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Artwork by Robyn Bellospirito will be on view at the Huntington Public Library through Oct. 29.

Now through October 29, the Huntington Public Library, 338 Main St., Huntington will present Beyond Words: Healing With the Arts After Stroke, a unique gallery exhibition by artist Robyn Bellospirito.

For one year after the artist had a series of strokes in 2022, she only painted abstracted circles and many of these will be in the exhibition. The exhibition will also include more representational paintings that were done more recently, along with art works incorporating words and phrases provided by fellow stroke survivors. 

‘Impact’ by Robyn Bellospirito will be on view at the Huntington Public Library through Oct. 29.

The range of artistic styles of Bellospirito’s art has changed with the artist’s healing process. “My strokes left me with mild aphasia, making art and music far easier than words. I have created many new paintings for this exhibition that are visual representations of non-verbal language, particularly as it is interpreted through themes of music and nature. My intention is to share how I have used art and music to express myself so that others might feel inspired to find their own voice through creative mediums,” she said.

Bellospirito has noticed by attending stroke support groups and through her own healing process that though there is a lot of assistance available to stroke survivors for physical recovery, finding help for the emotional trauma of brain injury is not so easy. Not many psychologists are familiar with strokes and the grief, frustration, and sense of loss of self that many stroke survivors experience. 

Furthermore, if a stroke survivor has any level of aphasia which is a communication issue, not only does the person have difficulty expressing their thoughts and needs, but it can be incredibly isolating. Through this exhibition, the artist is hoping to raise awareness for this under-served community.

An artists reception will be held on Sunday, Oct. 6 from 1 to 4 p.m., with a presentation by Bellospirito from 2 to 3 p.m that includes interactive art and music experiences in which all will be invited to participate.

This program is made possible with funds from the Statewide Community Regrant Program, a regrant program of the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature and administered by The Huntington Arts Council, Inc.

For more information, call 631-427-5165.

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ArtABILITY 24

The Long Island Museum (LIM), 1200 Route 25A, Stony Brook, has announced the opening of ArtABILITY ‘24, a traveling art exhibition organized by the Spirit of Huntington Art Center that showcases the talents of individuals on Long Island and the surrounding area living with various physical and cognitive challenges. 

Its purpose is to educate the community about the remarkable talents of people with diverse abilities, inspire people to reach beyond their limitations to explore their own creativity, and promote the inclusion of people with disabilities in the arts. This year’s exhibition will be on view in the History Museum at the LIM from Sept. 19 through Oct. 13 with an Open House on Sept. 28 from noon to 1:30 p.m.

Ingrid Cuadra, the Spirit of Huntington Art Center’s ArtABILITY Program Director and Art Shows/Events Coordinator, and Michael Kitakis, Executive Director, said, “We are honored and thrilled to have partnered with all of our partners to host this amazing tour. I know this is an incredible opportunity for our exhibition to be on view during significant events the Long Island Museum is hosting.”

Spirit of Huntington offers art classes that provide a unique opportunity for students to enjoy a stress free, therapeutic environment that fosters creativity and self-esteem. ArtABILITY ‘24 celebrates the accomplishments of the artists and the many non-profit partner organizations that support their day-to-day lives and who believe in the impact the arts can have on individuals with varying abilities.

“It has been a wonderful process partnering with the Spirit of Huntongton to bring the ArtAbility ’24 exhibition to the Long Island Museum, said Kristin Cuomo, Senior Educator at the LIM. “We are thrilled to recognize the work that they do to make rich cultural and artistic experience accessible to all Long Islanders and look forward to sharing an exhibition that centers the stories of people with disabilities in our community.”

Other  partner organizations include: AHRC Suffolk, Cerebral Palsy Association of Nassau, FREE-Family Residences and Essential Enterprises, Life’s WORC, RISE Life Services, South Huntington School District, Pal- O- Mine, TSINY – Transitional Services of New York, Winters Center for Autism, SYJCC-Butler Center, and the Mid-Island YJCC-Adler Center for Special Needs.

ArtABILITY is funded in part by Suffolk County Department of Economic Planning, Legislators Stephanie Bontempi, Tom Donnelly, and Rebecca Sanin, and made possible with the support of  TD Charitable Foundation, AHRC Suffolk, RISE Life Services, Family Residences & Essential Enterprises, Life’s WORC, and Winters Center for Autism.

This event is made possible with funds from the Statewide Community Regrant Program, a regrant program of the New York State Council on the Arts with the support of the Governor and the New York State Legislature, and administered by the Huntington Arts Council.

For more information, visit www.longislandmuseum.org.

 

 

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'Red Barn, Frank Melville Park' by Jim Minet
'Bridge' by Jim Minet
"Beach' by Jim Minet

Smithtown Township Arts Council has announce that the works of Nesconset artist Jim Minet will be on view from August 28 to October 25 at Apple Bank of Smithtown, 91 Route 111, Smithtown. The exhibition, part of the Arts Council’s Outreach Gallery Program, may be viewed during regular banking hours Monday – Thursday 9 am – 4 pm; Friday 9 am – 6 pm; Saturday 9 am – 1 pm.

After studying at The Art Students League in Manhattan, Minet began his teaching experience at the 92nd Street Y in Manhattan and is now focusing exclusively on teaching venues on Long Island.  Originally educated at Long Island University / CW Post and graduating with a Bachelor of Science, he went on to become National Sales Manager for several corporations before starting his own business in Marketing for the art materials industry. Minet ran his marketing business for over 10 years but the passion to paint full time remained, so in 2021 he transitioned full time to painting and teaching art.

Minet paints in oils and acrylics and watercolor. His works showing at Apple Bank is a representational array of oil and acrylic paintings focused on a  variety of landscape subjects. His body of work also includes semi-abstract work and a variety of subjects from still life to landscape to portraiture.

Minet teaches fine art painting for the Smithtown Township Arts Council at the Mills Pond Gallery in St, James and the Nassau County Museum of Art in Roslyn. He is also a Brand Ambassador for Holbein, Legion Paper, and General Pencil Company and frequently conducts workshops throughout the Long Island area. He has exhibited artwork at multiple locations in the New York/Long Island area.

“STAC is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!” read the release.

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'Winged Shack' by Doug Reina will be on view through Oct. 6. Photo courtesy of Doug Reina
'The Big Deer on Two Chairs' by Doug Reina
'Montauk Cabin' by Doug Reina

Campo Cuttica, 12 Whitebrook Drive, Flanders will present an art exhibit by artist Doug Reina from August 24 to Oct. 6. Titled “Doug Reina: As I See It,” the exhibit will feature Reina’s most recent figurative paintings which combine his unique personal choice of subject matter with powerful light, shadows, colors and shapes. It is Reina’s intention to connect with the viewer by creating paintings that portray quiet, self-reflective emotional moments, which we all share during the course of one’s lifetime.

Reina is a two-time Pollock-Krasner grant recipient whose studio is in Setauket. He is a full-time artist who creates paintings both on location, as well as in his studio of the unique landscapes and people and structures that are part of his life.

Campo Cuttica is home to several public and private art studios with a large exhibition gallery and sculpture yard. The gallery features a diverse collection of contemporary and modern art from established and emerging artists. 

The community is invited to an opening reception on Saturday, Aug. 24 from 5 to 7 p.m. and an ArtTalk on Saturday, Oct. 5 from 5 to 7 p.m. The opening reception and ArtTalk are free and open to the public. Apart from the opening and ArtTalk, the show is by appointment only. To schedule an appointment, call 631-259-1214. 

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Edward Lange, [Northport, Lower Main Street], 1880. Watercolor, gouache, and lead pencil on paper, 15.375 x 21.625. Collection of Preservation Long Island, 2011.2

Preservation Long Island presents Promoting Long Island: The Art of Edward Lange, 1870–1889, a new exhibition focusing on the life, work, and career of one of Long Island’s most prolific artists of the late nineteenth century. On view August 16 – December 1 2024 at the Preservation Long Island Gallery, 161 Main Street, Cold Spring Harbor, this exhibition of watercolors, photographs, and historical objects from the collection of Preservation Long Island and on loan from collections across Long Island, is inspired by the upcoming release of Preservation Long Island’s latest publication of the same name, arriving September 2024.

Edward Lange grew up in a German family of prominent artists and publishers and arrived on Long Island during one of its most critical moments. For nearly two decades, he watched new industry creep into an older agricultural landscape and used his artwork to record the region’s transformation. With an entrepreneurial spirit, Lange inserted himself into Long Island’s booming economy and created detailed images of main streets, factories, railroad depots, and hotels that resonated with local residents and tourists alike.

“Lange’s artwork represents a tangible connection to a period of Long Island’s history when its people, culture, and landscape were undergoing rapid change,” said Elizabeth Abrams, Preservation Long Island Interim Executive Director.  “The artist’s views of Long Island towns, villages, landscapes, and waterscapes have endeared themselves to Long Islanders and visitors for over 135 years.”

“Artists like Lange played a significant role in a promoting Long Island’s scenery to the larger public during the nineteenth century,” noted Preservation Long Island Chief Curator & Director of Collections, Lauren Brincat. “Not only was Lange’s artwork reflective of a resulting new age of booming tourism on Long Island, but it was instrumental in the region’s growth by advertising hotels, resorts, and experiences to a greater public.”

Peter Fedoryk, exhibition guest curator added, “In the late nineteenth century, Lange’s artwork had immense visual influence in the New York metropolitan area. Today, the artist’s paintings, drawings, prints, and photographic reproductions are celebrated as snapshots of a world before suburbanization permanently reshaped Long Island’s built environment.”

Programming

Exhibition related programs and events will take place throughout the show’s run and include:

Curator Exhibition Tour: September 28, 2024

Northport Walking Tour: October 6, 2024

Authors Panel Discussion & Book Signing: November 16, 2024

Call or visit Preservation Long Island’s  website for more information about the exhibition and related programs and events.

631.692.4664

https://preservationlongisland.org/lange-exhibition/

Lenders to the Exhibition

Brooklyn Public Library, Center for Brooklyn History; Greenlawn-Centerport Historical Association; Heckscher Museum of Art; Huntington Historical Society; Incorporated Village of Northport; The Long Island Museum; Nassau County Department of Parks, Recreation, & Museums; Oyster Bay Historical Society; Raynham Hall Museum, Smithtown Historical Society; Veronica Mollica; Whaling Museum & Education Center of Cold Spring Harbor.

Publication

The exhibition accompanies the release of Preservation Long Island’s latest publication, Promoting Long Island: The Art of Edward Lange, 1870–1889 which presents over two years of new research into Edward Lange’s life and work. The new hardcover publication, arriving September 2024, features over 100 full-color images. Edited and authored by Preservation Long Island’s Chief Curator & Director of Collections, Lauren Brincat, and former curatorial fellow, Peter Fedoryk, the book also includes essays by Jennifer L. Anderson, Thomas Busciglio-Ritter, and Joshua M. Ruff.

https://preservationlongisland.org/pre-order-our-latest-publication/

Generous funding in support of this publication has been provided by The Gerry Charitable Trust and The Decorative Arts Trust

About Preservation Long Island

Preservation Long Island is a not-for-profit organization that works with Long Islanders to raise awareness, appreciation, and support for the protection of our shared past through advocacy, education, and the stewardship of historic sites and collections.

http://preservationlongisland.org

Preservation Long Island maintains and interprets historic sites and collections that embody various aspects of Long Island’s history including:

Joseph Lloyd Manor, Lloyd Harbor http://preservationlongisland.org/joseph-lloyd-manor/

Custom House, Sag Harbor http://preservationlongisland.org/custom-house/

Sherwood-Jayne Farm, Setauket http://preservationlongisland.org/sherwood-jayne-farm/

Old Methodist Church and Exhibition Gallery http://preservationlongisland.org/methodist-church/

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'Soundscape' by Scott McIntire
'Sound of Red' by Scott McIntire
'Energy Fields' by Scott McIntire

Up next for Gallery North , 90 North Country Road, Setauket is a solo exhibit titled Scott McIntire: Energyscapes. The show opens on Aug. 15 and runs through Sept. 29.  

The exhibition features large, medium, and small paintings and sculptures. 

McIntire constructs dynamic compositions in enamel which form a repository of information. Each vessel of data includes the sounds, smells, forces, electromagnetic and thermal energies that make up the environment. Each space seamlessly merges natural and man-made artifacts. 

McIntire uses his mastery of the optical properties of color to create the illusion of movement and vibration. Dazzling patterns and vivid concentric circles combine to form a dramatic Op Art world in which references to flora and fauna ground the work in a reality just out of sight from the human eye.

Born and raised in the fertile Willamette Valley in Oregon, McIntire’s artistic perception is rooted in his love of nature. At the Art Center College of Design in Los Angeles, McIntire studied color under the master colorist Albert King, giving him a lifelong understanding and love of color. McIntire is currently based in Greenport. His work has been exhibited both nationally and regionally including the Nassau County Museum of Art.

The community is invited to an opening reception on Thursday, Aug. 15, from 6 p.m. to 8 p.m. As a complement to the exhibition, Gallery North will host an ArTalk on Sunday, August 25, from 3 p.m. to 5 p.m. The exhibition, reception, and ArTalk will be free and open to the public.

This exhibition is generously sponsored Jefferson’s Ferry, and Suffolk County’s Department of Economic Development and Planning. 

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'Swallowtail' by Lorena Salcedo-Watson will be on view at Gallery North through Aug. 11. Image courtesy of Gallery North

By Tara Mae

So much of nature exists in the balance of tension and release: the unrelentingly gray palette of winter gives way to the expansive vibrancy of spring blooms; birds sit on their nests for weeks in the hopes that their young will be strong enough to crack through their shells; and, people dare to dream of brighter tomorrows.

Morpholgies: Recent Works by Lorena Salcedo-Watson, on view at Gallery North, 90 North Country Road, Setauket from June 27 to Aug. 11, explores this interplay. Featuring 30 pieces including large-scale charcoal and pastel drawings, lithographs, and first drafts, the exhibit is a meditation on how the environment and nature merge with human experience.

‘Let It Go’ by Lorena Salcedo-Watson

“Having her do a solo exhibit here has been a goal for a while…This exhibit examines our symbiotic relationship with nature, our reliance on it, how we communicate with it,” said Gallery North Curator Kate Schwarting who met Salcedo-Watson while a student at Stony Brook University, where the artist is an art professor. 

Many pieces implement chiaroscuro —contrast between shadow and light — as a means by which to address ideas about the tenacity of life, the inevitability of death, and the determination of survival.

“Working in chiaroscuro — I want the drama, sense of falling into a black hole, you can stick your hand in there; I don’t want you to think in pretty terms — [do] not want color to add any other information. So, color is used to evoke mood in really specific moments,” Salcedo-Watson said.

Elements of color are deliberate contrasts; audacious vibrancy in stark relief. The art’s openness represents the vastness of the outdoors. “The abstract world she creates in her work is very singular; it is a celebration of beauty, nature, and curiosity,” Schwarting said. “The language Lorena creates with her art invokes organisms and structures that inhabit a totally unique space.”

It speaks to an understated grandeur that commands attention as it revels in the more abstract details of an exact image. For Salcedo-Watson, artistic scope and medium reflect the majesty of her subject matter. 

“Large scale gives you a sense of magnitude and awe. There have to be awesome things in your life. I encourage students to work large — it is liberating — keeping your drawing restricted to your wrist can be kind of sad since your experiences are life sized or larger,” she added.

Working in this manner enables Salcedo-Watson to create her own domain, in which she can guide and develop the narrative as she tracks its evolution. 

“I have always loved to draw, which is necessary to be a good printmaker. Lithography is a natural way of drawing, but you have multiples prints from the matrix, which allows you to see how you function as a problem solver. You have a record of your progress the whole way through,” Salcedo-Watson said.

The exhibit illuminates this process while also immersing its patrons in Salcedo-Watson’s interpretation of how nature nurtures. Her work is an invitation to envelop oneself in the wonder of the world while remaining rooted in realism.

“I always draw from observation, take what’s interesting to me, and play around with that,” she said. 

A longtime collector, Morpholgies features items from the artist’s cabinet of curiosities that have inspired her such as leaf fossils and root formations unearthed while gardening; insect exoskeletons gifted by friends; and other found objects that influence Salcedo-Watson’s work. 

Her fascination with nature’s detritus and remnants began at an early age and inspired her artistic practice.   

“I started drawing insects because the possibilities were huge with different varieties, but I also made stuff up and it was okay,” Salcedo-Watson said. “Not feeling like you have to follow the rules or always be accurate gave me permission to enjoy it more.”

Likewise, freedom of thought is what she seeks to convey to her audience. The ability to invoke the imagination is an ultimate endeavor of her art. 

“It’s not what I am trying to show you; it is what you think you are getting out of it. I try to put things forward and make you make sense of it. I could have a title to prompt you that this is what I am thinking about, but I want to actually engage you and make you think,” Salcedo-Watson said.

An opening reception will be held on Thursday, June 27, from 6 to 8 p.m. Salcedo-Watson will give an ArTalk and Print Demonstration on Saturday, July 20, from 3 to 5 p.m. These events are free and open to the public. For more information, call 631-751-2676 or visit www.gallerynorth.org.

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'My Pissarro- L'Hermitage at Pontoise' by Thomas DiCicco
'My Monet-1884- Arm of Jeufosse' by Thomas DiCicco
'My Van Gogh-Cafe La Terasse during COVID' by Thomas DiCicco
'My Van Gogh-My Sunflower' by Thomas DiCicco

Smithtown Township Arts Council has announced that the works of Smithtown artist Thomas DiCicco will be on view May 15 – July 18, 2024 at Apple Bank of Smithtown, 91 Route 111, Smithtown. The exhibition, part of the Arts Council’s Outreach Gallery Program, may be viewed during regular banking hours Monday – Thursday 9 am – 4 pm; Friday 9 am – 6 pm; Saturday 9 am – 1 pm.

Thomas DiCicco is a lifelong resident of Smithtown and one of the co-founders of Globecomm, a large satellite communications company, also based in Smithtown. Retiring early, he quickly became aware he needed something to take up his time, and tried his hand at art, never having painted anything before. He started his first acrylic painting in 2018 at age 68 years old. The results of his first attempt came out better than he expected, and so he was encouraged to continue trying this new time occupying endeavor.

In the beginning he started painting those works of well-known impressionist artists, starting with Van Gogh and then moving on to several of the other famous names from the same time period. After doing numerous impressionist paintings of still life and landscapes, he moved toward abstract works by well-known early leaders in abstract work, like Kandinsky and Klee, who astonishingly were painting abstract works more than 100 years ago.

In each of the impressionist paintings in this exhibit, he tried to duplicate the original masterpiece as faithfully as possible, so that when it was finished, if it looked like the original, he was satisfied and used that as a gauge to judge his work. The famous Van Gogh Café piece in this exhibit was painted during COVID, and he thought that it would be a cleaver new twist to have the Café CLOSED, not unlike what we were experiencing in 2020.

STAC is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!”

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'Nissequogue River View' by John Mansueto will be on view at the Mills Pond Gallery through May 18. Image courtesy of STAC
'Peconic River' by Mark Levine
'Peace at Still Waters' by Matthew Lombardo
'Autumn at Mills Pond 'by Renee Caine
'After the Storm' by Robert Berson
'Summer Sailing on the Sound' by Scott Hartman
'Memories of Swimming at Robert Moses State Park' by JoAnn Gushue
'67 Steps Beach' by Adam Smith

In perfect timing with Earth Day, the Smithtown Township Arts Council presents Surrounded by Water, a juried art exhibit at the Mills Pond Gallery in St. James featuring the work of 94 artists from 53 communities in New York whose work shows us the elegance, power, and fragility of the Long Island waters that are a source of beauty and wonder. The show runs from April 20 to May 18. 

From ponds, streams and bays to oceans, the waters of Long Island have long provided artists endless possibilities in which to seek their muse. Artists were invited to submit works that will stir memories and curiosities about our beautiful Long Island waters, inspiring gallery visitors to reflect on their relationship to the water that shapes nearly every aspect of their lives and how we must all work to protect it.

Mediums include oil, acrylic, colored pencil, conté, gouache, ink, mixed media, pastel, pencil, photography, and watercolor. Prizes will be awarded for Best in Show along with second and third prize.

Exhibiting artists include Adam Smith,  Al Candia, Anastasia Eswar, Angela Stratton, Anthony Davis,Barbara Bilotta, Barbara Jeanne Siegel, Barbara Keenan, Barry Feuerstein, Bart DeCeglie, Bernice Corbin, Carissa Millett, Carol Ceraso, Carol Koch, Catherine Rezin, Christine MacDonagh, Christopher Buckley, Daniel van Benthuysen, Diana Aliberti, Diane Oliva, Dominique Treboux, Drigo Morin, Ellen Ferrigno, Frederic Mendelsohn, George Junker, Gia Horton, Hillary Serota Needle, Howie Pohl, Irene Vitale, Jacques Garant, James Fingado, James Kelson, Jan Guarino, Jane McGraw-Teubner, Jared Glennon, Jeanette Martone,  Jim Minet, Joan Rockwell, JoAnn Gushue, JoAnne Dumas, John Mansueto, John Taylor, Judith Musaro, Judy Pagano, Judy Stone, Karen Davis, Karen Mortimore, Kathee Shaff Kelson, Katheryn Laible, Khrystyne Robillard-Smith, Kusuma Bheemineni, Linda Hartman, Lisa Marie Scrima-Castelli, Lori Scarlatos, Lou Charnon-Deutsch, Lynn Staiano, Margaret Governale, Mark Levine, Marsha Abrams, Mary Kiernan, Matthew Lombardo, Melanie Reim, Mike Stanko, Myungja Anna Koh, Nancy Wernersbach, Oscar Santiago, Patricia DiGiovanni, Patricia Venturino, Patti Peterson, Patty Yantz, Paul Edelson, Regina Halliday, Renee Caine, Robert Berson, Robert Roehrig, Robert Wallkam, Sally Anne Keller, Scott Hartman, Sheila Breck, Sheniqua Young, Stacey Schuman, Susan Guihan Guasp, Terry Tramantano, Theodora Zavala, Tianzhou Zhao, Tina Anthony, Tracy Mahler Tekverk, Vanessa Pineda Fox, Vicki Field, Vivian Hershfield, Whitney Bell, and William Reed.

The public is invited to an opening reception on Saturday, April 20 from 1 to 4 p.m. to meet the exhibiting artists and view their work. 

Mills Pond Gallery is located at 660 Route 25A, Saint James. Hours of operation are Wednesdays to Fridays from 10 a.m. to 4 p.m. and weekends from noon to 4 p.m. (closed May 12). Admission to the gallery is always free. For more information, call 631-862-6575 or visit www.millspondgallery.org.

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Charles Wildbank with his painting Emergence 2, 6'5" x 12'5," acrylic on panel.
The community is invited to an art reception on March 14.

Charles Wildbank: Beyond the Visible, an exhibit of large-scale paintings will be on view at Suffolk County Community College’s Lyceum Gallery on the Eastern Campus in Riverhead from March 7 through April 13, 2024. A reception will be held on Thursday, March 14 from 4 to 6 p.m.

Charles Wildbanks’s work has shifted toward a new abstract Surrealism that bridges past with present. For over 50 years, Wildbank has created mural-size, photorealistic paintings. His recent Emergence series brings viewers on a dynamic journey where color and form swirl in an immersive world. On view are two of Wildbank’s 6.5’ x 12.5’ acrylic paintings that span across multiple panels.

Wildbank comments on this new phase in his work, “With due respect to our world concerns, I’ve composed churning environments. From an array of different senses, I continue to reach, and find ways to portray sensation beyond the visible. Realities, both past and present, overlap and connect, gaining new meaning.”

In an intriguing play that bridges past with present, Wildbank will also exhibit his memorable David Hockney portraits from the ‘80s with his recent painting of delighted Hockney retrospective attendees with Hockney’s iconic portrait of Henry Geldzahler at the 2017 MOMA Hockney Retrospective.

Born in Roslyn Heights, NY, Wildbank received a B.F.A. (cum Laude) from Pratt Institute in 1970. He was awarded a Yale University School of Music and Art fellowship. He then earned an M.A. in Education at Columbia University in 1972. Wildbank had a studio in Sands Point for a number of years. He moved to Hollywood, CA, for four years, and returned to the east coast in 1989 settling in Jamesport. Throughout his long career, Wildbank designed window displays for Bonwit Teller in NYC and Beverly Hills, CA. In 1983, Cartier on Fifth Avenue presented a salon exhibit of Wildbank’s canvases including his 8’ painting of the famed Cartier Diamond.  Wildbank’s work is in the collections of the General Electric offices in Rockefeller Center, the MBNA Bank Headquarters, and the Cunard, Queen Mary 2 cruise ship. Wildbank’s work is in many private collections in the USA and internationally in Japan, Amsterdam, Italy, England, and Martinique.

For more information about Charles Wildbank work visit:  www.wildbank.com

Lyceum Gallery hours are:
Monday – Thursday 10 a.m. – 7 p.m.
Friday 10 a.m. – 4 p.m.
Saturday 11 a.m. – 3:30 p.m.
Closed Sundays and holidays
Contact the Lyceum Gallery at Montaukett Learning Resource Center for more information: (631) 548-2536

About Suffolk County Community College

Suffolk County Community College is the largest community college in the State University of New York (SUNY) system, enrolling approximately 21,000 students at its three campuses in Selden, Brentwood and Riverhead. Suffolk offers the Associate in Arts (A.A.), Associate in Science (A.S.), and Associate in Applied Science (A.A.S.) degrees, as well as a variety of certificate programs. Offering affordable college tuition, a highly respected Honors program, workforce training programs, extensive extracurricular activities, championship athletic teams, and numerous transfer programs, Suffolk is a first-choice college for Long Island students. Visit us online at sunysuffolk.edu.

 

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