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Steven Barile

By Julianne Mosher

Celebrating its 40th year, Theatre Three’s production of Charles Dickens’ A Christmas Carol is as great as it is in the present, just as it has been in the past, and as it will be in the future. 

A pillar of the holiday season, not only in Port Jefferson but across Long Island, the Dickensian tale of Ebenezer Scrooge (Jeffrey Sanzel) and the ghosts of Christmas Past (Cassidy Rose O’Brien), Present (Scott Hofer) and Christmas Yet to Come (Steven Uihlein) is a story that taps into the hearts of the young and the old, making it the perfect way to kick off the season of giving. 

The theater opened its annual show on Nov. 9 to a packed-out house filled with an audience dressed in their best Christmas best. Young girls wore their red velvet dresses with bows, while fathers wore silly, ugly Christmas sweaters and Santa hats. Ushers greeted visitors to their seats in top hats and Victorian-era gowns, a nice touch to the show which is set in the mid-1800s.

When the curtains opened up, the stage turned into the dark, dreary streets of London where the poor and hungry begged for food. We are brought inside Ebenezer Scrooge’s office, that he once shared with the late Jacob Marley (Stephen T. Wangner), where he works during Christmas Eve — a holiday he absolutely despises. Scrooge’s nephew is Fred (Uihlein), a young man who is starting a family of his own, but who yearns for his uncle’s approval since it’s the last piece of his mother he has on earth after her death during childbirth. Scrooge, an angry, frugal man, wants nothing to do with the holiday, and isn’t shy about how he feels about it. Bah-humbug.

Scrooge has an underpaid, overworked clerk, Bob Cratchit (Ray Gobes Jr.), who is a man of simple means and a high spirit. Scrooge is unkind to him, as well, but reluctantly gives him off on Christmas Day. 

Later that night, Scrooge is visited by his former partner’s ghost. Marley warns Scrooge that he has the opportunity to avoid the same fate — a dire one where he roams the earth entwined in chains and money boxes because of his lifetime of greed and selfishness — with visits by three ghosts. He must listen to them or he will be cursed and spend eternity in the same purgatory as his friend.

The visits of the ghosts are done spectacularly. The Ghost of Christmas Past brings Scrooge back to scenes of his boyhood and young adulthood where we see the relationships between him, his family, his sister, Fan (Ash Stalker), Belle, his first love (Julia Albino) and his first job — an apprenticeship with Mr. Fezziwig and his wife (Scott Hofer and Ginger Dalton).

The Ghost of Christmas Present enters next and takes Scrooge to the homes of Fred and Bob Cratchit. Fred’s holiday party shows the group making fun of Scrooge, while the Christmas dinner with the Cratchit’s shows how poor the family of six copes with Scrooge’s poor wage. We meet Tiny Tim (Stanley Zinger), Cratchit’s ill son who the family prays gets stronger by the day. This opens Scrooge’s eyes. 

Enough so that when the Ghost of Christmas Future comes on stage, the audience lets out an audible gasp.

Upon the stage is a 13-foot grim reaper who towers over Scrooge and his grave. Scrooge watches his possessions be stolen and sold, while mourners mock him during his funeral. He begs for forgiveness to the reaper and he vows he’ll change for good. 

On Christmas morning, Scrooge is a new man. He sends a turkey to the Cratchit home, donates money to a charity he previously rejected and attends Fred’s Christmas party where he is welcomed with lovingly opened arms. The next day, Scrooge increases Cratchit’s wage in which Tiny Tim says the famous line, “God bless us, everyone.”

Theatre Three’s rendition of A Christmas Carol is always a treat, but this production was quite magical. Sanzel, who also serves as the show’s director, celebrated his 1,590th performance as the bitter, but complex, Scrooge — and he keeps getting better.

In fact, after performing the show for 40 years, the entire company has perfected the show. They have it down to a science with their special and unique adaptation, impressive set design (by Randall Parsons), stunning costumes (by Parsons and Jason Allyn) and fantastic lighting (Robert W. Henderson Jr.). After performing the show for four decades, we can’t wait to see how the next 40 look at Theatre Three. Don’t miss this one.

CAST and CREW: Julia Albino, Jason Allyn, Karin Bagan, Steven Barile, Jr., Kyle M. Breitenbach, James Bressler, Kelsie Curran, Ginger Dalton, Olivia Davis, Angelina Eybs, Sari Feldman, Roy Fleischer, Brad Frey, Jason Furnari, Christina Gobes, Ray Robes Jr., Skye Greenberg, Tim Haggerty, Kathleen Arabelle Han, Robert W. Henderson Jr., Scott Hofer, Patrick Hutchinson, Zach Kanakaris, Giovanni Ladd, Linda May, Cassidy Rose O’Brien, Randall Parsons, Mia Rofrano, William Roslak, Vivian Leigh Rumble, Jennifer Salvia, Jeffrey Sanzel, Aidan Sharkey, Ash Stalker, Amelia Theodorakis, Melissa Troxler, Steven Uihlein, Stephen T. Wangner and Stanley Zinger

Theatre Three, 412 Main St., Port Jefferson will present A Christmas Carol through Dec. 28. All tickets are $25 in November and range from $25 to $40 in December. To order, call 631-928-9100 or visit www.theatrethree.com.

By Julianne Mosher

For 24 years, Theatre Three’s “Festival of One-Act Plays” has been bringing new voices to the not only Port Jefferson, but to all of Long Island. 

Festival founder and director Jeffrey Sanzel told the audience on opening night that the festival, which is nearing a quarter-of-a-century next year, received 750 submissions for the 2023 season from all around the world. “I’m expecting 1,000 next year,” he said.  

And of those 750 submissions, eight were selected, directed, rehearsed and will now be performed through March 25. Of those eight, none disappoint. 

For an hour-and-a-half, the audience sits quietly, engaged, watching, listening to what the actors have to say. And the lineup is unique — as a viewer, you don’t really know what to expect coming in.

The festival starts off with “Down to the Wire,” written by Julia Everitt, a New York City-based playwright with 37 stage plays to her name. This piece shows us what goes on inside a college dormitory, when a roommate played by Danielle Pafundi is hilariously losing her mind thanks to procrastinating an assignment. And despite what you might think, the play is not about camels. 

Then comes “A Citrus Day,” by Mark Cofta, a Pennsylvania-based playwright, who sadly passed away last July. With a minimalist set of just a bus bench and a suitcase, the audience watches two strangers together unearth a dark family secret. While sad and thought-provoking, it reminds you that you just need to make lemonade when life gives us lemons. Performances by Melissa Norman and Tristan Prin are top notch.

Following the more-somber bus stop story is Leslie Dianne’s “Accepting Adina.” Father Steve Ayle and son Steven Uihlein sit side-by-side in the patriarch’s living room, packing away mementos. Together they talk about the mother, Rebecca, and how her illness and assisted living stay is impacting them both. “Accepting Adina” is a tough look at grief, but Ayle’s and Uihlein’s performances are so raw that you feel the sadness, but also the hope of the future, we all feel when a loved one is lost. Tissues are required for this one. 

The best performance of the night by far was by Phyllis March in “The Dating Pool.” The scene opens up with Phyllis, 61, standing at a diving board in a dark pool. She’s visited by her 16-year-old self (Ava Andrejko), then herself at 23 (Samantha Fierro), 36 (Brittany Lacey) and 49 (Tamralyn Dorsa), where present day 61 is reminded of her lost loves of each of those lovers impacted her in that moment. The scene ends with her four former selves encouraging her to take the plunge. “The Dating Pool,” written by Arianna Rose is a thoughtful piece, and full of laughs, that can relate to any age in the audience. 

After a brief intermission, we’re inside an airport with Keith Whalen’s “Unclaimed Baggage” — a hysterically funny look at coming back to the real world after a relaxing trip. Not only does Marvin (but shhh… don’t tell the clerk his name), played by Angelo Dibiase, have to pick up his suitcase and some medicine after a long plane ride, but he has a special encounter with Finn, played by Jason Furnari, who just wants to help. 

Another audience favorite was Larry Brenner’s hilarious supernatural dating story “First Bite.” Here we learn about Wanda’s (Brittany Lacey) past dating history — and let’s just say she has a type — while out to dinner with John (Evan Teich). The scene starts out with a normal looking couple enjoying drinks and each other’s company, until Wanda asks John her place or his? You’re going to laugh a lot, but make sure you leave your garlic at home.

And finally, Mark Loewenstern’s “The Slightly Exaggerated True Story of ‘Civic Virtue’” concludes the show with a fascinating exploration of the intersection of the public eye and the power of art. Based loosely on the famous statue and fountain that once stood in front of New York City Hall in Manhattan, we watch a fast-paced history of architect MacMonnies’ (incredibly played by Antoine Jones) thought process behind sculpting the nude man and two sirens. 

We go through nearly two centuries of the public’s opinion on it, how it moves, and have visits from some well-known elected officials including Mayor La Guardia, Anthony Weiner and Robert Moses. Not only is it a brief, inside look of a famous piece of art, but it reminds the audience how statues (no matter how sexist, racist or now-deemed inappropriate they may be) are still a part of our history. While you’ll learn from this one, you’re also going to laugh. 

Tickets are $20 for the show, plus there’s a cash bar as you walk in. Make sure you visit Theatre Three’s second stage at The Ronald F. Peierls Theatre in Port Jefferson this month for a great night out. You’ll laugh, you’ll cry and you might learn a fact or two about “Civic Virtue” for your next trivia night.

Theatre Three is located at 412 Main St., Port Jefferson. For more information, or to order tickets, call 631-928-9100 or visit www.theatrethree.com.