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Julie Andrews

TBR News Media publisher Leah Dunaief meeting the 39th U.S. president, Jimmy Carter, at the White House in 1978. Photo from Leah Dunaief

By Leah S. Dunaief

Leah Dunaief,
Publisher

Jimmy Carter was the first United States President to invite me to the White House. The year was 1978, we had just started our first newspaper, The Village Times in the Three Village area, two years earlier, and the level of excitement was somewhere in the  stratosphere when our receptionist screamed, “It’s the White House calling!”  

Yes, indeed, it was someone from the White House, asking our address for the invitation to be sent to the Out of Town Press Conference later that month. With entrepreneurial bravado, I had written a letter addressed merely to “The White House, Washington, D.C.” asking if we might visit, not knowing about their monthly conferences at which Carter would gain insight from reporters into issues around the nation, even as he got his top priorities out into the communities. If I had known, I might have doubted his interest in a new weekly newspaper, but I would have been mistaken. 

They wanted me.

From the moment of that phone call until I sat in the office with 29 other reporters, talking with the President, that excitement never abated. The session was lengthy, interrupted at one point by the arrival of a boxed lunch. The conversation continued over a hard boiled egg and half a tuna fish sandwich. As I salted my egg and proceeded to down it, I still could not quite believe I was there.

Of course it made a great front page story in our paper when I returned, a photo shaking hands with President Carter a lifetime treasure. At the end of the session, he asked us to line up and tell him our names and where we lived, as a photographer snapped the moment. The line moved quickly, but when it was my turn, I was determined to say something that might be more interesting to him. 

“Mr. President, your sister, Ruth, visited my hometown of Stony Brook last week,” I rushed out the words. He stopped the line, his blue eyes large, and smiled broadly at me. I had read that he adored his sister.

“Isn’t Ruth great?” he offered. It wasn’t a question. “Why was she there?”

Ruth Carter Stapleton was a Christian Evangelist and I explained that she had been visiting one of the local Christian schools. He chatted another minute, then again shook my hand, and I moved on. I was in my late 30’s, and it was surely one of the high points of my life.

I was only 14 when I met Julie Andrews. She was one of the leads in the British play, “The Boy Friend,” and I went to a matinee with my eighth grade class on a field trip to see my first Broadway show. Word must have gotten to her that students were in the audience, and she invited all of us back stage to chat as she took off her makeup. She was only 19 at the time and told us she was thrilled with being in America for the first time. We were thrilled in turn to meet her. She didn’t seem much older than we, and the conversation was high spirited girl talk.

Little did any of us know that she would go on to become one of her era’s brightest stars, with a career starting as a child actress and spanning eight decades. She was the recipient of countless awards, and became Dame Julia by Queen Elizabeth in 2000. Her breakthrough American role was as Eliza Doolittle opposite Rex Harrison in the superb “My Fair Lady,” then went on to Queen Guinevere in “Camelot.” As Mary Poppins, in her first film role, she won the Academy Award’s Best Actress, then on to “The Sound of Music,” and many more.

It was fun to know that these two remarkable people shared the same birthday, October 1, and it made my walk down memory lane, this past Tuesday, a fond one.

Tessa Grady (As Millie Dillmount) in a scene from ‘Thoroughly Modern Millie.’ Photo by Michael DeCristofaro

By Heidi Sutton

“Thoroughly Modern Millie” opened at the John W. Engeman Theater in Northport last Saturday, a fitting finale to its 2015-16 season. With music by Jeanine Tesori, lyrics by Dick Scanlan and book by Richard Morris and Scanlan, the play is based on the 1967 film starring Julie Andrews and won six Tony awards, including Best Musical in 2002. It has been making the rounds in community theater and high school productions ever since.

Sarah Stevens (as Miss Dorothy Brown) and Tessa Grady (as Millie Dillmount) sing “How the Other Half Lives” in a scene from ‘Thoroughly Modern Millie.’ Photo from Michael DeCristofaro
Sarah Stevens (as Miss Dorothy Brown) and Tessa Grady (as Millie Dillmount) sing “How the Other Half Lives” in a scene from ‘Thoroughly Modern Millie.’ Photo from Michael DeCristofaro

Drew Humphrey directs the talented cast with polish and precision. From the jazzy opening number, “Not for the Life of Me,” the show takes off running and never loses momentum.

The year is 1922 and “modern gal” Millie Dillmount, played by Tessa Grady, has just arrived in the Big Apple from Salina, Kansas, with the sole intent of marrying for money instead of love. Within minutes, she is robbed of her hat, her purse and a shoe. She quips, “10 minutes in this town and I have my New York horror story.” Grady is perfectly cast as a determined woman who takes charge of her own destiny and jumps right in to the flapper lifestyle with a new wardrobe and hairstyle. However, things start to go haywire when her “Chinese” landlady, Mrs. Meers, turns out to be an impostor involved in a white slavery ring in China, and the rich man Millie wants to marry doesn’t seem to notice her.

Daniel Plimpton (as Jimmy Smith) and Tessa Grady (as Millie Dillmount) sing “I Turned a Corner” in a scene from ‘Thoroughly Modern Millie.’ Photo by Michael DeCristofaro
Daniel Plimpton (as Jimmy Smith) and Tessa Grady (as Millie Dillmount) sing “I Turned a Corner” in a scene from ‘Thoroughly Modern Millie.’ Photo by Michael DeCristofaro

With fancy footwork and pitch-perfect voices, the entire cast shines, with special mention to Daniel Plimpton (playing Jimmy Smith), Sarah Stevens (as Miss Dorothy Brown), Nicole Powell (as Muzzy Van Hossmere) and Tim Rogan (playing Mr. Trevor Graydon), who all gave stellar performances. However, it is Michele Ragusa, in the delicious role of Mrs. Meers, and her two henchmen, Ching Ho, played by Anthony Chan, and Bun Foo, played by Carl Hsu, who steal the show. Meers’ famous line, “Sad to be all alone in the world,” said every time she comes upon an orphan and next victim, draws the most laughs.

The show is a feast for the eyes, with glittering flapper dresses and three-piece suits designed by Kurt Alger perfectly capturing the era. The set is equally impressive. Cleverly designed by Jonathan Collins, panels on the stage resemble a sparkling New York City skyline, and when spun around reveal small additions to a scene such as a desk or a bench.

Nicole Powell (as Muzzy Van Hossmere) and Tessa Grady (as Millie Dillmount) in a scene from ‘Thoroughly Modern Millie.' Photo by Michael DeCristofaro
Nicole Powell (as Muzzy Van Hossmere) and Tessa Grady (as Millie Dillmount) in a scene from ‘Thoroughly Modern Millie.’ Photo by Michael DeCristofaro

Choreographers Dena DiGiacinto and Humphrey do an incredible job incorporating the jazz age’s dance styles, including the Charleston, the shimmy and the can-can. “The Speed Test” in which Millie shows her typewriting speed, accompanied by a highly energetic tap ensemble, is breathtaking. As a special treat, conductor/keyboardist James Olmstead and his eight-piece powerhouse band belt out jazz and blues tunes flawlessly throughout the night, completing a wonderful evening of live theater.

The John W. Engeman Theater, 250 Main St., Northport will present “Thoroughly Modern Millie” through July 10. Running time is approximately two hours, including one 15-minute intermission. Tickets range from $69 to $74 with free valet parking.

The season continues with “Mamma Mia!” from July 21 to Sept. 11, “1776” from Sept. 22 to Nov. 6 and “Mary Poppins” from Nov. 17 to Jan. 1, 2017. To order tickets, call 631-261-2900 or visit www.engemantheater.com.

Anthony Chan (as Ching Ho), Michele Ragusa (as Mrs. Meers) and Carl Hsu (as Bun Foo) sing “Muqin” in a scene from ‘Thoroughly Modern Millie.’ Photo by Michael DeCristofaro
Anthony Chan (as Ching Ho), Michele Ragusa (as Mrs. Meers) and Carl Hsu (as Bun Foo) sing “Muqin” in a scene from ‘Thoroughly Modern Millie.’ Photo by Michael DeCristofaro