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Heidi Sutton

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Barbra Streisand in a scene from 'Hello Dolly'

By Heidi Sutton

I am simple, complex, generous, selfish, unattractive, beautiful, lazy, and driven. — Barbra Streisand

What can one say about Barbra Streisand? In a career spanning six decades, the legendary singer, songwriter, actress, author and filmmaker has won multiple Academy Awards, Grammys, Emmys, Golden Globes, Tonys and a Peabody, proving that the incredible voice that launched her career was only one of her remarkable talents. 

So it was only natural for Sal St. George to pay tribute to the legendary star in his latest Living History Production, now playing at the Ward Melville Heritage Organization’s Educational & Cultural Center in Stony Brook Village through June 14. 

Barbra Streisand at the 1969 Academy Awards with her best-actress Oscar for her role in ‘Funny Girl.’ Photo courtesy of Photofest

According to St. George, the show focuses on a specific turning point in Streisand’s career. “The story takes place in 1969. Barbra recently won the Oscar for “Funny Girl” and her latest movie, “Hello Dolly” has just been released,” he said, adding, “This was a pivotal time in young Barbra’s life. She was divorcing Elliot Gould at this time, as well.” 

Now the 27-year-old is a special guest on the fictitious sixties talk show, “The Dixie Carlyle Program.” Formatted as if the audience is coming to a live taping of the show, Streisand is interviewed about her life and career. 

The original script was written by St. George. “It takes approximately three months of research before the actual writing process begins,” he explained.

Gabrielle Lutz, who plays the role of talk show host Dixie Carlyle, said “I love creating a character from scratch. Dixie is fun and off-beat. You never know what she is going to do next.”

Sarah Franco tackles the role of Streisand in the show. “When Sarah auditioned and sang for us I immediately heard the sound of Barbra’s voice,” said St. George. “She is a disciplined and hard-working actor. I knew she would be able to personify the legendary singer.”

“How do you portray an icon like Barbra? I just try to master her mannerisms and vocalizations,” said Franco. “I also enjoyed the opportunity to portray the real Fanny Brice in this show. We recreate a Baby Snooks radio show.” Franco will sing many of Streisand’s hits from that time period during the 90-minute show.

Sarah Franco will portray Barbra Streisand in the show.

St. George’s son, Darren, who has been featured in numerous productions over the years, most notably as Tobias Brunt, the ruthless Bounty Hunter in “Running Scared, Running Free” and as Edgar Allan Poe, has the role of Danny DeLuca. “This is one of the most ambitious shows we have ever mounted. The finale will surprise and delight you. It was a challenge to produce, but it is all there onstage for the audience to enjoy,” said Darren.

After the performance, participants will be treated to a high tea luncheon featuring finger sandwiches (tuna, cucumber and chicken), assorted pastries, coffee and tea provided by Fratelli’s Italian Eatery of Stony Brook along with a meet and greet with the actors.

For Sal St. George, he’s already planning the next show. “This is our sixteenth year producing programs for the WMHO. Soon we will be preparing for our holiday program. The special guest has not yet been finalized. But we are looking to do the story of another successful female entertainer and icon — a very famous country western star.” Stay tuned.

Partially sponsored by Roosevelt Investments, the Ward Melville Heritage Organization Educational & Cultural Center, 97P Main St., Stony Brook will present a musical tribute to Barbra Streisand on Wednesdays, Thursdays and Saturdays at 11:30 a.m., and Sundays at 12:30 p.m. Available dates at press time are May 17, 19, 23, 30, 31, June 2, 7, 9, 10, 13 and 14. Admission, which includes lunch, is $50 adults, $48 seniors and $43 for groups of 20 or more. To make reservations, call 631-689-5888. For more information, visit www.wmho.org.

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Mothers embrace one another during a Hope Walk for Addiction rally at Cedar Beach in Mount Sinai last year. Photo by Kevin Redding

TBR News Media raked in 11 New York Press Association awards last weekend.

The company won prizes across the gamut of categories, from news and feature stories to photos and advertisements.

“I am so proud of the staff at TBR News Media that works hard to deliver the news each week,” Publisher Leah Dunaief said. “We are delighted to be among the top winners in the contest, as we are every year.”

“Comprehensive, sustained coverage of a life-or-death infrastructure issue. Lede with compelling citizens rather than reports from bureaucrats or written statements.”

— NYPA judges

In the feature story category, TBR News Media had two winners for its division amongst publications with similar circulation. Port Times Record Editor Alex Petroski won first place for his story on how a local political party boss helped President Donald Trump (R) win Long Island votes.

“Following the election, many wondered, ‘How did Trump win?” judges wrote about Petroski’s piece titled “One on one with the man who helped Donald Trump win Suffolk County,” which profiles Suffolk County Republican Committee Chairman John Jay LaValle and details his relationship with the president. “This story answers that on a micro level with an in-depth interview of the man who helped Trump in Suffolk County. I think more papers would have been well served to seek out similar stories.”

Reporter Kevin Redding took third in the same category for his story for The Village Times Herald on a spooky local bar in Smithtown.

“A perfect pre-Halloween story about the haunted local watering hole,” NYPA judges said. “Plenty of examples of what some have seen, heard and felt, which is just what you’d want from a story about a haunted building.”

Petroski also won second place in Division 3 for his ongoing coverage on a boat ramp in Port Jefferson Village where two people had died and at least one other was severely injured, in the news series cateogry. Times of Huntington Editor Sara-Megan Walsh took third place in the same category.

“Comprehensive, sustained coverage of a life-or-death infrastructure issue,” the judges wrote of Petroski’s five-piece submission that included three stories, a front page and editorial on the topic. “Lede with compelling citizens rather than reports from bureaucrats or written statements. Narrative scene-setting ledes can make stories like this more important and compelling.”

Alex Petroski’s story on how Donald Trump won Suffolk County won a first-place feature story prize.

Redding also roped in a second award, getting a third-place nod in feature photo Division 2 for a picture he took for The Village Beacon Record at Hope Walk for Addiction at Cedar Beach in Mount Sinai.

“There was tight competition for third place, but the emotion on the faces of the people in this photo put it a step above the rest,” the judges said of the women hugging and crying in the photo, who’d lost loved ones to battles with addiction.

Arts and Lifestyles Editor Heidi Sutton won first place in the Division 2 picture story category for her layout of local Setauket resident Donna Crinnian’s photos of birds in Stony Brook Harbor. The picture essay was titled “Winged Wonders of Stony Brook.”

“Elegant way to showcase nature of our feathered friends,” NYPA judges wrote.

Director of Media Productions Michael Tessler received an honorable mention in Division 2 coverage of the arts for his review of Theatre Three in Port Jefferson’s rendition of “A Christmas Carol.”

“Nice photos and an insightful story on the characters portraying a beloved classic,” judges said.

The Village Times Herald won first place for its classified advertising, as judges said it was “clean, precise, well-spaces and not crowded,” and Wendy Mercier claimed a first-place prize for best small space ad. TBR News Media’s Sharon Nicholson won second place for her design of a best large space ad. The Village Times Herald ranked in the Top 5 in total advertising contest points with 50, good for fourth place. The first-place winner, Dan’s Papers, received 90.

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LEAVE US IN PEACE — WE JUST WANT TO DO PLAYS! TracyLynn Conner, Dondi Rollins and Morgan Howell Rumble in a scene from ‘Dark’

By Heidi Sutton

When a One-Act Play Festival receives 415 submissions, it cannot be easy to choose just a handful. But that’s exactly what Theatre Three’s Festival of One-Act Plays founder and Executive Artistic Director Jeffrey Sanzel was tasked with doing this year and the result is extraordinary. Showcasing seven original works, the annual festival opened last weekend for a 10-performance run.

“For the first time on any stage, these works come to life,” explained Sanzel, who also serves as director. “These are premieres; they are ‘firsts.’ A comedy [is] followed by a drama, a farce by an experimental work …” in a two-hour marathon in the cozy setting of The Ronald F. Peierls Theatre on the Second Stage, a space so intimate that it “allows the audience to breathe the same air as these … characters. There is no wall. There is no division.”

Steve McCoy and Dylan Robert Poulos in a scene from ‘At the Circus’

The show kicks off with Chip Bolcik’s “At the Circus,” starring veteran actor Steve McCoy and festival newcomer Dylan Robert Poulos. In an ironic twist, a trapeze artist (McCoy) and a clown (Poulos) have grown tired of life in the circus and dream of a life of normalcy, of running away with the audience. They long to have a house with a window to look out of, a driveway, the opportunity to drive to the grocery store. “They have no idea how lucky they are, do they?” wonders Poulos as he looks longingly into the crowd, giving nod to the old adage “The grass is always greener on the other side of the fence.”

Next up is “Interview with the First Family” by Tom Slot, a behind-the-scenes reality TV look at what really happened in the Garden of Eden and where they are now. Adam (Antoine Jones) is a surfer, Eve (Susan Emory) works at a bakery — “People can’t get enough of my apple pie,” Cain (Morgan Howell Rumble) is a convict doing time for killing his brother Abel and God (Linda May) is just sitting back seeing how the world spins and working on her stand up act. Her biggest regret? Creating the mosquito. 

“Plumb Desire,” written by Patrick Gabridge, is a hilarious take on how hard it is to find a good handyman these days and the relationships that develop. Darius (played by Steve Wangner) has found such a man in Jackson (Dondi Rollins), a plumber who has been renovating his bathroom. Jackson hasn’t shown up lately so Darius tracks him down and tries to woo him back with flowers and a six pack of beer. “I’ve been searching for a plumber for so long and you are the one,” he whines, adding, “Do you remember when we   replaced all the vents on the radiators?” Jackson finally breaks down and admits that “sometimes plumbers can be flaky — it comes with the territory.” Will he be back on Monday to finish the job?

TracyLynn Conner and Meg Bush in a scene from ‘Class”

Comedy switches to drama with Andrea Fleck Clardy’s “After Class.” Madison (Meg Bush in a powerful performance) is a mentally disturbed student who speaks of bringing a gun she’s nicknamed “Kim” to class as her teacher Amy Clausen (TracyLynn Connor) struggles with handling the scary situation.  

After intermission, “Bird Feed” by Melanie Acampora takes center stage. Three pigeons sit on a ledge in Manhattan chatting. It’s Georgie’s (Susan Emory) birthday — she’s two years old today. Her friends Bertha (Meg Bush) and Rayna (Nicole Bianco) want to take her out to celebrate when Bertha overhears someone saying that the average life span of a pigeon is just two and half years, leading to a contemplation on birthdays and mortality.  

There’s a mole loose in the world of acting in Jack McCleland’s “Dark.” It’s open hunting season and actors are being picked off one by one. Every time they find a hiding spot, they are mysteriously found and shot to death. Three actors — Steve (Morgan Howell Rumble), Meg (TracyLynn Conner) and understudy Carl (Dondi Rollins) are holed up in a warehouse and are being ordered to come out. “Leave us in peace! We’re actors — we just want to do plays!” they plead. One last warm up and they venture outside and the snitch is finally revealed as Ethel Merman’s rendition of “No Business Like Show Business” plays jubilantly in the background.

Meg Bush, Nicole Bianco and Susan Emory in a scene from ‘Bird Feed’

Sanzel saves the best for last with Charles West’s courtroom spoof, “Home Versus the Holidays.” A man is on trial for waving a sword at a church group singing Christmas carols in front of his home. The audience is sworn in as the jury and the judge (Linda May) calls the first witness to the stand, the chaperone to the group (Steve Wangner).

After the district attorney (Nicole Bianco) asks him some questions, the defense lawyer (Antoine Jones) is allowed to cross-examine and hilarity ensues. Using visuals, song lyrics and the alleged weapon, Jones turns the Christmas spirit on its head in a stunning performance that must be seen to be believed. You’ll be in stitches long after the show ends.

With an excellent lineup and incredible cast, this festival is not to be missed. Get your ticket before they’re sold out.

The cast: Nicole Bianco, Meg Bush, TracyLynn Conner, Susan Emory, Antoine Jones, Linda May, Steve McCoy, Dylan Robert Poulos, Dondi Rollins, Morgan Howell Rumble, Steve Wangner

Sponsored by Lippencott Financial Group, Theatre Three, 412 Main St., Port Jefferson will present The 21st Annual Festival of One-Act Plays through May 6. Contains adult language and subject matter. Parental discretion is advised. Running time is two hours with one 15-minute intermission. Tickets are $20. To order, call the box office at 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

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Zinnia Queeny Lime Orange
Canna South Pacific Orange F1
Marigold Super Hero Spry
Tomato Valentine F1

By Heidi Sutton

If you’re like me, you are just chomping at the bit to get your garden started. 

After a winter plagued with one snowstorm or nor’easter after another, it’s hard to believe that spring has finally arrived. Avid gardeners hibernating in their homes for what seemed like months have been keeping their spirits high by perusing the gardening catalogs for the latest plants and products, all the while patiently waiting for the ground to thaw.

In perfect timing, All-America Selections recently announced National Winners for 2018 — new varieties of flowers, fruits and vegetables that will do well in any climate throughout the United States and Canada. With fun names like Sweet American Dream, Super Hero Spry, Queeny Lime Orange, Valentine and South Pacific Orange, these cultivars are the best of the best, beating out thousands for the ultimate title.

Since 1932, this nonprofit organization has annually tested new varieties of flowers and vegetables in various locations throughout the United States and Canada. Judges look for improved qualities such as disease tolerance, early bloom or harvest dates, taste, unique colors and flavors, higher yield, length of flowering or harvest and overall performance.

Here’s what the judges had to say about some of the award winners:

1. Zinnia Queeny Lime Orange: A “WOW” color in an easy-to-grow zinnia is what this flowering annual brings to the garden. Sporting lovely, large, dahlia-like blooms on a sturdy, compact plant, this variety provides cut-flower gardeners and growers with a wonderful hue for today’s floral trends. The unique color evolves from dark coral/peach/orange to a light peach with a dark center as the flowers age and each uniform plant produces prolific deeply fluted blooms that last about 3 weeks without preservatives or feed.

2. Canna South Pacific Orange F1: This variety is more vigorous, more uniform and has more basal branching than comparison cannas. It offers an outstanding bloom color in an attractive, vivid bright orange that contrasts nicely with the bright green foliage. Pollinator gardens will love this addition of an attractive canna that sports uniformly colored flowers over a long blooming period. Bonus: This canna is grown from seed, not tuber, meaning less chance of succumbing to disease.

3. Marigold Super Hero Spry: Super Hero Spry is a lovely compact (10 to 12 inches) French marigold with dark maroon lower petals and golden yellow upper petals perched on top of the dark green foliage. The list of winning attributes includes a more uniform and stable color pattern, earlier to bloom and no deadheading required. These stunning blooms make any garden fit for a Super Hero!

4. Tomato Valentine F1: Hands down, the judges agreed this was the most appealing grape tomato they trialed. With an appetizing deep-red color, it has a very sweet taste and will hold longer on the vine without cracking or losing the excellent eating quality. The plant is quite prolific and will mature early (55 days from transplant). Gardeners should plan on staking the indeterminate vines for best results. Tomato lovers will appreciate the sweet, firm flesh that is meaty enough to resemble a Roma tomato but in a smaller, grape-type fruit. These easy-to-harvest tomatoes can take the summer heat and keep on producing.

5. Corn, Sweet American Dream: With its excellent germination, very tender, super sweet kernels, this newbie will make a great addition to the home garden. American Dream matures slightly earlier than the comparisons and produces vigorous, healthy plants with cobs that have good tip fill of bicolored kernels. Plants grow 6 to 7 feet tall and mature in 77 days after planting the seed. Perfect fresh, roasted, grilled, canned or frozen.

For a complete list of the new plants chosen by the AAS, as well as other information about the organization, visit its website at www.all-americaselections.org

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The cast of ‘12 Angry Men’. Photo by Peter Lanscombe, Theatre Three Productions Inc.

By Heidi Sutton

For a play that takes place in a single room, “12 Angry Men” has had quite a ride. Written by Reginald Rose after he served as a juror on a manslaughter case, it was turned into a made-for-television movie and broadcast live on the CBS program Studio One in 1954. 

The success of the television production resulted in a film adaptation in 1957. Starring Henry Fonda and Jack Klugman, the movie is consistently ranked as one of the greatest courtroom dramas of all time and was selected for preservation in the United States Film Registry in 2007 for being “culturally, historically or aesthetically significant.”

From left, Michael Mingoia, John McNamara, Steven Uihlein, Jack Green, Gene Durney, Steve Ayle and Michael Newman.

And significant it is. Over 60 years later, the behind-closed-doors look at the American legal system continues to make an impact in community theaters all around the world. This month, it makes its way to the Mainstage of Theatre Three, a stark contrast to its last production, “Nunsense,” and is more relevant than ever.

Twelve men from different backgrounds sit on a jury where the accused has been charged with murder in the first degree … premeditated homicide. They are tasked with deliberating the guilty or innocent verdict beyond a reasonable doubt of a teenage boy who is accused of stabbing his father with a switchblade. If found guilty, he could face the electric chair. The judge orders the jury to “separate the facts from the fancy” and the deliberations begin.

Jim Pearsall, Michael Newman, Michael Mingoia and Gene Durney.

Directed by Bradlee Bing, the seasoned cast does a terrific job conveying the sense of grave responsibility. As the jurors are led into the deliberating room, the security guard (Alan Schelp) locks them in, giving the sense of being held hostage until a decision is made. 

The actors also effectively convey the temperature in the room by taking turns to fix the “broken” air conditioner, taking off their jackets, taking a sip of water and wiping their foreheads and back of necks. The audience feels the heat, which adds to the volatile environment that envelops the room.

The odds are stacked against the teenager. There are three witnesses, there’s a motive (his father beat him regularly), his alibi is shaky and the murder weapon belongs to him, “But sometimes the facts staring you in the face are wrong.”

A preliminary vote results in 11 guilty, one not guilty — Juror #8, played by Steve Ayle. “Boy, oh boy, there’s always one!” The majority of the jury just want to get out of there and get on with their lives. One has tickets to a baseball game, another wants to get back to running his business and so on. 

Foreground, from left, Mihcael Mingoia, Jack Green, Jules Jacobs, Steven Uihlein; background, from left, David Altman, Joseph Cavagnet and Leonard DeLorenzo

But Juror #8 has doubts and he’s not ready to give in to peer pressure. “A man’s life is on the line …” He asks to see the murder weapon again, to see the layout of one of the witness’ apartment, always questioning and pointing out inconsistencies as the other jurors change their vote one by one.

The characters and plot and suspense develop slowly and that’s the beauty of it. From “You couldn’t change my mind if you talked for a hundred years” and “We don’t owe this kid a thing” to “Maybe we should talk about it” and “We have a job to do, let’s do it” to the final “Let him live,” the emotional progression is an incredible thing to watch.

The end result is a powerful and thought-provoking evening at the theater. The endless clapping at the end of the first act and the standing ovation at the end of Saturday’s opening night performance was most well deserved.

The cast: Joseph Cavagnet, Leonard DeLorenzo, Jack Green, John McNamara, Steven Uihlein, Jim Pearsall, Michael Newman, Steve Ayle, Jules Jacobs, Gene Durney, David Altman, Michael Mingoia and Alan Schelp

Sponsored by Bridgehampton National Bank for the third year in a row, Theatre Three, 412 Main St., Port Jefferson will present “12 Angry Men” through May 5. Running time is two hours and 10 minutes with one 15-minute intermission. The Mainstage season closes with the musical comedy whodunit “Curtains” from May 19 to June 23. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

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Sherlock Gnomes saves the day in the sequel to ‘Gnomeo & Juliet.' Photo courtesy of Paramount Pictures

By Heidi Sutton

It’s been seven years since moviegoers were invited into the magical world of garden gnomes with Touchstone Pictures’ “Gnomeo & Juliet,” the charming animated film loosely based on William Shakespeare’s timeless tragedy while celebrating the music of Sir Elton John. 

Juliet and Gnomeo are back for a new adventure.

Set in the English town of Stratford-upon-Avon, the story, which features a star-studded cast, takes place in the backyard gardens of two feuding elderly neighbors — Mr. Montague and Miss Capulet. Their garden gnomes, which are blue and red, respectively, are also strict enemies until Gnomeo (blue) and Juliet (red) secretly fall in love and manage to unite the two gnome clans.

I remember taking my daughter and her friends to see this movie and being so enamored by it that I went to a bunch of garden centers the following day and snatched up all the red and blue garden gnomes I could find to put in my rock garden. 

Now Paramount Pictures and MGM Studios bring audiences a sequel to the adorable fairy tale, “Sherlock Gnomes,” with all of the original characters you love including Gnomeo (James McAvoy), Juliet (Emily Blunt), Lord Redbrick (Michael Caine), Lady Bluebury (Maggie Smith), Nanette the Frog (Ashley Jensen), Benny (Matt Lucas), Mankini (Julio Bonet) and Fawn (Ozzy Osbourne) in a brand new mystery adventure directed by John Stevenson.

The Montagues and Capulets have married and moved to London. Their collection of garden gnomes have also made the trip, albeit to a much smaller garden that needs a lot of work, “a fixer upper” of sorts. Gnomeo decides that the garden needs a centerpiece, Juliet’s favorite flower — a Cupid’s Arrow Orchid — and ventures out into the city to find one. When Juliet discovers Gnomeo’s plan, she follows him and ends up rescuing him when he becomes trapped in a florist shop.

Sherlock Gnomes and Watson are on the case of the missing garden gnomes.

When the couple returns home, they find that all of their friends as well as gnomes in seven other gardens have been kidnapped, “an ornamental crime on a scale never seen before.” They must be rescued within 24 hours or they’ll be smashed to smithereens. The police are too busy to help, so Sherlock Gnomes (Johnny Depp), sworn protector of garden gnomes, and his trusty sidekick Watson (Chiwetel Ejiofor) take the case. Sherlock is convinced this is the work of his arch nemesis Moriarity (Jamie Demetriou) and, along with Watson, Gnomeo and Juliet, follows a trail of clues to find the gnomes, with lots of plot twists and turns along the way. Will the case be solved in time?

A nice touch is the many places in London that the detective team visit to find clues including the Royal Green Park, the Natural History Museum, Chinatown and Tower Bridge. While Elton John recently announced he is retiring from touring, his music will live on in this film with catchy songs like “Don’t Go Breaking My Heart,” “Saturday Night’s Alright for Fighting” and “I’m Still Standing” peppered throughout.  

Although this sequel is not as good as the original, as sequels rarely are, “Sherlock Gnomes” is still worth a trip to the theater for its visually stunning and lifelike animation, wonderful music and positive message to not take your friends for granted. By the same token, it is highly recommended that “Gnomeo & Juliet” be seen first as it will help in relating to the humor and connecting to the characters better. And I’ll be visiting the garden center to stock up on green garden gnomes. Running time is 1 hour and 26 minutes. 

Rated PG for rude and suggestive humor, “Sherlock Gnomes” in now playing in local theaters.

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‘Dance of the Haymakers’ by William Sydney Mount, 1845

By Heidi Sutton

Now through Sept. 3, The Long Island Museum in Stony Brook presents a delightful treat: a special exhibit titled Perfect Harmony: The Musical Life and Art of William Sidney Mount.

William Sidney Mount (1807-1868) was a renowned artist best known for his genre paintings, although he also painted landscapes and portraits. Born in Setauket, Mount lived in Stony Brook and painted many local scenes. A man of many talents, Mount was also a musician (he played the fiddle and fife), composer and inventor, designing a hollow-back violin that he named the Cradle of Harmony.

‘The Banjo Player,’ 1856, by William Sidney Mount, oil on canvas, gift of Ward and Dorothy Melville. Image from LIM

So many of Mount’s paintings incorporate music into the scene, whether it is dancing or playing a musical instrument so it was only natural to “connect his two major passions in life,” according to the exhibit’s curator, Joshua Ruff, director of collections and interpretations and chief curator at The LIM.

Currently on view in the Victoria V. Costigan Gallery in the Art Museum on the hill, the fascinating exhibit links Mount’s music and art with more than 20 oil paintings, pencil drawings, musical instruments, original compositions and more.

Of course, it is the incredible oil paintings, drawn from the museum’s unsurpassed collection, that take center stage. “Catching the Tune,” “Dancing on the Barn Floor,” “Just in Tune” and the famous “Dance of the Haymakers,” among others, are displayed in all their glory.

The portraits, some of which are over 160 years old, are as colorful and vibrant as ever. “Both William and his brother, Shepard Alonzo Mount, were really great at painting eyes and giving one the feeling like they are sitting in a room across from you,” commented Ruff, who has a fondness for “The Banjo Player.”

‘Just in Tune,’ 1849, oil on canvas, by William Sidney Mount, gift of Ward and Dorothy Melville. Image from LIM

Situated toward the center of the room is a unique music stand that Mount illustrated with sheet music of early American folk tunes including “Dearest Ellen” and a patriotic Fourth of July song. “These musical pieces were popular in the 19th century,” explained Ruff during a recent tour. The stand was designed to accommodate four musicians at a time and Ruff said that Mount most likely used it. “I would be surprised if he didn’t,” said the curator.

Also on display are some of Mount’s compositions including “In the Cars on the Long Island Railroad” and “The Musings of an Old Bachelor,” as well as musical instruments — a tin whistle, hornpipe, tuning fork — which belonged to the Mount family. A piano owned by Mount’s uncle Micah Hawkins sits in the corner. A General Store owner at Catherine’s Market in lower Manhattan, Hawkins composed music and to some extent was an influence to Mount “but his whole family was passionate about music,” said Ruff.

Along with Mount’s personal violin and initialed case, three prototypes of Mount’s Cradle of Harmony are also on view. “It’s nice that we were able to have all three examples of the violin that he designed and we have the 1852 patent design drawing for the first one,” the curator said.

In the background, a video plays several of Mount’s compositions, initially recorded by violinist Gilbert Ross for the Smithsonian in 1976 on its own Cradle of Harmony, tying the exhibit together perfectly.

“It is amazing how Mount was just able to bring music and art together and combine it. Until you have all [these items] gathered in a gallery you don’t necessarily appreciate just how much he was setting a violin down and picking up a paintbrush,” reflected Ruff. “Where one started and one finished is not always clear … nor should it be. It was just this continuing, constant influence and important part of his life.”

Related programs

Art & Music lecture

The Atelier at Flowerfield, 2 Flowerfield, St. James will present a lecture on the Perfect Harmony exhibit with guest speaker, curator Joshua Ruff, on Thursday, April 12 from 7 to 8:30 p.m. in Atelier Hall featuring an early American fiddle performance by Director Kevin McEvoy. Suggested donation is $10. For more information, call 631-250-9009.

Mount tribute concert

On Saturday, April 14, The LIM will host a concert by the Manhattan-based Red Skies Music Ensemble at 2 p.m. The group will bring Mount’s music and art to life through visual imagery and theatrical interpretation of songs from the artist’s own collection. One of the musicians will play Mount’s Cradle of Harmony. Followed by a Q&A. Admission is $20 adults, $18 seniors, $15 members and students. To register, call 631-751-0066, ext. 212.

Hands-On Art

Students in grades K through 4 can take part in an after school program, Hands-On Art, on Thursday, May 3 from 4:30 to 5:30 p.m. by visiting the Perfect Harmony exhibit and taking inspiration from William Sidney Mount to combine music and art. $10 per child. To register, call 631-751-0066, ext. 212.

The Long Island Museum, 1200 Route 25A, Stony Brook will present Perfect Harmony: The Musical Life and Art of William Sidney Mount through Sept. 3. The museum is open Thursday, Friday and Saturday from 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m. Admission is $10 adults, $7 seniors, $5 students, children 5 and under free. For further information, call 631-751-0066 or visit www.longislandmuseum.org.

 

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Donna and the Dynamos put on a show the night before Sophie’s wedding.
Michelle Rubino as Sophie
Christina D'Orta as Donna
'Voulez-Vous'
'Chiquitita'
Mark Cahill (Harry) and Christine D'Orta
Donna and the Dynamos
Andrea Galeno (Rosie) and Michael Bertolini (Bill)
Christina D'Orta (Donna) and Steve Corbellini (Sam)
Stephanie Moreau (Tanya)
The cast of 'Mamma Mia!'
The three 'dads' - Sam, Bill and Harry
Reading of the diary
A scene from 'Mamma Mia!'
A scene from 'Mamma Mia!'
Michelle Rubino (Sophie) and Niko Touros (Sky)
Donna and the Dynamos

By Heidi Sutton

“Mamma Mia!” has had quite a run so far and shows no sign of slowing down. The jukebox musical, based around the music of Swedish pop group ABBA, was a 14-year-long hit on Broadway. When it closed in 2015, it earned the title as the eighth longest-running show in Broadway history. The show was adapted for the big screen in 2008 with a sequel titled “Mamma Mia! Here I Go Again” set to be released this July. Now the smash hit arrives at the Smithtown Center for the Performing Arts and does not disappoint.

Written by Catherine Johnson, with music and lyrics by former ABBA members Benny Andersson and Björn Ulvaeus, as well as some songs with Stig Anderson, “Mamma Mia!” tells the story of 20-year-old Sophie (Michelle Rubino) who has grown up on a small Greek island with her single mother, Donna, who runs a taverna.

Sophie is getting married to her fiancé Sky (Niko Touros) and wants to have her father walk her down the aisle. The problem is that she doesn’t know who that is! Her mother (Christina D’Orta), the former lead singer of the 1970s pop group Donna and the Dynamos, refuses to talk about the past, so Sophie decides to take matters into her own hands. “I want to get married knowing who I am.”

After reading her mother’s diary, she narrows the possibilities down to three men, the Australian adventurer Bill (Michael Bertolini), the debonair architect Sam (Steve Corbellini) and London banker Harry (Mark Cahill) and secretly invites them to the wedding. When all three show up, Sophie turns detective to try to find her real father. When the “dads” start to figure things out (“This is beginning to look like a set up …”) all three offer to give Sophie away, and confusion and mayhem ensues.

Donna, on the other hand, is forced to reconnect with her past and face her demons, especially with Sam who she thinks cheated on her. Fortunately, she has invited her two lifelong girlfriends and former band members, Tanya (Stephanie Moreau) and Rosie (Andrea Galeno) to the wedding who help her get through it with tears and laughter.

I remember seeing the show on Broadway at the Winter Garden Theater years ago and, except for the encore, did not enjoy it. Seeing it again last Sunday in the balcony of this quaint community theater on Smithtown’s Main Street has renewed my faith. Why? Let me count the ways.

The level of professionalism: Tommy Ranieri directs an incredibly talented cast of 20 who clearly love what they are doing. All the actors fit perfectly in their roles, especially evident in the chemistry between D’Orta and Corbellini and Rubino and Touros.

The feel-good music: The show features such classic hits as “Dancing Queen,” “Money, Money, Money,” “Super Trouper,” “Mamma Mia,” “The Name of the Game” “Voulez-Vouz,” “The Winner Takes it All,” “Honey, Honey,” “Chiquitita,” “Gimmie, Gimmie, Gimmie” and “S.O.S” to name a few.

The singing: Where to begin? This ABBA songfest takes viewers on an emotional rollercoaster with one musical number after another. Donna’s solo, “Slipping Through My Fingers,” is lovely and heartfelt and Tanya’s sexy number, “Does Your Mother Know,” is an audience favorite. Rosie and Bill’s duet, “Take A Chance on Me,” is hilarious and Donna and Sam’s duet, “S.O.S,” is heartwrenching.

The choreography: The musical numbers, choreographed by Danielle Nigro, are superb, especially during “Voulez-Vous” where the dancers flop around in wet suits and flippers in perfect rhythm — not an easy feat.

The impeccable costumes: Costume design by Ronald Green III is on point, ranging from fun beach garb to wedding attire to the flashy 1970s dance costumes in the finale where even the men wear heels.

The clever set: Designed by Timothy Golebiewski, the set features classic white walls that swivel back and forth, revealing a beachfront restaurant with a fully stocked bar and bar stools on one side and a bedroom on the other. The background features images of palm trees and clouds with soft hues of blues and pinks.

The encore: Cast members come down into the aisles and, with very little nudging, invite the audience to join them in dancing, clapping and singing to a remix of “Mamma Mia,” “Dancing Queen” and “Waterloo.”

If you love the songs of ABBA, go see this show. If you’ve seen “Mamma Mia!” on Broadway and loved it, go see this show. If you didn’t enjoy “Mamma Mia!” the first time around, go see this show and see it done right.

The Smithtown Center for the Performing Arts, located at 2 East Main Street, Smithtown will present “Mamma Mia!” through April 29. Running time is 2.5 hours with one 15 minute intermission. For mature audiences due to mild language and sexual content.

The season continues with “Dreamgirls” from May 12 to June 17; the northeastern regional premiere of “We Will Rock You,” a musical based on the songs of Queen, from July 7 to Aug. 19; and “Fun Home” from Sept. 8 to Oct. 21. Tickets are $38 adults, $34 seniors and $25 students. To order, call 631-724-3700 or visit www.smithtownpac.org.

All photos by James Gorman

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Cast of Theatre Three's 'Nunsense'. Photo by Brian Hoerger, Theatre Three Productions Inc.

By Heidi Sutton

Theatre Three continues its 48th season with the heavenly musical comedy “Nunsense.” The show, which opened on the Mainstage last Saturday evening, catered to a packed house ready to sit back, relax and have some fun. And judging by the rip-roaring laughter all night, it did not disappoint.

With book, music and lyrics by Dan Goggin, the original Off-Broadway production opened in 1985 and ran for 3,672 performances, becoming the second-longest-running Off-Broadway show in history. By the time it closed 10 years later, “Nunsense” had become an international phenomenon, having been translated into over 20 languages with more than 8,000 productions worldwide.

TracyLynn Conner, Sari Feldman and Jessica Contino in a scene from ‘Nunsense’

Now the congregation has taken up residence at Theatre Three and although Catholics will most identify with this hilarious show, audiences of all faiths are sure to have their spirits lifted as well.

The Little Sisters of Hoboken are in a bit of a pickle. While 19 of the nuns are off playing Bingo, the convent’s cook, Sister Julia, Child of God, accidently poisons the remaining 52 nuns by serving them a batch of botulism-laced vichyssoise. As one nun quips, “For 52, bon appetite was also bon voyage.”

After a successful greeting-card fundraiser, 48 of the sisters are laid to rest. Thinking there is plenty of money left over, Mother Superior spends the rest of the money on a plasma TV, leaving no money to pay for the last four burials. While the remaining deceased are temporarily stored in cold storage, five of the nuns decide to stage a variety show in the Mt. Saint Helen’s School auditorium to raise the rest of the money. “We’ve just got to get those girls out of the freezer,” they lament.

Sister Mary Regina (Phyliss March) and Sister Robert Anne (Sari Feldman) share a moment.

Under the skillful direction of Jeffrey Sanzel, the show’s über-talented cast is given the freedom to bring out the strong personalities of their characters and have a blast doing it. At the beginning of the production, the group sings, “Though we’re on our way to heaven, we’re here to raise some hell.” Blessed with wonderful harmonic voices, great comedic timing and a seemingly inexhaustable amount of energy, they put on quite a show.

The incomparable Phyllis March plays uptight Mother Superior Sister Mary Regina who loosens up quite a bit at the end of the first act in one of the funniest scenes in the play, and Linda May is wonderful as the second-in-command Sister Mary Hubert who has higher aspirations.

TracyLynn Conner is hilarious as the wide-eyed Sister Mary Amnesia who lost her memory when a crucifix fell on her head. “She just a big mess,” mutters Mother Superior under her breath. Conner steals the show with her duet with a puppet in “So You Want to Be a Nun.”

Sari Feldman is Sister Robert Anne, the streetwise understudy from Brooklyn who “Just wants to be a star” and finally gets the chance to shine brightly in Act Two. Jessica Contino rounds out the cast as the sweet Sister Mary Leo who dreams of being the first nun ballerina.

The brilliant script is full of hilarious puns — “How do you make holy water?” “I don’t know, how DO you make holy water?” “You boil the hell out of it!” — along with double entendres and every nun joke out there. The wonderful songs, 20 in all, are accompanied by the terrific Mt. Saint Helen’s School Band under the direction of Steve McCoy.

Vichyssoise anyone?Linda May, Phyliss March and TracyLynn Conner in a scene from ‘Nunsense’

A nice touch is the constant audience participation, which is strictly voluntary. Before the show and intermission the nuns greet the patrons and pose for photos, and during the show the audience takes part in a quiz with a chance to win prizes. A short film by Ray Mason and Sanzel starring the five sisters of Hoboken in the second act is just the icing on the cake. From the initial Mt. Saint Helen’s cheer to the final amen, “Nunsense” is simply divine and should not be missed.

Enjoy a drink at Griswold’s Café on the lower level of the theater and take a chance at 50/50 during intermission. The theater, more specifically, the nuns will be collecting donations for Hurricane Maria on behalf of Direct Relief at the end of the night.

Sponsored by Bridgehampton National Bank, the production is dedicated to the memory of Carolyn Droscoski who passed away suddenly on Feb. 5 at the age of 61. “Our hearts and our stage will be a little emptier.” Droscoski was a constant presence at Theatre Three, appearing on the  Mainstage, cabaret and children’s theater for over 40 years. According to the theater’s website, the actress appeared Off-Broadway and traveled the country in the various incarnations of “Nunsense” and is one of the few actresses to have played all five roles.

Theatre Three, located at 412 Main St. in Port Jefferson, will present “Nunsense” through March 24. The season will continue with “12 Angry Men” from April 7 to May 5 and the musical comedy “Curtains” from May 19 to June 23. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Brian Hoerger, Theatre Three Productions Inc.

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‘Lure of the Butterfly,’ c. 1914-15, oil on canvas, private collection

‘My great and absorbing passion is the love of beauty. Beautiful things give me pleasure. As fine art is the application of the principle of aesthetics or beauty, painting has especially appealed to me as an outlet.’

­— Jane Peterson interview with The Garden Magazine, 1922

By Heidi Sutton

After a brief hiatus in January, the Long Island Museum in Stony Brook opens its 2018 season with a new traveling exhibition featuring the works of artist Jane Peterson. Titled Jane Peterson: At Home and Abroad, it was organized by the Mattatuck Museum in Waterbury, Conneticut, and was initially on view there from November 2107 to January of this year. The show, which opened last weekend in the Art Museum on the hill, will run through April 22 and will be accompanied by a number of gallery tours, workshops and other public programs.

Jane Peterson sketching on the beach, Jane Peterson Papers, 1907-1981, Archives of American Art, Smithsonian Institution.

Jane Peterson was a modernist painter whose artistic journey provided a vital link between the impressionist and expressionist art movements in the United States. Born in Elgin, Illinois, in 1876, her love of art led her to Pratt Institute in Brooklyn and after graduation she studied oil and watercolor painting at the Art Students League in New York City. Peterson went on to have a formidable and successful career as an award-winning artist and was featured in more than 80 solo exhibitions until her death in 1965 at the age of 88. Today her artwork can be found all over the country in various museums, galleries, institutions and in the hands of private collectors. 

For those of you who have never heard of Jane Peterson you are not alone. But her artwork is so extraordinary that the public deserves to be enlightened and that is precisely why this show was created, according to its curator, Cynthia Roznoy of the Mattatuck Museum.

“From the time of her one-person show in Boston in 1909 Peterson exhibited frequently right through the 1950s when she is already in her 70s,” said Roznoy during a recent phone interview. “During the high point of her career from the teens through the 30s she had multiple exhibitions a year. By the 1950s she had one exhibition per year, but that was still a great accomplishment for a woman painter at the turn of the century.”

‘Tiger Lilies’, Mattatuck Museum

According to Roznoy, the idea to create a solo exhibit on Jane Peterson occurred rather serendipitously. While visiting the Liros Gallery in Blue Hill, Maine, in 2013, the director of the Mattatuck Museum, Robert Burns, was immediately drawn to two paintings by Peterson. Intrigued, he purchased one of the works, “Tiger Lilies,” and upon returning to the museum asked Roznoy if she had ever heard of this artist. She had not and after some quick research “we decided it was time to do a show and bring her back to public recognition,” said the curator. 

Jane Peterson: At Home and Abroad brings 85 of Peterson’s incredible paintings together for the first time in over 45 years along with photographs and archives that provide a glimpse into her personal life. An enormous undertaking, the process took two years to complete and included the collaboration of over 30 museums including Hofstra University Museum in Hempstead, the Metropolitan Museum of Art in New York City and the Brooklyn Museum as well as many galleries and private collectors nationwide. 

While researching Peterson, Roznoy was most impressed by how evolutionary and versatile she was as an artist. “What I learned about her is her scope of technique,” she said. “I always admire an artist who evolves — who doesn’t do the same sort of paintings all the time … [Peterson] never stopped learning and she loved to study and to learn from other artists and also she always enjoyed expanding her repertoire … her style, her subject matter, her interests all changed as she developed, professionally and personally.” 

‘Tiffany’s Garden,’ c. 1913, watercolor and gouache on paper, Long Island Museum, gift of the Estate of Miriam Godofsky.
Image courtesy of LIM

The decision to turn the show into a traveling exhibit was an easy one for the curator. “There were a couple of reasons. The first one was our perceived notion that she was an artist who deserved to be better known and one way to do that was to travel it. Another one was after 45 years this is the first retrospective exhibition and it is the first museum exhibition and we felt other museums would be interested in doing so. Once we started talking to other institutions, everyone said ‘Great idea! Why didn’t we think of this before?’ So it was like tapping into that zeitgeist where everyone says yes, time to do it, and we were the ones to get it started,” said Roznoy.

Entering the art museum at the LIM, a lovely portrait of Peterson by Elsie Southwick Clark beckons you to explore the life and art of this American master. Divided into several sections, the exhibit explores Peterson’s early years; her travels to Europe as well as Egypt and Turkey; her home cities of New York, Palm Beach and Glouchester, Massachusetts; portraits of women; her floral still lifes; and the grand gardens of Laurelton Hall, Louis C. Tiffany’s Oyster Bay estate. The Long Island Museum contributed Peterson’s “Tiffany’s Garden” to the show. Preferring to work in oil, watercolor, gouache and charcoal, the artist often combined a few of the mediums together to create colorful, vibrant scenes.

As a whole, Roznoy is personally most impressed with Peterson’s Glouchester street scenes. “I think they are the most enchanting works in the exhibition. They’re just beautifully painted, with very intricate composition.” She also enjoyed investigating the Tiffany garden paintings. “The link was very interesting to me because of Tiffany [and] the fact that he would invite artists to Laurelton Hall and Peterson was one of the artists who painted the gardens.” 

‘Girl with Fruit,’ c. 1914, oil on canvas, collection of Mr. and Mrs. Dale B. Finfrock

“It’s just a great exhibit. We are very thrilled to have it,” said Joshua Ruff, curator at the Long Island Museum during a recent tour. “She’s not a name but boy she was good,” he gushed. “It’s always exciting to do a [solo] exhibition about an artist [that people are not familiar with].” Roznoy agreed, saying “It is every curator’s wish to find an underknown artist and to bring them to public attention and there is that whole scholarly pursuit that is so satisfying.”

An accompanying catalog, written by Roznoy and Arlene Katz Nichols with an introduction by J. Jonathan Joseph and a foreword from Burns, is available for sale in the LIM gift shop or at www.mattmuseum.org. After April 22 the exhibit will travel to the Columbia Museum of Art in Columbia, South Carolina, from May 13 to July 22 and then head upstate to The Hyde Collection in Glens Falls from Aug. 5 to Oct. 14. 

Roznoy hopes visitors to the exhibit will see Jane Peterson as a conduit to modernism in the early 20th century, gather enjoyment of her work and also experience “a sense of satisfaction in seeing a woman in the early 20th century succeed.”

The Long Island Museum, a Smithsonian affiliate, is located at 1200 Route 25A in Stony Brook. The museum is open Thursday to Saturday from 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m. Admission is $10 adults, $7 seniors, $5 students, children under 6 free. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

Images courtesy of Long Island Museum and Mattatuck Museum
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