location to experiment and be creative in,” he said.
The 18th Annual Wet Paint Festival will be held June 4 and 5 at the Sherwood-Jayne Farm, 55 Old Post Road, East Setauket from 10 a.m. to 4 p.m. Rain date is June 18 and 19. The event is free and open to the public.
All participating artists will have their festival work on display in an exhibit at Gallery North, 90 North Country Road, Setauket, from July 7 through Aug 7. A free opening reception will be held at the gallery from on July 7 from 6 to 8 p.m.
For more information about the festival or to register to paint, visit www.gallerynorth.org or call 631-751-2676. Learn more about Sherwood-Jayne Farm at www.preservationlongisland.org.
The Winner’s Circle. It is a title only associated with the best of the best. And now the best of the best will be showcased at Gallery North’s latest exhibition celebrating the award-winning artists of the 2021 Outdoor Art Show and Music Festival and the 2020 Carmela Kolman Fellowship program. The show opens on May 26 with an artist reception from 6 to 8 p.m.
‘Skyline Sunset’ by William Low
Ned Puchner, Executive Director at Gallery North, is excited to introduce the exhibit. “The Winner’s Circle exhibition is a crucial part of how Gallery North promotes local artists and celebrates the artistic excellence within our region. Each one of these artists possesses an outstanding talent and should be acknowledged for the amazing work they contribute to our creative community,” he said.
The exhibition features over 50 works of art from recipients of the Best in Show award and best in categories including wood craft, fiber art, glass art, jewelry, painting, photography, and pottery from the Festival which took place last September. “Each artist submitted a selection of 10 to 15 examples of their work for our Curator, Kate Schwarting, to consider for our show at Gallery North,” said Puchner.
The 2021 festival judges, including Karen Levitov, Director and Curator of the Paul W. Zuccaire Gallery at the Staller Center for the Arts at Stony Brook University; Lorraine Walsh, Art Director of the Simons Center for Geometry and Physics at Stony Brook University; and contemporary artist, Nancy Bueti-Randall evaluated over 90 exhibitors to present the 13 available awards. “They were given a herculean task and did an outstanding job,” said Puchner.
‘Despair’ by Meagan Flaherty
“Each artist was evaluated for the excellence of their work, as well as how their approach transcended the specifics of their chosen medium to present works that conveyed the artist’s passion for what they do,” he explained.
The Winner’s Circle includes artists Chloe Wang (Best in Show); Scott Hartman (Outstanding Work on Paper-Watercolor); William Low (Outstanding Painting in Oil and Acrylic); Gail Applebaum/Studio 2 Productions (Outstanding Glass Art); Michael Josiah (Outstanding Wood Craft); Bebe Federmann (Outstanding Ceramics and Pottery); Jessica Randall (Outstanding Jewelry); Madison Muehl (Outstanding Photography); Kate Ackerman (Outstanding Fiber Art); Cassandra Voulo, Eric Giles, Marlene Weinstein (Honorable Mentions), and Carmela Kolman Fellow, Meagan Flaherty.
The Carmela Kolman Fellowship in Fine Art Program recognizes one exceptional artist annually who embodies the character and creativity of Carmela Kolman, an outstanding artist and member of the Gallery North community.
A wood-turned vase by Michael Josiah
“There is a wealth of artistic talent in our Winner’s Circle exhibition,” said Puchner, “from the superb jewelry of Jessica Randall, to the breathtaking pottery of Bebe Federmann and Eric Giles’ fascinating, offbeat sculpture, to Chloe Wang’s jewel-like paintings. Having a reputation as one of Long Island’s longest, continuously-running art festivals, the Outdoor Art Show and Music Festival is really unique for the ways in which it attracts excellent artists across every medium from all over Suffolk and Nassau County. And Gallery North has done the Festival for over 55 years! Please join us for this wonderful exhibition and support your creative community!”
Gallery North is located at 90 North Country Road in Setauket. Generously sponsored by Jefferson’s Ferry, bld Architecture, and Suffolk County’s Department of Economic Development and Planning, The Winner’s Circle will be on view from May 26 to July 3 from Wednesday to Saturday, 11 a.m. to 5 p.m., and Sunday from 1 to 5 p.m. All works in the exhibition are for sale.
For more information, please call 631-751-2676 or visit www.gallerynorth.org.
‘I paint Modified-Realism by altering and enhancing colors, using more abstract compositions, and leaving large areas of the painting an ambiguous black.’
Doug Reina, a well-known Long Island artist, is currently preparing for his first solo exhibit at Gallery North in Setauket. Titled Prolonged Perceptions: Recent Paintings by Doug Reina, the exhibit will run fromApril 7 to May 22 with an opening reception on April 7 from 6 to 8 p.m. and an ArTalk on April 9 at 6 p.m.
I had a chance to dig deeper into the artistic vision of this prestigious artist when I visited his studio located at 290 Main Street, Setauket where he gives lessons every Thursday. Be sure to view his website dougreina.com for additional information about his distinguished career.
When did you first realize your interest and talent in art?
Ever since I was a small child, I had an interest in making art that expressed my feelings. I sensed that I had talent for art based on the reaction my work was getting from my art teachers and classmates.
Do you remember the first piece of art that you created?
When I was four or so, I decided to run away by doing a self-portrait showing me running away, which I slipped under my folk’s bedroom door. As I recall it got a really big, affectionate reaction from my mom!
Your parents are involved in the art world. Can you tell us about them and how they influenced you?
My dad is a sculptor who made large public bronze works. He also taught art at Nassau Community College, where he was the director of the Art department. My mom was also an artist and had a gallery of contemporary crafts in Cold Spring Harbor. The home was full of original, contemporary art. I think having all that work to soak in over the years helped me to develop my own sense of aesthetics.
Who else was instrumental in encouraging you to pursue your art?
Stan Brodsky, a Long Island painter, became a mentor to me when I was a student in his Advanced Painting class. Stan opened my eyes about how much more a painting could express. I know I was very lucky to have those classes in that stage of my artistic development. I had the privilege of interviewing Stan about his artistic life at the Reboli Center which you can view on YouTube.
Can you name another artist whose work you admired and gave you inspiration?
When I first saw Richard Diebenkorn’s loose, gestural, figurative paintings I was blown off my feet. I see that he’s choosing colors because that’s what he feels the painting needs, rather than what reality says it’s supposed to be. But the thing that always gets me is the way he’ll paint something that’s loosely realistic but arrange the composition in such a way that the painting also feels somehow abstract.
Your latest works are going to be shown at Gallery North in a solo show titled Prolonged Perception. How would you describe these pieces?
They are paintings of the things I am attracted to — obscure, ordinary spaces of contemporary life that are often overlooked. I paint over a blackened canvas, which makes the colors really pop. It also allows for some interesting effects when the black shows through the thin sections of color. But most importantly, I can leave large areas to remain black. This changes the paintings, as they are no longer “normal” fully rendered scenes. The black creates both a powerful design element as well as an equally powerful psychological quality in the work.
What feelings would you like the viewer to come away with?
I’d like them to feel they are seeing something new and fresh with beautiful color and compositions that have an abstract painting quality to them. I’d like them to take in a view of something often overlooked, yet possess some interesting emotional vibe that is worth slowing down for and considering.
Your recently published book, Under the Covers, showcases your cartoon work which has been described as ‘absurd, hilarious, and surprisingly touching.’ How did you become interested in cartooning?
My first love as a child artist was drawing cartoons. I continued through my adult life and had some luck getting them published with The New Yorker magazine as well as with King Features Syndicate. I have a love for vintage fountain pens and always have a sketchbook on hand to amuse myself. A few years ago, I had started posting my little doodles from my sketchbook onto Instagram, where they amused my friends and like-minded strangers. I was advised to put them into a book which has been very well-received and can be purchased on Amazon.
Your immensely popular paintings on cigar boxes are another unique way you express your art. How did that come about?
There is another Richard Diebenkorn influence. I had read that he would take the lids off cigar boxes, paint directly onto them and give them as gifts to his friends. I do it a little differently though, in that, I like the paper border around the cigar boxes and use that as a “frame” for my paintings. l also left the lid on the box. In fact, I glue them to the box which allows the entire box to be hung on a wall to be presented just like a regular painting.
You have many facets to your creativity, but many still admire your Long Island landscapes. How do you perceive these paintings?
I think my plein air paintings have a freshness to them that I find often hard to replicate when working in the studio. I can always tell the difference between the two types of paintings.Whenever I paint outdoors, I feel a sense of urgency, as the weather is changing and the sun is on the move — so, there’s no time wasted. I begin to paint ahead of my mind, and I paint more with my heart. That puts an energy into the brushstrokes and that gives the paintings a nice sense of life to them.
Your figurative work encompasses a plethora of interesting characters. What is it about a person that intrigues you to paint them?
People have so much character that they can add a powerful mood to a painting quite nicely. Plus, they can be a “stand in” for the viewer or me and help tell a type of story in the painting that we all share and feel as humans.
The prestigious Pollack-Krasner award was given to you twice. What did receiving that award mean to you and how did you utilize it?
I was honored to have received those grants from the Pollock-Krasner Foundation. As an artist, it made me feel like my work had merit and I was on the right track. The grant money has enabled me to open and maintain my studio, which has been here on Main Street in Setauket since 2014.
Your work is in many private collections. Is there one that brought you the most fulfillment?
Yes, I was commissioned to paint a copy of Washington Crossing the Delaware. This was a complicated painting that took many months to complete. When it was completed, I felt that I had become a stronger, more confident painter. It’s on my website under the Commissions section if you’d like to see it. (www.dougreina.com)
What is your lifetime goal as an artist?
To have a long and healthy life where I can continue to make art that means something to me and to the people who exhibit it and collect it.
Gallery North in Setauket has announced it’s latest exhibit,Emergence: Gerald Monroe, a memorial retrospective of the late abstract artist Gerald Monroe, on view from Feb. 24 to April 3. An opening reception will be held on Feb. 24 from 6 pm to 8 pm.
The exhibition and opening reception will be free and open to the public.
This exhibition of small, medium and large oil paintings — Monroe’s first at Gallery North — embodies every possible meaning of the title, Emergence. These are paintings formed from pure intensity of feeling. Each painting arises from in-the-moment narratives, personal speculation, and a long-held fascination with nature.
Monroe’s abstractions derive from a decades-long dedication to Modernist abstraction, and uniformly emerge from natural sources — bodies, plant forms, passing clouds, thin rays of light, or the slow melt of a sunset seen from his studio.
“Every mark is a speculative act; uncertainty spurs possibilities, only to have them become mired in incoherence. I must bring method to the madness: the creation of a well-constructed picture that relies on the tendency of color, shape, texture, etc. to strike metaphorical connections to the real world of palpable space and energy,” said Monroe, who passed away in June, 2021.
Emergence explores the natural world and reveals how our physical experience of the world shapes and sometimes distorts our inner lives in mysterious ways.
Gerald Monroe was born in New York City in 1926. He attended classes at the Art Students League in Manhattan and graduated from the Cooper Union for Art. He then earned his doctorate in education from New York University and spent the early years of his career as a scholar and published author, known for his seminal research on the activities of the Artists Union during the Great Depression.
Based in Water Mill, he exhibited widely, including solo shows at Manhattan galleries, the New Jersey State Museum and the Loeb Center at NYU, as well as group exhibitions at the Parrish Museum in Southampton, the Heckscher Museum in Huntington and Guild Hall in East Hampton. His work can be found in many public and private collections, including the Newark Museum.
This exhibition is generously sponsored by Jefferson’s Ferry, and Suffolk County’s Department of Economic Development and Planning.
Gallery North is located at 90 North Country Road in Setauket. For more information, call 631-751-2676 or visit www.gallerynorth.org.
'The Queen's Burial Chamber 2' by Ellen Hallie Schiff
'Ritual Blue' by Gina Mars
“Driving at Night to Meet Fran for Noodles” by Ellen Hallie Schiff
Ellen Hallie Schiff in her studio
Two person show explores color and chance through sculpture and abstract painting
By Tara Mae
Kicking off 2022, Gallery North explores the beauty born of controlled chaos and how that informs the power, impact, and usage of color through the raku sculptures of Gina Mars of Huntington and the abstract oil paintings of Ellen Hallie Schiff of Glen Cove in an exciting exhibit titled Chroma-Tenacity. The show opens Jan. 13.
Although Mars has a long-standing relationship with Gallery North, it is Schiff’s first exhibition at the gallery, and the pairing provides a unique opportunity for the artists to showcase their work in a way rarely seen, according to Executive Director Ned Puchner. The mixed media display, featuring approximately 53 pieces, was a calculated departure from the gallery’s standard procedure.
“I am excited to see 3-dimensional work shown at the same time as 2-dimensional work. Often, we segment those things: the former in the gift shop, the latter in the gallery. I love the interplay between 3-D and 2-D; it’s important to me,” he said.
Despite their different modes of expression, Mars and Schiff’s work shares certain commonalities that are interwoven into overall continuity and themes of Chroma-Tenacity.
“It really has to do with them trying to experiment and stay driven towards the goal of creating something beautiful that contains chaos. The exhaustion that comes with uncertainty runs through how we live right now and also this work,” said Puchner.
This notion of tranquility in turbulence and meaning in mayhem are continuous themes of Mars and Schiff’s art, from concept to creation, reflected in the process and the final product.
“Control and chance are elements in both of their work. Both artists focus on the importance of color, attention to detail, and creating refined pieces. Gina’s sculptures focus on understanding the chemistry that exists within the glazes and surface texture, yet allowing them to have this spontaneous reaction. Ellen’s work involves destroying things to build them back up,” said curator Kate Schwarting.
Mars primarily works in raku, a sculptural style that involves rapidly firing pottery or sculpture. Her decorative and functional pottery is removed from the kiln at 2000 degrees and put in a covered container with combustibles (Mars likes to use pine needles and newspaper). The smoke interacts with the glaze and creates all different colors.
Mars makes her own glazes, either color or crackle, which is a white glaze that, upon being taken out of kiln, shrinks in the air causing cracks. When the sculpture is put into the bin, the smoke gets into the cracks and makes incredible hues.
Her pottery features iridescent glazed bodies and crackle glazed lids.
“I love to go bold with my work and with color, push the limits of creativity, mixing different mediums. I may use different kinds of glaze firings, or different kinds of materials,” said Mars. “I like to take a lot of risks and [create] the vision that I see in my head; I don’t let anything influence me but my own ideas.”
Schiff is also open to the experience of creation informing her art, rather than adhering to a preconceived plan. Her work captures not only what is there but what is left behind as she applies layers of paint and then scrapes them away to form her works.
While experimenting with different markings, Schiff has sought to expand her color palette in the past year.
“I am interested in exploring. I try to really be open to what is happening on the canvas, what may occur, what I may explore with. I am intentional but I am also open to what may happen. I’m starting with the paint, I’m not starting with a narrative. Narrative may develop from putting the paint on the canvas. My work is about color and intention,” she explained.
This shared willingness to play around with colors, tones, and forms is what first drew Schwarting to assembling this joint exhibition.
“Gina started branching out in the past year [with] new motifs, materials, and experimenting with her process. I was really drawn to the sculptural elements and the dark surfaces that become luminous. Ellen’s art also evolved — it got brighter. The attention to texture and color is what really stood out to me: earthy, weathered, worn, but with incandescent color. Gina’s art has a very similar feeling to what Ellen has in her paintings. The breadth, range, and simultaneous cohesion of this exhibition make it a truly unique experience and one we are excited to share.”
Exhibition-related programming will include an ArTalk on Location, featuring both artists, to be published on YouTube on Feb. 3 and a one-day pottery workshop with Gina Mars in the Studio on Feb. 4 from 5:30 to 8:30 p.m.
Gallery North, 90 North Country Road, Setauket is open Tuesday to Saturday, from 11 a.m. to 5 p.m. and Sunday from 1 to 5 p.m. For more information, call 631-751-2676 or visit www.gallerynorth.org.
'White Table' by Myungja Anna Koh. Image from Gallery North
Deck the Halls, Gallery North’s annual group exhibition of small original works for holiday giving, returns from Nov. 12 to Dec. 19.
‘White Table’ by Myungja Anna Koh. Image from Gallery North
Enjoy artworks by over 50 local and regional artists in a range of media, including painting, printmaking, works on paper, sculpture, glassware, and more. The exhibition offers an excellent opportunity to support local artists and local business, and features a diverse selection of affordable, exciting, original artworks for everyone on your list.
In addition, Gallery North also features a large assortment of artisan created jewelry, handmade crafts, and decorations within the Shop at Gallery North, as well as clothing and artist-made greeting cards produced in the Studio at Gallery North. They also offer the gift of an art class or workshop to an aspiring artist, child, or adult.
An opening reception will be held on Friday, Nov. 12, from 6 to 8 p.m. and will be free and open to the public.
Deck the Halls is generously sponsored by WFC Architects, Suffolk County Department of Economic Development and Planning, and DIME Bank.
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As a complement to this year’s group exhibition, Deck the Halls, Gallery North will partner with the Three Village Historical Society and WUSB 90.1 FM/107.3 FM Stony Brook, to present The Holiday Market, a series of new outdoor events held from 11 a.m. to 4 p.m. on Saturdays from Nov. 27 to Dec. 18.
The purpose of The Holiday Market is to provide the community with an alternative to holiday shopping indoors and will offer an excellent opportunity to support local artists and businesses within a free, outdoor, safe, and socially distanced setting, complete with food by local eateries and live music by local musicians.
Holiday shoppers will find a diverse selection of affordable, exciting, original paintings, prints, photography, ceramics, pottery, woodwork, glassware, artisan created jewelry, handmade crafts, decorations, and clothing — perfect gifts for everyone on your list.
Gallery North is located at 90 North Country Road,Setauket. The gallery is open Wednesdays through Saturdays from 11 a.m. to 5 p.m. and Sundays from 11 a.m. to 5 p.m. For more information, call 631-751-2676 or visit www.gallerynorth.org.
Following the success of its curated group exhibition, Local Color, Gallery North in Setauket now shifts gears to present the work of contemporary photographer and tribal member of the Shinnecock Indian Nation, Jeremy Dennis, in an exhibit titled Moving Through Land. The show will be on view from Sept. 30 to Nov. 7.
Moving Through Land is Jeremy Dennis’ first solo exhibition at Gallery North and features a selection of photographs that highlight the artist’s use of cinematic imagery and examines indigenous identity within the artist’s community, the Shinnecock Indian Nation in Southampton.
The exhibit will consist of photographs from four of Dennis’ recent series — Rise, On This Site – Indigenous Long Island, Nothing Happened Here, and the Shinnecock Portrait Project. Together, the imagery of these four series explores and unsettles post-colonial narratives at play in film and media, unambiguously targeting damaging stereotypes such as the ‘noble savage.’
“As racial divisions and tensions reach a nationwide fever pitch, it’s more important to me than ever to offer a complex and compelling representation of indigenous people. I like making use of the cinema’s tools, the same ones directors have always turned against us…, to create conversations about uncomfortable aspects of post-colonialism,” said Dennis.
Ned Puchner, Executive Director at Gallery North, is excited to unveil the exhibit to the public. “Moving Through Land features dramatic photographs that are both beautiful and compelling. We are thrilled to present Jeremy Dennis’ photographs to our community as a way to explore common notions of indigenous identity and bring attention to the resilience of the Shinnecock Indian Nation and their ongoing struggles of maintaining autonomy,” he said.
Gallery North, 90 North Country Road, Setauket will host an opening reception for Moving Through Land: Recent Work by Jeremy Dennis on Saturday, Oct. 2, from 5 to 7 pm. The artist will also lead a Photowalk on Monday, Oct. 11 at 3 p.m. that will begin at Gallery North.
This exhibition is generously sponsored by Nancy Goroff, Suffolk County Department of Economic Development and Planning, and Dime Bank.
For more information, call 631-751-2676 or visit www.gallerynorth.org.
As a complement to this year’s group exhibition, Deck the Halls, Gallery North will partner with the Three Village Historical Society and WUSB 90.1 FM/107.3 FM Stony Brook, to present The Holiday Market, a series of new outdoor events held from 11 a.m. to 4 p.m. on Saturdays from Nov. 27 to Dec. 18.
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