Up next for the Art League of Long Island in Dix Hills is a unique exhibit titled Beyond Layers. On view in the Jeanie Tengelsen Gallery from May 21 June 4, the exhibit will showcase recent abstract paintings by two Long Island artists, Denise Kramer and Barbara Miller. An opening reception will be held on Saturday, May 21, from noon to 3 p.m.
Kramer and Miller, who share a fascination with creating layers in their work, met each other at the late Stan Brodsky’s painting critique seminar at the Art League of Long Island. Kramer’s layers are overlapping organic shapes and lines, while Miller’s layers are rich in texture with a mixture of materials. Their unique explorations of layered color and space create an ongoing discovery of new and evolving visual languages.
Denise Kramer is a Huntington based abstract artist. Her paintings are explorations of organic shapes that are inspired from the human figure and the natural world and often begin as a meditative journey that led to spontaneous transformations through a layering of color, lines and forms. These transformations speak to the endless variety of human connection. Kramer has exhibited in numerous group shows throughout Long Island. She studied art and psychology and holds a MA in Creative Arts Therapy from Hofstra University and a MA in psychology from the New School. Kramer is a licensed creative art therapist and has a private psychotherapy practice in Huntington.
Having received an art studio degree from SUNY at Stony Brook, Barbara Miller continued her education at Post College and then seven years of classes at Bennington college in Vermont. She is an artist, a sculptor and painter with experience in welded steel, oil painting and mixed media constructions. Her work is highly textured and multilayered. The interest is its physicality; “building a painting” as opposed to “painting one”. Ideas originate from memories and fragments of dreams. Miller notes, “I may have something in mind before I begin, but I allow the process to take the work where it needs to go. At this point, the art becomes intuitive and hopefully spontaneous!”
The Art League is located at 107 East Deer Park Road, in Dix Hills. Gallery hours are Tuesdays and Thursdays from 10 a.m. to 8 p.m., and Fridays & Saturdays from 10 a.m. to 3 p.m. For more information, call 631-462-5400 or visit www.artleagueli.org.
For Stan Brodsky, painting was so much more than just a skill or even a career. It was a language, a love affair, a truly sensual experience. The artist shared those feelings openly with students over the course of a renowned teaching career that spanned more than 50 years.
Several months ago, the Art League of Long Island in Dix Hills began to prepare Stan Brodsky and Friends, a springtime exhibit celebrating Brodsky’s work along with nearly 30 of his dearest friends, many of whom were former students and mentees.
On March 30, just two weeks before the exhibit’s scheduled opening, Stan Brodsky passed away at the age of 94. He had continued to work and teach until the final weeks of his life, just as he wanted it. Brodsky’s students noted that the World War II veteran tried to retire a few years ago, but he couldn’t stand being away from doing what he loved.
The Art League is moving forward with the show as planned, with the exhibit running from April 13 to 28. A reception on April 14 at 3:30 p.m. will allow the artists and those who loved Brodsky to honor his life and legacy.
Participating artists include Ennid Berger, Susan Bird, Susan Canin, Denise DiGiovanna, Simon Fenster, Stuart Friedman, Peter Galasso, Lenore Ann Hanson, Ginger Balizer-Hendler, Caroline Isacsson, Vincent Joseph, Deborah Katz, Marceil Kazickas, Denise Kramer, Barbara Miller, Catherine Morris, Pamela Long Nolan, Dianne Parker, Alicia R. Peterson, Doug Reina, Fran Roberts, Susan M. Rostan, Ellen Hallie Schiff, Laura Powers-Swiggett, Janice Sztabnik, Lois Walker and Hiroko Yoshida.
Stan has touched so many lives, inspiring them to pursue their passions,” said Susan Peragallo, coordinator and curator of the Art League’s Jeanie Tengelsen Gallery. “The exhibit will be a chance for everyone to celebrate him — the 27 artists in the show are only a small segment of those who were influenced by him over the years.”
A master abstract expressionist, Brodsky studied photojournalism and fine art before receiving a doctorate in art education from Columbia University in 1959. Originally from Greenwich Village, he moved to Huntington in 1965. Most of his teaching years were spent at Long Island University’s C.W. Post Campus in Brookville, and a collection of his notes and sketches from 1951 to 2004 can be found at the Smithsonian Institution.
Brodsky’s relationship with the Art League began in the late ’90s when he became an instructor. The classes were small in the beginning, with just five students enrolled in 1994, but grew rapidly, and eventually people had to be turned away from lack of space. “It’s not so much that he was popular, but he was inspiring and generous in his critiques, and people really responded to that,” Peragallo said.
Peter Galasso of Setauket remembers that Brodsky could often be found in the same way over the years as students arrived for class — sitting at his desk, usually eating an egg sandwich, always poring over an art history text.
“He had a contagious passion, and was constantly reading and continuing to study,” said Galasso, who began studies under Brodsky 20 years ago, eventually becoming a friend and traveling companion. “He was always looking to travel somewhere new or different. He wanted to be inspired by the local color of a place.”
Susan Rostan of Woodbury remembers entering Brodsky’s classroom for the first time while pursuing a master’s in fine art. Brodsky arranged the students in a circle and asked each one to introduce themselves. When it was her turn, Rostan simply told him, “I’ve heard I’m either going to love you or hate you, but I’m cautiously optimistic.”
Many years later, Rostan was sitting in a different class of Brodsky’s, this one at the Art League. But she was stunned by the striking realization that nothing had changed: He still wore the same striped sweaters and paint-splattered jeans. She painted a full-length portrait of him that day that will appear in the exhibit.
“He taught us as much about ourselves as he did about painting,” said Rostan, who is now working on a biography of Brodsky. “He was an unusual teacher in that he approached his students as equals and opened himself up to be vulnerable and form friendships with them, which allowed him to encourage them particularly well.”
Brodsky’s friendship and deep encouragement were beloved by so many of his students, said Doug Reina of Setauket. In fact, some of them continued to take his classes for decades just to spend more time with him.
“Stan had this ability to make you feel special. He was genuinely curious about you, and that means a lot,” Reina said. “In the old days before taking his classes, I would look at a scene and just try to copy it. But through him I learned to paint in a way that also expresses how I feel about the subject and the sensuousness of the paint itself. Stan painted with his own language and created something truly unique for the world.”
Stan Brodsky and Friends will be on view at the Art League of Long Island’s Jeanie Tengelsen Gallery, 107 E. Deer Park Road, Dix Hills. Admission is free. For more information, call 631-462-5400 or visit www.artleagueli.net