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Setauket

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By now, many people have heard of the Setauket Spy Ring and its leader, Benjamin Tallmadge that operated valuably during the Revolutionary War. For that and for putting Setauket “on the map,” so to speak, we can thank AMC’s “Turn,” the cable television program soon to begin Season 2. That these adventure stories have made our village famous I can vouch for personally. Many times, when I have been asked where I am from and have

answered, “Setauket,” I have then had to explain, even to Long Islanders, my hometown’s location as being between our better-known neighbors, Stony Brook and Port Jefferson. Now people will sometimes respond, “Oh, the Setauket spies.” They may still not have a geographic grasp, but at least they are impressed.

“Turn,” however, is just that, a series of adventure stories whose goal is to entertain and only accidentally teach. Unlike the popular series, “Downton Abbey” on PBS, where there is a full-time historian employed to assure accuracy of even the smallest details concerning the table settings, “Turn” makes up the narrative when the historic details aren’t convenient for the plot.

That is not to say that all characterizations and facts are not correct in the TV series. We learned of some that are and some that are not at a panel Sunday afternoon in the Emma Clark library in “famous” Setauket. The event, directed and moderated by reference librarian, Carolyn Emerson, featured five distinguished historians who answered questions from the moderator about the lives of citizens, soldiers and spies at the gathering titled, “Setauket During the Revolution.”

The five were town historian Barbara Russell; Three Village Historical Society’s Beverly Tyler; Suffolk Cooperative Library System’s Mark Rothenberg; Third Regiment, New York historian Bob Winowitch; and Elizabeth Kahn Kaplan, lecturer and curator of the “Spies” exhibit at the historical society. Each panelist spoke for a few minutes, then answered questions from the standing-room-only crowd. For fun and instruction, most of the panel came dressed in clothes reminiscent of the Revolutionary War era.

Tallmadge, founder and head of the network, was a major, active in the Revolutionary battles in the north, even as he organized and oversaw the spy ring they called Culper. Abraham Woodhull was the resident spy, later replaced by Robert Townsend, and Caleb Brewster served as a courier, ferrying messages across the Long Island Sound to Washington in Connecticut. Others were deeply involved, including Austin Roe and Anna Smith Strong. The spy work was stressful and dangerous and involved the use of “invisible ink,” messages written between the lines of legitimate bills of sale whose words could be read only with the application of a special reagent. Much of the intelligence garnered came from mingling with the British in New York City, and so those spies had to have apparent reason to travel back and forth.

One significant accomplishment of the spies was to alert Washington that the British were sailing with a superior force to greet the French, who had entered the war and were due to disembark in Newport, R.I. Washington was then able to plant a fake set of plans for the invasion of New York City where the British would discover it. Intent on keeping control of New York City, which they viewed as key to their success, the British fleet turned around in the Sound to rush back for the anticipated battle. As a result, the French landed without opposition.

Life on Long Island under eight years of British occupation was hard. Residents were routinely subjected to forays by British troops for food and valuables. The population at the time was agrarian, with hard farm labor the order of the day, and the British viewed Long Island as their breadbasket. No one was safe, and as a result many who started the war as Loyalists became Patriots — hence the title “Turn.”

To judge the difference a TV series makes, in 2013 there were up to three visitors a week to the spy exhibit at the historical society, sometimes none; in 2014, there were 30. If you watch the AMC series, as I will on DVD, be sure to check the facts on any number of relevant websites.

Stony Brook University runs a lab on the waterfront at Flax Pond and researchers there say they worry about the deteriorating water quality there and its impact on the wildlife. Photo by Phil Corso

The Village of Old Field is looking to do some ecological spring cleaning.

Flax Pond, a 146-acre tidal wetland on the North Shore, is in dire need of dredging before it deteriorates into an environmental disaster, nearby residents and advocates have contested. The pond’s last dredge was in 1947.

Residents’ names have been flooding a petition touting more than 210 signatures to date calling for action at the inlet there.

John Robinson, who lives near the water with his wife Fredelle and is at the mercy of the declining water quality there, has been helping circulate that petition and said the buildup of sand within the inlet has prevented the pond from properly emptying at low tide. He said he fears the region is just one major storm away from forcing the inlet to close off completely, which would have devastating effects on the ecosystem there, as the inlet acts as a marine nursery for the Long Island Sound.

“We have been watching the pond deteriorate over the last quarter of a century,” he said. “I’ve seen really major changes in the vegetation, the depth and the sea life. There are a lot of things going on, but one key aspect of this is the loss of adequate outflow.”

Fredelle Robinson, an avid fisher and nature lover, said the negative impacts were both aesthetic and environmental. Not only is the wildlife changing, but her waterfront home could be at risk if the water does not drain, she said.

“I used to stand in the inlet at night and fish. We could hear the striped bass and their tails flopping in the water,” she said. “You just don’t hear that anymore. Saltwater marshes all over are under stress and this is just another example.”

Old Field Mayor Michael Levine and the board of trustees also called on legislators from the county, state and town levels to join with Stony Brook University and the New York State Department of Environmental Conservation to see the pond dredged and protect the fin and shellfish populations known to once thrive there.

A throng of concerned citizens, elected officials and Stony Brook University researchers gathered at the Childs Mansion near the inlet Sunday for a lecture sponsored by the Friends of Flax Pond to explore ways to address the clogging.

State Assemblyman Steve Englebright (D-Setauket) has been at the forefront of the Friends of Flax Pond’s efforts to address the deterioration on the water and spoke at the group’s Sunday panel. He said there were many factors that went into the best course of action for both the inlet and the surrounding community, all of which needed to be ironed out before taxpayer dollars get thrown into the mix.

“While we’re searching for money to do something to make sure the inlet doesn’t close, we’re also searching for answers to the questions of how to actually write a description of what we’d like to have done,” Englebright said. “We don’t have a scope of work yet that is well defined.”

Nancy Grant, program director with the 12-year-old grassroots Friends of Flax Pond group, said the large mound of sand in the middle of the inlet has gotten worse with each passing year. And if not addressed, the saltwater pond could potentially revert back to a freshwater body, which it has not been for nearly 200 years, she said.

“Flax Pond serves as a buffer to that whole area as far as flooding is concerned. It has also been supporting a lot of the health of the Long Island Sound,” Grant said. “It absorbs the crashing of the waves. There are homes at risk. There are species at risk.”

Grant’s group hosts a lecture series each winter and also sponsors various environmental workshops in conjunction with Stony Brook University, which works out of a lab directly on the inlet. Steve Abrams, manager of the lab, described Flax Pond as one of the most pristine marshes on all of Long Island. He said a dredging was necessary in order to sustain marine life at the inlet.

“It has been really important for studying plants and animals in a relatively natural state. But over the last number of years, serious storms have changed things,” he said. “Tides don’t drain the way they should. It would be unfortunate if species there lost their place to live and it would be less than desirable for research.”

Shawn Nuzzo, president of the Civic Association of the Setaukets and Stony Brook, said Flax Pond was an example of what the Long Island Sound faces as a whole and includes factors beyond the small Village of Old Field. He said old-fashioned power plants, like one in nearby Port Jefferson, dump warm water into the sound, which translates directly into the Flax inlet. He cited recent legislation out of the Town of Brookhaven requiring improved wastewater standards in the Carmans River on the South Shore and said similar action was needed on the north end.

“We must take a hard look at how we are going to stop this loop if we intend on preserving our waterways for future generations,” Nuzzo said.

Jane O’Sullivan creates her romantic stories from home in Setauket. Image from Jane O’Sullivan

By Jenni Culkin

In a green-and-white rustic home that overlooks a small lake in Setauket, resident Jane O’Sullivan recently wrote her first romance novel, “Lady Elinor’s Wicked Adventures,” which takes place in the Victorian era of Italy.

She published the book under the pen name Lillian Marek and maintains a Facebook page under the same name with hopes of conveying some interesting thoughts, ideas and opinions from readers.

The book has earned a rating of 4.6 stars on Amazon.com. Her book received a similar average rating of 4.5 stars on the Barnes & Noble website.

O’Sullivan, who was once an editor with Times Beacon Record Newspapers, said she always loved to read and write, dating back to when she was just a little girl.

“I can’t remember ever wanting to do anything else,” she said, “I read just about anything I could get my hands on. My mother used to say, ‘Will you stop reading and go out and play?’”

O’Sullivan is now a proud wife, mother of two and a grandmother of four, who has lived in Setauket since the year 1974. Before Setauket, O’Sullivan was a resident of Jackson Heights, Queens.

She made the switch from a busy urban life to a quiet suburban life in Setauket after she found out that her hometown would not provide the education that she had in mind for her children.

Jane O’Sullivan photo from the author
Jane O’Sullivan photo from the author

Her parents, who lived in Sound Beach, connected her with a real estate agent who eventually introduced her to her current lakeside house. O’Sullivan affectionately described the area as a “comfortable place to live.” She also said that when she drives through the locale, it almost feels like the countryside to her.

“I believe age is strictly mental,” O’Sullivan said with a smile on her face, “but I am definitely old enough to be retired.”

As O’Sullivan entered her retirement, a friend suggested mystery and romance novels as a new endeavor.

After reading some of the recommended books, including titles such as “Mr. Impossible,” O’Sullivan recalls the desire to try writing her own romance novels.

O’Sullivan said her friends and readers often ask her why she chose to write romance novels.

“Writing romance isn’t much different from writing regular novels, except that you have to make it end happily,” O’Sullivan said. She compared it to solving a mystery at the end of a mystery novel. Mystery novels would be incomplete without naming a culprit at the end just as romance novels would be without a “happily ever after,” she said.

And she is not done just yet. O’Sullivan is set to release three new books, including “Lady Emily’s Exotic Journey,” due out in August.

“It’s an adventure story,” O’Sullivan said of her next book. She added that the story takes place in Assyria and features river pirates, which she said would make the story an interesting read. Lady Emily, she said, is the sister of the main character in her first book in the same general time period.

 

Louise Brett explains a painting of a ship called the Enchantress. Photo by Elana Glowatz

Louise Brett often paints and draws scenes from the past — a horse walking through the Belle Terre gate, ships in Port Jefferson Harbor, a buggy on East Main Street and the cottages at West Meadow Beach.

The area “is changing so fast,” she said. “I wanted to show everyone what it looked like when I was here.”

Louise Brett does drawings of the area in the past, including this one of a horse walking through the Belle Terre gate. Photo by Elana Glowatz
Louise Brett does drawings of the area in the past, including this one of a horse walking through the Belle Terre gate. Photo by Elana Glowatz

Some of Brett’s works are on display in Edna Louise Spear Elementary School, in the same room the Board of Education uses for its meetings. At the last session, the district presented Brett, who attended the high school but did not graduate, with a certificate of recognition and she received a standing ovation from the crowd.

Brett said in an interview at her home that the acknowledgement was exciting.

It isn’t the first time her work has been displayed — her paintings of a Victorian Port Jefferson appeared on the covers of the Charles Dickens Festival guides for 2006 and 2007. Under sunset skies, she included characters found in both Dickens novels and the village.

Brett, 83, was born in Old Field and moved to Port Jefferson 10 years later. She said she has always been able to draw well, but didn’t always have the resources — including pencils and paper. When she was growing up during the Great Depression, if she saw her teacher throw away a piece of chalk, she would take it home and — with her twin sister, Gussie — draw on the sides of their piano.

Louise Brett, above, paints almost every day. Photo by Elana Glowatz
Louise Brett, above, paints almost every day. Photo by Elana Glowatz

She got some help when she was in her teens while working as a soda jerk, operating the soda fountain at a local shop. On paper bags in the shop, “I would sketch anybody that walked in,” she said. The owner bought her a paint set and she took art lessons in Mount Sinai. At the Board of Education meeting, while presenting the certificate of recognition, elementary school principal Tom Meehan said Brett would walk to the lessons with her brushes in her boots.

While she was learning, she got in trouble with her mother for keeping dead birds under her bed to draw. “I had to know what they looked like,” Brett explained.

Years later, she still paints almost every day, even with her cats, Bonnie and Clyde, wandering around the room that holds her easel and past works. She said art is an outlet for her. When her husband of 54 years, Nicholas, had health problems a few years ago, she painted the Roe House using descriptions in letters former village historian Rob Sisler collected. Brett used details such as the fact that the Roes owned two oxen and carts — which led her to paint a barn with a thatched roof — to determine how to illustrate the scene. “You have to use your imagination,” she said.

Louise Brett's first oil painting was of the house next door to her childhood Port Jefferson home.
Louise Brett’s first oil painting was of the house next door to her childhood Port Jefferson home.

Brett signs all her paintings “Lou Gnia,” for her maiden name Gniazdowski. Her father, who died when she was 3 years old, came to the United States from Poland just before World War I. Brett once took a trip to her family’s village in Stare Miasto, in Poland’s Leżajsk County, a few hours southeast of Warsaw. The village name means “old city,” and she took photographs of various scenes to paint once she got home. In her Reeves Road house she has a “Polish room,” in which there are paintings of houses, cattle drinking from the San River and wagons with rubber wheels, like those on cars.

Paintings also line the walls of the rest of her home, including depictions of ships and beaches and a mural of grazing horses on the far side of the living room.

The artist said painting calms her, to the point where she can forget she is in the middle of cooking dinner. “I just go into a different world,” she said. “I love to paint. It’s just like a sickness.”