Shirley Jones and Gordon MacRae star in ‘Carousel’. Image courtesy of Fathom Events
In honor of the 60th anniversary of “Carousel,” Fathom Events and Twentieth Century Fox will bring the Rodgers & Hammerstein classic to select cinemas nationwide on Sunday, Jan. 8 and Wednesday, Jan. 11 at 2 p.m. and again at 7 p.m. Starring Gordon MacRae as Billy Bigelow and Shirley Jones as Julie Jordan, “Carousel” features one of the most impressive and emotionally moving of all Rodgers & Hammerstein scores, as well as stunning cinematography — the 1956 film was shot largely on location in coastal Maine. Its score includes such classics as “Soliloquy,” “What’s the Use of Wond’rin,” the rousing “June Is Busting Out All Over” and the haunting, inspiring “You’ll Never Walk Alone.” The screenings will also include an exclusive interview between Shirley Jones and the president of Rodgers & Hammerstein, Ted Chapin.
“‘Carousel’ has always been dear to me, a film that remains beautiful, challenging and inspiring,” said Jones. “It was 60 years ago that we immortalized Rodgers & Hammerstein’s gorgeous musical, but when I think back on the memories it feels like no time at all has passed. I hope both longtime fans and new audiences will find it just as fresh and just as wonderful as ever.” “Movie musicals become an entirely different experience when viewed on the big screen and shared with an audience,” Fathom Events Vice President of Studio Relations Tom Lucas said. “We are proud to be presenting one of the best and most unique musicals of the 1950s, showcasing a truly extraordinary achievement of American moviemaking.”
Participating movie theaters in our neck of the woods include Island 16 Cinema De Lux in Holtsville and Farmingdale Multiplex Cinemas. For more information, please visit www.fathomevents.com.
When we think of losing weight, calories are usually the first thing that comes to mind. We know that the more calories we consume, the greater our risk of becoming overweight or obese and developing many chronic diseases, including top killers such as heart disease, diabetes and cancer. Despite this awareness, obesity and chronic diseases are on the rise according to the Centers for Disease Control and Prevention.
How can this be the case? I am usually focused on the quality of foods, rather than calories, and I will delve into this area as well, but we suffer from misconceptions and lack of awareness when it comes to calories. The minefield of calories needs to be placed in context. In this article, we will put calories into context, as they relate to exercise, and help to elucidate the effects of mindful and distracted eating. Let’s look at the studies.
Impact of energy expenditure
One of the most common misconceptions is that if we exercise, we can be more lax about what we are eating. But researchers in a recent study found that this was not the case (1). The results showed that when menu items were associated with exercise expenditures, consumers tended to make better choices and ultimately eat fewer calories. In other words, the amount of exercise needed to burn calories was paired on the menu with food options, resulting in a significant reduction in overall consumption.
The example that the authors gave was that of a four-ounce cheeseburger, which required that women walk with alacrity for two hours in order to burn off the calories. Those study participants who had menus and exercise expenditure data provided simultaneously, compared to those who did not have the exercise data, chose items that resulted in a reduction of approximately 140 calories, 763 versus 902 kcals.
Even more interestingly, study participants not only picked lower calorie items, but they ate less of those items. Although this was a small preliminary study, the results were quite impactful. The effect is that calories become a conscious decision rooted in context, rather than an abstract choice.
The importance of mindful eating
Most of us like to think we are multitaskers. However, when eating, multitasking may be a hazard. In a meta-analysis (a group of 24 studies), researchers found that when participants were distracted while eating, they consumed significantly more calories immediately during this time period, regardless of dietary constraints (2).
This distracted eating also had an impact on subsequent meals, increasing the amount of food eaten at a later time period, while attentive eating reduced calories eaten in subsequent meals by approximately 10 percent. Distracted eating resulted in greater than 25 percent more calories consumed for the day. When participants were cognizant of the amount of food they were consuming, and when they later summoned memories of their previous eating, there was a vast improvement in this process.
The authors concluded that reducing distracted eating may be a method to help in both weight loss and weight management, providing an approach that does not necessitate calorie counting. These results are encouraging, since calorie counting frustrates many who are watching their weight over the long term.
The perils of eating out
Most of us eat out at least once in a while. In many cultures, it is a way to socialize. However, as much as we would like to control what goes into our food, we lose that control when eating out. In a study that focused on children, the results showed that when they ate out, they consumed more calories, especially from fats and sugars (3).
Of the 9,000 teenagers involved in the study, between 24 and 42 percent had gone to a fast-food establishment and 7 to 18 percent had eaten in sit-down restaurants when asked about 24-hour recall of their diets on two separate occasions.
Researchers calculated that this resulted in increases of 310 calories and 267 calories from fast-food and sit-down restaurants, respectively. This is not to say we shouldn’t eat out or that children should not eat out, but that we should have more awareness of the impact of our food choices. For example, many municipalities now require calories be displayed in chain restaurants.
Quality of calories
Blueberries are one of the most nutrient dense and highest antioxidant foods in the world.
It is important to be aware of the calories we are consuming, not only from the quantitative perspective but also from a perspective that includes the quality of those calories. In another study involving children, the results showed that those offered vegetables for snacks during the time that they were watching television needed significantly fewer calories to become satiated than when given potato chips (4). The authors commented that this was true for overweight and obese children as well, however, they were more likely to be offered unhealthy snacks, like potato chips.
In a study published in JAMA in June 2012, the authors state that we should not restrict one type of nutrient over another but rather focus on quality of nutrients consumed (5). In my practice, I find that when my patients follow a vegetable-rich, nutrient-dense diet, one of the wonderful “side effects” they experience is a reduction or complete suppression of food cravings. As far as mindless eating goes, I suggest if you are going to snack while working, watching TV or doing some other activity, then snack on a nutrient-dense, low-calorie food, such as carrots, blueberries or blackberries. If you don’t remember how many vegetables or berries that you ate, you can take heart in knowing it’s beneficial. It can also be helpful to keep a log of what you’ve eaten for the day, to increase your cognizance of distracted eating.
Therefore, rather than counting calories and becoming frustrated by the process, be aware of the impact of your food choices. Why not get the most benefit out of lifestyle modifications with the least amount of effort? Rather than having to exercise more to try to compensate, if you actively choose nutrient-dense, low-calorie foods, the goal of maintaining or losing weight, as well as preventing or potentially reversing chronic diseases, becomes attainable through a much less painful and laborious process.
Dr. Dunaief is a speaker, author and local lifestyle medicine physician focusing on the integration of medicine, nutrition, fitness and stress management. For further information, visit www.medicalcompassmd.com or consult your personal physician.
Far left, historian Georgette Grier-Key; second from left, teacher Monica Consalvo; second from right, alum Michael Tessler; and, far right, Mayor Margot Garant with seventh-grade students from the Port Jefferson Middle School. Photo from Monica Consalvo
MAKING HISTORY: On Dec. 22, seventh-grade students of the Port Jefferson Middle School attended an assembly that focused on how the village’s residents aided the efforts of the Patriots in winning the Revolutionary War. Port Jefferson Mayor Margot Garant, historian Georgette Grier-Key and alum Michael Tessler engaged the students in a fascinating display of how the Culper Spy Ring operated as well as having the opportunity to view Loyalist soldier Nehemiah Marks’ letter informing his comrades that Phillips and Nathaniel Roe, among others, helped supply Setauket-based spy Caleb Brewster with information to pass on to the Patriots.
BOOK SIGNING: Port Jefferson Station native Clinton Kelly will appear at the Book Revue, 313 New York Ave., Huntington on Monday, Jan. 9 at 7 p.m. The Emmy award-winning television co-host of “The Chew” will be signing copies of his new book, “I Hate Everyone, Except You,” a hilariously candid, deliciously snarky collection of essays about his journey from awkward kid to slightly-less-awkward adult. For further information, call 631-271-1442 or visit www.bookrevue.com.
Esther Takeuchi with photo in the background of her with President Obama, when she won the 2009 National Medal of Technology and Innovation. Photo courtesy of Brookhaven National Laboratory
By Daniel Dunaief
Pop them in the back of a cell phone and they work, most of the time. Sometimes, they only do their job a short time, discharge or generate so much heat that they become a hazard, much to the disappointment of the manufacturers and the consumers who bought electronic device.
Esther Takeuchi, a SUNY distinguished professor in the Departments of Chemistry and Materials Science and Engineering and the chief scientist in the Energy Sciences Directorate at Brookhaven National Laboratory leads a team of scientists who are exploring what makes one battery work while another falters or fails. She is investigating how to improve the efficiency of batteries so they can deliver more energy as electricity.
Esther Takeuchi with a device that allows her to test batteries under various conditions to see how they function. Photo courtesy of Brookhaven National Laboratory
The process of manufacturing batteries and storing energy is driven largely by commercial efforts in which companies put the ingredients together in ways that have, up until now, worked to produce energy. Scientists like Takeuchi, however, want to know what’s under the battery casing, as ions and electrons move beneath the surface to create a charge.
Recently, Takeuchi and a team that includes her husband Kenneth Takeuchi and Amy Marschilok, along with 18 postdoctoral and graduate students, made some progress in tackling energy storage activity in iron oxides.
These compounds have a mixed track record among energy scientists. That, Takeuchi said, is what attracted her and the team to them. Studying the literature on iron oxides, her graduate students discovered “everything from, ‘it looks terrible’ to, ‘it looks incredibly good,’” she said. “It is a challenging system to study, but is important to understand.”
This offered promise, not only in finding out what might make one set of iron oxides more effective in holding a charge without generating heat — the energy-robbing by-product of these reactions — but also in providing a greater awareness of the variables that can affect a battery’s performance.
In addition to determining how iron oxides function, Takeuchi would like to “determine whether these [iron oxides] can be useful and workable.” Scientists working with iron oxides didn’t know what factors to control in manufacturing their prospective batteries.
Takeuchi said her group is focusing on the linkage between small-scale and mesoscale particles and how that influences battery performance. “The benefit of iron oxides is that they are fairly inexpensive, are available, and are nontoxic,” she said, and they offer the potential of high energy content. They are related to rust in a broad sense. They could, theoretically, contain 2.5 times more energy than today’s batteries. “By understanding the fundamental mechanisms, we can move forward to understand their limitations,” she said, which, ultimately, could result in making these a viable energy storage material. T
akeuchi is also looking at a manganese oxide material in which the metal center and the oxygen connect, creating a tube-like structure, which allows ions to move along a track. When she started working with this material, she imagined that any ion that got stuck would cause reactions to stop, much as a stalled car in the Lincoln Tunnel leads to long traffic delays because the cars behind the blockage have nowhere to go.
Takeuchi said the ions don’t have the same problems as cars in a tunnel. She and her team believe the tunnel walls are porous, which would explain why something that looks like it should only produce a result that’s 5 percent different instead involves a process that’s 80 percent different. “These escape points are an interesting discovery, which means the materials have characteristics that weren’t anticipated,” Takeuchi said. The next step, she said, is to see if the researchers can control the technique to tune the material and make it into the constructs that take advantage of this more efficient flow of ions.
Through a career that included stops in Buffalo and North Carolina and West Virginia, Takeuchi, who has over 150 patents to her name, has collected numerous awards and received considerable recognition. She won the 2009 National Medal of Technology and Innovation, a presidential award given at a ceremony in the West Wing of the White House. Takeuchi developed compact lithium batteries for implantable cardiac defibrillators.
Takeuchi is currently a member of the National Medal of Technology and Innovation Nomination Evaluation Committee, which makes recommendations for the medal to the president. Scientists who have known Takeuchi for years applaud the work she and her team are doing on Long Island. “Dr. Takeuchi and her research group are making great advances in battery research that are very clearly promoted by the strong relationship between Stony Brook and BNL,” said Steven Suib, the director of the Institute for Materials Science at the University of Connecticut.
Indeed, at BNL, Takeuchi has used the National Synchrotron Light Source II, which became operational last year. The light source uses extremely powerful X-rays to create incredibly detailed images. She has worked with three beamlines on her research. At the same time, Takeuchi collaborates with researchers at the Center for Functional Nanomaterials at BNL.
Although she works with real-world experiments, Takeuchi partners with scientists at Stony Brook, BNL and Columbia University who focus on theoretical possibilities, offering her an insight into what might be happening or be possible. There are times when she and her team have observed some interaction with batteries, and she’s asked the theorists to help rationalize her finding. Other times, theorists have suggested what experimentalists should search for in the lab.
A resident of South Setauket, Takeuchi and her husband enjoy Long Island beaches. Even during the colder weather, they bundle up and enjoy the coastline. “There’s nothing more mentally soothing and energizing” than going for a long walk on the beach, she said.
In her research, Takeuchi and her team are focused on understanding the limitations of battery materials. Other battery experts believe her efforts are paying dividends. Suib said the recent work could be “very important in the development of new, inexpensive battery materials.”
Back row from left, Karen Levitov, gallery director and curator; Thomas Meehan, principal of Edna Louise Spear Elementary School; Richard Anderson, art teacher and Art Club instructor; far right: Caitlin Terrell, art teacher; front row from left, Samantha Clink, gallery assistant; Andrea Baatz, student gallery assistant; and, front center, artist Lorna Bieber with art students from Edna Louise Spear Elementary School. Photo from Karen Levitov
Art2Go program inspires
As part of Stony Brook University’s Staller Center for the Arts Art2Go program, the fifth-grade Art Club of Port Jefferson’s Edna Louise Spear Elementary School visited the Paul W. Zuccaire Gallery on Dec. 14 to work on activities inspired by last month’s exhibition, Lorna Bieber: Traces. The artist made a special appearance, making it a really exciting day for the kids. Previous to the visit, Director and Curator Karen Levitov and her gallery assistant Samantha Clink met with the school’s Art Club to do a collage activity. The students brought their collages to the gallery to show to the artist and then made a large montage of all of the collages in the gallery.
Although it’s only the first week of January, 2017 is turning out to be a very good year for Port Jefferson artist Robert Jones. The 29-year-old is excited to share his art with the community in his debut show, “Complicating Abstracts,” at the Port Jefferson Free Library now through the month of February. In this unique exhibition, which will feature approximately 40 paintings, the viewer will have the opportunity to witness the past few years that Jones has spent developing a unique style and his journey to apply this style to a form.
Sal Filosa, marketing and research librarian, said the library was pleased to be the host of Jones’ first exhibition, adding, “Robert’s creativity through reflection is truly unique among the themes of artwork displayed at the library, and we hope that community members and passersby will stop in to view this stimulating artwork.”
Above, the artist working on his latest painting titled ‘Turtles All the Way Down’
Raised in Stony Brook, Jones graduated from Ward Melville High School in 2006 and moved down to Georgia in 2011 before returning to the area two years ago. In addition to being a musician and songwriter, Jones started painting in earnest in his early 20s. Entering Stony Brook University’s Studio Art program this semester, Jones will concentrate on painting, drawing, printmaking and graphic design. He feels that now is the perfect time to have an exhibit and to branch out and connect with the community. “I want to further myself; I want to progress.”
The artist is drawn to the works of abstract painters like Franz Kline (“I really like the simplicity; the black and white”) László Moholy-Nagy and Piet Mondrian and finds inspiration in local landscapes like West Meadow Beach. He enjoys visiting the Nassau County Museum of Art, the Guggenheim and the Heckscher Museum in Huntington.
According to Jones, his paintings are created by a reaction toward an initial gesture, the starting point, whether it be a flick of the wrist or a full arm motion. Says Jones, “I never try to paint something [in particular], I just go through the action of painting,” adding that his artwork is a reflection of what is happening in the world, including its happiness, the gray area and its futility.
Alternating between oils and acrylics, the artist uses forms, shapes, lines and colors taken from everyday life to create something so abstract that it seems to jump off the page. Study each painting closely though and eventually your eyes will light up in recognition as hidden objects reveal themselves among the brush strokes.
‘Cab Color’
In “The Whale,” based on a song that Jones composed titled “A Whale in the Sky,” the image of a white sperm whale, inspired by Herman Melville’s novel “Moby-Dick,” is inconspicuously incorporated into the painting, while Jones’ first and favorite piece, “The Inferno,” depicts city buildings that appear to be toppling down into the abyss among the orange and red fiery background. Another piece in the exhibit, “Cab Color,” utilizes the stain of cabernet among vibrant shapes and colors, some of which seem to resemble liquor bottles. One of his newer pieces, “The Tree,” is a bit more straightforward, depicting a tree reaching for the sun. “I’m trying to work toward more representational works,” explains Jones.
Like many artists, Jones finds painting as a way to decompress and to relieve stress. “While I’m organizing my painting, I’ll be thinking about everything that’s going on in my life and try to organize that more also,” he said. While he loves music, Jones says he finds more clarity in painting. “I’m more comfortable with this type of expression,” he explains.
Jones encourages everyone to check out his exhibit, adding that some people may not necessarily like this type of art while others may end up liking it a lot. “Art is something I’m really passionate about and I’ve always had a passion for,” he said, adding, “For the last two years I have disciplined myself enough where I feel like my art is going to grow even more, so I’m excited for people to see this exhibit. It is one of my first milestones and I hope to find success in life through art.”
“Complicating Abstracts” will be on view in the Display Case and Meeting Room at the Port Jefferson Free Library, 100 Thompson St., Port Jefferson through Feb. 28. Come meet the artist at an opening reception on Wednesday, Jan. 11 from 7 to 8:30 p.m. Refreshments will be served. For more information on the exhibit, call the library at 631-473-0022. For more information on Robert Jones and his paintings, visit www.artbyrobertjones.com.
It becomes clear when you speak to Jack Kohl that he does nothing part-way. The 46-year-old Northport native is completely immersed in the arts, with an extensive career in music composition, piano and theater. Now, Kohl is sharing the stories that have captivated his imagination for decades. His first book, “That Iron String,” was critically acclaimed by reviewers. In late July, he released “Loco-Motive,” a philosophical novel that pays homage to his two greatest loves: Long Island and running.
I recently had the opportunity to speak with Kohl about his latest venture. Both of your books are set on Long Island.
Were you born here?
Born in Manhattan, but we moved to Queens right after I was born, and then out to Northport when I was three. Except for a few brief periods of living away for work or school, I’ve always claimed Northport as my native place.
What do you love about this area?
What makes Long Island so remarkable is that whenever you go to the shoreline, you have all of New England looming in the distance, and at the same time, to the west, you have the whole of our republic, with so much to explore. I’ve never exhausted what the Island holds in my imagination.
Did you always want to be an author?
I think so. I was always a big pen-and-paper letter writer, and in my early 20s I had the will to write in large prose forms. A novel poured out of me about my happy childhood that was also set on Long Island, but it was never published. I grew up with my parents, particularly my mother, reading aloud to me from Dickens and Melville. I think the music of those two authors was inside me from very early on.
What are some of your other interests?
Most of my income is from my work as a pianist. I studied piano in pre-college in Juilliard and went on to get my master’s and doctorate in piano at the University of South Carolina as well. I teach some courses as an adjunct and do freelance performance as opportunities arise.
Are ‘Loco-Motive’ and your first book, ‘That Iron String,’ connected at all?
They are, in terms of setting. And if one reads both books very carefully, they’ll find that characters from “That Iron String” appear in the background of “Loco-Motive,” particularly the character Portsmouth Gord. I don’t intend to compare myself to Faulkner in any way, but he employed a similar weaving and overlapping of characters in his work as well.
Tell me about the story line.
I would say it’s a portrait of my experience learning to be a runner. I turned to running to help lose weight during my time in graduate school. I created a character who uses running in an irrational way to try to set the world’s problem’s aright. There are two very ordinary runners who, suddenly, during a race very much like Northport’s Great Cow Harbor 10K, break the world record significantly.
Part of the novel involves finding out why that was possible, and the great coincidence of those two people being in the same place. It also explores the almost sinister preoccupation of one of those runners with coaching the other to be even faster. The great theme of the book is whether or not improving our physical abilities can prove that the body (and physical matters) are superior to spiritual matters. The main character makes an argument that the physical realm is what we have to fight for.
What inspired you to write this book?
The narrator’s love affair with running is very much autobiographical. It’s a portrait of my experience learning to be a runner, as well as all the experiences I’ve had with the Northport Running Club and all of the wonderful characters I’ve met through running and fitness on Long Island. Of course, the town of Pauktaug is a stand-in for my own native village and so many other villages on the North Shore.
Even if one doesn’t quite follow all of the philosophical ideas in the book, I still think that people will enjoy its recognizable settings and the affectionate fallibility of the characters. They have a humorous preoccupation with their finish times, their fitness routines and all of the things that come with being a runner.
What do you like most about your books?
There’s so much literature out there about running, and I agree with the cliches — it makes you feel better and improves your way of life. I’ve made the majority of my best friends through running. But I think this book explores the psychic and spiritual elements of running like no other.
What is the target audience for this book?
I think adults or even a thoughtful older teen who enjoys literary fiction would be able to grapple with the book and enjoy it. There are no themes in it that would be inappropriate for children; it’s more a question of whether they can be successfully grasped. I’ve been happily surprised by the variety of people who responded positively to this book … you don’t need to be steeped in Fitzgerald or Melville to appreciate it.
Your books are published by Pauktaug Press. Is that your own company?
It is, yes. I had read about successful authors that went the route that eliminated the middle man in publishing and, after some difficulty finding a publisher for my first book, chose to pursue that myself. I also take pleasure in creating a recognizable place that exists mythically in the book. Pauktaug Press is a newspaper that exists in “Loco-Motive,” so it’s fun to create the illusion that it also exists in the real world. Some people don’t even question its reality.
What’s on the horizon for you?
“That Iron String” and “Loco-Motive” are part of the Pauktaug trilogy of books. Their successor, “You, Knighted States” takes Pauktaug and sets it back in 19th century Long Island and the Old West. It uses many of the same themes while focusing on the families and ancestors of the characters in the first two books. That book is in copy editing now and should be available in the spring.
“Loco-Motive” and “That Iron String” are available at www.jacksonkohl.com, Amazon and other major online retailers. Copies are also available at the Super Runners Shop, located at 353 New York Avenue in Huntington.
Tom Manuel leads the Jazz Loft Big Band on a bandstand at the loft, constructed from pieces of the original dance floor of New York’s famed Roseland Ballroom. Photo from The Jazz Loft
By John Broven
On May 21, Stony Brook Village reverberated to the sounds of a New Orleans-style street parade to mark the opening of The Jazz Loft at 275 Christian Ave. That happy day brought to reality the dreams of president and founder Tom Manuel.
“In the brief seven months the Jazz Loft has been open we’ve been able to accomplish the goals of our mission well ahead of schedule,” Manuel said. “Our performance calendar has presented some of the finest local, national and international artists; our educational programming has established our pre-college Jazz Institute in collaboration with Stony Brook University; and Our Young at Heart program has introduced wonderful music therapy events to people with memory loss.
“In addition to all of this our lecture series, family concerts, sponsored concert series and acquisitions and installations of jazz memorabilia, art, photography and more are ongoing and ever growing.”
Tom Manuel with children during The Creole Love Song: Operation Haiti! mission. Photo from The Jazz Loft
For establishing The Jazz Loft so quickly and effectively as a community resource, Manuel, a 37-year-old educator, historian and trumpet player, from St. James, is recognized by TBR News Media as a Person of the Year.
“Tom Manuel is a well-deserving nominee for Person of the Year,” Brookhaven Councilwoman Valerie Cartright (D-Port Jefferson Station) said. “The Jazz Loft is an incredible gift to the 1st Council District. Tom’s passion for jazz has been transformed into a vivid, vibrant, collection of jazz history and a home for local talent, musicians and performances. In a short time, The Jazz Loft has become an incredible community space for art, history, culture and music.”
Visitors are able to view the loft’s museum exhibits featuring greats such as saxophonist Louis Jordan, the biggest African-American star of the 1940s and a massive influence on the ensuing rock ’n’ roll era; heartthrob blues and jazz crooner Arthur Prysock; upright bassist Lloyd Trotman, a prolific session musician who provided the bass line on Ben E. King’s anthem, “Stand by Me”; society bandleader Lester Lanin; and the seafaring vibraphonist and composer Teddy Charles.
Jean Prysock, of Searingtown, donated the memorabilia of her late husband Arthur Prysock, who played the top theaters and clubs from the 1940s onward and recorded for labels such as Decca, Mercury, Old Town and MGM-Verve. Why did she feel Manuel was worthy of support?
“He was young, he was enthusiastic, he was dedicated, he was sincere,” she said. “I first met him at a jazz bar in Patchogue. He led an 11-piece band, which sounded as if it could have played at New York’s Paramount Theatre.”
Apart from conducting bands, Manuel is an expert trumpet player, who credits among his inspirations Chet Baker, Warren Vache, Bobby Hackett, Harry “Sweets” Edison and Roy Eldridge. As an indication of the Jazz Loft’s authentic atmosphere, Manuel said the impressive three-tier bandstand was constructed from the original dance floor of the famed Roseland Ballroom on New York’s 52nd Street, adding, “It was an extreme labor of love, but certainly worth the effort.”
Manuel has directed a full program at The Jazz Loft while holding an adjunct post at Suffolk County Community College and a faculty position with Stony Brook University directing the jazz program of the Pre-College Music Division. If that’s not all, he has recently completed his doctorate, a DMA in jazz performance, at SBU and carried out charity work in Haiti.
“Tom is fully deserving of this award, not only for creating The Jazz Loft and making jazz available in our area, but also because of his remarkable spirit in bettering every community with which he engages,” Perry Goldstein, professor and chair at SBU’s Department of Music, said.
Tom Manuel (white hat at center) on opening day at The Jazz Loft in Stony Brook, on May 21 of this year. Photo by John Broven
“He motivated seven volunteers to go to Haiti with him after the recent hurricane, where they distributed 200 pairs of sneakers, clothing and school supplies purchased through donations. Tom radiates positive energy in everything he does,” Goldstein said.
Manuel readily acknowledges the help of others in giving liftoff to The Jazz Loft, including board members Laura Vogelsberg and Laura Stiegelmaier, many musicians and sponsors Harlan and Olivia Fischer who “donated our sound system, which is quite outstanding.” Manuel’s philosophy is summarized by the title of his well-received talk at the Three Village Community Trust’s annual celebration, held at The Jazz Loft in November: “Collaboration: The Art of Possibility.”
The jazz facility is housed in a historic building, comprising the old Stone Jug tavern and the former firehouse station, which accommodated the first museum in Stony Brook, founded in 1935 by real estate broker and insurance agent O.C. Lempfert. With the backing of Ward and Dorothy Melville, the museum was formally incorporated as the Suffolk Museum in 1939 before evolving into today’s The Long Island Museum. The renovated building, which was accorded landmark status by the Town of Brookhaven in September, is leased long term to The Jazz Loft by The Ward Melville Heritage Organization.
“Tom Manuel is a unique individual who was born into a generation of musicians steeped in rock ’n’ roll, rap and new wave,” Gloria Rocchio, president of WMHO, said. “I got to know Tom because of a[n] … article about a ‘young man’ with a house full of artifacts and memorabilia relating to the jazz era. The Ward Melville Heritage Organization owned a vacant building … and Tom had a collection in need of a home. A year later The Jazz Loft opened in Stony Brook, where Tom shares his love of jazz with like-minded musicians and fans. Tom is truly a role model for the concept of accomplishing your dream through passion and dedication. We are proud to welcome The Jazz Loft and Dr. Tom Manuel into our community.”
John Cunniffe in his Stony Brook Avenue office. Photo by Donna Newman
To John Cunniffe, a person who lacks a knowledge of history is like a tree without roots.
So to make sure the history of the Three Village community is alive and vibrant, he’s spent the last decade offering his considerable architectural acuity to various organizations dedicated to doing just that.
Cunniffe sees the value in preserving heritage. He pays attention to the smallest of details, striving for historical accuracy while providing renovations that work in today’s world.
“There are many professionals in our community who give generously of their services to our local nonprofit organizations, often pro bono or for reduced fees, but none quite like John Cunniffe,” said Robert Reuter, president of the Frank Melville Memorial Foundation. “He has helped jump-start and advance more important historic building projects throughout the Three Villages than I can count.”
For his considerable contributions to the work being done by courageous nonprofits in preserving local historical edifices, for his unflagging willingness to lend his expertise to important local architecture projects and for his extreme generosity of time and spirit, John Cunniffe is one of Times Beacon Record News Media’s People of the Year for 2016.
“When someone essentially does ‘pro-bono’ work in their area of expertise — that made John’s involvement just that much more selfless.”
— David Sterne
Raised on Long Island, the 45-year-old Stony Brook resident received his architectural degree from the New York Institute of Technology. He has worked for the Weiss/Manfredi firm where he honed his design pedigree.
The Cunniffes decided to return to Long Island from Virginia 10 years ago and settled not far from the Soundview area of East Setauket, from which his wife Colleen Cunniffe hails. There they are raising their two daughters.
Now known for prestigious residential projects that value historic preservation, while creating contemporary architecture for his clients, he has also become the go-to architect for important restoration and preservation projects throughout the Three Village area, Reuter said.
Cunniffe donated his services to create the documents and secure the permits necessary to relocate and restore the historic Rubber Factory Worker Houses for the Three Village Community Trust. Soon he was handling work for the Setauket Neighborhood House, the Three Village Historical Society, the Frank Melville Memorial Park, The Long Island Museum, projects in the Bethel–Christian Avenue–Laurel Hill Historic District as well as the Caroline Church, Reuter added.
“They all needed an architect,” Reuter said. “They got more than they asked for — they got thorough project planning and exceptionally good design, as well as the necessary documents and permits.”
Along the way, Cunniffe represented the Stony Brook Historic District as a volunteer on the Town of Brookhaven’s Historic District Advisory Committee and advised the Setauket Fire Department on planning and design for the new headquarters building on Route 25A in Setauket.
Setauket Fire District Manager David Sterne said he feels grateful to have had Cunniffe’s participation in the planning for the new fire department structure.
“John was an integral part of the community committee for the planning and design of the new firehouse,” he said. “He attended most meetings and his insights, especially from his architect’s point of view, were invaluable. It’s one thing for a person to take part as a volunteer, but when someone essentially does ‘pro-bono’ work in their area of expertise — that made John’s involvement just that much more selfless.”
Brookhaven Town Historian Barbara Russell remembers where and when she first encountered Cunniffe.
John Cunniffe constructed plans for the new Setauket Fire Department Headquarters on Route 25A in Setauket. Phto by Desirée Keegan
“I first met John when he was the representative from the Stony Brook Historic District to the Town’s Historic District Advisory Committee,” she said. “He always brought sound knowledge of architecture, a willingness to hear out the applicants and helpful suggestions to the meetings. Beyond his education in architecture, he has a sense of the importance of historical structures and how they fit into our community today.”
Russell said it is unique how Cunnife considers style, materials, location and history of a structure as well as how it has to conform to fit in today’s world.
“Whether it be its location in the community or the owner’s lifestyle, balancing all those variables takes a keen eye, and a heart for the type of work he does,” she said.
Assemblyman Steve Englebright (D-Setauket) said the Three Village area is a special place because of people like Cunniffe.
“Our extraordinary community is defined by caring people like John Cunniffe, whose professional architectural vision and personal commitment to volunteerism is a gift that enhances our sense of place,” he said. “We are indeed fortunate that John has chosen to invest his considerable talent and energies here.”
Reuter compared the architect’s work to another famous designer who worked in the area: Ward Melville’s architect.
“Richard Haviland Smythe did these sorts of community projects for his patron who generously funded them,” he said. “John Cunniffe is our modern day Smythe — if only we had modern day major patrons to move these many projects forward. John has been a wise, good-humored and essential partner.”