Art exhibit

Feeding Frenzy, ink, bamboo brush and pastel on canvas, by Diane Lundegaard
Diane Lundegaard reflects on life through art in latest exhibit

By Melissa Arnold

When Diane Lundegaard set off for college in the 1960s, she took business classes, dreamed of going to France and hoped to build a stable career. Those dreams would ultimately come true, but not in the way she expected. 

Diane Lundegaard

As Lundegaard marks her 70th birthday, the lifelong artist is looking back on her journey from student to teacher, environmental activist to educator at the Cold Spring Harbor Fish Hatchery & Aquarium. To celebrate, she’s put together a stunning exhibit from nearly every chapter of her life so far, on display at the Cold Spring Harbor Library now through Sept. 11.

“I had an interest in drawing from the time I was very young. It seemed like a reprieve, and a beautiful thing to enter into,” said the Dix Hills resident. “My mother loved to paint, and with eight children at home, she only truly relaxed when she was painting. That inspired me.”

As a teen, Lundegaard would wander around her Deer Park neighborhood and the surrounding areas with a sketchbook, drawing houses and horses with a ballpoint pen, and the marshes of Babylon in charcoal. She went on to pursue a business degree at Staten Island College, and in 1967 she had the opportunity of a lifetime: a school trip to Paris.

“I didn’t have the money to travel all of France with my friends, so instead I stayed in Paris for the entire trip,” Lundegaard said. “I spent a lot of the time sketching the cathedrals and statues I could see from the room where I was staying.”

It was also in Paris where she had a chance meeting with a young man from Denmark named Hans who would capture her heart. The pair exchanged letters for several years before marrying in Copenhagen when Lundegaard was just 20. 

‘Near the Tidal Raceway’

Later, Lundegaard studied art history, education and social studies at Stony Brook University, where she received both a bachelor’s of fine arts and a master’s degree. She launched a successful writing career covering art as a freelancer in publications including Sunstorm Art Magazine, Newsday and the New York Times, ultimately becoming an art teacher at the East Woods School in Oyster Bay.

Along the way, the educator studied under the new realist painter Bill Beckman and later had the opportunity to study Asian techniques with May Wong Moy, a distinguished brush painter. 

Outside of the classroom, she continued to draw and paint but admitted she struggled to find her own personal style of artistic expression. 

In 2005, a sudden layoff forced Lundegaard to search for a new career. She found renewed fulfillment in pursuing her other great passion: helping the environment. 

Lundegaard first developed an interest in environmental activism when, as a young mother, she grew concerned with plans to build a massive, multitown resource recovery plant adjacent to the former Pilgrim State Hospital. She later became involved with local civic and environmental efforts, including a federal water study. 

In 1982, she received the Coastal Barrier Resources Act Commendation from the National Wildlife Federation.  

Her commitment to the environment and love of teaching made for a natural fit at the hatchery, where she started working as an educational assistant in 2005.

The artist with artwork from the exhibit

The hatchery would also provide Lundegaard with the artistic inspiration and unique voice she’d always longed for.

“Working at the hatchery, I got to study pond life up close on a daily basis, and learned to draw and paint what I was seeing,” she said. “I feel that undersea art hasn’t been tapped into fully in the fine art world simply because people don’t often get to see what’s under there, if at all. But the hatchery allows me to visualize aquatic habitats and creatures from a perspective that most people don’t have regularly.”

The Asian technique of painting with a bamboo brush on rice paper works especially well for underwater scenes, the artist said. Her experience with the perils affecting the local environment made painting aquatic life deeply personal and meaningful.

“One of my goals for creating art is to share a concern for protecting aquatic environments. Painting expresses the beauty of nature so well,” she said. “I also hope to touch people’s hearts and make them want to become proactive in helping the environment, even if it’s in small ways. It’s a terrible thing to see people and animals that are suffering because of harm to the environment, and beauty is a wonderful way to open people’s eyes.”

Titled Looking Back, Looking Ahead, A Retrospective of Paintings, the exhibit will feature 39 pieces of Lundegaard’s artwork, from childhood scribbles to the cathedrals in Paris and contemporary work from the hatchery.

The Cold Spring Harbor Library has hosted Lundegaard’s work in previous solo and group exhibits, and it is glad to welcome her back, said adult program director Kathy Olsen.

“We like to promote environmental awareness here at the library, so Diane’s exhibit fits well with that goal,” Olsen said. “I took my children to the hatchery many times when they were small. It’s a very interesting place, and we’re pleased that Diane is calling attention to their work. From simple line drawings to colorful, impressionistic paintings, there’s a little something for everyone to enjoy.”

A portion of the sales from Lundegaard’s exhibit will benefit the hatchery’s new Turtle Pond area, said hatchery director Steve DeSimone.

“Diane has been such an asset to us here at the hatchery. We are excited to celebrate her and her artwork,” DeSimone said. “ It has been a pleasure to watch how the fish hatchery and aquarium environments have taken on new interpretations through Diane’s beautiful work.”  

See Diane Lundegaard’s retrospective exhibit now through Sept. 11 at the Cold Spring Harbor Library, 95 Harbor Road, Cold Spring Harbor. For hours and information, call 631- 692-6820, ext. 202 or visit www.cshlibrary.org. View more of Lundegaard’s artwork at www.lakeartstudiopaintings.com. For information about the hatchery, visit www.cshfishhatchery.org. 

All photos courtesy of Diane Lundegaard

Model Jean Patchett wears a Hulitar gown in 1952 for fashion magazine Vogue. Photo by Francesco Scavullo.

By Melissa Arnold

Before Ralph Lauren and Michael Kors became icons in the fashion world and a fixture of department stores everywhere, there was designer Philip Hulitar.

Throughout the 1950s and early 1960s, Hulitar was designing distinctively tailored and elegantly decorated cocktail dresses that were worn by the likes of Jane Fonda, Rosemary Clooney and Patty Duke. In 1949, a journalist wrote of him, “The star of a gifted designer has risen recently on the fashion horizon.”

Hulitar developed a passionate following on Long Island, where he lived and gave generously in support of his local community. So it was only fitting to host the first exhibit dedicated exclusively to his work and legacy at the Long Island Museum in Stony Brook. Titled Gracefully Chic: The Fashions of Philip Hulitar, the show opens in the museum’s Art Museum on the hill on July 27 and runs through Oct. 20.

Curated by LIM’s Deputy Director and Director of Collections & Interpretation Chief Joshua Ruff, the exhibit has been years in the making, beginning with a single dress. The yellow silk chiffon gown with a green sash and floral accents was purchased at Henri Bendel in New York circa 1955 and was worn by Carolyn Fell of Nissequogue during her teen years. It was donated to the Long Island Museum in 1998. 

Ruff has included the dress in a few other exhibits over the years and always wanted to know more about the man who designed it. 

“This exhibit is unique in its dedication to a single designer. He’s never truly gotten his due in a museum project before, especially on this scale,” he said. “There are a lot of museums that have one or two Hulitar pieces in their collections, but to have the opportunity to gather so many pieces in one room is really special.”

Born in 1905 to a Hungarian diplomat and an Italian noble, Hulitar immigrated to the United States during the Great Depression. For 18 years, he worked as chief designer for the Bergdorf Goodman department store before launching his own brand in 1949.

Philip Hulitar dress, Museum of the City of New York

“Philip Hulitar’s work really evokes mid-20th century America. He was tremendously successful during that specific time in history,” Ruff said. “All major cities carried his label, from large department stores to small boutiques. In postwar society, parties and social events were hugely popular, so having several elegant dresses was a priority. Hulitar’s pieces were accessible to people in middle and upper middle class who needed fine evening wear at prices they could afford.”

Hulitar gained a reputation for his creative use of different materials, complex and elegant textures, and mixing synthetics with traditional fabrics like silk and satin. While he liked to employ a variety of cuts and silhouettes, Ruff said that Hulitar was very conscious of how a particular look would fit each person. 

“At his core, Hulitar was about making the feminine form even more beautiful,” Ruff said.

Gracefully Chic will include original drawings from Hulitar, along with apparel and dresses borrowed from the collections of the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Museum of the City of New York, the Museum of Fine Arts in Houston and a variety of other public and private sources. 

In all, the exhibit will display 45 garments and more than 100 objects and images. 

The Long Island Museum also benefits directly from the generosity of the Hulitar family. In 2016, the museum received a large monetary donation from the Hulitar Family Foundation, and the museum has since named its textile collection after them. The Mary and Philip Hulitar Textile Collection houses more than 10,000 objects, from a 1790s wedding dress to a pair of Jordache jeans.

Visitors to the exhibit will also have the unique opportunity to visit the “interactive dressing room,” an area designed to resemble an early 1960s department store. There, they can try on a Hulitar replica in various sizes. Velcro panels make it easy for the dress to fit over regular clothes, and visitors are encouraged to take pictures and show off their style. 

Those looking to explore fashion at a deeper level will want to join the Long Island Museum on Sept. 26, when they host Behind the Runway. This special dinner will celebrate the 80th anniversary of the museum and will feature guest speaker Madelyn Shaw, textile curator at the Smithsonian American History Museum. Shaw will speak on the development of American fashion in Hulitar’s era.

“I think people love to see fashion exhibitions, especially with such an interest in retro fashion today,” Ruff said. “It’s an exciting opportunity for people out here on Long Island to come and see these pieces in their backyard, without having to go to New York City.”

Gracefully Chic will be on view at the Long Island Museum, 1200 Route 25A, Stony Brook from July 27 through Aug. 25. Regular museum hours are Thursday through Saturday from 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m. Admission is $10 for adults, $7 for seniors and $5 for students 6 to 17 and college students with ID. Children under 6 are admitted for free. For further information, call 631-751-0066 or visit www.longislandmuseum.org.

'Harbor Reflections' by Angela Stratton

Reboli Center for Art and History, 64 Main St., Stony Brook will host a summer exhibit by the Setauket Artists from July 23 to Aug. 4. 

‘Stony Brook Village’ by Joan Bloom

The show, curated by Irene Ruddock, will feature over thirty paintings with many of the paintings reflecting the beauty of Long Island.

Participating artists include Lana Ballot, Ross Barbera, Shain Bard, Eleanor Berger, Joan Bloom, Renee Caine, Al Candia, Gail L. Chase, Jeanette Dick, Marge Governale, Peter Hahn, Anne Katz, Flo Kemp, Karen Kemp, Michael R. Kutzing, Jane McGraw Teubner, Terence McManus, Eleanor Meier, Fred Mendelsohn, Muriel Musarra, Paula Pelletier, Joan Rockwell, Robert Roehrig, Irene Ruddock, Oscar Santiago, Barbara Jeanne Siegel, Angela Stratton, Laura Westlake, Marlene Weinstein and Patricia Yantz.

‘Last Goodbye’ by Lana Ballot

 The Reboli Center is pleased to welcome the group to our wonderful building,” said Lois Reboli, President of the Reboli Center.

Don’t miss the Reboli Center’s summertime display of paintings that adhere to the Setauket Artists motto, “Art for a Lifetime.”  Join the artists for a reception July 25 from 5 to 7 p.m.

The Reboli Center is open Tuesdays through Saturdays from 11 a.m. to 5 p.m. and Sundays from 1 to 5 p.m.  1For additional information call 631-751-7707 or visit www.ReboliCenter.org. To learn more about the Setauket Artists visit www.setauketartists.com or call 631-365-1312.

‘Boy Drinking From Water Fountain’ by John Goldstein of Stony Brook is one of 51 photos chosen for the Art League of Long Island’s latest exhibit. Photo courtesy of Art League of LI

By Melissa Arnold

 You’ve probably heard the old adage that laughter is the best medicine. As it turns out, it’s more than just pithy wisdom. According to the Mayo Clinic, laughter stimulates the heart and muscles, releases feel-good endorphins, reduces tension and can even lower blood pressure. 

Inspired by the belief that we could all use a good laugh, the Art League of Long Island invited amateur and professional photographers from the tristate area to submit photographic images “capturing smile provoking images of humor, laughter, and all things silly with their camera lens” for its 7th annual juried photography exhibit, Laughing Out Loud, which opens June 29. 

‘French Art is Not PG’ by Gemma Saylor

“We all need a break from the seriousness of life and to share a little joy with one another,” said Susan Peragallo, gallery coordinator and curator for the Art League’s Jeanie Tengelsen Gallery in Dix Hills. “Everybody on the exhibition committee latched onto the idea and they really loved it. We were so pleased with the submissions and were literally laughing out loud.”

More than 200 photos were submitted for juror Alex Ferrone, owner of the Alex Ferrone Gallery in Cutchogue, to review. She ultimately narrowed the field to 51 of her favorites. 

“I was looking for an immediate response that made me laugh or chuckle because of what was happening in each scene. Along with that, I considered the structure of the image and the technical execution including composition, use of color, balance, and mood,” Ferrone explained. 

“Jurying is never easy, and it was an honor to be asked to work with the Art League on this fun exhibition. I believe this exhibit will make people feel good inside, and maybe just keep that feeling to pass along to the next person they meet,” she added.

Gemma Saylor of Centerport quickly had the perfect photo in mind when she heard about this year’s theme. Her submission, titled “French Art Is Not PG,” features her young daughter bashfully covering her eyes in front of a revealing painting at a French museum.

‘The ULTIMATE Movie Experience’ by Alissa Rosenberg

“Reading the news every day is just depressing, and I loved the idea of getting people to laugh no matter how bad things are,” said Saylor, who works as a dietitian while also running her photography business, Leela Bleu Photography. “It’s good to have a laugh and appreciate that small things in life can make us smile.”

Alissa Rosenberg of Commack chose her photo “The Ultimate Movie Experience” for the exhibit, which depicts her husband posing before a billboard of moviegoers as if he were one of them. The photo is part of Rosenberg’s ongoing Manhattan billboard project, where her subjects alter or enhance the meaning of the billboards with their poses.

“I’m very excited to be a part of this exhibit because I love the community that the Art League provides, and the gallery is beautiful. I also really respect Alex Ferrone’s work,” said Rosenberg, a speech pathologist and owner of Alissa Beth Photography. “Everybody wants to find things that make them smile and feel good, and it’s nice to create art that evokes those feelings.”

Laughing Out Loud will be on view from June 29 through Aug. 4 at the Art League’s Jeanie Tengelsen Gallery, 107 East Deer Park Road, Dix Hills. Winners of the juried exhibit will be announced at an artist reception on Sunday, June 30 from 3:30 to 4:30 p.m. followed by a Gallery Talk led by Alex Ferrone on Thursday, July 11 at 7 p.m.  

The gallery is open Monday through Thursday from 9 a.m. to 9 p.m., Friday from 9 a.m. to 4 p.m. and weekends from 11 a.m. to 4 p.m. except for major holidays. Admission is free. For further information, visit www.artleagueli.net or call 631-462-5400.

Update:

Six Long Island Photographers Win Awards at “Laughing Out Loud” Juried Photography Exhibition

Local photographers came together at the June 30 reception honoring the photographers selected for “Laughing Out Loud”, the Art League of Long Island’s 7th annual juried photography exhibition.  The photographers were challenged to submit photographic works that captured the essence of humor. Of those who were selected to participate, exhibition juror Alex Ferrone singled out six photographers for the following awards:

Awards of Excellence: Anna Fredericks, Spin Me Again, Digital image capture; Edward Hansen, Woman at Mermaid Parade, Digital image capture; Eric Smalkin, Fun in the Mud, Digital image capture

Honorable Mentions:  John Michaels, Who Does Your Hair?, Digital image capture; Denis A. Ostrovsky, Brighton Beach, Digital image capture; Alissa Rosenberg, The ULTIMATE Movie Experience Billboards Around the City series, Digital image capture on archival Hahemühle Torchon paper.

For the full list of exhibiting photographers visit www.artleagueli.org.

Plein Air Art Event
Saturday, May 18, 2019
10am – 6pm
Museum Grounds & Carriage Museum
 Inspired by historic structures, beautiful gardens and a world renowned carriage collection, LIMarts members will have the opportunity to capture the museum’s beauty in a plein air art event.
.
 This creative day welcomes visitors to the museum from 10am-6pm to observe and meet the artists as well as purchase artwork at a reception outside the LIM Studio from 5pm-6pm.
Light refreshments will be served.
Regular museum admission is required:
$10/ adults; $7/seniors; $5/students 6-17 and college students with I.D. Children under six are free.
Rain date is Sunday, May 19 from noon to 5 p.m. with the reception from 5pm to 6 p.m.
For more information contact Alexandria D’Auria
at (631)-751-0066 x285 or [email protected]

'Stony Brook Harbor' by Leo Mancini-Hresko

By Melissa Arnold

From as far back as the Middle Ages to the 19th century, the standard setting for art education and professional work was the atelier. At an atelier — which means “workshop” in French — a master artist would work in a studio setting alongside his students, rather than simply telling them what to do. The result was a collaborative community built on shared expertise and creativity.

In the 1940s, art classrooms built on a lecture-based dynamic became popular and the era of ateliers faded into history. But today, more artists are returning to the roots of their craft by starting and joining ateliers.

‘Silence,’ bronze with warm silver patina, by Gwen Marcus

Here on Long Island, Kevin McEvoy is the artist-director of The Atelier at Flowerfield in St. James. The space is home to an art studio, a 2,000-square-foot exhibition space titled Atelier Hall and even a developing library of fine art books.

Beginning this week and continuing throughout the summer, Atelier Hall will display its annual Masterworks collection, an exhibit showcasing the works of nine gifted artists from around the world.

“The Masterworks exhibit is the crystallization of dreams I’ve had for more than a decade to take our Long Island community, which has so much momentum, and marry it to the international art community, to put them all in the same room and celebrate the work they do,” said McEvoy in a recent interview. 

The journey to opening an atelier was a long one for the 38-year-old artist, who has traveled the world to hone his artistic talents. A first-generation American, he spent time as a boy living in Ireland, where his father was raised. After studying studio art at Stony Brook University, he headed to Santiago, Chile, and Florence, Italy, where he joined the prestigious Charles H. Cecil Studios.

The time abroad allowed McEvoy to cross paths with a diverse group of artists from around the world, nestled in a community where he continued to learn and grow.

By the time he returned to the States, McEvoy was married with young children and his career was taking off. But he found himself aching for something more — a social and professional circle like the one he left overseas. He began to teach at different places on Long Island in hopes of making new connections, and the rest is history.

“As soon as I plugged into teaching, this community was born and it was such a breath of fresh air,” McEvoy recalled. “Many of my students were very serious painters, and to share ideas and fan those latent gifts into flame meant so much to me. I knew then that I wanted to start an atelier.”

‘Quarter Rest’ by Wendy Jensen

The Atelier at Flowerfield officially opened in the spring of 2016. As his classes grew, McEvoy knew he needed help. He began to reach out to friends in different parts of the country and overseas, offering to put them up while they taught workshops at his studio.

“In the past, there were all of these artists I knew, but couldn’t work with because of a lack of infrastructure. And now they were able to come in regularly to stay,” McEvoy said.

The Atelier now boasts more than 120 artists who come to lecture, create and learn. Among them is Leo Mancini-Hresko, who regularly makes trips from his home near Boston to give workshops on oil painting and materials. 

Mancini-Hresko is a graduate and former principal instructor of The Florence Academy of Art whose paintings of New England and his travels abroad have appeared in exhibits across the globe. He and McEvoy got to know each other while living in Florence. 

“Many of us [who met in Florence] were not really art teachers. We’re professional artists with careers who happen to teach occasionally, and I think that’s part of the attraction, to learn from someone who considers themselves an artist first,” Mancini-Hresko said. 

‘Codman Barn’ by Leo Mancini-Hresko

Lana Ballot of Lake Grove continues to find a wealth of inspiration in Long Island’s natural scenery. She grew up in a small town in Russia where an art education wasn’t easily accessible. She studied foreign languages instead, and when she arrived in the U.S. in 1994, pursued a degree in studio art at Stony Brook University.

Ballot worked in web design for more than 15 years, but the desire to paint never faded. She eventually began freelance work, then full-time painting and teaching. Today, she teaches an ongoing pastel class at The Atelier. “It’s really like a family here,” she said of The Atelier. 

“Kevin says a lot that he wants to create a community, and that’s what is happening. It’s not just us coming in, teaching a class and going home. We interact, and as working artists we are connecting to one another and continuously learning.”

Masterworks 2019 will feature 31 two-dimensional works, including still lifes, landscapes, interiors, figures and portraits painted predominantly in oil, as well as charcoal and pastel. The show also boasts a collection of sculpture pieces by notable local artist Gwen Marcus, who will present several full life bronze cast figurative pieces. McEvoy will display his own bronze sculpture of his grandfather, Bill McEvoy. The inclusion of life-size sculpture in the Masterworks exhibition also highlights the introduction of The Atelier’s first sculpture program set to begin this summer.

Participating artists:

• Lana Ballot

• James Beihl

• Megan Euell

• Bill Graf 

• Wendy Jensen

• Leo Mancini-Hresko 

• Gwen Marcus

• Kevin McEvoy

• David Shevlino

The Atelier at Flowerfield, located at 2 Flowerfield, Suite 15, St. James will present Masterworks 2019 from May 16 through Aug. 30. The gallery is open from 9 a.m. to 5 p.m. Monday through Saturday, and admission is free. Join the artists for an opening reception on Thursday, May 16 from 5:30 to 7:30 p.m. Enjoy live demonstrations by Atelier instructors and fellows during the event. Prosecco and hors d’oeuvres will be served. For more information, call 631-250-9009 or visit www.atelierflowerfield.org. 

All images courtesy of The Atelier at Flowerfield

'Lions of Early March'

‘A picture is a poem without words.’ – Horace

Hundreds of families filed into Frank J. Carasiti Elementary School in Rocky Point on May 2 for the school’s annual School Art Exhibition, courtesy of art teacher Laura Goelz, who spent her spring break selecting, mounting and hanging her students’ artistic works. Every hallway in the school was decorated with the vibrant art, from fruit and bowl still lifes, lions, polar landscapes, abstract collages and visions of outer space. The exhibit was highlighted by two large collaborative installations –— “Heart Shine,” which encourages students to leave positive messages like “be kind” and “be a good friend”; and “Wings,” which inspires second-graders to “join the high fliers who soar to high heights.”  

Photos by Heidi Sutton

By Heidi Sutton

First-place winner – ‘The McDivits’ by Cliff Miller ‘‘Amazing skill and humor make this piece our 1st place winner; technically gorgeous, with surprise subject matter; the expressions on both gator and golfer show these two thinking as one.’

The Long Island Museum in Stony Brook unveiled its annual juried art competition last Friday to rave reviews.

Designed to complement one of the museum’s current exhibits, Walt Whitman’s Arcadia: Long Island Through the Eyes of a Poet & Painters, this year’s theme encouraged amateur and professional artists to take inspiration from the written word — whether it be a poem, a quote, a song or a passage in a book, and turn it into something visual. The resulting exhibit is a wonder to behold.

Titled I Sing the Body Electric after a poem by Walt Whitman from his 1855 collection, “Leaves of Grass,” the show features 78 exquisite pieces of art in a variety of mediums including watercolor, pastel, oil, acrylic, sculpture, mixed media and photography, all beautifully displayed in the museum’s Visitors Center.

 

The exhibit was judged by Ripe Art Gallery President Cherie Rexer; Jessica Valentin, artist and owner of Muñecca Arthouse; and artist Beth Giacummo. The winners were announced at an opening reception.

Second-place winner –
‘Orion’s Sapphire’ by Marsha Solomon
‘Color and composition rightfully inspired by the cosmos; the swirls and droplets are a fitting homage to the beauty of space. Striking! Exciting in its simplicity.’

“I’ve been [at this museum] six years and this is the best juried art show I’ve seen here and I’m so proud to be a part of it,” gushed Neil Watson, executive director at the LIM.

“From the start we all felt this [exhibit] was going to be something really spectacular,” added Lisa Unander, director of education at the LIM, before sharing the judges’ comments and presenting the awards.

Cliff Miller of Seaford captured first place with his oil on gesso panel piece titled “The McDivits,” which was inspired by Anthony Robbins’ quote, “The only impossible journey is the one you never begin.” Second place was awarded to Marsha Solomon of Baldwin for her acrylic on canvas piece titled “Orion’s Sapphire.” Melissa Imossi of Madison, Connecticut, won third place for “Shadowlands,” an oil painting on aluminum, which was inspired by the film of the same name about the relationship between C.S. Lewis and poet Joy Davidman. (See the judges’ comments under each image.)

In addition, each juror individually selected a piece for honorable mention. Giacummo’s choice was “Passerine,” a diorama by Ellen Wiener of Southold. “The main element perched like a passerine reminds the viewer that our relationship with art can strengthen our stance,” she explained. Rexer chose Helena Weber of Bay Shore’s “A Noiseless Patient Spider,” created in soft pastels. “I love it because it feels like it could belong in the Long Island Museum’s collection,” she said.

Third-place winner – ‘Shadowlands’
by Melissa Imossi
‘Epitome of Long Island light — a palette of delightful color. Stunning light captured; amazing technique and feels very local to Stony Brook; the blur and light in this landscape won me over.’

Valentin selected James Keller of St. James’ delicate abstract photograph “Sinuous,” which was inspired by Nathaniel Hawthorne’s quote, “Moonlight is sculpture …” 

“This work … spoke to me so strongly. The mood and light are stunning. I’m in love,” she said.

While the artists were inspired by the written word, visitors to this exhibit are sure to be inspired by their achievements. Don’t miss this wonderful show.

WHEN TO GO: The Long Island Museum, 1200 Route 25A, Stony Brook will present I Sing the Body Electric through July 7. The museum is open Thursday through Saturday from 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m. Admission is $10 adults, $7 seniors and $5 students ages 6 to 17. Children under 6 and members are admitted for free. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

Art reception photos by Julie Diamond/Long Island Museum

By Melissa Arnold

Art exhibits draw crowds for a host of reasons, often as varied as the people who attend them. For some, it’s the work of a particular artist they enjoy, while for others it may be an intriguing theme or interesting medium.

This month, the Setauket Artists have put together a collection that not only shows off local talent, but does so in a space that is attractive all on its own — the Deepwells Mansion in St. James.

The Setauket Artists hold an annual fall exhibit at the Setauket Neighborhood House, an event that’s become an important part of the area’s culture. “As the exhibit and the number of visitors grew over the years, we found the need to extend our viewing time. We were delighted when the opportunity came along to have an additional show,” said Irene Ruddock, president of the Setauket Artists in a recent interview.

“There will be close to 100 works of art on display including oil, watercolor and pastel paintings, as well as soft-ground etchings, collage and hand-painted photographs and all of them are for sale,” she added. 

Participating artists include Ross Barbera, Eleanor Berger, Catherine Bezas, Joan Bloom, Renee Caine, Al Candia, Gail L. Chase, Anthony Davis, Bart Deceglie, Julie Doczi, Jeanette Dick, Marge Governale, William Graf, Peter Hahn, Melissa Imossi, Laurence Johnston, Anne Katz, Deborah Katz, Flo Kemp, Karen Kemp, Michael R. Kutzing, Joanne Liff, Celeste Mauro, Jane McGraw Teubner, Terry McManus, Eleanor Meier, Fred Mendelsohn, Muriel Musara, Iacopo Pasquinelli, Paula Pelletier, Demerise Perricone, Denis Ponsot, Joan Rockwell, Robert Roehrig, Irene Ruddock, Oscar Santiago, Carol Link Scinta, Sungsook Setton, Barbara Jeanne Siegel, Patricia Solan, Angela Stratton, Mac Titmus, Marlene Weinstein and Patricia Yantz.

“The Setauket Artists have been in existence for 38 years . . . many of their paintings reflect the beauty of Long Island — the rivers, lakes, ocean, and bays that make this island so unique,” said Ruddock. “When curating the show, I look for paintings that touch the soul and bring the beauty of nature or a magical moment to the viewer. Every painting in the exhibit reflects our group’s motto, ‘Art is for a lifetime.’”

 Setauket Artist member Robert Roehrig agreed. “Although there is no particular theme to the exhibition, the Setauket Artists always display many beautiful scenes of our local Long Island landscape,” he said.

“The Deepwells Farm Historical Society is pleased to welcome the Setauket Artists to Deepwells Mansion for their first spring art show,” Denise Davis, a board member for the society, said. “The mansion, which is part of the Suffolk County Parks, was built in 1845 in the 16th century Greek-Revival architecture   for Joel Smith, a descendant of Smithtown’s founder Richard ‘Bull’ Smith. Deepwells is the perfect venue for displaying and sharing with the community the many local scenes of beautiful Long Island,” she added.

The community is invited to an opening reception on May 4 from 1 to 4 p.m. Refreshments and appetizers prepared by the artists will be served.

The exhibit will also include a small boutique gift shop with handmade wares from the Setauket Artists featuring jewelry, cards, scarves and small paintings. The group will continue its tradition of raffling off three different paintings on May 26, the exhibit’s last day. Visitors can enter the raffle throughout the exhibit’s run and do not need to be present to win.  Robert Roehrig, vice president of Setauket Artists, is donating his oil painting titled “Still Afloat,” and Anne Katz and Paula Pelletier will each donate a watercolor painting.

“It’s an exciting new venue for us,” said Setauket Artist member Joan Rockwell. “There will be something for everyone and the show will be open for Mother’s Day weekend too!  We’ll serve refreshments and have a flower for all those special Moms.”

Sponsored by Bryant Funeral Home, the Setauket Artists Spring Exhibit will be on view from May 4 through May 26 at the Deepwells Mansion, 2 Taylor Lane, St. James. The mansion is open Wednesdays through Sundays from 11 a.m. to 4 p.m. Admission is free. For more information, visit www.setauketartists.com. Private group or single showings can be arranged by appointment: call 631-365-1312 or email [email protected].

‘Eel Spearing at Setauket,’ 1845, by William Sidney Mount

Did you know? The Long Island Museum, 1200 Route 25A, Stony Brook offers guided gallery tours of its Long Road to Freedom: Surviving Slavery on Long Island exhibition in the Art Museum on the hill with museum educator Todd Weston every Friday through May 24 at 2 p.m. Tours are free with museum admission and do not require preregistration. For more information, call 631-751-0066.