From left, Managing Director Vivian Koutrakos, 2016 Volunteer of the Year Megan Bush, Executive Artistic Director Jeffrey Sanzel and Group Sales and Director of Development Douglas Quattrock. Photo by Heidi Sutton
By Heidi Sutton
Port Jefferson: Theatre Three’s 2016 Volunteer of the Year was announced at the end of last Saturday night’s performance of “A Christmas Carol.” According to Executive Artistic Director Jeffrey Sanzel, the award is given out every year to someone who has made a contribution without asking for anything in return.
This year’s recipient is 17-year-old Megan Bush, who has been with the theater since age 7. A senior at Ward Melville High School, Megan began her relationship with the theater as an acting student playing the role of Want in “A Christmas Carol.”
“For the past 10 years we have watched Megan grow up,” said Sanzel. “She has been a teaching assistant, she has been a teacher in our Dramatic Academy, she has been a stage manager — one of the youngest in the history of the theater — she has been my personal assistant on various productions as an assistant director, she has worked with the young people in all the casts of ‘A Christmas Carol’ and the one word in her vocabulary that does not exist is the word ‘no.’ Nobody deserves this award more than she does,” he said.
Megan, whose mother Dana and sister Sarah were past recipients of the same award, was visibly surprised at the announcement. “What makes tonight so special is that we are continuing a tradition,” said Sanzel.
The staff at Theatre Three is making sure audiences and cast members won’t be “Singin’ in the Rain” inside their over 150-year-old building with their ongoing campaign, Raise the Roof. The fund will help repair the structure’s aging roof, which, when wet weather arrives, sometimes leaks rain into various parts of the structure.
Douglas Quattrock, director of development and group sales and special events coordinator, said the damage to the roof has occurred over the years, and whether it leaks depends on the type of rain. “Sometimes we get a heavy driving rain and there’s nothing because it’s moving so fast. And then, sometimes when it just rains steadily over a few days, it just all of a sudden seeps in and finds its way down into the lobby area, over the lighting board, and there have even been times it’s in back of the stage, on the stage,” he said. The theater, which was built in the 1860s, was utilized at first as a town meeting hall, even though it wasn’t owned by the town, according to Quattrock.
Originally named Athena Hall, events such as political rallies, school graduations and performances were held there, and it was even used as a roller skating rink at one point when the floor was flat, with folding chairs that could easily be removed. Quattrock said the building during the early years had a balcony as well as a machine shop downstairs. The shop was where Fred Griswold invented the film splicer that was used in motion films until digital became the norm, and Thomas Edison came to the theater and showed the first film on the island there.
The director of development has been with the theater since 1982, and he said he doesn’t remember the roof ever being replaced. From what Quattrock has been told, the average roof should be replaced every 25 years. “It’s been patched and re-patched so many times over the years. We’re just putting Band-Aids on the Titantic,” he said.
According to Quattrock, there have been times when the water has leaked into the recently constructed handicap bathroom, and because water has seeped in over the lighting board, they have hung plastic on the ceiling in that area. He said structural damage has already occurred in the attic and on the roof, and future damage could range from simply aesthetic to mold problems, including in the main part of the building.
The biggest donations to repair the roof are collected at performances, but theatergoers can also send contributions through the website. When donating, one can specify that he or she wants the money to go directly to the roof. So far, the community theater has managed to collect approximately $15,000, but they still have a large amount to raise, as the theater has received estimates between $40,000 and $60,000 to repair the roof.
Quattrock said donors giving specifically to the roof are a big help to the theater, as they don’t want to increase their ticket prices to cover the expense. He said while maintenance of the historical building is important, the not-for-profit tries to keep their ticket prices reasonable for the community so they can continue enjoying the programming at the theater. “When we have to divert our funds to these huge projects, we don’t want to let it affect the money that we have to put into keeping our productions at the quality that our customers expect,” Quattrock said.
For information on how you can help Theatre Three Raise the Roof, call 631-928-9100 or visit www.theatrethree.com.
Eric Hughes and Sari Feldman star in 'Barnaby Saves Christmas'. Photo by Peter Lanscombe, Theatre Three Productions Inc.
By Heidi Sutton
In 2003 Douglas Quattrock and Jeffrey Sanzel sat down and wrote an adorable holiday story for children about a little elf and a tiny reindeer who show us that “Christmas lies within our hearts.” Celebrating its 13th anniversary this year, Theatre Three’s production of “Barnaby Saves Christmas” has become a beloved tradition in Port Jefferson and one that is looked forward to each December.
The cast of ‘Barnaby Saves Christmas’. Photo by Peter Lanscombe, Theatre Three Productions Inc.
Under the direction of Sanzel, nine adult actors whisk the audience away to the North Pole and into the home of Santa and Mrs. Claus. It’s the night before Christmas and Santa, his elves and reindeer are on their way to deliver presents to all the children. When the littlest elf Barnaby realizes that Santa has left behind a little stuffed bear, he convinces the tiniest reindeer Franklynne to find Santa and “save Christmas.” Along the way they bump into an evil villain named S. B. Dombulbury who, with his partner in crime Irmagarde, is trying to ruin Christmas for everyone, and meet a Jewish family and learn all about the Festival of Lights.
Newcomer Eric Hughes tackles the role of Barnaby with boundless energy and a couple of back flips too! Accompanied on piano by Quattrock, who also wrote all of the music and lyrics, Hughes’ solo, “Still With a Ribbon on Top” is terrific as is his performance in “My Big Shot” in the second act. Sari Feldman, who also choreographs the numbers, returns as Franklynne, the little reindeer who is afraid of flying, specifically the landing part. The scene where Barnaby helps Franklynne perfect her landing skills, “I’m Gonna Fly Now,” is the highlight of the show.
Jason Furnari, who originated the role of Barnaby 13 years ago, and Phyllis March play the roles of Santa and Mrs. Claus this year and also double as the Jewish aunt Sarah and nephew Andrew, who seems to have very selective hearing. Furnari’s solo ”Within Our Hearts” is heartfelt and March’s rendition of “Miracles” is beautiful.
From left, Dylan Robert Poulos, Dana Bush, Steven Uihlein and Jessica Contino in a scene from ‘Barnaby Saves Christmas’. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
Emily Gates plays Sam the head elf who is trying to stay on schedule and keep track of elves Crystal (Jessica Contino) and Blizzard (Dylan Robert Poulos). Their interactions are the funniest moments in the show.
Steven Uihlein plays S.B. (Spoiled Brat) Dombulbury, the antagonist in the show. “I’m just misunderstood,” he laments as he and Irmagarde (Dana Bush) stuff the chimneys with coal so he can steal all the presents. When his plan is uncovered, the cast chases him through the audience, much to the delight of the children. Will Barnaby and Franklynne stop S.B. Dombulbury from “stealing Christmas”? Will they learn the true meaning of Christmas?
If you haven’t already done so, make “Barnaby Saves Christmas” a holiday tradition with your family. You’ll be glad you did. Souvenir elves and reindeer will be available for purchase during intermission. Stay after the show for a photo with Santa Claus on stage if you wish — the $5 fee goes to support the theater’s scholarship fund — and meet the rest of the cast in the lobby.
Theatre Three, located at 412 Main Street in Port Jefferson, will present “Barnaby Saves Christmas” on Dec. 10, 17, 28, 29 and 30 with a special Christmas Eve performance on Dec. 24. All performances begin at 11 a.m. Running time is 1½ hours. Recommended for ages 3 and up. Up next is a production of “The Three Little Pigs” from Jan. 21 to Feb. 25 and “Raggedy Ann & Andy” from March 4 to 25. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.
Scrooge (Jeffrey Sanzel) encounters the Ghost of Christmas Yet to Come for the first time. Photo by Brian Hoerger, Theatre Three Productions Inc.
By Michael Tessler
Jeffrey Sanzel as Scrooge & Jessica Contino as Ghost of Christmas Past. Photo by Brian Hoerger, Theatre Three Productions., Inc.
Though the holidays are usually filled with joy, they’re certainly not without their own special breed of stress, which seems to melt away as Theatre Three gifts our community with a profound and magical experience that allows us to escape into the marvelous imaginative world of the late, great Charles Dickens. Theatre Three provides more than just a distraction — it provides unparalleled delights that will stir up the best childlike emotions in each of us.
Jeffrey Sanzel, the show’s director, faces the unique challenge of annually reimagining “A Christmas Carol.” He seamlessly completes this task with his usual grace and confidence. For over 30 years the show has been a must-see tradition for Long Island families and visitors. Sanzel’s vision shines brighter than ever as he masterfully directs his cast. While the story remains the same, its characters are all the more captivating because of the great direction he provides.
What’s most impressive is that not only does Sanzel direct, but he also stars in the iconic role of Ebenezer Scrooge. For those unfamiliar with the classic Dickens novel, Scrooge is a man whose greed supersedes his humanity. One night he is visited by the ghost of his former business partner, Jacob Marley (Steven Uihlein) who informs him that hell awaits him if he doesn’t change his ways. This propels him on an unlikely journey of self-reflection and change.
Sanzel plays not only an older Scrooge, but a younger more lively version of himself. His ability to change physicality and characters instantly is one of his most impressive qualities, and there are plenty!
Douglas J. Quattrock as Bob Cratchit & Jeffrey Sanzel as Scrooge in a scene from ‘A Christmas Carol’. Photo by Brian Hoerger, Theatre Three Productions, Inc.
Bob Cratchit, played by the ever-so-gentle Douglas Quattrock, is beyond endearing. There’s a righteousness and goodness about this man that can be felt genuinely by the audience. Cratchit, who works as a clerk for the elderly Mr. Scrooge, endures considerable workplace trauma to make sure his family is fed and taken care of. Despite his hard work, his youngest son, Tiny Tim, remains at the precipice of death. Quattrock will have you grinning cheek to cheek as he embraces his wife played with love by Suzie Dunn and the rest of the family.
Jeffrey Sanzel as Scrooge & Jessica Contino as Ghost of Christmas Past in a scene from ‘A Christmas Carol’. Photo by Brian Hoerger, Theatre Three Productions, Inc.
Alongside Cratchit is the kind-hearted and abandoned nephew of Scrooge, Fred Halliwell. There’s a certain glee in Dylan Poulos’ performance. He’s almost infused with the spirit of Christmas itself, which I suppose would make sense as he also plays the Ghost of Christmas Yet to Come! Halliwell seeks nothing more than to rekindle a relationship with his past by getting to know his only living relative, dear Uncle Scrooge. What he doesn’t realize is that his eyes are the same eyes as his departed mother, a painful reminder for old Ebenezer. Fan Scrooge Halliwell (Megan Bush/Sophia Knapp) lives and breathes in certain sequences, and perfectly portrays the love between two close siblings.
Among my favorite cast members is the larger-than-life Fezziwig, played with great fervor by George Liberman. He’s joined alongside his stage wife, played by Ginger Dalton. These two form a comedic pair that will have you smiling as wide as the horizon! There’s something so whimsical about watching Fezziwig’s ball unfold on-stage: the dancing, the singing, everything. Watching you can’t help but feel that you’re up there with them. My favorite part of this sequence is watching the curmudgeon Scrooge transform into a spruce young man who woos and proposes to Fezziwig’s daughter, Belle, played by a belle of extraordinary talent, Emily Gates.
Scrooge (Jeffrey Sanzel) with a very ‘cheeky’ Ghost of Christmas Present (Bobby Montaniz). Photo by Brian Hoerger, Theatre Three Productions, Inc.
All three spirits are truly splendid. Jessica Contino shines as the Ghost of Christmas Past, bringing Scrooge on a journey that forces him to reconcile many of the mistakes and heartbreaks a long life will bring. Bobby Montaniz nails perfectly the essence of the Ghost of Christmas Present, and while he’s not a giant, his impressive voice certainly sounds like he is! His deep laughter will echo in your belly all through the evening!
Finally the Ghost of Christmas Yet to Come may be the most visually impressive puppetry I’ve seen at Theatre Three yet (and they pulled out an actual dragon for “Shrek!”). This massive and haunting figure must be at least 15 feet tall and is adorned in a black tattered cloak and hood and is perfectly embellished by the brilliant lighting layout by Robert Henderson.
In addition to an incredible cast and superb lighting, this is one of the most beautiful sets I’ve ever seen. There’s a craftsmanship that far exceeds your usual stage show, and not only does it show but genuinely adds to the ambiance of the production. I’ve got nothing but praise for Randall Parsons, the show’s production designer and his costume counterpart Bonnie Vidal.
There are many additional names in the cast and crew who are deserving of praise, especially the incredibly talented children who alternate each night and demonstrate a professionalism and talent well beyond their years. Give yourself and your loved ones a gift that is truly made of magic. Go see “A Christmas Carol.”
Theatre Three, 412 Main St., Port Jefferson will present “A Christmas Carol” through Dec. 31. All tickets are $20 in November and range from $20 to $35 in December. To order, call 631-928-9100 or visit www.theatrethree.com.
WELL DESERVED: From left, Douglas Quattrock, director of development/group sales at Theatre Three; Lions Michael DeGutis, Dan Jacoby and Mark Cherches with Theatre Three’s Artistic Executive Director and honoree Jeffrey Sanzel. Photo by Heidi Sutton
By Heidi Sutton
When he’s not being a Scrooge during the holidays, Jeffrey Sanzel is working hard to make this world a better place through the creativity of live theater. Sanzel, the Executive Artistic Director at Theatre Three in Port Jefferson, was chosen by the Port Jefferson Lions Club to be this year’s honoree of the Vincent Bove Award for his service to the community and for his unfaltering commitment to stop bullying.
Vincent Bove was the mayor of Belle Terre for 25 years, sat on the board of trustees of Mather Hospital until he passed away in 2006 and was on the board of Theatre Three. He was also the driving force behind Jefferson’s Ferry in South Setauket.
Jeffrey Sanzel, center, with longtime members of the Theatre Three family, Douglas Quattrock and Vivian Koutrakos after receiving his award. Photo by Heidi Sutton
Lions Club members Michael DeGutis, Dan Jacoby and Mark Cherches presented the award to Sanzel on the Mainstage before the theater’s Saturday evening performance of “Legally Blonde.” “The Lions love Theatre Three,” said DeGutis, referring to the Port Jefferson institution that turned 70 this year. “We want to stop the bullying that’s going on all across Long Island,” said Jacoby before presenting Sanzel with a check in the amount of $1,800 for Theatre Three’s educational touring program, The Bullying Project.
“I’ve known Jeffrey for his iconic Ebenezer Scrooge, his fabulous Fagan [‘Oliver!’], his poignant ‘From the Fires: Voices of the Holocaust,’ which he wrote and directed. He’s supported the Bullying Project, the Daniel Miller Project; it’s just been a wonderful association all these years,” said Cherches before presenting Sanzel with the award “for his outstanding contributions to the Port Jefferson community … as an actor, director, author, creator and visionary.” Sanzel then received a long standing ovation from the packed house.
“This is an incredibly beautiful award,” said Sanzel. “We are thrilled with the support we’ve gotten [from the Lions Club] over the years. They were the foundation support when we started Class Dismissed: The Bullying Project 11 years ago and then 3 years ago with Stand Up! Stand Out! The Bullying Project. These projects would not exist without the support of the Lions Club.”
The evening was also a poignant one for the Theatre Three family as Saturday would’ve also been Ellen Michelmore’s birthday, the theater’s musical director who succumbed to cancer in May. “Ellen is a reminder to be a good person,” said a visibly shaken Sanzel, “… so receiving this today is a reminder to do good things in the world and of course the Lions Club is that reminder every day … so on behalf of Theatre Three and the arts community of Long Island we thank you for what you do.”
For more information on Theatre Three’s Bullying Project, please visit www.theatrethree.com.
The cast of 'Pumpkin Patch Magic.' Photo by Peter Lanscombe, Theatre Three Productions, Inc.
By Heidi Sutton
Just in time for Halloween, Theatre Three brings us “Pumpkin Patch Magic” or “If at First You Don’t Succeed,” a spooktacular musical for young children that is as sweet as a Kit Kat bar. Written over 20 years ago, the play has emerged from the shadows with a complete makeover and returned to the stage last Saturday. With fresh new lyrics and music by Jules Cohen, wonderful direction by Jeffrey Sanzel, a brilliant script chock full of rhyme, and a cast that is top notch, this show is sure to become an annual tradition.
It’s October in the Land of Halloween and everyone has certain chores in order for pumpkins to end up in pumpkin patches all over the world. The gnomes, known for their homegrown gnome poems, have to grow the pumpkins, the witches have to fly the pumpkins to the patch, the ghosts have to place the pumpkins in the patch without being seen and the rulers of the land have to make sure everything runs smoothly.
Fairy Loquacious Chattelot, played by Jessica Contino, serves as narrator and introduces the audience to four citizens of the Land of Halloween who are trying to help but can’t. Norman Gnome (Steven Uihlein) has trouble growing a pumpkin — during one attempt he ends up growing a head of lettuce! “I’m all thumbs and none of them are green,” he laments. His fellow gnomes, Nemo (Kyle Breitenbach) and Nathan (Dylan Poulos) feel Norman is useless and in the way. Ermengarde Broomwellsweepalot (Emily Gates), the witch, doesn’t know how to fly so is tasked by her fellow witch Ethel Broomwellsweepalot (Zoe Dunmire) with taking care of all the other chores including painting broom handles.
The gnomes of ‘Pumpkin Patch Magic.’ Photo by Peter Lanscombe, Theatre Three Productions, Inc.
Graham Ghost (Jason Furnari) can’t seem to turn himself invisible — his conversations with Harvey the invisible ghost are hilarious! — and Princess Pumpkin (Melanie Acampora) is a nervous mess who has trouble making decisions and therefore can’t rule the Queendom, much to the dismay of her mother Queen Honoria (Ginger Dalton). Tensions run high. Will the Fairy Loquacious Chattelot help them with some good advice? Or will her advice backfire? Will the children find pumpkins in the pumpkin patch to decorate or will Halloween be ruined?
The musical numbers, with their jazzy undertones, are the heart of the show. From the opening number, “It’s Halloween!” by the whole company, to the clever “I’m All Thumbs,” sung by the gnomes, to Graham Ghost’s solo, “I’m Gettin’ Out [Moving to a Ghost Town],” each song, accompanied on piano by Steve McCoy, is better than the next. Costumes by Teresa Matteson are another highlight of the production with noticeable effort and attention to detail. Choreography by Sari Feldman is fun and hip, especially during “Not Easy Being Me.”
Children are encouraged to come to the show in their Halloween costumes. Meet the cast in the lobby after the show for photo-ops. Running time is 90 minutes with one 15-minute intermission. Theatre Three, 412 Man St., Port Jefferson will present “Pumpkin Patch Magic” through Oct. 29. A special sensory-sensitive performance is scheduled for Oct. 9 where the house lights will remain on throughout the performance and children may move around the theater. Next up is the 13th anniversary of “Barnaby Saves Christmas” from Nov. 25 to Dec. 30 (sensory-sensitive performance on Nov. 27.) All tickets are $10. To order, call 631-928-9100 or visit www.theatrethree.com.
From left, Steven Uihlein, Jessica Contino, Melanie Acampora and Emily Gates star in 'Pumpkin Patch Magic'. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
By Melissa Arnold
Twenty years ago, Theatre Three’s Artistic Director Jeffrey Sanzel wrote a Halloween play for children with sweet, goofy characters and an encouraging moral lesson. This October, the Port Jefferson theater will present an updated version of Sanzel’s original show, “Pumpkin Patch Magic,” featuring all-new music and lyrics by Jules Cohen. I sat down with Sanzel and Cohen to learn more about bringing the show to life again.
Jeffrey Sanzel has written or adapted more than 100 plays in his 28 years at Theatre Three.
What inspired you to write this play?
Jeff Sanzel: This goes back many years. We’ve actually done “Pumpkin Patch Magic” twice, with the original performances happening 20 years ago. (My writing partner and I) were looking for a new Halloween show and decided we wanted the theme to be based around the saying, “If at first you don’t succeed, try, try again.” We always want to have a moral underpinning for our stories. So we created this world of Halloween with all the characters you’d expect — witches, ghosts, gnomes — and their different skills and limitations. For example, there’s a witch who can fly and a witch who can’t. It’s very funny.
How do you go about developing a show like this?
We talk about a theme, and then work on characters. I usually sit down and think about the sort of direction I want the story to go in, and from there I’ll start writing … there are usually 15 to 20 pages that never make it into the show — it’s just about getting the ideas going. If we’re doing an adaptation, I’ll read as many different versions of the story as I can to help flesh out how I want to tell it and what kind of message we want to convey.
From left, Princess Pumpkin (Melanie Acampora) Ermengarde Broomwellsweepalot the Witch (Emily Gates) and Norman the Nervous Gnome (Steve Uihlein) star in ‘Pumpkin Patch Magic. Photo by Peter Lanscombe, Theater Three Productions, Inc.
Can you summarize the story?
These characters are the ones who are responsible for getting pumpkins into the pumpkin patches all over the world. There are two groups involved: the overachievers and the underachievers. Some of the characters are limited in what they can do, and they’re always being reminded of how they can’t do as much as others. The story is told by a fairy, Loquacious Chattalot, who tries to encourage them, but it backfires and they give up. But in the end, it’s the limited ones who end up making it all happen successfully.
How did you come up with the name Fairy Loquacious Chattalot?
I’m a big fan of Charles Dickens — we do “A Christmas Carol” here at Theatre Three every year — and Dickens-style names always tend to stick in my head. The characters’ names really reflect who they are, and that is definitely true for this fairy. She’s a very nonstop talker, and that’s where I got Loquacious Chattalot.
For what age group is this play recommended? I would say it’s best for ages 3 and up.
It’s very entertaining, fast and colorful. It’s not scary at all — in fact, it’s very silly. The humor is very goofy, and the show is extremely family-friendly. All of our children’s shows are meant for the whole family to be entertained.
Are children encouraged to come dressed in their Halloween costumes?
Absolutely! We love when the kids show up in costume; it’s so much fun. And if you stay after the show, the characters will come out [in the lobby] to meet the kids and have their picture taken.
Why should parents bring their kids to see the show?
Children’s theater is the greatest way to introduce kids to theater, and the earlier on they’re exposed to it, the more they can develop an appreciation for it. Seasonal shows like this one are a lot of fun and the message for this show is so important — keep trying. You can learn, you can make a difference and there’s nothing you can’t do.
Jules Cohen has written music for dozens of shows all over the country, but now he fights breast cancer as an oncologist at Stony Brook University Hospital.
Are you a native Long Islander?
Jules Cohen: I grew up in Poughkeepsie, and after college I lived in Manhattan for 20 years. I moved to Suffolk County six years ago to work at Stony Brook.
Composer Jules Cohen, center, with the cast of ‘Pumpkin Patch Magic’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
You studied music in college, but now you’re an oncologist. What led to that change?
I have a bachelor’s degree in music and a master’s in music composition. I hoped to make my career as a musical director in theatre and a songwriter, and I did that for several years working with several reasonably high-profile directors. But it’s difficult to make a living in those fields, as you never know where your next job will come from. I had to move all over the country — I’ve worked in Vermont; San Francisco; Louisville, Kentucky; and in New York City. I knew that if I wanted a more stable life, I needed a more structured day job. Music and theater could always remain a hobby while I did other work. My initial thought was to become a psychologist, so I went to medical school, and once I got there I found I really gravitated more toward medical oncology.
Was the transition difficult for you?
Once I decided to go to med school, I pursued it wholeheartedly and didn’t find leaving the music and theater career difficult. I’ve always played the piano and am working on jazz piano now. That satisfies the musical part of my brain.
What inspired you to get involved with composing for ‘Pumpkin Patch Magic’?
I have two young children — a 5-year-old and a 10-year-old. I’ve always taken them to basically every show at Theatre Three, and it got to the point where the actors all knew Emma and Oscar. They really watched them grow. I decided to see if I could get involved, and I met Jeff in the lobby one day. He suggested I collaborate with him on one of his kids’ shows, and a few weeks later he emailed me the script for a Halloween show he had written years ago. From there I worked on updating the score, one song at a time. My kids love Halloween, so they’re very excited, and my daughter is very into musical theater — she loves to give her input.
What’s involved with writing a song? What is the process like?
Writing lyrics was relatively new for me, but I really enjoyed spending time working on the rhyme and wordplay. That process develops a sense of rhythm, and from there I start thinking about pitches. You flesh it out a bit at a time, eventually developing chords and a melody line, then adding little embellishments and intricacies. It’s really not magic or anything — as they say, it’s 10 percent inspiration and 90 percent perspiration.
How would you describe the music for the show?
It’s definitely heavily influenced by jazz, and the whole score is written for keyboard. Who are your musical influences? I really enjoy musicians in both jazz and theater, and the intersection between them — George Gershwin, Cole Porter, Frank Lesser, Thelonious Monk, and Charlie Parker are some of my favorites.
What are you most looking forward to about the show?
I’m very excited to hear my songs performed by real actors and singers, to see them come to life onstage. I’m hoping that people will appreciate it and that they leave tapping their feet. I know that I’m pleased with the songs — they are fun and clever.
“Pumpkin Patch Magic” or “If At First You Don’t Succeed” will run from Oct. 1 through Oct. 29 on Saturdays and Sundays at Theatre Three, 412 Main St., Port Jefferson. All seats are $10. For more information or to purchase tickets, call (631) 928-9100 or visit www.theatrethree.com.
Theatre Three, 412 Main Street, Port Jefferson will screen the award winning documentary “Magnus” on Monday, September 26 at 7 p.m. as part of the 2016 Fall Port Jefferson Documentary series.
Through archival footage and home movies “Magnus” tells the story of 26-year-old Norwegian chess champion Magnus Carlsen’s rise to the top. A hit at several international festivals and winner of the Ray of Sunshine prize at the Norwegian International Film Festival, the documentary also gives the audience a peek inside the isolated world of the chess community. In English and Norwegian. Sponsored by the Long Island Chess Club. Guest speaker, via Skype, will be the director, Benjamin Ree.
Tickets are $7 and will be sold at the door. For more information, call 631-473-5220 or visit www.portjeffdocumentaryseries.com.
Please note the incorrect date was listed in the printed Times … and dates calendar under the photo.
From left, Rachel Greenblatt, Brittany Lacey, Jenna Kavaler and Amanda Geraci in a scene from ‘Legally Blonde: The Musical.’ Photo by Peter Lanscombe, Theatre Three Productions, Inc.
By Michael Tessler
“Legally Blonde” is the sort of film I’d usually enjoy bundled up in a blanket on a cold winter day, perhaps while digging into a pint of Ben and Jerry’s, laughing loudly to myself. And yet Saturday night at Theatre Three in Port Jefferson I found myself sharing in that same wholesome joy surrounded by hundreds of others equally filled with laughter and milewide smiles. “Legally Blonde: The Musical” doesn’t shy away from its film roots but rather embraces them, incorporating songs and themes that deliver the story like never before!
Jeffrey Sanzel, the show’s director, continues to demonstrate a mastery of theater worthy of Broadway or the West End. This is not a compliment I deliver lightly, but it is so rightfully deserved. His ability to transcend genre and create flawless spectacles of comedy, drama, music and dance have stunned me continuously through the many shows I’ve now reviewed. Not once have I left the theater’s Athena Hall without being uplifted or captivated by the raw, genuine emotions neatly packed within the confines of a Theatre Three production.
Brittany Lacey as Elle Woods in Legally Blonde: The Musical. Photo by Brian Hoerger
“Legally Blonde,” while a light-hearted romp, was certainly no exception to that rule. After a long and difficult week I found myself leaving the theater feeling lighter than air. Not even for a moment is the beautiful illusion of theater ruined, undoubtedly because of Sanzel’s magic touch. His actors are so well-paced, so well-trained, a truly regimented troupe of thespians. Their stage comes to life.
Our protagonist is the stuff of “Greek” legend, and by that I mean she’s the president of the Delta Nu sorority at UCLA. Elle Woods, your quintessential popular blonde stereotype, is awaiting an overdue dinner with her longtime college boyfriend (played with lovable arrogance by Chris Brady) whom she expects to propose. Hilarity ensues as quite the opposite happens. Without spoiling too much, Elle begins on an unlikely adventure to Harvard Law School, a place not exactly known to be fashion forward!
This show is filled to the brim with comedic caricatures playing on our preconceived notions in a delightful way. From the hunky UPS man played to comedic perfection by Kyle Breitenbach to the rude, snobby, love-to-hate law student Vivienne Kensington played impressively by Caitlin Nofi, to the “blood in the water” lawyer Professor Callahan played by Theatre Three veteran Steve McCoy.
Brittany Lacey and Brett Chizever in a scene from ‘Legally Blonde: The Musical’ byPhoto by Brian Hoerger
At the show’s center is actress Brittany Lacey. Her performance as Elle Woods is local theater at its finest. Her voice both powerful and soft, her delivery of lines so expressive and authentic, and most impressively her ability to dance in flawless precision while belting notes that require two and a half lungs. Many times throughout the production, I wondered if the show’s original writers had somehow met Lacey and based the show’s protagonist after her. Casting could not have been better. She’s accompanied by the awkwardly lovable Emmett played with a special tenderness by Brett Chizever. Before the show’s end you’ll love these two!
Randall Parsons has built a set of simplistic brilliance, the entire stage enclosed by an ever-changing border of glowing lights complemented perfectly with Robert W. Henderson’s lighting design. Shining in the spotlight is the brightest pinks I’ve ever seen with gorgeous costumes by Su Jung Weaver. All these elements are coordinated seamlessly by stage manager Peter Casdia. Jeffrey Hoffman, the show’s musical director, expertly leads a “Greek” chorus and a cast of superb vocal talents. From the show’s opening number, “Omigod You Guys,” to the more touching “Ireland” it seems there was not a mark to be missed! Don’t miss out on seeing this show. I guarantee it’ll take a “chip off your shoulder!”
Theatre Three, 412 Main St., Port Jefferson kicks off its 47th Mainstage season with “Legally Blonde: The Musical” through Oct. 29. Tickets range from $20 to $35. For more information, call 631-928-9100 or visit www.theatrethree.com.
Amanda Geraci (Maid Marian) and Steven Uihlein (Robin Hood) star in 'The Misadventures of Robin Hood.' Photo by Peter Lanscombe, Theatre Three Productions, Inc.
Hear ye, hear ye! Robin Hood and his band of Merry Men have taken up residence at Theatre Three in Port Jefferson through Aug. 13 as the theater presents the world premiere of “The Misadventures of Robin Hood.”
With original script and music by Jeffrey Sanzel, Steve McCoy and Douglas Quattrock adapted from the well-known English folklore “Robin Hood,” the new musical comedy follows the timeless tale closely but turns out to be more like Mel Brooks’ 1993 film “Robin Hood: Men in Tights.” With equal parts adventure and silliness, the show is a perfect way to enjoy a lazy summer afternoon.
Sanzel skillfully directs eight adult actors who are clearly in their element. The actors are joined on stage by a supporting cast of 35 young members of the theater’s summer acting classes who help the story along with narration and song. It’s the 12th century and King Richard the Lionheart has gone to fight in the Crusades, leaving his brother Prince John in charge who orders the Sheriff of Nottingham to collect taxes from the poor villagers. When Robin of Locksley protests, he is banished from the kingdom and retreats to Sherwood Forest. There he assembles his group of Merry Men and, with the help of Maid Marion, becomes Robin Hood, robbing the rich to give to the poor.
The cast of Theatre Three’s ‘The Misadventures of Robin Hood.’ Photo by Peter Lanscombe, Theatre Three Productions, Inc.
The lines are very cheeky: “Why does everyone have to repeat everything I say?” “It’s more dramatic that way!” and the fast-paced show is action packed with sword fights and archery contests. There’s even a bit of magic thrown in as the sheriff acquires a belt that when put on changes his appearance. Oh and the sheriff gets booed — a lot.
Steven Uihlein is hilarious as the absent minded bumbling swashbuckler Robin Hood who just can’t seem to get anyone’s name right including his bride to be, and Amanda Geraci is wonderful as the very patient Maid Marian, or as the program says, “patient beyond words.”
After an absence of more than five years, Jason Furnari returns to the Theatre Three stage to tackle the villainous role of The Sheriff of Nottingham and steals the show. Furnari, best known for his role as the original Barnaby in “Barnaby Saves Christmas” and as Peter in “The Adventures of Peter Rabbit,” is simply wonderful and delivers a stellar performance.
Newcomer Mark Jackett, standing well over six feet, is perfectly cast as Little John, and veteran Andrew Gasparani is an excellent Friar Tuck. Ginger Dalton, as Mrs. Buttertom, Melanie Acampora as Bettris Much and Emily Gates as Anne Much round out the cast and do a fine job.
Accompanied on piano by McCoy, the songs are fun and catchy with special mention of Geraci’s beautiful rendition of “Robin My Love” and Furnari’s “What Makes a Man a Man.” Costumes by Teresa Matteson are on point from Robin Hood’s traditional Lincoln green outfit to Friar Tuck’s robe to Maid Marian’s beautiful gown.
Meet the cast in the lobby after the show for photo ops.
Theatre Three, located at 412 Main Street in Port Jefferson, will present “The Misadventures of Robin Hood” Aug. 12 at 11 a.m. and Aug. 13 at 11 a.m. and 2 p.m. Children’s theater continues at Theatre Three with “Pumpkin Patch Magic” from Oct. 1 to 29, “Barnaby Saves Christmas” from Nov. 25 to Dec. 30 and “The 3 Little Pigs” from Jan. 21 to Feb. 4. All tickets are $10. For more information, call 631-928-9100 or visit www.theatrethree.com.
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