Tags Posts tagged with "Lois Reboli"

Lois Reboli

The Reboli Center of Art and History is pleased to feature renowned ceramist, Laura Wilensky, as its Artisan for the month of August. “I first saw her work 40 years ago at the Rhinebeck Craft Fair and bought a couple of pieces. She makes hand sculpted portraits of people and/or cats and dogs or other pets in porcelain or white clay. Each piece is very detailed and intricate and for commissions they are beautifully personalized,” said Lois Reboli, founder of the Reboli Center, and who recently had an urn made for her beloved dog, Maddie, who passed away. Wilensky’s pieces are one-of-a-kind and others are made from molds and are limited editions.

After graduating from SUNY New Paltz in 1973 with a Bachelors in Fine Arts specializing in ceramics, Laura Wilensky became a full-time ceramist. While in college she created her “spoon” figurines and became known as the “spoon lady.” She was very fortunate that her spoons were exhibited at the well-known Fairtree Gallery in Manhattan, where they were sold to gallery customers at a great success. “Several clients started to collect my spoons and one woman has over 70 spoons which she displays on her wall in the bedroom,” recalled the artist who lives in Kingston, NY.  The spoon figurines are all made by hand and very fragile. Consequently, she no longer makes them, and has only three left: an ice skater, a man in his pajamas and woman in a nightgown with her hair curlers.

According to Wilensky, “My narrative porcelains have appeared in many publications, including: Teapots, Makers & Collectors; 500 Figures in Clay: Ceramic Artists Celebrate the Human Form; Smithsonian Magazine; and the New York Times. My works have been exhibited at the New York State Museum, American Crafts Museum, Cooper Hewitt Museum, Santa Barbara Museum of Art and the Renwick Gallery of the Smithsonian Institution.” The artist’s ceramics can be found in the homes of many private collectors. In fact, she designed and produced “Sleepytime” tea sets for Celestial Seasoning Tea Company. For a while, she made numerous tea pots and sets and some belong to serious collectors including a collection at Celestial Seasoning Tea Company at its headquarters in Boulder, CO.

Early in her career, Wilensky sold her creations at craft fairs in upstate New York and in Baltimore. She noted that her characters were more “cartoonish” and now the figures are realistic portraits of people and pets that she creates from photos, or fashioned as functional items such as mugs, bowls, vases and plates. “I enjoy working with people and making their request for a ceramic portrait come true. I am especially heartened as many customers are deeply moved by the final product,” she added.

The Reboli Center for Art & History is located at 64 Main Street in Stony Brook, NY. It is free and open to the public from Tuesday through Saturday from 11am until 5pm and on Sunday from 1pm – 5pm. Laura Wilensky’s ceramics are on display and available for sale at the Center’s Design Shop. They will also accept and process custom orders from interested individuals. For more information, please visit their website at www.rebolicenter.org or call 631-757-7707.

'Rolling Wave Atlantic' by Casey Chalem Anderson

We all know that Long Island is a special place to live. Over at the Reboli Center for Art & History in Stony Brook, a beautiful new summer exhibit, Coming Home, showcases our island in all its glory.

“This past year has given us all an opportunity to reflect upon what is most important in our lives. For most, this includes family, friends and nature. The Reboli Center is honored to present the work of three artists whose works epitomize the wonder and beauty of Long Island: Casey Chalem Anderson, Lynn Mara and Joseph Reboli,” said Lois Reboli, a founder of the Reboli Center and wife of the late Joseph Reboli. The new exhibit opened July 20 and runs through Sept. 26.

‘Wave Rider’ by Lynn Mara

According to the prolific painter, Lynn Mara, a Long Island native, “I like to capture the American spirit through my work. My impressionist style turned abstract expressionist was influenced by my friend and fellow Southampton artist, the late Jack Reggio, as well as Andy Warhol, Fairfield Porter and Bansky.” Her media includes acrylic paint, oil pastels, hand cut stencils, spray paint and photographic images. Mara’s work has been featured on the Hampton Jitney, at Met Life Stadium, and she was the 2017 Hampton Classic poster design winner. Her flag painting was a gift to each member of the LPGA Solheim Cup in 2019 in Scotland. She is currently working on a 10th anniversary piece for the NY Giants, which will be given away at Giants Stadium this season.

Casey Chalem Anderson divides her time between Greenwich Village and Sag Harbor, where she immerses herself in both natural and urban artistic worlds. “I am a landscape painter who is secretly an abstract painter. After years of living by the beach and observing the daily color variations provided by the tides, sunlight and weather, I’m making paintings that are boiled down to the essential elements that I care about,” said Anderson. Her newest works are a series using the colors of her Hampton’s palette in novel abstract forms that connect her realist works.

‘Lookout’ by Joseph Reboli

Joseph Reboli grew up and lived in the Three Village area. Many of his works were painted on Long Island, Greenwich Village, Block Island and Tuscany. “Joe was noted for his luminous rendering of everyday scenes and subjects, infusing the mundane with an aura of wonder. No object was too familiar or humble for his transforming touch. His canvases glowed with an unmistakable light,” said Lois Reboli.

The History Room features a new exhibit as well. Titled Legacy of Leslie Marchant, the exhibit showcases the noted Stony Brook and Long Island builder and is curated by designer and author Tricia Foley. 

“There is a certain look about Leslie Marchant’s work – classic and symmetrical in style, usually brick or stone in material, and usually American Colonial Revival. This timeless style is seen in churches and schools, post offices and community centers throughout the Town of Brookhaven and the East End. Marchant was the ‘go-to’ builder of his time – from Bellport High School to the Stony Brook Crescent, Marchant built structures to last in this enduring and familiar vernacular,” said Foley. 

Join the Reboli Center on Sept. 25 from 3 to 5 p.m. for a “Birthday Celebration for Joseph Reboli,” who would have turned 76 on that date. 

The Reboli Center, 64 Main St., Stony Brook is open Tuesday to Saturday from 11 a.m. to 5 p.m., and Sunday from 1 to 5 p.m. Admission to the gallery is free. For more information visit their website at www.rebolicenter.org or call 631-757-7707.

Ferrari 166 MM Barchetta 1949 LM Winner (Red 22)

Since he was a child, Marshall Buck has been fascinated with miniatures, especially cars. His special focus is in the creation of small scale models of classic, exotic automobiles.  This interest was nurtured by family friends who would visit while driving the latest models of Aston Martin, Lancia, Rolls Royce, etc.

Marshall Buck working on one his models.

“Marshall’s miniature models bring another dimension to the Reboli’s current exhibit, “Shifting Gears,” which highlights automobiles, by showcasing his precise and exceptionally detailed works of art to our visitors,” said Lois Reboli, a founder of The Reboli Center. “The artistry and functionality of his models are amazing,” she added.

Marshall founded CMA Models in 1982 with the goal of providing serious collectors a combination of services at one venue. He offers the finest detailed custom built-to-order models in various scales, which he personally builds or are built by another highly trained craftsmen under his direction. CMA Models produces its own line of extremely limited edition of hand built model cars and kits. Marshall represents other similar artisans and serves as a broker and seller for one-of-a kind models. In addition, he has curated model shows for museums.

Ferrari 166 MM Rolling Chassis (Black)

According to Marshall, “I am passionate about automobiles and the work that I do; and this work is certainly as demanding, and sometimes more so than a complete restoration of any full-size car.” A wide variety of his models is on display at the Reboli Center throughout the month of July.

The Reboli Center for Art & History is located at 64 Main Street in Stony Brook. The gallery is open Tuesday  to Saturday from 11 a.m. to 5 p.m. and Sunday from 1 p.m. to 5 p.m. For more informationt, call 631- 751-7707 or visit www.rebolicenter.org.

Photos courtesy of the Reboli Center.

Come explore the art & beauty of cars and motorcycles                              on canvas and on the pavement

The Reboli Center of Art and History is revving up in more ways than one with its newest exhibit focusing on motor vehicles. Titled Shifting Gears, the exhibit includes artworks of various modes of transportation, as well as two 1928 BMW motorcycles on loan from the Nettesheim Museum in Huntington. This theme continues in the History Room where an account of the Vanderbilt Motor Parkway is explored, courtesy of historian Howard Kroplick. 

In addition, weather permitting, the Center’s parking lot will feature exotic car collections from 10 a.m. until 2 p.m on May 30 (German) and June 13 (British).

“We have spectacular motor-themed paintings by such noted artists as Alan Bull, Scott Hewett, Nelson Medina, Jim Molloy, Doug Reina and Joseph Reboli, as well as exquisitely crafted model cars by Marshall Buck, and two 1928 BMW motorcycles on display,” said Lois Reboli, a founder of the Stony Brook-based gallery which opened in 2016.

“We have not done anything like this before and we think this is a fun way of enticing people back to local museums, which are now being opened to a greater capacity since the pandemic began. This show offers something for everyone — art lovers, car aficionados and history buffs,” said Reboli. 

“The Reboli Center is extremely grateful to Plycon Transportation Group in Kings Park for sponsoring this exhibit and for the generosity of Display Makers in Nesconset,” she added.

The Reboli Center for Art and History, 64 Main St., Stony Brook will present Shifting Gears through July 18. The gallery is open Tuesday through Saturday from 11 a.m. to 5 p.m. and Sunday from 1 p.m. to 5 p.m. except during the car displays when it will open at 10 a.m. The Center is free and open to the public and masks must be worn inside. 

For more information about the exhibit, the Gift Shop or available sponsorships, please call 631-751-7707.

Photo courtesy of Reboli Center

The Reboli Center for Art and History, 64 Main St., Stony Brook is inviting entries from now until April 21 for a unique fundraising exhibition, Miniatures to Make a Maximum Impact! All participating artists will have their artwork exhibited in the Reboli Design Shop throughout the month of May. “Miniature art has been venerated throughout history, and today there are Miniature Art Societies around the world. The delicate beauty and refinement of these works can be truly amazing.  Now we’re asking contemporary artists of all styles to “paint small” to help support our center and programs in a major way,” said Lois Reboli, a founder of the Reboli Center and the wife of the late artist Joseph Reboli.

“One free canvas will be given to each participant to create for our cause. All entries will be considered as a donation to the Reboli Center, a 501 (c) (3) organization, and all proceeds raised from the sale of each submitted artwork for this event will be used for our free programming and exhibitions,” added Reboli.

Contributing artists may also use their own stretched canvas, linen or panel, which must not exceed 36 square inches (6 inches x 6 inches). Any painting medium is acceptable, and framing is optional. Artists are welcome to submit up to five entries. The artwork must be your own original concept and not a copy of anyone else’s copyrighted material.

To request a free canvas and application, please contact the Reboli Center at 631-751-7707 or email [email protected]. An application may also be downloaded under Events at www.rebolicenter.org

The Reboli Center for Art and History, 63 Main St., Stony Brook has named Long Island potter, Laura Peters, as its artisan of the month for January, which will kick off the new year of 2021. “Laura’s striking and intricate work is extraordinary, bringing the beauty of nature to life in her impressive line of vases, mugs, plates and other art,” said Lois Reboli, founder of the Reboli Center and wife of the late renowned artist, Joseph Reboli, for whom the center is named.

Laura Peters

“I mainly focus on the flora and fauna of North America and beyond, and hope to convey the beauty and value of each species throughout my work,” explained Peters. “The result is a unique one of a kind original.”

Since she was a child, Peters has worked in various artistic media. She was first introduced to pottery after moving to the Pacific Northwest from New York and credits her inspiration for her work from field observations and her studies in Anthropology and Zoology at Oregon State University, and the extraordinary animals she worked with at the Chintimini Wildlife Rehabilitation Center in Oregon.

“I found that my graphic art and illustrative background led me to approach the clay as a surface to be rendered upon. My work is primarily hand built using slabs or coils of clay. Each piece is created over a period of weeks in intricate detail. The most time consuming aspect is the underglaze brushwork, I do not use decals or any other form of image transfer,” said Peters.

Peters returned to New York seven years ago where she connected with a group of fellow potters and they worked together to establish a pottery workspace, The Brick Clay Studio in St. James, where she teaches and does a large portion of her clay work.

“For me, the process of transforming the soft clay into utilitarian wares can be both rewarding and challenging. Because the medium utilizes the four basic elements: earth, water, fire and air, obstacles often arise throughout the production of the piece.  I address these challenges through the development of new techniques and experimentation. Thus, I look forward to continuing the vast possibilities which clay has to offer, and see how my work unfolds over time,” added Peters.

Visitors can see Laura Peter’s work at the Reboli Center, where her pottery is for sale in the Design Shop. The Center is free, and open Tuesday to Saturday from 11 a.m.  to 5 p.m. and Sunday from 1 to 5 p.m. Masks must be worn, and social distancing is required. For more information on the Artisan of the Month, please call the Reboli Center at 631-751-7707.

‘View from the Red Room’ by Joseph Reboli

By Melissa Arnold

For more than three decades, Joseph Reboli dedicated his life to creating art and sharing it with the world. His vibrant oil paintings, many of which focused on scenes in the Three Village area, were beloved not only here on Long Island but around the world for the way they captured the essence of the places he loved. Reboli’s work has been on display in museums, private collections and homes around the world.

Since its founding in 2016, the Reboli Center for Art and History in Stony Brook has worked to preserve the legacy of its namesake, who died in 2004, while also highlighting the people and places that most inspired him. Its newest exhibit, on display beginning Nov. 1, will focus on one of Reboli’s unique honors: his inclusion in an exhibit at the White House.

“Joe was a very modest guy, but I think he was really honored by this opportunity, and it was one of the highlights of his career,” said Lois Reboli, Joe’s wife of 14 years.

In 2000, the nation’s capital was preparing to mark the 200th anniversary of the White House. To celebrate, the White House Historical Association planned an art exhibit and companion calendar titled White House Impressions: The President’s House Through the Eye of the Artist. The association selected 14 well-respected artists to participate, with one artist representing each of the 13 original colonies and the District of Columbia. 

Among the chosen artists were Reboli, who represented New York for the month of March, as well as realist painter Ken Davies of Massachusetts, Reboli’s former professor at the Paier College of Art, representing February. 

The cover of the 2000 White House calendar.

The other artists were Domenic DiStefano (Pennsylvania, December 1999), Al Alexander (New Jersey, January 2000), Ray Ellis (Georgia, April 2000), John Barber (Virginia, May 2000), Marjorie Egee (Delaware, June 2000), Marilyn Caldwell (Connecticut, July 2000), Tom Freeman (Maryland, August 2000), West Fraser (South Carolina, September 2000), Richard Grosvenor (Rhode Island, October 2000), Carol Aronson-Shore (New Hampshire, November 2000) and Bob Timberlake (North Carolina, December 2000). Carlton Fletcher of the District of Columbia was granted the cover.

“We made the trip down to the White House in 1999, and the artists got to meet with Bill and Hillary Clinton. It was our first trip to the White House, and definitely impressive to us both,” Lois Reboli recalled. “Joe had been in the Army and he was a very patriotic person. A White House photographer walked around with each artist as they decided what they wanted their piece to be — the photographer was the only one allowed to take pictures. Then the artists took the photos home to work.”

Reboli was the only artist in the White House exhibit to choose a point of view from inside the building. His painting, “View from the Red Room,” looks outside to the South Portico with the Jefferson Memorial in the background. 

The Red Room has served a variety of purposes in different presidencies, from a music room to a meeting space, the backdrop for official photos and family dinners. First Lady Jackie Kennedy once said that the view from the Red Room was her favorite in the White House because it looked out on the American people. 

“When I saw this particular view, I loved the light on the South Portico with the landscape in the background,” Reboli wrote at the time about his choice. “The light’s reflection on the portico contrasted nicely with the dark interior of the room.”   

The painting from the Red Room will be on display at the Reboli Center, along with the White House calendar and original work from nine of the 14 artists featured in the 2000 exhibit, said Reboli Center secretary Colleen Hanson.

“This exhibit was a huge undertaking, and took a lot of detective work in some cases. Lois has been working on this exhibit for more than 8 months. It was a search for contacts with the artists of the calendar, communicating back and forth, and then finally getting the artwork. This was a rather complicated exhibit to put together because of the number of artists involved, the time span of an event that happened more than 20 years ago, and the fact that during those 20 years not everyone had stayed put and that deaths had occurred,” Hanson said. 

“We wanted to share the work the artists did for the White House as well as some of their original work to give a greater sense of who they were and their artistic interests.”

The White House Calendar exhibit will be on display from Nov. 1 through Jan. 26, 2020 at the Reboli Center for Art and History, 64 Main St., Stony Brook. Participating artists include Al Alexander, Carol Aronson-Shore, Marilyn Caldwell, Ken Davies, Domenic DiStefano, Ray Ellis, West Fraser, Richard Grosvenor and the late Joe Reboli. For more information, call 631- 751-7707 or visit www.rebolicenter.org.

‘Cassio’ by Dino Rinaldi

By Melissa Arnold

‘Stable Door’ by Joseph Reboli

Horses, whether ridden, raced, bred or simply beloved, have long been a part of Long Island’s culture. From the Belmont Stakes in Nassau to the Smithtown Hunt and the Old Field Farm in Suffolk, the majestic animals hold a special place in the hearts of many.

Among them was the late artist Joe Reboli, whose 30-year career was defined by bringing both famous places and ordinary views of the Three Village area to life with great care and realism.

The Reboli Center for Art and History in Stony Brook was founded in 2016 to celebrate Reboli’s life and honor the history of the place he called home. Since then, the center has created a number of exhibits blending Reboli’s work with local artists as well as artifacts from Long Island’s past.

On Tuesday, the center opened an exciting  new exhibit, Artistry: The Horse in Art, which will focus on horses and their environment through a variety of mediums. Among the Reboli works in the exhibit is “The Stable Door,” an oil-on-canvas painting.

Roberto Dutesco’s ‘Love’ will be on exhibit at the Reboli Center through Oct. 28.

“Joe had a way of capturing this community that evoked such wonderful feelings from people,” said Reboli Center co-founder Colleen Hanson. “His painting of a stable door in our exhibit was done for [the late publisher] John McKinney. Joe’s ability to paint white was just astounding — there is more to the color white than many people realize; there are so many shades and hues in it and he captured them all.”

In addition to work from Reboli, the exhibit will highlight three other main artists. Roberto Dutesco, a Romanian-born Canadian artist, is well known for his fashion photography. But in 1994, Dutesco began to explore nature photography with a trip to Sable Island, nearly 200 miles off the coast of Nova Scotia. There he photographed the island’s breathtaking wild horses. He has returned to the island six times since then with the goal of inspiring greater conservation efforts through his work. 

‘Zidette’ by Dino Rinaldi

Dino Rinaldi is a Port Jefferson native whose winding career has taken him from illustration to advertising and finally painting full time. As a teen, Rinaldi recalls opening up an issue of the local newspaper and seeing a painting of gasoline pumps by Reboli. 

“I looked at it and thought, someday I want to be able to paint like that. It moved me,” said Rinaldi, who now lives in Setauket with his wife and daughter. “To be able to create art for a living is a dream come true.” Keep an eye out for “Zidette,” Rinaldi’s graphite powder-and-pencil drawing.

Elena Hull Cournot, who originally hails from East Setauket, now provides creative arts therapy in the West Village and owns a studio in Brooklyn. Horses are a mainstay of Cournot’s work, who is known for her large commissioned paintings of horses and soulful works created during her time as an artist in residence at the Burren College of Art in Ireland. Like storytellers who seek to capture the personal essence of their subjects, Cournot strives to spend time with each horse she paints. One of those horses was “Indie,” whose oil-on-canvas portrait is featured in the gallery.

The center’s history gallery will focus on events and places that include horses in a prominent role. The Smithtown Hunt is the only surviving foxhound hunt on Long Island. While it was originally a live hunt when it was first held in 1900, it is now exclusively a drag hunt. The Old Field Farm was built by Ward Melville in 1931 and continues to be a hot spot for the equestrian community. 

“Every year, we sit down and talk about what kind of exhibits we’d like to have. We look at different community events that are going on, and then work to determine the artists we might feature and a theme based around that,” Hanson explained. “This is such an interesting and fun show — there are so many people who love horses and have owned or ridden them at some point. They are beautiful, intelligent creatures that have a wide appeal.”

Hanson also joked that her own history was a factor in the decision. In the decade she spent as the director of Gallery North in Setauket, not a single exhibit featured a horse. Thanks to this exhibit, she’s now hung more than 30 horse paintings, drawings and photos.

The center will hold several special free events during the exhibit’s run, each coinciding with Third Friday activities in the area. Dino Rinaldi and Roberto Dutesco will be at the center Aug. 17; Leighton Coleman, Sally Lynch and Edmunde Stewart will be welcomed on Sept. 21; and on Oct. 19 there will be a screening of the documentary “Snowman,” which tells the story of a simple workhorse saved from the slaughterhouse by a Long Island man. Snowman went on to become a national show jumping champion.   

See Artistry: The Horse in Art through Oct. 28 at the Reboli Center for Art and History, 64 Main St., Stony Brook. Admission is free. For information, call 631-751-7707 or visit www.rebolicenter.org. 

The Reboli Center for Art and History is located in Stony Brook at the former site of the Capital One Bank. File photo

It’s much more than a place to go to appreciate the work of late artist and painter Joe Reboli.

Located at the former site of Capital One Bank across the street from where Reboli grew up in Stony Brook, the Reboli Center for Art and History, which opened a little more than a year ago, blends a collection of art from the prolific painter with works by other local artists, rotated every three months.

Housed in an A-frame white building with blue awnings, the center has showcased the work of artists including Ken Davies, who was Reboli’s teacher and mentor.

Reboli was born and raised on Main Street, not far from where his name is memorialized.

He and his family had a long history in the area. His grandfather ran a business across the street from where the center now stands, and decades later his aunt worked in the same building when it was a bank.

He died in 2004 at age 58 after being diagnosed with lung cancer. Since his death, his wife Lois Reboli had been attending makeshift meetings at coffee and kitchen tables across Three Village with a squad self-identified as The Rebolians, working to make sure Joe Reboli’s story lived on.

“[The center is] hopefully a gift back to the community my husband loved so much,” said Reboli, a former art teacher.

The Reboli Center is named in honer of late Stony Brook artist Joe Reboli. File photo

He was on the board of the Three Village Community Trust and Gallery North. When asked by his wife why he attended those gatherings, she said he told her he loved the community and wanted to support it in some way.

“I didn’t really understand it at that point,” she said. “I did after he got sick, and I just really wanted to give something to the community so they would remember Joe.”

As part of the center’s cultural contributions, free talks are given with local artists, and, after a successful musical debut, the center may be the site of future concerts.

Donna Crinnian, a photographer whose pictures of egrets were featured at the center in the fall, called the center a great addition to the community.

“Everybody in the community likes having it there,” she said. “They get a really nice crowd coming in for the speakers.”

Besides Reboli, the idea for the studio gallery came together with the help of Colleen Hanson, who worked as executive director of Gallery North from January 2000 until her retirement in September 2010. She worked alongside Lois Reboli after Joe passed and also helped launch the first Reboli Wet Paint Festival weekend at Gallery North in 2005.  Hanson also worked with B.J. Intini, a former Gallery North assistant and executive director who is the president of the Farmingville Historical Society.

“I made a vow that we would do something for [Reboli],” Hanson said. “If we were to find a space, it had to be in Three Village and it had to have a Joe-like feeling. Now, I pinch myself and think, ‘This is so cool.’ We love this community. We want it to be even better and richer for everybody, and I see this as a beautiful upbeat place where people want to be.”

State Assemblyman Steve Englebright (D-Setauket) is credited with helping to make the purchase a reality, Reboli said. He helped the three, self-dubbed the “tres amigas” create a not-for-profit called the Friends of Joseph Reboli, with a mission of collecting, preserving and exhibiting artwork and artifacts related to Joe Reboli. The group filed for federal 501(c)(3) status in 2012.

Reboli had been looking for a suitable place to share her late husband’s work with the public and had been demoralized by a few false starts when she wondered if she would be able to find the right spot.

“If we were to find a space, it had to be in Three Village and it had to have a Joe-like feeling. Now, I pinch myself and think, ‘This is so cool.’”

— Colleen Hanson

It wasn’t until March 2015 when Hanson said she heard of Capital One in Stony Brook potentially leaving the historic landmarked building at a price tag of $1.8 million. Englebright spearheaded securing a $1.3 million state grant that went toward the purchase of the building, and two anonymous $150,000 donations turned the dream into a reality.

“He went to bat to help us get as much funding as we could,” Reboli said of the lawmaker. “He was remarkable.”

She signed the contract Sept. 25, 2015 — her late husband’s 70th birthday.

“It’s everything I hoped for and more,” Englebright said of the center. “I have heard from dozens of people and they are absolutely thrilled that this is a new part of the cultural dimension in our community.”

Englebright said the late artist’s paintings open up a wide range of conversations about the interaction between nature and development. One of his favorites is of three gas pumps in front of a coastal scene on the North Shore.

“He put this scene together that clearly to me is an expression of concern regarding the impact of overdevelopment, on a way of life, and on the beauty of Long Island,”
Englebright said.

In its first full year of operation, the center, which is free for guests, has hosted a range of crowds and events. In May, it welcomed a visit from the Commack High School Art Honor Society. In late October, world-renowned cellist Colin Carr, who has appeared with the Royal Philharmonic, the BBC Symphony, the Los Angeles Philharmonic and the Montreal Symphony and is teaching at Stony Brook, performed at a benefit concert.

He said the way the sound worked its way through the building was an unexpected
surprise.

“When I went in there and played the cello briefly as a trial run, it was immediately apparent that this was perfect for the cello,” Carr said. “It’s always exciting to walk into a new place, whether it’s a room or concert hall or even a church, to sit down and start playing and feel that there’s an immediate rapport between me, the instrument and the space.”

Carr is the one who suggested that the center would be a “wonderful place for a small music series.”

Reboli said she is thrilled with the direction the center is taking and suggested the showcase is far beyond what she had imagined when she first discussed highlighting her late husband’s artwork.

On a Friday in late November, the building hit a high-water mark with about 180 guests in attendance, Reboli said.

“I would have been happy with a wall somewhere,” Reboli said. “This has morphed into something that would have been unimaginable before. Never did we expect to have a place like this. This is a miracle.”

'Peony' by Joseph Reboli

By Susan Risoli

The poet/artist William Blake wrote of seeing “a World in a Grain of Sand, and a Heaven in a Wild Flower” and holding “Infinity in the palm of your hand, and Eternity in an hour.” The Reboli Center for Art and History will consider the ways different artists see not only wildflowers but landscape in all its elements, through its latest exhibit In Bloom, which opens May 2.

‘Hydrangeas’ by Ty Stroudsburg

The show features paintings by Joseph Reboli and Ty Stroudsburg’s paintings and pastels. Although Reboli was known for classical realism and Stroudsburg works in a more abstract, less representational way, the artists knew and admired each other, said Lois Reboli in a recent interview. “The exhibit will be a riot of color,” she said, as her late husband’s work is presented side-by-side with Stroudsburg’s.

The Reboli Center opened this past fall to preserve the legacy left by Joe Reboli, a well-known painter and longtime Three Village resident who died in 2004. Every exhibit will show his paintings together with work done by someone he knew.

Stroudsburg will show 12 pieces in the In Bloom exhibit. Some are framed oil paintings on paper, others are oils on linen canvas and the rest are framed pastels. Although she and Reboli shared the same birth date (Sept. 25) and a love of landscape, they respond to their environments differently.

Lush abstraction

“The first thing I deal with is color,” Stroudsburg said in a recent interview. “I just love it.” Her slashing brushwork (“people have called it ‘Zorro-esque’”) grew from her abstract expressionist work done in the 1960s. “I love to experiment with what the paint can do,” Stroudsburg explained.

‘Vineyard’s Edge’ by Ty Stroudsburg

When it comes to interpreting light, “I don’t use it in terms of light and shadow. But obviously, without light there’s no color, so it’s there.” Areas of lush color lead the eye around her pieces, as one takes note of the forms and textures Stroudsburg uses to interpret what she called the “natural, unpopulated world.” The result, she said, is “an effort to record the pervasive qualities of places that excited my vision. In this way, hopefully, the viewers of my work will be able to share that vision.”

Stroudsburg is a self-taught artist who started her career as a teacher. “I lasted three weeks,” she said wryly. A 1962 trip to Long Island changed her life. Inspired by the Parrish Museum, Guild Hall and then-rural South Fork, “I got a part-time job in a dress shop, just continued to paint and that was it,” she recalled. Stroudsburg lives in Southold now, where the North Fork’s farm fields and changing seasons “are a big point of takeoff” for her art.

Yin versus Yang

Presenting Stroudsburg’s landscapes alongside Reboli’s demonstrates how artists can see the same subject with different vision, said Colleen Hanson, co-director of the Reboli Center with Lois Reboli and B.J. Intini. In Stroudsburg’s and Reboli’s interpretations of nature, “you have this kind of yin/yang painting of Long Island. Both are known for color and light, but Ty is abstract and Joe used classical realism.”

‘Hydrangea Cottage’ by Joe Reboli

Sunlit vegetables that almost seem to glow from within, spirited hydrangeas staking their claim against the wall of an old cottage, Stony Brook Village blanketed with snow — all are rendered with Reboli’s attention to light and shadow, and his devotion to interpreting the hallmarks of a season.

“In the 1960s, when Joe went to the Paier School of Art, there was a huge abstraction push” in the art world, Hanson said. “Many schools were deviating from a classical education component” but Reboli embraced and excelled in the tradition. In Stroudsburg’s painting, “Ty’s strokes are looser, the composition is looser. Her work has that color field and movement that just engages you.”

Showing Reboli’s art next to the work of other artists gives people “a way to understand how different origins make for different paintings,” Hanson said. “What we’re trying to do is explore Joe’s origins and his references. We show the contrast with painters who were in the same area at the same time, doing the same subject.”

Third Friday talks

The Reboli Center’s monthly Third Friday talks from 6 to 8 p.m. link the local community with its history, said Lois Reboli, while at the same time focusing on aspects of the exhibits.

On May 19, the center will welcome Christina Strassfield, museum director and chief curator of Guild Hall Museum in East Hampton, who will speak about “My Life in Museums,” a life and career shaped by art.

‘Peony’ by Joseph Reboli

On June 16, Deborah Johnson, deputy director and director of development at the Heckscher Museum of Art in Huntington and author of a book titled “Joseph Reboli,” will speak about Reboli’s work.

On July 21, Katharine Griffiths, director of Avalon Park and Preserve, will discuss the park’s use of native plants. Reboli’s mother Olga Jicinsky Reboli was born and raised in “a little tiny house” that eventually became the renovated building where Avalon Park staff are headquartered, Lois Reboli pointed out.

Third Fridays are a chance for people to gather for stimulating discussion and “a wonderful, fun evening,” Reboli said. “We’re pretty much packed every time we have one.” The talks are free and light refreshments will be served.

The Reboli Center for Art and History, 64 Main St., Stony Brook will present In Bloom from May 2 through July 30. An artist reception is yet to be scheduled. The center is open Tuesdays through Saturdays from 11 a.m. to 5 p.m., and Sundays from 1 to 5 p.m. For more information, call 631-751-7707 or visit www.rebolicenter.org