Port Times Record

Jameel Warney signs partially guaranteed deal with Mavericks

Jameel Warney dunks the ball for Stony Brook University. Photo from SBU

By Desirée Keegan

Jameel Warney’s coaches used to say the player held a basketball like a bowling ball, cupping it with his hand and wrist when driving to the basket. He holds the ball a little differently now. He’s gripping it like an NBA pro.

After competing for the Dallas Mavericks’ 2016 Summer League team from July 2 through July 8, Warney, a 6-foot, 8-inch, 260-pound forward, agreed to a partially guaranteed deal with the team, which amounts to a training camp invite.

“I always have the utmost confidence in myself and know that if I play hard, I can do whatever I think I’m capable of doing,” Warney said. “When I play well and with a chip on my shoulder, I won’t be denied. It was great to know that I can play with this level of competition.”

During five Summer League appearances, he averaged 6.5 points, 6.5 rebounds, 1.2 steals and one block per game. Dallas never ran offensive plays designed to get him open, yet Warney still shot 60 percent from the field.

Jameel Warney block a shot for the Seawolves. Photo from SBU
Jameel Warney block a shot for the Seawolves. Photo from SBU

“A lot of hard work went into this and it’s great to get some recognition, but I still have a lot of work to do,” he said. “I was happy that [Dallas] offered to bring me along to training camp, because it’s just another step toward ultimately making my dream come true.”

Although his form may not have been there from the start, the now former Stony Brook University star’s previous head coach, Steve Pikiell, said he’s proud of the player Warney has become. He noted the vast improvement he saw in Warney’s game over the 22-year-old’s four-year tenure with the Seawolves.

“Everyone says great hands, great this, great that, but he’s just a great kid,” Pikiell said. “How he handled himself on and off the court was just awesome. He’s one of the best I’ve worked with in all of my 23 years of coaching.”

Warney began his basketball career as many young players across the country now do; in the Amateur Athletic Union.

“They didn’t think he was going to make it,” his mother Denise Warney said of her son’s coaches. “They said he was very lazy, and he was struggling with the drills and it seemed like something he wasn’t interested in. That all changed in two or three months.”

Warney learned from the experience and established a newfound passion for the sport. Within months, multiple AAU teams were interested in the abnormally tall middle school standout.

From there, Warney joined the varsity basketball team at Roselle Catholic High School in New Jersey. He graduated as the school’s all-time leading scorer with 1,968 points, and averaged 17 points, 13.5 rebounds, four assists and 3.5 blocks per game as a senior.

“He’s humble and he’s hardworking. I think that’s an unbelievable combination for a kid nowadays.”

— Steve Pikiell

“For Jameel, whether he’s well, sick or tired, he plays really well,” his mother said. “He just loves the sport.”

At Stony Brook, he enjoyed much of the same success.

Warney graduated with more victories than any player in school history, and is the school’s all-time leader in points, rebounds, blocks and games played. The Associated Press All-American Honorable Mention also broke Stony Brook records for points in a season and in a single game when he scored 43 against the University of Vermont March 12.

Among all the records, Warney was also named American East Player and Defensive Player of the Year after leading the Seawolves to the American East Championship title and the first NCAA postseason berth in school history. He recorded 23 points and 15 rebounds in the first round of the tournament against the University of Kentucky on March 17, though the team fell 85-57.

“I saw something in him early on and I was able to help him bring that talent and ability out of him,” Pikiell said. “Mix that in with his hard work, and that’s how he’s gotten to the point he’s at. I know he can play at the NBA level. He has a skill set that everyone could use. He has a great motor, he’s a terrific rebounder, he has great hands, he’s a great passer, he has a tremendous physical ability and he’s an unselfish player. He has a great mind for the game of basketball, and those are attributes that bode well for him to be able to continue to play at the next level.”

Jameel Warney carries a net around his neck after the Stony Brook University men's basketball team won the America East championship. Photo from SBU
Jameel Warney carries a net around his neck after the Stony Brook University men’s basketball team won the America East championship. Photo from SBU

For Denise Warney though, it’s more than just her son’s accolades and titles. It’s about how proud she is of how far her son has come not just in the sport, but as a person. When she watches him, she can’t help but smile.

“The game for the NCAA berth, I just watch that game over and over again because it amazes me that he’s turned out to be such a great basketball player,” she said.

She is especially amazing watching him dunk the ball, because for her, it brings back a decade-old memory.

“When he was little, I remember him saying, ‘Mommy, I want a trampoline.’ I asked him why, and he said, ‘I want to put it next to the basketball hoop so I can dunk,’” she said. “We laughed about it because now when I see him dunk a ball, I go all the way back to when he was 10 years old. I get this rush watching him, I’m overcome with this emotion, and I just keep becoming prouder and prouder of him.”

Warney and his mother both appreciate those who have helped him reach such heights thus far in his career.

“The years of improving mentally and physically, being mature and proving my stuff on the court with Stony Brook after high school — I’ve learned so much,” he said. “I feel like a lot of the people I’ve come across over my years of playing basketball have influenced my life. My coaches in high school, my mom, college coaches, the rest of my family and my close friends, I’m doing this all for them because they’ve been with me through the struggles and through the highs. I’m happy to have such a nice support system with me.”

He’s influenced the lives of others as well, as young children run around Stony Brook donning his name and number on their jerseys, looking up to the professional athlete who is continuing to put in the work as he climbs his ladder toward his ultimate goal of making a roster.

“He’s humble for a player as talented as he is,” Pikiell said. “He’s humble and he’s hardworking. I think that’s an unbelievable combination for a kid nowadays. That enabled him to get better and help us do things that no Stony Brook team has ever done, I think he can make a team and stay for a long time. I think his best basketball is ahead of him.”

A boy looks through the Relativistic Heavy Ion Collider at Brookhaven National Lab during an event meant to examine the birth of the universe July 31. Photo from BNL

By Colm Ashe

Hundreds of North Shore residents gathered at Brookhaven National Laboratory in Upton July 31 for the last Summer Sunday of the season, a program which offers the public a chance to immerse themselves in the wide range of scientific endeavors that take place at the lab.

The final Summer Sunday’s events focused on a Relativistic Heavy Ion Collider. The RHIC is the modern culmination of an age-old inquiry into the origins of the universe and the only operating particle collider in the United States.

The day’s events gave the public a chance to witness the enormity of the project, a size measured not only in square mileage, but also in international collaborators. Thousands of scientists from all over the world, even those on opposite sides of warring nations, have been brought together by this quest to unlock the secrets of matter.

The RHIC re-creates an explosion similar to the one that created the universe. Photo from BNL
The RHIC re-creates an explosion similar to the one that created the universe. Photo from BNL

From the main control room, scientists at BNL send ions spinning around a 2.5-mile circular track and smash them together at a velocity close to the speed of light. When the ions collide, they create a small explosion that lasts for an extremely brief time span—one billionth of one billionth of one one millionth of a second.

During the explosion, scientists get a finite window into the birth of the universe, measuring one billionth of one millionth of a meter across. In order to study this small speck of short-lived matter, the remnants of these collisions are recorded in two detectors, STAR and PHENIX. This data is then examined by some of world’s top minds.

According to Physicist Paul Sorensen, this collision re-creates “the conditions of the early universe” so scientists can “study the force that holds together that matter as well as all of the matter that exists in the visible universe today.”

What is this force that binds the universe together? At the event, renowned physicist and deputy chair of BNL’s physics department Howard Gordon addressed this puzzling question. His lecture provided the audience some background on the history of this quest, as well as an update on the discovery of the elusive particle that started it all—the Higgs boson.

Though theories regarding the Higgs field — a field of energy presumed to give particles their mass — have been around since the 1960s, it took five decades to finally find the Higgs boson. As reported by TBR’s very own Daniel Dunaief, this “God particle” was finally discovered in 2012 at Geneva’s Large Hadron Collider, the world’s first ever particle accelerator.

This was the puzzle piece scientists worldwide had been counting on to validate their theory about the origins of matter. According to Gordon, “atoms, therefore life, would not form without the Higgs boson.”

Since this discovery, a vast global network of scientists and centers, including BNL, has been created to sift through the enormous amount of data generated by the Large Hadron Collider. The LHC produces enough data “to fill more than 1,000 one-terabyte hard drives — more than the information in all the world’s libraries,” according to theoretical physicist Lawrence M. Krauss.

After Gordon’s lecture, some of the most promising physicists in the U.S. led guests on a tour of the facilities which process this data, along with an up-close introduction to RHIC, STAR and PHENIX, all of which are undergoing maintenance this summer.

By Melissa Arnold

Every year at Christmastime, my friends and I get together for some holiday cheer and a game of White Elephant. If you’re not familiar with the concept, here’s how it works: Everyone brings a prewrapped gift to the party and draws a number from a hat that determines the order of play. When it’s your turn, you can choose to open one of the gifts in the pile or steal someone else’s opened gift.

Last year’s party had some hot commodities — the new Adele album, a chocolate gift basket, a Visa gift card — but none got the group more riled up than a coloring book and colored pencils. I’m not talking about a kiddy book, either. These drawings were incredibly intricate, featuring flowers, mandalas and other complex designs meant for adults.

The coloring trend has swept the nation over the past several years with no end in sight. Everyone from college students to seniors is clamoring to get their hands on something to color.

As for me, I had only one question: What’s the big deal?

Coloring books for adults have been around for decades in smaller quantities. The first of its kind likely emerged in the 1960s, when the “JFK Coloring Book” reached the top of the New York Times’ best-seller list. The modern craze is often attributed to British illustrator Johanna Basford, whose coloring book “Secret Garden” has sold millions of copies since its debut in 2013 and was translated into more than a dozen languages.

Adult Coloring ContestGetting together

Now, coloring books are flying off the shelves at craft stores, supermarkets and book shops. Several hotel chains offer coloring books to their guests to help them de-stress. For some people, there’s even a social component — coloring groups have cropped up all over the country as well as online.

Annina Wildermuth, a freelance illustrator, is the informal “coach” for one such group at the Huntington Public Library.

Library staff members approached Wildermuth, a frequent patron, about a year ago asking if she knew about the craze. They wondered about setting up regular opportunities for adults to color in a group setting. Wildermuth told them it was a fantastic idea.

“I had a Twitter list of people who enjoyed coloring, and there’s a publisher here on Long Island that has done very well producing adult coloring books, so I had no doubt it would be successful and people would come out.” And she was right. More than 30 people came to the first session, and while the group has slimmed down since then, she sees at least 10 adults at each bimonthly gathering.

“It’s really a very diverse group of people who come out for all kinds of reasons. We have younger and older people, and both men and women,” Wildermuth says. She always puts on relaxing instrumental music to color by. At some meetings, she’ll do a demonstration of different coloring techniques or supplies, while other meetings are self-directed.

Most attendees will bring their own projects and supplies to the meetings, but Wildermuth always provides plenty of options for newcomers or those who want to switch things up. She also noted that people love to bring friends and sit and chat while they color, to catch up on life.

Healing in color

The accessibility of art makes it beneficial for more than just stimulating creativity. That relaxed, peaceful feeling when you settle down to color is exactly what art therapists work to develop in their clients.

Ed Regensburg has always had a passion for the arts, creating his own artwork, working in schools and conducting market research in the field. More than 40 years ago, he began to explore the intersection of art, psychology and spirituality. Those questions led him to a lengthy career in art therapy, with a private practice in East Northport and several published books.

Art therapy involves more than just drawing pictures, Regensburg said. The certification process is rigorous, including a master’s degree, a board exam and licensing test with the state.

Therapy sessions usually involve a combination of traditional talk therapy and time in the studio creating and discussing art. The therapist will hold on to the client’s work to use in a future session if there’s a need. Regensburg’s clients can try drawing, painting and sculpture.

“Part of the human experience is being driven by unconscious feelings, emotions and perceptions. Art gives a person the ability to explore and release their emotions in a way that’s comfortable.”

Put simply, art can help all kinds of people share what they’re feeling when talking about it is difficult or even impossible. In Regensburg’s practice, art therapy is particularly effective with young children and nonverbal individuals, such as those with autism spectrum disorders.

“How do you talk to a four-year-old about losing her father? We talk using the language of imagery,” he explained. “Grief is a very complicated process that all human beings have major defenses against. Grieving healthily involves navigating through that. That’s why art therapy is so powerful … you can experience the relief and release you need while creating a drawing that reminds you of your loved one that we can talk about and use to help identify what you’re experiencing.”

Regensburg also stressed that effective art therapy should be tailored to each person’s needs and experience. Every client has a consultation before starting therapy to determine if they’re a good fit and what mediums will encourage recovery.

free-adult-coloring-page-foxPiece by piece

Deborah S. Derman admits she’s not exactly an artist. But she knows that art can work wonders for people in pain. Her own story is about as traumatic as it gets: Derman, who grew up in Rochester and now lives in Philadelphia, suffered her first loss at 27 when a dear friend committed suicide. It only got worse from there, Derman recalled.

“It was incredibly traumatic for me. When I moved to Philadelphia, my parents were flying down to take care of me and my newborn son, and their plane crashed in front of me. I also lost my husband of a sudden heart attack while I was pregnant with my third child. And when all of that passed, I was diagnosed with breast cancer.”

But despite it all, Derman was determined to work through the grief in a healthy way. That motivation led her to study bereavement academically and then open her own grief counseling practice. “One person’s experience isn’t everyone’s experience. Looking at things clinically enabled me to bring both academic research and my own personal experience to my work, which is invaluable,” she said.

Today, she is 11 years cancer-free, her children are grown, and her career has brought hope and healing to people from all backgrounds. With help from friends in the New York area, she even launched a support group for families of 9/11 victims from Staten Island in the months following the attacks. Many of those people are now among her closest friends, she said.

Her foray into art therapy was a very recent, happy accident. Like so many of us, Derman received an adult coloring book as a Christmas gift this past year. She didn’t understand the hype but found a comfy chair and decided to give it a chance. “I opened up the book and I admit that I was overwhelmed by how complex the pictures were. But I started working on it, coloring just one space at a time,” she said.

Then, suddenly, Derman had what she called a lightbulb moment: “I thought to myself, ‘This is how I got through (my grief)! — one thing at a time, not focusing on the whole page, the whole book, or my whole life.”

The epiphany sent Derman on a creative ride that hasn’t stopped. That same day, she wrote down 35 words that made her think of recovery. Then, she approached an illustrator friend, Lisa Powell Braun, and asked for her help designing coloring pages.

The finished product, “Colors of Loss and Healing: An Adult Coloring Book for Getting Through the Tough Times,” was published April 1 and features deeply personal drawings that bring Derman peace. In addition, each drawing has a corresponding journal page for writing about any feelings that arise. Plans for a second edition with more images and personal reflections are already in motion.

“When you go through a significant loss, one of the first things you experience is a loss of concentration, because all you can focus on is your anguish. Coloring gives people something relaxing to do that will also help restore focus. It’s deceptively simple,” she said. The book’s Facebook page has received messages from around the world from those who are benefiting from the images. coloring-adult-zentangle-squirrel-by-bimdeedee

A lasting trend

Wildermuth, Regensburg and Derman all agree that the success of adult coloring is bound to continue.

“We all know the adult coloring trend is here to stay,” Derman said. “When someone is stressed and they pick up a pencil and start to color, they start to relax. And it can be a private activity or a social experience. You can’t go wrong. The images are right there for you on any topic you can imagine. All you have to do is start. So what if you color outside the lines?”

Regensburg has a deeper theory for why adults are gravitating to coloring books: “People are responding to an over-digitized society. So much of what we do is digital and screen-based. They’re seeking a way to express themselves in a way that’s concrete and more real.”

And Wildermuth views the trend from an artist’s perspective, explaining that it gives everyone a chance to explore art in a “safe” way. “There’s something intimidating about a blank page, to come up with an idea from nothing,” she said. “But a coloring book gives you options. You can dive right in and not worry about whether or not you can draw. It’s accessible for all kinds of people.”

To learn more about Ed Regensburg and art therapy, visit his website at www.creativesanctuary.com or call 631-493-0933.

Deborah S. Derman’s book, “Colors of Loss and Healing: An Adult Coloring Book for Getting Through the Tough Times,” is available online at www.amazon.com. Learn more about her book by visiting www.deborahdermanphd.com, or search Colors of Loss and Healing on Facebook.

Get coloring!

Ready to try coloring for yourself? Grab a book at your local craft store and head to one of these upcoming events:

Setauket: Aug. 18 from 6:30 to 8:30 p.m. at the Emma Clark Library, 120 Main St. Led by artist Pam Varacek, adults will receive 10 coloring pages and all supplies are provided. Preference is given to library cardholders, but all are welcome as space allows. Call 631­-941­-4080.

Huntington: Join artist Annina Wildermuth twice monthly at the Huntington Public Library, 338 Main St., for the Coloring for Grownups Club. Bring your own pages and supplies if you can. Snacks are encouraged. Preference is given to library cardholders, but all are welcome as space allows. The club will resume meeting from 1 to 3 p.m. beginning Sept. 15. Session dates will vary, so call for information: 631-­427-­5165.

Greenlawn: An adult coloring workshop meets Tuesdays from 1 to 4 p.m. at the Harborfields Public Library, 31 Broadway. All are welcome. Info: 631­-757-­4200.

Port Jefferson Station: While not an official class, the Comsewogue Public Library, 170 Terryville Road, has a large coloring sheet and pencils set up for anyone to color. The shared project remains at the library, but feel free to stop by and work on a section. Questions, call 631-928-1212.

The SoundWaters schooner will arrive in Port Jefferson next weekend. Photo by Mike Bagley

The 80-foot schooner, SoundWaters, is offering the public a chance to experience Long Island Sound in a very special way this August. This beautiful and historic three-masted ship will be sailing from Port Jefferson Harbor from Aug. 11 to 14. The public is invited to sail on Thursday, Aug. 11 at 6 p.m. and Friday, Saturday and Sunday, Aug. 12 to 14 at 3 or 6 p.m. Adult tickets are $35 and children (5 to 12 years) are $25 for afternoon sails and $35 for sunset sails.

SoundWaters
SoundWaters

Guests are invited to bring their favorite food and beverages and relax for a breezy afternoon sail — ideal for families — or a beautiful and romantic sunset sail. All sails last two hours and depart from the Port Jefferson Village Center Dock (just east of Danfords and the Ferry Dock).

SoundWaters, a replica of a historic sharpie schooner, has been sailing Long Island Sound since 1989 as the flagship of Stamford CT-based environmental education nonprofit, SoundWaters. During the week, SoundWaters is a floating classroom, carrying over 5,000 students every year from 64 different towns in the Long Island Sound region. While on board, SoundWaters educators teach the students about the ecology of Long Island Sound.

For more information or to purchase tickets, visit www.soundwaters.org.

The garden bench dedicated in memory of Ellen Michelmore. Photo by Heidi Sutton

By Heidi Sutton

Friends and family gathered at the garden at Theatre Three in Port Jefferson to dedicate a bench in memory of the late Ellen Michelmore on July 24. Michelmore, who served as the theater’s resident musical director for more than 25 years, passed away this May at the age of 63 after a five-year courageous battle with leiomyosarcoma, a cancer that infects muscle tissue. “Ellen loved this theater,” said her husband Jeff Lange. “She was the bravest soul I ever knew,” he added.

Ellen Michelmore and her husband Jeff Lange File photo
Ellen Michelmore and her husband Jeff Lange. File photo

A gold plate on the bench is inscribed with the lyrics from Joni Mitchell’s “Woodstock”:

Try ‘n’ to get my soul free

We are stardust We are golden

And we got to get ourselves

Back to the garden.

Reached by phone Monday afternoon, Theatre Three’s Artistic Director Jeffrey Sanzel said the lyrics were chosen because “those were the opening lyrics to our ‘Summer ‘69: Return to Woodstock’ that Ellen sang in the very first production. It’s where it all started — it has so many levels in its meanings.”

Jean Sorbera, who had been Theatre Three’s resident choreographer for many years, purchased the bench and donated it. It now sits alongside memorials for two other members of the Theatre Three family gone too soon, Brent Erlanson and Bonnie Vidal.

During the ceremony, Michelle LaPorte and Gerry Saulter performed a moving rendition of “Progressions para Pauline,” a flute and guitar piece by Argentinian composer Luiz José Merlin, in Ellen’s honor.

A reception followed at the theater’s Second Stage. Sanzel gave a toast to Michelmore with her favorite wine, Prosecco, saying, “There are no words,” as he choked back tears. Scanning the packed room, it was incredible to see how many lives Michelmore had touched over the years.

For actors Hans Paul Hendrickson, Steven Uihlein, Sarah E. Bush and TracyLynn Conner, memories of Ellen were practically identical — how she made them feel welcome when they first arrived and helped them perfect their craft. Conner said she and Ellen formed a close personal relationship and would get together often to sing. Conner wore a pair of Ellen’s shoes to the dedication.

“I absolutely adored Ellen and miss her very, very much. She was like family to me,” said actor Steve Ayle. “We worked together at Theatre Three for the last 25 years, most recently playing opposite each other in the [2015] One Act Play Festival’s ‘Quack.’ Ellen was warm and kind beyond compare, her talent immeasurable, and her big, bright eyes reflected her remarkably positive and enduring spirit, even in the face of her illness. She will live on forever in my heart and soul.”

Douglas Quattrock, who has been at the theater full time since 2002 but has been acting there since the mid-80s, was clearly moved by the dedication. “Besides being one of the most caring and genuine people you could ever meet, Ellen was also an inspiration,” said a tearful Quattrock. “Even though I have never had any formal training in composing music, Ellen always encouraged me to do it. ‘Just play what’s in your heart’ is what she would say. I was honored to work on so many shows with her.”

Michelmore was such an integral part of the Theatre Three family that she was honored with a musical tribute “Ellen Michelmore: Notes From The Heart,” in 2014. The evening featured singers, actors and musicians who had been blessed to work with her. “Jeff [Sanzel] asked me to write a song for Ellen [for the tribute],” continued Quattrock. “The opening lyric that immediately came to my mind was ‘You’re The Music, You’re The Song.’ To me, that was Ellen … She was the music.”

Actor and musician Kevin Story also reflected on his time with Michelmore, saying, “Ellen was a unique light. From the moment I set foot inside Theatre Three over ten years ago, she was encouraging and supportive, a great mentor, colleague and friend. There are really no words, as Jeff said.”

Sanzel said that Theatre Three’s Aug. 19 and 20 performances of “Woodstockmania: Woodstock in Concert,” a musical created by Michelmore, will be dedicated to her memory. A portion of the proceeds will go to the Memorial Sloan Kettering Cancer Center. In addition, Sanzel said a plaque bearing the inscription, “Ellen Michelmore: The Spirit of Music Ever Present” will be placed in the orchestra pit and “a portrait of Michelmore will be commissioned for the lobby.”

Kevin Story surely spoke for all who attended the ceremony that day, saying, “We’ve all been touched by Ellen in an amazing way, and we can only hope her light will continue to shine through us somehow. She will be missed.”

Where you choose to learn and intern can have a significant effect on your success. Photo from Ryan DeVito

Ryan DeVito

The adage “location, location, location” should be applied beyond the real estate market. Where you choose to learn and intern can have a significant effect on your success. Like it or not, urban environments trump sleepy suburbia every time.

I’m not a sociologist, but it’s hard not to notice certain trends in my peer groups. Those who attended college in urban areas seem to have found post-graduate employment more easily. Their networks tend to be large and diverse, too. On the other hand, those who ventured out into the hinterlands for college seem to have had decidedly less luck when it came to immediate post-graduate employment.

What’s the difference-maker for urban students? It boils down to a few key elements.

First, urban environments multiply the network effect. Students attending urban colleges have more opportunity to network with diverse audiences who, in turn, refer those students to their own networks. This is a big deal when it comes to landing an internship or job. Having someone recognize your name —  or, better yet, offer a personal recommendation — goes a long way in the hiring process.

Second, so-called hybrid professors are more likely to reside and teach in urban areas. These are the professors who have vast experience outside of academia. They are the movers and shakers who, for one reason or another, choose to impart their wisdom on a new generation of students.

Third, colleges and companies are connected to their cities. Urban colleges often encourage their students to engage with their city community, whether it be through service or some other outlet. Companies that are invested in the socioeconomic development of their community tend to prefer to hire those who are already a part of that community. Therefore, someone studying at New York University is likely going to have a much easier time landing a position in New York than would someone studying at Indiana University, a cultural world away.

There’s a reason why New York University spent enormous amounts of money to build housing for students in the village. Prior to the late 1980s, NYU had a reputation as a commuter school in the shadow of Columbia University and Fordham University. Giving students the opportunity to live in the city and become a part of its social fabric quickly changed the university’s reputation in the region.

Now, there are always those rising stars who are able to transcend geographic factors. Going to college in the middle of nowhere isn’t a success-killer. Far from it. Some of the most renowned colleges in the world, including Cornell University and Dartmouth College, feature isolated locations.

Location matters. As you plot you future, consider how an urban environment could help you take your education and career to the next level. Urban environments are professional accelerators. Still, it’s up to you to make the most of that grand opportunity.

Ryan DeVito is a Miller Place native who started a college advising company to help Long Island students reach their potential. Learn more at www.TheModernGraduate.com

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A fire in June at Billie’s 1890 Saloon in Port Jefferson caused minimal damage, but code violations keep it closed while ownership rebuilds. Photo by Alex Petroski

A fire in June at a Port Jefferson bar that has been on Main Street for decades forced the establishment to close temporarily, but about 20 village code violations will keep the doors closed longer than initially expected.

Billie’s 1890 Saloon, located on the western side of Main Street near the intersection of East Main Street about a quarter of a mile south of Port Jefferson Harbor, has been an institution in the village since the 1980s. A fire started near the rear of the building, where the kitchen is located, at around 4 p.m. on June 27.

On June 28, Port Jefferson Village officials from the building and planning department cited the watering hole with roughly 20 violations of the village code. The building, which has a bar on the first floor, and is owned by Joey Zangrillo, houses apartments on the second and third floors, and also has a basement that is not supposed to be used as residential space.

According to the department’s report, the litany of violations included, but was not limited to, use of the basement as a habitable space; issues with interior and exterior stairways and handrails; plumbing system hazards; and overcrowding in the apartments.

In addition, some of the rooms did not have smoke or carbon dioxide detectors, according to Tony Bertolotti, Port Jefferson Village senior building inspector. Bertolotti has worked in the village’s building department since 2001, and said when the property had been hit with violations in the past, ownership was cooperative and accommodating in rectifying them. That has also been the case this time around, Bertolotti said.

In November 2012, the building was cited for a violation to the fire suppression system, and in 1992 and 1993, the building was also in violation of maximum occupancy laws, according to village documents.

“We’ll have Billie’s back and running,” Zangrillo said in a phone interview in July. “The violations came as a shock — a total shock to me.”

Craig Clavin owns Billie’s 1890 Saloon, according to Zangrillo. He could not be reached for comment.

Zangrillo offered an explanation for how the building reached the state that has left it vulnerable to the citations.

“You don’t visit your tenants in apartments on a weekly or a monthly basis,” he said. “If everything is OK today, something might not look good tomorrow.”

Zangrillo said the plan is to get the building up to code and reopen as soon as possible, with rebuilding efforts already underway by architecture firm Enspire Design Group and Long Island Creative Contracting, though he called some of the violations “extremely subjective.”

The building’s owner described what it was like being informed of the fire.

“It broke my heart,” he said. “The most important thing and the thing that I thank God for is that no one got hurt. You can always rebuild, but you can’t replace lives. The rebuilding is fine, the loss of lives would have been tragic.”

Port Jefferson Fire Chief Charlie Russo said after the fire that one civilian was taken to John T. Mather Memorial Hospital to be treated for smoke inhalation, though he didn’t believe it was serious.

Two messages were posted on the saloon’s Facebook page on the night of the fire.

“We are temporarily closed for business,” the first message read.

The second message was posted about three hours later.

“If not for the [Port Jefferson Fire Department], Billie’s would have been no more. Thank you for the prompt response! We will be back soon. [We’ll keep you posted].”

Zangrillo echoed a similar sentiment.

“We’re bringing Billie’s back to Port Jefferson.”

The historic Drowned Meadow Cottage Museum is open to the public. Photo by Wenhao Ma

By Wenhao Ma

Port Jefferson history buffs got a sneak peak back in time at an event July 21, which previewed new additions at one of the village’s most historic sites.

The exhibits on display at the historic Drowned Meadow Cottage Museum were revealed for those in attendance at the special event. The museum contains artifacts, including a handwritten letter legitimizing the involvement of Port Jefferson in George Washington’s Culper Spy Ring during the Revolutionary War.

The historic Drowned Meadow Cottage Museum is open to the public with some added attractions. Photo by Wenhao Ma
The historic Drowned Meadow Cottage Museum is open to the public with some added attractions. Photo by Wenhao Ma

The museum was first opened in 2011, though it was closed shortly after. The re­opening of the house in 2015 was tied to the discovery of the letter, which is displayed at the museum and was written in 1780 by Loyalist solider Nehemiah Marks. The July 21 event also debuted the museum’s second floor, which had never previously been safe for occupancy, according to Georgette Grier-Key, village historian and curator of the house. She described the new addition as a “peek-a-boo deck” because visitors of the second floor can see some of the house’s exposed architecture, in addition to more exhibits that demonstrate the house’s history.

“It’s very significant to our shared American history,” Grier­-Key said of the museum. “It’s a surviving Revolutionary War structure circa 1755.”

The house belonged to Philips Roe. He and his brother, Nathaniel Roe, according to the letter, were providing intelligence and supplies to Washington’s army.

The house, located today at West Broadway and Barnum Avenue across from Port Jefferson Harbor, has been moved several times during its history. The most recent move took place in 2008 when the house was restored and made into a museum with the help of Robert Sisler, Port Jefferson’s first historian who passed away earlier this month.

“It’s very significant to our shared American history…it’s a surviving Revolutionary War structure circa 1755.” —Georgette Grier-Key

A foundation had to be built under the house to raise it high above the ground because the house is in a floodplain, according to Jim Szakmary, who has been assisting Grier­-Key in setting up the museum. Szakmary also said the house is so old that when restoring it they had to use steel rods that went all the way from the roof to the cement foundation to secure it.

Szakmary said private collectors and other museums donated or lent their collections to the Drowned Meadow Cottage museum in advance of the re-opening July 21.

“With the significance of the Culper Spy Ring,” said Mayor Margot Garant, who attended and spoke during the event, “it’s really mind-blowing to actually be standing in the house.”

Cold Spring Harbor performs at the Village Center in Port Jefferson on July 21. Photo by Joseph Wolkin

By Joseph Wolkin

Thursday nights in July are for music, beautiful sunsets and good times in Port Jefferson.

The Harborside Concert Series hosted its second of four installments July 21 at Harborfront Park outside of the Village Center.

Amid the warm temperature and radient sky, the Cold Spring Harbor Band took to the stage to perform a Billy Joel tribute concert.

Led by Pat Farrell, known as “Piano Man Pat,” the band played chronologically according to Joel’s career. Starting with his first album, “Cold Spring Harbor,” the band played covers of the singer’s most popular songs.

The Cold Spring Harbor Band. Photo by Joseph Wolkin
The Cold Spring Harbor Band. Photo by Joseph Wolkin

“This is a fantastic venue,” Farrell said after the concert. “We play at a lot of places, but we’re playing right by the water. It’s just incredible and we had a great turnout. It’s beautiful here at Port Jefferson.”

Husband and wife Bill and Margie Recco attended the concert as part of a relaxing evening by the water with their friends. Margie Recco attended high school with Joel at Hicksville High School, ut the two never met.

“I think it’s great,” she said about the concert series.

Her husband agreed.

“It’s lovely here,” he said. “It has a breeze. It’s a wonderful night. There’s a free concert and it’s just really nice.”

“Every venue is different,” Farrell said. “You have great weather. It’s right on the water. Port Jefferson is world-renowned. It’s right up there.”

The Cold Spring Harbor Band ended the evening by singing “I’m Proud to Be an American,” with the crowd getting to their feet and singing along to the patriotic song.

Next up in the Harborside Concert Series is an Aug. 4 performance with Six Gun & DJ Neil Wrangler, featuring country music.

Police are seeking help from the public to identify a man who damaged a glass door at the Bridgeport and Port Jefferson Steamboat Company. Photo from SCPD
Police are trying to identify a man who damaged a glass door at the Bridgeport and Port Jefferson Steamboat Company. Photo from SCPD

After hours boat rides are not allowed.

A glass door to the Bridgeport and Port Jefferson Steamboat Company, located at 102 West Broadway in Port Jefferson, was damaged by a man between 4:15 a.m. and 11:30 a.m. July 23, according to the Suffolk County Police Department.

The suspect appears to be a white male in his 20s or 30s with short brown hair, medium build, seen wearing a gray shirt, gray shorts, black sneakers and a gold chain.

The police department is offering a cash reward up to $5,000 to anyone with information regarding the incident that leads to an arrest.

Anyone with information is asked to call Suffolk County Crime Stoppers at 1-800-220-TIPS. All calls remain confidential.