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Linda Pentz

‘The most important day I remember in all my life is the one on which my teacher, Anne Mansfield Sullivan, came to me. I am filled with wonder when I consider the immeasurable contrast between the two lives which it connects.’   — Helen Keller

By Heidi Sutton

Theatre Three continues its 49th season with William Gibson’s beautiful play “The Miracle Worker,” the inspirational story of Helen Keller and her teacher Annie Sullivan.

Born in Alabama in 1880, Helen Keller was afflicted with an unknown illness (possibly scarlet fever) at the age of 19 months that left her deaf, blind and mute. By the age of 7, she had become frustrated in her dark and silent world and frequently threw tantrums to get what she wanted. 

In a final attempt to help her before having her institutionalized, her parents reached out to the Perkins School for the Blind, which sent its top student, 20-year-old Annie Sullivan, to live with the family and teach the child sign language. Helen would later recount that the day she met Sullivan was her “soul’s birthday.”

Expertly directed by Bradlee E. Bing (“12 Angry Men”), the dramatic production keeps the audience fixated from the beginning — a darkened stage where we hear Helen’s parents realize what has happened to their baby — to the final climactic water-pump scene where we all feel a lump in our throats.

From the moment Sullivan arrives, Helen is determined to fight her every step of the way. Used to being spoiled, she sees no need to learn the alphabet or eat with a utensil. The tumultuous relationship between teacher and pupil is played out in the physically violent scenes choreographed by Steven Uihlein. Forks and spoons and plates of food are often strewn about the stage, and the two often engage in outright brawls on the floor. It is exhausting to watch but also succeeds in revealing Sullivan’s determination to show Helen how to communicate through “a light of words.”

Not making any headway and with constant interference from the family, Sullivan moves Helen to the seclusion of the garden shed. Given only two more weeks to make a breakthrough, she tells the girl, “Now I have to teach you one word — everything.”

Eleven-year-old Cassandra La Rocco is superb as Helen, while Jessica Mae Murphy (“The Addams Family”) is outstanding as Sullivan in the roles made famous by Patty Duke and Anne Bancroft.

The supporting cast is equally impressive, with powerful performances by Michael Newman as Helen’s Civil War veteran father, Captain Keller; Susan Emory as her overindulgent mother, Kate; Eric J. Hughes as the half-brother James; Linda Pentz as Aunt Ev; and Cameron Turner and Meredith Szalay as servants Percy and Viney.

The elaborate set by Randall Parsons; costumes by Teresa Matteson and Toni St. John; and lighting design by Stacey Boggs tie everything together to produce a wonderful evening at the theater. The standing ovation on opening night was well deserved. Don’t miss this show. It will leave a lasting impact on your heart and soul.

Theatre Three, 412 Main St., Port Jefferson will present “The Miracle Worker” through April 28. Running time is 2 hours with a 15-minute intermission. The Mainstage season closes with “The Wizard of Oz” from May 18 to June 22. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 and up. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions Inc.

From left, Emily Gates, Ashley Iadanza, Melanie Acampora, Bobby Montaniz and Steve Uihlein in a scene from ‘The Princess & the Pea’.Photo by Peter Lanscombe, Theatre Three Productions Inc

When Hans Christian Andersen passed away in Copenhagen in 1875 the Danish government stated they had lost a national treasure. Although a writer of many genres, he is best remembered for his wonderful fairy tales, including “The Little Mermaid,” “The Red Shoes,” “The Snow Queen,” “The Ugly Duckling,” “Thumbelina” and, my favorite, “The Tinder Box.” As a child, I read them all but I always remember being fascinated by “The Princess & the Pea” and the curious image of a young girl trying to fall asleep atop of 10 mattresses.

The entire company of ‘The Princess & the Pea’. Photo by Peter Lanscombe, Theatre Three Productions Inc.

Through June 10, Theatre Three’s Children’s Theatre kicks off its 2017-2018 season with a hilarious musical retelling of the sleepy story that is not to be missed. With a genius script written by Jeffrey Sanzel and Steve McCoy, the story teaches us that true nobility comes from inside.

Priscilla Noble and her friend Tom have just graduated from college. On the last day of school Tom reveals to Priscilla that he is really Prince Sterling of Pewtersberg and that he has feelings for her. He invites Priscilla to visit him at his castle over the summer so that they can get to know each other better. In the meantime his mother, Queen Irritata of Pewtersberg, has arranged for her son to marry Princess Monica from a neighboring kingdom. When both girls arrive at the castle, the queen puts them through a series of challenges that, in theory, only a true princess would overcome. Add a tower, a bunch of mattresses and a large pea and you’ve got yourself an entertaining afternoon of live theater.

Directed by Sanzel, a stellar cast of nine adult actors keep the young audience entranced. Never have I seen a more well-behaved group of children than at last Saturday morning’s performance, sitting quietly and just taking it all in, a true testament to the magic of live theater.

Jessica Contino and Dylan Robert Poulos star in ‘The Princess & the Pea’.Photo by Peter Lanscombe, Theatre Three Productions Inc

Jessica Contino plays the lead role of Priscilla with confidence and determination. Continuously being put down for being a commoner by the queen, her character remains polite and respectful throughout. A perfect role model for today’s youth, she proves that studying and doing well in school pays off in the end.

Dylan Robert Poulos is perfectly cast as the tall, dark and handsome Prince Sterling and Andrew Gasparini shines as Lord Chancellor Pandergrovel.

Emily Gates is terrific in the role of Princess Monica, falling asleep all over the stage, much to the dismay of her sisters Princess Miranda (Melanie Acampora) and Princess Margot (Ashley Iadanza) who have been give strict orders by their parents to marry her off. And boy can she snore!

Newcomer Linda Pentz tackles the role of Queen Irritata of Pewtersberg, who seems to have a permanent migraine (“honestly!”), with aplomb. Determined to have her son marry royalty, her character remains stubborn until the very end.

Jessica Contino and Linda Pentz in a scene from ‘The Princess & the Pea’. Photo by Peter Lanscombe, Theatre Three Productions Inc.

However, it is the queen’s brothers, Henry, Earl of Blunt, played by Steven Uihlein, and Richard, Duke of Yuck (yes you read that right), played by Bobby Montaniz, who steal the show with their comedic antics. These two should have a comedy act together!

The original score, with choreography by Sari Feldman, is fresh and hip, with special mention to “A Friend in Need,” “I Say, You Do!” and “The Test,” which is performed entirely in rap. Teresa Matteson’s detailed costumes, especially the intricate royal garb and wigs, are first rate, and live musical accompaniment by Steve McCoy on piano is a nice touch.

Meet the cast in the lobby after the show for photo ops and tell Princess Monica to get some sleep! Honestly!

Theatre Three, 412 Main St., Port Jefferson will present “Princess & the Pea” through June 10 with a sensory-friendly performance on June 4. Children’s Theatre will continue with “Aladdin & the Lamp” from July 7 to Aug. 10 and “The Frog Prince” from Aug. 4 to 12. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.