Stony Brook University’s Staller Center for the Arts, 100 Nicolls Road, Stony Brook will host a concert by the Stony Brook Wind Ensemble on the Main Stage on Wednesday, April 17 at 7:30 p.m.
Conducted by Bruce Engel, the program will include Samuel Barber’s “Overture to the School for Scandal,” Franz Schubert’s “Unfinished Symphony (1st movement),” “Bolero by Maurice Ravel, “An American in Paris” by George Gershwin, “Beauty and the Beast” by Allan Menken and “Pines of the Appian Way” by Ottorino Respighi/
Tickets are $10 adults, $5 students and seniors. For more information, call 631-632-2787 or visit www.stallercenter.com.
My mentor, Nobel laureate Hermann Joseph Muller, described science to his graduate students as “the winning of the facts.” Three implications exist in that interpretation.
First, it is not easy to do science. It takes skills at using instruments to obtain facts, design experiments or infer connections among isolated facts. Second, the scientist may be in competition with alternate ways to interpret the same data. The scientist may have biases that were not controlled adequately in the experimental design, or the scientist may be a victim of wishful thinking. Third, science has implications for our lives that may be received with resistance or disbelief by those who prefer their advantages for the world as they are presently enjoying it.
A good example is the effort it took Muller to work out some findings about the gene. When he joined Thomas H. Morgan’s laboratory in 1912, the gene was just an abstract idea. Its chemistry was unknown. Morgan had just found that there were genes associated with sex and that genes were associated with chromosomes in the cell.
In 1913 Morgan’s student Alfred H. Sturtevant showed those genes could be mapped. In 1915 Morgan’s student Calvin B. Bridges showed cell division could be imperfect and an extra or missing chromosome may be present in a fertilized egg. Go fast forward about 50 years and in humans that explained why some children have Down syndrome (with three instead of two chromosomes for number 21 of 23 pairs of chromosomes).
Muller took 15 more years after joining Morgan’s laboratory before he worked out genetic stocks to do an experiment that showed X-rays induce mutations. That did not make many people in the health industries happy because most of the mutations induced by X-rays had harmful effects (loss of function).
After Hiroshima and Nagasaki, Muller’s findings interpreted cell death from broken chromosomes by high doses of radiation created radiation sickness in tens of thousands of people who lived in Hiroshima and Nagasaki when our atomic bombs exploded. During the Cold War, many legislators felt that concern over radiation exposure was a Communist plot to delay development of nuclear weapons and the need to test them in the atmosphere, at sea or on land. Muller tried to strike a balance between political fears and the need for radiation protection.
The debate over consequences of low doses versus high doses of radiation exposure is still ongoing. The values of military needs for new or renewed weapons dominate concerns over low dose exposure. Those in the nuclear reactor industries feel the permissible doses add expenses that are not necessary because they feel no mutations are produced at low doses.
The overwhelming number of experiments done to test radiation exposure is that it is proportional to dose or linear for thousands of roentgens to fractions of a roentgen. The experiments are difficult to do with low doses in mice or fruit flies. Fortunately, most dentists give a lead apron to patients before doing X-rays, and newer X-ray machines give a much lower dose to get even sharper images with better X-ray machines. Fortunately, most health providers protect themselves and their staff from exposure to X-rays and do not have to be in the same room with the patient.
Basic science provides knowledge we may not want to know. But it also provides knowledge we can use to protect ourselves. It is not usually the scientists who make these findings who prevail in how science is received or used by the public. The winning of the facts is often a struggle that may be ongoing for years or decades before consensus occurs.
Elof Axel Carlson is a distinguished teaching professor emeritus in the Department of Biochemistry and Cell Biology at Stony Brook University.
Eight-year-old Eliana took this artistic photo of Victoria the bald eagle, during a visit to the Holtsville Ecology Site and Animal Center with her grandmother who lives in Port Jefferson. Located at 249 Buckley Road in Holtsville, the Town of Brookhaven center is a haven for over 100 injured or nonreleasable wild animals and farm animals including a buffalo, black bear, fox, owls, horses, cows, goats and pigs. Hours are 9 a.m. to 3 p.m. weekdays and 10 a.m. to 3 p.m. weekends and holidays. Admission is free.
From left, Nicole Xiao, Juliet Weschke, Nicole Freeley and Riley Meckley with their award-winning books
First-place winners Nicole Xiao and Juliet Weschke (holding books) with library Director Ted Gutmann (center) and the family of the late Helen Stein Shack
From left, Nicole Xiao and Juliet Weschke with their award-winning books
First place winner Nicole Xiao receiving her award
Winners with Leg. Kara Hahn and Councilwoman Valerie Cartright
All of the winners with the family of the late Helen Stein Shack
First place winner Juliet Weschke receiving her award
Winners with representatives from the Three Village School District
Emma S. Clark Memorial Library board members andstaff, the family of the late Helen Stein Shack, local elected officials, representatives from the Three Village Central School District and guests from the community gathered on April 8 to honor the winners of the fifth annual Helen Stein Shack Picture Book Award ceremony.
The contest called for teens in grades 7 through 12 who live in the Three Village Central School District to create a children’s picture book.Each entry could be the work of a single author/illustrator or a collaborative effort between an author and an illustrator. The contest was divided into two grade categories, grades 7 through 9 and grades 10 through 12, with one first-prize winner and one second-prize winner selected from each group.
Library Director Ted Gutmann, along with the family of Helen Stein Shack, Legislator Kara Hahn and Councilwoman Valerie Cartright presented all of the winners’ books — bound and added to the Library’s Local Focus Collection.
In addition, $400 checks were awarded to first-prize winners Nicole Xiao, an eighth-grader at P.J. Gelinas Junior High School, for her book, “Gerald’s Share” and Juliet Weschke, a 10th-grader at Ward Melville High School for her book, “You Saved the Earth: A Plastic Bottle’s Journey.” Checks for $100 were awarded to the second-prize winners Riley Meckley, a ninth-grader at P.J. Gelinas Junior High School, for her book “Lily and Liam’s Summer at the Library” and Nicole Freeley, an 11th-grader at Ward Melville High School, for her book “Simon’s Day at the Beach.”
The speakers discussed how the contest and ceremony began 5 years ago as a tribute to the late Helen Stein Shack, especially fitting due to her love for learning and her particular fondness for Emma Clark Library. “We would come visit my grandma for a week, and she would take us straight here,” explained Mrs. Shack’s granddaughter Emma Kelly, who flew in from California for the event.
Councilwoman Cartright mentioned to the family that it is “such an amazing way to honor your mom and your grandma’s legacy, her commitment to education, recognizing that literacy is power.”
Leg. Hahn spoke of the special lessons in each book. “When it’s a children’s book, the message does not only get through to the child. The message also gets through to the parent that’s reading it,” she said.
The winners also received certificates from Sen. John J. Flanagan, Assemblyman Steve Englebright, Hahn, Brookhaven Supervisor Edward Romaine, and Cartright. Library board President Orlando Maione, Vice President Deborah Blair, Treasurer Christopher Fletcher, Secretary Carol Leister and trustees David Douglas and Suzanne Shane were also there to congratulate the winners.
Three Village Central School District board of education President William Connors, Superintendent Cheryl Pedisich, Assistant Superintendent for Educational Services Kevin Scanlon, Gelinas Junior High School Principal Corinne Keane, Ward Melville High School English Department Chair Vincent Cereola, Gelinas Junior High School English Department Chair Michelle Hanczor and Gelinas Junior High School Librarian Nicole Connelly were all in attendance.
Guests enjoyed special treats donated by The Bite Size Bake Shop, a local Three Village-owned business and Ward Melville High School teen volunteer Ashley Mullen photographed the event.
The library is grateful to the children of the late Helen Stein Shack, who have established a substantial endowment with the library to cover the cost of the awards as a tribute to their mother and her commitment to passing along the importance and joy of reading for generations to come.
Mrs. Shack’s son, Ed Taylor, spoke about the hard work and dedication that the winners and all of the participants have shown, and then imagined a glimpse into their futures. “These kids are going to grow up, and hopefully, they’ll have families of their own … and one night their kids are going to be lying in bed and ask for a good night story … and they’ll take a book off the shelf, and they’ll read it to their kids … and then they’ll tell them who the author was. That they wrote that book.”
Added Cartright, “I’m delighted today to encourage you to continue using your creativity to share with others, to uplift others, because that’s what you’re doing by creating these books.”
Years ago my friend told me about how she used baked wonton wrappers as little pastry cups to hold all sorts of fillings and served them as hors d’oeuvres. And what a clever idea it turned out to be. Although doing that wasn’t her own idea … she had gotten it from another friend…whoever originally dreamed up such a convenient and elegant idea for hors d’oeuvres deserves some sort of prize. Since the time my friend shared the idea with me, these little one or two-bite gems have seen my guests and me through many a happy hour. The concoctions you can fill them with are endless, but here are some of my standbys.
Basic Wonton Wrapper Cups
YIELD: Makes 12 cups
INGREDIENTS:
Nonstick cooking spray
12 wonton wrappers
2 tablespoons oil
DIRECTIONS:
Preheat oven to 375 F. Coat muffin tinwith nonstick cooking spray. Press a wonton wrapper gently into each muffin cup, taking care to press firmly against sides and bottom. Brush with oil. Bake 4 to 5 minutes until golden and crisp. As soon as cool enough to handle, remove from muffin tin and place on rack or cool platter. Serve with desired filling.
Sausage, Pepper and Monterey Jack Filling
Wonton Wrapper with Sausage, Pepper and Monterey Jack Filling
YIELD: Fills 12 wonton cups
INGREDIENTS:
1 tablespoon olive oil
1 small onion, minced
3 to 4 large sweet Italian sausages, finely crumbled
1 frying pepper, seeded and finely chopped
12 baked wonton cups
½ cup shredded Monterey Jack cheese
DIRECTIONS:
In a medium skillet heat oil over medium heat; add onion, sausage and pepper and cook, stirring frequently, until vegetables are soft and sausage is brown, about 7 minutes. With slotted spoon remove from skillet and set aside to keep warm or refrigerate, covered, until ready to use. (If refrigerating, reheat before filling cups.) Preheat oven to 375 F. Place cups back in muffin tin or on baking sheet, fill with hot or reheated sausage mixture, sprinkle cheese on top of filling and bake just until cheese is melted, about 2 to 3 minutes. Serve hot or warm with wine or cocktails.
Asian Shrimp Filling
YIELD: Fills 12 wonton cups
INGREDIENTS:
2 tablespoons sesame oil
1 tablespoon finely chopped peanuts
1 tablespoon rice or white wine vinegar
2 tablespoons peanut oil
1 tablespoon soy sauce
2 teaspoons honey or brown sugar
2 cups finely shredded red cabbage
12 baked wonton cups
12 medium cooked shrimp, tail removed
2 tablespoons toasted sesame seeds
¼ cup sweet chili sauce
1 tablespoon Sriracha sauce
DIRECTIONS:
In a medium bowl, combine the sesame oil, peanuts, vinegar, one tablespoon of the peanut oil, soy sauce, honey and red cabbage. In another medium bowl toss together the shrimp, chili sauce, remaining tablespoon peanut oil and Sriracha sauce. Evenly divide the cabbage mixture among 12 wonton cups, top each with a shrimp and sprinkle with sesame seeds. Serve at room temperature with cocktails or wine.
Chicken Tarragon Filling
Wonton Wrapper with Chicken Tarragon Filling
YIELD: Fills 12 wonton cups
INGREDIENTS:
One boneless chicken breast, cooked and finely chopped
1/3 cup mayonnaise
1 tablespoon chopped fresh tarragon or 1 teaspoon dried
1 tablespoon minced onion
2 tablespoons finely chopped celery
1 tablespoon finely chopped walnuts
1 tablespoon freshly squeezed lemon juice
Salt and freshly ground white pepper, to taste
6 leaves bibb lettuce, torn in half
12 baked wonton cups
12 slices cherry tomato
DIRECTIONS:
In a large bowl thoroughly combine all ingredients except lettuce and tomato. Line each wonton cup with half a lettuce leaf, then divide chicken mixture evenly among cups. Top each with a tomato slice. Serve immediately.
For Stan Brodsky, painting was so much more than just a skill or even a career. It was a language, a love affair, a truly sensual experience. The artist shared those feelings openly with students over the course of a renowned teaching career that spanned more than 50 years.
Several months ago, the Art League of Long Island in Dix Hills began to prepare Stan Brodsky and Friends, a springtime exhibit celebrating Brodsky’s work along with nearly 30 of his dearest friends, many of whom were former students and mentees.
‘Woman in a Car,’ oil/acrylic on canvas by Doug Reina
On March 30, just two weeks before the exhibit’s scheduled opening, Stan Brodsky passed away at the age of 94. He had continued to work and teach until the final weeks of his life, just as he wanted it. Brodsky’s students noted that the World War II veteran tried to retire a few years ago, but he couldn’t stand being away from doing what he loved.
The Art League is moving forward with the show as planned, with the exhibit running from April 13 to 28. A reception on April 14 at 3:30 p.m. will allow the artists and those who loved Brodsky to honor his life and legacy.
Participating artists include Ennid Berger, Susan Bird, Susan Canin, Denise DiGiovanna, Simon Fenster, Stuart Friedman, Peter Galasso, Lenore Ann Hanson, Ginger Balizer-Hendler, Caroline Isacsson, Vincent Joseph, Deborah Katz, Marceil Kazickas, Denise Kramer, Barbara Miller, Catherine Morris, Pamela Long Nolan, Dianne Parker, Alicia R. Peterson, Doug Reina, Fran Roberts, Susan M. Rostan, Ellen Hallie Schiff, Laura Powers-Swiggett, Janice Sztabnik, Lois Walker and Hiroko Yoshida.
Stan has touched so many lives, inspiring them to pursue their passions,” said Susan Peragallo, coordinator and curator of the Art League’s Jeanie Tengelsen Gallery. “The exhibit will be a chance for everyone to celebrate him — the 27 artists in the show are only a small segment of those who were influenced by him over the years.”
A master abstract expressionist, Brodsky studied photojournalism and fine art before receiving a doctorate in art education from Columbia University in 1959. Originally from Greenwich Village, he moved to Huntington in 1965. Most of his teaching years were spent at Long Island University’s C.W. Post Campus in Brookville, and a collection of his notes and sketches from 1951 to 2004 can be found at the Smithsonian Institution.
‘Superficial Information,’ oil on canvas by Marceil Kazickas
Brodsky’s relationship with the Art League began in the late ’90s when he became an instructor. The classes were small in the beginning, with just five students enrolled in 1994, but grew rapidly, and eventually people had to be turned away from lack of space. “It’s not so much that he was popular, but he was inspiring and generous in his critiques, and people really responded to that,” Peragallo said.
Peter Galasso of Setauket remembers that Brodsky could often be found in the same way over the years as students arrived for class — sitting at his desk, usually eating an egg sandwich, always poring over an art history text.
“He had a contagious passion, and was constantly reading and continuing to study,” said Galasso, who began studies under Brodsky 20 years ago, eventually becoming a friend and traveling companion. “He was always looking to travel somewhere new or different. He wanted to be inspired by the local color of a place.”
Susan Rostan of Woodbury remembers entering Brodsky’s classroom for the first time while pursuing a master’s in fine art. Brodsky arranged the students in a circle and asked each one to introduce themselves. When it was her turn, Rostan simply told him, “I’ve heard I’m either going to love you or hate you, but I’m cautiously optimistic.”
‘She Wears Her Heart on Her Sleeve …,’ mixed media by Susan Canin
Many years later, Rostan was sitting in a different class of Brodsky’s, this one at the Art League. But she was stunned by the striking realization that nothing had changed: He still wore the same striped sweaters and paint-splattered jeans. She painted a full-length portrait of him that day that will appear in the exhibit.
“He taught us as much about ourselves as he did about painting,” said Rostan, who is now working on a biography of Brodsky. “He was an unusual teacher in that he approached his students as equals and opened himself up to be vulnerable and form friendships with them, which allowed him to encourage them particularly well.”
Brodsky’s friendship and deep encouragement were beloved by so many of his students, said Doug Reina of Setauket. In fact, some of them continued to take his classes for decades just to spend more time with him.
“Stan had this ability to make you feel special. He was genuinely curious about you, and that means a lot,” Reina said. “In the old days before taking his classes, I would look at a scene and just try to copy it. But through him I learned to paint in a way that also expresses how I feel about the subject and the sensuousness of the paint itself. Stan painted with his own language and created something truly unique for the world.”
Stan Brodsky and Friends will be on view at the Art League of Long Island’s Jeanie Tengelsen Gallery, 107 E. Deer Park Road, Dix Hills. Admission is free. For more information, call 631-462-5400 or visit www.artleagueli.net
This is Ophelia, a 3-year-old short-haired mix who came to Kent Animal Shelter all the way from Thailand, where she was rescued from the meat trade. This sweet girl is so full of personality and love and looks forward to going for long walks. She is ready to begin the next chapter in her life!
Ophelia comes spayed, microchipped and up to date on all her vaccines. Kent Animal Shelter is located at 2259 River Road in Calverton. The adoption center is open seven days a week from 10 a.m. to 4 p.m.For more information on Ophelia and other adoptable pets at Kent, call 631-727-5731 or visit www.kentanimalshelter.com.
The Stony Brook Grist Mill, circa 1751, 100 Harbor Road, Stony Brook opens for the season on Saturday, April 13 and will be open weekends from noon to 4:30 p.m. through Oct. 31.
Long Island’s most completely equipped working mill, it is listed on the National and New York State Register of Historic Places. Visit the Country Store and watch the only female miller in the U.S. grind grain into flour just as it was done during the Revolutionary War.
Admission is $2 adults, $1 children 12 and under. For additional info, call 631-751-2244.
‘The most important day I remember in all my life is the one on which my teacher, Anne Mansfield Sullivan, came to me. I am filled with wonder when I consider the immeasurable contrast between the two lives which it connects.’— Helen Keller
By Heidi Sutton
Theatre Three continues its 49th season with William Gibson’s beautiful play “The Miracle Worker,” the inspirational story of Helen Keller and her teacher Annie Sullivan.
Born in Alabama in 1880, Helen Keller was afflicted with an unknown illness (possibly scarlet fever) at the age of 19 months that left her deaf, blind and mute. By the age of 7, she had become frustrated in her dark and silent world and frequently threw tantrums to get what she wanted.
In a final attempt to help her before having her institutionalized, her parents reached out to the Perkins School for the Blind, which sent its top student, 20-year-old Annie Sullivan, to live with the family and teach the child sign language. Helen would later recount that the day she met Sullivan was her “soul’s birthday.”
Expertly directed by Bradlee E. Bing (“12 Angry Men”), the dramatic production keeps the audience fixated from the beginning — a darkened stage where we hear Helen’s parents realize what has happened to their baby — to the final climactic water-pump scene where we all feel a lump in our throats.
From the moment Sullivan arrives, Helen is determined to fight her every step of the way. Used to being spoiled, she sees no need to learn the alphabet or eat with a utensil. The tumultuous relationship between teacher and pupil is played out in the physically violent scenes choreographed by Steven Uihlein. Forks and spoons and plates of food are often strewn about the stage, and the two often engage in outright brawls on the floor. It is exhausting to watch but also succeeds in revealing Sullivan’s determination to show Helen how to communicate through “a light of words.”
Not making any headway and with constant interference from the family, Sullivan moves Helen to the seclusion of the garden shed. Given only two more weeks to make a breakthrough, she tells the girl, “Now I have to teach you one word — everything.”
Eleven-year-old Cassandra La Rocco is superb as Helen, while Jessica Mae Murphy (“The Addams Family”) is outstanding as Sullivan in the roles made famous by Patty Duke and Anne Bancroft.
The supporting cast is equally impressive, with powerful performances by Michael Newman as Helen’s Civil War veteran father, Captain Keller; Susan Emory as her overindulgent mother, Kate; Eric J. Hughes as the half-brother James; Linda Pentz as Aunt Ev; and Cameron Turner and Meredith Szalay as servants Percy and Viney.
The elaborate set by Randall Parsons; costumes by Teresa Matteson and Toni St. John; and lighting design by Stacey Boggs tie everything together to produce a wonderful evening at the theater. The standing ovation on opening night was well deserved. Don’t miss this show. It will leave a lasting impact on your heart and soul.
Theatre Three, 412 Main St., Port Jefferson will present “The Miracle Worker” through April 28. Running time is 2 hours with a 15-minute intermission. The Mainstage season closes with “The Wizard of Oz” from May 18 to June 22. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 and up. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.
Photos by Peter Lanscombe, Theatre Three Productions Inc.
The Rocky Point Historical Society’s Noah Hallock Homestead is officially open for tours every Saturday from 1 to 3 p.m. April through December.
Take a trip back in time with a visit to the Noah Hallock Homestead, at 172 Hallock Landing Road in Rocky Point hosted by trained docents. The house was built in 1721 when Noah Hallock and Bethia Youngs were married in November of that year and made Rocky Point their home. Three of their sons and three of their grandsons served as soldiers and patriots in the Revolutionary War. Noah and Bethia’s descendants lived in the Homestead and worked the farm for eight generations, through the next century and on to a good part of the twentieth century. At one time the Hallock family owned much of the land in Rocky Point.
The house has a gable roof wing on the west and 3 bay and the original wood shingles attest to their care through the centuries. In the mid nineteenth century Greek Revival details were added, such as the entrance containing sidelights, transom and paneled front door. The old metal roof is unique and in excellent condition for its age. The house is a showplace of original furniture, artifacts, farm equipment and archival photographs. It depicts life in Rocky Point from the early 18th century thru the 20th century with the establishment of RCA Radio Central, the world’s largest transmitting station from 1921-1978.
For group tours and more information, call 631-744-1776.