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Reboli Center honors artistic connections to White House history

by Melissa Arnold - November 1, 2019

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WhiteHousecalendarpaintingReboli — ‘View from the Red Room’ by Joseph Reboli

By Melissa Arnold

For more than three decades, Joseph Reboli dedicated his life to creating art and sharing it with the world. His vibrant oil paintings, many of which focused on scenes in the Three Village area, were beloved not only here on Long Island but around the world for the way they captured the essence of the places he loved. Reboli’s work has been on display in museums, private collections and homes around the world.

Since its founding in 2016, the Reboli Center for Art and History in Stony Brook has worked to preserve the legacy of its namesake, who died in 2004, while also highlighting the people and places that most inspired him. Its newest exhibit, on display beginning Nov. 1, will focus on one of Reboli’s unique honors: his inclusion in an exhibit at the White House.

“Joe was a very modest guy, but I think he was really honored by this opportunity, and it was one of the highlights of his career,” said Lois Reboli, Joe’s wife of 14 years.

In 2000, the nation’s capital was preparing to mark the 200th anniversary of the White House. To celebrate, the White House Historical Association planned an art exhibit and companion calendar titled White House Impressions: The President’s House Through the Eye of the Artist. The association selected 14 well-respected artists to participate, with one artist representing each of the 13 original colonies and the District of Columbia.

Among the chosen artists were Reboli, who represented New York for the month of March, as well as realist painter Ken Davies of Massachusetts, Reboli’s former professor at the Paier College of Art, representing February.

The cover of the 2000 White House calendar.

The other artists were Domenic DiStefano (Pennsylvania, December 1999), Al Alexander (New Jersey, January 2000), Ray Ellis (Georgia, April 2000), John Barber (Virginia, May 2000), Marjorie Egee (Delaware, June 2000), Marilyn Caldwell (Connecticut, July 2000), Tom Freeman (Maryland, August 2000), West Fraser (South Carolina, September 2000), Richard Grosvenor (Rhode Island, October 2000), Carol Aronson-Shore (New Hampshire, November 2000) and Bob Timberlake (North Carolina, December 2000). Carlton Fletcher of the District of Columbia was granted the cover.

“We made the trip down to the White House in 1999, and the artists got to meet with Bill and Hillary Clinton. It was our first trip to the White House, and definitely impressive to us both,” Lois Reboli recalled. “Joe had been in the Army and he was a very patriotic person. A White House photographer walked around with each artist as they decided what they wanted their piece to be — the photographer was the only one allowed to take pictures. Then the artists took the photos home to work.”

Reboli was the only artist in the White House exhibit to choose a point of view from inside the building. His painting, “View from the Red Room,” looks outside to the South Portico with the Jefferson Memorial in the background.

The Red Room has served a variety of purposes in different presidencies, from a music room to a meeting space, the backdrop for official photos and family dinners. First Lady Jackie Kennedy once said that the view from the Red Room was her favorite in the White House because it looked out on the American people.

“When I saw this particular view, I loved the light on the South Portico with the landscape in the background,” Reboli wrote at the time about his choice. “The light’s reflection on the portico contrasted nicely with the dark interior of the room.”

The painting from the Red Room will be on display at the Reboli Center, along with the White House calendar and original work from nine of the 14 artists featured in the 2000 exhibit, said Reboli Center secretary Colleen Hanson.

“This exhibit was a huge undertaking, and took a lot of detective work in some cases. Lois has been working on this exhibit for more than 8 months. It was a search for contacts with the artists of the calendar, communicating back and forth, and then finally getting the artwork. This was a rather complicated exhibit to put together because of the number of artists involved, the time span of an event that happened more than 20 years ago, and the fact that during those 20 years not everyone had stayed put and that deaths had occurred,” Hanson said.

“We wanted to share the work the artists did for the White House as well as some of their original work to give a greater sense of who they were and their artistic interests.”

The White House Calendar exhibit will be on display from Nov. 1 through Jan. 26, 2020 at the Reboli Center for Art and History, 64 Main St., Stony Brook. Participating artists include Al Alexander, Carol Aronson-Shore, Marilyn Caldwell, Ken Davies, Domenic DiStefano, Ray Ellis, West Fraser, Richard Grosvenor and the late Joe Reboli. For more information, call 631- 751-7707 or visit www.rebolicenter.org.

Setauket Artists’ exhibition welcomes fall

by TBR Staff - October 30, 2019

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'Pumpkin' by William Graf — ‘Pumpkin,’ watercolor by William Graf, will be on view at the Setauket Neighborhood House from Oct. 27 to Nov. 19. Image courtesy of the Setauket Artists

The cooler weather signals the return of a perennial favorite, the Setauket Artists Fall Exhibition at the Setauket Neighborhood House, 95 Main St., Setauket from Oct. 27 to Nov. 19. The annual juried exhibit was founded by Flo Kemp, a much admired local artist. Thirty-nine years later the group, now coordinated by the group’s president, Irene Ruddock, consists of about 50 artists from all over Long Island. Together they continue the tradition of exhibiting paintings at the historic Setauket Neighborhood House along with several other venues during the year.

Each year the artists choose an honored artist and this year’s choice is Renee Caine. “Renee has contributed an enormous amount of time to this group, creating and implementing new ideas. Because of her boundless energy Renee is always ready to help out on any occasion,” said Ruddock. Caine will be exhibiting a piece titled “Giverny #4,” part of the “Giverny Series.”

Fred Bryant, art collector and loyal supporter who has shown his dedication to the group for over a dozen years, returns as this year’s sponsor. “Because of Fred, our group had been able to purchase many items that have added to the professionalism of the Setauket Artists and for that we are grateful,” said Vice President Rob Roehrig.

This year’s event will be judged by contemporary realism artist David Peikon who teaches at the Art League in Dix Hills. An open house will be held on Nov. 9 and 10 and again on Nov. 15 to 17 to meet the artists, attend tours of the exhibit and observe an artist demonstration by pastel and oil painter Anthony Davis. Visit www.setauketartists.com or call 631-365-1312 for further information.

Ribbon cutting ceremony held for Firefly Artists

by Heidi Sutton - October 25, 2019

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RIBBON CUTTING

The Northport Chamber of Commerce hosted a ribbon cutting to mark the official grand re-opening of The Firefly Artists art gallery at its new larger location at 162 Main St. in Northport on Oct. 17.

The celebration was attended by chamber President Jim Izzo, Northport town trustees Mercy Smith and Tom Kehoe, Huntington Supervisor Chad Lupinacci, Firefly artists, members of the community, friends and family. The event also kicked off the gallery’s fall exhibit, Autumn Works, featuring the work of the Firefly artists, on view through Nov. 30.

“Northport is a wonderful community, and it is a privilege to get to work with so many wonderful local artists and other businesses right here on Main Street,” said Katheryn Laible, a Firefly artist who recently became one of the group’s managing partners, in a press release.

For more information, call 631-651-5545 or visit www.thefireflyartists.com.

The Atelier at Flowerfield’s latest exhibit highlights young talent

by Melissa Arnold - October 25, 2019

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Jonathan Horn, 'Ensnared' — 'Ensnared' by Jonathan Horn

By Melissa Arnold

For the past three years, The Atelier at Flowerfield has buzzed with activity. Artists of all skill levels come to the St. James art studio to create, learn and connect with others through classes, studio time, social events, art history lectures and exhibits.

As The Atelier has grown, it has also attracted a host of young, talented creatives looking for a place to hone and share their skills. Since 2017, the annual Long Island Young Artists Exhibition has provided a platform to celebrate their accomplishments with the community.

“I believe that when artists are young, they’re uninhibited. The sky is the limit for their creativity, and they don’t filter themselves by what will or won’t sell or how people will respond,” said Director Kevin McEvoy in a recent interview. “They’re willing to experiment, to take risks with their art. It’s incredible to be a part of that,” he said.

McEvoy estimates that 50 to 60 young people spend time at a workshop on a regular basis, many of them students at local schools or recent college graduates. Some of the artists take classes or have studio time five nights a week, while others come by for several hours during the day. The Atelier’s state-of-the-art studio space simulates natural light, allowing nighttime students to create pieces with realistic-looking daylight without interrupting their daytime responsibilities.

This year’s Young Artists Exhibition invited artists ages 11 to 28 to submit works of any medium or theme to be reviewed by a panel of curators including Margaret McEvoy, Gaby Field-Rahman, Dr. Stephen Vlay and Barbara Beltrami.

In total, 46 applicants submitted 130 different pieces for judging. The completed exhibit includes 47 pieces from 33 artists, mostly from Suffolk and Nassau counties.

Aside from age, there were no specific requirements to enter a piece for consideration. McEvoy said he wanted to welcome young artists of all kinds to explore themes and mediums that appeal to them the most.

One of this year’s exhibitors, Ariel Meltzer, 16, has always been fascinated with drawing people. “I’ve always found art to be very calming, and even when I was young I loved drawing faces and people in general,” said the artist, who lives in Stony Brook. “There’s so much diversity in the human figure, but there are so many similarities at the same time.”

Meltzer discovered The Atelier a few summers ago after her mother encouraged her to find something fun to do. She said she was interested in continuing to develop the art skills she’d gained during the school year at The Stony Brook School, and the St. James studio was a perfect fit.

“You get to know so many different people that each have their own perspective on art,” Meltzer said. “I love the connections that I’ve been able to make through The Atelier. Everyone is welcoming and supportive — it’s a great atmosphere to learn in.”

Whether she’s attending morning classes in the summer or night classes during the school year, Meltzer always has a new project to work on. She’s worked with charcoal, oil, acrylics and more, but at home she tends to return to her old standby, graphite pencil.

Her submission to this year’s exhibit, “Grace,” is a drawing of a classmate she completed for a school assignment. Meltzer said she wanted to make the girl’s hair and face appear softer to match her name, Grace.

“I’m proud of the work that I send in no matter what, so I don’t worry too much about whether or not it gets chosen. But it’s still really exciting to be a part of the exhibit. This is my second year being included,” Meltzer said.

Jonathan Horn, 27, is on the upper end of the young adult group, but that doesn’t stop him from creating whimsical, unique and fun works of art.

The East Setauket resident has been artistic his entire life, starting to draw with markers at just 2 years old. These days, he’s primarily a painter, but his tools are one of a kind. Horn studied studio art and anthropology at Stony Brook University, and in the process developed a deep curiosity for the tools used in ancient civilizations.

“I started to wonder what it would be like to make and use these tools to paint with,” Horn said. “So I did. And I found that they work just as well as anything you’d buy commercially today.” His yucca leaf and palm brushes are used with paints Horn has made himself using a special clay.

While Horn enjoys painting using classic techniques and subjects, his real passion is fantasy. “I grew up watching a lot of cartoons and playing video games, so the work I do tends in the direction of fantasy,” he explained.

Horn’s two works in the exhibit include a clay-based gouache painting of flowers done on watercolor paper and a vivid gouache painting on gypsum board of a fish being attacked by a squid and eel.

“This is the first recent exhibit I’ve submitted work for, so I was pretty nervous and relieved to be chosen,” he said. “The Atelier is a fantastic place to learn, whether you’re an experienced artist looking to hone your skills or a beginner looking to dip your toes in the water for the first time.”

The Long Island Young Artists Exhibition is currently on view at The Atelier at Flowerfield’s Atelier Hall Gallery, located at 2 Flowerfield, Suite 15, St. James through Nov. 21. The gallery is open from 9 a.m. to 5 p.m. Monday through Saturday, and admission is free. For more information, call 631-250-9009 or visit www.atelierflowerfield.org.

Image courtesy of The Atelier at Flowerfield

Artist of the Month: Gary Garrett

by Irene Ruddock - October 23, 2019

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By Irene Ruddock

I try to create art that will make the viewer smile – a cartoon in metal that tells a story.’
— Gary Garret

Huntington resident Gary Garrett, who is presently exhibiting his sculptures at the Reboli Center for Art and History until the end of October, studied advertising, art and design at SUNY Farmingdale. Having worked in various advertising industries in New York City for five years, he found that he was no longer inspired by that world, so he decided to pursue his family’s used auto parts business. While working in this industry, he recycled automotive parts to remake into the sculptures that he exhibits today. His exhibitions include Huntington Gallery, Long Island University Gallery, Mather Hospital, Reboli Center, the Salmagundi Club, the Long Island Professional Sculpture Shows and the Huntington Art League Gallery.

Your signature piece, Who Let the Dog’s Out? is on exhibit at the Reboli Center for Art and History. What was your inspiration?

After I saw Norman Rockwell’s painting of parents and kids going on vacation called “Coming and Going,” I was inspired to replace that vision with a depiction of a mother dog and her puppies eagerly going on vacation.

What materials did you use for this?

For this sculpture, I used 1948 Dodge doors that I found in the junkyard — the only “found object” in this sculpture. All the rest were sculpted by me with metal, even the eyes, hair and tongue. I tried to make the hair look as though it was bent in the wind and one of dogs eyes making contact with the viewer. I wanted all of it look as though it was moving.

What other materials do you use to create your sculptures?

I find components for my artwork at garage sales, farm auctions and auto salvage yards. I like to give new life to old tools, industrial gears, car parts and farm equipment incorporating them to create welded assemblages that tell a whimsical story.

How does recycling of materials represent your view of society?

I think it is important to save and use items from our “throw-away” society. The “found objects” that I use were made to last and I appreciate that aspect.

What has been your most rewarding experience?

I was thrilled to show at the prestigious Salmagundi Art Club in New York City! They showed my sculptor of President Trump on the cover of a Fifth Avenue billboard. It is a humorous piece that can be interpreted many different ways. That was thrilling!

You choose to represent your art showing the humorous side of life. Why do you think that is?

I have always been a storyteller to my family, friends and children. I try to take ordinary experiences from every day life that we take for granted to find the humorous side of it. We need to take time to laugh.

Are there artists whom you particularly admire?

I admire Norman Rockwell, Al Hirschfield and Shel Silverstein. Each saw the humor in everyday life. For instance, I love Silverstein’s book about a child who befriends a tree. I like Rockwell’s painting of all the ethnic groups working together. That one painting tells the story of how our immigration system made America.

What are your future plans for your sculpture?

I will be exhibiting at Deepwells Mansion in the spring. My plan is to keep doing art whenever I become inspired. I don’t know where an idea will come from next, but I am always open to it. I would also love one of my pieces to be part of a permanent collection at a children’s hospital so it could bring joy to many children. I can always be contacted at [email protected] or at 516-557-6990.

Monsters, skeletons, ghosts, oh my! HAC hosts Nightmare on Main Street

by Heidi Sutton - October 23, 2019

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Falling leaves in hues of red, yellow and purple; hot apple cider; pumpkins in all shapes and sizes; and a brisk chill in the air are sure signs October is here.

October also means the return of the Huntington Arts Council’s annual student exhibit, Nightmare on Main Street, a Halloween-inspired juried art show for Nassau and Suffolk counties students in grades 6 to 12. The 8th annual show runs from Oct. 18 to Nov. 16.

“We celebrate by turning ourselves into whatever and whoever we’d like to be on October 31st. Scary, silly, creepy or beautiful, what would you want to transform yourself into during this time of year?” was the question our juror Stephanie Buscema posed as inspiration.

Working professionally for the past 15 years on a variety of projects, from publishing to textile design, Buscema is a painter, illustrator and designer in Huntington. Alongside work assignments, she owns a small business, Kitschy Witch Designs, creating whimsical textile prints and designing vintage inspired clothing and accessories.

Over 110 pieces of artwork were submitted this year, an increase of 34 percent over last year. Of those entries, 48 students were selected as finalists this year including Joseph Apat, Mia Bacchi, Kaia Beatty, Nathaly Benavides, Nia Burke, Connie Choi, Shannon Cooper, Julia Crapanzano, Gilana Etame, Josie Fasolino, Alysse Fazal, Rachel Ferrara, Sophie Fyfe, Julia Giles, Eliza Harnden, Tessa Kang, Margaux Lanfant, Vivienne LaVertu, Fiona Lawrence, Hailey Lepik, Giada LoPorto, Casey Losinski, Jillian Maffei, Margaret Marzigliano, Katrina Mazaras, Vita Mazza, Alena Moreira, Isabella Muoio, Olivia Muscatelli, Allyson Phillips, Taylor Rampulla, Victoria Rodgers, Hannah Ross, Jack Ruthkowski, Andrew Sarchese, Katherine Seon, Holly Sternlicht, Mitchell Stevens, Sophie Talamas, Holly Tilton, Mark Tringali, Natalie Vela, Alexa Villanueva, Lily Walford, Cindy Wang, Addison Westerlind, Jaelin Woracek and Fuxin Zuo.

“Nightmare on Main Street is in its 8th year and continues to receive an incredible response from the student artists who enter the show,” said Executive Director of Huntington Arts Council Marc Courtade.

“The artwork in the show highlights the diverse use of a variety of mediums including found objects, metal transfer, digital photography, charcoal, acrylic and watercolor paints and collage. We are proud to incorporate shows specifically targeting young talent and the community loves to show its support,” he said.

The Huntington Arts Council will present Nightmare on Main Street at its Main Street Gallery, 213 Main St., Huntington from Oct. 18 through Nov. 16. In celebration of the exhibit, a costume party reception will be held at the gallery on Friday, Oct. 25 from 6 to 8 p.m. Refreshments will be served. For more information, call 631-271-8423 or visit www.huntingtonarts.org.

Huntington-Oyster Bay Audubon Society receives donation

by Heidi Sutton - October 17, 2019

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Alexa Helburn Photography Fundraiser — Simone DaRos, vice president of the HOBAS chapter, accepts a check from Alexa Helburn for the Mayan Girls Scholarship Fund on Oct. 10.

MAKING A DIFFERENCE

Huntington High School senior Alexa Helburn presented a check to the Huntington-Oyster Bay Audubon Society during her fourth and final photography exhibition at Cold Spring Harbor on Oct. 10. The funds, raised over the last year and a half, will benefit the Mayan Girls Scholarship Fund created by Helburn that supports Mayan girls in Guatemala to stay in school and continue their education where they learn about sustainable farming and conservation.

The Atelier to host opening reception for The Long Island Young Artists Exhibition

by Press Release - October 16, 2019

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Benjamin Cisek, 19, East Islip, Julia, Oil on Canvas, 18' x 24 piece copy — 'Julia' by Benjamin Cisek, age 19, East Islip

The Atelier at Flowerfield, 2 Flowerfield, Suite 12, St. James invites the community to the opening reception of The Long Island Young Artists Exhibition on Thursday, Oct. 17 from 5:30 to 7:30 p.m. The evening will feature live demonstrations by artists and complimentary hors d’oeuvres and prosecco. Call 631-250-9009 for further details.

Artists showcase their talent at Gallery North event

by Heidi Sutton - September 11, 2019

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Gallery North in Setauket hosted its 54th annual Outdoor Art Show & Music Festival on Sept. 7 and 8. The two day event showcased the work of artists and artisans and featured live music, kids activities and food. Awards were granted for best in show for each art category, including crafts, fiber art, glass art, jewelry, painting, pottery, and more.

And the awards go to:

Best in Show

Eric Giles

Mixed media Craft

Outstanding award – Kathryn Nidy

Honorable Mention – Jo Ann Wadler

Wood craft

Outstanding award – Barry Saltsberg

Honorable Mention – Michael Josiah

Fiber Art

Outstanding award Meryle King

Glass Art

Outstanding award – Justin Cavagnaro

Jewelry

Outstanding award – Margie & Bill Lombard

Honorable Mention -Toni Neuschafer

Painting

Outstanding award – Carmen Stasi

Pottery

Outstanding award – Gina Mars

Honorable Mention – Denise Randall

Work on Paper: Graphic and Drawing

Outstanding award – Flo Kemp

Work on Paper: Watercolor and Pastel

Outstanding award -Stephanie Pollack

Honorable Mention – Joanne Liff

For more information, visit www.gallerynorth.org or call 631-751-2676.

Photos by Heidi Sutton

All aboard! New exhibit on railroad history opens at the Port Jefferson Village Center

by Daniel Dunaief - August 30, 2019

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By Daniel Dunaief

The development of steel highways beginning in the early 1800s has had an enormous impact on our society, especially on Long Island, where the Long Island Rail Road was chartered in 1834. To commemorate the 185-year history of trains in Suffolk and Nassau counties, the Port Jefferson Village Center will host a new exhibit titled Railroads: Tracking the History on Long Island from Sept. 5 to Oct. 30.

Sponsored by the Port Jefferson Harbor Education and Arts Conservancy and the Incorporated Village of Port Jefferson, the unique show perfectly captures generations of railroad history with unique photos of trains, tracks and commuters from the Village of Port Jefferson archives, the Long Island Railroad Museum and the Queens Public Library’s Digital Collection.

In addition to the numerous images, the exhibit, which was curated by Port Jefferson village historian Chris Ryon, will also feature artifacts and a 50-foot time line, starting in 1834, that shows the history of a railroad that is the oldest in the country operating under its original name and with its original charter.

Currently, the train system carries over 350,000 commuters back and forth around the area each day, ranking it first among railroads in shuttling commuters.

According to Don Fisher, the president of the Railroad Museum of Long Island, laborers came from numerous countries to build the railroad. Initially, many of the workers were English and German, said Fisher. As more immigrants arrived, the workers included people of Italian and Irish descent as well as African Americans.

The railroad was originally designed to help people travel from New York to Boston. The trains brought people to Orient Point, where they took the ferry to Connecticut, which was harder to cross because many of its rivers didn’t have bridges.

One of the featured artifacts is a huge lantern that has its own serendipitous story. A resident of Wading River donated the lantern three years ago to the railroad museum. Initially, the railroad experts at the museum weren’t sure where it came from or how old it was. Later, they received a call from a resident of Toms River, New Jersey, who had a picture of a steam engine from the late 1800s. The picture features a kerosene, whale oil-burning lantern that looked incredibly similar to the one donated.

“While this is not the exact same lantern, it likely came off a locomotive like this, so we could make the story come to life,” said Fisher who suggested that the LIRR is “our railroad, which we love to hate.”

While he thinks typical commuters who ride the trains each day may not be as drawn to the exhibit, Fisher expects families with young children enthralled by Thomas the Tank Engine or by stories and photos of railroads may find numerous train treasures at the upcoming exhibit. He also expects that some senior residents will come and reminisce about everything from the horror of a snowstorm to a ride aboard a steamy train without air conditioning on a hot day to stories about friends they met aboard the train.

“The history of the Long Island Rail Road is the history of Long Island,” said Stephen Quigley, president of the Long Island Sunrise Trail Chapter of the National Railway Historical Society, who added that one of the many noteworthy railroad riders includes President Theodore Roosevelt who frequently took the LIRR to Oyster Bay while in office.

Quigley said he plans on contributing memorabilia to the exhibit, including a Dashing Dan logo, which is a popular feature from the 1950s trains. The typical Dashing Dan logo featured a commuter running with a briefcase, with half of his striped tie flying behind his head, as he’s checking his watch. The tagline on the logo was: The Route of the Dashing Commuter, which appeared above an LIRR placard.

The exhibit will also include numerous other versions of the Dashing Dan family, including a Dashing Sportsman, a Dashing Dottie and a Dashing Dan Weekend Chief, which features a commuter heading out aboard the train on the way to the beach.

Fisher and Quigley each have numerous stories about the history of the railroad and of their time aboard the trains.

In more modern times, Fisher said the Oakdale Station has featured at least two weddings. The LIRR has also been the setting for movies. The Mark Wahlberg film “Broken City,” which also stars Russell Crowe and Catherine Zeta-Jones, included scenes filmed aboard a train going back and forth from Long Island City to Montauk. During the filming, the LIRR added two extra cars, Fisher said.

Quigley recalled how one commuter, who had become friends with several other riders during his trek back and forth from Babylon to Mineola, had a baby shower on board the train.

Fisher added that many people are aware of some of the stories related to the Transcontinental Railroad, which involved moving Native Americans and gerrymandering properties. What people don’t often know, however, is that the “shenanigans with Congress and political bodies, the payoffs to get property so the railroad could be built, the sweetheart deals with companies, all happened here [on Long Island] first.”

Railroads, Fisher said, were the “dot.com of the time. Anybody with a few bucks wanted to invest. It was a hot commodity. More people worked for the railroad than any other industry. It was an economic generator.”

The community is invited to an opening reception of the new exhibit on Thursday, Sept. 12 from 6 to 9 p.m. Ryon said he hopes to have a panel discussion featuring railroad experts at the reception and is in the process of reaching out to a number of train executives.

The Port Jefferson Village Center, located at 101A East Broadway in Port Jefferson, is open seven days a week, except holidays, from 9 a.m. to 8 p.m.. For more information, call 631-802-2160.

Photos from the Kenneth Brady Collection

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