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Melissa Coyle

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Leah Kelly as Elsa sings 'Let It Go' in 'Frozen Jr.'
DO YOU WANT TO BUILD A SNOWMAN? 'Frozen Jr.' is now playing at the Smithtown Center for the Performing Arts. Photo by Courtney Braun
Elena Grassi sings 'Do You Want to Build a Snowman?'
Lorelai Mucciolo sings 'For the First Time in Forever'
Brody Hampson and Lorelai Mucciolo sing 'Love Is an Open Door'
Lorelai Mucciolo in a scene from 'Frozen Jr.'
Leah Kelly and Lorelai Mucciolo star as Elsa and Anna.
Ryan Romanelli belts out 'In Summer'
Leah Kelly as Elsa in 'Frozen Jr.'
Derek Hough as Sven and Brody Hampson as Kristoff sing 'Reindeer(s) are Better Than People'
Leah Kelly in a scene from 'Frozen Jr.'

By Heidi Sutton

When Hans Christian Andersen penned “The Snow Queen” in 1844 he surely had no idea that his beautiful fairy tale would live on and serve as the inspiration for Walt Disney Animation Studio’s Frozen over 150 years later. The second highest-grossing animated movie of all time, (Frozen II is the highest) it has morphed into a Broadway musical, short films, Disney on Ice and everything in between.

Now the timeless tale heads to the Smithtown Center for the Performing Arts Center for 29 performances in the form of Frozen Jr. With music and lyrics by Kristen Anderson-Lopez and Robert Lopez and book by Jennifer Lee, the show features all of the beloved songs from the animated film  along with a few fun new ones.

The story follows two sisters who are princesses in the kingdom of Arendelle. The eldest, Elsa, was born with magical powers that allow her to create ice and snow. As a young child, Elsa doesn’t know how to control her powers and while building a snowman she accidentally harms her sister Anna. Although Anna is healed by the mysterious Hidden Folk, their  parents decide it would be best to protect Anna by keeping the two apart. 

Anna, who has no memory of the accident, can’t understand why her sister avoids her. When the parents are lost at sea, Elsa stays in her room, keeping her secret hidden from her sister and the outside world.

Ten years have passed and it is time for Elsa to become Queen, but on coronation day her magic unintentionally brings an eternal winter to the kingdom. Accused of sorcery, she flees into the mountains to hide. Anna enlists the help of Kristoff the icemaker to help her find her sister and free Arendelle from the spell. Will she succeed?

Directed and choreographed by Courtney Braun with musical direction by Melissa Coyle, the production is polished from start to finish. Ranging in age from 8 to 17, the 24-member cast is extremely talented and clearly love what they are doing. Special mention must be made of Leah Kelly and Lorelai Mucciolo for standout performances in the role of Elsa and Anna.

Lorelai’s bubbly personality shines in “Do You Want to Build a Snowman?,” “For the First Time In Forever” and in her fun duet, “Love is An Open Door,” with Luke Hampson who plays the role of Hans. In contrast, Leah’s character is more reserved, fearful of the powers inside her, and carries herself like royalty. Her vocals are incredible and she literally brings the house down with her powerful number “Let It Go.” Both are perfectly cast.

Elena Grassi and Jillian Cerrato as Young Anna and Young Elsa and Riley Ferraro and Gabby Blum as Middle Anna and Middle Elsa set up the relationship between the two sisters perfectly. Much to the delight of the younger children in the audience, Olaf the Snowman (played by Ryan Romanelli) and Sven the reindeer (played by Derek Hough) make an appearance as well.

Costumes, designed by Chakira Doherty, are stunningly beautiful and her attention to detail is impeccable. Of special note is when Elsa changes costumes mid-song during “Let It Go” and turns into an ice queen with a beautiful blue shimmering dress, drawing gasps from the audience.

A nice addition is the animated projections on a screen depicting different locations in the Kingdom of Arendelle including the inside and outside of the castle, the snowy mountains and Elsa’s ice castle. Large panels on either side of the stage turn with the scenes and the lighting pulls it all together for a magical experience.

The Smithtown Center for the Performing Arts has gone all out in this production and it shows. The team has succeeded in bringing the the mystical world of Arendelle to life on the stage. If your child loves Frozen, they will love this show. And what’s better than live theater? Costumes are encouraged and booster seats are available. Meet Elsa and Anna in the lobby for a photo and pick up a Frozen souvenir on your way out.

The cast: Leah Kelly, Lorelai Mucciolo, Brody Hampson, Ryan Romanelli, Derek Hough, Luke Hampson, Ari Spiegel, Michael Gualtieri, Ryan Van Nostrand, Gabrielle Arroyo, Justin Walsh Weiner, Zachary Podair, Alia Romanelli, Elena Grassi, Jillian Cerrato, Gabby Blum, Dori Alghrim, Riley Ferraro, Adrienne Porti, Mairead Camas, Savannah Shaw, Sophia Weiner, Jonathan Setzer and Gianna Oppedisano. 

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown presents Frozen Jr. through Jan. 17 with a special sensory sensitive performance on Dec. 4 at 7 p.m. All seats are $25. To order, call 631-724-3700 or visit www.smithtownpac.org.

All photos by Courtney Braun

 

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The cast of 'Spookley the Square Pumpkin'. Photo by Jordan Hue

By Heidi Sutton

Travel down any country road on Long Island this October and you are sure to come upon a farmstand overflowing with round pumpkins. But there’s only one place where you can find a square pumpkin by the name of Spookley who has an important message for all of us.

In partnership with the Smithtown Historical Society, the Smithtown Center for the Performing Arts presents an outdoor production of Spookley the Square Pumpkin The Musical on the society’s grounds through Oct. 31.

The cast sings ‘The Boo Song’ during the Sept. 25 performance. Photo from SPAC

Complete with pumpkins, scarecrows, friendly ghosts, bats, spiders, bugs and a pair of watermelons, with lots of singing and dancing, the show is a great way for young children to celebrate autumn and get excited for Halloween. Based on the popular book series by Joe Troiano, it tells the story of a square pumpkin living in a round pumpkin patch and his struggle to fit in.

It’s Halloween on Holiday Hill Farm and that means it’s time for Farmer Hill to choose a pumpkin to be the Pick of the Patch. We meet the top contenders — Bobo the perfectly round pumpkin whose ego “grows and grows” (“I’m so pretty I glow!”) and Big Tom and Little Tom who are attached by a vine. 

When Spookley appears, he is teased by Little Tom who tells him that he doesn’t belong because he looks different. Spookley’s new friends, spiders Edgar, Allen and Poe and Scarecrow Jack, try to convince him to run for the Pick of the Patch contest, but his confidence has been shaken. When a strong storm rolls all of the round pumpkins towards the river, the square pumpkin discovers the chance to prove his own worth and save the day.

Kieran Brown stars as Spookley. Photo from SPAC

Directed by Jordan Hue, with musical direction by Melissa Coyle, choreography by Courtney Braun and costumes by Ronnie Green, the talented cast of 13 give a flawless performance and succeed in bringing this important story to life during National Bullying Prevention Month with the ultimate message that was makes you different makes you special.

Kieran Brown returns to reprise his role as Spookley and does an excellent job. Never breaking out of his square character, he has the audience rooting for him from the beginning. And wait until you hear him sing! Brown’s rendition of “If I Was Round” and “I’m Gonna Try” leaves you wanting more.

Gabrielle Arroyo, last seen as the bus driver in “Don’t Let the Pigeon Drive the Bus!,” shines in “She’s Bobo” and “The Transylvania Twist” and the whole cast has fun with “The Boo Song.”

As Big Tom and Little Tom, Kenny Arroyo and Max Lamberg are hilarious and Stephanie Nigro, Adrienne Porti and Justin Walsh Weiner as Edgar, Allan and Poe are terrific as no-nonsense spiders. Ari Spiegel, as Boris the Bat with a vivacious appetite is always interrupted from snacking on a spider or bug by his vegan friend, Bella the Bat played by Gabby Blum, a nice touch. 

Ari Spiegel, Kieran Brown and Gabby Blum in a scene from ‘Spookley’. Photo from SPAC

Emerson Lebrecht and Ava Bernardo return as cute watermelons Mimi and Lala (how did they end up in a pumpkin patch?). Savannah Shaw sparkles as Bug and newcomer Tristan Prin as Jack Scarecrow and Farmer Hill tackles the dual role with ease. 

The special effects, beautiful set, and adorable costumes pull it all together for a spooktacular Halloween show your kids will love.

The Smithtown Center for the Performing Arts presents Spookley the Square Pumpkin the Musical on the grounds of the Smithtown Historical Society, 239 E. Main St., Smithtown on various dates and times through Oct. 31. Running time is one hour with no intermission. While folding chairs are available, theatergoers are welcome to bring blankets or chairs for seating and bathrooms are available on the premises. Tickets are $18 per person. To order, call 631-724-3700 or visit www.smithtownpac.org.

See a quick video from the show here.

 

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File photo by Heidi Sutton

By Tara Mae

“We closed on March 16, 2020 and started planning how we would reopen on March 17, 2020.” 

That is how co-founder and Artistic Director of the Smithtown Center for the Performing Arts Ken Washington described the process of arranging to reopen the theater after it had to close due to the pandemic. 

Located at 2 East Main Street in Smithtown, the theater offers plays, concerts, and educational services to the community.

“We’re scheduling a mix of fun new programs and rescheduling the shows that needed to be postponed, to fulfill those promises to the patrons who stood by us during this time,” said Associate Managing Director Kelly Mucciolo. 

Mainstage Theater

The cast of Green Day’s American Idiot in rehearsal at the Smithtown Center for the Performing Arts. Photo by Gabriella Fugon

Its first mainstage show since March of 2020, Green Day’s American Idiot, is scheduled to open July 9 and will run every Friday and Saturday night at 8 p.m. through July 31. “Throughout the next six months we will be adding to the schedule … as certain things become available, and audiences become more comfortable gathering in an indoor environment,” explained Washington.

American Idiot provides an opportunity to reunite individuals who share a passion for performance. The rock musical, based on the 2004 Green Day album of the same name, follows the stories of three disaffected young men in a post-9/11 world. 

“Rock music and musicals have always been my favorite part of working in theater.  American Idiot has very powerful music, and some very poignant lyrics that hit a little bit differently when you think about them in the context of the world today,” said resident Musical Director Melissa Coyle. 

The cast of Green Day’s American Idiot in rehearsal at the Smithtown Center for the Performing Arts. Photo by Gabriella Fugon

Scheduled to open the week the theater was forced to close, American Idiot was selected as the mainstage’s first post-lockdown production because of that fact. “We wanted to honor the ticket holders who have supported us during the pandemic,” Mucciolo said. Although the cast and crew are largely different from the planned 2020 production, most have had previous connections with the Smithtown theater.

“The talented cast has made it very easy to put together this really exciting show. It’s been a fun challenge to present this mostly sung-through show and pull out different story elements within the score and script,” said director Ronald Green III, who has acted in other plays at the theater and has been it’s resident costumer since 2011. 

Although not yet fully published, the new mainstage season strives to be a mix of the missed lost potential of 2020 and the hopeful possibility of 2021. In addition to American Idiot, the theater will offer I Love You, You’re Perfect, Now Change from Aug. 21 to Sept. 19, with the cast of 2012 largely reprising their roles. And Menopause the Musical touring group returns from Oct. 1 to Nov. 14.

Children’s Theater   

For the second summer in a row, children’s theater will be held on the grounds of the Smithtown Historical Society beginning with Moana Jr. from July 15 to Aug. 14, followed by Don’t Let the Pigeon Drive the Bus from Aug. 28 to Sept. 17; and Spookley the Square Pumpkin: The Musical from Sept. 25 to Oct. 31. Kids shows then move home to the Smithtown Performing Arts Center, with Frozen Jr. from Nov. 20 to Jan. 17. 

Moana Jr. was chosen to launch the children’s theater’s new season because it was so well-received in 2020. When surveyed, children’s theater patrons indicated that the show was one that they would most like to see again. 

From left, Zach Podair as Pua, Gabriella Fugon as Moana, and Lorelai Mucciolo as Hei-Hei in last year’s production of Moana Jr.  Photo by Courtney Braun

Jordan Hue and Courtney Braun co-directed both the upcoming production and last year’s run of Moana Jr., a 60-minute adaptation of the Disney film. The coming-of-age tale follows the adventures of Moana and her quest to return the heart of Te Fiti and save the world.

“I think Moana brought us together during a difficult time and gave us a sense of community. We are looking forward to bringing it back to show we made it through the storm and further celebrate,” said Hue. “It’s a fun, dynamic, energetic piece of theater that engages young people and celebrates a culture different from our own, which has great value.”

Similarly, Braun was drawn to the project because of its spirit of inclusivity and message of self-discovery. Additionally, she found solace in being with familiar faces when so much of life was uncertain and so many individuals felt isolated.  

“[It] was an experience that I will never forget — from the community support, actors, family and theater support we have really pushed through some of the most unimaginable times. Moana really provides a lesson for each individual audience member. A journey of self-love and passion for some, the importance of family for others, and most importantly — a strong message of perseverance and overcoming fears,” Braun said. 

Smithtown Performing Arts Center’s arrangement with the historical society permitted children’s theater performances to proceed last summer and run through fall, which in turn fostered an ongoing rapport with actors and audiences, according to Mucciolo. “We were extraordinarily lucky to be able to partner with the Smithtown Historical Society last summer to bring live theater to Smithtown in an outdoor setting with our Kids Performing For Kids productions. Being able to get back with our student performers and connect with our audiences again in an exciting new setting was very emotional,” she said. 

These performances, which fully adhered to social-distancing and mask mandates, enabled a feeling of relative familiarity for audience, actors, and staff.  

“At least once per show a patron would come up to us in tears because they were able to give their children a normal, fun experience in the middle of a scary, uncertain time, and that was a feeling we could all connect to. It’s been one of the most rewarding experiences,” Mucciolo added.

Summer camp

A step towards relative normalcy is a relief for patrons, students, and staff. The theater’s summer intensive theater education camp continues this trajectory, offering two sessions: “Historical Musicals” from July 5 to 23, and “Jukebox Musical” from July 26 to Aug. 14. The former addresses musicals that took place or were influenced by significant historical events, while the latter focuses on musicals that create stories around the songs of popular artists. 

Camp is a facet of the theater’s education program, which also has theater arts classes for children. They resumed this past September, with all participants adhering to the appropriate health guidelines.  

“The students were thrilled to return to the theater, and we were ecstatic to see each other again. We offered dance technique classes and musical theater performance classes,” Coyle said. “Despite the restricting CDC guidelines which were adhered to, where the students had to stay physically distant and masked at all times, they were still able to see their friends, work together on and off the stage, and find joy together during this very difficult period.” 

Sharing a purpose with the public was reportedly a primary motivation of Washington’s when he established the Smithtown Center for the Performing Arts with his wife, Laura, in 2002. The historic building, which was built in the early 1930s, was originally a single screen cinema house before being purchased by United Artists and transformed into a discount movie theater. By 1999, it was set for demolition. A petition to save it garnered more than 8,000 signatures. 

“We bought and renovated the theater to fulfill the lifelong dream of offering theater arts and entertainment to the community of Smithtown and the surrounding communities,” Washington said.

“This building has always held a lot of memories for the citizens of Smithtown, both for the people who knew it as a movie theatre and for the people who have loved it for eighteen years as a performing arts center,” said Mucciolo. “Bringing patrons back into this building is emotional and special.”

Tickets to mainstage productions are $45 for adults, $40 for seniors. Tickets to Menopause the Musical are $55, $50 seniors. Tickets for children’s theater is $18 per person. Visit www.smithtownpac.org or call 631-724-3700 to order. Box office phone hours are Tuesday to Thursday from 10 a.m. to 3 p.m., Friday and Saturday from 3 to 8 p.m. 

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Kieran Brown, center, stars as Spookley in the Smithtown Center for the Performing Arts' latest outdoor production at the Smithtown Historical Society.

By Heidi Sutton

In perfect harmony with autumn and Halloween, a special little pumpkin patch has sprouted in Smithtown; one that sings and dances and teaches us that the things that make you different make you special.

In partnership with the Smithtown Historical Society, the Smithtown Center for the Performing Arts presents a socially distant outdoor production of Spookley the Square Pumpkin: The Musical on the society’s grounds through October.

Based on the animated film Spookley the Square Pumpkin by Joe Troiano and Tom Hughes and the book The Legend of Spookley the Square Pumpkin by Troiano, it tells the story of a square pumpkin living in a round pumpkin patch and his struggle to fit in.

Kieran Brown stars as Spookley

It’s Halloween and all of the pumpkins at Holiday Hill Farm are hoping that Farmer Hill will choose them as the Pick of the Patch this year, the highest honor a pumpkin can receive. Jack Scarecrow introduces the audience to the top contenders —  Big Tom and Little Tom who are attached by a vine and Bobo the perfectly round and pretty pumpkin. When a square pumpkin named Spookley appears from under a leaf he is immediately bullied by Little Tom who convinces the other pumpkins to shun him because he looks different.

Spookley makes friends with Jack and three spiders, Edgar, Allen and Poe, who encourage him to try out for the Pick of the Patch contest but he has lost his confidence because of the constant teasing. When a mighty storm appears and all the round pumpkins start rolling away toward the river, Spookley realizes it is up to him and his square shape to save the day. Will they stop teasing him now? Will he win the contest?

Directed by Jordan Hue, with musical direction by Melissa Coyle, choreography by Courtney Braun and costumes by Ronnie Green, the professional young cast of 13 give a flawless performance and succeed in bringing this sweet treat and its important message to life during National Bullying Prevention Month.

Special mention must be made of Kieran Brown who is perfectly cast as the soft-spoken and kind Spookley and Max Lamberg as Little Tom who steals the show with his incredible personality. This adorable show has it all — a terrific cast, wonderful songs and an important lesson. Your kids will love it!

The cast: Gabrielle Arroyo, Ava Bernardo, Gabby Blum, Kieran Brown, Max Lamberg, Emmerson Lebrecht, Stephanie Nigro, Dylan O’Leary, Logan O’Leary, Adrienne Porti, Savannah Shaw, Ari Spiegel, and Justin Walsh Wiener

The Smithtown Center for the Performing Arts presents Spookley the Square Pumpkin: The Musical in the open air outdoor performance space behind the Smithtown Historical Society’s Roseneath Cottage, 239 Middle Country Rd., Smithtown on Saturdays and Sundays through Oct. 31. Running time is one hour with no intermission. Masks are required and costumes are encouraged. Tickets are $18 per person. For a complete schedule and to order tickets, visit www.smithtownpac.org.

Photos by Courtney Braun

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Logan O’Leary and Aubrey Gulle star in SPAC’s latest children’s production.
Logan O'Leary
Zachary Podair
A scene from the play.
Logan O'Leary
Aubrey Gulle and Logan O'Leary
Logan O'Leary and Aubrey Gulle
Alia Romanelli
From left, Lorelei Mucciolo, Gabrielle Arroyo and Gabriella Fugon
Aubrey Gulle
Logan O'Leary and Aubrey Gulle

By Heidi Sutton

Doot Ba Da Ba Da Doot Doot Dah! Zip! Boink! Hubba-wha!? Guess what show is back in town?

Through Sept. 13, the Smithtown Center for the Performing Arts presents a socially distanced outdoor production of Mo Willems’ Elephant & Piggie’s ‘We’re In a Play!’ on the grounds of the Smithtown Historical Society. The author’s award-winning, best-selling children’s books about Gerald the elephant and his “bestus” friend, a pig named Piggie, fly off the pages and on to the stage for an adorable musical experience young children will love.

With script and lyrics by Willems and music by Deborah Wicks La Puma, the show centers mostly around Elephant and Piggie’s We are in a Book! but draws from other stories including I Am Invited to a Party! Elephants Cannot Dance!, Should I Share My Ice Cream?, Listen to My Trumpet! and I Love My New Toy!

Directed by Courtney Braun, the fast-paced production follows Gerald and Piggie’s rollicking adventures as they solve problems and learn friendship etiquette with the help of The Squirrelles, Ice Cream Penguin and Delivery Dog.

With every new situation, every dilemma, every disappointment or triumph, the pachyderm and swine prove that they are best friends over and over again and, more importantly, demonstrate to children in the audience how friends should treat each other.

When Piggie is invited to a party hosted by the Squirrelles, she brings Gerald along so he won’t feel left out. When Gerald gets an ice cream cone and it melts before he can share it, Piggie appears with two ice cream cones. When Piggie plays the trumpet badly and everyone at the party leaves, Gerald stays to support her … and so on. Each scene ends on a positive note.

Logan O’Leary is wonderful as Gerald. Funny, engaging, polished, with an incredible singing voice, he portrays his good guy worrywart character perfectly. “I hope nothing goes terribly, horribly, best-friendship-ending wrong in the next hour!”

Aubrey Gulle is amazing as Piggie, Gerald’s “best, best, best, best, best, best, best, best friend.” Always smiling with a powerhouse voice, she shines in every scene with boundless energy.

The two actors are backed by a terrific supporting cast — the harmonizing Squirrelles: Gabrielle Arroyo, Lorelai Mucciolo and Gabriella Fugon; Alia Romanelli as Ice Cream Penguin; and Zachary Podair as Delivery Dog,

The songs and their heartfelt lyrics are the heart of the show. Each number, from the terrific intro, “Lucky to See You,” to the toe-tapping “Swimmy! Fancy!,” “Elephant in the Room” and the big show stopper “Ice Cream Hero” are executed perfectly with musical direction by Melissa Coyle.

Costumes by Ronald Green III are subtle but effectively reflect the character’s animal traits with gray pants, vest and shirt for Gerald; a pink dress for Piggie, brown dresses for the Squirrelles, etc.

Towards the end of the play the cast suddenly discovers they have an audience. Breaking the fourth wall, they invite the crowd to join in the fun by clapping, shouting out “banana” and doing the “Flippy Floppy Floory” dance, a perfect ending to a hilariously fun afternoon.

Recommended for ages 3 to 8, performances of Elephant & Piggie’s ‘We’re In a Play’! will be held on the grounds of the Smithtown Historical Society’s Roseneath Cottage, 239 E. Main St., Smithtown through Sept. 13. Running time is one hour with no intermission. Masks are required. Tickets are $18 per person. For a complete schedule and to order tickets, visit www.smithtownpac.org.

All photos by Courtney Braun

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From left, Jacqueline Hughes, Dennis Creighton and Lorelai Mucciolo in the opening scene of ‘Fun Home’

By Heidi Sutton

When “Fun Home” opened Off-Broadway at the Public Theater in September 2013, it was so popular its run was extended several times. When the production closed on Broadway at the Circle in the Square Theatre in 2016 after an 18-month run, it had already made an indelible impression on the world, winning five Tonys, including Best Musical.

Now, making its Long Island premiere, the award-winning musical has taken up residence at the Smithtown Center for the Performing Arts through Oct. 20.

‘I Want to Play Airplane’
Loreilai Mucciolo and Dennis Creighton in scene from ‘Fun Home’

Based on the 2006 best-selling graphic memoir “Fun Home: A Family Tragicomic” by cartoonist Alison Bechdel, the show, with music by Jeanine Tesori and book and lyrics by Lisa Kron, features Alison at three stages of life: as a 10-year-old child (a shared role played by Lorelai Mucciolo on opening night/Gabby Blum); a college student at Oberlin (Lisa Naso); and as a 43-year-old (Jacqueline Hughes). The latter Alison narrates the show as she attempts to add captions to her cartoon panels.

Told through flashbacks, Alison shares memories of growing up in a dysfunctional home in a small town in Pennsylvania with her two brothers, Christian (Dylan O’Leary/Jonathan Setzer) and John (Kieran Brown/Brayden E. Bratti). Both of her parents, Helen (Stephanie Moreau) and Bruce (Dennis Creighton) are teachers and her father is also a mortician, running the Bechdel Funeral Home (the children called it the “Fun Home” for short). As the years pass, Alison discovers her own sexuality and the secret life of her closeted gay father. As an adult, she struggles to unlock the mysteries surrounding his tragic death three months after she comes out (“I had no way of knowing that my beginning was your end.”) It is as intimate as storytelling gets with a poignancy and vulnerability that is raw and emotional.

The three Alison’s, from left, Lisa Naso, Loreilai Mucciolo and Jacqueline Hughes in the finale ‘Flying Away’

Accompanied by a seven-member band led by Melissa Coyle, the songs are the heart of the show. All of the numbers, including Mucciolo’s beautiful rendition of “Ring of Keys,” the three children’s Jackson 5 inspired “Come to the Fun Home,” the hilarious “Changing My Major (to sex with Joan)” by Naso, the soulful “Days and Days” by Moreau, the moving “Telephone Wire” by Hughes and the heartbreaking “Edges of the World” by Creighton, are perfectly executed.

Director Kenneth J. Washington has assembled a talented team of the utmost caliber to produce a show that is exemplary. From the actors to the musicians to the choreographer to the set and costume designers, their hard work and dedication has resulted in an incredible evening of live theater and a well-deserved standing ovation on opening night.

Enter “Fun Home” with an open mind and experience the magic of this musical production. You’ll want to see it again and again.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown closes out its 2017-18 season with “Fun Home” through Oct. 20. Running time is approximately 90 minutes with no intermission. For mature audiences. Tickets are $38 adults, $34 seniors, $25 students. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org.

Photos by Courtney Braun/Smithtown Center for the Performing Arts

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By Kyle Barr

It is a real testament to the late, great Freddie Mercury and the band Queen that their songs sit so squarely in the public zeitgeist. “We Are the Champions” is still the go-to sports song for anybody’s home team, and “Bohemian Rhapsody” is that one song that, when played 50 times on a road trip, still never gets old.

It also means that the show “We Will Rock You,” which held its Northeastern regional premiere opening at the Smithtown Center for the Performing Arts on July 7, really needed to encapsulate just what Mercury and Queen meant to culture just before the turn of the century. Thankfully, the talented 18-member cast at SPAC managed to pull it off with ease.

With book by Ben Elton, the story takes place 300 years in the future in a vague dystopian world where all music but that which is produced by the corporation is banned. All those living on the iPlanet, as it is called, exist under the thumb of the Globalsoft Corporation, headed by the stiff-necked Khashoggi (Dylan Bivings) and the raucous Killer Queen (the-great-as-always Brianne Boyd). Two young rebels, Galileo (Andrew Murano) and Scaramouche (Danielle Nigro) are captured by Globalsoft right out of high school for being too out of the mainstream. This leads them on a quest to find the rebels called The Bohemians and then to find the true meaning of rock and roll and set the world free.

Featuring more than 20 hit Queen songs, the show is accompanied by a live band, with Melissa and Craig Coyle on keyboard, Chad Goodstein and Mike Lawshé on guitar, Rob Curry on bass and Jim Waddell on drums. At first it’s hard to tell from where the band is playing. They are not on stage, nor on the balcony. It is well worth staying until the end to see exactly where these band members were cleverly hid.

Tim Golebiewski, who directed last year’s very fine production of “Young Frankenstein,” returns this year to showcase his talents for stimulating musical sequences and cutting humor. This time the stage is set with what appears to be a very simple layout, just a two-level affair with a white screen hanging above it all. Yet this display holds more than a few surprises. 

Golebiewski and Chris Creevy, the head of lighting design, must have had a lot of fun setting up the LED lights all around the stage, whose multiple colors coordinate with a projector screen behind the stage. Every musical performance has a corresponding color and video that plays in time to the music. It’s a surprising sensation seeing the performance and video, like attending both a musical and rock concert all at once.

Danielle Nigro and Andrew Murano in a scene from the show

In a production such as this, where the story is not much more than a vehicle to get to the next Queen song, the vocal quality is probably the biggest selling point and the cast is very much up to the task. 

Nigro does a great job with the punk-styled, quick-mouthed Scaramouche, and she is great both in lead vocals in songs like “Somebody to Love” and in chorus in songs like “Under Pressure.” Mark Maurice, as Brit, and Courtney Braun, as Oz, are both absolutely hilarious, especially with Maurice’s random bouts of martial arts. Their duet on “I Want It All” is fun and energetic. Terrific in last year’s SPAC performance of “Man of La Mancha,” Boyd  pulls out all the stops with her usual considerable stage presence. She’s a perfect fit for the part of Killer Queen, especially with such loud and sometimes racy renditions of “Play the Game” and “Fat Bottomed Girls.”

If you have even a passing interest in Queen, Freddie Mercury or rock in general, then this is a great night outing to rekindle that old rebel rocker spirit.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present “We Will Rock You” through Aug. 19. Parental discretion is advised. Tickets range from $25 to $38. For more information, visit www.smithtownpac.org or call 631-724-3700.

Photos courtesy of SPAC

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By Rita J. Egan

It was a dream come true at the Smithtown Center for the Performing Arts. “Dreamgirls” opened on the Main Stage last Saturday, and with a talented cast, showstopping numbers and sparkling costumes, it had everything one would expect from a musical.

A scene from ‘Dreamgirls’

Set in the 1960s and ’70s, the story follows three female singers from Chicago, Effie, Deena and Lorell, as they evolve from the Dreamettes — singing backup for a popular rhythm and blues singer named Jimmy Early — to the Dreams headlining shows on their own. Through song and a bit of dialogue, the audience gets a glimpse into the girls’ relationship, and watches as the three young women fall in love with the men in their lives: Jimmy, songwriter C.C. and Curtis, the group’s manager. 

The show also touches on the struggles of black singers to find a place on the pop charts in the ‘60s, while facing segregation in the South and watching as white pop music stars rerecorded their music.

“Dreamgirls” premiered on Broadway in December 1981 and ran for nearly four years, winning six Tony Awards. In 2006, a movie based on the musical was released starring Beyoncé, Jennifer Hudson, Eddie Murphy and Jamie Foxx. 

With book and lyrics by Tom Eyen and music by Henry Krieger, Ronald Green III masterfully directs a talented cast of 22 actors in SPAC’s latest production. The local presentation originated at The Noel S. Ruiz Theatre at the CM Performing Arts Center in Oakdale in September last year under the direction of Patrick Grossman, and many of the original cast members, sets and costumes remain the same.

A scene from ‘Dreamgirls’

Crystal Fauntleroy (Effie), Aisha Phillip (Deena) and Amanda Camille (Lorell) blend beautifully together as the Dreamettes/Dreams, and when Effie is fired from the group, Steffy Jolin (Michelle) effortlessly replaces her. The actors are excellent in the musical numbers “Move (You’re Steppin’ on My Heart),” “Dreamgirls” and “One Night Only.”

Fauntleroy is dynamic as Effie, portraying her with just the right amount of attitude and strength, and shines in every number. During the emotional “And I Am Telling You I’m Not Going,” she delivers the song with all the passion audience members expect from this number. For anyone who has ever suffered a broken heart, be warned, tissues will be needed.

As the musical progresses, Phillip transitions from timid backup singer, to confident front woman with ease. After Curtis decides he wants a singer with a softer voice leading the group, believing the sound will be more acceptable to pop audiences, he moves Deena to the lead spot and Effie to the back. Phillip has a melodic singing voice that is fit for this role. This is especially apparent during the tender duo with Curtis, “When I First Saw You.”

A scene from ‘Dreamgirls’

Camille is sassy as Lorell, and she has the opportunity to show off her powerful voice during “Ain’t No Party.” Jolin as Michelle embodies the spirit of a girl group singer. Her stunning smile and the way she carries herself seems to say, “I don’t care if I’m not the lead singer, I’m a star.”

The ladies are not the only ones who are front and center in this show as the male actors have exceptional stage presence. Dondi Rollins is on fire as he plays a James Brown-inspired Jimmy. Rollins sings and dances his way into the hearts of the audience, especially with the high energy “Fake Your Way to the Top.”

David William Hughes is convincing as the slick Curtis, and his smooth vocals help to deliver a swoon-worthy performance. It’s no surprise that both Effie and Deena fall for their manager. 

Londell Collier is a sweet and endearing C.C., and his vocals are just as sweet, especially when he starts off the ensemble number “Family.”

Hughes, Rollins, Collier and Kevin Knight as Marty, Jimmy’s manager, sound fantastic together during “Cadillac Car.” Seneca Bell plays the masters of ceremony with flair, Justin Steele as Tiny Joe Dixon adds to the sensational vocals, and the whole ensemble rounds out the cast perfectly.

The musical has its comedic moments, too. After Jimmy and friends think they have a hit with “Cadillac Car,” Hans Paul Hendrickson appears on stage as a Pat Boone-inspired character singing the song and looking as wholesome as a ‘50s sitcom character. During the number “I Want You Baby,” Rollins is hysterical as he portrays a restrained Jimmy during a show in a whites-only club in Miami.

Once again, SPAC has produced a musical worthy of Broadway, and those behind the scenes also deserve to be applauded. The fast-paced musical is filled with fun dance moves choreographed by Milan McGouldrick, and conductor Melissa Coyle and the theater musicians magnificently accompany the singers on each number. Green, doubling as costume designer, also ensures all the bright colors and sparkling attire of the era are represented beautifully.

The Smithtown Center for the Performing Arts, located at 2 E. Main St., Smithtown will present “Dreamgirls” through June 17. Running time is 2 1/2 hours with one 15-minute intermission. Tickets are $38 adults, $34 seniors, $25 students. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org.

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Andrew Timmons and Austin Levine in a scene from 'Oliver!'
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Andrew Timmons and Austin Levine in a scene from 'Oliver!'
Fagin (Nick Masson) and his gang of pickpockets
Andrew Timmons as the Artful Dodger
Nick Masson is Fagin
Austin Levine and Andrew Timmons
Austin Levine and Nick Masson

By Heidi Sutton

The Smithtown Center for the Performing Arts closes out its 15th season with a production of the award-winning musical “Oliver!” With book, music and lyrics by Lionel Bart, the show, based on Charles Dickens’ second novel, “Oliver Twist,” features some of the most unforgettable songs and vivid characters to ever hit the stage.

The story centers around a 9-year-old English orphan, Oliver, who has been raised in a workhouse. After disobeying the rules, the boy is sold into apprenticeship with an undertaker. Oliver escapes shortly after and travels to London, where he meets the Artful Dodger and becomes a member of a gang of pickpockets led by the criminal Fagin and aided by Nancy and the abusive villain Bill Sikes. Is Oliver destined for a life of crime or will his fortune change?

You can’t go wrong with a show like “Oliver!” during the holidays and the 40-plus cast at the SPAC, skillfully directed by Jordan Hue with musical direction by Melissa Coyle, presents a production that is fresh and exciting, serving up a fine afternoon at the theater.

While the entire cast does a tremendous job, especially the children, special mention must be made of Austin Levine who stars as Oliver, the young orphan with a pure heart. For the moment he speaks, “Please sir, I want some more,” Levine has the audience rooting for him to find a home and happiness.

Andrew Timmins nails it as the spirited Artful Dodger, top hat and all, and Brian Gill is quite terrifying as Bill Sikes. Ashley Nicastro is perfect in the role of his girlfriend Nancy, a victim of domestic abuse who ultimately meets a bitter end. Doug Vandewinckel reprises his role as Mr. Bumble, a role that fits him like a glove. Although her role is small, Taylor Duff as Bet stands out in the crowd, especially during “It’s a Fine Life.” Last, but certainly not least, Nick Masson plays Fagin with oily charm, performing “You’ve Got to Pick a Pocket or Two” like an old pro from the days of vaudeville.

Of course, it is the wonderful melodies that are the heart of the show. From the hilarious numbers “I Shall Scream” and “That’s Your Funeral” to the poignant “As Long as He Needs Me,” “Where Is Love” and “Reviewing the Situation” to the big song and dance numbers we all know and love — “Food, Glorious Food,” “Consider Yourself,” “I’d Do Anything” and “Oom-Pah-Pah” — all are performed with boundless energy and beautifully choreographed by Jessica Gill.

Costumes by Ronald R. Green III are brilliant, from the drab brown outfits for the orphans, to the refined suits and dresses for the aristocrats to the seedy outfits of Fagin and his crew; and the set, designed by Timothy Golebiewski, beautifully showcases a cross section of Victorian society.

Exiting the SPAC last Sunday afternoon, I couldn’t help but think how lucky we are to have so many wonderful community theaters on Long Island and how special live theater truly is. Consider yourself invited.

The Smithtown Center for the Arts, 2 E. Main St., Smithtown will present “Oliver!” through Jan. 21. Running time is 2½ hours with a 15-minute intermission. Tickets are $25 adults, $15 ages 12 and under. Please note: Show contains some violence and implied adult themes.

Season 16 opens with “Shakespeare in Love” from Feb. 3 to March 4, “Mamma Mia” from March 24 to April 29 and “Dreamgirls” from May 12 to June 17. For more information, call 631-724-3700 or visit www.smithtownpac.org.

All photos by Danielle Nigro

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