The Atelier at Flowerfield, 2 Flowerfield, Suite 15, St. James will present a free art history lecture on Thursday, Aug. 9 from 7 to 8:30 p.m. Director Kevin McEvoy will discuss the life and work of Titian. Join them for a night of inspiration and dialogue. Refreshments will be served. For more information, please call 631-250-9009.
By Beverly C. Tyler
My great-aunt Annie, Anna Louise Tyler (1863–1943) lived her entire life in the house I grew up in on the corner of Main Street and Old Field Road in Setauket. For more than 80 years, from about 1850 to 1931, the Tyler Brothers General Store stood on the same corner in front of the house close to the road. For all those years the Tylers also served as postmasters, and the post office was located in the general store.
Anna Tyler was appointed Setauket’s 11th postmaster Nov. 12, 1897, and she served the community until 1915. At the time of her appointment, she was 34 years old. She was the niece of Capt. Israel Bennett Tyler (1830–1895) who served as postmaster 19 years from 1870 to 1885 and again from 1889 to 1893.
In 1895, after the death of Israel Tyler, Capt. Charles Tyler, my great-grandfather, carried on the store until two years before his death, when he became ill and passed away June 12, 1899. From 1897 on, the post office and store were run by Annie and Corinne Frances Tyler, spinster daughters of Capt. Charles Tyler.
The mail was brought to Stony Brook and Setauket by the Long Island Rail Road. For most of that time, mail was delivered twice a day. It was carried to the store and post office and handed to Annie Tyler for many years by Adolph Pfeiffer who began mail service with a horse and wagon. In the winter months, he used a horse and sleigh. According to an article in the Three Village Herald in 1965, “Occasionally when the roads were almost impassable, the mail was taken by Mr. Pfeiffer on horseback, or even on foot — pulling the bags on a sled. Later with the advent of the automobile, he became agent for the Franklin automobile, and these as well as other makes of cars were used for transporting the mail.”
The entrance to the post office in the West Setauket store was through a side door on the left (north) side of the building. The northern third of the store was the post office and the remainder, from the front door over, was the general store. Annie Tyler was postmaster and her sister Corinne (1858–1941) ran the general store.
The general store was the center of the small community, which included about 100 families and numbered less than 800 people. The school on the Village Green, the churches and the new library around the Green and the grist mill on the lower pond were also a part of the community’s hub. The general store and post office building was a center for communication and gossip as well as a place to tell stories and swap
information about the latest farm equipment, the weather and, of course, politics.
“We were a big family, and we was always down there. Sometimes Poppa paid once a week. They kept track of it and I could get anything. They never asked no questions.”
— Lucy Keyes
Telephone lines were first installed from a central office in Northport in 1896. In the last few months of 1899, central offices were established in Port Jefferson and Smithtown. According to historian Kate Strong, the first telephone subscribers in Setauket were her father Selah B. Strong, her uncle Thomas S. Strong, Annie Tyler’s store and the Setauket railroad depot.
Lucy Keyes, who was born in 1900, remembered in a 1989 interview that when she was 6 or 7 and going to school on the Village Green, she would walk home, stopping first at the post office.
“They were such nice ladies,” Keyes said. “Miss Annie took care of the mail … Miss Annie used to make money orders and everything … We went there to pay land taxes.
“Miss Corinne took care of the store. They kept it open even during lunch — Miss Corinne and Miss Annie switched. It was open until after mail at night. There were two mails — a morning and an
evening mail. We used to trade with Sears and Roebuck and Montgomery Ward. It came in the mail.”
Keyes recalled that Corinne’s brother Henry Tyler helped her at the store.
“Momma and Poppa brought all their groceries there,” Keyes said. “We bought canned goods, salt pork, potatoes, bread and even bananas in later years. We were a big family, and we was always down there. Sometimes Poppa paid once a week. They kept track of it and I could get anything. They never asked no questions.”
Lucy Keyes was one of 12 children of Jacob and Hannah Hart born between about 1880 and 1910. An 1889 “day book” for the “Tyler Bro” store lists “Jacob Hartt” 34 times in a two-month period. One entry included “1 box blueing, 1 jelly roll, 4 barrels, 3 butter tubs, 1 box, 1 bag flour, 5 candles, 1 loaf bread, 1 bot. vinegar, 1 lb lard,” all for $2.42.
Keyes remembered a candy case in the store that contained a number of selections.
“You would get four or five round things for a penny,” she said. “Jawbreakers, three or four for a penny; and stick candy was a penny a stick.”
By 1915, the automobile was beginning to change the buying habits of local residents who found a wider range of goods and services in specialty stores. The telephone was bringing gossip and information directly into the home, and Parcel Post was bringing catalog shopping into the home. The post office in Setauket was also becoming an independent operation and would soon outgrow the general store where it had coexisted for so many years.
Beverly C. Tyler is Three Village Historical Society historian and author of books available from the society at 93 North Country Road, Setauket. For more information, call 631-751-3730 or visit www.tvhs.org.
A local group has preserved a piece of history for future generations.
The Three Village Community Trust acquired the historic Timothy Smith House at 55 Main St., Setauket, July 12, according to a press release from the trust.
“Because of its long history, its connection to town government in Brookhaven, and its remarkable degree of preservation over its 300-year life span, the Smith House is a valuable acquisition,” the release read. “The Three Village Community Trust is indebted to Robert de Zafra for acquiring it at the death of the previous owner, protecting it from being subdivided, and in so doing preserving the historic character of Setauket and this area’s contribution to the nation.”
In March, de Zafra’s widow, Julia, offered the house to the trust for a nominal price and will donate funds to help with continued restoration. According to the press release, de Zafra was a founding trustee of the Three Village Community Trust, and the Timothy Smith House, also known as the House on the Hill, has been recognized as a Brookhaven landmark and dates back to the early period of Setauket’s settlement starting in 1655.
Cynthia Barnes, president of the TVCT, said the trust will continue the restorations that de Zafra started and will be raising funds through contributions to the Robert de Zafra Restoration Fund and seeking grants. The house will be renamed the Timothy Smith-Robert de Zafra House. While the home will remain a private residence, Barnes said there are discussions about ways to make it available to the public periodically.
Robert Reuter, a TVCT trustee, said the house is “a treasure that figures prominently in our town’s earliest history” and he feels it offers an opportunity to interpret the best of design and craftsmanship in 18th-century colonial Setauket.
“The Timothy Smith House, a substantial two-story post-and-beam colonial building, remains original save for plumbing and electrical improvements.”
— Robert Reuter
“The Timothy Smith House, a substantial two-story post-and-beam colonial building, remains original save for plumbing and electrical improvements,” Reuter said. “It features immense structural timbers, floor boards — 24 inches and more in width, wrought iron hardware, primitive window glazing and simple but robust interior architectural details. A massive central chimney serves multiple fireplaces on both floors. The main kitchen fireplace incorporates a rare beehive oven with arched brick opening.”
According to the TVCT press release, the house, which dates back to 1695 to 1705, occupies one of the earliest farmstead plots in the area. It was laid out along both sides of a freshwater creek that was dammed to create the Setauket millpond. It is historically significant because it was the de-facto Brookhaven Town Hall during much of the 1700s due to successive Smith family members serving as town clerk. Timothy Smith occupied the house during the Revolutionary War, and it and the surrounding farm property remained in the Smith family until the death of Julia Sophia Smith in 1948. Forrest Bonshire, lived there from the 1960s to 2013, and the home was purchased by de Zafra from Bonshire’s estate to prevent it from being subdivided, and de Zafra was carefully restoring it before his death in October.
CENTERPORT: The first floor of The Hall of Fishes at the Suffolk County Vanderbilt Marine Museum has reopened following the Marine Collections Conservation Project. The second floor remains closed temporarily while the nearly 1,500 wet specimens, recently conserved, are organized and returned to their exhibition cases.
Supported by a $135,000 grant from The Robert David Lion Gardiner Foundation, the conservation project began in the summer of 2015. Work included conserving five taxidermied flamingos and a group of dry-mounted fish specimens, the repair of three shore bird dioramas and restoration of the diorama background paintings, and the creation of a new undersea painting for a large-scale exhibition case.
“We’re indeed fortunate to have some of the finest restoration experts from the American Museum of Natural History in New York City to help us with the conservation and preservation of the collection,” said Stephanie Gress, director of curatorial affairs for the Vanderbilt.
“Their exceptional skills allow us to be the careful stewards of Mr. Vanderbilt’s legacy, a marine and natural history museum for the education and enjoyment of the people of Long Island and beyond,” she said.
The specimen conservation work was completed in New Jersey at Wildlife Preservations, the studio of taxidermist George Dante. He and his colleagues cleaned decades of dust from the specimens, touched up fins and feathers, and returned them to the Vanderbilt.
Sean Murtha, an artist who specializes in fine-art background paintings for museum dioramas, recreated an 8×10-foot painting of the ocean floor to replace the faded original created in 1924. Thomas Doncourt, a foreground artist, restored the habitat in the Caribbean shore bird dioramas, which included recreating a crumbled section of beach in one diorama. Murtha also restored sections of the paintings in those dioramas.
Murtha and Doncourt are both former staff members of the American Museum of Natural History (AMNH), and Dante is a top AMNH taxidermy consultant. The three are part of the continuous, century-long Vanderbilt-AMNH collaboration that began when William K. Vanderbilt II (1878–1944) hired artisans and scientists from the museum to design the habitat dioramas in his own new museum in the 1920s. Vanderbilt also hired artist William Belanske, who accompanied him on his world voyages and became his resident artist and curator.
Over the past several years, the three artists also completed extensive work on the wild-animal dioramas in the museum’s Stoll Wing, funded by two $100,000 grants from the Roy M. Speer Foundation.
The Suffolk County Vanderbilt Museum is located at 180 Little Neck Road in Centerport. Summer hours are Tuesdays to Saturdays from 11 a.m. to 5 p.m. and Sundays from noon to 5 p.m.
General museum admission is $8 for adults, $7 for students with ID and seniors (62 and older), and $5 for children 12 and under, which includes estate-grounds access to the Marine Museum, Memorial Wing natural-history and ethnographic-artifact galleries, Nursery Wing, Habitat Room, Egyptian mummy and Stoll Wing animal-habitat dioramas. For a mansion tour, add $6 per ticket.
For further information, call 631-854-5579 or visit www.vanderbiltmuseum.org.
By Melissa Arnold
For as long as Artie Weingartner has taken photos, his focus has always been on others.
Weingartner, who lives in Lake Ronkonkoma, is a fixture at local high school sporting events. He has faithfully chronicled the work of the Lake Ronkonkoma Historical Society and is the official photographer for the Lake Ronkonkoma Improvement Group.
Now, for the month of July, the focus is on him as Sachem Public Library presents an exhibit featuring a wide array of Weingartner’s photos in a collection titled Scenes of Lake Ronkonkoma.
It’s an odd feeling for 58-year-old Weingartner, who admits it took a serious push from friends and loved ones to move forward with the exhibit. But nothing makes him happier than bringing joy to the people who see his photos.
“I like seeing people’s reactions to pictures and hearing their feedback — it really makes me feel good, and it makes me want to do it more. I love the rush of satisfaction that comes with it. I guess you could say I’m addicted to it,” he laughed.
While photography has piqued his interest for decades, it took a long time for Weingartner to really find his niche. His father bought him his first camera, a simple Kodak, when he was just 9 years old. But he admitted feeling frustrated over the process of shooting a roll of film, waiting to have it developed, and then discovering that many of the photos were duds. “I didn’t have the patience for [traditional photography],” he said. “Not being able to see what the result was right away was hard for me.”
When digital photography emerged in the early 2000s, Weingartner was thrilled. Finally, he had the instant gratification of seeing each photo, with no wasted film and the option to delete ones he didn’t like with the push of a button. His love for photography was rekindled, and he hasn’t looked back.
He began casually taking photos of his kids’ sports matches, plays and concerts. Word spread quickly about his natural talent. “Parents stopped bringing their cameras around and my pictures were used more and more. It became a lot of work, but a lot of fun,” Weingartner said.
Now that his children are grown, the photographer is focusing more on chronicling the history of Lake Ronkonkoma. On a frigid day in January of 2016, he was invited by Lake Ronkonkoma Historical Society member Matt Balkam to photograph the historic Fitz-Greene Hallock Homestead on Pond Road. The 14-room home was built in 1888 and contains all of the original furnishings of the Hallock family. In 2006, the Lake Ronkonkoma Historical Society took over the care of the home, and it is now the only historic home in the community that remains open for tours and other public programming.
That experience would lead Weingartner to become regularly involved with the historical society and the Lake Ronkonkoma Improvement Group.
In 2016, News12 contacted Evelyn Vollgraff, the president of the historical society, about filming in the area for a show covering historic places on Long Island. When reporter Danielle Campbell arrived at Long Island’s largest freshwater lake with Vollgraff, she was horrified to see how neglected and filthy the body of water was.
Campbell, Vollgraff and several others put the word out on social media that they wanted to work on beautifying the area. The response was beyond anything Vollgraff anticipated. “We never asked for help. We just did it,” she recalled. “People got interested — legislators, councilmen. At the first meeting, 90 people were there asking what they could do and how they could help. The community came together in an amazing way. We have joined together as groups of friends that wanted to help our community. But now many of them are a part of the historical society as well, and most importantly, they’re my friends.”
In early 2017, the group held its first cleanup of the lake. Weingartner was there that day, too. They have since removed more than 300 tons of trash from the lake, and turned an old bookstore destroyed by fire into the historic Larry’s Landing, a popular hangout named for the bookstore’s late owner, Larry Holzapfel.
“Artie showed up with a camera at one of the cleanups and just started taking pictures — that’s just who he is,” Vollgraff said. “You have to record history. I can’t save every house in Ronkonkoma, but with Artie taking pictures, the history lives on forever.”
The community has also expressed its gratitude for Artie’s work through Facebook, where he frequently posts his photos on the Lake Ronkonkoma Improvement Group and Sachem Sports pages.
“People were coming out of the woodwork from Florida or South Carolina who lived there 30 years ago to say how much it meant to them to see pictures of the place they grew up,” Weingartner said. “When I first moved to Long Island from Queens in 1970, we used to swim in the lake, but over a few years it got so dirty that we didn’t swim there anymore. Before that, people used to come out from Manhattan just to spend time at the lake. It’s always been an important, historic part of this community.”
While the exhibit is named Scenes of Lake Ronkonkoma, Weingartner said it encompasses a range of subjects, including sports and landscapes from other parts of Long Island, including Port Jefferson and Belle Terre. More than 75 framed 8-by-10 prints are on display. His favorite photo features Lake Ronkonkoma at sunset, with two birds and sunlight streaming down to the shore. All the photos were taken with a Nikon D600.
The photography show also includes guest contributions from photographers Richard Cornell and Richard Yezdanian.“This exhibit will be interesting to people in our area because [the lake and other scenes] are literally in our backyard,” said Anne Marie Tognella who works in programming and public relations at Sachem Public Library. “It captures many of the scenes that we see and appreciate every day with natural and historic value.”
Sachem Public Library, 150 Holbrook Road, Holbrook will present Scenes of Lake Ronkonkoma in its art gallery on the lower level through the month of July. Join them for an artist reception on Saturday, July 21 at 2 p.m. For more information, call 631-588-5024.
By Kyle Barr
This summer, visitors to The Long Island Museum’s Visitors Center can enjoy The Land of Moses: Robert Moses and Modern Long Island, an exhibit dedicated to the legacy of the man responsible for the development of many of Long Island’s bridges, parks, highways and more.
Presenting a major exhibit on Robert Moses meant trying to understand who he truly was, beyond many of the long-held concepts of the controversial 20th-century builder/planner and unelected official.
Though Moses wanted his story to be known through the pages of his own autobiography called “Public Works, A Dangerous Trade,” it was another book, a thick tome titled “The Power Broker” by Robert Caro, that defined his legacy, that of a callous and conceded individual who simply did not care who he ruined in his pursuit of his next, great project.
According to the exhibit’s co-curator, Joshua Ruff, director of collections and interpretations and chief curator at The LIM, “That became the portrait that Moses spent the rest of his life fighting. He wanted to get things done, and back then the way to get things done was to accumulate power.”
Close to 37 years after his death, Moses remains a controversial figure. In his decades spanning career, he was in charge of cultivating nearly 2.5 million acres of parkland in New York state, building 13 bridges and completing 135 miles of parkway on Long Island. Those parkways, originally intended to be used for “pleasure driving,” now exist as often congested strips of road that connect Long Island’s east and west ends.
Ruff, who organized the show along with Assistant Curator Jonathan Olly, spent the past several months researching and gathering the more than 170 items for use in The Land of Moses exhibit. On display is Moses’ oblong desk and typewriter along with many of the original models used when Moses was in charge of building the Verrazano-Narrows Bridge and designing the 1964 World’s Fair along with many paintings, historical photographs and film and audio clips. “What we try to get into with this exhibition is you can go back much earlier in his career and see much controversy, but maybe just not as necessarily at the public level,” said Olly during a recent tour of the exhibit. “He was very press savvy, and he was often able to control the terms of the public perception.”
Moses held sway in multiple unelected positions throughout his reign, from head of the New York City Planning Commission to president of the Long Island State Parks Commission. Ruff said that, at his height, Moses held more power as an unelected public official than most other elected officials at that time.
The “master builder” never shied away from the public space and was quick to get his picture taken with influential figures; and the exhibit shows Moses with many famous people from Walt Disney to President John Kennedy. He wasn’t a man to shy away from controversy either. Quotes from Moses are posted high up on the exhibit’s walls. One reads: “As long as you’re on the side of the parks, you’re on the side of the angels. You can’t lose.” Another reads: “Those who can, build. Those who can’t, criticize.”
Though many perceptions of Moses have been formed from his description in “The Power Broker,” the museum curators wanted to offer a more nuanced, historical view of the man. “His ideas endured — because how do you deal with a lot of people living in a confined space?,” explained Ruff. “They need people to be able to move from one space to another. What about recreation? He was interested in the quality of life for the greatest number of people.”
Though Moses built this lasting infrastructure, he did so sometimes in nefarious ways. Building the roadways as he intended often put the work straight through some poor, yet vibrant, neighborhoods; and while he might have paid to move suburban houses out of the way of progress, he would easily make near-unilateral decision to tear down poor and minority neighborhoods to build his highways.
This ties into many allegations of racism that people like Caro have made of Moses. Ruff and Olly said that reality is more complicated. “It’s been a controversial topic in academia,” Ruff said. “Robert Moses, in some ways, undeniably made some racist decisions in his career and his work, such as putting highways through poor areas. His thought process was it cost less to demolish a poor neighborhood than it was to demolish a rich neighborhood, so it would cost less to the taxpayer.”
There are allegations that Moses specifically built bridges along his parkways too low for buses (which were often used by poorer minority communities) from the city to pass under, just so they wouldn’t walk on Moses’ many beaches and parks. The museum curators don’t put too much credence to that claim. “There’s no evidence that states that this was a decision to make it so poor people couldn’t get to the beaches,” Olly said. “The reason really was about aesthetics and economics. What Moses wanted was this idea of ‘Ribbon Parks,’ for use in pleasure driving. Having buses or public transportation on the roads was unacceptable. He didn’t think this was the road that people in 20, 30 years would be commuting to work on.”
Olly added that buses were able to go to Jones Beach, Heckscher State Park and other parks since the beginning, and there are bus advertisements from the time that prove it.
“In many ways, [‘The Power Broker’] was the last word in many instances in a lot of things Moses — it’s one of the best biographies of an American public official ever written, but on this particular argument its on shaky ground,” Ruff said.
Moses’ power declined in the late 1960s. Perhaps his biggest failure was his inability in the 1970s to finalize the building of a cross-sound bridge from Oyster Bay to the town of Rye up in Westchester County. Many locals protested building the bridge over concerns of increased traffic congestion and potential environmental impacts.
After Caro released his book in 1974, Moses spent the rest of his days contesting the allegations made in the book until his death in 1981 at the age of 92 from heart disease.
Though he remains controversial, Moses made a definite and lasting impact on Long Island. Ruff said that while his public perception changed over time, Moses was the catalyst that really created the Long Island identity. “People like to think about how his career ended — of how Caro’s book changed a lot of the perception about him,” Ruff said. “But he played a leading role in the 20th century, and we wanted to put an emphasis of his work specifically on Long Island.”
Related programs at the LIM
Summer Thursday
Enjoy a free self-guided tour of The Land of Moses on Thursday, July 19 from 6 to 8 p.m. Sample wine and tasty treats on museum grounds. Coolers and picnics welcome.
Author Talk
Journalist and author Anthony Flint will speak about his book, “Wrestling with Moses: How Jane Jacobs Took on New York’s Master Builder and Transformed the American City,” on Sunday, Aug. 19 from 2 to 3:30 p.m. Flint will lead the audience on an introspective journey into the battle between Moses and activist Jane Jacobs. Afterward, visit the Robert Moses exhibition to gain additional insight into Moses’ life and times. This event is free with museum admission.
The Long Island Museum, 1200 Route 25A, Stony Brook will present The Land of Moses: Robert Moses and Modern Long Island in the Visitors Center through Oct. 28. Museum hours are Thursday to Saturday from 10 a.m. to 5 p.m., Sunday from noon to 5 p.m. Admission is $10 adults, $7 seniors, $5 ages 6 to 17. For more information on ticket prices or for more information, call 631-751-0066 or visit www.longislandmuseum.org.
By Sabrina Petroski
Dance the night away at the eighth annual Summer Fiesta at the Suffolk County Vanderbilt Museum, located at 180 Little Neck Road in Centerport! The year’s most important fundraiser for the museum, the gala event will be held in the Vanderbilt Mansion’s Spanish Revival courtyard on Saturday, July 21 from 6:30 to 10 p.m. and feature an evening of wine, food, music and, of course, dancing.
“We want it to be a wonderful evening for the attendees, and we also want to showcase the museum and have them see why it’s important to support the museum and the work that we’re doing here,” said Lance Reinheimer, executive director of the museum, in a recent phone interview. “Thirdly, we want to raise funds for our programs and to be able to expand our education programs.”
According to the museum’s Director of Development Sue Madlinger, this year’s gala is a salute to William K. Vanderbilt II, his wife Rosamund and friends Edie and Robert Huntington who flew around the Caribbean, Central America and the perimeter of South America in Vanderbilt’s Sikorsky S-43 seaplane, from Jan. 18 to Feb. 11, 1937, “which was a major feat in it’s day. Each year we try to bring Mr. Vanderbilt’s history into our events, and all the great things he did for [the museum], for Long Island, and all the adventures that he went on,” she said.
Entertainment for the gala includes Latin music by the world-renowned band, Los Cintron, with performances by flamenco dancer Juana Cala. The Cintron brothers are known as the greatest Gypsy Kings tribute band, and the group’s guitars, vocals and melodies evoke the traditional sounds of Andalusia and their beloved Spain. Food will be catered by Sangria 71 restaurant in Commack and feature hors d’oeuvres, a five-foot paella and dinner. On the menu will be chicken, salmon, fish and skirt steak plus margaritas, sangria, wine and beer.
The funds raised from the gala will go toward expanding and modernizing the Vanderbilt Learning Center within the Carriage House. “We have an aggressive plan to upgrade [the Carriage House] architecturally, to maintain the historic features of the building but to bring in modern elements and flexibility so that we can continue the education program in a way that children are used to learning,” said Reinheimer.
Elizabeth Wayland-Morgan, the associate director of the museum, says the museum is looking for more sponsors, as well as corporate support to continue working on making the educational programs more attractive for children of all ages.
Tickets are $135 for nonmembers, $125 for members. In the event of rain, the Summer Fiesta will be moved to the Celebration Tent. Guests are asked to follow a formal dress code, with cobblestone-friendly shoes. For more information, visit www.vanderbiltmuseum.org or call 631-854-5579.
Help preserve history! The Port Jefferson Village Archive department, located on the second floor of the Village Center, 101A East Broadway, is seeking old photos of Port Jefferson from the 1920s, 1930s and 1940s. Photos will be returned after they have been scanned. For additional details, call Chris Ryon at 631-802-2165.
Reviewed by Jeffrey Sanzel
Ruth Minsky Sender’s three memoirs — “The Cage,” “To Life” and “The Holocaust Lady” — are must-reads. The books chronicle the author’s life in Europe, from before World War II, through her inhumane imprisonment in the Nazi concentration camp system, and beyond. Sender is a writer of exceptional ability: vivid, introspective and yet always accessible. I have seen her speak and she is every bit as strong and present in person as she is on the page.
Now, the East Setauket resident has a new and unusual offering, a book of poetry, with the majority of poems written while she was in the Mittelsteine Labor Camp (1944–1945). Translated from the Yiddish by Rebecca Wolpe, the poems are raw and disturbing — as they should be. But underneath many of them is her mother’s motto: “While there’s life … there is hope.”
Miriam Trinh’s well-thought-out introduction shows the importance of “Jewish poetic creativity during the Holocaust as a reaction to Nazi oppression, persecution, and annihilation,” giving context to the writing as well as insight into Sender’s work. “This poetry,” writes Trinh, “was a direct reaction to her experiences during and after the Holocaust: the loss of her prewar identity, the realization that this loss was permanent and unrecoverable and the need to construct a new, postwar identity.”
In addition to the works written while she was in the camp, there are a handful of poems that were created in the 1950s and later. They are equally as important but are taken from a different perspective. All but two of the poems were written in Yiddish (those two in Polish), first on scraps of brown paper bags stolen from the garbage, later in notebooks.
She writes, “These poems were written in little notebooks while I was incarcerated in the Nazi slave labor camp in Mittelsteine, Germany, as prisoner #55082. I wrote them while hiding in my bunk. Every Sunday, I would read them aloud to the fifty other women living with me in the room. They were my critical and faithful audience. I endeavored both to depict scenes from our life and to give everyone a little courage and the will to continue. This was how we spent our Sundays, and anyone who had bit of talent did her best to bring a little happiness into our tragic lives.”
The notebook was given to her by the Nazi commandant after the girls were forced to perform at Christmas. They were told if they didn’t perform, all 400 Jewish girls would be punished. Sender read two of her poems (“My Work Place” and “A Message for Mama”) and somehow they touched the cold-hearted, pitiless Nazi commandant who presented her with the first book to record her verses.
Each poem is a delicate work of art. Some are a dozen lines, while others run to several pages. Given the cruel nature of the subject, it is difficult to comment. Needless to say, they are all vividly descriptive and fiercely honest.
“My Friend” explains the importance of writing. “Our Day” is a single day in the camp, from dreaming to sundown, and shows, even in the brutality, the glimmer of hope. “Greetings from Afar” addresses the day-to-day evil and sadism the prisoners relentlessly faced every moment. “Separation” expresses the pain of being split from her brothers. In “At Work,” the language depicts the harshness of the factory; in the clipped lines you can hear the merciless grinding of the machines.
“A Ray of Light” is just that: the courage to aspire to liberation in the midst of misery. “The Future,” one of the most complicated, looks at liberation from a different aspect: what will become of them and, even more so, where will their anger go upon being freed? It is a breath-taking piece.
“We Need Not Their Tears” faces the issue of where to go when returning to your home is a deadly option. “Where Is Justice?” is offered in two versions: one composed in the camp and the other written many years after. Both are the horrific story of a prisoner forced to beat another prisoner, driving the girl mad. In a book of challenging pieces, it is one of the most unsettling and haunting.
A later poem (1955), “Teaching Children Yiddish” is a celebration of the language that still exists, a symbol of persistence, with education being at its heart.
“While There’s Life …” is a volume that should be read and re-read by people of all faiths. It is a portrait not just of survival but of how one woman transformed her pain in humanity’s darkest hour into art … into life.
To order your copy of ‘While There’s Life …’ visit www.yadvashem.org and choose the Shop icon.
By Heidi Sutton
The 1,000-seat theater at Stony Brook University’s Staller Center was filled to capacity last Sunday night as the community came out in droves to celebrate the first screening of TBR News Media’s feature-length film, “One Life to Give.” And what a celebration it was.
“I have to say this exceeds our highest expectations. We are so thrilled,” said TBR News Media publisher Leah Dunaief, scanning the packed house as she welcomed the audience to “what has been a year’s adventure.”
“I am privileged to be the publisher of six hometown papers, a website, a Facebook page and, now, executive producer of a movie,” she beamed.
Dunaief set the stage for what would be a wonderful evening. “I’m inviting you now to leave behind politics and current affairs and come with me back in time more than two centuries to the earliest days of the beginning of our country — the start of the American Revolution.”
“We live in the cradle of history and I hope that when you leave tonight you will feel an immense pride in coming from this area,” she continued. “The people who lived here some 240 years ago were people just like us. They were looking to have a good life, they were looking to raise their children.” Instead, according to Dunaief, they found themselves occupied by the British under King George III for the longest period of time.
Filmed entirely on location on the North Shore in 16 days, the film tells the story of schoolteacher turned spy Nathan Hale and how his capture and ultimate death by hanging in 1776 at the age of 21 led to the development of an elaborate spy ring in Setauket — the Culper spies — in an effort to help Gen. George Washington win the Revolutionary War.
Scenes were shot on location at Benner’s Farm in East Setauket, the William Miller House in Miller Place, the Sherwood-Jayne Farm, Thompson House and Caroline Church of Brookhaven in Setauket and East Beach in Port Jefferson with many local actors and extras, period costumes by Nan Guzzetta, props from “TURN” and a wonderful score by Mark Orton.
The film screening was preceded by a short behind-the-scenes documentary and was followed by a Q&A with Dunaief, producer and writer Michael Tessler and director and writer Benji Dunaief along with several key actors in the film — Dave Morrissey Jr. (Benjamin Tallmadge), Hans Paul Hendrickson (Nathan Hale), Jonathan Rabeno (John Chester) and David Gianopoulos (Gen. George Washington).
“It says quite a bit about our community that we could pack the Staller Center for a story that took place over two hundred years ago,” said Tessler, who grew up in Port Jefferson. “I hope everyone leaves the theater today thinking about these heroes — these ordinary residents of our community who went on to do some extraordinary things and made it so that we all have the luxury to sit here today and enjoy this show and the many freedoms that come with being an American.”
Director Benji Dunaief thanked the cast, crew and entire community for all their support. “In the beginning of this project I did not think we would be able to do a feature film, let alone a period piece. They say it takes a village, but I guess it actually takes three.”
“Our cast … threw themselves 100 percent into trying to embody these characters, they learned as much as they could and were open to everything that was thrown at them — I’m blown away by this cast. They are just incredible,” he added.
“The positivity that was brought to the set every day made you really want to be in that environment,” said Rabeno, who said he was humbled to be there, and he was quick to thank all of the reenactors who helped the actors with their roles.
One of the more famous actors on the stage, Gianopoulos (“Air Force One”) was so impressed with the way the production was handled and often stopped by on his day off just to observe the camera shots. “I really enjoyed just watching and being an observer,” he said, adding “It was just such an honor [to be a part of the film] and to come back to Stony Brook and Setauket where I used to run around as a little kid and then to bring this story to life is just amazing.”
According to the director, the film has been making the rounds and was recently nominated for three awards at Emerson College’s prestigious Film Festival, the EVVY Awards, including Best Editing, Best Writing and Best Single Camera Direction and won for the last category.
Reached after the screening, Assemblyman Steve Englebright (D-Setauket) said the film was the essence of a sense of place. “I thought it was spectacular. I thought that it was one of the highlights of all of the years that I have lived in this community.”
He continued, “It all came together with local people and local places talking about our local history that changed the world and the fact that it was on the Staller Stage here at a public university that was made possible by the heroics of the people who were in the film both as actors today and the people that they portrayed.”
For those who missed last Sunday’s screening, the film will be shown again at the Long Island International Film Expo in Bellmore on July 18 from 2 to 4 p.m.
Filming for a sequel, tentatively titled “Traitor,” the story of John André who was a British Army officer hanged as a spy by the Continental Army during the Revolutionary War, will begin in two weeks.
Special thanks to Gold Coast Bank, Holiday Inn Express, Island Federal Savings Bank and Stony Brook University for making the evening’s screening possible.
Photos by Heidi Sutton and Rita J. Egan
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