Tags Posts tagged with "Eric J. Hughes"

Eric J. Hughes

By Heidi Sutton

After a two-year delay because of COVID, the Festival of One-Act Plays returns to Theatre Three in all its glory. Now in its 23rd year, the One-Acts are a wonderful opportunity for audiences to watch actors hone their craft up close and personal on the theater’s Second Stage. The festival opened last Sunday for a 10-performance run.

Festival founder and Executive Artistic Director Jeffrey Sanzel was tasked with selecting six original works from over 500 submissions and then selected an uber talented cast to tell their story. Fantastic costumes designed by Jason Allyn (with special mention to The Beat Goes On) tie it all together resulting in an incredible evening of live theater. 

“For the first time on any stage, these works come to life,” said Sanzel. “How challenging and exciting to present a unique universe in the space of no more than 25 minutes—and often as short as ten…” in a two-hour marathon in the cozy setting of The Ronald F. Peierls Theatre on the Second Stage, a space so intimate that “there is no wall. There is no division.” 

The show opens with Philip Darg’s Confessions of a Successful Playwright, a hilarious look at One-Act Festivals of all things. Wade Lawson (Stephen T. Wangner) meets up with a reporter (Tamralynn Dorsa) for an interview to share his struggles, triumphs, determination and eventual obsession to becoming the most produced, but least known, playwright in history.

Next up is The Turn-Around, by Cary Pepper. In a constant battle with his next door neighbor Lester’s many assault rifles and gun range, Robert (Antoine Jones) approaches Lester (Steve Ayle), with a change of heart in their ongoing war over the Second Amendment. The Turn-Around addresses one of today’s hot button issues from a wickedly humorous point-of-view.  

The first half concludes with the darkest offering of the evening. Joshua Young’s disturbing Bad China shows Nos (Steven Uihlein) asking for a favor from his sister, Reba (Brittany Lacy), which she keeps from her husband, Del (Evan Teich). A brutal portrait of the opioid crisis is played out within a dysfunctional family, where choices lead to harrowing results.

After a brief intermission, the show continues with Benign Departures, Tony Pasqualini’s vision of a national health crisis from a catastrophic perspective. Set some fifty years in the future, Dr. Elizabeth Baker (Tamralynn Dorsa) visits the homeless Maggie Elmer (Mary Ellin Kurtz) and a battle of wills ensues in which the two very different people find a common ground and a deeper understanding.

Ariana Rose’s comedy The Beat Goes On takes a peek at what goes on inside a display case at the Smithsonian, as various musical containers vie for superiority. Hilarity ensues as Cass (Sari Feldman), Trax (Steve Ayle), L.P. (Antoine Jones), Cee Dee (Brittany Lacey), and Dayta (Steven Uihlein) all hope for a transfer to the newer adjacent display case, leaving the audience in stitches.

The evening closes with Frank Tangredi’s Play Date, a whimsical look at fatherhood from two very different perspectives. The elderly Lou Gershwin (Bradlee Bing) just had a child with his second wife who is 30 years younger and 15-year-old Tyler Hill (Eric J. Hughes) gets limited visitation rights with his child. Meeting at a park bench, the two fathers share their stories and connect in a poignant, charming story.

With an excellent lineup and incredible cast, this festival is not to be missed. Get your ticket before they’re sold out.

Sponsored by Lippencott Financial Group, Theatre Three, 412 Main St., Port Jefferson will present The 23rd annual Festival of One-Act Plays through April 2. Please note: The plays contains adult language and subject matter. Parental discretion is advised. Running time is two hours with one 15-minute intermission. All seats are $20. To order, call the box office at 631-928-9100 or visit www.theatrethree.com

All photos by Peter Lanscombe/Theatre Three Productions, Inc.

 

By Heidi Sutton

The holidays have officially arrived with the return of Barnaby Saves Christmas at Theatre Three. Celebrating its 17th anniversary, the endearing musical, written by Douglas Quattrock and Jeffrey Sanzel, tells the tale of a little elf named Barnaby and his reindeer friend Franklynne’s quest to save Christmas. 

It’s Christmas Eve and Santa’s workshop is a flurry of activity as elves Sam, Crystal and Blizzard make last minute preparations before they join Santa and his reindeer in delivering presents. The newest elf, Barnaby, is busy finishing a special request from Santa — a little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest. 

When everyone else leaves on Santa’s sleigh, Barnaby soon realizes that the stuffed bear has been left behind and convinces Franklynne the littlest reindeer to help him track down Santa and give him the present.   

Along the way they meet Sarah and her nephew Andrew and learn about Hanukkah, the Festival of Lights, and try to foil villain S.B. Dombulbury and his partner in crime Irma’s plan to steal Christmas by stuffing up all the chimneys with coal.

While the script, score and lighting are pure perfection, director Jeffrey Sanzel has added other elements to the show to keep it fresh and exciting. This year the gorgeous new costumes by Jason Allyn take center stage with revamped choreography by Sari Feldman and the final scene is streamed live on Facebook.

This year’s stellar cast of nine adult actors put on a great show. Eric J. Hughes is back as Barnaby, a little elf “whose dreams are twice his size.” Sari Feldman returns as a feisty Franklynne, a role that was originally written for her back in 2004. Jason Furnari (the original Barnaby) is hilarious in the role of head elf Sam while newcomers Josie McSwane (Blizzard the Elf) and counterpart Katie Lemmen (Crystal the Elf) spend most of their time being hypnotized by S.B. (Spoiled Brat) Dombulbury (an incredible Steven Uihlein). Still yearning for a song-writing career, audience favorite Dana Bush is back as Irma for the 17th year in a row.

Rounding out the cast, a phenomenal Phyllis March reprises her dual role as the forgetful Mrs. Claus and Sarah and newcomer Finn MacDevitt tackles the role of Andrew and Santa Claus with ease. 

The most wonderful parts of the show are the musical numbers by Douglas Quattrock with special mention to Hughes’ solo “Still With a Ribbon on Top,” “Miracles” by March (accompanied on guitar by MacDevitt) and the rousing finale, “Wouldn’t You Like to Be Like Barnaby?”

With the special message that Christmas lies within our hearts, the show spreads holiday cheer for children and adults alike. Add this one to your wish list.

Souvenir elves and reindeer are available for purchase before the show and during intermission and the entire cast will be in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson presents Barnaby Saves Christmas through Dec. 26. Children’s theater continues with Puss-In-Boots from Jan. 15 to Feb. 5, 2022 and a brand new production of Dorothy’s Adventures in Oz from Feb. 23 to March 26, 2022. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

By Barbara Anne Kirshner

Do you ever think back to your teenage years, to the time you were hanging out at the beach, local candy store or park and you turned around to stare into the eyes of the most gorgeous person you’ve ever seen? That snapshot is lodged somewhere in the deep recesses of your mind, but when you allow it to surface, you get that sweet nostalgia of those “Summer Nights.”

Grease, now rockin’ the rafters at Theatre Three, is that journey down memory lane with 1950’s Pink Lady jackets, Greasers and Greased Lightnin’. It explores the innocence of youth, the pangs of first love and the teenage psyche when everything was a crisis and monumental. This effervescent romp brimming with electrifying familiar songs ignites the audience making it difficult not to jump up, dance and sing along with the spirited ensemble.

The team of Jim Jacobs and Warren Casey wrote the book, music and lyrics with the original concept derived from Jacobs’ personal experiences at William Taft High School in Chicago. The name was changed to Rydell High in deference to the pop 50’s singer Bobby Rydell. Grease was first produced at the Kingston-Mines Theatre Company, Chicago in 1971, then went to Off-Broadway before moving to Broadway closing on April 13, 1980. The show received seven Tony Nominations in 1972.

This story of teenage love centers around greaser Danny Zuko and innocent Sandy Dumbrowski who have a summer romance that ends as the new school year begins. To the surprise of both, they bump into each other on the first day of school. But this reunion is awkward at first. Danny, leader of a greaser gang, is not what Sandy thought he was and Danny doesn’t want his gang to know he fell for this prim girl. Supported by a cast of exuberant characters and bursting with hits, this show has continued to delight audiences for decades.

The success of the 1978 movie version launched John Travolta and Olivia Newton-John into movie history and their performances are etched in our brains making it a monumental task for other actors to compare, but Jon Sawyer Coffin as Danny and Jenna Kavaler as Sandy are charismatic. The moment Coffin struts down the aisle in his seductive first entrance, he has the audience eating out of his hands. Kavaler, with her sweet smile, emits wholesomeness and her floating soprano wraps Hopelessly Devoted to You with emotion. We are with this Sandy right from the start and cheer for her and Danny to get together. 

Director Jeffrey Sanzel has assembled a dazzling ensemble of supporting characters with Pink Ladies, Rizzo (Rachel Greenblatt), Jan (Alanna Rose Henriquez), Marty (Heidi Jaye) and Frenchie (Michelle LaBozzetta). They are the cool girls hanging out with the super cool Burger Palace Boys, Kenickie (Steven Uihlein), Doody (C.J. Russo), Roger (Eric J. Hughes) and Sonny (Darren Clayton). This powerhouse company attacks the rock and roll score with vigorous dancing and stunning voices.

There are many stand out performances. Greenblatt’s Rizzo is dynamic as she grasps the audience with her cynical teasing of Sandy in Look at Me, I’m Sandra Dee, then exposes her vulnerable side with There Are Worse Things I Could Do. Jaye’s Marty portrays sophistication beyond her years and her Freddie My Love is such fun. LaBozzetta’s bubble-headed Frenchie flunks out of beauty school, but finds guidance from her Teen Angel played with animated elan by Londel Collier. The not so cool Jan (Henriquez) teams up with the jokester Roger (Hughes) for a comical Mooning. And, of course, we can’t have Grease without a hot rod, so suddenly taking center stage is Kenicke’s dream car replete with big round headlights prompting the Burger Palace Boys into a lively Greased Lightnin’.

Costumes by Ronald Green III from Pink Lady jackets to black leather jackets mirror the personalities of the characters. Sandy is wrapped in white cardigan over pastel full skirt as opposed to Rizzo’s tight-fitting reds and blacks. The dream sequence of Beauty School Drop Out is a delight with silver curlers piled on the girls’ heads and the entire company swathed in silver beauty parlor capes.

Nicole Bianco’s choreography is bouncy and artistic with many dance routines ending in gorgeous tableaus. Born to Hand-Jive with its synchronized sequences is frenetic.

The multi-level set design by Randall Parsons allows action to flow seamlessly. Lighting design by Robert W. Henderson, Jr. sets the mood from bright to sultry and provides flawless continuity.

Music director, Jeffrey Hoffman, and his four-piece band underscores the fun with their sparkling orchestration. A standout is Bill Kinslow’s sexy saxophone in There Are Worse Things I Can Do.

Theatre Three is celebrating its 51st season of bringing fine entertainment to Long Island audiences by kicking off the festivities with the world’s most popular musical, Grease. Come join in the fun!

Theatre Three, 412 Main St., Port Jefferson presents Grease through Oct. 30. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For COVID protocols, please visit the website at www.theatrethree.com. For more information, call 631-928-9100.

All photos by Brian Hoerger/Theatre Three Productions, Inc.

By Heidi Sutton

Excitement was in the air as Theatre Three celebrated its reopening on July 10 with The Adventures of Peter Rabbit. Addressing the audience, director Jeffrey Sanzel said, “This is our very first theater performance since March 15 of last year. This is also our favorite children’s show of all time and I know you’re going to like it.” 

Well, that was an understatement.

For the next hour and 20 minutes the young theatergoers were treated to the mischievous adventures of Peter Rabbit and his cousin Benjamin Bunny … and loved every minute of it. 

Written by Jeffrey Sanzel and the late Brent Erlanson, the original musical is loosely based on one of the best-selling books of all time, The Tale of Peter Rabbit by Beatrix Potter, and features all of the beloved characters in the story. The eight adult cast members know their target audience well and keep them well entertained. 

Cast:

Peter Rabbit: Eric J. Hughes

Benjamin Bunny: Steven Uihlein

Mrs. Rabbit: Elizabeth Ladd

Flopsy: Meg Bush

Mopsy: Alyssa Montes

Cotton-Tail: Heather Rose Kuhn

Mr. McGregor: Darren Clayton

Mrs. Mcgregor: Linda May

The audience is whisked away to the countryside home of Mrs. Rabbit and her four bunnies who live next to Mr. and Mrs. McGregor. While Flopsy, Mopsy and Cotton-Tail listen to their mother by staying inside and doing their chores, Peter and Benjamin spend the day sneaking into Mr. McGregor’s garden to satisfy their insatiable appetite for lettuce, tomatoes, cucumbers, parsley and string beans. The many trips to the garden patch eventually wear down the farmer’s patience, resulting in a great chase with a narrow escape.

The show is adorable on so many levels. Like two peas in a pod, Peter and Benjamin produce the most laughs with their antics and Flopsy, Mopsy and Cotton-Tail spend most of their time looking for their wayward brother. And for some strange reason, the audience will walk away with a craving for bread and milk and blackberries.

The show is also a lesson in ingenuity. Trapdoors on stage become rabbit holes used by Peter and Benjamin to hide. An attempt to reclaim Peter’s socks and shoes and jacket and hat from a scarecrow in the garden turns into a scene from Mission Impossible complete with perilous stunts and spotlights. And when Peter retells the great chase to his family, the entire scene is reenacted in slow motion — a most spectacular feat.

Audience interaction is a big part of the show as the actors spend as much time in the aisles of the theater as on stage. When searching for Peter and Benjamin, Flopsy, Mopsy and Cotton-Tail run around asking the children if they’ve seen them (“They’re right behind you!”).  When Benjamin Bunny tried to jump onto the stage over and over again during last Saturday’s performance, the children called out words of encouragement (“You can do it Benjamin!). He took the stairs. 

With excellent choreography by Nicole Bianco, the musical numbers, accompanied on piano by Doug Quattrock, are catchy and fun, with special mention to “One More Time Around,”  “Run, Peter, Run!” and the hip hop number, “Peter’s Socks.” The final number incorporates all of the songs in a super mega-mix extravaganza.

Best suited for ages 3 to 8, The Adventures of Peter Rabbit is the perfect choice to celebrate Theatre Three’s reopening and the return of live theater. Your kids will love it.

Souvenir bunnies in various colors will be sold before the show and during intermission for $5 (proceeds will help maintain the historic building) and the entire cast is in the lobby after the show for a meet-and-greet.

Theatre Three, 412 Main St., Port Jefferson presents The Adventures of Peter Rabbit on Saturdays at 11 a.m. through Aug. 14. Children’s theater continues with A Kooky Spooky Halloween from Oct. 9 to 30 and Barnaby Saves Christmas from Nov. 20 to Dec. 26. All seats are $10. To order, call the box office at 631-928-9100 or visit www.theatrethree.com.

The show must go on(line). Theatre Three in Port Jefferson proudly presents Theatre Three Off-Stage/On-Line, an exciting series of short works, each no longer than fifteen minutes. 

In an effort to present original content in a unique way, Theatre Three’s call for scripts garnered over 125 submissions in its first week that can be presented exclusively on-line. The pieces have been written or re-conceived for the online platform, and writers have used the constraints of the format as a different way to tell stories.

The series will debut this Sunday, May 3, at 7 p.m. with the comedy Taking Sum Lumps by Ken Preuss, starring Michelle LaBozzetta and Brian Smith. This will be followed on Wednesday, May 6, at 7 p.m. with Phil Darg’s drama Trajectory, featuring Linda May and Stephen T. Wangner. 

The series is directed by Theatre Three’s Artistic Director Jeffrey Sanzel.  Technical production is by Tim Haggerty and Eric J. Hughes.

Coming soon will be You Give Me Fever by Thomas Pierce; Blinking in Treetops by Shirley King; Future Drew by John Mark Day; and Stage Fights Screen and The Birds Are Feeding Me, both by Rex McGregor, with more plays to be announced.

New premieres will be held every Sunday and Wednesday night at 7 p.m. on YouTube, Facebook and Theatre Three’s website, www.theatrethree.com.

Theatre Three continues to accept submissions; guidelines can be found at https://theatrethree.com/offstage-online.html.

By Heidi Sutton

When the Brothers Grimm published their Children’s and Household Tales in 1812, they probably had no idea that stories such as the cautionary Hansel and Gretel, would have such staying power. While Disney hasn’t gotten its hold on it yet, the folk tale has held its own over the years, most famously through opera (by composer Engelbert Humperdinck), and with recent revivals on the big screen (Hansel and Gretel: Witch Hunters and the even darker Gretel & Hansel). 

Now Theatre Three takes us back into the forest for a light-hearted and funny original retelling of Hansel and Gretel with a big surprise at the end that’s sure to satisfy every child’s sweet tooth. 

Written by Jeffrey Sanzel and Douglas Quattrock, with a brand new score by Quattrock, it follows Hansel and Gretel who are living with their father, a woodcutter, and detached stepmother. The family is starving and the stepmother blames the children. She gives her husband an ultimatum: “Either dump them in the forest or dump them in the forest!” The children overhear and gather white rocks to guide them back home. When her plan fails, the stepmother takes the reins and leads them back into the forest. This time Hansel leaves a trail of breadcrumbs (he eats the rocks by mistake) and the children become lost. 

As Gretel goes to find a path home, Hansel is kidnapped by Scrimshaw and Harvis, henchmen working for a child-eating witch who lives in a candy house. The witch promptly gets to work fattening Hansel up with cake, cookies and donuts. When Gretel trys to rescue him, the witch puts her to work cooking and cleaning. When the witch gets too close to the oven, Gretel has a decision to make. Will she push her in or find another way to get out of this mess?

Jeffrey Sanzel directs a brilliant adult cast of six in this delightful retelling of the beloved story. While the story of Hansel and Gretel isn’t all lollipops and gumdrops — after all, there is a wicked witch who preys on children — there are no scary moments in the show and everyone learns a lesson about the importance of family.  Nicole Bianco is perfectly cast in the dual role of stepmother and witch and delivers her lines softly, albeit sarcastically (“These kids are monsters!”), and never raises her voice. Her opening solo, “Stepmother’s Lament,” is hilarious.

Michelle LaBozzetta as Gretel and Eric J. Hughes as Hansel give standout performances. LaBozzetta’s character is strong-willed, confident and brave while Hughes plays a  carefree, clueless and sweet little brother. Their duets, “Stones Along the Way” and “Hansel’s Dinner” are perfectly executed. Steven Uihlein in the unpopular role of the father who goes along with his wife’s plans, does a fine job, as always. His character’s guilt in his solo “Lost” and at the end of the show is palpable. 

Although not part of the original story, Darren Bruce Clayton and Ryan Worrell, in the role of Scrimshaw and Harvis, entertain the audience by incorporating the Charleston, ballet and hip hop in their dance numbers, “Out of Step” and “Harvis and Scrimshaw.” What a treat!

The end result is a charming and imaginative production of Hansel and Gretel that should be added on your family’s to do list. Stay for a meet and greet with the cast in the lobby after the show.

Theatre Three, 412 Main St., Port Jefferson presents Hansel and Gretel on March 7, 14 and 21 at 11 a.m. and March 15 at 3 p.m. with a sensory-sensitive performance on March 8 at 11 a.m. Children’s Theater continues with The Adventures of Peter Rabbit from April 8 to 25 and Snow White and the Seven Dwarves from May 23 to June 6. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions, Inc.

Nicole Bianco and Eric J. Hughes star in the Brothers Grimm fairytale. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

‘Hansel and Gretel’

Artwork by Heather Kuhn

Children’s theater continues at Theatre Three, 412 Main St., Port Jefferson with “Hansel and Gretel” from Feb. 29 to March 21 with a sensory-sensitive performance on March 8 at 11 a.m. Go into the woods for an outrageous adventure with the world’s most famous brother and sister team. A feeble father, a wicked stepmother and a well-meaning if misguided witch add up to hilarious hijinx. Tickets are $10 per person. To order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

While Ebenezer Scrooge undergoes a transformation on Theatre Three’s Mainstage in “A Christmas Carol,” Santa’s littlest elf Barnaby experiences a metamorphosis of his own in the theater’s adorable children’s production of “Barnaby Saves Christmas.” The show runs through Dec. 28.

With a clever script by Douglas J. Quattrock and Jeffrey Sanzel with music and lyrics by Quattrock, the holiday production teaches us that Christmas lies within our hearts.

It’s Christmas Eve and the North Pole is a flurry of activity. Barnaby (Eric J. Hughes), the littlest elf in Elf School, is busy making a toy that Santa (Andrew Lenahan) requested — a little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest — while desperately trying to fit in. His constant attempts to be helpful fail, as he knocks down presents, bumps into fellow elves Blizzard (Krystal Lawless), Crystal (Nicole Bianco) and Sam (Jason Furnari) and makes a big mess.

When it’s time to deliver the presents to all the good little girls and boys, Barnaby and Blizzard’s fawn, Franklynne (Michelle LaBozzetta), are left behind with Mrs. Claus (Lorrie Maida). “You’ll have to wait to grow a little bit,” explains Sam. Barnaby soon realizes that Santa has left the stuffed bear behind and convinces Franklynne to embark on a journey to find Santa and “save Christmas.”   

On their adventure they crash land on the roof of the house of Sarah (Lorrie Maida) and her nephew Andrew (Andrew Lenahan) and learn all about Hanukkah and the Festival of Lights. They also come across S.B. (spoiled brat) Dombulbury (Steven Uihlein), a Scrooge in his own right who has stuffed up all the chimneys with coal with his partner in crime Irma (Dana Bush), in order to ruin Christmas. Yes, Barnaby will save the day — as evident in the title — but just wait until you see how!

Directed by Sanzel, the cast perfectly executes this beautiful story. The wonderful songs, accompanied on piano by Quattrock, are the heart of the show, with special mention to “Still With a Ribbon on Top” and “Within Our Hearts.”

Costumes by Teresa Matteson and Toni St. John are colorful and festive and the choreography by Nicole Bianco is fresh and fun. Special effects abound, elevated by the futuristic lighting and, spoiler alert, it even snows in the theater!

With the ultimate message to be the very best that you can be, “Barnaby Saves Christmas” is a must see this holiday season.

Souvenir elf and reindeer dolls will be available for purchase during intermission. Stay after the show for a photo keepsake with Santa Claus on stage if you wish — the $5 donation supports the theater’s scholarship fund — and join the rest of the cast in the lobby for a meet and greet.

Theatre Three, 412 Main St., Port Jefferson presents “Barnaby Saves Christmas” through Dec. 28. Children’s Theater continues with “Little Red Riding Hood” from Jan. 18 to Feb. 22 and “Hansel & Gretel” from Feb. 29 to March 21. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe/Theatre Three Productions Inc.

By Heidi Sutton

As one of the country’s most beloved holidays draws near, Theatre Three gets into the act with Halloween treats of its own. While the theater thrills and chills on the Mainstage with “Jekyll & Hyde,” its Children’s Theatre offers “A Kooky Spooky Halloween,” the adorable tale of a ghost who is afraid of the dark. Written by Jeffrey Sanzel and Steve McCoy, the musical, which runs through Oct. 26, is the perfect way to kick off the spookiest of seasons.

A friendly ghost named Abner Perkins (played by Steven Uihlein) has just graduated from Haunting High School. With a diploma and a medallion of invisibility in hand, his first assignment is to become the spooksperson for Ma Aberdeen’s Boarding House, famously known the world over for being the most haunted house in Harrison County U.S.A. and for serving the best toast. There are only two rules he has to follow — he can only haunt at night and he can’t lose the medallion or he’ll be seen by the living.

Abner confides to his best friend Lavinda the witch (Michelle LaBozzetta) that he has an uncontrollable fear of the dark and, after a bit of teasing (“That’s like a vampire who’s afraid of necks!”), she gifts him a night-light and promises to assist him with his haunting duties for the first few weeks. When they arrive at the boarding house, they find Ma Aberdeen (Ginger Dalton), the finest toast maker in the land, and her guests in the kitchen stuffing treat bags for Halloween.

We meet Kit Garret (Nicole Bianco) who “just came from a small town to a big city with a suitcase in my hand and hope in my heart” and can’t wait to try Ma Aberdeen’s famous toast. We also meet the Petersons — Paul the periodontist (Andrew Lenahan), his wife Penelope (Krystal Lawless) and their son Pip (Eric J. Hughes) — who have the most curious habit of using words that start with the letter P in every sentence.

When Pip puts on a pumpkin pullover and proceeds to tell pumpkin jokes (see what I did there?), Abner casts a speed spell on the group, making them spin like a top, do jumping jacks and walk like a duck in double time, and then, straight out of a scene from “The Golden Goose,” has them stick to each other “like birds of a feather.”

Just as he is about to undo the spell, fellow graduate and ghost with a grudge Dora Pike (Beth Ladd) shows up and steals Abner’s night-light and medallion of invisibility and hides them in Black Ridge Gulch, the deepest, darkest gorge in the entire world. Now visible, Abner has to convince the boarders, who are still stuck to each other in “an unprecedented predicament,” to help him and Lavinda get his property back. What follows is a hilarious adventure that highlights the power of honesty, determination and friendship.

Directed by Jeffrey Sanzel, the eight-member adult cast embraces the brilliant script and presents a hauntingly fun afternoon both children and parents will love. Accompanied on piano by Douglas Quattrock with choreography by Nicole Bianco, the song and dance numbers are fun and catchy with special mention to the rap “A Need for Speed” by Abner and Lavinda and the group number, “It’s Ma Who Makes the Toast.” Costumes by Teresa Matteson and Toni St. John are spot on, from the Peterson’s black and orange outfits to the spooky white garbs for the ghosts. And wait until you see the special effects!

Souvenir cat, pumpkin, vampire and ghost dolls will be available for purchase before the show and during intermission for $5. Meet the cast in the lobby for photos on your way out.

Theatre Three, 412 Main St., Port Jefferson will present “A Kooky Spooky Halloween” on Oct. 12, 19 and 26 at 11 a.m. and Oct. 20 at 3 p.m. Running time is 1 hour and 15 minutes with one intermission, and Halloween costumes are encouraged. Children’s theater continues with “Barnaby Saves Christmas,” from Nov. 23 to Dec. 28. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

tale of redemption, an epic battle of good and evil, teen romance, the bonds of friendship — these topics and more will be explored as Theatre Three celebrates 50 years of “Broadway on Main Street” with a revival of the six most popular shows in the theater’s history.

The season opens with a thrilling and chilling adaption of “Jekyll & Hyde: The Musical” by Paul Hadobas with book and lyrics by Leslie Bricusse and music by Frank Wildhorn featuring additional songs like “I Need to Know” and additional material which were cut from the original Broadway show.

Jeffrey Sanzel, who directed the theater’s 2005 production, returns to the helm to create a beautifully haunting show that is not to be missed.

Based on Robert Louis Stevenson’s 1886 gothic novella, “The Strange Case of Dr. Jekyll and Mr. Hyde,” the classic story follows Dr. Henry Jekyll’s ill-fated quest to find a cure for his father’s mental illness. Years of experiments have produced a chemical formula that Jekyll is convinced can “separate the good and evil” from the human soul … “to help the tortured mind of man.” All he needs is a human test subject.

When his request to inject the formula into a patient at a mental hospital is turned down by the Board of Governors, a decision they will later regret, Jekyll feels he has no choice but to experiment on himself. The noble attempt to help those that cannot help themselves backfires and gives life to an evil alter ego, Edward Hyde, who terrorizes the citizens of London after dark.

From the moment Hyde makes an appearance, he seeks revenge for Jekyll and methodically hunts down the members of the Board of Governors and with a crack of the neck or a stab in the side they fall one by one. Jekyll remembers little of the murders, praying “they are merely nightmares,” but eventually Hyde “comes out of the shadows” and becomes an addiction, causing Jekyll to lose self-control in an emotional climactic ending.

In his Theatre Three debut, Alan Stentiford is simply incredible in the dual role of Dr. Jekyll and Mr. Hyde. The actor’s transition from respected doctor to psychotic madman will make the tiny hairs on the back of your neck stand up. After each injection, the actor morphs into a rabid creature who slinks and lurks about in the dark, peering out through his unkempt hair with wild eyes. And wait until you hear him sing! Stentiford’s split-personality faceoff in “Confrontation” is mesmorizing and his opening night performance of “This Is the Moment” brought the house down.

Tamralynn Dorsa plays Jekyll’s loving and always supportive fiancée Emma Carew. Dorsa shines in this angelic role and her rendition of “Once Upon a Dream” is magical.

TracyLynn Conner is equally impressive as prostitute Lucy Harris who Jekyll befriends during a visit to the seedy drinking establishment, The Red Rat. It is her that Hyde visits the most often until his jealousy consumes him. Her emotional performance of “No One Knows You I Am” is wonderful.

Another standout in the show is Steven Uihlein in the role of Simon Stride, a former boyfriend of Carew, who has made it his personal mission to see Jekyll fail at every turn. Andrew Lenahan is also one to watch. As John Utterson, Jekyll’s friend and attorney, Lenahan gives a brilliant performance in “His Work and Nothing More.”

The beautiful costumes and wigs by Chakira Doherty meld perfectly with the evocative choreography by Nicole Bianco and the Victorian set, designed by Randall Parsons features Dr. Jekyll’s laboratory. Kudos also to musical director Jeffrey Hoffman, whose seven-piece orchestra keeps perfect pace and tune.

Jeffrey Sanzel has assembled an incredible cast and crew to kick off the theater’s golden anniversary and they all deserve a big round of applause. Happy anniversary Theatre Three! It’s time to relish the well-deserved spotlight.

The cast of ‘Jekyll & Hyde’: Melanie Acampora, Bryan Bowie, TracyLynn Conner, Dennis Creighton, Anthony D’Amore, Lindsay DeFranco, Tamralynn Dorsa, Emily Gates, Eric J. Hughes, Heather Kuhn, Michelle LaBozzetta, Krystal Lawless, Andrew Lenahan, George Liberman, Linda May, Stephanie Moreau, Douglas Quattrock, Jim Sluder, Alan Stentiford, James Taffurelli, Briana Ude, Steven Uihlein, and Ryan Worrell

Theatre Three, 412 Main St., Port Jefferson presents “Jeykll & Hyde: The Musical” through Oct. 26. Contains adult themes and situations. The 2019-20 Mainstage season continues with Charles Dickens’ “A Christmas Carol” from Nov. 16 to Dec. 28, “Driving Miss Daisy” from Jan. 11 to Feb. 1, “Joseph and the Amazing Technicolor Dreamcoat” from Feb. 15 to March 21, “Steel Magnolias” from April 4 to May 2 and “Grease” from May 16 to June 21. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.