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Douglas Quattrock

The marquee sign outside Theatre Three on March 30. Photo by Heidi Sutton

To All of Our Friends,

On March 15, after the evening performance of “Joseph and the Amazing Technicolor Dreamcoat,” Theatre Three suspended operations, a week prior to the production’s scheduled closing. We had made the decision both in the interest of the safety of our “Joseph” company and our public.

We have now postponed our next production, “Steel Magnolias,” to the same time in 2021. We have moved our 50th anniversary celebration, originally to take place the first weekend of June, to next year on the same weekend. Our classes, children’s theater productions, and educational touring programs are all on hold. Like everyone in our community, we wait, day-to-day, to see what develops.

We want to express our deepest appreciation for those on the front line … the hundreds of medical personnel, grocery store and pharmacy workers, those in government offices … the hundreds of people who are out there every day, at great personal risk, keeping the essential pieces of our lives going. You are the heroes of these challenging times.  

Theatre Three has been a part of Long Island culture for half a century. Theater is a place where people can gather and share in the human experience, both reflected onstage and in the very act of gathering together. While we don’t know when our next act will begin, we know it will. We look forward to re-opening our doors to once again bring you the joy of live theater.

Until that time, be safe and stay well.

Jeffrey Sanzel

Executive Artistic Director

Vivian Koutrakos

Managing Director

Andrew Markowitz

Board President

Douglas J. Quattrock

Artistic Associate

 

By Heidi Sutton

When the Brothers Grimm published their Children’s and Household Tales in 1812, they probably had no idea that stories such as the cautionary Hansel and Gretel, would have such staying power. While Disney hasn’t gotten its hold on it yet, the folk tale has held its own over the years, most famously through opera (by composer Engelbert Humperdinck), and with recent revivals on the big screen (Hansel and Gretel: Witch Hunters and the even darker Gretel & Hansel). 

Now Theatre Three takes us back into the forest for a light-hearted and funny original retelling of Hansel and Gretel with a big surprise at the end that’s sure to satisfy every child’s sweet tooth. 

Written by Jeffrey Sanzel and Douglas Quattrock, with a brand new score by Quattrock, it follows Hansel and Gretel who are living with their father, a woodcutter, and detached stepmother. The family is starving and the stepmother blames the children. She gives her husband an ultimatum: “Either dump them in the forest or dump them in the forest!” The children overhear and gather white rocks to guide them back home. When her plan fails, the stepmother takes the reins and leads them back into the forest. This time Hansel leaves a trail of breadcrumbs (he eats the rocks by mistake) and the children become lost. 

As Gretel goes to find a path home, Hansel is kidnapped by Scrimshaw and Harvis, henchmen working for a child-eating witch who lives in a candy house. The witch promptly gets to work fattening Hansel up with cake, cookies and donuts. When Gretel trys to rescue him, the witch puts her to work cooking and cleaning. When the witch gets too close to the oven, Gretel has a decision to make. Will she push her in or find another way to get out of this mess?

Jeffrey Sanzel directs a brilliant adult cast of six in this delightful retelling of the beloved story. While the story of Hansel and Gretel isn’t all lollipops and gumdrops — after all, there is a wicked witch who preys on children — there are no scary moments in the show and everyone learns a lesson about the importance of family.  Nicole Bianco is perfectly cast in the dual role of stepmother and witch and delivers her lines softly, albeit sarcastically (“These kids are monsters!”), and never raises her voice. Her opening solo, “Stepmother’s Lament,” is hilarious.

Michelle LaBozzetta as Gretel and Eric J. Hughes as Hansel give standout performances. LaBozzetta’s character is strong-willed, confident and brave while Hughes plays a  carefree, clueless and sweet little brother. Their duets, “Stones Along the Way” and “Hansel’s Dinner” are perfectly executed. Steven Uihlein in the unpopular role of the father who goes along with his wife’s plans, does a fine job, as always. His character’s guilt in his solo “Lost” and at the end of the show is palpable. 

Although not part of the original story, Darren Bruce Clayton and Ryan Worrell, in the role of Scrimshaw and Harvis, entertain the audience by incorporating the Charleston, ballet and hip hop in their dance numbers, “Out of Step” and “Harvis and Scrimshaw.” What a treat!

The end result is a charming and imaginative production of Hansel and Gretel that should be added on your family’s to do list. Stay for a meet and greet with the cast in the lobby after the show.

Theatre Three, 412 Main St., Port Jefferson presents Hansel and Gretel on March 7, 14 and 21 at 11 a.m. and March 15 at 3 p.m. with a sensory-sensitive performance on March 8 at 11 a.m. Children’s Theater continues with The Adventures of Peter Rabbit from April 8 to 25 and Snow White and the Seven Dwarves from May 23 to June 6. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions, Inc.

By Heidi Sutton

It was hard to discern who was having more fun during last Saturday night’s opening of “Joseph and the Amazing Technicolor Dreamcoat” at Theatre Three – the audience or the actors. The fast-paced family-friendly show, with lyrics by Tim Rice and music by Andrew Lloyd Webber, is told almost entirely in song and makes for a wonderful time at the theater.

Directed by Jeffrey Sanzel, the musical opens where the Narrator (Sari Feldman) is telling a group of children the biblical story of Joseph from the Book of Genesis, about a young man who lives in Canaan with his father Jacob and his 11 brothers. 

A predictor of dreams, Joseph is his father’s favorite (he reminds him of his late wife), causing much resentment and jealousy among the remaining brothers. When Jacob gifts Joseph a “coat of many colors,” the brothers decide that they must get rid of the chosen son once and for all and sell him into slavery to passing Ishmaelites who take him back to Egypt. They tell their grief-stricken father that Joseph was killed in an accident.

Joseph becomes a household slave to a wealthy man named Potiphar but is soon accused of seducing his wife and thrown in jail. He is eventually summoned by the Pharaoh to analyze his recurring dream, and in turn saves Egypt from a seven-year drought. Back in Canaan his brothers are not so lucky and are starving to death. They decide to go to Egypt to ask the Pharaoh for help but encounter Joseph instead. Will he seek revenge or find it in his heart to forgive?

Supported by an uber talented cast (38 in all), C.J. Russo is brilliant as Joseph and shines in his solos “Any Dream Will Do” and “Close Every Door.” Sari Feldman is terrific in the exhausting role of Narrator, shadowing Joseph and keeping his spirits up as he faces bad luck at every turn and leads the cast in an inspiring “Go, Go, Go Joseph.” Douglas Quattrock is hilarious in the duel role of Jacob and Potiphar and draws the most laughs with his perfect comedic timing.

Choreographed by Jean P. Sorbera, the many wonderful dance numbers in this huge production are each embraced by the cast with gusto, from the jaw-dropping country-western hoe-down “One More Angel in Heaven” featuring Kiernan Urso, the reggae inspired “Benjamin Calypso” with Londel Collier, the exotic Egyptian dance number “Potiphar” with Nicole Bianco and the too funny “Those Canaan Days” with Steven Uihlein. It is Andrew Lenahan’s Elvis-inspired “Poor, Poor Pharaoh”/”Song of the King,” however, that steals the show and brings the house down. 

The many colorful costumes designed by Ronald Green III, the live orchestra directed by Gregory P. Franz, incredible lighting by Robert W. Henderson Jr. and beautiful set by Randall Parsons tie it all together perfectly. Don’t miss this one.

Theatre Three, 412 Main St., Port Jefferson presents “Joseph and the Amazing Technicolor Dreamcoat” through March 21. The theater continues its 50th season with Robert Harling’s “Steel Magnolias” from April 4 to May 2 followed by the ’50s rock ‘n’ roll musical “Grease” from May 16 to June 21. Tickets are $35 adults, $28 students and seniors, $20 children ages 5 to 12. Wednesday matinees are $20. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe/ Theatre Three Productions, Inc.

By Heidi Sutton

One of Theatre Three’s most important offerings, in my opinion, is its children’s theatre series. Each show teaches a moral lesson — don’t lie, don’t steal, don’t be a bully — while introducing young audiences to live musical retellings of wonderful fairy tales including “Cinderella,” “Pinocchio,” “Hansel & Gretel” and its latest offering, “Little Red Riding Hood: A Tale of Safety for Today.” The adorable show opened last Saturday and runs through Feb. 22. 

While it follows the Brothers Grimm version closely, the story is used as a tool to teach “stranger danger” in a most effective way. Written by Jeffrey Sanzel and Kevin F. Story, the musical centers around a little girl named Amanda Sally Desdemona Estella Barbara Temple, although everyone in town calls her Little Red Riding Hood because she always wears the red cape her Granny Beckett made for her. 

When her grandmother sends Little Red Riding Hood’s mother a letter complaining “no one ever comes to visit. I might as well get eaten by a wolf!,” Amanda and her twin sisters, Blanche and Nora, head over the river and through the woods to bring her some Girl Scout cookies. Halfway there, Little Red Riding Hood tells her sisters to go back home because Nora is nursing a terrible cold. Now alone, she encounters a stranger (William “Billy” de Wolf) and commits a series of safety mistakes, placing her grandmother and herself in a dangerous situation.

Director Jeffrey Sanzel leads an adult cast of six who have the best time acting out this clever script.

Steven Uihlein serves as storyteller and does a terrific job introducing each scene, giving his own opinions and interrupting the show when he deems it necessary. Uihlein also plays numerous supporting roles, including a policeman, doctor and mailman.

Nicole Bianco is perfectly cast as Little Red Riding Hood, although she does love saying her long name a bit too much! Lol! Krystal Lawless tackles the challenging role of the forgetful Mrs. Temple with ease. Constantly mixing up her children’s names and attempting to make a cup of tea for Nora out of feathers, wrenches, sticky notes, etc. she draws the most laughs. 

Kyle Breitenbach has much fun in the role of the Wolf, who is all bark and no bite. Special effects make his stomach rumble and he is always asking the audience if they have any steak or a bone on hand. One of the best scenes is when the Wolf chases Granny Beckett around the bed, and when she steps away, he goes around many times more before he realizes she’s gone.

Michelle LaBozzetta has the most exhausting role in the show, skipping on stage as Blanche, turning the corner and reappearing as her twin sister Nora, hunched over and suffering from a cold. What a workout! LaBozzetta is so convincing that young children will not make the connection. 

But it’s Ginger Dalton as Granny Beckett who steals the show. Dripping with sarcasm, she pulls out all the stops to try to get her family to visit her and even fakes getting sick. Her solo, “Who’s at My Door?,” is superb.  

During the last 10 minutes of the show, the actors discuss the safety mistakes that Little Red Riding Hood made, including talking to strangers and giving out her grandmother’s address, and what she should have done instead.

The musical numbers, accompanied on piano by Douglas Quattrock, are fun and catchy, especially “Little Red Riding Hood” and the tap dance number “To Granny Beckett’s House We Go.”

The great story line, the wonderful songs and the important message it conveys makes this show a perfect reason to catch a performance. Meet the entire cast in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson presents “Little Red Riding Hood: A Tale of Safety for Today” is for ages 3 and up through Feb. 22. Children’s Theatre continues with “Hansel & Gretel” from Feb. 29 to March 21, “The Adventures of Peter Rabbit” from April 8 to 25 and “Snow White & the 7 Dwarfs” from May 23 to June 6. Tickets are $10 each. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions, Inc.

By Heidi Sutton

While Ebenezer Scrooge undergoes a transformation on Theatre Three’s Mainstage in “A Christmas Carol,” Santa’s littlest elf Barnaby experiences a metamorphosis of his own in the theater’s adorable children’s production of “Barnaby Saves Christmas.” The show runs through Dec. 28.

With a clever script by Douglas J. Quattrock and Jeffrey Sanzel with music and lyrics by Quattrock, the holiday production teaches us that Christmas lies within our hearts.

It’s Christmas Eve and the North Pole is a flurry of activity. Barnaby (Eric J. Hughes), the littlest elf in Elf School, is busy making a toy that Santa (Andrew Lenahan) requested — a little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest — while desperately trying to fit in. His constant attempts to be helpful fail, as he knocks down presents, bumps into fellow elves Blizzard (Krystal Lawless), Crystal (Nicole Bianco) and Sam (Jason Furnari) and makes a big mess.

When it’s time to deliver the presents to all the good little girls and boys, Barnaby and Blizzard’s fawn, Franklynne (Michelle LaBozzetta), are left behind with Mrs. Claus (Lorrie Maida). “You’ll have to wait to grow a little bit,” explains Sam. Barnaby soon realizes that Santa has left the stuffed bear behind and convinces Franklynne to embark on a journey to find Santa and “save Christmas.”   

On their adventure they crash land on the roof of the house of Sarah (Lorrie Maida) and her nephew Andrew (Andrew Lenahan) and learn all about Hanukkah and the Festival of Lights. They also come across S.B. (spoiled brat) Dombulbury (Steven Uihlein), a Scrooge in his own right who has stuffed up all the chimneys with coal with his partner in crime Irma (Dana Bush), in order to ruin Christmas. Yes, Barnaby will save the day — as evident in the title — but just wait until you see how!

Directed by Sanzel, the cast perfectly executes this beautiful story. The wonderful songs, accompanied on piano by Quattrock, are the heart of the show, with special mention to “Still With a Ribbon on Top” and “Within Our Hearts.”

Costumes by Teresa Matteson and Toni St. John are colorful and festive and the choreography by Nicole Bianco is fresh and fun. Special effects abound, elevated by the futuristic lighting and, spoiler alert, it even snows in the theater!

With the ultimate message to be the very best that you can be, “Barnaby Saves Christmas” is a must see this holiday season.

Souvenir elf and reindeer dolls will be available for purchase during intermission. Stay after the show for a photo keepsake with Santa Claus on stage if you wish — the $5 donation supports the theater’s scholarship fund — and join the rest of the cast in the lobby for a meet and greet.

Theatre Three, 412 Main St., Port Jefferson presents “Barnaby Saves Christmas” through Dec. 28. Children’s Theater continues with “Little Red Riding Hood” from Jan. 18 to Feb. 22 and “Hansel & Gretel” from Feb. 29 to March 21. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe/Theatre Three Productions Inc.

By Heidi Sutton

As one of the country’s most beloved holidays draws near, Theatre Three gets into the act with Halloween treats of its own. While the theater thrills and chills on the Mainstage with “Jekyll & Hyde,” its Children’s Theatre offers “A Kooky Spooky Halloween,” the adorable tale of a ghost who is afraid of the dark. Written by Jeffrey Sanzel and Steve McCoy, the musical, which runs through Oct. 26, is the perfect way to kick off the spookiest of seasons.

A friendly ghost named Abner Perkins (played by Steven Uihlein) has just graduated from Haunting High School. With a diploma and a medallion of invisibility in hand, his first assignment is to become the spooksperson for Ma Aberdeen’s Boarding House, famously known the world over for being the most haunted house in Harrison County U.S.A. and for serving the best toast. There are only two rules he has to follow — he can only haunt at night and he can’t lose the medallion or he’ll be seen by the living.

Abner confides to his best friend Lavinda the witch (Michelle LaBozzetta) that he has an uncontrollable fear of the dark and, after a bit of teasing (“That’s like a vampire who’s afraid of necks!”), she gifts him a night-light and promises to assist him with his haunting duties for the first few weeks. When they arrive at the boarding house, they find Ma Aberdeen (Ginger Dalton), the finest toast maker in the land, and her guests in the kitchen stuffing treat bags for Halloween.

We meet Kit Garret (Nicole Bianco) who “just came from a small town to a big city with a suitcase in my hand and hope in my heart” and can’t wait to try Ma Aberdeen’s famous toast. We also meet the Petersons — Paul the periodontist (Andrew Lenahan), his wife Penelope (Krystal Lawless) and their son Pip (Eric J. Hughes) — who have the most curious habit of using words that start with the letter P in every sentence.

When Pip puts on a pumpkin pullover and proceeds to tell pumpkin jokes (see what I did there?), Abner casts a speed spell on the group, making them spin like a top, do jumping jacks and walk like a duck in double time, and then, straight out of a scene from “The Golden Goose,” has them stick to each other “like birds of a feather.”

Just as he is about to undo the spell, fellow graduate and ghost with a grudge Dora Pike (Beth Ladd) shows up and steals Abner’s night-light and medallion of invisibility and hides them in Black Ridge Gulch, the deepest, darkest gorge in the entire world. Now visible, Abner has to convince the boarders, who are still stuck to each other in “an unprecedented predicament,” to help him and Lavinda get his property back. What follows is a hilarious adventure that highlights the power of honesty, determination and friendship.

Directed by Jeffrey Sanzel, the eight-member adult cast embraces the brilliant script and presents a hauntingly fun afternoon both children and parents will love. Accompanied on piano by Douglas Quattrock with choreography by Nicole Bianco, the song and dance numbers are fun and catchy with special mention to the rap “A Need for Speed” by Abner and Lavinda and the group number, “It’s Ma Who Makes the Toast.” Costumes by Teresa Matteson and Toni St. John are spot on, from the Peterson’s black and orange outfits to the spooky white garbs for the ghosts. And wait until you see the special effects!

Souvenir cat, pumpkin, vampire and ghost dolls will be available for purchase before the show and during intermission for $5. Meet the cast in the lobby for photos on your way out.

Theatre Three, 412 Main St., Port Jefferson will present “A Kooky Spooky Halloween” on Oct. 12, 19 and 26 at 11 a.m. and Oct. 20 at 3 p.m. Running time is 1 hour and 15 minutes with one intermission, and Halloween costumes are encouraged. Children’s theater continues with “Barnaby Saves Christmas,” from Nov. 23 to Dec. 28. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

tale of redemption, an epic battle of good and evil, teen romance, the bonds of friendship — these topics and more will be explored as Theatre Three celebrates 50 years of “Broadway on Main Street” with a revival of the six most popular shows in the theater’s history.

The season opens with a thrilling and chilling adaption of “Jekyll & Hyde: The Musical” by Paul Hadobas with book and lyrics by Leslie Bricusse and music by Frank Wildhorn featuring additional songs like “I Need to Know” and additional material which were cut from the original Broadway show.

Jeffrey Sanzel, who directed the theater’s 2005 production, returns to the helm to create a beautifully haunting show that is not to be missed.

Based on Robert Louis Stevenson’s 1886 gothic novella, “The Strange Case of Dr. Jekyll and Mr. Hyde,” the classic story follows Dr. Henry Jekyll’s ill-fated quest to find a cure for his father’s mental illness. Years of experiments have produced a chemical formula that Jekyll is convinced can “separate the good and evil” from the human soul … “to help the tortured mind of man.” All he needs is a human test subject.

When his request to inject the formula into a patient at a mental hospital is turned down by the Board of Governors, a decision they will later regret, Jekyll feels he has no choice but to experiment on himself. The noble attempt to help those that cannot help themselves backfires and gives life to an evil alter ego, Edward Hyde, who terrorizes the citizens of London after dark.

From the moment Hyde makes an appearance, he seeks revenge for Jekyll and methodically hunts down the members of the Board of Governors and with a crack of the neck or a stab in the side they fall one by one. Jekyll remembers little of the murders, praying “they are merely nightmares,” but eventually Hyde “comes out of the shadows” and becomes an addiction, causing Jekyll to lose self-control in an emotional climactic ending.

In his Theatre Three debut, Alan Stentiford is simply incredible in the dual role of Dr. Jekyll and Mr. Hyde. The actor’s transition from respected doctor to psychotic madman will make the tiny hairs on the back of your neck stand up. After each injection, the actor morphs into a rabid creature who slinks and lurks about in the dark, peering out through his unkempt hair with wild eyes. And wait until you hear him sing! Stentiford’s split-personality faceoff in “Confrontation” is mesmorizing and his opening night performance of “This Is the Moment” brought the house down.

Tamralynn Dorsa plays Jekyll’s loving and always supportive fiancée Emma Carew. Dorsa shines in this angelic role and her rendition of “Once Upon a Dream” is magical.

TracyLynn Conner is equally impressive as prostitute Lucy Harris who Jekyll befriends during a visit to the seedy drinking establishment, The Red Rat. It is her that Hyde visits the most often until his jealousy consumes him. Her emotional performance of “No One Knows You I Am” is wonderful.

Another standout in the show is Steven Uihlein in the role of Simon Stride, a former boyfriend of Carew, who has made it his personal mission to see Jekyll fail at every turn. Andrew Lenahan is also one to watch. As John Utterson, Jekyll’s friend and attorney, Lenahan gives a brilliant performance in “His Work and Nothing More.”

The beautiful costumes and wigs by Chakira Doherty meld perfectly with the evocative choreography by Nicole Bianco and the Victorian set, designed by Randall Parsons features Dr. Jekyll’s laboratory. Kudos also to musical director Jeffrey Hoffman, whose seven-piece orchestra keeps perfect pace and tune.

Jeffrey Sanzel has assembled an incredible cast and crew to kick off the theater’s golden anniversary and they all deserve a big round of applause. Happy anniversary Theatre Three! It’s time to relish the well-deserved spotlight.

The cast of ‘Jekyll & Hyde’: Melanie Acampora, Bryan Bowie, TracyLynn Conner, Dennis Creighton, Anthony D’Amore, Lindsay DeFranco, Tamralynn Dorsa, Emily Gates, Eric J. Hughes, Heather Kuhn, Michelle LaBozzetta, Krystal Lawless, Andrew Lenahan, George Liberman, Linda May, Stephanie Moreau, Douglas Quattrock, Jim Sluder, Alan Stentiford, James Taffurelli, Briana Ude, Steven Uihlein, and Ryan Worrell

Theatre Three, 412 Main St., Port Jefferson presents “Jeykll & Hyde: The Musical” through Oct. 26. Contains adult themes and situations. The 2019-20 Mainstage season continues with Charles Dickens’ “A Christmas Carol” from Nov. 16 to Dec. 28, “Driving Miss Daisy” from Jan. 11 to Feb. 1, “Joseph and the Amazing Technicolor Dreamcoat” from Feb. 15 to March 21, “Steel Magnolias” from April 4 to May 2 and “Grease” from May 16 to June 21. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

 

By Heidi Sutton

For too short a time, the classic tale of “Pinocchio” comes to life on Theatre Three’s stage in a most magical way. While most are familiar with Walt Disney’s 1940 animated feature, Theatre Three’s original retelling, written by Jeffrey Sanzel and Douglas J. Quattrock, is suggested from the 1883 children’s novel, “The Adventures of Pinocchio,” by Carlo Collodi.

Annabelle the Fairy (Krystal Lawless) has spent two centuries trying to earn her magic wand so that she can fly. Summoned before Ondine, the good and righteous Queen of the Fairies (Ginger Dalton), she is given one last chance to prove her worth or she has to leave the land of the fairies forever. 

Matt Hoffman and Steven Uihlein in a scene from ‘Pinocchio’

Teaming up with Cassandra the Magic Cricket (Michelle LaBozzetta), she is tasked with getting Geppetto (Steven Uihlein), a miserable and lonely woodcarver (think Scrooge), to care about people the same way he cares about wood.

Annabelle decides to cast a spell on the wood, making it talk, and Geppetto is inspired to carve it into a wooden boy he names Pinocchio (Matt Hoffman). Things go sour quickly as Pinocchio constantly misbehaves; so Annabelle casts another spell on him where his nose grows every time he tells a lie.

However, when Pinocchio gets mixed up with con artists Ferdinand Fox (Emily Gates), Carpacious Cat (Nicole Bianco) and Ranklin Rat (C.J. Russo) and is tricked into giving them all of Geppetto’s money, things go from bad to worse. Will Annabelle ever get her wings? Will Ferdinand, Carpacious and Ranklin get their comeuppance? Will Pinocchio ever become a real boy? 

Jeff Sanzel skillfully directs a cast of eight adult actors who take this delightful tale and run with it. There’s a lot to cover in an hour and a half, but the story flows nicely and keeps the audience at the edge of their seats.

The three troublemakers!

The musical numbers, accompanied on piano by Doug Quattrock, are lighthearted and entertaining, from “Lovely Thoughts” by Annabelle to “Bad Harmony” by the trio of con artists, to the wonderful “The Festival El Grande.” Choreography by Nicole Bianco fits the story perfectly and the costumes by Teresa Matteson and Toni St. John are sweet and fun.

There are so many special moments in this show, made even grander thanks to the addition of 40 children from the theater’s summer acting camp who play various extras including fairies and townspeople. 

Much to the delight of the young audience, the actors utilize the aisles often and special effects are around every corner. Annabelle and Cassandra hide under a magic umbrella that deems them invisible, Pinocchio’s nose really grows and wait until you see what falls from the ceiling at the end! Theatre Three has taken a story that is over 130 years old and given it new life. Grab the kids and catch a performance of “Pinocchio.” They will love you for it.

Souvenir fairy wands are sold for $10. Meet the cast in the lobby after the show.

Theatre Three, located at 412 Main St. in Port Jefferson, presents “Pinocchio” through Aug. 10. Children’s Theatre continues with “A Kooky Spooky Halloween” from Oct. 5 to 26 and “Barnaby Saves Christmas” from Nov. 23 to Dec. 28. All seats are $10. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

See more photos from the show online at www.tbrnewsmedia.com.

The three little kittens

By Heidi Sutton

What do three crooning kittens, a droll dog, a rascally rabbit and a pushover penguin have in common? They all want to be on the radio in Theatre Three’s latest children’s theater treat, “The Three Little Kittens.”  

The cast of ‘The Three Little Kittens’

Written by Jeffrey Sanzel and Kevin Story, the musical, which was last presented in 2013,  incorporates the beloved Mother Goose nursery rhyme but goes beyond losing the mittens, finding the mittens, eating pie, soiling and then washing the mittens and then the big finale, eating more pie. These kittens want more — they have hopes and dreams, don’t you know. In other words, this production is too cute for words.

Lucy, Ricky and Ethel Whiska aspire to become a singing trio on the radio while their neighbor Barker Doggone, who keeps losing his collar, etc. dreams of becoming a stand-up comic. Their favorite radio show is “The Bonanza Hour” on WPET Radio with Harry Hoppit, a white rabbit who was made famous by radio penguin Waddles Greenway but has let success go to his head. “I’m Harry Hoppit – be impressed” he tells his adoring fans.

Barker and Mama Doggone

When Mother Whiska and Mama Doggone bring home a flyer from the radio station announcing open auditions, the kittens and pup jump at the chance. Will they be able to turn their dreams into reality or will Harry Hoppit’s jealousy get in the way?

Directed by Sanzel, the nine-member cast embrace the clever script and do an incredible job. Each character’s personality is bold and distinct and perfectly executed.

Michelle LaBozzetta as Lucy, Eric J. Hughes as Ricky and Emily Gates as Ethel shine as the Whiska kittens while Steven Uihlein as Barker the dog steals the show with his funny jokes and wit. His constant distractions – “Squirrel!” – are doggone hilarious and the young audience during last Sunday’s performance couldn’t get enough. Their group number, “Dogs and Cats Like You and Me,” is a personal favorite.

Brielle Levenberg and Ginger Dalton as the moms make a great team, pretending not to like each other in front of others “out of tradition,” but are secretly the best of friends while Douglas J. Quattrock juggles the role of radio producer and providing piano accompaniment with ease (great accent!).

Harry Hoppit and Waddles Greenway

Andrew Lenahan plays the role of antagonist Harry Hoppit to a tee and has the best lines. “What can I say but me, me, me.” Beautifully delivered, Lenahan’s solo, “Looking Out for Number One,” perfectly describes the rabbit’s agenda. “… So if I ruffle some feathers and pull on some tails, what does it matter if others fail?” Don’t worry – he gets his comeuppance.

The strongest performance comes from Nicole Bianco who tackles the difficult role of Waddles Greenway the penguin with aplomb. Mercilessly bullied by Harry Hoppit, the hapless bird holds her own and treats the audience to a wonderful tap dance number, “The One and Only,” in the second act.

The entire production has a nostalgic 1940s feel and pays homage to the Golden Age of Radio. With the ultimate message that friendship is the greatest bond and that dreams really can come true, “The Three Little Kittens” is purrfectly adorable. Don’t miss it. Meet the cast in the lobby after the show.

Theatre Three, 412 Main St., Port Jefferson presents “The Three Little Kittens” through March 23. All seats are $10. Children’s theater continues with “The Adventures of Peter Rabbit” from April 12 to 27 and a Mainstage production of “The Wizard of Oz” (call for ticket prices) from May 18 to June 22. For more information, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

Amber Ferrari. Photo by Rich Balter

By Rita J. Egan

Music lovers who enjoy taking a trip down memory lane will be in for a treat Feb. 9 at Theatre Three. Long Island performer Amber Ferrari returns to the Port Jefferson venue with “Joplin’s Pearl Featuring Amber Ferrari,” a production that celebrates singer Janis Joplin’s musical legacy.

The show is described on the theater’s website as a two-act musical explosion. While the second act is jam-packed with the music of Joplin including “Me and Bobby McGee” and “Piece of My Heart,” the show opens with a mixture of hits from various artists. 

Amber Ferrari. Photo by Rich Balter

Reached by phone, Ferrari said she will be singing musical hits from legends throughout the decades, including Pat Benatar, Linda Ronstadt, Madonna, Lady Gaga, Queen, Led Zeppelin and Carole King. The singer said she also plans on performing one of her own songs.

Ferrari’s artistic relationship with Theatre Three began in 2005 when she performed in the venue’s “Woodstock-mania: Woodstock in Concert,” a show that inspired her to create “Joplin’s Pearl.” The singer said through the years she has performed the Joplin musical performance many times at the Port Jeff venue and also debuted her shows dedicated to Pat Benatar and Madonna there. Last summer, she once again participated in “Woodstock-Mania.”

“That’s my home theater, that’s my heart and soul,” said Ferrari. 

Douglas Quattrock, Theatre Three’s artistic associate and director of development, said he is looking forward to Ferrari returning to the theater with the show.

“I am thrilled to have Amber back at Theatre Three,” Quattrock said. “Her show is always filled with an incredible amount of energy, and her audiences always get a first-rate performance.”

The February performance follows a busy few months for Ferrari who presented her “Material Girl Featuring Amber Ferrari” at 89 North Music Venue in Patchogue last month and Napper Tandy’s Irish Pub in Smithtown last October as well as her Joplin show at Riverhead’s Suffolk Theater back in November.

On the night of Feb. 9, in addition to paying tribute to Joplin, the singer said she is looking forward to performing a Queen number. Ferrari said she feels the show has something for everyone and hopes audience members will enjoy how she and her band interpret the music of all the artists she is featuring.

“I’m hoping the people who don’t like a specific artist will just enjoy the way we do it because I don’t try to imitate anyone,” Ferrari said.

The singer said at the Feb. 9 performance bass player Michael Chiusano, guitarist Chris Ferrari, keyboardist Chris Cuvier, drummer Gary Gonzalez and percussionist Jim Carroll will join her on stage. She will also perform with a horn section that includes Lenny La Pinta on alto/tenor sax, Jonathan Holford playing baritone sax, Dan Yeager on trumpet and trombonist Tim Cassera.

Theatre Three, 412 Main St., Port Jefferson will present ‘Joplin’s Pearl Featuring Amber Ferrari’ on Saturday, Feb. 9 at 8 p.m. Tickets are $39. For more information or to order, visit www.theatrethree.com or call 631-928-9100. 

For more information on Amber Ferrari, visit www.amberferrari.com.