Theater

By Rita J. Egan

Bradlee and Marci Bing show the hands they’ve been dealt in the acting world in Theatre Three’s The Gin Game, and they are winning ones. The tragicomedy opened at the theater on Saturday, Jan. 13.

In the Pulitzer Prize-winning play by D.L. Coburn, Weller Martin (Bradlee Bing) and Fonsia Dorsey (Marci Bing) meet at the Bentley Nursing Home. As the only two residents with no family and friends coming to see them on visitors’ day, they find solace on the home’s unused sun porch. Weller invites Fonsia to play gin rummy with him. Even though it’s supposedly her first time playing, he quickly learns that luck is on her side.

Playing the game a few times over a couple of weeks, the two reveal their life stories. While a bond seems to form between the two, the figurative walls they have erected in life also appear. As the play progresses, the audience discovers how both play the cards they are dealt in gin rummy and in life.

The Gin Game opened in Los Angeles in 1976, and a little more than a year later it debuted on Broadway with husband and wife Hume Cronyn and Jessica Tandy. In addition to being awarded a Pulitzer Prize for Drama in 1978, Tandy won the Tony Award for her portrayal of Fonsia. After more than 500 performances on Broadway, Cronyn and Tandy toured with the production.

Revivals in the past have included E. G. Marshall, Maureen Stapleton, Charles Durning, Julie Harris, James Earl Jones and Cicely Tyson. In 2003, PBS presented a televised version starring Dick Van Dyke and Mary Tyler Moore.

In Theatre Three’s production, Bradlee Bing convincingly delivers the belligerent and sarcastic Weller. His rage over losing game after game is frightening, especially when he curses or forcibly uses his cane. Yet, in the more humorous moments, he portrays the character with a bit of charm that makes you feel sorry for him.

Marci Bing is also convincing as the prim and proper Fonsia, who reveals more of her true nature as the two get to know each other. The actress seamlessly transitions from a sweet woman to one whose stories reveal that in her attempt to control her circumstances in life, she can become rigid and vindictive.

The actors easily deliver the humorous lines, and a short dance sequence demonstrates the chemistry between the two married actors. The real measure of their immense talents is seen during the play’s more serious and darker moments. It’s apparent that the actors realize the depth of the multi-layered piece as Bradlee Bing powerfully delivers the lines, “God gave you that card, didn’t he? Didn’t God give you that card?” Marci Bing strongly responds, “Yes, Weller, God gave me the card.”

The Bings, along with director Colleen Britt, have masterfully developed characters that many can relate to and all can learn from. Audience members should arrive at the show and settle in their seats a few minutes early for an extra touch added to the Theatre Three production, which enhances the theatrical experience.

Lending a subtle sense of just how run down the nursing home is, set director Randall Parsons has created a stage that is believable as a barely used back porch with a collection of books, crutches and other items.

In a Jan. 11 interview with TBR News Media, the Bings said they hoped audience members would leave the theater thinking about aging, not only about how difficult it can be for some but also how wallowing in the past doesn’t do anyone any good. The two successfully drive that point home on stage as Weller and Fonsia.

Theatre Three, 412 Main Street, Port Jefferson, presents The Gin Game through Feb. 3. Tickets are $40 for adults, $32 for seniors 65 and over and students and $25 for children. Wednesday matinees are $25. To order, call 631-928-9100 or visit www.theatrethree.com.

Bradlee and Marci Bing will star in Theatre Three's 'The Gin Game' from Jan. 13 to Feb. 3. Photo by Steve Ayle / Showbizshots.com
Theatre Three actors run through lines and card game

By Rita J. Egan

A husband and wife are about to take on a 90-minute game of gin rummy in front of a live audience.

Theatre Three veterans Bradlee and Marci Bing, who have been married for nearly 40 years, will star in the Port Jefferson theater’s production of The Gin Game. The Pulitzer Prize-winning play opens Saturday, Jan. 13.

Bradlee Bing, as Weller Martin, and Marci Bing, as Fonsia Dorsey, will transform from a happily married couple to two nursing home residents who strike up an acquaintance over a game of gin rummy.

Through the decades, on stage and television, the characters have been portrayed by iconic actors, such as husband and wife Hume Cronyn and Jessica Tandy, Cicely Tyson and James Earl Jones, and Dick Van Dyke and Mary Tyler Moore.

Bradlee and Marci Bing will star in Theatre Three’s ‘The Gin Game’ from Jan. 13 to Feb. 3.
Photo by Steven Uihlein/Theatre Three

The production is not the first time the Bings have acted together as they starred in the theater’s production of Past Tense in 1986.

In a recent interview with the couple, Bradlee Bing described The Gin Game as multi-layered and intricate, where the characters need each other. “But they have so many personal obstacles that they personally have to overcome that they can’t really connect,” he said.

The actors said it’s not difficult playing people meeting for the first time as they understand they are the characters while on stage. However, they said their relationship helps.

“We have natural chemistry,” said Bradlee. “So, we can connect with each other in a way that is comfortable. Even though there are many uncomfortable moments in the play, we’re those characters, and we’re not ourselves.”

The actors said their personalities are opposite of Weller Martin and Fonsia Dorsey.

“He’s patient and kind, and I’m the one who curses and gets fired up,” said Marci.

Bradlee added, “It’s the exact opposite of who we are, but we can laugh about it because we kind of changed roles that we have in real life.”

It’s because of Theatre Three that the two met. Bradlee Bing has been with the company since 1970, guiding the actors from a traveling troop who once performed in storefronts, libraries and church basements to its permanent stage in Port Jefferson. The couple met when Marci joined the acting troop, going on to become part of the theater’s 1979 inaugural theater season as one of six contracted summer company members.

Marci also worked in the theater’s office and assisted her now husband on many projects. When Bradlee was battling cancer and going through a divorce, he needed someone to talk to and asked Marci to go for coffee as he knew she had gone through a divorce years before. They struck up a friendship but still weren’t thinking about romance. However, one night, some theater members went out for drinks and dancing after a show. Someone suggested Bradlee dance with Marci. As he danced with her, he said to himself, “Wait a minute. It’s exactly how you see it in movies. Wow, I never knew that was around.”

While the two said they never argue, the characters they play in The Gin Game do. The Bings added they have plenty of time to master the tense interactions between Weller and Fonsia.

Marci, who is the only one of the pair who has played gin rummy before, said, “It’s a two-character, so it’s an intense amount of practicing of just all the lines. But what’s even more intricate is you have to play the game while you’re thinking of the lines and remembering all the segments. So, our advantage is we live together. It’s 10 o’clock. ‘You want to run scene to see how we’re doing?’”

While Bradlee saw the play performed before at Theatre Three when he was the artistic director, to prepare, the couple have not watched videos of other productions or the 2003 PBS movie, where Dick Van Dyke and Mary Tyler Moore took on the roles.

“I have to make my own character so I don’t want to watch someone else doing it,” Marci said, adding it was different when she played movie star Betty Davis in Me and Jezebel,  where she had to master the icon’s physicalities.

“We bring our own personal experiences that will help us connect with the character and that is much more honest than trying to imitate anyone,” Bradlee said.

Colleen Britt is directing Theatre Three’s The Gin Game. Bradlee said Britt expresses “tremendous energy” and has helped in the development of the characters. 

The actors said while the play contains a lot of humor, it also includes a message about growing old and how some may feel that life is passing them by. The acting duo hopes that audience members will leave The Gin Game thinking about aging and possibly having a more positive attitude toward getting older. Marci added that, for some, getting old can be devastating. 

“It’s sad because you can’t do as much as you want to do,” she said.

Her advice is to “be current.”

“Don’t wallow in what didn’t happen,” she said. “Be glad that you’re still here.”

Bradlee said, often, it can be difficult for people as they look back at their lives, ambitions and goals.

“You reach a point where you realize that there’s no more time to achieve those kinds of goals,” he said. “So, if you live in the past, and see where you are, it’s going to be unfortunate. It’s a good example in the play that you need to move forward.”

Theatre Three, 412 Main Street, Port Jefferson, presents The Gin Game from Jan. 13 to Feb. 3. Tickets are $40 for adults, $32 for seniors 65 and over and students and $25 for children. Wednesday matinees are $25. For more information, call the box office at 631-928-9100 or visit www.theatrethree.com.

The popular holiday show has been extended to Jan. 7.

By Julianne Mosher

Frosty the snowman is a fairytale, they say. He was made of snow but the children know how he came to life one day. This long-time holiday favorite is now playing at the Engeman Theater in Northport and it’s certainly one you need to bring the kids to.

This modern take on the classic tale brings the holiday musical to life with catchy sing-a-longs and plenty of audience participation. Directed by Andrew McCluskey with stage manager and choreographer Jillian Sharpe, Frosty is not only wholesome, but shares important messages of friendship.

The show starts off with narrator Candy Kane Carolyn (Caroline Meyers) who gives the lay of the land in Chillsville — a little town with a population of about 500 that’s always covered in snow. It’s the townspeople’s favorite thing. She introduces us to Jenny (Natalie Seus), the mayor’s daughter, who loves to play outside, but usually by herself. She doesn’t have many friends. 

With the help of her father (Terrence Bryce Sheldon), they build a snowman in the park and name him Frosty. The mayor gives Jenny his scarf that she eventually puts onto the snowman, and because there was so much love in that piece of fabric, Frosty (played by Patrick McCowen) comes to life. 

We’re introduced to Ebenezer Pierpot (played last weekend by swing actor Christina Cotignola, but typically Jae Hughes), the president of Pierpot Enterprises — a manufacturer of snow shovels, snowblowers, and ice scrapers — who want to build a bigger factory in the park but can’t do that with all the snow. During a meeting at town hall, Pierpot tricks the mayor into signing a contract to build a machine that will melt all the snow in the town, putting Frosty’s life in jeopardy. They describe it as a giant outdoor dehumidifier. 

As the weather gets warmer, Jenny must come up with a plan to save the town and make sure her new friend Frosty doesn’t melt away.

Frosty is full of fun surprises, but the best part of all is seeing the enthusiasm on the children in the audience’s faces. What is so special is that as soon as you sit down, the actors on stage start to interact with the kids, asking them questions, making them sing along and even asking for advice. They call on them to tell the rest of the audience what ideas they have throughout the show which could help Frosty and his friend.

Being included in the conversations on stage definitely make the children sitting in the seats below feel validated and important, like they are part of the show as well.

Meet the cast in the lobby after the show for pictures and autographs. An autograph page is conveniently located at the back of the program. 

The John W. Engeman Theater, 250 Main St., Northport presents Frosty, which has been extended through Jan. 7. Running time is 90 minutes with a 15-minute intermission. 

Children’s theater continues with Disney’s Frozen Jr. from Jan. 27 to March 3, and Alice in Wonderland will follow on March 26 to April 28. All seats are $20. For more information or to order, call 631-261-2900 or visit www.engemantheater.com.

By Julianne Mosher

Do you want to build a snowman? Well, if not now, then you definitely will after watching the latest production of Frozen Jr. at the Smithtown Center for the Performing Arts. 

Based on the popular Disney film, Frozen, this show takes shape as a junior version of the hit 2018 Broadway musical performed by local kids with very big talents.  

Directed and choreographed by Katy Snair with musical direction by Vincent Donnadio, the show will have viewers smiling from start to finish. Ranging in age from 8 to 17, the 17-member cast is extremely talented and clearly love what they are doing. 

But first, a synopsis. The story follows two inseparable sisters who are princesses in the kingdom of Arendelle. The eldest, Elsa, was born with magical powers that allow her to create ice and snow. But as a young child, Elsa doesn’t know how to control her powers and while building a snowman wither her sister Anna, she accidentally harms her. While Anna is healed by the mysterious Hidden Folk (spiritual forest people), their parents decide it would be best to protect Anna by keeping the two apart. 

Anna has no memory of the accident and does not understand why her sister avoids her, locked away in her room wearing her silk blue gloves. When the parents are lost at sea, Elsa continues to stay away, quietly keeping her secret hidden from her sister and the outside world.

Ten years have passed and it is time for Elsa to become Queen, but on coronation day her magic unintentionally brings an eternal winter to the kingdom. Accused of sorcery, she flees into the mountains to hide. Anna enlists the help of Kristoff the icemaker to help her find her sister and free Arendelle from the spell. This is a true story of love and acceptance that will thaw the coldest of hearts.

The show starts with young Elsa (Jillian Cerrato) and young Anna (Erin Risolo) playing and spending time with each other, quickly growing into pre-teen Elsa (Anabelle Koelmel) and Anna (Bailey DeLauter). While these four may play the littler versions of the main characters, they shine just as bright with their charisma and talent. Then, right before our eyes, we meet adult Elsa (Amanda Sidman) and Anna (Alexa Oliveto) who are true stars of the show.

For performers just starting off their careers, they are in for really great futures in whatever they choose to do. Both Sidman and Oliveto are able to hold their notes in a very music-heavy production while dancing in floor-length gowns with ease.

During the coronation, we meet Kristoff (Jacob Donlon), Anna’s love interest. Without giving too much away, he’s going to be your least favorite character, but one of your favorite performers on the stage. 

Other standout performances came from Derek Hough (Hans) and his trusty reindeer sidekick, Sven (Michael Krebo). One favorite moment from the viewing was the first time Krebo came out dressed as the friendly reindeer, which was used as a talking puppet head that looked like the character. Emily Weaver’s rendition of the lovable snowman, Olaf (who likes warm hugs), was fantastic, too, making the audience laugh constantly.

Other costumes, designed by Kelly Mucciolo and Tim Conway, look straight out of the movie. Not only is Anna’s signature green dress on point, but Elsa’s costume change during “Let It Go” into her famous blue shimmering dress made the audience gasp, cheer and clap.

The set is minimal, but is welcomed by animated projections on a screen towards the back of the stage depicting different locations in the Kingdom of Arendelle, including the inside and outside of the castle, the snowy mountains and Elsa’s ice castle. During certain songs, you might expect to see some snow fall from the ceiling of the theater.

And one last nice addition to the day out is your chance to meet Elsa and Anna in the lobby for a photo. Don’t miss this adorable, wintery event perfect for pre and post-holiday fun.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown presents Frozen Jr. through Jan. 21. All seats are $25. To order, visit www.smithtownpac.org.

 

High school drama production draws a crowd to two performances

Photo courtesy MPSD

The Miller Place Panther Troupe recently captivated audiences with two performances of their fall drama production “The Curious Savage,” written by John Patrick.

“I’d like to commend the actors, set designers, musicians and everyone involved in the incredible production of ‘The Curious Savage,’” said Superintendent of Schools Seth Lipshie. “Our students put on two engaging performances that moved their audience with scenes that were both poignant and comedic. Congratulations to everyone involved.”

Over the course of this fall, cast members developed their characters and honed their acting skills while crew members sharpened their technical theater skills and helped curate the set. Director Jenna Ely and assistant director Colleen Annicelli led a talented cast that had their audiences laughing, crying and thoroughly enjoying the show.

The Miller Place Panther Troupe captivates audiences with two performances of ‘The Curious Savage,’ written by John Patrick. Photos courtesy MPSD

“The Curious Savage” follows the story of an elderly widow named Ethel Savage who was left $10 million from her late husband. She seeks to donate the fortune, but her stepchildren seek to thwart her plan and have her committed to a sanatorium.

She bonds with the kind residents there and discovers the meaning of love and family. The dramatic comedy opened on Broadway in 1950 and starred Lillian Gish as Ethel Savage.

For their work on “The Curious Savage,” the Miller Place Panther Troupe is eligible for the East End Arts’ 22nd annual Teeny Awards. The annual high school theater awards show, given its name as a reference to the Tony Awards, will take place this June.

For more information about the Miller Place school district, please visit the district’s website at www.millerplace.k12.ny.us. To read more about the great things happening in Miller Place schools, visit www.millerplaceinthemedia.com.

Rocky Point Middle School students present the school musical, ‘The Wizard of Oz: Youth Edition.’ Photo courtesy RPSD

Rocky Point Middle School followed the yellow brick road and presented its successful school musical, “The Wizard of Oz: Youth Edition,” on Nov. 17 and 18.

The annual production brought together 112 students, 13 teachers and countless family and community members for a successful and joyful collaboration of theater and joyful music making.

“The students and staff involved in this production worked incredibly hard this year,” said Amy Schecher, Rocky Point’s secondary music department chairperson. “We are fortunate to have such talented students and dedicated faculty here in Rocky Point. A production of this magnitude also could not be possible without the continual encouragement of the parents of the cast and crew.”

From left, Richard O’Sullivan, Will Logan, and Heather Legnosky in a scene from the show. Photo by Jackie St. Louis/SPAC

By Stephanie Giunta

“What does today’s audience want in Christmas?” was one of the first questions posed at the onset of Smithtown Performing Arts Center’s Every Christmas Story Ever Told (And Then Some!). The cast promised a jocular twist on the beloved holiday classics and a fresh look at timeless tales injected with modern-day pop culture — and they delivered. In fact, I think I heard Santa’s “Ho! Ho! Ho!” in both laughter and solidarity all the way from the North Pole.

The show, a whimsical combination of vaudeville, ad-lib, and traditional narration, was originally written by Michael Carleton, James FitzGerald, and John K. Alvarez, and debuted in 2003 in Cape May, New Jersey. For the past 20 years, the show has been adapted across the country, and kept fresh and new with the poignant inclusion of topical media narratives. Even Travis Kelce and Taylor Swift made the cut!

Will Logan (Will), sets the stage by performing the timeless Charles Dickens’ classic, A Christmas Carol. Heather Legnosky (Heather) and Richard O’Sullivan (Rich) concede, but only because they are desperate to work to qualify for health insurance. Claiming the audience has grown bored of the same seasonal production they put on year after year, they convince Will to add a little spice to the performance —by cramming every Christmas story and holiday tradition into a comical hurricane of a variety show. And with this irreverent mash up, no Christmas carol or reference is safe. Especially your fruitcake. 

Directed by Jordan Hue, the trio takes the audience through a smattering of seasonal favorites, including The Grinch Who Stole Christmas, Rudolph, Frosty the Snowman, A Charlie Brown Christmas, and It’s A Wonderful Life. As someone who is a die-hard Christmas fan and has seen the Rankin Bass classics countless times, the actors used so many references to their comedic advantage. 

Specifically, Will’s portrayal of Hermey the bicuspid-obsessed elf who is a wannabe dentist, and Rich’s rendition of Yukon Cornelius [Rudolph], had me laughing. Not only do they deliver the lines from the show verbatim with some racy humor peppered in, their ability to mimic the original cartoon voice overs is so on point. 

Through the quick rush of all of the myths and memories, there are some surprisingly touching moments. Heather’s delivery of Linus’ monologue from A Charlie Brown Christmas was a beautiful, heartfelt moment among the stop-and-go kitschiness and jollity, allowing the audience to reflect on the true meaning of Christmas. And with a snap of your fingers, the moment passes and the crew moves onto the Gift of the Magi, where Heather morphs into a new-age character straight from the Jersey Shore. 

Will, Heather, and Rich are gifted actors that have the ability to transition from scene to scene with speed and precision, keep the mood light, and the audience enthused. The creative overlap between storylines, especially the back-and-forth between A Christmas Carol and It’s A Wonderful Life lets their talent shine through. Their change in intonation, articulation and ability to play two roles simultaneously was only trumped by the fluidity of their overall performance. And Rich’s deadpan way of casually referring to Charles Dickens as ‘Chuck Dickens’ had me in stitches. 

The show takes a warm, soft feeling of Christmas and pokes fun in an off-the-cuff, non-traditional manner. It’s like a chocolate chip cookie with potato chips inside — sweet, but unexpectedly salty, and ultimately a solid combination. 

Put your sneakers on, and get ready for a high-speed run down memory lane filled with jaunty holiday innuendoes that will leave you laughing and craving peppermint hot chocolate.

Cast & Crew: Will Logan, Heather Legnosky, Richard O’Sullivan, Jordan Hue, Michael Mucciolo, Kelly Mucciolo, Joseph Castoro and Megan DelMonico

Smithtown Performing Arts Center, 2 East Main Street, Smithtown will present Every Christmas Story Ever Told (And Then Some!) through December 23. Recommended for ages 12 and up, tickets are $32 adults, $30 seniors, $28 students. To order, call 631-724-3700 or visit www.smithtownpac.org. 

By Julianne Mosher

It’s a tale as old as time … true as it can be. The Disney classic, Beauty and the Beast, has made its way to the John W. Engeman Theater in Northport and it’s the perfect start to the upcoming holiday season right in our backyard. Known as one of the most enchanting musicals in modern history, and based on Disney’s 1991 Academy Award-winning film, this production is just as good as when it opened on Broadway in 1994.

Directed by Drew Humphrey with musical direction by Nick Wilders, the story sets off with a beautifully curated interpretative dance of the enchantress seeking shelter at the prince’s castle years before. Shunning her away due to her dire appearance, she curses the prince and forms him into a hideous beast — a spell that can only be broken if he falls in love and receives that love in return. The enchantress pirouettes across the floor, handing the creature a rose which will be the timer on how long he has before the spell takes its full course. 

But then, the scene changes, and we say “bonjour” to the baker, merchants, silly girls and townspeople of a quiet French village who are questioning the beautiful, but peculiar, Belle, played by Engeman newcomer Daniela Rodrigo. With her head always stuck in a book, she is naïve to the glances and comments she gets from her male counterparts, especially Gaston — a selfish, manly hunter who believes Belle is almost as pretty as himself.

Played by Tim Rogan, who just came off of the Engeman’s The Sound of Music, Gaston’s character is almost identical to the cartoon version. From his look to the voice, one could close their eyes and feel as if they’re listening to the movie’s soundtrack. His silly sidekick Lefou (Noah Ruebeck) brings such comedic relief to Gaston’s toxic masculinity that it’s the perfect pair. 

Rodrigo, too, is a beauty in looks but also in voice. One of the most magical moments later on in the show was when she walked out onto the stage in the signature yellow gown. The audience gasped. But before we get to that jaw-dropping moment, we’re introduced to Maurice (John J Trujillo), Belle’s quirky inventor father who ends up lost at the castle across the woods. Tired, cold and hungry, he wanders inside where he’s met with some of our favorite characters — Cogsworth (Robert Anthony Jones), Lumiere (Jonathan Cobrda), Babette (Samantha Littleford), Mrs. Potts (Caitlin Burke) and her son, Chip (Sadie Mathers), and Madame de la Grande Bouche (Celia Tedde) — employees of the castle who were unfortunately part of the enchantress’s spell. 

And while this clock, candlestick holder, feather duster, teapot and tea cup, and dresser chest were all wonderful hosts, their master, the beastly prince, was not and shuns the old man to the dungeon. 

On the lookout for her father, Belle ends up in the castle where she tries to rescue him, but the beast catches them both and the young woman sacrifices herself to be a prisoner rather than her father. But a light goes off (and it’s not just Lumiere’s hands giving a spark). Everyone realizes that Belle might be the answer to their prayers. If she can fall in love with the beast, then maybe everyone can be human again.

We’re taken back to some of the classic songs we know and love, “Be Our Guest,” “Gaston,” “Something There,” “Human Again” and the timeless classic, “Beauty and the Beast,” which had audience members in tears. Burke’s rendition of the song, originally performed by Angela Lansbury, sounded just like the late actress. Again, you’d think you’re listening to the original album. 

On top of fantastic vocals and stellar acting, the dancing was exciting with a mix of ballet, chorus line and some tap thrown in, as well. The costumes were stunning, as one would expect from such an extravagant show, especially during “Be Our Guest,” with the entire ensemble dressed as everything from cutlery, to mixing whisks and a chandelier. 

But nothing beats the beast, who looked truly terrifying, but still lovable somehow.

The set was beautifully designed, moving back and forth from the tiny French village to the prince’s castle with a pub, dark forest and library in between. 

Running now until Jan. 7, the Engeman’s production of Beauty and the Beast is a must-see this holiday season for everyone young or old. Tickets are available by calling the theater directly at 631-261-2900, visiting the box office at 250 Main Street in Northport or online at www.engemantheater.com.

You never know … This show might perhaps have “something there that wasn’t there before.”

By Heidi Sutton

While three spirits haunt Ebenezer Scrooge on Theatre Three’s Mainstage, the spirit of the season carries over to the children’s theater production of Barnaby Saves Christmas. The holiday favorite, written in 2003 by Douglas J. Quattrock and Jeffrey Sanzel with music and lyrics by Quattrock, has become a beloved tradition in Port Jefferson and one that is looked forward to each year. The show opened last Saturday and runs through the end of the year.

It’s Christmas Eve at the North Pole and Santa’s elves Sam (Josie McSwane), Crystal (Kaitlyn Jehle) and Blizzard (Julia Albino) are busy putting the finishing touches on the presents and loading the sleigh. Barnaby (Ryan Worrell), the newest and littlest elf trainee, tries his best to help but only succeeds in making a mess.

When Santa (Sean Amato) and the elves leave to deliver the gifts to children across the world, Barnaby realizes that they left behind a special toy, a “little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest,” he enlists the help of Blizzard’s fawn Franklynne (Cassidy Rose O’Brien) to find Santa and “save Christmas.” Along their adventures they discover that an evil villain named S. B. Dombulbury (Steven Uihlein) who, with his partner in crime Irving (Jason Furnari), is trying to ruin Christmas for everyone, and meet a Jewish couple (played by Gina Lardi and Sean Amato) and learn all Hanukkah, the Festival of Lights. There’s even a great chase scene through the theater!

Directed by Jeffrey Sanzel, the nine adult cast members do a wonderful job telling this adorable tale. Reprising his role as Barnaby, Ryan Worrell’s solo “Still With a Ribbon on Top” is beautifully executed and wait until you see him dance! And yes, Barnaby will save the day but just wait until you see how! 

Costumes by Jason Allyn are exquisite and the choreography by Sari Feldman is superb. Utilizing the set of A Christmas Carol, the special effects are terrific, elevated by the futuristic lighting and, spoiler alert, it even snows in the theater!

With the ultimate message that “every day is a golden opportunity to be better than you used to be,” Barnaby Saves Christmas is a must see this holiday season. Your kids will love it! Souvenir elf and reindeer dolls will be available for purchase during intermission and the entire cast will be in the lobby after the show for photos. 

Theatre Three, 412 Main St., Port Jefferson presents Barnaby Saves Christmas through Dec. 30. Children’s theater continues with Jack and the Beanstalk from Jan. 20 to Feb. 3, Dorothy’s Adventures in Oz from Feb. 21 to March 16, and The Adventures of Peter Rabbit from April 13 to April 27. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

By Julianne Mosher

Your parents always said, “two wrongs don’t make a right.” Well, that’s not necessarily true. Sometimes two wrongs continue into three, four, five… and then a whole show ends up collapsing.

In Suffolk County Community College’s latest Selden production, “The Play That Goes Wrong,” the audience is watching a play within a play and it will have you laughing from the moment you sit down. 

Written by Henry Lewis, Jonathan Sayer and Henry Shields, the show starts off with some audience improv — two cast members are setting up the stage and communicating with everyone settling in. From the moment you walk in, shenanigans are already starting — like fixing a broken mantlepiece, looking for a lost dog and trying to figure out where someone’s Duran Duran CD went. 

Then we’re introduced to “The Cornley Polytechnic Drama Society’s” director, Chris Bean, who gives us a little history lesson on the troupe. Known for their productions including Two Sisters, The Lion and the Wardrobe, Cat, and James and the Peach, it’s safe to say the group is a little unlucky and a little under budget. But that doesn’t stop the actors from giving it their all with their latest production of The Murder at Havensham Manor — a 1930s murder mystery play.

When the curtain rises, mayhem ensues and it’s chaotic from beginning to end. 

Delaina Wratchford, who plays Bean, who plays the inspector, plans on heading to Broadway after her time at SCCC, and with this performance, she’s going to get on that stage sooner than later. 

That being said, what’s interesting and really special about this show is that each actor is playing two parts — they’re playing another actor who is then playing a character in The Murder at Havensham Manor. Writing that out sounds confusing, but trust me, when you watch it, it is so seamless that it makes perfect sense and there is not one flaw in it … other than all the chaotic bad luck the actors have during their performance. 

Jerry Ewald, who plays Robert Grove, who plays Thomas Colleymoore, lights up the room with his humor and his ability to stay in character even throughout the intermission. The same goes for Aiden Gomez (Jonathan, then Charles Haversham), William Begley (Max Bennett, then Cecil Haversham) and Carson Warkenthien (Dennis Tyde, then Perkins). They were able to switch back and forth between their characters to the play performers with ease. 

Even the “background” performers have a huge part in the show. First-time SCCC performer Scott Dowd (who plays Trevor the sound tech) and Kayla Pisano (Annie) bring another level to the show — because they represent people that we can relate to, personally.

One slight disclaimer, without giving too much away. You’re going to see a lot of stunts in this show, and for performers like Wratchford, Ewald and Michaela Fitzsimmons (Sandra Wilkinson, then Florence Colleymoore), you’re going to wince, but be so impressed by their professionalism under these dire movements.

So, that leads to a huge kudos to the set design staff. The stage is set up like an old-time parlor, with two levels and an elevator. The carpentry and engineering that was put into this design — created by students — is truly something you’d see on Broadway, possibly even better.

The show is special in many ways, but an interesting fact is that it was directed by Bryan Kimmelman — a Smithtown native who studied on the same stage as a theater major nearly two decades ago. 

“I’ve never forgotten my two years here,” he said. “And it’s carried with me the last 10 years with anything professional I’ve done.”

Kimmelman said that when he was a student, he knew the caliber of the education he was receiving at Suffolk.

“I know what comes out of this school and they always produce quality work,” he said. “People are going to come here and see young people working towards being a professional on all levels. So, if you want to see professionals in their moment of prime, then you need to see this show.”

Tickets for The Play That Goes Wrong are on sale now for viewings on Nov. 16, 17 and 18 at 7:30 p.m. and Nov. 19 at 2 p.m. at the Shea Theatre, Islip Arts Building on the Ammerman Campus, 533 College Road, Selden. General admission is $15, veterans and students 16 years of age or younger is $10. Suffolk students with current ID can receive two free tickets.

For more information or to order, visit sunysuffolk.edu/spotlight or call 631-451-4163.