Village Times Herald

Image from Pixabay

By Daniel Dunaief

Daniel Dunaief

Welcome to Dan Dunaief HS or DDHS. I know it’s an odd time to start a new high school, but children need to learn, even during a pandemic.

Originally, I was planning to have everyone come to a pep rally on the first day of school. After all the restrictions of last year, it only seemed fitting to bring the kids together in the gym and celebrate the chance to sit in 1950s style wooden bleachers that rock when someone walks a few steps.

But, then, I realized we don’t have a basketball, football or squash team, we haven’t picked school colors, we don’t have a school song and, most importantly, we are in a difficult spot with the pandemic.

I know your kids are exhausted from dealing with the virus. Who can blame them? Aren’t we all?

At first, I thought we’d avoid the whole topic and stick to the basics in school.

But, then, it occurred to me that avoiding a virus that has now affected three school years wouldn’t make it better. We can try not to think about it, but that doesn’t make it go away. Information and knowledge will help these students understand the strange world that surrounds them and might empower them to feel as if they’re doing something about it, even if it’s just learning more about a time that future generations will no doubt study carefully, scrutinizing our every move as if we were some kind of early laboratory experiment.

With that in mind, I gave the curriculum serious consideration. I thought about all the standard ways students have learned.

Ultimately, I decided to turn toward the academic vortex. At DDHS, at least for the first year or so, we’re going to encourage students to study the real challenges of the world around them.

For starters, in our art class, we’re going to have design competitions for the front and back of masks. The winners will provide masks that the entire school will wear each week.

Then, in an engineering class, we’ll work on creating masks that are more comfortable and just as effective as the ones that make our faces sweat. Maybe this class can also figure out how to provide words that flash across the mask when we talk, giving people a better idea of what we’re saying behind our masks. Maybe enterprising students can design masks that cool our faces when we sweat and warm them when we’re cold, that shave or bleach unwanted hair or that act like dry-fit shirts, covering our faces without clinging to them.

In history, we’ll spend at least a semester on the Spanish Influenza. We’ll explore what leaders throughout the world did in 1918 during the last pandemic. We’ll see what worked best and what disappointed.

Our psychology class will devote itself to the conflicts between people’s perceptions of infringements on their individual freedoms and their desire to protect themselves and each other by wearing masks.

Our political science course will delve into how politics became enmeshed in the response to the virus. This class will look at which side gains, politically, amid different public health scenarios.

Science classes will explore why some people get incredibly sick from the virus, while others show no symptoms. We will also study the way the virus works, look at similar viruses and try to understand and track the development of variants.

Math will work with the science department to understand the spread of the virus and to plot various scenarios based on human behavior. Eager students in math will have the chance to demonstrate how sicknesses spread depending on the wearing of masks, the use of vaccines, and the creation of new variants.

Our language arts class will provide an outlet for students to express their hopes, dreams and concerns amid the unique challenges in their lifetime created by the pandemic.

Pixabay photo

By Leah S. Dunaief

Leah Dunaief

The other day, I went to the kitchen sink for some water, and when I turned on the faucet, only a few drops came out, then nothing. Puzzled, I tried it again, shutting then opening the tap. No water. My first thought was that something might be wrong with the pipes in the house. Zipping around, I tried the bathroom sinks. Same result. The water line into the house looked intact, no leaks. This was going to be a big problem, I worried, worse than when the electricity cuts out. I had an awful feeling of deprivation. Where was our water?

It turned out that there was a major leak in the underground water line to our block. Before too long, the Suffolk County Water Authority workers arrived and began digging up the blacktop. It was during those high heat days, and soon the men were drenched in their own sweat, but I admired their work ethic. They kept at the job for a full 12 hours until the line was repaired. We deeply appreciated them and let them know.

I also had a new perspective on having water. We turn the handle and expect to have water to drink, to cook, to clean, to bathe. Yes, I have traveled in other countries where I had to drink bottled water, but nonetheless, water came out of the taps. I follow the news about water shortages around the world, including in our country, but it is with a different perspective now when I see such reports on television. We feel entitled to running water, but we are so privileged. To turn on the faucet and have nothing come out, even for a few hours, is deeply unsettling.

Here is an example where water is a great concern. We know there has been a drought in California for the past two years. Southern California cities have prepared for the worst by building aqueducts and reservoirs and storing water underground. Despite their more arid climate, the south of the state is prepared. Smaller northern California towns, located in what was a more rainy climate, and much loved by tourists, are caught short. Reservoirs there are at worrisome levels and even power-generating dams have had to stop producing electricity because of insufficient water. These are agricultural areas too, and farmers, as well as restaurateurs and innkeepers, are afraid they may have to shut down. To truck in water costs 20 to 45 cents a gallon compared with the typical utility company rate of less than a penny a gallon.

Further, the level of water in the Colorado River and Lake Mead, which is formed by the Hoover Dam, is falling, threatening the water supply for Arizona, New Mexico and Nevada residents and especially Arizona’s agricultural output. Even major semiconductor manufacturers, expanding there, require a lot of water to produce their much needed product. Lake Mead, the country’s largest reservoir, is now at its lowest level ever. The $1 trillion package just passed by the Senate does include water shortage mitigation funds.

Worldwide, over a billion people lack access to water and 2.7 billion find water scarce for at least one month a year. Countries most affected include Egypt, Syria, Somalia, Pakistan, Haiti, Laos, Cambodia, Ethiopia and Afghanistan. The irony is that over 70 % of the earth is covered by water. Desalination, which is an expensive option, could become a solution. There is also water in the air. An Israeli company called, Watergen. pulls water from the air, as much as 6000 liters a day. that is used to support entire hospitals in Gaza and rural villages in central Africa. It also helped Australia battle bush fires in 2020. Further, harvesting the pure water from icebergs is big business along Canada’s east coast.

These are all possible solutions. Perhaps most important is the care we humans must take with our precious supply, not to mindlessly pollute or overuse what we are grateful to have. I am duly reminded how lucky we are.

A view of the grounds of the Long Island Museum from the Art Museum on the hill.

By Tara Mae

The Long Island Museum (LIM) in Stony Brook unveils three exciting new exhibitions — Tiffany Glass: Painting with Color and Light, Fire & Form: New Directions in Glass and the 8th annual LIMarts Members’ Exhibition, Fragile — this Friday, Aug. 20. All three will be on view through Dec. 19.

Art exhibit, Fragile, showcases work of LIMarts members
Long Island Museum’s Visitor Center and History Museum

Peace may be found in both the practice and presence of art. Fragile explores how art enriches our lives, particularly during times of stress and strife. On display in the recently renovated Cowles Gallery in the History Museum and Visitors Center (pictured on the right), the show features works by 92 members of LIMarts, both amateur and professional, working in different formats and mediums including sculpture, printmaking, oil painting, watercolor, etc. 

“LIMarts is a collaborative arts group designed for artists dedicated to creating a new forum within our cultural community,” said Neil Watson, Executive Director of the LIM. “The group offers space for the exhibition and sale of artwork, varied programming events, lectures and opportunities for social gathering with other artists and the public.”

All LIMarts members were invited to submit one piece for the exhibit, which enables the museum to introduce or amplify the art of local artists to its audience. Although a few of the artists have works already in the museum’s permanent collection, the art included in Fragile is being exhibited for the first time. 

Thanks to a sponsorship by Maryellen and Michael Lubinsky, the museum was able to waive its normal commission; all proceeds from art sales will go directly to the artists. 

There were no confines put on the artists’ interpretations of the theme, but they were constrained by space; each participant’s work had to fit on 12″ x 12″  canvas boards. This restriction enabled creative solutions and unique results. 

“When everybody’s work is the same size, it distills a different type of beauty…they are all on the same panel and figuring it out,” said Joshua Ruff, Deputy Director of the LIM and the show’s curator. “The diversity of approaches and how the exhibit was interpreted are amazing: fragile, as an idea, departure point, and concept.”

During the past 19 months, emotional and physical fragility have been ideas arguably at the forefront of the collective conscience. Most of the submissions were created during this time frame, and these ideas are recurring subjects, especially as they relate to the delicate nature of both the environment and human condition. Yet fragile does not equal weak, and the exhibit is also a testament to how fragility can be infused with fortitude.

“This is not an exhibition of 92 different ways of suffering; rather it shows there is an inner reserve of strength in all of us. You can be vulnerable but have other positive qualities of strength. I think some of the artists were trying to say that you can be fragile but be strong or have a fragile environment that produces great beauty and great strength,” said Ruff.  

Certain artists chose to explore the intersection of fragility and vulnerability by experimenting with new painting styles or artistic techniques. “Some artists were trying new things and you can be vulnerable when you are trying new things,” Ruff explained. “It’s really impressive to see how many ways people approached the subject and how many different points of view and perspectives you see.”

Tiffany Glass: Painting with Color and Light
Wisteria Library Lamp, ca. 1901, Tiffany Studios, NYC

Organized by the Neustadt Collection of Tiffany Glass in Queens, Tiffany Glass: Painting with Color and Light will be the first exhibition of its kind at the LIM. This compelling exhibition will include five windows, twenty lamps, and several displays showing how Louis C. Tiffany’s lamps were assembled, and how collectors today can distinguish between authentic lamps and forgeries.

The exhibition features some of the most celebrated of Tiffany’s works. Chosen for their masterful rendering of nature in flowers or landscape scenes, they exemplify the rich and varied glass palette, sensitive color selection, and intricacy of design that was characteristic of Tiffany’s leaded-glass objects. This exhibition also highlights some of the key figures at Tiffany Studios who made essential contributions to the artistry of the windows and lamps— chemist Arthur J. Nash and designers Agnes Northrop and Clara Driscoll.

 

 

Fire & Form: New Directions in Glass
Acesa (Ascend), 2019; by Toots
Zynsky;
Heller
Gallery, NYC

Fire & Form: New Directions in Glass , organized by the Long Island Museum, will feature nearly 50 works from nine contemporary artists, all reinforcing that glass is a sculptural material of near-infinite artistic and narrative possibilities. The artists included in this exhibition represent some of the most renowned names in American contemporary glass: Joseph Cavalieri, Deborah Czeresko, Trefny Dix, Bengt Hokanson, Beth Lipman, Judith Schaechter, Andy Stenerson, Marianne Weil, and Toots Zynsky. These exceptional artists all demonstrate a variety of approaches, methods, and inspirational starting points. Fire & Form will inhabit more than 2,500 square feet in LIM’s History Museum and Visitor’s Center and will  be accompanied by a richly illustrated 30-page catalogue that will be printed as a takeaway for visitors.

Fire & Form and Tiffany Glass are two of the biggest and most beautiful exhibitions we have ever mounted here,” says Joshua Ruff, Deputy Director the LIM and one of the curators of Fire & Form. “The comparison between Tiffany’s approach with some of the striking other work people will see  — modern stained glass, blown glass, and cast glass — will really give people some perspective on how versatile a medium it really is.

IF YOU GO

The Long Island Museum is located at 1200 Route 25A in Stony Brook. It is open Thursday to Sunday from noon to 5 p.m. Admission is $10 for adults, $7 for seniors (62 and older), $5 for students (including college students with IDs), $3.50 for people with disabilities (personal care assistants admitted for free), and free for children under the age of six. For more information about the above exhibits or orther programs at the LIM, call 631-751-0066 or visit longislandmuseum.org.

 

A screenshot of the app created by Christopher Gobler and Sung-Gheel Jung of Stony Book University.

Stony Brook University’s Christopher Gobler, endowed chair of Coastal Ecology and Conservation, and Sung-Gheel Jang, faculty director in the Geospatial Center at Stony Brook University, have created a free app that provides information on water quality on Long Island.

Through the downloadable Long Island Beach and Water Quality App, also known as LIBAWQA, residents can gather information that can connect to a person’s location, indicating the health and safety of beaches, bays, estuaries or waterways near them.

Gobler’s lab provides the water quality data, which comes from measures they make in 30 locations from East Hampton to Hempstead.

The New York State Department of Health provides updates on about 200 beaches across the Island, while the NYS Department of Environmental Conservation offers shellfishing data for more than 500,000 acres of bays, harbors and estuaries.

Jang, whose expertise is in the mapping related to geographic information systems, or GIS, helped build a service he targeted for the general public.

Instead of calling the county to find out if their favorite summer destination is open, residents can “use the app and you will know the current water quality,” Jang said.

Shellfishing and bathing restrictions use different criteria to determine the safety of swimming or pulling up clams and other shellfish.

“This is the beauty of the app,” Gobler said. One day last week, he noticed that a site in Center Moriches allowed swimming but not shellfishing. “The beach right next to it” allows shellfishing. “Which one would you rather go to?”

The app, which is available by installing ArcGIS AppStudio Player from Google Play, the App Store or the Microsoft Store and using a QR code on a camera, can show the health history of a beach.

While the system, which Gobler described as being in “version 1.0” doesn’t have text alerts, it does provide real-time information.

Users can track their location on the map in the app, checking on the shellfish or bathing status of nearby waterways.

The idea for this app came about a couple of years ago when Jang visited Gobler’s lab and the two Stony Brook researchers talked about collaborating.

“I was impressed by [Gobler’s] work,” Jang said. “His lab collected water quality data for many, many years.”

Jang suggested creating an easy-to-use mobile app. Gobler wanted to add other information beyond the water quality data his lab collected regularly.

Gobler and Jang expect to modify and enhance the information by next summer, when it could include a crowdsourcing opportunity, in which participants share updated information, including limitations on parking or beach closures.

Gobler and Jang said they would need to provide a filter before posting information to ensure it contains quality data.

The service isn’t available in the Google or Apple app stores yet.

“By next summer we hope we can release a new version,” Jang added. “We wanted to show we have a working app first.”

Scientists of any age, from primary school through postdoctoral researchers, can use the information for their own research papers or studies, Jang said.

Anyone who is interested in accessing and using the data for their own research projects can contact Jang through his email at [email protected].

The scientists have received funding from the Rauch Foundation and The Chicago Community Trust. The pair will seek renewals from both sources this fall.

By Tara Mae

After a 3 year absence, Local Color returns to Gallery North, a proclamation of the connection between art, artist, and community. On view from Aug. 19 to Sept. 26, the exhibit is presented in conjunction with the North Shore Artists Coalition and includes a reception and Open Studio Tour. 

The beautiful show features artists whose work is both universal and local in impact, meaning, and appeal. 

“[Executive Director] Ned Puchner and I decided to bring Local Color back this year and re-envision it to show through these artists what local culture is about. The exhibit is defining the role artists play in shaping identity of community and showing diversity of how artists define community: creating culture, creating beautiful and impactful work, adding to the identity through their outreach, etc,” said curator Kate Schwarting. 

The show’s art is as varied as its interpretation of theme, featuring oil and acrylic paintings, photography, sculptures, and digital renderings. Thirty artists, from St. James to Mount Sinai, will be featured including Kelynn Alder, Arts.codes (Margaret Schedel and Melissa Clarke), Fred Badalamenti, Joan Branca, Sheila Breck, Pam Brown, Nancy Bueti-Randall, Sue Contessa, Micheal Drakopoulos, Paul Edelson, Peter Galasso, Han Qin, LoVid, Flo Kemp, Karen Kemp, Jim Lecky, Jim Molloy, Carlos Morales, Patricia Morrison, Patricia Paladines, Mel Pekarsky, Alicia R. Peterson, Doug Reina, Joseph Rotella, Angela Stratton, Mary Jane van Zeijts, Lorraine Walsh, Annmarie Waugh, Marlene Weinstein, and Christian White.

“What is so special about this exhibition is that each artist brings a different thing to the exhibition,” explained Schwarting. “A plein air painter captures the essence of a familiar location and allows us to see it in different light; someone else [deals] with a scientific topic that is so difficult to comprehend, but creates art that enables us to know through physical form and visual cues.”   

Several of the participants are also activists who champion social, technological, and environmental awareness and change through their art. 

According to Schwarting, a number of the artists were recruited through the gallery’s association with the North Shore Artists Coalition, while others were invited by her and Puchner. 

Pam Brown, a sculptor who lives in Stony Brook and co-founder of the coalition, helped facilitate the partnership between the group and the gallery. Her piece, Armour, is a sculpture fabricated out of sheet metal, wire, boar bristles, and vinyl. Brown’s efforts in facilitating the relationship between Gallery North and the North Shore Artists Coalition reflect the connection she sees between art and community outreach. 

“Community engagement creates an opportunity for the arts and artists to be seen by their communities — it initiates new ways for the public and artists to build connections between different groups. It brings together communities so they can articulate their own history and culture and to acknowledge that art is taking place in a larger context,” she said. 

For artist Doug Reina of Stony Brook, who has exhibited at Gallery North in the past, showing his work in Local Color is reconnecting with a “fun, summertime tradition.” 

“My work is about sharing the interesting, touching, emotional, funny, beautiful, sad human things that mean something to me with the viewer,” said Reina. His oil painting, titled Boys Night Out, depicts 4 teenage boys sneaking out of the house on a summer night. “The painting is based on real life experiences we had when our son was that age,” he explained.

Interpersonal connection is a recurring subject of the show’s art. This focus extends outward into explorations of our interactions with and responsibility to the world-at-large.

Han Qin of St. James will be entering her cyanotype on paper, White Goddess, which incorporates digital photo editing, drawing, and papermaking. It was inspired by two poems: “The White Goddess” by Robert Graves and “Quiet Night Thoughts” by Li Bai. 

“I started the White Goddess series during my pregnancy and have been developing it until now. Poetry and life experience are the main inspirations. The idea behind the artwork becomes a shared experience that brings people together,” she said.

“We as a people have a long continuous personal storyline. Artwork is the moment on the storyline. My moment connects with others’ moments in their individual storylines; thus, a web of emotional connections builds up. That is a community, too,” said Qin.

Such cultural connections are enhanced through community involvement. In this spirit, exhibiting artists of Local Color will also be featured in an Open Studio Tour hosted by the North Shore Artists Coalition and Gallery North on Sept. 25 and 26, from 11 a.m. to 6 p.m. each day. 

“With one piece from each of the selected artists in the exhibit itself, the Open Studio Tour allows for an expanded view of the individual artists,” said Schwarting. 

Gallery North, 90 North Coutry Road, Setauket presents Local Color from Aug. 19 to Sept. 26. Join the artists for an opening reception tonight, August 19, from 6 to 8 p.m. The gallery is open Wednesday to Saturday from 11 a.m. to 5 p.m. and Sunday from 1 to 5 p.m. For more information, call 631-751-2676 or visit www.gallerynorth.org.

Photo from Kevin Wood

The PJ-SBU shuttle is back!

Starting Thursday, Aug. 19, Stony Brook University students can come Down Port to shop, eat and enjoy what the village has to offer.  

Created in 2019 as a partnership between the Port Jefferson Parking and Mobility Department, the university’s office of Community Relations and the Port Jefferson Business Improvement District, the program had to stop in March 2020 due to the COVID-19 pandemic, according to Kevin Wood, the village’s parking and mobility administrator.

Now, nearly a year and a half later, students can take advantage of it again.

“When Stony Brook came back from remote learning, it signaled to me that we should bring the bus back,” Wood said. “The university is looking at Port Jefferson as its downtown, so the bus makes it a direct link there now.”

Photo from Kevin Wood

The shuttle is free to students and runs four days a week — Thursdays through Sundays. It starts at the university’s SAC circle and then moves to the Hilton Garden Inn Hotel, SBU’s Chapin Apartments, Stop and Shop East Setauket, Arden Place in the village and ends at the LIRR before heading back to the campus. 

“Stony Brook University is proud to partner with Port Jefferson and the Business Improvement District to provide the student shuttle service for shopping, dining and entertainment in the village,” said SBU Community Relations Director Joan Dickinson.

Wood added that the shuttle is a 19-passenger vehicle and is ADA compliant. 

“Anytime we can bring visitors who spend money to the village without having to park is a win,” he said. 

Mayor Margot Garant said the village welcomes all SBU students, staff and residents.

“The shuttle is important to connect the Brook to Port Jeff Village, and to ensure the student body are welcome and have safe, easy access to our shops and restaurants,” she said. “We encourage them to sit back and enjoy the ride!”

Photo by Julianne Mosher

And they’re off!

On Saturday, Aug. 14 cars from the last century geared up to tackle the ascent on East Broadway in Port Jefferson village to commemorate the 1910 hill climb.

Sponsored by the Port Jefferson Harbor Education & Arts Conservancy, in partnership with the village, the event allows vintage car enthusiasts to retrace the original hill climb course as spectators cheer them throughout this historic tribute. 

According to the event chair, Bob Laravie, this was the seventh recreation of the climb – its original, as the name states, being in 1910.

“We’re celebrating right where the original cars ran,” he said. “We had every decade starting from 1909 up to one car from 1980.”

The conservancy decided to bring back the hill climb in 2010, with the plan to run again every five years. After a successful 2015 run, the pandemic halted the 2020 event. 

So, the 2021 hill climb was highly anticipated for people who love old cars. While many drivers were local to Port Jefferson and its surrounding communities, others came from across Long Island — as far as Queens and Montauk. One couple brought their 1911 Hupmobile Model 20 roadster across the Sound on the ferry to participate. 

Laravie said there were about 60 vehicles at the start of the climb, parked outside the Village Center. 

“We’ve done this every five years since the 100th anniversary and we look forward to doing it again in four years,” said Lisa Perry, president of the conservancy.

Mayor Margot Garant said the event speaks about the village’s role in the automobile industry which many people are not fully aware of. She noted that after the building — which is now the Village Center — was no longer used for making boats, car engines were created inside its walls. 

Some of the early 20th-century cars at the event very well could have had their engines made in Port Jefferson. 

“It’s great to see the turnout today,” Garant said at the event. “And, more importantly, to celebrate the history of the village in another dimension.”

You can watch a recording of the hill climb here.

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Chelsea Gomez, left, is a former employee who says Pentimento's owner has properly taken care of the septic system at the restaurant. Photo by Kimberly Brown

Residents who have banded together to save Pentimento Restaurant in Stony Brook Village Center, before taking to the village streets Sunday to protest, started a Facebook page and petition earlier this month.

The petition on Change.org, started by Patricia Kirchner, has received almost 3,300 signatures as of Aug. 18. It states that the restaurant has been refused a lease renewal by The Ward Melville Heritage Organization.

Eagle Realty Holdings is the owner of the Stony Brook Village Center storefronts, which selects tenants, collects rent and maintains the shopping center property. Net proceeds are distributed to WMHO. According to Gloria Rocchio, president of Eagle Realty Holdings and WMHO, the realty company pays more than $725,000 in real estate taxes a year.

Rocchio added the WMHO board of trustees are non-salaried volunteers.

On the Save Pentimento Facebook page, which has more than 400 followers, the administrators have requested that, in addition to members calling and emailing WMHO’s office and Rocchio, they also contact trustees and have listed the board members’ phone numbers and email addresses.

In a phone interview Aug. 16, Rocchio said she believes many community members are acting on misinformation.

“They don’t have all the facts,” she said. “They only have one side of the story.”

Rocchio added that it’s not standard protocol to discuss where a tenant stands as far as a lease, rent or any other interactions between the landlord and business. 

Earlier this month, Pentimento owner Dennis Young told TBR News Media that last year he was required to request an extension of the lease, which expires at the end of September. He said while trying to keep the restaurant afloat during the pandemic, renewing slipped his mind.

While Young is thinking about retiring in the near future, he said friends were interested in buying the business and keeping Pentimento as it is.

Rocchio said in addition to not providing notice of an interest to renew the lease last year, the tenant failed “to comply with the requirement to maintain the septic system” which is described in the lease. She added the new owners that were recommended by Young were interviewed as well as other candidates.

Young said he has maintained the property during his 27 years of ownership.

Restaurant manager Lisa Cusumano in a phone interview said she and Young have not been part of any of the planning of the petition or the rally and have been too busy running the business to keep up with the comments on the Save Pentimento Facebook page.

“The community is taking it in their own hands, and it has a life of its own,” she said.

In an Aug. 6 post to the Pentimento Restaurant Facebook page, residents were asked to remember that the business isn’t a separate entity but is part of Stony Brook Village Center. Patrons were encouraged to support all the businesses in the shopping center.

“The community outpouring has been overwhelming and it’s touching, but we don’t want people to go against the village center because that’s our home, and they’re all our neighbors — those businesses are just like us,” Cusumano said.

Not only have Young and her been overwhelmed by the community’s response via social media and the Aug. 15 rally, they said customers come in every day asking why they are closing.

“There isn’t a customer that does not walk in our restaurant every day and says, ‘What is going on, why is this happening?’” Cusumano said.

According to Rocchio, no final decision has been made as far as a future tenant.

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Residents rally in front of Pentimento. Photo by Kimberly Brown

Residents gathered outside Pentimento on Sunday to show support for the restaurant, which is set to close its doors on Sept. 30. The business has been a staple in Stony Brook Village Center for 27 years.

Julia Lopinto, of Setauket, shows support for Pentimento Sunday. Photo by Kimberly Brown

Standing at the entrance of the restaurant with pizza boxes, cardboard strips and homemade picket signs reading “Save Penti!” and “Good Neighbors Deserve Better Treatment!” a few dozen locals made sure to exhibit their concerns for the struggling business.

“I loved watching them grow,” said Sharon Goetchius, of Stony Brook. “It is such a warm place, and the food is amazing. It’s got everything, and the way this is all going down is really unfortunate.”

On July 29, Pentimento posted on its Facebook page that it was unable to extend the term of its lease and will be looking to relocate in or around the Three Village area.

Disappointed that Eagle Realty Holdings didn’t negotiate a new lease for the long-standing restaurant, locals are hoping to garner support throughout the community, making sure their voices are heard and the restaurant stays.

“They should turn this around and extend their lease, that is the ethically right thing to do,” Goetchius said.

“Because of all the COVID madness, the renewing of the lease kind of slipped through the cracks, although they always intended to renew.” said Lisa Blake, of St. James. “Rather than extending some kindness and neighborliness, the landlord is saying, ‘No, you missed that little window, so you’re out of here.’”

According to Gloria Rocchio, president of Eagle Realty Holdings, along with not renewing the lease in time, the business also failed to comply with the maintenance of its septic system. However, Chelsea Gomez, a former employee of 15 years at Pentimento, said she highly disagrees with this statement.

“I have firsthand knowledge of how often we had to pump the septic system, so I know that the owners were doing everything they could to maintain it,” Gomez said. “This is not a case of neglect or that they didn’t want to spend the money to fix it. They’ve always done everything they can to maintain not only the septic system but everything about this restaurant, too.”

Loyal customers reflected on their fond memories of Pentimento Restaurant, from celebrating weddings, anniversaries, birthdays to just a simple night out to dinner — it seems the business has played a part in every customer’s life.

“I’ve come here throughout my childhood, and it’s such an integral part of the community that I don’t want it to go away,” said Julia Lopinto, a Setauket resident. “It’s a quaint, homey place that has strong roots in this community, and us being here today is evidence of how willing we are to defend it.”

For Rocchio’s and Cusumano’s reaction to the rally, read WMHO president, restaurant manager respond to residents’ cries.

Photo from Stony Brook Medicine

As we continue to battle against the coronavirus and approach flu season, it’s imperative that we know the facts about the vax. This Tuesday, August 17, join experts from Stony Brook Medicine as they discuss the importance of and science behind vaccines during a LIVE virtual event. Our experts will dispel misconceptions and address concerns surrounding key vaccinations, including those for COVID-19, the flu, and human papillomavirus (HPV).

The ongoing pandemic has created unprecedented challenges for healthcare providers and patients. A recent study showed a 71% drop in healthcare visits for 7 to 17-year-olds, when critical vaccines like Tdap, HPV, and meningitis are given. The HPV vaccine is recommended for boys and girls at age 11 or 12 because it works best when given before exposure to HPV. It can be given as early as age nine, and through age 26 for both men and women, if they did not get vaccinated when they were younger. The vaccine is safe with more than 270 million doses having been given worldwide since 2006. Even though the HPV vaccine can prevent many cancers caused by HPV infection, nearly half of adolescents in New York State are not getting the vaccine as recommended.

Every year in New York, nearly 2,600 people are diagnosed with cancer caused by HPV. To help educate those across Long Island about the importance of HPV vaccination for cancer prevention in adolescents, the Stony Brook University Cancer Center received a grant funded by the New York State Department of Health and Health Research Inc. This allows Stony Brook, the first and only institution on Long Island to be part of the Cancer Prevention in Action (CPIA) program, an opportunity to further promote the importance of the HPV vaccine as cancer prevention.

WHEN:

Tuesday, August 17, 2021 at Noon EST

The livestream event can be seen on:

Facebook at https://www.facebook.com/stonybrookmedicine/posts/4181276798594857

Or

Youtube at https://www.youtube.com/watch?v=WlmY5d_QUTE

Moderator Sharon Nachman

MODERATOR:

  • Sharon Nachman, MD, Professor of Pediatrics and Associate Dean for Research at the Renaissance School of Medicine, Stony Brook University & Chief of the Division of Pediatric Infectious Diseases, Stony Brook Children’s Hospital

PANELISTS:

  • Jill Cioffi, MD, FAAP, Assistant Professor of Clinical Pediatrics at the Renaissance School of Medicine, Stony Brook University and Medical Director of Ambulatory Primary Care Pediatrics, Stony Brook Children’s Hospital

  • Lauren Ng, DO, FAAP, Assistant Professor of Pediatrics at the Renaissance School of Medicine, Stony Brook University and Primary Care Pediatrics, Stony Brook Children’s Hospital

For more information on Stony Brook Medicine’s vaccine program visit, https://www.stonybrookmedicine.edu/vaccine

This program is supported with funding from the State of New York. The views expressed in this educational event and by speakers and moderators do not necessarily reflect the official policies of the State.