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Nikola Tesla and Guglielmo Marconi are the subjects of Joseph Sikorski's newest documentary. Image courtesy of Apple TV

Reviewed by Jeffrey Sanzel

Award-winning filmmaker Joseph Sikorski’s works include Arbor Day (1990), The Return of the King? (1993), Tower of Babble (2001), and Tower to the People: Tesla’s Dream at Wardenclyffe Continues (2015). The subject of the last—Tower to the People—plays an integral part in his newest documentary, Invisible Threads: From Wireless to War. Co-written with Michael Calomino, Invisible Threads takes an intriguing look at the early days of wireless technology and the conflicts between inventors Nikola Tesla and Guglielmo Marconi. Central to the story is a mysterious radio station erected in West Sayville, New York, by the German-based company Telefunken in 1911.

At the outset, local residents had the impression the site was to be a chocolate factory. Changing its name to Atlantic Communications Company, Telefunken built its radio tower with little public knowledge. The Suffolk County News editor Francis Hoag investigated, revealing the organization’s actual purpose. From here, the film follows the rise of wireless communication and the conflicts between Tesla and Marconi. Eventually, World War I becomes central to the narrative.

Marconi focused on developing a method to send Morse code through long-distance wireless communication. In contrast, Tesla had broader aspirations: He wanted to send sound, pictures, power, and electrical lighting by the same means. Thus came the Marconi-Tesla wireless race. 

The Wardenclyffe Laboratory in Shoreham. Photo courtesy of Apple TV

Tesla’s interests lay in the process, and concerned himself less with the applications. Marconi became a brand, with early telegrams being dubbed “Marconigrams.” As wireless technology grew, its impact and uses expanded. In 1912, wireless messages sent from the sinking Titanic saved lives. This alone boosted the value of Marconi’s system. The friction between Marconi and Tesla led to accusations and eventual wrangling over patents and lawsuits that dragged on for years.

But the heart of the story is Telefunken, who shipped the component parts from Germany to Long Island, assembling the tower in near secrecy. The company quickly demonstrated the ability to send a message from Sayville to Germany—four thousand miles—without a relay station in between. Telefunken’s process refinement even surpassed Marconi, leading to the U.S. government expressing concern that a foreign power had this control.

An “instrument of peace, commerce, and goodwill” changed in 1914 with the outbreak of the European war. The fear that Telefunken exploited the station to aid the German war effort proved true. Even with government oversight and surveillance, Telefunken used the system to communicate with Berlin: Telefunken was a major cog in the spy network. 

Conspiracies, subterfuge, and disinformation were all part of the complicated situation that even involved the sinking of the R.M.S. Lusitania. The tale is rife with saboteurs, cryptography, and Secret Service involvement, swirling with disinformation, assassinations, and labor unrest. All led to America entering World War I and taking over Telefunken. 

The film touches on the growing anti-German propaganda inflaming the American populace, particularly directed towards immigrants. Sikorski states that the majority of German-Americans were pro-American in the rising anti-German atmosphere but were subject to a wide range of persecution.

One of the most fascinating chapters involves the “Nauen Buzz,” a puzzle centered around coded messages accidentally solved by amateur radio enthusiast Charles E. Apgar. Sikorski presents Apgar through actual audio interviews recorded in 1934.

Another intriguing section explores Telsa’s remote-controlled boats outfitted with weapons. After a demonstration, government representatives dismissed its value—losing the earliest example of drone warfare. 

Invisible Threads masterfully mixes interviews with historians, authors, scientists, and other experts (and even a descendant) with hundreds of photographs and newspaper clippings. Restored historical images and 3D models for new perspectives were created from existing 2D photos. In addition, Sikorski nimbly weaves archival footage and dramatic recreations. He eschews dialogue with the latter but presents them with voiceovers, ambient sounds, and compelling underscoring. Additionally, the film details architectural challenges and scientific innovations.

Sikorski wisely chose the rich, evocative tones of Tony Todd for the narration. Todd, best known as the titular villain in the Candyman series, conveys a perfect blend of interest, insight, and a hint of menace.

With Invisible Threads: From Wireless to War, Joseph Sikorski presents a detailed, intriguing chapter in the world of communication—“So much creativity, so much destruction.”— and Long Island’s place in that history.

The documentary is now streaming on Apple TV and a special 4K edition with exclusive extras is streaming on Vimeo On Demand.

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Michael J. Fox in a scene from 'Still.' Photo courtesy of Apple TV

Reviewed by Jeffrey Sanzel

“A short kid from a Canadian army base becomes the international pop culture darling of the 1980s—only to find the course of his life altered by a stunning diagnosis. What happens when an incurable optimist confronts an incurable disease?”

— Tagline to Still: A Michael J. Fox Movie

Few people do not recognize Michael J. Fox. Fox (born 1961) launched into the public eye with the sitcom Family Ties (1982-89), in which he played Alex P. Keaton, the conservative son in a liberal family. From there, his star rose quickly with the Back to the Future trilogy (1985-1990), followed by Teen Wolf (1985), The Secret of My Success (1987), Doc Hollywood (1991), and others. Then, in 1996, he returned to the small screen with Spin City.

Fox combined a youthful sureness with the charm of a latter-day Jimmy Stewart, a genuine aw-shucks quality absent of artifice. Even in lesser vehicles, he offered strong, grounded performances.

During the run of Spin City, Fox went public with his Parkinson’s disease diagnosis. He became an advocate and spokesperson, establishing the Michael J. Fox Foundation in 2000, a not-for-profit focusing on research for a cure. Throughout the early 2000s, he continued to work—mostly guest spots and a few recurring roles. His last major undertaking was the semi-autobiographical The Michael J. Fox Show (2013-2013), an NBC comedy in which he played news anchor Mike Henry who gave up his career due to the same diagnosis. Following his official retirement in 2020, Fox published a memoir, No Time Like the Future: An Optimist Considers Mortality. 

Michael J. Fox and his wife Tracy Pollan met on the set of ‘Family Ties’ in 1985. Photo courtesy of Apple TV

Fox received numerous nominations, and among his accolades are Golden Globes, Emmys, and People’s Choice Awards. He met his wife, Tracy Pollan, when she appeared as his girlfriend on Family Ties. The pair married in 1988 and have four children. 

Still: A Michael J. Fox Movie chronicles Fox’s life and career. It opens with Fox having spent a drunken night with Woody Harrelson. He finds the pinky of his left hand trembling, a harbinger of what is to come. The film embarks on a chronological telling of his story, with present-day Fox commenting on his rise to fame, stardom, diagnosis, and aftermath. First, he is shown as a child in constant movement, then as a reluctant student and “serial fender bender.” He dropped out of school and went to Hollywood with his father’s help. Given his diminutive stature, he landed a series of small guest spots as much younger characters. Finally, Family Ties changed his entire trajectory.

The film follows Fox through the highs and lows, medication, alcoholism (now thirty years sober), intense work schedules, critical successes, and box office disappointments. The actor is forthcoming about his courtship and marriage to Pollan, raising children, and realization of the importance of family, especially after his diagnosis. “I was the boy prince of Hollywood. But it was an illusion.”

Director Davis  Guggenheim (An Inconvenient Truth, He Named Me Malala, Waiting for Superman) creates a hybrid of straight documentary and something akin to Behind the Music via True Crime Network. Most of the film is a series of interviews with Fox, sitting at a table, talking directly to the camera. In addition, he interacts with his family and physical therapists. The rest of the documentary comprises film clips from his movies and television shows, sometimes shown in context, other times coopted for emphasis. 

In addition, Guggenheim films  stand-ins for Fox and others over-the-shoulder shots, at a distance, or blurred, with music blaring during these peripatetic sections. Whether they are for contrast or effect is hard to discern. 

Where Still succeeds is in the one-on-one conversations with Fox, which fortunately occupy at least fifty percent. The camera is placed straight on with no music or fanfare. The focus remains solely on Fox as he answers the most personal questions. Sometimes, he physically struggles. Other times, he reflects before coming back with a revelation or a quip. 

Throughout his illness, he has fallen many times, shattering his cheek and breaking his hand. Philosophically, he retorts, “Gravity is real. Even when I’m falling from my height.” He is seen falling—but also getting back up. Fox appears open, raw, and completely honest.

From the very beginning, the documentary is unflinching. Fox reveals himself as he is: constantly off-balance, with uncontrollable spasms and involuntary movements, moments of freezing, and the sense of what is permanently lost. But his humor bubbles to the surface. “If I’m here twenty years from now, I’ll either be cured or a pickle.”

At one point, he is asked what it is like to be still. He takes a moment, then responds, “I wouldn’t know. I’ve never been still.” And while true, Still: A Michael J. Fox Movie captures not just the Hollywood icon but an intimate, bold, and uplifting portrait of an extraordinary human being.

The documentary is currently streaming on Apple TV.

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A scene from the 2020 Harry Chapin documentary

By Melissa Arnold

Throughout the 1970s, singer-songwriter Harry Chapin built a high-profile music career that included more than a dozen hit singles, 11 albums and a host of awards, including two Grammys. Despite his sudden death in 1981 at only 38 years old, Chapin left behind a massive legacy through both his music and a profoundly generous spirit.

Most people know Harry Chapin for his prolific contributions to the world of folk and rock music, but the “Cat’s in the Cradle” singer was also involved in a variety of charity efforts. He was especially passionate about ending hunger around the world. In 1975, he co-founded Why Hunger, a non-profit that supports grassroots organizations in 35 countries. He was also committed to making a difference in his backyard on Long Island, and in 1980, he founded Long Island Cares, which runs food pantries throughout the area.

The documentary Harry Chapin: When in Doubt, Do Something will be screened on Saturday, May 6.

On Saturday, May 6, the Long Island Music and Entertainment Hall of Fame (LIMEHOF) in Stony Brook will host a charity food drive and film screening of Harry Chapin: When in Doubt, Do Something.

“Like many people, my earliest memory of Harry Chapin is when my dad would have our family listen carefully to ‘Cat’s in the Cradle’ on the AM radio in our family station wagon,” said Tom Needham, LIMEHOF’s vice chairman and host of the Sounds of Film radio show on 90.1 WUSB-FM. “Harry wrote songs about everyday people and their struggles, and he had a way of connecting with his audience on a personal level. His life and career serve as a testament to the ability of music and advocacy to bring about positive change in the world.”

The documentary, released in 2020, follows Chapin from a young boy in the shadows of his jazz musician father to finding his own success. When in Doubt, Do Something paints a new picture of the singer-songwriter who used his fame as a launching point to help others and influence politics. It also features testimonials from Chapin’s family, along with fellow musicians including Billy Joel, Bruce Springsteen, Kenny Rogers, Pat Benatar and many more.

“I always believed that at some time in our history that there would be a documentary film made about Harry’s life and dedication towards ending hunger,” said Paule Pachter, CEO of Long Island Cares. “Half of his annual concert [revenue] was used to raise funds to address food insecurity, and many schools reference Harry when discussing hunger, poverty, and social justice. I was honored to be a part of the film to discuss the founding of Long Island Cares and how we work to continue his legacy.”

According to Long Island Cares media relations specialist Peter Crescenti, there are 230,000 food-insecure individuals on Long Island today, including 68,000 children. The organization’s food pantries have seen significant increases in visitors over the past several years, a trend they anticipate will continue. But Crescenti said they are continuing to expand their reach and programs to meet the growing need.

“In addition to providing millions of pounds of food a year to more than 325 food pantries, soup kitchens and shelters, we also run a pantry for pet supplies and a variety of programs for young people, veterans, the homeless and others seeking support,” he said. “We are dedicated to being the voice of those who have no voice, and addressing why poverty, immigration status, racial discrimination and other root causes of hunger still exist.”

Following the film screening, Tom Needham will lead a Q&A session with members of Harry Chapin’s family and staff from LI Cares.

The event will be held at 2 p.m. May 6 at the LIMEHOF Museum, 97 Main Street, Stony Brook. Tickets are $19.50 for adults, with discounts available for seniors, veterans and children at www.limusichalloffame.org. Each ticket also includes admission to the museum. Food donations are strongly encouraged.

LIMEHOF is a not-for-profit organization — ticket sales support scholarships for high schoolers and music programs in local places of need, including hospitals and senior centers. For more information and upcoming events, visit www.limusichalloffame.org/museum. To learn more about LI Cares and how to support their mission, visit www.licares.org.

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A scene from 'Radioactive'

Never-before-told revelations regarding The Three Mile Island Nuclear Power Plant accident on March 28, 1979 are the subjects of Stony Brook University Professor Heidi Hutner’s new feature-length documentary “Radioactive: The Women of Three Mile Island.”  The documentary will be shown at the Cinema Arts Centre, 423 Park Avenue in Huntington on Saturday, April 29 at 7 p.m. and will also include a Q & A moderated by Kelly McMasters with stars Beth Drazba, Paula Kinney, Linda Braasch, Joyce Corradi, Joanne Doroshow, and editor and producer Simeon Hutner followed by a reception.

In addition to actress Jane Fonda, whose fictional film about a nuclear reactor meltdown, “The China Syndrome,” opened twelve days before the meltdown at Three Mile Island, “Radioactive: The Women of Three Mile Island”features: 

  • four concerned mothers who worked tirelessly to ensure the safety of their families; 

  • a two-woman legal team who took their battle for the rights of area residents to the Supreme Court

  • a local doctor who maintains many of her patients may be sick because of the accident; 

  •  a scientist who has initiated a new study regarding the impact of the meltdown on the health of the community; 

  • a reporter who recounts the confusing information reporters received  

The film re-examines the official claim by government and company officials that the accident — the worst commercial nuclear reactor meltdown in U.S. history — caused no injuries or deaths. The documentary examines the implications that continue to this day for the community, its residents, and their descendants.

 Watch the trailer here.

Hutner, an associate professor of  ecofeminism and environmental justice in the Department of English,  produced, wrote and directed the documentary, which focuses on people directly affected by the Three Mile Island nuclear power plant meltdown-the worst commercial nuclear accident in U.S. history.

“Radioactive: The Women of Three Mile Island features: Linda Braasch, Beth Drazba, Joyce Corradi, Paula Kinney, Jane Fonda, Heidi Hutner, Joanne Doroshow, Michelle  LeFever Quinn, Lynne Bernabei, Aaron Datesman, Mary Olson, Dan Steele Braasch, Lake Barrett, Dr. Renu Joshi, Aileen Mioko Smith.  Martijn  Hart serves as director of photography and co-director,  Simeon Hutner serves as producer, and executive producers include Richard Saperstein, Christopher Hormel and Heidi Hutner.

Tickets are $19, $14 members at www.cinemaartscentre.org. For more information, call 631-423-7610.

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The award-winning documentayr A House Made of Splinters will be screened at John F. Kennedy Middle School on March 20.

By Tara Mae 

Documentaries are artistic passion put into practice. They require the fervor and drive not only of subjects and crew but also of those who seek to share their stories. 

The Port Jefferson Documentary Series (PJDS) has been honoring and matching such moxie since 2005 and advances the plot this season with the seven films on its spring roster. Held at 7 p.m. on every Monday in March, from the 6th to 27th; April 10 and 17; and May 22, each showing is followed by a Q&A session featuring either the director or producer of the project. 

Emceed by Tom Needham, executive producer and host of “Sounds of Film” on WUSB, the Series is a labor of love for all involved, giving both filmmakers and festival organizers the opportunity to revisit what initially drew them to these stories and share it with an attentive public.  

“I like seeing the films again. With most of these films, we have been working on arranging the screenings for at least 3 months. I really do enjoy being in the audience, seeing the films again, thinking about them for the Q&A, and noticing what the audience reacts to. And then, meeting the documentarians and hearing their stories is one of the most exciting parts of the whole process,” said PJDS co-director Lyn Boland. 

This season starts with Dr. Tony Fauci, which explores the professional and private life of a man striving not to be blinded by the spotlight as he does his job. 

Immediate Family highlights the harmonies of five star session musicians whose notes, if not their names, are famous.

A House Made of Splinters chronicles the efforts of intrepid social workers on the front lines of the war in Eastern Ukraine as they endeavor to create an orphanage oasis for children displaced by war and woe.

I Am Not  follows the journey of Oren Levy, a young adopted Israeli man who travels back to Guatemala in search of his identity. 

Lift illuminates the invisible story of homelessness in America through the experiences of a group of young homeless and home-insecure ballet dancers who are selected to study their craft at the New York Theater Ballet.

Bobi Wine: The People’s President traces the career evolution of a man from musician to politician as he heralds the opposition to Uganda’s 35-year regime. 

Lastly, Unfinished Business offers an inside look at the creation and legacy of the WNBA, as exemplified through the champion New York Liberty’s dramatic 2021 season.

“We try to balance it between serious and entertaining documentaries,” explained PJDS co-director Wendy Feinberg.

Screenings, held either at Theatre Three in Port Jefferson or John F. Kennedy Middle School in Port Jefferson Station, are arranged and organized by PJDS’s co-directors: Boland, Feinberg, and Barbara Sverd. Known as the “Film Ladies,” they are dedicated both to spotlighting the art form of documentary filmmaking and the often lesser-known stories that they champion.  

“When I choose a film to be reviewed by the film board, I feel it must tell a story, have an emotional connection and appeal to a general audience. When I view a documentary for the first time, regardless of its subject matter, I want to feel like I am taking a class and learning something new,” Sverd said. “The greatest pleasure is sharing this experience with our audience and having the director, producer or someone from the film there for the Q&A to enhance the learning experience.” 

Such an opportunity for more informed dialogue is part of the appeal for the documentarians as well; it acts as an avenue for deeper understanding between audience and artist.  

“A smaller series or festival offers a unique and intimate connection with those who come to a theater and watch your film. It’s not about the publicity, or agents, or distributors. It brings us, as filmmakers, back to the fundamental reason we made this work: to listen for an answer back,” said David Peterson, director of Lift. 

In addition to personal, there are also practical reasons that the PJDS and other such events are vital to the endurance of documentaries, a genre that generally has far less star power and thus less funding than its cinema siblings. 

“These films would never have a chance if it was not for festivals and documentary series…to get distribution is really hard. That is where PJDS and other festivals can help.  You have to show distributors that you have an audience,” said Denny Tedesco, director and executive producer of Immediate Family.

After each viewing, audience members are given the opportunity to rate the documentary: Excellent, Very Good, Good, or Poor. At the end of the season, the votes are tallied and the Audience Award winner is announced. 

The members of the Film Board, which in addition to Boland, Feinberg, and Sverd, includes Honey Katz, Lynn, and Lorie Rothstein, then chip in money to donate to an organization of the winning director’s choosing. 

Sponsored the Greater Port Jefferson-Northern Brookhaven Arts Council, Maggio Environmental, Port Jeff Storage, Inc., and Covati and Janhsen, CPAs, with funding from Suffolk County, PJDS is seeking volunteers to assist with screenings, marketing, and social media. 

Theatre Three is located at 412 Main Street, Port Jefferson. John F. Kennedy Middle School is located at 200 Jayne Blvd, Port Jefferson Station.

A season pass for all seven documentaries is $56; single tickets are $10 online or at the door. To purchase passes, tickets, or for more information, visit www.portjeffdocumentaryseries.com.

A scene from ‘Lift.’ Photo courtesy of PJDS
Film Schedule:

■ The season begins with a screening of Dr. Tony Fauci at Theatre Three on March 6. This intimate film chronicles Fauci at home, in his office and in the corridors of power as he battles the ongoing COVID-19 pandemic and the political onslaught that upends his life and calls into question his 50-year career as the United States of America’s leading advocate for public health. Guest speaker is Director Mark Mannucci. Sponsored by Danfords Hotel & Marina and The Waterview at Port Jefferson Country Club.

■ Immediate Family will be screened at Theatre Three on March 13. If you listen to 1970s pop music, you’ve undoubtedly heard these guys play, but do you know their names? The documentary highlights five talented men—Danny “Kootch” Kortchmar, Leland Sklar, Russ Kunkel, Waddy Wachtel and Steve Postell—who shunned the spotlight for themselves, yet enjoyed decades of success as session musicians on iconic tracks. Guest speaker is Director Denny Tedesco. Sponsored by Danfords Hotel & Marina and The Waterview at Port Jefferson Country Club and the Long Island Music and Entertainment Hall of Fame in Stony Brook.

■ Next up is A House Made of Splinters at JFK Middle School on March 20. As the war in Eastern Ukraine takes a heavy toll on poor families living near the frontlines, a small group of strong-willed social workers works tirelessly in a special kind of orphanage to create an almost magical safe space for kids to live in while the state decides the fate of the child and family. The film is nominated for a 2023 Oscar in the documentary film category. Guest speaker is Director Simon Lereng Wilmont via pre-recorded Zoom.

■ I Am Not will be screened at JFK Middle School on March 27. Oren Levy, a young Israeli man, who is an adopted child with Asperger’s, faces challenges adapting. Suddenly, his life changes with the help of the camera, which becomes an extraordinary therapy tool assisting him on a long journey which takes Oren and his family to Guatemala in search of his identity. Guest speaker via Live Zoom will be Ehud Levy, Oren’s father and subject in film. Sponsored by North Shore Jewish Center in Port Jefferson Station and Temple Isaiah in Stony Brook.

■ The season continues on April 10 at Theatre Three with Lift which shines a spotlight on the invisible story of homelessness in America through the eyes of a group of young homeless and home-insecure ballet dancers in New York City. The story centers around ballet dancer and mentor Steven Melendez, who was a seven-year-old boy living in a Bronx homeless shelter who had his life turned around when he was the recipient of the New York Theater Ballet (NYTB) Project LIFT’s generosity. Guest speakers will be Director David Petersen and Steven Melendez, Principal Dancer & Artistic Director at the New York Theatre Ballet and subject in the film.

■ Bobi Wine: The People’s President heads to JFK Middle School on April 17. First-time co-directors Christopher Sharp and journalist Moses Bwayo tell the story of Bobi Wine, the musician-turned-politician leading the opposition to the 35-year regime in Uganda. Withstanding arrests, torture, and violence from the government, Bobi Wine and his wife Barbie risk their own lives and the lives of their children to lead their country towards freedom. Bobi Wine: The People’s President is a brave exposition of an authoritarian government that highlights the power of documentary journalism. The film won the Hamptons Film Festival 2022 Best Documentary Audience Award. Guest speakers via Zoom will be Co-Directors Christopher Sharp and Moses Bwayo. 

■ Unfinished Business, the final film of the season, heads to Theatre Three on May 22. An intimate look at the formation and legacy of the WNBA, and its flagship team, the New York Liberty’s, dramatic 2021 season, as they play for acceptance, respect, and the future of basketball. The film is named for a song “Unfinished Business” written for the New York Liberty basketball team in 2001 by Joan Jett, a Liberty super-fan who appears in the film. Guest speaker is Director Alison Klayman.

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Zooarchaeologist Katheryn Twiss at Stony Brook University.
The documentary Magnificent Beast examines how the ferocious wild boar was domesticated through the centuries and across continents, yet still remains a threat to livestock and humans.
Co-Director and Co-Producer Tess Gerritsen
Magnificent Beast visits with pet pig owners as part of the filmÕs exploration of the domestic pig and the relationship between pigs and humans.
Magnificent Beast Movie Poster
Doreen Burke of Port Charlotte, Florida with her pig Rosie. Doreen makes clothing for pigs and other animals.
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Josh Gerritsen Co-Director and Co-Producer
Magnificent Beast co-director and producer Tess Gerritsen travels the world to tell the history of the pig, seen here on a visit to pig keeper Ian Maccallan in England to discover how these intelligent animals can be raised.

By Melissa Arnold

What is the first thing that comes to mind when you think about pigs? Is it this morning’s bacon or your upcoming Easter ham? Maybe you’re picturing a smelly hog rolling in a dusty barn. Or perhaps your religious or personal convictions leave you saying “No thanks!” almost instantly.

Regardless of how you feel about them, there’s no arguing that the humble pig occupies a prominent place in global culture. From farm to table, predator to house pet, pigs are truly all things to all people.

On March 31, PBS stations nationwide will air Magnificent Beast, a captivating documentary that explores the unique ways pigs and humans relate to one another.

Co-directors Tess and Josh Gerritsen, a mother and son duo, traveled across the United States and around the world to capture the whole spectrum of the pig-human dynamic. Along the way, they met chefs, farmers, hunters, archaeologists, historians, and more, each with a unique connection to the animals. At times, their viewpoints differ so much that it’s almost comical to imagine them in a room together. The film’s strength lies not only in that diversity, but in the great care and respect given to each perspective.  

The idea for a pig-focused film came to Tess Gerritsen, author of the popular “Rizzoli and Isles” book series, while attending a promotional event in Turkey several years ago.

“I found myself craving bacon for breakfast while I was there, but the majority of Turkish people are Muslim, so you can’t find it there,” Tess explained. “It got me thinking a lot about food taboos. What causes certain foods to become off-limits in a society? As [Josh and I] began to dig deeper, we realized that there was something unique about the status held by pigs.”

Josh Gerritsen began his career in short films and photography, but after a while, he needed a change of pace.

“I thought that I was going to live in New York City forever, but I didn’t have a lot of momentum,” he recalled. “I wasn’t making the world a better place, and that really bothered me. So I decided to move back home to Maine, and spent four years in organic farming. That period was also a major inspiration for Magnificent Beast.”

The pair began research for the film in 2016, with Tess, who has a degree in cultural anthropology, taking the lead. She combed through academic journals in search of people exploring the same issues, and found that many of them were based in the United Kingdom and Egypt.

There’s also a local connection among the featured experts: Dr. Katheryn C. Twiss, an associate professor of anthropology at Stony Brook University.

Twiss’ research focuses on social and economic practices in early agricultural and urban societies. As a zooarchaeologist, she studies animal bones and other remains to learn more about past interactions between humans and animals. 

In the film, Twiss explains how pigs have been increasingly domesticated over the course of human history, along with some of the surprising traits that pigs and humans share.

“We were really impressed by the passion Dr. Twiss has for her work, and for pigs in general. It’s clear that she loves what she does, and that was a big part of why we chose to include her,” Tess Gerritsen said.

Dr. Twiss’ curiosity about the ancient world began with an elective class she took early in her undergraduate years.

“Like a lot of people, I had no idea what I wanted to study when I started college. I liked biology, history, languages … and then I took an Introduction to Archeology course and completely fell in love,” she explained. “I thought, ‘Wow, this is awesome! Archeology has everything — I don’t have to choose!’” 

Much of Twiss’s research has been on the Neolithic period (between 5,000 and 10,000 years ago) in southwest Asia. In this period, people were first building large communities and relying on foods that they produced or farmed themselves. Pigs were also domesticated at this time. Twiss said that in some Neolithic societies, carved pig tusks were used as personal adornments, and pig bones were embedded in the walls and buried below the floors of homes for symbolic purposes.

“I’m interested in how humans relate to different kinds of animals — how do we obtain our food? How do we feed ourselves, and what rituals are associated with the way we eat? Pigs are environmentally and socially important, just like cattle,” she added.

When the Gerritsens reached out to Twiss about being a part of their film, she was excited and happy to pull a few skulls from the lab for her segment.

“I enjoyed the film’s deeper dive into the social relationships that people have with pigs, especially as pets. It didn’t make me want to get a pet pig, but it did make me want to meet someone with one so I could visit,” she joked. “I hope that Magnificent Beast helps people develop a greater awareness of the many ways in which people interact — or choose not to interact — with pigs. It highlights both the complexity of pigs and the diversity of human cultures.”

To further highlight this complexity, Josh went on social media to find people who interact with pigs on a non-academic level. Using Facebook, he was able to connect with a number of pet pig owners as well as wild hog hunters.

“I made it clear that I wanted to give everyone a fair say, and after a while it led to some really great conversations and a sense of trust,” Josh said. 

Ultimately, the Gerritsens were able to meet with members of both groups in person. The pet pig owners taught them more about the deep affection, intelligence and social skills of domestic pigs, while the hunters took them along on a nighttime search for dangerous and destructive wild hogs.

“When people think about pigs, they have a tendency to think of a lazy, sloppy animal, but they are so much more than that,” Josh said. “Our goal is to encourage greater respect and understanding for pigs, and to promote more mindful eating when you do choose to eat pork.”

Distributed by the National Educational Television Association, Magnificent Beast premieres locally at 10 p.m. Thursday, March 31 on WLIW Channel 21. The documentary will air on PBS stations nationwide (check local listings) and stream on www.PBS.org. For more information, visit www.magnificentbeastmovie.com.

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'The Automat.' Photo courtesy of PJDS

The Port Jefferson Documentary Spring Series continues on Monday, April 11 with a screening of “The Automat” at Theatre Three, 412 Main St., Port Jefferson at 7 p.m.

Chock-full of rich archival footage of old Philadelphia and NYC, this everything-you-wanted-to-know-about-automats film is a lighthearted trip through the history of Horn & Hardart’s iconic and innovative eateries. Led by the irrepressible Mel Brooks, the film also features an impressive roster of celebrities (Colin Powell, Ruth Bader Ginsburg, Carl Reiner, to name a few) waxing nostalgic on their experiences at the nickel-driven restaurants and their dreamy lemon meringue pie. Automats fed millions throughout the Depression and two World Wars, serving all comers in palaces of marble, silver, and steel.

Good food served cheap, and the enduring thrill of the automat machines themselves wins the Automat a place in our culture and hearts alike. More than just entertainment, THE AUTOMAT is a parable of how we once dined happily together before turning to the isolated and unhappy experience offered by fast food, a bad deal that no amount of advertising can disguise. Running time is 79 minutes.

The screening will be followed by a Q&A with Director Lisa Hurwitz moderated by Tom Needham, Host of The Sounds of Film at WUSB radio.

Tickets are $10 per person at the door or at www.portjeffdocumentaryseries.com.

See a trailer of the video here.

 

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A scene from 'Refuge'. Photo courtesy of PJDS

DONATIONS FOR THE PEOPLE OF UKRAINE COLLECTED AT THE SCREENING

The Port Jefferson Documentary Series Spring season continues with a screening of REFUGE, a story about fear and love in the American South, at Theatre Three, 412 Main St., Port Jefferson on March 14 at 7 p.m

Directed by Din Blankenship and Erin Bernhardt, REFUGE is a story about fear and love in the American South. A leader in a white nationalist hate group finds healing from the people he once hated — a Muslim heart doctor and his town of refugees. Chris is a husband and father, a veteran, and until recently, a leader in the KKK. He started hating Muslims when the planes hit the Twin Towers on 9/11, but is forced to confront his hate when he receives a text from Muslim refugee, Heval.

REFUGE illustrates the false promises of hate and reveals where real and lasting refuge is found. Where there is love, there is refuge. The film is set in the most diverse square mile in America, Clarkston, Georgia, and follows a Syrian Kurd, a former Klansman, and a town of refugees who seek belonging in a country that blames them for its problems. Swimming against the current of an increasingly polarized and isolated America, each must decide whether they will risk knowing and being known by those who oppose them. Ultimately, REFUGE uncovers what is possible when we leave the security of our tribes and what is at stake for our country if we don’t.

Running time is 75 minutes.

Guest speakers via live Zoom will be Directors Din Blankenship and Erin Bernhardt, Directors and Chris Buckley and Heval Kelli, subjects in the film. $10 per person at the door or register in advance at www.portjeffdocumentaryseries.com.

Please note: The Port Jefferson Documentary Series board will be collecting donations for the people of Ukraine at each screening. Items collected include:

MEDICINE

Compression Bandages

Tourniquets

Tactical First Aid Kits

Hemostatic Agents (Celox or similar)

Bandages, Gauzes

Antiseptics

Anti- Burn Gels (Neosporin)

Nasopharyngeal Airways (28-30)

Pain Killers (Tylenol, Ibuprofen, Advil)

Wet Wipes

Pampers

Tampons

Women Hygiene Items

OTHER NEEDS

Sleeping Bags

Yoga Mats

Tactical Knee and Elbow Pads

Flashlights

Solar Powerbanks

Tactical Gloves

Tactical backpacks

Thermoses (hot liquid bottles) 1L

MEN’S CLOTHING

Tactical Boots

Winter Hats

Socks

Thermal Underwear

Undergarments

Sweaters

Sweatshirts

FOOD

Dry Soup Packets

Ramen Noodles

Energy Bars and Snack Bars

Tea

Hot Chocolate/ Cocoa (in packs)

Instant Coffee

Baby Formulas

Due to restrictions on items by aid organizations and shippers, they  can ONLY accept items in the above approved donation list. And, all listed clothing items must be new items; not used. The board appreciate that many wish to donate other items and used clothing but they cannot accept such items at this time. Thank you for your understanding.

 

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From left, reporter Tom Cullen, editor Art Cullen and publisher John Cullen of the Storm Lake Times.

Reviewed by Jeffrey Sanzel

“Readers decide our future. Not any branch of government.”

Sixty-five million Americans live in news deserts—counties with only one local newspaper or none at all. In the past fifteen years, one in four newspapers has shuttered in the U.S. Storm Lake, the fascinating documentary by Jerry Risius and Beth Levison, follows The Storm Lake Times, a family-run paper located in Buena Vista County, Iowa. Operating at break-even, The Times, a twice-weekly paper, is one of the last of its kind.

Editor Art Cullen at his desk at the Storm Lake Times

Located in the northwest corner of the state, Storm Lake is home to about 11,000 residents. Originally an almost exclusively Caucasian community, it now contains a large Latino population. Tyson Foods employs over 2,200 workers at its hog slaughterhouse, meatpacking plant, and turkey processing plant.

In ninety well-crafted minutes, Storm Lake offers a portrait of the small-town newspaper industry and a family whose goal is to keep it alive. Founded in 1990 by John Cullen, The Storm Lake Times’ face and voice is Art Cullen, John’s brother. Art, a benign curmudgeon and county’s Democratic voice, presents somewhat like a hippie Mark Twain. At age 59, he received the 2017 Pulitzer Prize for Editorial Writing. He “ask[s] the big questions, speak[s] truth to power, and share[s] the struggles and successes of his unique community.” The paper is a liberal bastion in the predominantly conservative area.

The Times has ten employees, including Art’s son, Tom, who is the main reporter. Founder John explains that he donates his salary because he is on Social Security. Art’s wife, Mary, can be seen taking pictures and writing features. Art’s sister-in-law provides the recipe column. The family dog, Peach, lolls on the office floor or rides along with drop-offs. 

Leisure editor Mary Cullen of the Storm Lake Times

The film smartly divides its focus between the big and small pictures. As a result, the day-to-day life of the paper contrasts with larger events. Advertising is the lifeblood of any paper, and The Storm Lake Times grapples with filling its quota. Most of the revenue derives from mom-and-pop stores, but large corporations have driven many out of business. 

There are many happy stories: births, local celebrities, “Miss Pigtails,” educational advancements, and county fairs. Local government is given the same weight as national politics. For their readers, garbage pickup is more important than a presidential hopeful’s visit. “Local journalism is the heart of telling the local story.” The report on Ice Out Day, when the ice melts, encompasses a reference to climate change. The Times follows a local Tyson plant worker who is moving forward on a Spanish language talent show. 

The paper never shies away from addressing issues of prejudice, extremely important in its growing immigrant community. The story of eight-year-old Julio Barroso, who was deported along with his family, is highlighted; the staff tracked him down in Mexico twenty-two years later. In addition, a partnership is developed with the Spanish paper La Prensa to share content and ads.

The staff listens to its community and responds to their thoughts and criticism. “There are consequences for everything we do, and we feel that feedback immediately,” says John.

Storm Lake Times editor Art Cullen interviews Elizabeth Warren in a scene from the film.

Broader politics included the coverage of The Heartland Presidential Forum, with major Democratic candidates speaking: Art Cullen was the draw. He interviewed Elizabeth Warren, Julio Castro, and Amy Klobuchar, among others. The Iowa Caucus occupies much of the middle and latter half of the film. But even here, there is a discussion about the cutting down of the paper’s TV listings from eighty channels to thirty-one to save space and money. Risius and Levison never lose sight of the myriad challenges.

The end of the film deals with the COVID crisis, and specifically, the Tyson plants. The Storm Lake Times reported on the disproportionate number of immigrants endangered by their work in unsafe conditions. Art states that this is “subtle racism—but racism all the same.” The Tyson operation became the hottest spot in the country for COVID cases. 

The denouement shifts briefly to the paper’s labors to survive the pandemic when “ads fell off a cliff,” and Art and John thought of closing the paper. Fortunately, with a go-fund-me and other support, The Storm Lake Times survived. With its new website, it reaches 1.2 million readers per month.

Storm Lake contains the expected filler of printing and binding papers, along with stacks dropped off in stores and machines. Occasionally, there is something meta about the documentarians shooting the television on which Art appears on a talk show. But there are wonderful extended quotes from many of Art’s insightful and passionate editorials. In addition, the documentarians know when to let the film breathe: a talk about feeding the dog, a discussion of a new shirt, or briefly watching Art pick the cashews out of a can of mixed nuts all add to the humanity.

In a world where people want their news for free, Storm Lake is a powerful and important reminder about local journalism’s responsibility, value, and contribution. The film ends on the hopeful note that good journalism elevates a community by reporting on what is good. 

“You can change the world through journalism. The reporter is the cornerstone in a functioning democracy. And without strong local journalism, the fabric of the place becomes frayed.”

For a free viewing of the film, visit www.pbs.org/independentlens/documentaries/storm-lake/.

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The Town of Smithtown will premiere its Veterans Documentary, entitled War Stories, on Sunday, November 21 at 6 p.m. at the Smithtown Center for Performing Arts, 2 East Main St., Smithtown. The documentary focuses on local residents who enlisted to serve in the US Armed Forces during war time, from World War II to Present Day.

“I’m forever grateful to the men and women all across the Country who have served in our US Armed Forces. This began as an interview process, so we could document and preserve the stories of patriotism, camaraderie and strength of our brave hometown heroes, for future generations. But it has become so much more. This is our way of saying Thank You for Your Service to our local heroes… for we owe them everything,” said Supervisor Ed Wehrheim.

Tickets are free and members of the public are encouraged to attend the premiere to show support and gratitude for the Men and Women within our community who served in protection of our Nation’s freedoms. Residents are encouraged to bring non-perishable items for donation, which will be delivered to the United Veterans Beacon House Pantry.

The Town began production of the Veterans documentary, interviewing service members from World War II, through to modern day conflicts. Filming for the documentary began in 2019 on Veterans Day, November 19th. The film is dedicated in memory of two World War II Veterans; Eddy Reddy and Howard Laderwager, who were filmed for the documentary, but have recently passed away.

For more information, call 631-360-7600.

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