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By Linda Toga, Esq.

Linda Toga, Esq.

THE FACTS: I am one of four children. My siblings are Joe, Bill and Mary. My mother died last month. About 15 years ago, she went to her attorney and had a will prepared in which she named me as executor.

Rather than divide her estate equally between her four children, my mother essentially disinherited my brother Joe and divided her estate equally between me, Bill and Mary. At the time she executed her will, the reason my mother gave for her decision to leave Joe out was that he ignored her and was never around when she needed help.

About 10 years ago, Joe moved to a house within a mile of my mother’s house and started spending time with her. He has encouraged his children to visit their grandmother and my mother and Joe’s wife and children have actually vacationed together. Since he lived closer to my mother than any of her other children, Joe became the one my mother relied upon whenever she needed assistance of any kind.

Over the years, Joe and my mother developed a very special relationship. I don’t know why my mother never revised her will but I am convinced, based upon her relationship with Joe and things that she told me, that she would want him to receive a share of his estate.

THE QUESTION: As the named executor, am I able to divide my mother’s estate into four equal shares so that Joe receives one-fourth of the estate? I feel terrible leaving him out but Mary and Bill are adamant that I must follow the instructions set forth in my mother’s will. Are they correct?

THE ANSWER: Unfortunately for Joe, Bill and Mary are correct. As executor, it is your responsibility to marshal your mother’s assets and to distribute them in accordance with the terms of her will. As much as you may want to include Joe, and as convinced as you may be that that is what you mother may have wanted at the time of her death, you do not have any discretion with respect to the distribution of your mother’s assets.

If you unilaterally decide to pass part of the estate to Joe, Bill and Mary will be well within their rights to ask the court to remove you as executor. They could also ask that the judge surcharge you so that you would be personally responsible for the funds that were diverted to Joe.

The only way you can pass a share of the estate to Joe is if Bill and Mary agree that Joe should share in the estate. If everyone is in agreement, it is simply a matter of you, Bill and Mary each transferring a portion of your inheritance to Joe. If Bill and Mary do not want to share, you can always give Joe some or all of what you are entitled to under the will. As long as Bill and Mary receive what they are entitled to under the will, they will not have a basis for objecting.

It is unfortunate that your mother did not review her will and revise it once her relationship with Joe improved. If she had gone back to her attorney, it would have been relatively easy for the attorney to prepare a new will for your mother in which all of her children were named as equal beneficiaries, or to prepare a codicil to her will that would have the same end result.

It is important that people understand that estate planning is not the sort of thing that is done once and forgotten. Wills and other estate planning documents should be reviewed periodically and changed to reflect changed circumstances. If your mother had revised her will or had a new will prepared that took into consideration her improved relationship with Joe, you would not be in the position you are now of trying to make things right.

Linda M. Toga provides personalized service and peace of mind to her clients in the areas of estate planning, estate administration, real estate, marital agreements and litigation from her East Setauket office. Visit her website at www.lmtogalaw.com or call 631-444-5605 to schedule a free consultation.

Niara Magezi and Brennan Rosenblatt were honored for their volunteerism.
Teens honored for their efforts to build a more civil society

Teen volunteers at Gurwin Jewish Nursing & Rehabilitation Center Niara Magezi (Dix Hills) of Commack High School and Brennan Rosenblatt (Melville) of Half Hollow Hills East High School were presented with the Students Building Bridges award by the Jewish Community Relations Council of Long Island (JCRC-LI) at a ceremony held at the Gurwin Center on May 9.

The award recognizes community youth for their efforts to help create a more civil society and is part of the Yom HaShoah Holocaust Remembrance Program sponsored by the JCRC-LI and Suffolk County State Senate and Assembly Delegations.

Magezi, a junior at Commack High School, has been volunteering at Gurwin for the past three years. Her time spent with the residents and assisting staff on the nursing units has given her the opportunity to learn about the many paths in health care. She is planning for a career in the medical field, specializing in dermatology. 

Rosenblatt first came to Gurwin as a high school sophomore, befriending many residents during his weekly visits, updating them on his very active life and sharing his experiences with them.  Now a graduating senior heading to Georgia Tech to study engineering this fall, he says the time spent with his Gurwin friends is as important to him as it is to them.   

This year’s Yom HaShoah Holocaust Remembrance Program featured guest speaker and Holocaust survivor Meir Usherovitz  who recounted his life as a Jewish youth in Poland during World War II and his imprisonment in several Polish concentration camps, including the notorious Auschwitz.

Several Holocaust survivors from Gurwin Jewish–Fay J. Lindner Residences assisted living community were in attendance to meet Usherovitz and to help recognize the Gurwin volunteers and other student honorees.

SBU Athletic Director Shawn Heilbron accepts the 2019 Commissioner’s Cup from America East Commisioner Amy Huchthausen. Photo from SBU

SARATOGA SPRINGS: Following a historic 2018-19 season, Stony Brook University has claimed the Stuart P. Haskell, Jr. Commissioner’s Cup for the first time in school history, the league announce at its annual awards dinner at the Saratoga Hilton on June 6. University at Albany came in second place followed by UMass Lowell in third.

The trophy was accepted by SBU Athletic Director Shawn Heilbron.

“The Cup is coming home to Long Island,” announced  Heilbron shortly after the event. “This belongs to our Stony Brook Athletics coaches, staff and — most importantly — student-athletes,” he said. Stony Brook is just the fourth America East school to win the Commissioner’s Cup. Past recipients have been the University of Albany, Boston University and the University of Delaware.

Michael Watts accepts his award for 2018-19 America East Man of the Year from Amy Hutchhausen. Photo from SBU

The Commissioner’s Cup annually recognizes the strongest athletic program in America East as determined by a scoring system that rewards a school for success both during the regular season and championship competition in the conference’s 18 sports.

At the same event, Stony Brook men’s track and field and cross-country member Michael Watts of Islip was named the 2018-19 America East Man of the Year.

Watts had a decorated career on the track and cross-country course as a Seawolf, winning two individual conference track and field titles while helping the cross-country team to two consecutive America East Championships in 2016 and 2017. The team captain also holds the program record in the 3,000 meters and garnered several All-Conference, All-IC4A and MVP honors throughout his career.

Most importantly, Watts was a leader in the community as well. On campus, he volunteered and was involved with a myriad of organizations including the Stony Brook PACK program, the Student Athlete Advisory Committee and PAWS. The Islip native also helped raise and allocate funds for numerous events and charities such as 9/11 Vets, the EJ Autism Foundation and the annual Midnight Run to help clothe the homeless.

Watts is pursuing his MBA in health care management, holding a 3.8 GPA. He received his undergraduate degree in 2018 with a 3.4 GPA in health science with a concentration in health care policy and management.

During his time at Stony Brook, Watts was put on the America East All-Academic Team, America East Commissioner’s Honor Roll, Dean’s List and America East Honor Roll. He was also a member of the National Society of Collegiate Scholars, the Stony Brook Society of Distinguished Scholar Athletes and a recipient of the Joel Mitofsky Memorial Scholarship.

Fusheng Wang. Photo from SBU

By Daniel Dunaief

Long Island’s opioid-related use and poisoning, which nearly doubled from 2015 to 2016, was higher among lower income households in Nassau and Suffolk counties, according to a recent study in the American Journal of Preventive Medicine.

Looking at hospital codes throughout New York to gather specific data about medical problems caused by the overuse or addiction to painkillers, researchers including Fusheng Wang, an assistant professor in the Department of Biomedical Informatics at Stony Brook University, George Leibowitz, a professor in Stony Brook’s School of Social Welfare, and Elinor Schoenfeld, a research professor of preventive medicine at the Renaissance School of Medicine at Stony Brook, explored patterns that reveal details about the epidemic on Long Island.

“We want to know what the population groups are who get addicted or get poisoned and what are the regions we have to pay a lot of attention to,” Wang said. “We try to use lots of information to support these studies.”

Data from The Journal

The Stony Brook team, which received financial support from the National Science Foundation, explored over 7 years of hospital data from 2010 to 2016 in which seven different codes — all related to opioid problems — were reported.

During those years, the rates of opioid poisoning increased by 250 percent. In their report, the scientists urged a greater understanding and intervening at the community level, focusing on those most at risk.

Indeed, the ZIP codes that showed the greatest percentage of opioid poisoning came from communities with the lowest median home value, the greatest percentage of residents who completed high school and the lowest percentage of residents who achieved education beyond college, according to the study.

In Suffolk County, specifically, the highest quartile of opioid poisoning occurred in communities with lower median income.

Patients with opioid poisoning were typically younger and more often identified themselves as white. People battling the painkilling affliction in Suffolk County were more likely to use self-pay only and less likely to use Medicare.

In Suffolk County, the patients who had opioid poisoning also were concentrated along the western section, where population densities were higher than in other regions of the county.

The Stony Brook scientists suggested that the data are consistent with information presented by the Centers for Disease Control and Prevention, which has found significant increases in use by women, older adults and non-Hispanic whites.

“The observed trends are consistent with national statistics of higher opioid use among lower-income households,” the authors wrote in their study. Opioid prescribing among Medicare Part D recipients has risen 2.84 percent in the Empire State. The data on Long Island reflected the national trend among states with older residents.

“States with higher median population age consume more opioids per capita, suggesting that older adults consume more opioids,” the study suggested, citing a report last year from the American Journal of Preventive Medicine.

Nationally, between 21 to 29 percent of people prescribed opioids for pain misused them, according to the study, which cited other research. About 4 to 6 percent of people who misuse opioids then transition to heroin. Opioid costs, including treatment and criminal justice, have climbed to about $500 billion, up from $55.7 billion in 2007, according to a 2017 study in the journal Pain Physician.

The findings from the current study on Long Island, the authors suggest, are helping regional efforts to plan for and expand capacity to provide focused and targeted intervention where they are needed most.

Limited trained staff present challenges for the implementation of efforts like evidenced-based psychosocial programs such as the Vermont Hub and Spoke system.

The researchers suggest that the information about communities in need provides a critical first step in addressing provider shortages.

New York State cautioned that findings from this study may underreport the burden of opioid abuse and dependence, according to the study. To understand the extent of underreporting, the scientists suggest conducting similar studies in other states.

Scientists are increasingly looking to the field of informatics to analyze and interpret large data sets. The lower cost of computing, coupled with an abundance of available data, allows researchers to ask more detailed and specific questions in a shorter space of time.

Wang said this kind of information about the opioid crisis can provide those engaging in public policy with a specific understanding of the crisis. “People are not [generally] aware of the overall distribution” of opioid cases, Wang said. Each hospital only has its own data, while “we can provide a much more accurate” analysis, comparing each group.

Gathering the data from the hospitals took considerable time, he said. “We want to get information and push this to local administrations. We want to eventually support wide information for decision-making by the government.”

Wang credited his collaborators Leibowitz and Schoenfeld with making connections with local governments.

He became involved in this project because of contact he made with Stony Brook Hospital in 2016. Wang is also studying comorbidity: He’d like to know what other presenting symptoms, addictions or problems patients with opioid-related crises have when they visit the hospital. The next stage, he said, is to look at the effectiveness of different types of treatment.

A resident of Lake Grove, Wang believes he made the right decision to join Stony Brook. “I really enjoy my research here,” he said.

Reviewed by Melissa Arnold

Author Dave Dircks

Dave Dircks of Stony Brook loved sharing bedtime stories with his children when they were small. But the stories his kids liked the most were the ones Dircks dreamed up himself, with zany characters and subtle lessons.

As a professional illustrator and advertiser, Dircks, 56, has spent his career painting and drawing for other people. But in April, he published his own book for children, “Astronaut Arnie.” The timing is perfect as it ties in with the upcoming 50th anniversary of the moon landing.

The story follows Arnie as he sets out to visit Mars, only to fall asleep in his spaceship. When he wakes up, he’s shocked to learn he traveled farther than he planned — a lot farther. Paired with Dircks’ vibrant and detailed illustrations, the story is both educational and entertaining.

I recently had the opportunity to interview Dircks about his latest venture.

Did you always want to be an illustrator and writer?

It developed. There were seven kids in my family growing up, and our parents were so busy caring for us that we were responsible for our own entertainment. Many of us sought our own creative outlets, and I was often in the basement building things or drawing. I seemed to excel in math, music and art, so from a very young age I made friends and impressed teachers by drawing for them. That was the thing I did really well, and it was what made me come alive. I studied at the School of Visual Arts in Manhattan, which honed my skills in illustration.

Did you work in the field right away?

When I graduated college, I worked as a commercial illustrator doing book covers for Scholastic and other companies, as well as magazine illustrations. When I got married, we got pregnant right away and I needed to find a way to make enough money to support my family. I went into accounting for a while and made a good living, but eventually ended up in advertising and marketing. For 24 years I’ve owned my own agency, Dircks Associates in St. James, that’s more of a creative boutique.

When did you start to think about storytelling?

When my kids were young, my wife would always read to them and encourage me to do the same. But what I preferred to do was come up with my own stories, to turn out the lights and open up their imaginations.

Is that where Astronaut Arnie came from?

At the time, he didn’t have a name, but I had a story about an astronaut that kept oversleeping on his journey to Mars. It was a way for me to teach them a bit about the solar system while still being funny and goofy, which my kids liked. Arnie has great ambition, but he’s also imperfect, and they really responded to that.

Would you say that’s the message in this book?

Sure. It’s about having flaws, but learning to make the most of it instead of getting angry or upset. It also shares some basic facts about the planets and space in a way that’s engaging.

What made you want to develop this story into a book?

My brother, Rob Dircks, has written and published his own books. I illustrated a book of his called “Release the Sloth” which did pretty well, and then a children’s book called “Alphabert! An A-B-C Bedtime Adventure.” After that, my daughter Sam reminded me of the astronaut story and encouraged me to illustrate it.  It was probably the most developed of all the stories I told my kids, and it was a favorite.

Rob ended up starting his own publishing company, called Goldfinch Publishing, and “Astronaut Arnie” was published through that.

Where did Arnie get his name?

I have a house in Vermont, and the guy who shovels the snow for me is named Arnie. He’s kind of bulky, with a big mustache and a very calm personality. He seemed to have a real peace within himself, and it inspired me. So the name and some elements of Arnie’s character come from a real person.

What’s the recommended age range for this book?

I’d say anywhere from 2 to 8 years old. I’ve enjoyed getting feedback from preschool classes. One school in Andover, Massachusetts, was read the book by their teacher, Mrs. Bagge. The students drew pictures of their favorite pages, and I sent them a video about the publishing process. It’s nice to have a little back-and-forth with my target audience.

How can we purchase your book?

“Astronaut Arnie” can be purchased at Book Revue, 313 New York Ave., Huntington, amazon.com or barnesandnoble.com.

What next for you?

My daughters have been lobbying for me to publish their second-favorite story, which is informally titled “The Princess and the White Carnation.” It’s about a princess who has no friends because her parents won’t let her leave the castle. But every morning, she wakes up to find a white carnation on the window sill. She saves them all, and then one day sneaks out with the flowers and gives them to children in the village. It should take about a year to make it into a book.

Dave Dircks is an author, illustrator and creative entrepreneur whose work has been featured in books, magazines, album art and advertising for over 30 years. In addition to commercial art, his paintings have been exhibited in New York City and his native Long Island. Visit his website at www.goldfinchpublishing.com/authors/dave-dircks.

NATURE’S WONDER

Bev Tyler of East Setauket submitted this sweet photo taken on May 22. He writes, ‘A  robin’s nest discovered in a boxwood at home gave me the opportunity to take pictures of the babies as they progressed from just born and sleeping, above, to wide awake and hungry. The nest is now empty as of May 27.’

Send your Photo of the Week to leisure@tbrnewspapers.com

By John Turner

One of the many joys of summer in Setauket is spending time in the backyard relaxing with a book, swimming in the pool, gardening or enjoying a family meal together. I’ve come to realize that during these backyard experiences we’re often not alone. We’re sharing the space around us — as wrens, orioles and robins fly about and butterflies dance among flowers. Sometimes I’ll catch a glimpse of a chipmunk or squirrel scampering around, all going about their daily lives.

I’ve come to look especially forward to seeing one creature each summer and to do so I must gaze skyward to look for a small bird in ceaseless flight, dipping and zooming here and there, all the while twittering away.

Photo courtesy of the National Audubon Society

I’m referring to the chimney swift (Chaetura pelagica), a sooty brown bird with sharp sickle-shaped wings that’s been aptly described as a “cigar with wings.” I think that’s a little bit inaccurate — it’s more like a “half-smoked cigar with wings,” with its stubby tail reminiscent of the chewed on end of the cigar. The genus name Chaetura means “bristle tailed” in Greek, a reference to the stubby tail, tipped with small pointy feathers (these bristles help anchor the bird when roosting on vertical surfaces).

The chimney swift is one of four swift species native to North America; the other three — the slightly smaller Vaux’s swift and the slightly larger black- and white-throated swifts are western birds.

When nesting and roosting, chimney swifts live up to their names, taking refuge within chimneys, old wells, the eaves of barns and other human structures. Before human structures became available, they presumably nested on cliffs and in caves and tree hollows, which a few still do today.

Swifts don’t so much fly as appear to flutter. With surprisingly shallow wing beats, this fluttering bird cuts through the air remarkably well, flying ceaselessly about in wide and tight circles as it searches for the aerial prey that sustains them.

In fact, swifts are the most aerial of all birds. A study published in 2016 documented a common swift, the European counterpart to our chimney swift, staying in the air for 10 months; that’s right, flying around for 10 entire months, not 10 weeks or 10 days, which would be enough of an outstanding feat to make any ultra-marathoner proud, but 10 months of not touching land! Scientists made the obvious conclusion the bird routinely slept on the wing, shutting down half its brain at a time while keeping the other half active. She finally came back to earth to mate, lay eggs and raise young.

Occasionally swifts break from their typical fluttery flights to display courtship behavior. During these displays a mated pair flies together, about a foot or two apart, and synchronously throw their wings into a deep V-shaped position and glide for a second or two before resuming regular flight. It’s a little joy to behold and life is worth living due to little joys, right?

Chimney swifts raise their young in small, half-moon-shaped nests made of small sticks built onto the sides of walls. Both sexes help to build the nest and they employ an interesting material to bind the nest together — saliva. During the breeding season the salivary glands of both sexes swell, producing a gluelike saliva that hardens to hold the nest together.

On a related note: If you’ve ever heard of, or perhaps tried, bird’s nest soup, you’re consuming a food made from the edible saliva of two bird species related to the chimney swift — Asian swiftlets. These nests support an industry worth hundreds of millions of dollars annually. In fact, the nests of swiftlets are among the most expensive animal products in the world, fetching as much as several thousand dollars per kilogram. So if you’ve tried the soup, kudos to you because you’re obviously financially well off!

The eggs are incubated for about three weeks and, once born, the young grow rapidly, fledging in about the same amount of time. Development of the young is accelerated by “helpers at the nest”; unpaired adult swifts that sometimes assist in the raising the young of paired swifts, helping the young birds to fledge more quickly.

Ornithologists aren’t exactly sure why the helpers do this although it is a behavior seen in a few other bird species. Research has shown that some of the unpaired birds are young from the previous year so perhaps they know they’re helping to pass along genes similar to their own.  

Wooden chimney swift towers at West Meadow Beach. Photo by John Turner

One last fascinating aspect of chimney swifts is their ability to go into torpor, a physical condition halfway between full active mode and hibernation. In torpor a swift’s breathing and heart rate diminishes, as does its overall metabolic activity, thereby helping to get them through periods of cold, inclement weather when little to no food, in the form of small aerial insects, is available. 

Some good places nearby to see chimney swifts are the Stony Brook Village Center and Port Jefferson Village. A little further afield you can enjoy their flight over more urban areas of Long Island, where chimneys are available, including downtown Riverhead, Islip and Bay Shore.

As part of an Eagle Scout project, wooden chimney swift towers were constructed at West Meadow Beach in the hopes of attracting them but to date do not appear to be used. Perhaps someday they will be.

A resident of Setauket, John Turner is conservation chair of the Four Harbors Audubon Society, author of “Exploring the Other Island: A Seasonal Nature Guide to Long Island” and president of Alula Birding & Natural History Tours.

Donna Smith, director of education at the TVHS, welcomes every fourth-grade class in the Three Village school district to the Setauket Elementary School’s auditorium, surrounded by murals painted by Vance Locke that portray a time line of Setauket’s history, on Founders Day in April. Photo courtesy of TVHS
Tara Ebrahimian, education coordinator for the Three Village Historical Society, in front of artist William Sidney Mount’s gravesite at the Setauket Presbyterian Church with students from Setauket Elementary School during a recent Founder’s Day event. Ebrahimian is holding up an image of one of Mount’s most famous paintings, ‘Eel Speering at Setauket,’ 1845. Photo courtesy of TVHS

The American Association for State and Local History (AASLH) recently announced that the Three Village Historical Society is the recipient of an Award of Excellence for Founders Day.

TVHS historian Beverly C. Tyler fields questions from the fourth graders on Founder’s Day. Photo from TVHS

The AASLH Leadership in History Awards, now in its 74th year, is the most prestigious recognition for achievement in the preservation and interpretation of state and local history.

Founders Day, an annual event for fourth-grade classes of the Three Village school district, is an exploration of the depth and diversity of Brookhaven’s original settlement in Setauket.

The program is designed to complement the New York State curriculum and enhance students understanding of their local history. It includes a comprehensive presentation about the founding and development of the settlement, as well as guided walking tours of historically significant landmarks.

“This honor was made possible through the efforts of TVHS Historian Beverly Tyler, TVHS Education Director Donna Smith, volunteer Katherine Downs-Reuter, Brookhaven Town Historian Barbara Russell and the entire education team,” said Steve Healy, president of the TVHS.

Presentation of the awards will be made at a special banquet during the 2019 AASLH Annual Meeting in Philadelphia, PA on Aug. 30.

Taron Egerton as Elton John in a scene from the film. Photo courtesy of Paramount Pictures

By Jeffrey Sanzel

Elton John: So how does a fat boy from nowhere get to be a soul man?

Wilson: You got to kill the person you were born to be in order to become the person you want to be.

The first moments of “Rocketman” easily establish the world in which this film will take place. In full demonic costume, Elton John descends on a rehab group therapy session. This serves as the framework throughout this unusual musical.

Promoted as “based on a true fantasy,” this is less a biopic of Elton John (who produced) but a fantastical rumination on the power and price of superstardom. Chronology and accuracy of time line are flexible at best but this by no means is a complaint. The result is a flashy, frenetic and wholly engaging two hours where we are treated to John’s rise and ultimate self-destruction. 

The movie is both a traditional and a unique musical, most often using the songs to further the story rather than focusing on his concert career. The unusual gambit pays off in Dexter Fletcher’s imaginative direction of Lee Hall’s scattered but satisfying screenplay.

Taron Egerton as Elton John in a scene from the film Photo courtesy of Paramount Pictures

The film shifts quickly from the rehab group therapy as John literally steps into his past. A cold and distant father (an appropriately uncomfortable Steven Mackintosh) paired with an indifferent and narcissistic mother (Bryce Dallas Howard, in an ugly but believable performance) fuel his need to find himself.

“I wish I was someone else,” laments his boyhood self, Reginald Dwight. With the encouragement of a benevolent grandmother (the always wonderful Gemma Jones), he begins to take piano lessons, graduating to a scholarship at the Royal Academy of Music.

The film hopscotches through the next years as he begins playing with the pub band, Bluesology. The story then hits the highlights. These include connecting with music publisher Dick James (a cigar-and-scenery-chewing Stephen Graham), meeting and working with his longtime lyricist Bernie Taupin (a saintly Jamie Bell) and his debut at the Troubadour, a Los Angeles club. It is here he meets John Reid (Richard Madden, a little too full-on villain) who becomes his manager and his lover.

Much of the film follows this destructive relationship. John then begins the transition to the flamboyant persona that would carry him through much of his career. With success comes a life of excess as he becomes embroiled in alcohol, drugs and sex.

The film’s center needs to be its heartbeat.  In the starring role Taron Egerton creates a mesmerizing, three-dimensional performance and even provides his own vocals. Egerton smoothly arcs from the inhibited Reggie to the outrageous but equally self-doubting
Elton John. He manifests a complete rainbow of humanity, with shades of loneliness showing through even the grandest moments. Egerton is a marvel and drives the entire film.

As for the music, nearly two dozen songs are used, including “The Bitch Is Back” (a fascinating opening), “I Want Love” (highlighting the family’s dysfunction), “Saturday Night’s All Right for Fighting” (chronicling his early years), “Honky Cat” (embracing his life of indulgence), “Rocketman” (an attempted suicide and recovery), “Bennie and the Jets” (spiraling down), “Goodbye, Yellow Brick Road” (emphasizing his break with Taupin), as well as various concert moments.

Special note should be made of Adam Murray’s interesting, sometimes dreamlike and often athletic choreography. Costume designer Julian Day’s reimaging of Elton John’s spectacular wardrobe is a whirlwind of sequins, feathers and glitter.

The creators chose not to present the last three decades of his life, instead opting for a quick summation, including sobriety, marriage and fatherhood. While it would have been nice to follow his recovery and the second act of his career (“The Lion King,” “Candle in the Wind,” etc.), it finds an appropriate ending to an epic journey. “Rocketman” is thoroughly entertaining with all of the glitz and razzle-dazzle one would expect to celebrate this legendary icon.

Rated R, “Rocketman” is now playing in local theaters.

Dave Morrissey Jr. returns as Benjamin Tallmadge in ‘Traitor.’

Stony Brook University’s Staller Center for the Arts, 100 Nicolls Road, Stony Brook will present Times Beacon Record News Media’s latest film, “Traitor,” on Sunday, June 23 at 7:30 p.m. The special screening is preceded by the award-winning “One Life to Give” at 6 p.m. Admission is free, TBR’s gift to the community. Call 631-751-7744 for more information.