Yearly Archives: 2017

While millions across the globe took part in the Women’s March on Washington and other sister marches Jan. 21, hundreds met on the corner of Route 347 and Route 112 in Port Jefferson Station to make their voices heard.

“The rhetoric of the past election cycle has insulted, demonized and threatened many of us — immigrants of all statuses, Muslims and those of diverse religious faiths, people who identify as LGBTQIA, Native people, Black and Brown people, people with disabilities, survivors of sexual assault — and our communities are hurting and scared,” a website established to organize the marches states in its mission.

Community members who attended the event from across the North Shore reiterated many of those concerns during the march in Port Jeff Station, which according to the site was the only affiliated sister march on Long Island.

“I wanted to say something today to make all of the anxiety, the anger and fear go away, but that’s not going to happen. It shouldn’t happen because times are rough and the current circumstances call for anxiety, anger and fear.”

—Kathy Lahey

“Getting out here in unity and letting our voices be heard is crucial,” Port Jefferson resident Kathy Lahey said over a megaphone to those in attendance. Lahey said she was responsible for organizing the sister march, getting the word out and getting it officially recognized as an affiliate on the website. “We are all in this together. Together we will fight for equality, for fairness and for justice. I wanted to say something today to make all of the anxiety, the anger and fear go away, but that’s not going to happen. It shouldn’t happen because times are rough and the current circumstances call for anxiety, anger and fear.”

Women, men and children of all ages, races and backgrounds were represented at the march. The March on Washington and all of those affiliated were set up intentionally to coincide with President Donald Trump’s (R) inauguration Jan. 20 as a means to combat what they view as his alienating rhetoric during the campaign, and since his election victory, as well as to voice opposition for several policies on his agenda and nominations for his cabinet positions. Health care, equal rights, demanding the release of the President’s tax returns and immigration policy were among the topics most frequently referenced by signs and chants by attendees.

President Trump addressed the worldwide marches through his personal Twitter account.

“Peaceful protests are a hallmark of our democracy. Even if I don’t always agree, I recognize the rights of people to express their views,” he said Jan. 22, though he later added if all present had gone out and vote they may have been heard sooner.

Many in attendance said they weren’t sure what to expect when they decided to attend, but were blown away by the unity and solidarity they felt upon arriving.

“My initial reaction when I pulled up was I burst into tears because I’m sad that we have to be here, but in the end I’m left feeling very empowered because even though the road to progress is a jagged road, in the end love will always win,” Daniela McKee of Setauket said. McKee said she is a teacher, and brought her own kids with her to experience the event. “I think it’s important that they learn from a very early age that they have to fight for what they believe in and for their rights and equality.”

Joyce Edward of Jefferson Ferry, who is in her 90s, shared her reasons for marching.

“We’re going so far back, it’s sad,” she said. “I think it is important and I hope that maybe our congress people will pay attention. I don’t think Mr. Trump will. He pays attention to one person: himself.”

“My initial reaction when I pulled up was I burst into tears because I’m sad that we have to be here, but in the end I’m left feeling very empowered because even though the road to progress is a jagged road.”

—Daniela McKee

Edward added that her deep concern for where the country is headed for her children and grandchildren inspired her to get out and participate.

She questioned if 1st Congressional District U.S. Rep. Lee Zeldin (R-Shirley), who has been a vocal Trump supporter since he emerged as the likely Republican Presidential candidate, would be an advocate for those unhappy with the President’s beliefs and proposed policies.

“If he’s behind Trump then I’m not behind him,” Jeff Schroeder of Greenport also said of Zeldin. “It scares me that someone so far off from the ideologies of people I know is running our district.”

Zeldin addressed the march in an emailed statement through a spokeswoman.

“2017 presents new opportunities to improve our community, state and nation,” he said. “To move our country forward, unity amongst the American people is the most critical necessity. Ideological differences will always exist, but the pursuit of common ground must be the highest priority. In Congress, I have always been and remain willing to work with absolutely anyone to find common ground on anything wherever and whenever possible.”

New York State Sen. and Minority Leader Chuck Schumer (D) was among those marching in New York City.

“Thank you to all the New Yorkers, Americans and people in NY, Washington, and all over the world who laced up your shoes today,” he said in an email. “It was only the beginning.”

Several marchers said they were encouraged by the overwhelming support the large crowd provided for them.

“We just need to be heard — the frustration about what’s going on. I have a daughter. I have a wife … it can’t get worse in my mind.”

—Mitchell Riggs

“It’s so heartening that people realize that they can actually be involved in changing things in government,” Sherry Eckstein of Huntington said.

Allyson Matwey of Wading River expressed a similar sentiment.

“I did not know what to expect coming here today, and I’m just in awe that there’s men, women, children — all ages, all everything here today, and it’s amazing,” she said.

Mitchell Riggs of Middle Island attended the march with two of his children, while his wife attended the New York City march.

“We just need to be heard — the frustration about what’s going on,” he said. “I have a daughter. I have a wife … it can’t get worse in my mind.”

While addressing the crowd, Lahey stressed the importance of seeing the march as the beginning of a movement, and not a solitary event.

“President Obama also said at his farewell speech that change only happens when ordinary people get involved, get engaged and come together to demand it,” she said. “And here we are — hundreds, maybe thousands — standing together on a street corner in solidarity, a group of ordinary people getting involved, getting engaged, demanding that our servants do what we hired them to do. … Contact your representatives on a regular basis. … Let them know we are here, we are involved, we are engaged and we are not going away.”

File photo

Suffolk County Police Second Squad detectives are investigating an assault during which a teenager was injured in Huntington Station Jan. 22.

A 16-year-old male was playing soccer at Manor Field Park, located at East 5th Street, at 2:22 p.m. when police said he was approached by a group of males who cut him with a sharp object.

The victim was transported by the Huntington Community First Aid Squad to Huntington Hospital for treatment of non-life-threatening injuries.

The investigation is continuing. Detectives are asking anyone with information on the assault to call the Second Squad at 631-854-8252 or call anonymously to Crime Stoppers at 1-800-220-TIPS.

From left, Alan Inkles, Lee Wilkof, Director, ‘No Pay, No Nudity’; Ryan Lacen and Anthony Baldino, co-directors of ‘The Dust Storm’; and actor Ralph Macchio at last year’s Stony Brook Film Festival. Photo courtesy of Staller Center for the Arts

By Rita J. Egan

When Alan Inkles, director of the Staller Center for the Arts, moved from Brooklyn to Port Jefferson Station at the age of 11, the stage was being set for him to one day play an integral part in creating an impressive cultural and arts community right here on Long Island.

After graduating from Comsewogue High School, he headed out to Los Angeles to play soccer and study acting. After discovering he wasn’t cut out for college sports, he seized the opportunity to concentrate on the craft of acting and honed his talents working on commercials and pilots. Fortunately, for Long Islanders, he soon returned to New York and enrolled at Stony Brook University, earning his bachelor’s and master’s degrees in theater arts.

The founder of the Stony Brook Film Festival, his loyalty to the university has paid off for local residents who can attend high-quality shows just minutes away from their own homes. His success is a combination of meeting the needs of performers, being open to the opinions of audience members and appreciating his hard-working team, generous sponsors and the university’s supportive administration.

Recently, while nursing the flu and screening movies for the upcoming annual film festival, the director, who has brought the likes of Ray Charles, Harry Belafonte, Patti LuPone and more to the center, took time to answer a few questions about his stellar career.

Alan Inkles with Broadway star Kelli O’Hara who performed at the Staller Center on Dec. 10 of last year. Photo courtesy of the Staller Center

How long have you been the director of the Staller Center, and how did you get the job there?

I injured my knee while performing in 1983, and I had just graduated from Stony Brook and had worked as a student for the Fine Arts Center [the original name of Staller Center] during my years. And, as I couldn’t perform with my injury for a while, I asked the director of the center, Terry Netter, if he could use a theater manager — which I had done as a student. He hired me and at least seven titles later and an International Theatre Festival that I created — what really kept me interested in the early years — and  beginning to do all the programming in 1992, I took over as director upon Terry’s retirement in 1995. So, I guess officially I’ve been the director for 21 years.

You have a long history with Stony Brook University. What do you love about it?

What don’t I love about Stony Brook University? I did my undergraduate and graduate studies here. Two of my three kids and my son-in-law graduated from here, and I’ve been here as an employee and student for almost 37 years. I’ve enjoyed working for three presidents and almost a dozen provosts — permanent and acting ones, have made numerous friends with faculty, staff over the years, and have the greatest staff anyone could dream of having — some of which have been with me for my entire time as director. I love the energy of the students, the challenges that a public university continues to throw my way and the amazing ambiance of a continually growing and improving university. Stony Brook is about its amazing people, and I’ve been fortunate to be a member of this great collegial community for so long.

You’ve been credited with making the center what it is today. How did you go about that?

I guess longevity allows that to work. My predecessor Terry Netter opened the Staller Center back in 1976, 1977. It was a different time. You know back in those days the center was really more for the university, supporting the music department, the theater department, which we still do, and they did a couple of ballets and orchestras.

Early on when I started getting the itch, Terry asked to me to start programming. It was growing pains because I wanted to do more jazz and pop and children’s programs, because that’s what I saw we needed to do, because it was a different era. The arts centers of the 1960s and ’70s doing orchestras and ballets were great, and we continued to do them, but we needed to diversify. We needed to get broader. So, he really gave me a lot of leeway to go out and try to find these programs, and I liked the challenge.

What does it take to coordinate all the events the Staller Center presents during a year?

A great team. I can go to a conference, and I come back, and yesterday while being home laying in a bed (recovering from the flu), call my team up and say we’re booking Peter Cincotti. And, within 24 hours, we got a press release, the website, an email, the machine ready on social media, my production team going through the rider knowing exactly what we need so that I was able to approve it because there’s certain needs we have to get for the show. All this happens in 24 hours. I’m not so sure Live Nation could even pull it off in 24 hours!

So it starts with a great team, the confidence that I have the support of my provost (we have a new one this year, Michael Bernstein, who is really great) and a president who basically said to me, the third one I have worked for, “You raise the money, you bring in the audience, you got carte blanche.”

In addition to the performances at the center, you also coordinate the Stony Brook Film Festival. What does preparing for that entail?

Fortunately, over the years my contract administrator, my associate, Kent Marks, has taken on a good chunk of that. He’s great, and my staff have also helped pre-screen a lot of the movies. In the early days, I admit I watched everything. In the first 15, 16 years of the festival I was watching all 400 to 600 films coming in and picking 40. In the last five years we have had over 3,000 films coming in each year.

What have been your favorite personal accomplishments since being director of the center?

That’s an interesting question as I don’t think I’ve really given much thought to personal accomplishments. I’ve really always tried to focus on bringing quality programs in the arts to our faculty, staff, students and community over the years and always have tried to secure excellence and try to both entertain and enlighten our audiences and occasionally challenge them. Personally, I felt a great accomplishment in pulling off a 10-year run of a major International Theatre Festival early on in my career, and when I think back to my first trip to Sundance in 1999, and thinking about how little I knew about film festivals, I certainly am very proud of the fact that we have created a significant and lasting annual festival that grows every year in importance, quality and attendance. I’ve watched dozens of branded festivals in recent years dissolve as we gain strength.

I would also be remiss if I didn’t beam about the Outreach & Education program my staff and I have built. With just an idea over a decade ago to significantly reach out to communities and young people on Long Island, we now provide hundreds of programs at Staller and in our communities and serve several thousands of individuals who may not have had the opportunity to partake in the arts with workshops, school/library performances and complimentary Staller tickets. This is, of course, important for the future of the arts, and I am very proud of this growing and important part of our operation.

What are your plans for the Staller Center’s future?

I spent a great deal of time last weekend at the annual arts center/producer/ talent booking conference discussing with agents and artists and colleagues that we need to be creative, daring and also listen to our audience going forward. This digital era provides so much entertainment for people where they never need to leave their homes or their phones. We have to find ways through unique, different and exciting programs in the arts — theater, music, art and film — to take people away from their own arts centers —their 70-inch screen TVs.

It means continuing to be relevant so that corporate and private individuals will support us so we can bring these exciting programs to our campus and community, continue to keep the prices reasonable and make them available to all. I can promise you, I will continue to search far and wide for these live programs and films and continue to ask before I book something, “Is this something my audience needs to see?” That line has replaced the line that used to be, “What do they want to see?” And, when I stop asking that question and feel I can’t lift that proverbial rock any higher to find that program, I’ll know it’s time to pass on the baton. Fortunately, I don’t see that time coming too soon, and I’m also so grateful that my staff seems to want to keep me around a bit longer as well!

From left, Smithtown Supervisor Pat Vecchio, Suffolk County Executive Steve Bellone and Kings Park Chamber of Commerce Vice President Linda Henninger pose with a check for money to fund revitalization efforts. Photo by Kevin Redding

As a result of recent state and county funding, community leaders and advocates will finally see the culmination of their hard work in planning a revitalization of downtown Kings Park and downtown Smithtown.

It was all smiles at the Kings Park Long Island Railroad Station last week as Suffolk County Executive Steve Bellone (D) announced construction of a $20 million sewer system long sought after in the hamlet’s downtown is now able to move forward as a result of recent allocations from N.Y. Gov. Andrew Cuomo (D) and Suffolk County.

Just days after Cuomo said in his State of the State speech he would invest $40 million to build local sewer systems in Kings Park and Smithtown, the county executive presented Smithtown Supervisor Pat Vecchio (R) with a $200,000 check made out to the Town of Smithtown from Suffolk County to advance the community’s proposed Revitalizing Kings Park Downtown action plan, as well as a finalized draft plan developed by Vecchio and his planning team.

Bellone joked, of course, that the governor “had to come in with a slightly bigger check” than the county’s before pointing out the true movers and shakers of the revitalization plans.

“Credit doesn’t belong to any politician,” Bellone said at the event. “I’m certainly not taking credit … the credit belongs to the community. This does not happen without the community. The fact that several levels of government are coming together and funding efforts to revitalize in Kings Park and Smithtown in the downtowns reflects that the community has led the way with engaged community-based planning.”

Regarding the development of a sewer system in downtown Smithtown, Bellone said he’s directed the Suffolk County public works commissioner to begin securing an engineering and design team and have a design made up within the next six to eight weeks.

Bellone said the revitalization team of Kings Park accomplished the hard part of coming together and building a consensus around the plan and, in doing “the nitty-gritty grassroots work,” the governor took notice and it now has the resources necessary to get the job done.

“These county and state funds will help [Suffolk County] achieve our number one economic development goal: make our region once again attractive to young people by building vibrant downtowns,” he said. “These are the high knowledge, high skilled individuals we need in our region to create good paying jobs and build a 21st century economy.”

Sean Lehman, president of the Kings Park Civic Association, called the hamlet a special place to live and said with the development of its downtown it will be even better.

“There’s a reason why Kings Park and Smithtown are two of the most popular areas for people to move to in Suffolk County and that’s because of our assets,” Lehman said. “We have it all here — the people, open space, two state parks, town parks, terrific municipal workers. What we were lagging in was our downtown.”

Vecchio, with whom Bellone toured downtown Smithtown last year as the supervisor laid out his broad-based vision for revitalization, told Bellone he was grateful for all he’s done.

“Thank you for those accolades but I have no doubt in my mind that it was your intercession with the governor that brought the $40 million to the Town of Smithtown and Kings Park,” Vecchio said to the county executive. “I know everybody here is thinking at this moment … when will we get the check?”

Image from Airbnb

Huntington residents came to clear the air at a town board meeting Jan. 11, after Councilman Mark Cuthbertson (D) and Councilwoman Tracey Edwards (D) scheduled a public hearing for a resolution to ban the use of short-term rentals like Airbnb in the town.

In the resolution, the town sought to regulate temporary rental properties in order to protect the safety, health and welfare of Huntington residents. The town board “finds the increase in residential homes being rented for short periods of time detrimentally affects the quality of life in the neighborhoods in which they occur,” according to the resolution.

Residents spoke in opposition to the resolution during the hearing.

“I started hosting for economic reasons but have found it to be a very positive experience,” Michael Krasowitz, a Huntington Station resident said. “I feel like I’m an ambassador for the Town of Huntington. When they come I take them in my car, I drive them around, I show them the beaches, the restaurants, and they appreciate that — to learn about the town. For me it’s a way of engaging new people. So far it’s been a positive experience and the people have really enjoyed it.”

Alison Rexler, a former Walt Whitman resident, said Airbnb is more than just an enjoyable way to spend time for her — it’s a necessity to survive.

“I was planning on purchasing my own home and unfortunately my mortgage fell through and I found myself basically homeless,” she said at the meeting. “I have been unable to find a lease in an apartment that would rent for less than a year. Airbnb is my only solution. I have a daughter I would like to be able to visit. I have cats I would like to be able to visit. I have family and friends here. Airbnb has allowed me to stay with my family and friends and stay within the community. Without it I don’t know where I’d be but truly homeless at the moment. It is serving a need that you cannot anticipate.”

Janet Bernardo, a Fort Salonga resident, said her guests help contribute to an increase in revenue for small businesses.

“I am so excited I get to share my space, my home, my view, the marshland, the preserve, all the local stores that my guests go to,” she said. “I can’t imagine any of the local shop owners have any concerns about all these additional people coming into the town. I can’t figure out why the town would want to put a ban on it.”

Before the public hearing, Cuthbertson said he created this proposal in reaction to concerns from residents.

“It came about because of a number of constituent complaints we had received,” he said. “I asked the town attorneys office to draft legislation and frankly the easiest way to draft that legislation was in the most restrictive manner which is a ban.”

He said the town can always reduce the amount of restrictions, but it’s easier for the town to start at a full ban and work its way backward.

“I have a very open mind about something less than a ban,” he said. “We’re here to weigh the quality of life concerns of transient rentals and off street parking and really balance them against I’m sure some of the very good arguments.”

According to the company’s website, Airbnb, which was founded in 2008, is a community marketplace for people to list, discover and book housing accommodations around the world for varying lengths of time.

After hearing reactions from the public, Cuthbertson said he is willing to consider drafting legislation that is not an outright ban.

“Based on the valuable public input we received, I am considering measures that would regulate Airbnb operations instead of banning them all together,” he said in an email. “The town needs to pass legislation that strikes a balance between someone who plays ‘host’ to sharing their residence versus someone who operates as the equivalent of a hotelier. Public safety and quality of life issues will also play an integral part of this legislation.”

No decision has been reached regarding going forward with a ban.

By Cathy DeAngelo

What with the baby boomer generation aging, more people than ever are reconsidering many factors in their lifestyle … and one of the most important is deciding where to live. We all age and deciding whether and/or where to move when it’s time to downsize is a process that requires thought and planning.

Finding the right retirement community or next step is about asking the right questions. That process starts with a careful consideration of your individual needs and desires. While this exercise can present its challenges, it can also be exciting to imagine a new phase of life that isn’t dictated by a work schedule and an alarm clock.

The best time to begin planning and discuss with your spouse and/or family members is while you’re still working. It takes time to figure out where you’ll want to be. There are many options out there. The more you learn about what’s available and what each has to offer, the easier your decision will be. You don’t want to be pressed to make a choice when you unexpectedly have a need.

For starters, the following are 10 questions to consider:

What kind of retirement lifestyle do I envision?

What is my budget?

What is my current health status?

What do I want to continue to do/what do I not want to do?

What will I not be able to do?

What kinds of activities interest me?

Where do I want to be -— near family, in my familiar community?

City, country, suburbs?

What kind of people do I want to be with?

What amenities would I like?

How much space do I need?

It’s important to be realistic with your answers. For example, if you have health issues now, it’s highly likely that you’re going to have more in 10 years. You have to be honest about the barriers to things you want to do now, and how will you manage those challenges later in life. Look around the house and ask what do I want … and what can I do without?

If you’re considering buying a retirement home, look beyond the real estate to the services that come with it or are nearby, as these services will be important down the road. For example, a 55-plus community that suits your lifestyle at age 60 or 65 may not have the services to support you after age 75 or 80. You’ll want to have access to a range of activities and an easy way to get to them, convenient shopping and health services, as well as have other support systems in place.

Popular options include lifecare retirement communities like Jefferson’s Ferry that enable residents to age in place, with independent living, assisted living and skilled nursing facilities available at one site; assisted living facilities that offer rooms and apartments; independent living senior living communities; condominiums and shared space with family members, to name a few.

Most of us need people to thrive. And not just those to assist us with things we’re no longer able to do, but to engage our interests and be our friends and companions. Having more time to do the things you like and enjoy the company of old and new friends and family is a wonderful gift. The best retirement plan takes into consideration each individual’s specific needs and preferences. Considering these factors ahead of time will make the decision that much less overwhelming. Take the step … and create that plan!

Cathy DeAngelo is the director of sales and marketing at Jefferson’s Ferry Lifecare Retirement Community in South Setauket.

Monarch butterfly caterpillar

By Ellen Barcel

Often when I’ve gone out to pick some parsley, I’ve found some parsley caterpillars on the stems. The question always becomes: When finding a caterpillar, to remove or not to remove it from the plant? As a kid, I liked playing with the little brown fuzzy ones. As a kid, I also remember my father removing tomato hornworms. So, the question is: Which, to gardeners are beneficial and which should we remove?

The two caterpillars that look the closest to me are the monarch butterfly caterpillar and the parsley caterpillar. Both feed on local plants and both turn into beautiful butterflies, a definite plus in my garden. The monarch obviously becomes the beautiful black and orange butterfly. Plant lots of butterfly weed (Asclepias tuberosa) for its food, a native plant with beautiful orange flowers. Cultivars include white, purple and bicolor flowers in addition to the native orange.

The parsley caterpillar turns into the beautiful blue and black eastern swallowtail. Since I grow a large pot of parsley each year, I’m more than willing to share a bit with this caterpillar. But, it can be a nuisance to professional parsley farmers.

Wooly bear caterpillar

The black and brown wooly bear caterpillars (Pyrrharctia isabella) are funny. Picked up they roll up it a ball. It emerges from of its egg in the fall, freezes over winter and turns into a light brown and black-spotted tiger moth in spring. It feeds on a whole variety of foliage. According to old lore, it’s a predictor of a harsh winter if the brown strip (not all have a pronounced strip) is wide, mild if it is narrow. I’ve read that there are even wooly bear festivals with weather prognostication (move over Holtsville Hal), crafts and races.

Tomato hornworms are green with small black and white spots. Their heads are larger and they are attracted to tomatoes — a plant that they can devastate. They also like related plants like peppers, potatoes and eggplants, which are members of the nightshade family, Solanaceae.

Tomato hornworm caterpillar

The tomato hornworm moth emerges in late spring, just in time for the nice tender shoots of its host plants. Handpicking is the easiest way to get rid of them for the home gardener. When my father removed one, it was covered in white eggs — wasp eggs. He didn’t realize that the wasps would become a natural control to this pest (as it was its dinner) and quickly removed the hornworm with its eggs. For those into companion plantings, it is said that dill, basil or marigolds can be planted among your tomatoes to control these hornworms.

Outside of the gypsy moth caterpillars (a real pest), you mainly see caterpillars alone or in groups of just a few. Make sure you identify each one before removing it from your plants.

Ellen Barcel is a freelance writer and master gardener. To reach Cornell Cooperative Extension and its Master Gardener program, call 631-727-7850.

By Barbara Beltrami

Of all the crustaceans and mollusks that go under the heading of seafood or shellfish, it seems that shrimp is the most popular. Shrimp cocktail, an American first-course staple served in a stemmed dish with a tangy sauce, has been around for as long as I can remember. Now it’s more popular as a trayed hors d’oeuvre.But there are myriad other preparations for this most versatile crustacean.

Years ago, when I was a young cook and wanted to impress my dinner guests, I used to make Shrimp Newburg. Swimming in its creamy sherry sauce in a large (probably fake) scallop shell or ramekin, it was a really impressive starter or entrée. Italian cooks smother shrimp with tomatoes, garlic, olive oil and a generous sprinkling of hot pepper to create fiery Shrimp Fra Diavolo. And for a quick, simple no-nonsense palate pleaser, grilled breaded shrimp served with a generous squeeze of fresh lemon juice becomes a real go-to dish for an hors d’oeuvre, appetizer or main dish.

Shrimp Fra Diavolo

Shrimp Fra Diavolo

 

YIELD: 2 to 4 servings

INGREDIENTS: One pound large shrimp, peeled and deveined

1 teaspoon sea salt or to taste

1 teaspoon dried red pepper flakes

3 tablespoons extra virgin olive oil

1 medium onion, diced

2 cups diced tomatoes, canned or fresh

One cup dry white wine

3 garlic cloves, minced

¼ cup fresh chopped flat leaf parsley

DIRECTIONS: In a medium bowl, toss the shrimp with the salt, dried red pepper flakes and oil. Transfer shrimp, oil and seasonings to a medium skillet; cook until pink, turn and cook one more minute. Remove with slotted spoon or fork and set aside to keep warm. To the same skillet, and remaining oil, add onion, tomatoes, wine, garlic and parsley. Cook, stirring frequently, until liquid is evaporated and sauce has thickened. Return shrimp to skillet, mix with sauce and cook over medium-low heat, just until heated through. Serve over a bed of linguine, spaghetti or fettuccine.

Shrimp Newburg

Shrimp Newburg

YIELD: 4 servings

INGREDIENTS:

One pound small shrimp, cleaned and deveined

4 tablespoons unsalted butter

4 tablespoons all-purpose flour

1½ teaspoons cayenne pepper

Salt and freshly ground black pepper, to taste

2 cups half-and-half

½ cup sherry wine

DIRECTIONS: In a medium skillet, sauté shrimp in two tablespoons of the butter; set aside to keep warm. In the same skillet melt remaining butter and combine with the flour, cayenne, salt and pepper. Gradually stir in the half-and-half; continue stirring until sauce is smooth and slightly thickened; add sherry and stir 30 seconds more. Add shrimp, stirring frequently, until they are heated through. Do not overcook. Serve with rice or angel hair pasta.

Grilled Breaded Shrimp

Grilled breaded shrimp

YIELD: 4 servings of two skewers or 8 servings of one skewer.

INGREDIENTS:

8 twelve-inch wooden skewers, soaked in hot water for one hour

1 tablespoon extra virgin olive oil

2 tablespoons unseasoned bread crumbs

2 tablespoons chopped fresh flat leaf parsley

One clove garlic, minced

½ teaspoon sea salt

Freshly ground black pepper

40 large shrimp, peeled and deveined

Lemon or lime wedges

DIRECTIONS: Preheat broiler or grill. Combine oil, bread crumbs parsley, garlic, salt and pepper. Toss shrimp with mixture to coat. Place on soaked skewers, five shrimp to a skewer, and refrigerate for 30 minutes. Grill 3 to 4 minutes, until golden brown, rotating skewers after one or two minutes. Serve with lemon or lime wedges, salad and crispy potatoes.

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'Old Town Bar' by Stephen Gardner

By Ellen Barcel

The Smithtown Township Arts Council’s Mill Pond House Gallery has a new exhibit opening on Jan. 21, The Fine Art of Illustration, which runs through Feb. 19. Twenty professional illustrators will have approximately four dozen illustrations on display.

Noted Allison Cruz, executive director of STAC, “The exhibit features original artwork of fine artists who specialize in illustration. They created art in particular subjects for clients who published their artwork in books, catalogs, advertising media, gaming media, postal stamps and the list goes on and on.”

‘Jackalope’ by Dan Burr

There are many reasons for using illustrations rather than reproducing photos. One is to illustrate a theme or topic for which there are no photos, such as historical events. Another is for a situation that doesn’t exist yet, a future event or for fantasy. Illustrations can quickly and easily display an idea, sometimes much more effectively than a more complex photo. Illustrations can also include graphics such as maps, charts or logos (a real plus in advertising).

The idea for the exhibit came from Cruz. “I try to organize artist gallery opportunities that are unique to this area and try to offer gallery visitors a well-rounded snapshot of contemporary art today. I have always admired illustration art,” she said. “There will be a diversity of styles, approaches and techniques … both traditional and digital.” Traditional media in which these artists work include oils, watercolors, charcoals, textiles, pen and ink and printmaking.

‘Mighty Mole and Super Soil’ by Chad Wallace

Cruz added, “Personally I feel illustrators sometimes get the short end of the stick in the art world. The art world does not like the commercialism of the illustration world. For me, a strong work of art is a strong work of art … no matter the purpose it was created for … it takes the same good skills and elements … lighting, form, composition, color etc. to create a fine piece of art for yourself if you are an artist as it does to create it for someone else … How dull our lives would be without these designs to help bring the written word to life!”

Artist and exhibit contributor Joel Iskowitz said many works of the great masters were commissioned, such as “the Sistine Chapel and many of Rembrandt’s works. This is a great title for the show, ‘The Fine Art of Illustration,’ because I see no difference between the two,” he said. “It’s a false boundary. Both entities are the same when performed at the highest level … All artwork that serves a purpose, that conveys the story, that has content beyond the confines of the craft of art itself is artwork that will speak to people and last throughout time.”

The artists in the exhibit have a wide variety of clients. Stephen Gardner has painted the covers for books, baseball cards and even movie posters. Iskowitz has done the artwork for over 2,000 stamps for some 60 separate nations, as well as illustrating children’s books. Anita Rundles, a 2013 graduate of the Fashion Institute of Technology, focuses on fashion and documentary drawing.

‘Old Town Bar’ by Stephen Gardner

Gardner, who was born in the UK, came to NYC because, “I primarily paint book covers and New York is where the work was, more work, better paid, and all of my favorite illustrators were Americans, Bernard Fuchs, Bob Peak and David Grove, to name but a few.” In NYC he became a baseball fan (the Yankees), “I would listen to the radio commentary and go to the day games that were so cheap back then. When I got the chance to do baseball paintings I kept at it, and certainly doing so many cards for Topps was a real joy. The movie poster was a real fun assignment,” as well.

Gardner added, “The paintings in the show are all part of a personal body of work I’m creating for a possible book. The project started as course work whilst I was studying for my MFA at FIT. An Illustrated Guide to New York’s Historic Bars, is the theme.”

Said Rundles, “I would say it’s difficult to break into the illustration world in general. It can be done for sure. … I’ve done some work here and there, for Dior and Versace doing events, but most of my drawings I’ve done on my own time for myself …”

‘Re-Animator with HP’ by Jeff A. Menges

Rundles has also done several large-scale murals as well as public art. “The two biggest projects I’ve done were both for the interiors of tech offices in the Chelsea neighborhood of Manhattan … I recently did a small nonpermanent chalk mural on the 7th Avenue wall of my alma mater FIT, which is very public and still up at the moment, although eventually they will pressure wash the wall and it’ll be gone.” Rundles added, “One of the pieces included in the show is the artwork from one of the pages of a 56-page Jane Austen coloring book that I did for Abrams books last year. It was one of the best projects I’ve worked on so far in my illustration career and a great learning experience.”

Robert Felker did work for CNN. “I worked at CNN.com for eight years (2000-2008) and it was at times quite exciting. September 11, 2001 would most certainly be the most memorable! The highlight of my career there was the work I did as lead designer for our 2008 Presidential Election site. We won some Webby awards for our Primaries coverage and some of the data visualization stuff we were doing then was pretty new and exciting. It was chaotic and stressful at times, and even though in many ways it was an amazing opportunity.” Felker moved on to work for Scripps Networks Interactive, headquartered in Knoxville, Tennessee (“Where I was born”) and where he continues to work. In addition to working in oils, his favorite medium, he is also a collage artist.

‘The Tin Man’ by Anthony Freda

Iskowitz noted, “artwork done for reproduction in publishing is very democratic at heart. Philatelic and numismatic artwork is especially so because epic stories are told on these tiny ambassadors that move freely amongst civilizations not bounded by time, borders or false categorical judgments.” One of the most meaningful stamps he designed was for the United Kingdom “honoring Kofi Annan, the first sub-Saharan, a Ghanan, to rise to the level of secretary general of the United Nations. It became the stamp for the month and year in the UK. The stamp designs that were the most fun were a series of stamps which portrayed a fantasized visit to New York City by Popeye the Sailor Man. I got to depict Popeye, Olive Oyl, Bluto, etc.”

The juror for the exhibit was William Low, an award-winning painter, illustrator, author and educator, who has a reputation for using light, color and perspective and creating images those viewers find an immediate emotional connection with, who most recently designed the 2016 Forever Holiday Stamps for the U.S. Post Office.

Some of these original works in the show will be for sale. In addition, some of the artists will have prints of their work. This is a chance to see not only the work of local artists but the tremendous diversity there is in art for illustration.

The Mills Pond House is located at 660 Route 25A, St. James. The gallery is open Wednesday through Friday from 10 a.m. through 4 p.m. and Saturday and Sunday from noon to 4 p.m. (closed holidays). A meet-the-artists reception, to which the public is invited, will be held on Saturday, Jan. 21 from 2 to 4 p.m. For further information, go to www.stacarts.org or call 631-862-6575.

The Charles and Helen Reichert Planetarium

Through Feb. 28, the Suffolk County Vanderbilt Museum’s Charles and Helen Reichert Planetarium, 180 Little Neck Road, Centerport, will present a new laser show, Laser Zeppelin, on Friday and Saturday nights at 10 p.m. Enjoy the memorable music of Led Zepplin combined with unique laser-generated imagery for an immersive visual experience, all in the comfort of custom theater seating.

The playlist will include “The Song Remains the Same,” “Over the Hills and Far Away,” “Good Times, Bad Times,” “Immigrant Song,” “No Quarter,” “Black Dog,” “Kashmir,” “Stairway to Heaven” and many more. Planetarium show tickets are $9 for adults, $8 for students with ID and seniors 62 and older and $7 for children under 12. Suitable for all ages, the show runs 52 minutes. For more information call 631-854-5579 or visit www.vanderbiltmuseum.org.