Tags Posts tagged with "Holiday"

Holiday

By Rabbi Mendy Goldberg

Friday night, April 22, Jews the world over will be celebrating the first night of Passover with a traditional meal called the “Seder.” During the Seder, we observe various traditions such as eating the “matzah” (an unleavened bread) horseradish and drinking four cups of wine.

Mendy-GoldbergwAll of these rituals are reminders of the Jewish people’s exodus from Egypt 3,327 years ago, the birth of the Jewish nation. Our ancestor’s miraculous release from oppression to freedom has served as a source of inspiration for many generations and will do so for many more to come.

A central theme of this holiday is asking questions and providing relevant answers so that children will understand the significance of this celebration. I, however, find myself asking year-after-year the same question: What meaning does an ancient story and its associated ceremony hold for the average American in 2016?  How can we look at events that transpired so long ago and still be spiritually inspired by them?

The answer is found in the Talmudic dictum: “In every generation a person must feel as if he or she was liberated from Egypt.” In other words, we have a responsibility to make an ancient experience important to us living in modern times. We achieve this by recognizing that the imprisonment from which the ancient Hebrews sought emancipation is conceptually still present.

Slavery finds many forms and takes on various appearances. In days of old, it was depicted by a whip-toting taskmaster hovering over a slave with a chain wrapped around his ankle. Today, bondage is often found in our jobs, relationships and attitudes where we find ourselves addicted to a certain negative trait and find it excruciatingly difficult to “break free.” Sometimes we are trapped in a bad relationship or negative habitual behaviors with no easy way out.  Then there are those who are enslaved to material items and cannot possibly fathom life without them. At times we box ourselves into believing less in ourselves then we are truly capable of. Are these not the modern-day equivalents of slavery?

Therefore, every year as we begin the holiday of Passover and the celebration of freedom, we are reminded that the stories we recount and the rituals we observe are more about a commitment to the present then reminiscing about the past. During this time of year, we once again reaffirm our obligation to fight all forms of bigotry, negativity and slavery, be they within or without, to think and do “out of the box,”  realize and actualize our true potential. And, most important, we devote ourselves to being positive members of society at a time when we all crave the most priceless blessing of all: peace on earth.

Rabbi Mendy Goldberg is the Rabbi at Lubavitch of the East End in Coram.

by -
0 3389
Ukrainian Easter eggs are decorated with traditional Ukrainian folk designs using a wax-resist (batik) method. Photo from RBCC

Resurrection Byzantine Catholic Church, located at the corner of Edgewater and Mayflower Avenues in Smithtown, invites the community to take part in its 5th annual Traditional Ukrainian Easter Egg (Pysanky) workshop on March 6 and 13 from 1 to 3 p.m.

The two-day workshop, which will take place in the church’s Social Hall, is open to all levels of experience. Learn and complete your first egg, discover new patterns and tips or show your skills and enjoy the company. Bring your dyes and tools or start fresh with a new kit, available for an additional $15. Each participant must bring a candle in a holder, pencils and a roll of paper towels.

Two day class fee is $20. Advance registration is required by calling Joanne at 631-332-1449 after 6:30 p.m. or email [email protected]. Deadline to register is Feb. 19.

Kevin McGuire as Kris Kringle in a scene from ‘Miracle on 34th Street — The Musical’ Photo by Michael DeCristofaro

By Charles J. Morgan

With perfect timing, “Miracle on 34th Street — The Musical” arrived at the John W. Engeman Theater in Northport last weekend to usher in the holidays. When the playbill tells you that the book, lyrics and music were all done by Meredith Willson of “The Music Man” fame, one knows that they are in for some solid musical theater entertainment. And so it was with this effort, attempting to prove there really was a Santa Claus, lifting it all from what could have evolved into crass, sentimental claptrap up to a paean to the goodness and the true warmth of Christmas.

Direction was in the hands of Richard T. Dolce who is also production director of the Engeman. His talents were, as usual, quite evident in blocking done smoothly, and interpretation, making the characters into individuals.

Dolce made the female lead Susan Walker, played by Meaghan Marie McInnes, the secular positivist, devoid of emotion, unbeliever, into the loving, caring mother and equally loving woman opposite ex-Marine Fred Gaily, handled neatly by Aaron Ramey. The innate talents of both in acting and singing shone through brightly. The complementarity of his near-lyrical tenor and her plangent soprano coalesced not merely musically but also intimately … despite a slapped face from her and a stolen kiss by him. The two were the jeweled bearing that the whole story  turned on.

Then there was Kris Kringle played handily by Kevin McGuire. Fully bearded, avuncular, outgoing, knowledgeable … he even sings in Dutch! He never relents in proclaiming himself to be Santa Claus. His singing voice was a powerful tenor. Matt Wolpe plays Marvin Shellhammer, the officious climber. He is perfectly styled as the pushy “idea” man who thinks up the marketing plan to sell plastic alligators as a Xmas sale only to be rebuffed by R.H. Macy who threatens to fire him because he had fired Kris who was telling customers to buy at Gimbels or FAO Schwartz. Macy is handled by Bill Nolte, gruffly but efficiently, the image of the impervious CEO.

The Ensemble was based on the “platoon” system, the Red and Green crew. On opening night, the Red crew was on and the ubiquitous Antoinette DiPietropolo, one of the most talented choreographers in town, wrought her ever present terpsichorean magic.

Music had David Caldwell on keyboard directing with Brian Schatz on reeds; the indefatigable Joe Boardman on trumpet; Frank Hall and Paul Sieb on trombones; Russell Brown on bass; and the rock solid Josh Endlich on percussion. This outfit revealed (again) a range of skills that has marked the success of many other Engeman productions.

Musical numbers such as “Plastic Alligators” by Shellhammer and his clerks was piercingly funny. Kris Kringle’s “Here’s Love with McInnes” with Ramey and the Ensemble  was practically the signature number of the show. Your scribe was deeply impressed with “She Hadda Come Back” by Ramey and three of his card-playing buddies in Act II but was bowled over with laughter by “My State, My Kansas” by Macy, Shellhammer, Nick Addeo, Todd Thurston as a judge and Kim Carson as a legal secretary. It was a vaudeville quartet plus one and done in a courtroom. Certified hilarious.

Staging and lighting were under the direction of Stephen Dobay and Jimmy Lawlor, whose integration of the know-how pulled together all the elements of what made the “miracle” of this show.

Er, one more thing. Your scribe referred to Kris singing in Dutch. Please let him express himself in the only Dutch expression he knows: Gelukkig Kerstfest (Merry Christmas).

The John W. Engeman Theater, 250 Main St., Northport will present “Miracle on 34th Street — The Musical” through Jan. 3, 2016. Tickets range from $69 to $74. For more information, call 631-261-2900 or visit www.engemantheater.com.