Tags Posts tagged with "Courtney Braun"

Courtney Braun

From left, Lorelai Mucciolo and Leah Kelly in a scene from 'Frozen Jr.' Photo by Courtney Braun

By Melissa Arnold

It might seem hard to believe, but it’s only been eight years since Disney’s Frozen was released, captivating all ages and making Elsa and Anna household names. Children of previous generations might have idolized Belle or Cinderella, but now it’s all about the icy queen and her bighearted sister. The majority of girls under 20 would likely admit to belting out the now iconic “Let It Go” a time or two.

Among those Frozen superfans are Leah Kelly and Lorelai Mucciolo, who star as Elsa and Anna in the Smithtown Performing Art Center’s production of the stage adaptation for kids, Frozen Jr.

The pair have an effortless chemistry onstage, and when you get to know them it’s easy to see why. Behind the scenes, they’ve been friends for years, and both call Smithtown Performing Arts Center (SPAC) their second home. 

Leah Kelly as Elsa in a scene from ‘Frozen Jr.’ Photo by Courtney Braun

Some of Lorelai’s (Anna) earliest memories are of toddling around the theater — her parents were involved there before she was even born. She admits she was “stubborn” when her family suggested she give performing a try, despite growing up at the foot of the stage.

“I actually had terrible stage fright. I was really nervous to try acting, but once I got up there I realized it was the best thing ever. It just felt right,” said Lorelai, a 15-year-old sophomore at East Islip High School.

Leah Kelly, who plays Elsa, also needed a little coaxing to make her acting debut.

“I started off with dance when I was 3 years old, but I was always singing,” said Leah, a 17-year-old senior at Smithtown West High School. “One day, my mom found me singing along to the movie Tangled while I played with my Barbies, and she asked if I wanted to take a singing class. I was and am a little on the shy side, so I was reluctant, but she suggested I go with a friend.”

It was through those singing classes at SPAC that Leah met her current voice teacher, future directors and a host of new friends, including Lorelai. The two girls have known each other for almost 10 years now, often sharing the stage. But this is the first time they’ve played sisters.

Frozen Jr. director Courtney Braun has watched Leah and Lorelai blossom into young women with confidence and grace. Braun, who is pursuing a graduate degree in social work from Stony Brook University, found her own voice on the SPAC stage as a girl.

“I first became a part of the theater’s ‘Youth Experiencing Arts’ program when I was six years old. We were doing Grease, and I showed up in a pink poodle skirt and a high ponytail, ready to go,” she recalled. “I’ve met so many wonderful people here, including my best friend.”

Braun was in elementary school when she met Lorelai for the first time — she was an infant then. Years later, Braun met Leah during a production of The Wizard of Oz.

“I’ve always been amazed by them. They are so kind — truly each other’s biggest supporters, and they’re wonderful role models for others,” Braun said of the girls.

This production of Frozen Jr. was originally planned for two years ago, long before COVID-19 shuttered theaters. Leah and Lorelai eagerly awaited their chance to audition, and when the time finally came, Braun felt that the girls were natural fits for Elsa and Anna.

Lorelai Mucciol as Anna in a scene from ‘Frozen Jr.’ Photo by Courtney Braun

“Leah is a force to be reckoned with. For Elsa, I was looking for a strong personality that was also able to show the occasional insecurity when it’s called for, and Leah accomplishes that so well,” Braun explained. “And Lorelai has all of the sweet, bubbly, unique personality quirks that make us love the character Anna — she can be a little quiet when you meet her, but as soon as she takes the stage, it’s game on. She has such deep insights.” 

For the girls, it’s a welcome relief to be back onstage, especially after enduring canceled shows and remote learning. 

“Being part of a cast is very unifying, and you get to connect with an audience emotionally, which is a great feeling,” said Leah who is enjoying her time in Frozen Jr. 

“I love the relationship that’s mended between Anna and Elsa, despite their differences. They learn to work through things together instead of on their own,” she said. “Coming out of the pandemic, I feel like we can all relate to feeling isolated and alone.”

Lorelai said that even with outdoor theater opportunities, there’s no replacement for being at SPAC.

“I love being able to look out into the audience and see the joy on people’s faces. A lot of people sing along and kids come dressed in costume,” she said. “There’s something about getting to go onstage and be somebody else for a while that I really enjoy — it’s like professional make believe, and for lack of a better word, it’s magical.”

Frozen Jr. is running now through Jan. 17, 2022 at the Smithtown Performing Arts Center, 2 East Main Street, Smithtown. Tickets are $25. For showtimes, ticket purchases and information, visit www.smithtownpac.org or call 631-724-3700.

By Heidi Sutton

When Hans Christian Andersen penned “The Snow Queen” in 1844 he surely had no idea that his beautiful fairy tale would live on and serve as the inspiration for Walt Disney Animation Studio’s Frozen over 150 years later. The second highest-grossing animated movie of all time, (Frozen II is the highest) it has morphed into a Broadway musical, short films, Disney on Ice and everything in between.

Now the timeless tale heads to the Smithtown Center for the Performing Arts Center for 29 performances in the form of Frozen Jr. With music and lyrics by Kristen Anderson-Lopez and Robert Lopez and book by Jennifer Lee, the show features all of the beloved songs from the animated film  along with a few fun new ones.

The story follows two sisters who are princesses in the kingdom of Arendelle. The eldest, Elsa, was born with magical powers that allow her to create ice and snow. As a young child, Elsa doesn’t know how to control her powers and while building a snowman she accidentally harms her sister Anna. Although Anna is healed by the mysterious Hidden Folk, their  parents decide it would be best to protect Anna by keeping the two apart. 

Anna, who has no memory of the accident, can’t understand why her sister avoids her. When the parents are lost at sea, Elsa stays in her room, keeping her secret hidden from her sister and the outside world.

Ten years have passed and it is time for Elsa to become Queen, but on coronation day her magic unintentionally brings an eternal winter to the kingdom. Accused of sorcery, she flees into the mountains to hide. Anna enlists the help of Kristoff the icemaker to help her find her sister and free Arendelle from the spell. Will she succeed?

Directed and choreographed by Courtney Braun with musical direction by Melissa Coyle, the production is polished from start to finish. Ranging in age from 8 to 17, the 24-member cast is extremely talented and clearly love what they are doing. Special mention must be made of Leah Kelly and Lorelai Mucciolo for standout performances in the role of Elsa and Anna.

Lorelai’s bubbly personality shines in “Do You Want to Build a Snowman?,” “For the First Time In Forever” and in her fun duet, “Love is An Open Door,” with Luke Hampson who plays the role of Hans. In contrast, Leah’s character is more reserved, fearful of the powers inside her, and carries herself like royalty. Her vocals are incredible and she literally brings the house down with her powerful number “Let It Go.” Both are perfectly cast.

Elena Grassi and Jillian Cerrato as Young Anna and Young Elsa and Riley Ferraro and Gabby Blum as Middle Anna and Middle Elsa set up the relationship between the two sisters perfectly. Much to the delight of the younger children in the audience, Olaf the Snowman (played by Ryan Romanelli) and Sven the reindeer (played by Derek Hough) make an appearance as well.

Costumes, designed by Chakira Doherty, are stunningly beautiful and her attention to detail is impeccable. Of special note is when Elsa changes costumes mid-song during “Let It Go” and turns into an ice queen with a beautiful blue shimmering dress, drawing gasps from the audience.

A nice addition is the animated projections on a screen depicting different locations in the Kingdom of Arendelle including the inside and outside of the castle, the snowy mountains and Elsa’s ice castle. Large panels on either side of the stage turn with the scenes and the lighting pulls it all together for a magical experience.

The Smithtown Center for the Performing Arts has gone all out in this production and it shows. The team has succeeded in bringing the the mystical world of Arendelle to life on the stage. If your child loves Frozen, they will love this show. And what’s better than live theater? Costumes are encouraged and booster seats are available. Meet Elsa and Anna in the lobby for a photo and pick up a Frozen souvenir on your way out.

The cast: Leah Kelly, Lorelai Mucciolo, Brody Hampson, Ryan Romanelli, Derek Hough, Luke Hampson, Ari Spiegel, Michael Gualtieri, Ryan Van Nostrand, Gabrielle Arroyo, Justin Walsh Weiner, Zachary Podair, Alia Romanelli, Elena Grassi, Jillian Cerrato, Gabby Blum, Dori Alghrim, Riley Ferraro, Adrienne Porti, Mairead Camas, Savannah Shaw, Sophia Weiner, Jonathan Setzer and Gianna Oppedisano. 

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown presents Frozen Jr. through Jan. 17 with a special sensory sensitive performance on Dec. 4 at 7 p.m. All seats are $25. To order, call 631-724-3700 or visit www.smithtownpac.org.

All photos by Courtney Braun

 

The cast of 'Spookley the Square Pumpkin'. Photo by Jordan Hue

By Heidi Sutton

Travel down any country road on Long Island this October and you are sure to come upon a farmstand overflowing with round pumpkins. But there’s only one place where you can find a square pumpkin by the name of Spookley who has an important message for all of us.

In partnership with the Smithtown Historical Society, the Smithtown Center for the Performing Arts presents an outdoor production of Spookley the Square Pumpkin The Musical on the society’s grounds through Oct. 31.

The cast sings ‘The Boo Song’ during the Sept. 25 performance. Photo from SPAC

Complete with pumpkins, scarecrows, friendly ghosts, bats, spiders, bugs and a pair of watermelons, with lots of singing and dancing, the show is a great way for young children to celebrate autumn and get excited for Halloween. Based on the popular book series by Joe Troiano, it tells the story of a square pumpkin living in a round pumpkin patch and his struggle to fit in.

It’s Halloween on Holiday Hill Farm and that means it’s time for Farmer Hill to choose a pumpkin to be the Pick of the Patch. We meet the top contenders — Bobo the perfectly round pumpkin whose ego “grows and grows” (“I’m so pretty I glow!”) and Big Tom and Little Tom who are attached by a vine. 

When Spookley appears, he is teased by Little Tom who tells him that he doesn’t belong because he looks different. Spookley’s new friends, spiders Edgar, Allen and Poe and Scarecrow Jack, try to convince him to run for the Pick of the Patch contest, but his confidence has been shaken. When a strong storm rolls all of the round pumpkins towards the river, the square pumpkin discovers the chance to prove his own worth and save the day.

Kieran Brown stars as Spookley. Photo from SPAC

Directed by Jordan Hue, with musical direction by Melissa Coyle, choreography by Courtney Braun and costumes by Ronnie Green, the talented cast of 13 give a flawless performance and succeed in bringing this important story to life during National Bullying Prevention Month with the ultimate message that was makes you different makes you special.

Kieran Brown returns to reprise his role as Spookley and does an excellent job. Never breaking out of his square character, he has the audience rooting for him from the beginning. And wait until you hear him sing! Brown’s rendition of “If I Was Round” and “I’m Gonna Try” leaves you wanting more.

Gabrielle Arroyo, last seen as the bus driver in “Don’t Let the Pigeon Drive the Bus!,” shines in “She’s Bobo” and “The Transylvania Twist” and the whole cast has fun with “The Boo Song.”

As Big Tom and Little Tom, Kenny Arroyo and Max Lamberg are hilarious and Stephanie Nigro, Adrienne Porti and Justin Walsh Weiner as Edgar, Allan and Poe are terrific as no-nonsense spiders. Ari Spiegel, as Boris the Bat with a vivacious appetite is always interrupted from snacking on a spider or bug by his vegan friend, Bella the Bat played by Gabby Blum, a nice touch. 

Ari Spiegel, Kieran Brown and Gabby Blum in a scene from ‘Spookley’. Photo from SPAC

Emerson Lebrecht and Ava Bernardo return as cute watermelons Mimi and Lala (how did they end up in a pumpkin patch?). Savannah Shaw sparkles as Bug and newcomer Tristan Prin as Jack Scarecrow and Farmer Hill tackles the dual role with ease. 

The special effects, beautiful set, and adorable costumes pull it all together for a spooktacular Halloween show your kids will love.

The Smithtown Center for the Performing Arts presents Spookley the Square Pumpkin the Musical on the grounds of the Smithtown Historical Society, 239 E. Main St., Smithtown on various dates and times through Oct. 31. Running time is one hour with no intermission. While folding chairs are available, theatergoers are welcome to bring blankets or chairs for seating and bathrooms are available on the premises. Tickets are $18 per person. To order, call 631-724-3700 or visit www.smithtownpac.org.

See a quick video from the show here.

 

By Heidi Sutton

For the second year in a row, the Smithtown Center for the Performing Arts will present outdoor performances of Disney’s Moana Jr. on the grounds of the Smithtown Historical Society through Aug. 14. With a new performance space behind the Frank Brush Barn, a larger and more elaborate set, fresh choreography and the return of most of the original cast, the show launched last Thursday night and brought the house down.

The Cast:
Moana: Gabriella Fugon
Maui: Michael Gualtieri
Gramma Tala: Gianna Oppedisano
Sina: Adrienne Porti
Chief Tui: Logan O’Leary
Tamatoa: Alia Romanelli
Pua: Zachary Podair
Hei-Hei: Lorelai Mucciolo
Chief Ancestor I: Max Lamberg
Chief Ancestor I: Dylan O’Leary
Chief Ancestor II: Gabby Blum
Chief Ancestor III: Gabrielle Arroyo
Right Claw: Derek Hough
Left Claw: Justin Walsh Weiner
TeFiti/TeKa: Savannah Shaw
Ensemble/Claw Understudy: Ari Spiegel
Ensemble: Jonathan Setzer

The strong-willed daughter of Chief Tui and his wife Sina, Moana lives on the Polynesian island of Motunui, never straying beyond the safety of the lagoon. When the island’s coconuts turn black and the fish in the lagoon disappear, she follows the advice of her grandmother and sets sail on a journey across the Pacific Ocean to find the demigod Maui, so that he might help her restore the heart of Te Fiti, the Polynesian goddess of earth and life, and save her people from starvation.

Along the way, the pair stop at Lalotai, the Realm of Monsters, to retrieve Maui’s magical fishhook from Tamatoa, a giant coconut crab, and battle the volcanic demon Te Kā.

Directed by Courtney Braun and Jordan Hue, with musical direction by Melissa Coyle, the stage adaptation follows the 2016 animated film Moana closely and hits all the right notes with the wonderful songs by Lin Manuel-Miranda from the film including “Where You Are,” “How Far I’ll Go,” “Shiny,” “I Am Moana (Song of the Ancestors)” and “You’re Welcome.”

The young energetic cast does an excellent job in retelling the story.

Reprising her role as Moana, Gabriella Fugon is perfectly cast and tackles her solos with confidence and ease. Her rendition of “How Far I’ll Go” could easily match that of Auli’i Cravalho (the voice of Moana in the film). Her vocals are flawless.

Michael Gualtieri is equally matched as the self-centered and egotistical Maui. His rendition of “You’re Welcome” is magnificent. 

While the entire cast has strong voices, special mention must also be made for Logan O’Leary in “Where You Are,” and Alia Romanelli in “Shiny.”

The show itself is a visual feast for the eyes. Costumes by Ronald R. Green III are colorful and fun with Polynesian dresses, grass skirts, leis and flowers in the hair. The set, designed by Michael Mucciolo, is quite impressive. Everywhere you look the legends and traditions of the Polynesian people are evident with Moana’s traditional camakau (canoe) and oar as the centerpiece. Long flowing sheets in shades of blue are used to represent waves and a screen print depicts the beach and ocean. 

As with many children’s theater productions, there is a moral to the story, best described by co-director Courtney Braun. “Moana really provides a lesson for each individual audience member. A journey of self-love and passion for some, the importance of family for others, and most importantly — a strong message of perseverance and overcoming fears.”

Don’t miss this one.

While folding chairs are available, theatergoers are welcome to bring blankets or chairs for seating. Mats are available for smaller children who would like to sit up front. Bathrooms are available on the premises and merchandise and water will be sold before and after the event (debit or credit only).

The Smithtown Center for the Performing Arts presents Moana Jr. on the grounds of the Smithtown Historical Society, 239 E. Main St., Smithtown on various dates and times through Aug. 14. Running time is one hour with no intermission. Tickets are $18 per person. To order, call 631-724-3700 or visit www.smithtownpac.org.

File photo by Heidi Sutton

By Tara Mae

“We closed on March 16, 2020 and started planning how we would reopen on March 17, 2020.” 

That is how co-founder and Artistic Director of the Smithtown Center for the Performing Arts Ken Washington described the process of arranging to reopen the theater after it had to close due to the pandemic. 

Located at 2 East Main Street in Smithtown, the theater offers plays, concerts, and educational services to the community.

“We’re scheduling a mix of fun new programs and rescheduling the shows that needed to be postponed, to fulfill those promises to the patrons who stood by us during this time,” said Associate Managing Director Kelly Mucciolo. 

Mainstage Theater

The cast of Green Day’s American Idiot in rehearsal at the Smithtown Center for the Performing Arts. Photo by Gabriella Fugon

Its first mainstage show since March of 2020, Green Day’s American Idiot, is scheduled to open July 9 and will run every Friday and Saturday night at 8 p.m. through July 31. “Throughout the next six months we will be adding to the schedule … as certain things become available, and audiences become more comfortable gathering in an indoor environment,” explained Washington.

American Idiot provides an opportunity to reunite individuals who share a passion for performance. The rock musical, based on the 2004 Green Day album of the same name, follows the stories of three disaffected young men in a post-9/11 world. 

“Rock music and musicals have always been my favorite part of working in theater.  American Idiot has very powerful music, and some very poignant lyrics that hit a little bit differently when you think about them in the context of the world today,” said resident Musical Director Melissa Coyle. 

The cast of Green Day’s American Idiot in rehearsal at the Smithtown Center for the Performing Arts. Photo by Gabriella Fugon

Scheduled to open the week the theater was forced to close, American Idiot was selected as the mainstage’s first post-lockdown production because of that fact. “We wanted to honor the ticket holders who have supported us during the pandemic,” Mucciolo said. Although the cast and crew are largely different from the planned 2020 production, most have had previous connections with the Smithtown theater.

“The talented cast has made it very easy to put together this really exciting show. It’s been a fun challenge to present this mostly sung-through show and pull out different story elements within the score and script,” said director Ronald Green III, who has acted in other plays at the theater and has been it’s resident costumer since 2011. 

Although not yet fully published, the new mainstage season strives to be a mix of the missed lost potential of 2020 and the hopeful possibility of 2021. In addition to American Idiot, the theater will offer I Love You, You’re Perfect, Now Change from Aug. 21 to Sept. 19, with the cast of 2012 largely reprising their roles. And Menopause the Musical touring group returns from Oct. 1 to Nov. 14.

Children’s Theater   

For the second summer in a row, children’s theater will be held on the grounds of the Smithtown Historical Society beginning with Moana Jr. from July 15 to Aug. 14, followed by Don’t Let the Pigeon Drive the Bus from Aug. 28 to Sept. 17; and Spookley the Square Pumpkin: The Musical from Sept. 25 to Oct. 31. Kids shows then move home to the Smithtown Performing Arts Center, with Frozen Jr. from Nov. 20 to Jan. 17. 

Moana Jr. was chosen to launch the children’s theater’s new season because it was so well-received in 2020. When surveyed, children’s theater patrons indicated that the show was one that they would most like to see again. 

From left, Zach Podair as Pua, Gabriella Fugon as Moana, and Lorelai Mucciolo as Hei-Hei in last year’s production of Moana Jr.  Photo by Courtney Braun

Jordan Hue and Courtney Braun co-directed both the upcoming production and last year’s run of Moana Jr., a 60-minute adaptation of the Disney film. The coming-of-age tale follows the adventures of Moana and her quest to return the heart of Te Fiti and save the world.

“I think Moana brought us together during a difficult time and gave us a sense of community. We are looking forward to bringing it back to show we made it through the storm and further celebrate,” said Hue. “It’s a fun, dynamic, energetic piece of theater that engages young people and celebrates a culture different from our own, which has great value.”

Similarly, Braun was drawn to the project because of its spirit of inclusivity and message of self-discovery. Additionally, she found solace in being with familiar faces when so much of life was uncertain and so many individuals felt isolated.  

“[It] was an experience that I will never forget — from the community support, actors, family and theater support we have really pushed through some of the most unimaginable times. Moana really provides a lesson for each individual audience member. A journey of self-love and passion for some, the importance of family for others, and most importantly — a strong message of perseverance and overcoming fears,” Braun said. 

Smithtown Performing Arts Center’s arrangement with the historical society permitted children’s theater performances to proceed last summer and run through fall, which in turn fostered an ongoing rapport with actors and audiences, according to Mucciolo. “We were extraordinarily lucky to be able to partner with the Smithtown Historical Society last summer to bring live theater to Smithtown in an outdoor setting with our Kids Performing For Kids productions. Being able to get back with our student performers and connect with our audiences again in an exciting new setting was very emotional,” she said. 

These performances, which fully adhered to social-distancing and mask mandates, enabled a feeling of relative familiarity for audience, actors, and staff.  

“At least once per show a patron would come up to us in tears because they were able to give their children a normal, fun experience in the middle of a scary, uncertain time, and that was a feeling we could all connect to. It’s been one of the most rewarding experiences,” Mucciolo added.

Summer camp

A step towards relative normalcy is a relief for patrons, students, and staff. The theater’s summer intensive theater education camp continues this trajectory, offering two sessions: “Historical Musicals” from July 5 to 23, and “Jukebox Musical” from July 26 to Aug. 14. The former addresses musicals that took place or were influenced by significant historical events, while the latter focuses on musicals that create stories around the songs of popular artists. 

Camp is a facet of the theater’s education program, which also has theater arts classes for children. They resumed this past September, with all participants adhering to the appropriate health guidelines.  

“The students were thrilled to return to the theater, and we were ecstatic to see each other again. We offered dance technique classes and musical theater performance classes,” Coyle said. “Despite the restricting CDC guidelines which were adhered to, where the students had to stay physically distant and masked at all times, they were still able to see their friends, work together on and off the stage, and find joy together during this very difficult period.” 

Sharing a purpose with the public was reportedly a primary motivation of Washington’s when he established the Smithtown Center for the Performing Arts with his wife, Laura, in 2002. The historic building, which was built in the early 1930s, was originally a single screen cinema house before being purchased by United Artists and transformed into a discount movie theater. By 1999, it was set for demolition. A petition to save it garnered more than 8,000 signatures. 

“We bought and renovated the theater to fulfill the lifelong dream of offering theater arts and entertainment to the community of Smithtown and the surrounding communities,” Washington said.

“This building has always held a lot of memories for the citizens of Smithtown, both for the people who knew it as a movie theatre and for the people who have loved it for eighteen years as a performing arts center,” said Mucciolo. “Bringing patrons back into this building is emotional and special.”

Tickets to mainstage productions are $45 for adults, $40 for seniors. Tickets to Menopause the Musical are $55, $50 seniors. Tickets for children’s theater is $18 per person. Visit www.smithtownpac.org or call 631-724-3700 to order. Box office phone hours are Tuesday to Thursday from 10 a.m. to 3 p.m., Friday and Saturday from 3 to 8 p.m. 

By Heidi Sutton

In perfect harmony with autumn and Halloween, a special little pumpkin patch has sprouted in Smithtown; one that sings and dances and teaches us that the things that make you different make you special.

In partnership with the Smithtown Historical Society, the Smithtown Center for the Performing Arts presents a socially distant outdoor production of Spookley the Square Pumpkin: The Musical on the society’s grounds through October.

Based on the animated film Spookley the Square Pumpkin by Joe Troiano and Tom Hughes and the book The Legend of Spookley the Square Pumpkin by Troiano, it tells the story of a square pumpkin living in a round pumpkin patch and his struggle to fit in.

Kieran Brown stars as Spookley

It’s Halloween and all of the pumpkins at Holiday Hill Farm are hoping that Farmer Hill will choose them as the Pick of the Patch this year, the highest honor a pumpkin can receive. Jack Scarecrow introduces the audience to the top contenders —  Big Tom and Little Tom who are attached by a vine and Bobo the perfectly round and pretty pumpkin. When a square pumpkin named Spookley appears from under a leaf he is immediately bullied by Little Tom who convinces the other pumpkins to shun him because he looks different.

Spookley makes friends with Jack and three spiders, Edgar, Allen and Poe, who encourage him to try out for the Pick of the Patch contest but he has lost his confidence because of the constant teasing. When a mighty storm appears and all the round pumpkins start rolling away toward the river, Spookley realizes it is up to him and his square shape to save the day. Will they stop teasing him now? Will he win the contest?

Directed by Jordan Hue, with musical direction by Melissa Coyle, choreography by Courtney Braun and costumes by Ronnie Green, the professional young cast of 13 give a flawless performance and succeed in bringing this sweet treat and its important message to life during National Bullying Prevention Month.

Special mention must be made of Kieran Brown who is perfectly cast as the soft-spoken and kind Spookley and Max Lamberg as Little Tom who steals the show with his incredible personality. This adorable show has it all — a terrific cast, wonderful songs and an important lesson. Your kids will love it!

The cast: Gabrielle Arroyo, Ava Bernardo, Gabby Blum, Kieran Brown, Max Lamberg, Emmerson Lebrecht, Stephanie Nigro, Dylan O’Leary, Logan O’Leary, Adrienne Porti, Savannah Shaw, Ari Spiegel, and Justin Walsh Wiener

The Smithtown Center for the Performing Arts presents Spookley the Square Pumpkin: The Musical in the open air outdoor performance space behind the Smithtown Historical Society’s Roseneath Cottage, 239 Middle Country Rd., Smithtown on Saturdays and Sundays through Oct. 31. Running time is one hour with no intermission. Masks are required and costumes are encouraged. Tickets are $18 per person. For a complete schedule and to order tickets, visit www.smithtownpac.org.

Photos by Courtney Braun

 

By Heidi Sutton

Doot Ba Da Ba Da Doot Doot Dah! Zip! Boink! Hubba-wha!? Guess what show is back in town?

Through Sept. 13, the Smithtown Center for the Performing Arts presents a socially distanced outdoor production of Mo Willems’ Elephant & Piggie’s ‘We’re In a Play!’ on the grounds of the Smithtown Historical Society. The author’s award-winning, best-selling children’s books about Gerald the elephant and his “bestus” friend, a pig named Piggie, fly off the pages and on to the stage for an adorable musical experience young children will love.

With script and lyrics by Willems and music by Deborah Wicks La Puma, the show centers mostly around Elephant and Piggie’s We are in a Book! but draws from other stories including I Am Invited to a Party! Elephants Cannot Dance!, Should I Share My Ice Cream?, Listen to My Trumpet! and I Love My New Toy!

Directed by Courtney Braun, the fast-paced production follows Gerald and Piggie’s rollicking adventures as they solve problems and learn friendship etiquette with the help of The Squirrelles, Ice Cream Penguin and Delivery Dog.

With every new situation, every dilemma, every disappointment or triumph, the pachyderm and swine prove that they are best friends over and over again and, more importantly, demonstrate to children in the audience how friends should treat each other.

When Piggie is invited to a party hosted by the Squirrelles, she brings Gerald along so he won’t feel left out. When Gerald gets an ice cream cone and it melts before he can share it, Piggie appears with two ice cream cones. When Piggie plays the trumpet badly and everyone at the party leaves, Gerald stays to support her … and so on. Each scene ends on a positive note.

Logan O’Leary is wonderful as Gerald. Funny, engaging, polished, with an incredible singing voice, he portrays his good guy worrywart character perfectly. “I hope nothing goes terribly, horribly, best-friendship-ending wrong in the next hour!”

Aubrey Gulle is amazing as Piggie, Gerald’s “best, best, best, best, best, best, best, best friend.” Always smiling with a powerhouse voice, she shines in every scene with boundless energy.

The two actors are backed by a terrific supporting cast — the harmonizing Squirrelles: Gabrielle Arroyo, Lorelai Mucciolo and Gabriella Fugon; Alia Romanelli as Ice Cream Penguin; and Zachary Podair as Delivery Dog,

The songs and their heartfelt lyrics are the heart of the show. Each number, from the terrific intro, “Lucky to See You,” to the toe-tapping “Swimmy! Fancy!,” “Elephant in the Room” and the big show stopper “Ice Cream Hero” are executed perfectly with musical direction by Melissa Coyle.

Costumes by Ronald Green III are subtle but effectively reflect the character’s animal traits with gray pants, vest and shirt for Gerald; a pink dress for Piggie, brown dresses for the Squirrelles, etc.

Towards the end of the play the cast suddenly discovers they have an audience. Breaking the fourth wall, they invite the crowd to join in the fun by clapping, shouting out “banana” and doing the “Flippy Floppy Floory” dance, a perfect ending to a hilariously fun afternoon.

Recommended for ages 3 to 8, performances of Elephant & Piggie’s ‘We’re In a Play’! will be held on the grounds of the Smithtown Historical Society’s Roseneath Cottage, 239 E. Main St., Smithtown through Sept. 13. Running time is one hour with no intermission. Masks are required. Tickets are $18 per person. For a complete schedule and to order tickets, visit www.smithtownpac.org.

All photos by Courtney Braun

By Heidi Sutton

There is a well-known saying in the theater world — “the show must go on.” And even among a debilitating pandemic that has forced many theaters to temporarily close their doors, the Smithtown Center for the Performing Arts has found a way to do that with another well-known saying — “where there’s a will, there’s a way.”

In partnership with the Smithtown Historical Society, the theater is currently staging a colorful outdoor production of Disney’s “Moana Jr.,” and it could not have come at a better time as parents struggle to keep their children entertained with limited options. Through Aug. 15, the socially-distanced, one-hour show, presented with no intermission, will be held on the shaded grounds of the historical society’s Roseneath Cottage at various times throughout the week.

Rehearsals were already underway when the pandemic took hold, according to executive producer Michael Mucciolo, and then continued virtually until the end of June. “The first step was to see if the parents and kids had a desire to do the show in this new safer environment and if any did not then we wouldn’t have explored the idea any further. After a resounding yes we worked with our board, as well as legal and health professionals. Then we put out a request for volunteers to support us and without any of them we would not have felt comfortable with performing,” he explained in an email.

The decision to move the production outdoors came after the theater was approached by the Smithtown Historical Society (SHS). “It was the evolution of an idea after the SHS graciously offered the use of their space and to show the community what SHS has to offer in terms of tranquil outdoor spaces,” said Mucciolo.

Originally scheduled for April, the show opened on July 24 and has already sold out numerous performances.

“The response from the community has been amazingly positive. Some had concerns not having a full understanding of what this would be like but people have been very appreciative of all the hard work the cast, crew, and staff have done to make this happen in a safe way. The story of a girl facing uncertainty and loss, finding friendship and bravery is so important right now. It is especially at home in this open space framed within picturesque trees and the sounds of nature,” said Mucciolo.

Featuring songs written by Lin-Manuel Miranda, Opetaia Foa’i and Mark Mancina, the musical introduces us to Moana (Gabriella Fugon), the strong-willed daughter of Chief Tui (Logan O’Leary) and his wife Sina (Priscilla Russo) who live on the Polynesian island of Motunui.

When a blight on the island causes the coconuts to turn black and the fish to disappear, Moana follows the advice of her grandmother (Gianna Oppedisano) and  embarks on a journey across the Pacific Ocean to find the demigod Maui (Michael Gualtieri) in hopes he will help her return the heart of Te Fiti (Savannah Shaw), the Polynesian goddess of earth and life, and save her people.

Along the way, the pair make a detour to Lalotai, the Realm of Monsters, to retrieve Maui’s magical fishhook from Tamatoa (Dori Ahlgrim/ Alia Romanelli), a giant coconut crab, and battle the lava demon Te Kā (Savannah Shaw).

Directed by Courtney Braun and Jordan Hue, with musical direction by Melissa Coyle, the stage adaptation follows the storyline closely and includes all of the wonderful songs in the film including “How Far I’ll Go,” “Shiny,” “I Am Moana (Song of the Ancestors)” and “You’re Welcome.”

The cast members, ranging in age from 11 to 17, do a tremendous job bringing the story of “Moana” to life on stage with special mention to Michael Gualtier who plays the demi-god Maui in a way that would make The Rock proud. His rendition of “You’re Welcome” is hilarious. But it is 17-year-old Gabriella Fugon, perfectly cast as Moana, who steals the show. Her beautiful rendition of “How Far I’ll Go” is breathtaking and when she sings “I am Moana” the audience will believe it too. She even looks like Moana!

The costumes by Ronald Green III, choreography by Courtney Braun and the incredible set by Mike Mucciolo tie the show together nicely.

Both the Smithtown Historical Society and the theater have taken many steps to make the performances as safe as possible for both the cast, crew, and audience members. “Studies have show your risk of being exposed to Covid-19 is 95% lower outdoors than indoors, because of wind dispersing and sunlight breaking down the virus does not allow for particles to concentrate like in a store or restaurant. Safety is not just from a business concern as members of the production team are also parents of cast members and so do not take lightly anyone’s health,” said Mucciolo.

The Cast: Dori Ahlgrim, Gabrielle Arroyo, Riley Ferraro, Gabriella Fugon, Michael Gualtieri, Aubrey Gulle, Derek Hough, Anabelle Kreitzman, Jackson Mucciolo, Lorelai Mucciolo, Gianna Oppedisano, Priscilla Russo, Dylan O’Leary, Logan O’Leary, Zach Podair, Alia Romanelli, Jonathan Setzer, Savannah Shaw, Juliana Spataro, Ari Spiegel, and Justin Walsh Weiner.

Bathrooms are available on the premises and souvenirs, including flower sunglasses, flower hair clips, leis and paper fans,  are available for purchase.

The Smithtown Center for the Performing Arts presents “Moana Jr.” at the Smithtown Historical Society, 239 East Main St., Smithtown through Aug. 15. Up to 75 tickets are sold for each performance with ticket holders safely distanced in their groups away from others and masks are required. All seats are $18. To order, visit www.smithtownpac.org.

All photos by Courtney Braun

By Heidi Sutton

It’s been 14 years since the world was first introduced to Alex the Lion, Marty the Zebra, Melman the giraffe and Gloria the hippo in DreamWork’s computer-animated comedy “Madagascar.” Since its release, there have been two sequels, a spinoff (“Penguins of Madagascar”) and more recently a stage adaptation.

The latter opened at the Smithtown Center for the Performing Arts last weekend in the form of “Madagascar A Musical Adventure Jr.,” a show for kids performed by kids, and the end result is a fabulous afternoon of live theater. Sitting in the balcony during last Saturday’s performance, I was quickly reminded of just how clever and funny and entertaining this story is.

Living the good life at the Central Park Zoo, Alex (Hunter Pszybylski), Gloria (Gianna Oppedisano) and Melman (Jacob Christie) help Marty (Thomas Lau) celebrate his 10th birthday. When asked to make a wish, Marty wishes he can go back to the wild (aka Connecticut). Moments later he escapes with “cute and cuddly” penguins, Rico (Ari Spiegel), Kowalski (Hannah Waller), Private (Laurie Kratochvil) and Skipper (Max Lamberg) who are determined to get back to Antarctica “where we belong, on the ice.”

When Marty’s friends go looking for him, the entire group is cornered in the halls of Grand Central Station by the zookeepers and tranquilized. When they awaken, they find themselves in crates on a ship headed to a wildlife preserve in Africa. When the penguins escape their confinement and seize the ship, their antics cause the crates to fall overboard and the four friends wash up on the shores of Madagascar.

There they are met by King Julien (Zachary Podair), his sidekick Maurice (Emily Warner) and a tribe of ring-tailed lemurs who hope that Alex can protect them from the terrible foosa, cat-like animals that “are always trespassing, interrupting our parties and ripping our limbs off!” However, when Alex’s stomach starts rumbling and the lemurs can only offer him seaweed on a stick, things take a turn for the worse.

Expertly directed by Tommy Ranieri, the young cast (19 in all) do an excellent job bringing the personalities of these zany characters to life in this musical about the importance of friendship.

The songs are executed perfectly with special mention to “Relax, Be Cool, Chill Out,” “Best Friends,” “Steak,” and the big dance number “Living in Paradise” with fresh choreography by Ryan Cavanagh.

Costumes are simple but cleverly designed by Ronald Green III with the outfits matching the zoo animal’s colors with an orange wig for Alex’s mane, while his monochromatic friend Marty sports a mohawk. The set, used from the current main stage production, features panels that change to reveal different scenery and the show uses fog and incredible sound effects in telling the story.

The finale, a rousing rendition of “I Like to Move It” led by King Julien himself, is the icing on the cake. Meet the main cast in the lobby after the show for photos and autographs.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown, presents “Madagascar Jr.” through Oct. 27. Up next is a main stage production of “Annie” from Nov. 9 to Jan. 20 and then children’s theater continues with “Shrek the Musical Jr.” For more information, call 631-724-3700 or visit www.smithtownpac.org.

All photos by Courtney Braun

By Rita J. Egan

Theatergoers will be delighted to come and meet those dancing feet at the Smithtown Center for the Performing Arts. The musical “42nd Street” debuted at the theater July 6.

Based on the novel by Bradford Ropes and 1933 film of the same name, the musical premiered on Broadway in 1980. During its nine-year run, it won several Tony Awards, including Best Musical. In 2001 the production was revived on Broadway and went on to win the Tony Award for Best Revival and others. Filled with memorable musical numbers, “42nd Street” features the book by Michael Stewart and Mark Bramble, lyrics by Al Dubin and Johnny Mercer and music by Harry Warren.

As for the Smithtown production, it’s expertly directed and choreographed by Ryan Nolin. Tap dancing is one of the focal points of this musical, and each of the actors should be applauded for their skillful and delightful tap dancing throughout the show.

Set during the height of the Great Depression, the story centers around the fictional musical “Pretty Lady“ directed by Julian Marsh, and young Peggy Sawyer’s journey from a young starry-eyed girl from Allentown to the star of the show after the musical’s lead actress, Dorothy Brock, is injured.

Courtney Braun as Peggy is endearing as the naive starlet and sounds terrific during “Young and Healthy,” “About a Quarter to Nine” and “42nd Street.” Jon Rivera plays Marsh, the no-nonsense director, with the right amount of authoritative tone. It is during the second act that he really gets to show off his musical chops with a wonderful version of “Lullaby of Broadway,” and displays his comedic side when he shows Peggy how to greet a love interest convincingly for a scene she is rehearsing.

Tamralynn Dorsa is stunning as temperamental diva Dorothy and shines vocally, especially singing “I Know Now” and “About a Quarter to Nine.” Ryan Cavanagh is charming as Billy Lawlor, the young actor who has his eyes on Peggy, and gives a powerful performance during “Young and Healthy” and “Dames.” 

Scott Earle and Ann Marie Finnie provide the right amount of comedic relief as the show’s songwriters Bert Barry and Maggie Jones, and Finnie’s vocals take front and center during her parts in “Go Into Your Dance,” “Getting Out of Town” and “Shuffle Off to Buffalo.” Alex Pinals plays Andy Lee, the choreographer of “Pretty Lady,” and is perfect for the role with smooth dance moves of his own, and Veronica Fox as Anytime Annie provides a nice amount of sass.

Rounding out the cast perfectly are Erich Grathwohl as Abner Dillon, Brendan Noble playing Pat Denning, Karina Gallagher as Lorraine Flemming, Nicolette Minella in the role of Phyllis Dale and Michael Sherwood easily taking on multiple roles. The colorful, 1930s-inspired outfits, designed by Ronald Green III, and the band led by musical director Melissa Coyle tie it all together nicely.

From the lead actors to the ensemble, everyone is spectacular in the numbers the musical has become known for through the decades. Right from the start, the cast impresses with their dancing feet in the opening number “Audition.” Vocally “We’re in the Money,” “Shuffle Off to Buffalo” and “42nd Street” are the stand out numbers they were meant to be thanks to the talented cast. 

Just like the 1933 movie, this production of “42nd Street” is a feel-good piece that has arrived just in time for a fun summer treat.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown, will present “42nd Street” through Aug. 18. Performances are 8 p.m. Thursdays, Fridays, and Saturdays and 3 p.m. on Sundays. Running time is approximately two hours with a 15-minute intermission. Tickets range from $22 to $38. For more information, visit www.smithtownpac.org or call 631-724-3700. 

Photos by Lisa Schindlar