Music

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Bon Jovi and Journey tribute band Bon Journey belt out classic rock hits. Photo by Kyle Barr

Long Hair, ripped pants, t-shirts drenched in sweat. Like an event straight out of the 80’s, crowds gathered at Heritage Park in Mount Sinai Friday, Aug. 16 for the Free Family Fun Day and concert, featuring Bon Jovi and Journey tribute band Bon Journey. The event was sponsored by the Heritage Trust and Suffolk County Legislator Sarah Anker (D-Mount Sinai)

Celebrating its 20thyear, the park played host to yoga sessions, bounce castles, martial arts demonstrations, crafts and magic shows all throughout the afternoon and early evening. Later, with a field crowded with people, Bon Journey belted out renditions of classic Bon Jovi hits like “Livin’ on a Prayer” and “Wanted Dead or Alive” and Journey songs like “Don’t Stop Believin.’”

Voices needed

Northport Chorale will hold open auditions at the Northport High School Choir room, 154 Laurel Hill Road, Northport on Wednesdays, Sept. 4, 11 and 18 at 7 p.m. for its upcoming winter concert with the Northport Community Band. All voices needed. For more info, call Debi at 631-223-3789 or visit www.northportchorale.org.

The Cast of Beatlemania

Back by popular demand, The Cast of Beatlemania returns to the Smithtown Center for the Performing Arts, 2 East Main St., Smithtown on Saturday, Aug. 31 at 8 p.m. Enjoy a night with John, Paul, George and Ringo as they sing all the classics. Tickets are $40 per person. To order, call 631-724-3700 or visit www.smithtownpac.org.

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By Julianne Mosher

Beloved Port Jefferson resident Jill Nees-Russell lost her battle with cancer in June 2018, and now the community is celebrating her spirit with a new performance stage at Harborfront Park.

It all started last year when, after her passing, her friend, Carolyn Benson of East Setauket, along with village-based landscape engineer Michael Opisso, decided to find a permanent space that could honor Jill’s legacy.

The Port Jefferson resident came to the north shore from Los Angeles and immediately became involved with the community. She worked alongside Mayor Margot Garant as the village’s Director of Economic Development and Public Relations, as well as with the Port Jeff arts council, the PJ School of Rock and had worked in tandem with the Long Island Music Hall of Fame.

“I feel like Jill designed this stage… I just held the pen.”

— Michael Opisso

“Dedicating this perfect stage to Jill is special,” Mayor Garant said. “She was a huge advocate for the arts within the community… dedicating this stage to her made sense and it was something the community could get behind.”

The planning for the 15 by 25 foot half-circle wood stage overlooking the harbor began in April. On Saturday, Aug. 10, it made its debut with an afternoon of songs all with the common themes of family and home.

The lawn was filled with over a hundred people whose lives were touched by Jill.

“We have beautiful weather today,” Garant said, “We know who’s looking out for us.”

Over 500 volunteers came together and money was set aside for the concept. With Opisso as the designer on record and Andrew Fortier as the builder, Opisso said that it wouldn’t have been made possible if it weren’t for Jill.

“I feel like Jill designed this stage,” he said, “I just held the pen.”

Fortier was also the first performer on the stage with his two children in their group, Tricycle. Together they kicked off the show with a song they dedicated to Jill and the legacy she left behind called, “Beautiful Light.”

“I want to thank you from the depths of my heart for what you’ve done for this community,” he said before they started to play.

Among the hundreds of people that attended Saturday’s event were Jill’s siblings and family who flew in from all over the country from places like Oklahoma, California and North Carolina.

“The stage is a way to showcase the talent that’s here and to showcase the community she loved.”

— Jeffrey Nees

“We want to thank you from the bottoms of our hearts for dedicating the stage to her,” Jeffrey Nees said. “Although she was from Oklahoma, her heart and her home were here in Port Jefferson.”

As emotional as the day was, Nees said that he knows his sister would be thrilled.

“Jill would think today’s event would be wonderful,” he said. “The stage is a way to showcase the talent that’s here and to showcase the community she loved.”

A dozen community members performed upon the stage, including students from the Port Jefferson School of Rock as well as a reading from Shakespeare’s “A Midsummer Night’s Dream” by Theatre Three’s Artistic Director Jeffrey Sanzel.

Fortier said that performing on a stage is special because every performance is different. “That’s the beauty of live music,” he said, “That’s the beauty of what’s going to be happening on this very stage.”

Although this weekend’s concert kicked off the planned future performances the stage will hold, the stage was not entirely complete. A plaque dedicated to Jill will be added to the stage, as well as a canvas sail canopy that will embody the look of a sailing ship.

“The stage is a tribute to who she was,” Garant said. “It’s about time we had a focal point in our backyard that allows us to celebrate.”

The Ward Melville Heritage Organization welcomed the Just Sixties Band to its Summer Concerts on the Green series last Sunday night. Hundreds of music lovers came out to enjoy the evening, which kicked off with a rousing Woodstock tribute and concluded with songs from The Monkees, Beach Boys, Rolling Stones, Mamas & the Papas and more. Concertgoers danced, had a picnic dinner, enjoyed a glass of wine and were treated to a beautiful sunset. Even drummer Robert Gerver commented, “This is one of the most picturesque settings on Long Island.”

The free series continues with the NY Exceptions in concert (50s music) in front of the Stony Brook Post Office, 111 Main St., Stony Brook on Sunday, Aug. 11 at 7 p.m. For more information, call 631-751-2244 or visit www.wmho.org.

 

Toby Tobias

Grounds & Sounds Cafe at the Unitarian Universalist Fellowship, 380 Nicolls Road, East Setauket will present a Woodstock Tribute concert on Friday, Aug. 9 at 8 p.m. Relive the moment! Featured artists include Toby Tobias, Christine Sweeney, Rich Lanahan and The Claudia Jacobs Band. 1960s attire encouraged. Tickets are $15 at www.groundsandsounds.org or at the door. For further information, call 631-751-0297.

Artie Gross, behind him his office at the SWR middle school. Photos from Gross

“It was a good time. I enjoyed the opportunity to teach a lot of talented kids,” said Artie Gross, reflecting on a more than three-decade music teaching career, much of it spent at Shoreham-Wading River. 

Gross, who has been a mainstay in the Shoreham-Wading River school district as a middle school vocal music teacher for the past 35 years, retired at the conclusion of the 2018-2019 school year. 

“He was the ultimate professional.”

— Kevin O’Brien

“I just knew it was time,” he said. “Thirty-five years is a good number.”

Gross said that since he was a kid he knew he had a passion for music. As a young man he remembered constantly playing guitar and singing.

“I would bring my guitar to school — I was the class musician, I got involved in some of the school’s shows and plays,” he said. 

When it came time to decide what he wanted to pursue as a career, Gross said he knew his parents wouldn’t pay for guitar lessons. 

“It was pretty obvious I wasn’t going to school to be a guitar performance major,” the Port Jefferson resident said. 

Despite that, Gross found his answer while being in a high school chorus class.  

“My high school chorus teacher made such an impression on me and I was like ‘This is what I want to do,’” said Gross.  

After graduating high school, he went to the University of Rhode Island for one year before transferring to SUNY Buffalo to complete his bachelor’s in music education. Gross would then go get his master’s degree at Ithaca College. 

From there, Gross got his first gig teaching in the Bethpage school district, filling in for a music teacher who was out sick for the year. 

“From February to June of that year I was full-time teaching strings,” he said. “I ended helping out with shows and doing a little bit of singing.” 

The following year, Gross initially thought he would be going back to Bethpage but the district told him it was now a brand-new position and would bring him down to starting sub-salary. 

“They told me I’d be teaching seven elementary school classes a day and I was like, this doesn’t sound good,” he said. 

While Gross ultimately decided not to stay at Bethpage, he had heard there was an opening for a music teacher at SWR and called to see if the job was still available. 

“They told me it was still available. The superintendent didn’t like the person we sent up,” he said. “I met with the assistant principal and principal — and boom, I was hired that day. Just a few days before the school year [in 1984].”

Gross said during his first year he wanted to build up the chorus program in the middle school. After one year it went up from 48 kids to more than 100 kids participating. 

After his first year in the district, Gross began splitting time at the high school and middle school as a traveling teacher. During his time at the high school he was involved in music direction for shows as well as taking charge of the chorus. Starting in 1990, he came back to the middle school full-time. 

Linda Jutting, a former orchestra teacher at SWR, first met Gross during his first year on the job in 1984.

“It wasn’t until 2002, when I came back to the district, that I worked with him at the middle school for 15 years until I retired,” she said.

Jutting said her own three children had Gross as a teacher and said he had an amazing work ethic.

“He was really dedicated to his craft and his students,” she said. “He went above and beyond.”

Gross said he had a strong passion for what he did and wanted to share it with the kids. 

“I think one of my strengths is being able to connect with middle school kids and treat them like young adults,” he said. “I think one of the most important things is believing in them and getting them to believe in themselves.”

“He was really dedicated to his craft and his students.”

— Linda Jutting

Kevin O’Brien, district band director at SWR, said he can’t say enough good things about Gross. 

“I worked with Artie in the same building for 12 years. He mentored and helped me during my first couple of years in the district,” he said. “He was the ultimate professional.”

Gross mentioned when he retired, he received a signed poster from former students. He realized all the people he had affected positively.  

“I was just doing my job, I didn’t think I was doing anything special,” he said. “One girl told me, ‘I became a social worker because of the way you treated me.’”

Gross said he is looking forward to practicing playing his guitar more and hopes to visit his children in Wyoming and Australia. The Port Jefferson resident also hopes to be involved in the middle school shows in the future and is currently giving private lessons. 

“I had a good career. I got to share something that I loved, which was music,” he said.

 

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Rocky Point played host to the first three shows of the 2019 annual Suffolk County Summer Concert Series, and on July 30 Strawberry Fields, a Beatles tribute band, came and played a set to a packed out crowd on the lawn of the St. Anthony of Padua R.C. Church. All photos by Greg Catalano

Jack Licitra and friends at an outreach program, Inside Song, at SBU’s Staller Center in 2018. Photo from Staller Center

By Jack Licitra

Jack Licitra

Music is something to be enjoyed. It entertains us, excites us, soothes us. 

But is it possible that music can change our bodies and our minds? And what if the physical act of making music – the way we move our hands and our bodies, while we play – transforms consciousness? 

I believe it’s possible to shift the intention of music from just entertainment to something more meaningful. And the way we do this is: not just play music, or hear music, but use the music. Use it for healing. And in using music, you are using your own self as the instrument.

As a Reiki practitioner, I’ve seen how hand movements and symbols generate healing energy. And that poses the question: do musical patterns and rhythms and tempo and duration affect brain waves and heart rate? If these things do affect us in beneficial ways, maybe we can apply them specifically to helping people. 

In 2004 I was working at the Long Island State Veterans Home dementia unit in the evenings, playing music for older folks. It was hard to keep them engaged for long periods of time because of their impairments. Then I began to bring a tambourine. I was astonished to see that when I held a steady rhythm, our sessions went from 15 minutes to sometimes more than an hour. 

I already was aware that songs from their youth would elicit emotional responses, like singing along, dancing or even crying, but I was surprised to discover that rhythm could transform their consciousness. 

Fast forward to a few years ago. I was burned-out, exhausted and worried about generating enough income to support my family. So I was happy to be invited to play at an outdoor arts festival in Ithaca, even though it was many hours from my hometown of Garden City. But when I got there, I found that a rainstorm had damaged the fairgrounds, and attendance was dismal. I was playing to an empty field, basically. 

A drumming group was scheduled to play after me. As they showed up for their set, I invited them to jam with me. By the time their teacher arrived – a master drummer from Ghana – a small crowd had gathered and the rhythms were getting very intense. There was a moment when I noticed my hand was unconsciously strumming a pattern on the guitar. It was something I had never played before. Well, when I left there, I felt like my heart had been opened and refreshed. The music healed me.

To use music in this healing way, we take familiar melodies, rhythms and chord progressions and shift the intention to have a transformative impact. It may sound familiar to one’s ears, but because of the new way you’re cooking the ingredients, the impact is different.

I am fascinated by the kora (a traditional West African stringed instrument) and also Carnatic, or classical Indian, music. How do they affect the systems of the human body? It’s worth exploring.

We can make a shared community consciousness, when we use these musical healing tools together. 

Jack Licitra is a Sayville-based singer/songwriter/keyboardist and guitarist; music educator; founder of the music-teaching studio South Bay Arts in Bayport; and is available for musical programs at schools, libraries and other facilities. Join the musician at Emma S. Clark Memorial Library, 120 Main St., Setauket on Aug. 15 for a free outdoor family concert titled World of Stories: Pop Songs from 6:30 to 7:30 p.m. No registration required.

the Sound of a Chord barbershop quartet from the 1980s, with Russ Tobin, Al Mastrangelo, Fred Conway and Don Van der Kolk. Photo from Conway

“I’ll be singing for the rest of my life,” said Fred Conway, a longtime barbershop singer and six-time president of the local Harbormen Chorus barbershop group. 

Conway receives a Barbershopper of the Year award at a chorus event. Photo from Conway

Earlier this month, the Miller Place resident was honored by the worldwide Barbershop Harmony Society at an international convention in Salt Lake City for 50 years of talented service. 

“That was definitely a bucket list item for me, getting to 50 years,” Conway said. 

His career began innocently enough. Conway reminisced about that moment. It was the day of the 1969 Super Bowl and his neighbor at the time showed him an ad in the paper looking for barbershop singers. 

“It sounded interesting to me, I hadn’t taken any music lessons at the time, but I knew I had a good voice,” he said. “I went over there the following night and have stuck with it [singing barbershop] ever since.”

Since then, Conway has sung lead in nine quartets in his career, and he is currently a member of the Harbormen, Twin Shores Chorus as well as the Antiquity Quartet. Over the years, he has performed at some notable venues including the St. Petersburg Hall in Russia, Carnegie Hall and Madison Square Garden. The Miller Place resident has also received the Barbershopper of the Year award by the Barbershop Harmony Society. 

As much as Conway dedicates his time to singing barbershop, he also pursued another passion — teaching and counseling. He graduated from St. John’s University with bachelor’s and master’s degrees in education before attending C.W. Post to get a professional diploma. 

During his education career, Conway served as a guidance counselor and coached various sports team for the Miller Place School District. 

Conway coached women’s cross-country, the men’s golf team and men’s/women’s track and field. He would later become the first commissioner of cross-country and track and field in the Diocese of Rockville Centre for 12 years and has served as the first executive of Section XI for women’s cross-country for 10 years. 

“From about 1975-1986, Miller Place had some great teams,” said the Miller Place resident. 

David Lance, a fellow member of the Harbormen Chorus, can attest to Conway’s dedicated to the craft of barbershopping. 

“He is a real mover and shaker, he gets things done,” he said. 

Lance has known Conway for the past 15 years and first got introduced to the chorus when a member had to leave due to health issues. 

“They were looking for a tenor and they recruited me,” he said. “When I got there his voice [Conway’s] really stuck out to me.”

Conway leads members of the Harbormen Chorus in a sarenade at the TBR News Media offices February, 2018. File Photo

Lance mentioned practically everywhere they go and perform, Conway always seems to run into someone he knows. 

“He’s a great guy and friend,” he said. “His ambition is contagious.”

Lance, along with the other Harbormen members, have also performed at various senior and assisted living homes throughout Long Island and have welcomed returning veterans fighting overseas at MacArthur airport. 

Gary Wilson, a fellow member of the Antiquity Quartet, has known Conway for over 30 years 

“He asked me if I wanted to join quartet and I said yes,” Wilson said. “We found two other guys and we formed Harmony Hotline.”

The quartet performed together for some time but had to disband after two other members moved away. 

“He is a self-taught singer, he has such a unique sound,” Wilson said. 

Currently, Conway lives with his wife of 39 years, Lesley, and they have three children and six grandchildren. He is also a six-year Vestry member of St. Anselm’s Episcopal Church in Shoreham. 

“Through the years he has made a lot of people happy,” Lance said. “He is the personality of the quartet and brings a personal touch to his performances.”

The Miller Place resident said he doesn’t see himself stopping doing what he loves. 

“I’ll be singing forever,” he reiterated.   

The Harbormen Chorus are actively looking for new members and Conway said anyone interested in singing four-part harmony to visit them on Monday nights, except national holidays, at 7:30 p.m. for practice at the Unitarian Universalist Fellowship Hall at 380 Nicolls Road, East Setauket, which is north of the firehouse, next to the new synagogue. People can call 631-644-0129 for more information.