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A swan lands in Lake Ronkonkoma. Photo by Artie Weingartner

By Melissa Arnold

Artie Weingartner

For as long as Artie Weingartner has taken photos, his focus has always been on others.

Weingartner, who lives in Lake Ronkonkoma, is a fixture at local high school sporting events. He has faithfully chronicled the work of the Lake Ronkonkoma Historical Society and is the official photographer for the Lake Ronkonkoma Improvement Group.

Now, for the month of July, the focus is on him as Sachem Public Library presents an exhibit featuring a wide array of Weingartner’s photos in a collection titled Scenes of Lake Ronkonkoma.

It’s an odd feeling for 58-year-old Weingartner, who admits it took a serious push from friends and loved ones to move forward with the exhibit. But nothing makes him happier than bringing joy to the people who see his photos.

“I like seeing people’s reactions to pictures and hearing their feedback — it really makes me feel good, and it makes me want to do it more. I love the rush of satisfaction that comes with it. I guess you could say I’m addicted to it,” he laughed.

Lake Ronkonkoma on a fall day

While photography has piqued his interest for decades, it took a long time for Weingartner to really find his niche. His father bought him his first camera, a simple Kodak, when he was just 9 years old. But he admitted feeling frustrated over the process of shooting a roll of film, waiting to have it developed, and then discovering that many of the photos were duds. “I didn’t have the patience for [traditional photography],” he said. “Not being able to see what the result was right away was hard for me.”

When digital photography emerged in the early 2000s, Weingartner was thrilled. Finally, he had the instant gratification of seeing each photo, with no wasted film and the option to delete ones he didn’t like with the push of a button. His love for photography was rekindled, and he hasn’t looked back. 

He began casually taking photos of his kids’ sports matches, plays and concerts. Word spread quickly about his natural talent. “Parents stopped bringing their cameras around and my pictures were used more and more. It became a lot of work, but a lot of fun,” Weingartner said.

A swan lands in Lake Ronkonkoma. Photo by Artie Weingartner

Now that his children are grown, the photographer is focusing more on chronicling the history of Lake Ronkonkoma. On a frigid day in January of 2016, he was invited by Lake Ronkonkoma Historical Society member Matt Balkam to photograph the historic Fitz-Greene Hallock Homestead on Pond Road. The 14-room home was built in 1888 and contains all of the original furnishings of the Hallock family. In 2006, the Lake Ronkonkoma Historical Society took over the care of the home, and it is now the only historic home in the community that remains open for tours and other public programming.

That experience would lead Weingartner to become regularly involved with the historical society and the Lake Ronkonkoma Improvement Group.

In 2016, News12 contacted Evelyn Vollgraff, the president of the historical society, about filming in the area for a show covering historic places on Long Island. When reporter Danielle Campbell arrived at Long Island’s largest freshwater lake with Vollgraff, she was horrified to see how neglected and filthy the body of water was.

Fog encompasses Lake Ronkonkoma

Campbell, Vollgraff and several others put the word out on social media that they wanted to work on beautifying the area. The response was beyond anything Vollgraff anticipated. “We never asked for help. We just did it,” she recalled. “People got interested — legislators, councilmen. At the first meeting, 90 people were there asking what they could do and how they could help. The community came together in an amazing way. We have joined together as groups of friends that wanted to help our community. But now many of them are a part of the historical society as well, and most importantly, they’re my friends.”

In early 2017, the group held its first cleanup of the lake. Weingartner was there that day, too. They have since removed more than 300 tons of trash from the lake, and turned an old bookstore destroyed by fire into the historic Larry’s Landing, a popular hangout named for the bookstore’s late owner, Larry Holzapfel.

“Artie showed up with a camera at one of the cleanups and just started taking pictures — that’s just who he is,” Vollgraff said. “You have to record history. I can’t save every house in Ronkonkoma, but with Artie taking pictures, the history lives on forever.”

The community has also expressed its gratitude for Artie’s work through Facebook, where he frequently posts his photos on the Lake Ronkonkoma Improvement Group and Sachem Sports pages.

“People were coming out of the woodwork from Florida or South Carolina who lived there 30 years ago to say how much it meant to them to see pictures of the place they grew up,” Weingartner said. “When I first moved to Long Island from Queens in 1970, we used to swim in the lake, but over a few years it got so dirty that we didn’t swim there anymore. Before that, people used to come out from Manhattan just to spend time at the lake. It’s always been an important, historic part of this community.”

While the exhibit is named Scenes of Lake Ronkonkoma, Weingartner said it encompasses a range of subjects, including sports and landscapes from other parts of Long Island, including Port Jefferson and Belle Terre. More than 75 framed 8-by-10 prints are on display. His favorite photo features Lake Ronkonkoma at sunset, with two birds and sunlight streaming down to the shore. All the photos were taken with a Nikon D600.

The photography show also includes guest contributions from photographers Richard Cornell and Richard Yezdanian.“This exhibit will be interesting to people in our area because [the lake and other scenes] are literally in our backyard,” said Anne Marie Tognella who works in programming and public relations at Sachem Public Library. “It captures many of the scenes that we see and appreciate every day with natural and historic value.”

Sachem Public Library, 150 Holbrook Road, Holbrook will present Scenes of Lake Ronkonkoma in its art gallery on the lower level through the month of July. Join them for an artist reception on Saturday, July 21 at 2 p.m. For more information, call 631-588-5024.

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‘Dingy Boat Rack’ (Brookhaven Town Marina, Mount Sinai) Photo by Gerard Romano

By Melissa Arnold

If you ask Gerard Romano how he’s feeling about his first ever photography exhibit opening this weekend, he’s quick to admit he never imagined this would happen.

“It seems like one minute I was submitting pictures to the local newspaper, and now there’s going to be an exhibit for [my pictures],” said the Port Jefferson Station resident. “I wasn’t expecting to do anything like this — the thought never crossed my mind before — so there was a lot to learn.”

Last year, Romano began to submit his photos to Times Beacon Record News Media’s weekly Photo of the Week series. Several of his photos were chosen over time, and eventually he was invited to submit a collection of his favorites for a two-page photo essay in the Arts & Lifestyles section. 

Now, Comsewogue Public Library in Port Jefferson Station is featuring Romano’s photographs in an exhibit he’s entitled Visions of the North Shore. The presentation will be on display in the library’s gallery throughout the month of July and will showcase images of this beautiful part of Long Island that we call home.

‘Low Tide’ (Stony Brook Harbor) by Gerard Romano

Romano’s interest in photography began more than 50 years ago, when he acquired a 35mm camera soon after he left the Army. “I enjoy creating images and seeing things differently through the lens of a camera,” said Romano, who went on to work as an engineer and auxiliary police officer for Suffolk County. After his retirement he became active in digital photography. “I find it very satisfying to share those images with other photographers around the world through the image sharing website Flickr,” he said.

That desire to share his work would become the spark leading to this exhibit. One day, while visiting Stony Brook Harbor, he met Donna Grossman who was instructing a plein air class through the Atelier at Flowerfield art school in St. James. He snapped a photo of the artist, and Grossman offered to critique his work. “She suggested doing an exhibit, and I thought it might be fun,” he recalled. 

Reached by phone, Grossman said that Romano was a talented observer of life on the North Shore. “I am happy that his work will finally be brought to the attention of the residents of this beautiful area. His show at Comsewogue Library is not to be missed,” she said.

Romano is happiest photographing the area he knows best — the landscapes and waters of the North Shore, especially its bluffs and beaches. Taking inspiration from Norman Rockwell, he also enjoys taking candid photos of people interacting with one another and recently began focusing on taking close-ups of flowers.

“I like to go out with a plan for the kind of photos I’m going to take, but mostly it depends on the weather,” Romano explained. “Stony Brook offers a beautiful harbor, a wonderful museum, the Village Center, the grist mill, Avalon Park and Preserve, and nearby Harmony Vineyards. I also love to take photos around Setauket’s historic district, Port Jefferson and Mount Sinai Harbor with the lobster boats.”

‘Seabird’ (Port Jefferson) by Gerard Romano

One of the photographer’s favorite images in the show is “Seabird,” an image of a seagull perched on a piling in Port Jefferson Harbor. “The gull let me get within three feet of him before flying away,” said Romano in disbelief. “It was very unusual.” 

To create his images, Romano uses two Nikon DSLR cameras, both equipped with BMP sensors. One camera has his all-purpose “walk around” 18-200mm zoom lens, which he uses most of the time. The other camera usually has a wide-angle lens. The photographer’s favorite is a 10.6mm fisheye lens for up close and personal shots. “It creates great special effects,” he explained.

Featuring over 45 images, the exhibit will display a variety of subjects, giving visitors a chance to find something that resonates with them. Its six sections will include seasonal landscapes, nautical photos, classic cars, Norman Rockwell-style color candids, black and white photos, and more.

Loretta Holtz, exhibit coordinator and head of adult services at Comsewogue Library said the library was happy to be showcasing the photographer’s work, adding, “Gerard Romano has captured so many wonderful scenes of our local area and we hope the community will take the time to visit the library gallery in July to see this exhibit.”

As he prepared for the exhibit’s opening a few weeks ago, Romano said that he didn’t realize how much work went into this kind of project. He and his wife Barbara Ann printed and framed each photo themselves, which had its own learning curve. It’s been hectic getting to this point, he said, but “it has also been a rewarding learning experience that has extended well beyond photography.”

Comsewogue Public Library is located at  170 Terryville Road, Port Jefferson Station. Viewing hours for the gallery are Monday to Thursday from 9:30 a.m. to 9 p.m. and Friday and Saturday from 9:30 a.m. to 5 p.m. For more information, call 631-928-1212.

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Alexa Helburn, right, with Simone DaRos, the vice president of the Huntington-Oyster Bay Audubon Society, at the nature photography fundraiser on June 13. Photo from Ronald Feuchs

By Sabrina Petroski

Alexa Helburn’s interest in photography started at the age of 13, with an iPhone camera and a dream. Now 15, the Huntington High School honor student held her first photography fundraiser, Nature Through the Lens, at the Cold Spring Harbor Library on June 13 in hopes of educating people on how to conserve the environment, as well as how to appreciate the beauty around them.

The event was for the Huntington-Oyster Bay Audubon Society, a chapter of the National Audubon Society whose mission is to protect birds and other wildlife, and the habitats upon which they depend through education, public advocacy and conservation action.

Of the 24 photographs on display, 17 of them found homes with members of the community, raising $195. The money will be used to fund a Huntington-Oyster Bay Audubon Society (HOBAS) backed fishing line receptacle project by James Ricci, a seventh-grader at Greenlawn’s Oldfield Middle School, which helps prevent wildlife on North Shore’s waterways from getting caught in unused fishing line. 

‘Amber Breeze’

Reached by email the day after the event, Alexa, who took all the exhibit’s photos using her newest toy, a Canon EOS T6 digital SLR, was still taking it all in. “I worked really hard and felt both nervous and excited — nervous about people’s reactions and questions, and excited to showcase my work to the public.” Alexa said she still uses her iPhone 8 sometimes, whether it be to capture a moment that would otherwise be missed or to preview shots before using her Canon.

Relocating from South Salem in Northern Westchester a year ago, Alexa used her love of photography to explore her new home in Huntington and found that taking pictures of her surroundings made her more comfortable in her new community, as well as made her appreciate her surroundings more. 

“Moving was tough, but I guess you could say that having a hobby, like photography, made the transition a little bit easier,” she said. “Photography allows me to capture what’s going on in my life and share that with my friends and family. Photography is also a creative outlet for me, whether it’s snapping a photo of that perfect sunset or capturing a fleeting moment at the exact right time — the feeling of getting it right makes it all worthwhile.” 

Camelot Lavender Foxgloves

Alexa says that she has always been interested in environmental conservation, and when she found HOBAS she discovered she could use her two passions to benefit her new community while giving herself exposure and a chance to connect with the community. 

The photos at the exhibition included pictures taken on recent HOBAS field trips as well as images from nature preserves in the Huntington-Oyster Bay area. The selection included the aptly named “Spiral of Branches,” captured at the John Hume Japanese Garden in Mill Neck; “Amber Breeze,” taken at Caumsett State Historic Park Preserve in Lloyd Harbor depicting common reed grass blowing in the wind forming a natural fence in front of the marshes beyond; along with the beautiful image of “Camelot Lavender Foxgloves” snapped at Planting Fields Arboretum in Oyster Bay.

When asked what advice she would give to people her age interested in pursuing photography, Alexa said it is important that they know that they don’t need a professional camera to take good photos. “Newer smartphones have great built-in cameras, and that’s a good place to start,” she advised. The photographer also recommends focusing less on the technical aspects and more on the compositional aspects instead. 

‘Spiral of Branches’

“This was her first time exhibiting her photography publicly, and it’s great to see someone so young using their talent to not only benefit themselves, but also the community,” said Ronald Feuchs, the founder of Stand Out for College, LLC, a college counseling and mentoring service that focuses on helping students create significant service projects that benefit the community as well as fostering the student’s personal growth and confidence in the process. 

Feuchs has been working with Alexa to develop this community project that showcases her talents and gives back to her new community. 

“Alexa is a self-taught photographer, and her eye is incredible,” said Jackie Tepper, Feuchs’ assistant. “Her use of light and color is so sophisticated.”

Alexa’s family has been so supportive of her recent escapades and hopes she continues to pursue her passion. “I’m so proud of what Alexa is doing with her photography project with HOBAS. She’s using her tremendous talent to benefit a very important organization in our new hometown and she’s pushing herself beyond her comfort zone by exhibiting her work to the public,” said Alexa’s father Jim. “It’s a big deal for anyone, let alone a 15-year-old, to put their artistic talent on display. And, even though I know firsthand that a high school student has taken these photos, I am still amazed by how sophisticated her eye is.”

For Alexa, the opportunity to hold a photography fundraiser was a no-brainer. “I thought this would be a great way to make a difference and take responsibility to help care for our environment.” 

More of Alexa’s photos will be posted on the HOBAS website shortly to continue raising money for the society. For more information, visit www.hobaudubon.org.

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‘Golden Grasses’ by Julie Doczi
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‘Golden Grasses’ by Julie Doczi
‘Summer on the Sidewalk’ by Jeanette Martone
‘Sight’ by Hannah Steele
‘Driveway of the Artist’ by Frederic Mendelsohn;
‘Eternize #3’ by Claudia Cron
‘Summer Bouquet’ by Renee Blank

By Heidi Sutton

The lazy days of summer are still a few weeks away, but inside Smithtown Township Arts Council’s Mills Pond Gallery the flowers are in full bloom, a warm breeze of salt air tickles your nose, and if you listen closely, you can hear the splashing of water in a pool. There are other sights and sounds as well as you travel from room to room throughout the first floor of the historic 1838 Greek Revival mansion — a Ferris wheel goes round and round at a carnival, children giggle as they play hopscotch on the sidewalk and waves softly lap at a fishing boat tied to a dock.

Now in its 40th year, STAC’s annual Juried Fine Art Exhibition is back with fervor. Aptly named A Summer Song, the colorful show, which runs through June 24, features over 50 original works of art by 45 artists depicting scenes relating to summer. And if one catches your fancy, it may just be available for purchase.

Artists were invited to submit “representational images of summer-related sights, activities, impressions, or atmosphere — as well as surrealistic or abstract evocations inspired by the subject” from “images of sun, sea, surf and verdure to a more melancholy awareness of summer’s last gasp, a prelude to fall.”

And much to the delight of STAC’s Executive Director Allison Cruz, the entries that poured in by local artists from Bay Shore, Brookhaven, Centereach, East Hampton, East Northport, Farmingdale, Hauppauge, Hempstead, Holbrook, Holtsville, Huntington Station, Commack, Montauk, Nesconset, North Babylon, Northport, Patchogue, Port Jefferson, Ridge, Rocky Point, Ronkonkoma, Setauket, Smithtown, St. James and Stony Brook were on point. Artists from as far as Colorado, Connecticut, Massachusetts, New Jersey, New York, Oregon and Vermont answered the call as well.

According to Cruz, a national show is good for a lot of reasons. “There’s so much talent here but I see it as an eye opening experience for [local artists] in a way for them to learn how to grow their art,” she said.

Chosen mediums run the gamut from oil, pastel, acrylic, watercolor and pen and ink to paper lithograph, resin mix media and torn paper collage, stoneware and kiln-formed glass.

The exhibition’s juror was Carol Strickland, an art historian who contributes feature stories on visual art to Art in America magazine. Her articles on culture have appeared in the New York Times, Wall Street Journal, Washington Post, Christian Science Monitor, Art and Antiques, MOMUS and Private Journey magazine. The author of “The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern,” Strickland also writes a monthly column on art and politics for www.clydefitchreport.com. 

“The excitement in this exhibit for me was having a juror who has never juried anything out [on the Island] before and whose credentials throw the exhibit into a whole different light,” said Cruz, adding, “There are a lot of new artists this year.  [The juror] attracted a lot of new people.” 

“It was a pleasure to see so many varied responses to the theme, which hit all the notes in terms of sensory and aesthetic interpretations,” said Strickland. “Some were so expressive and lively, I felt a jolt of energy, as if inhaling a big gulp of freshening wind from the seashore. Others captured a more tranquil or pensive mood, inducing contemplation of both summer’s joy and transience.”

Participating artists include Janet Amalfitano, Shain Bard, Jorus Beasley, Victoria Beckert, Marta Beltramo, Renee Blank, Jean Marie Bucich, Renee Caine, Kevin Casey, Frank Casucci, Carol Ceraso, Gerry Chapleski, Donna Corvi, Claudia Cron, Julie Doczi, Anna Franklin, Janice Gabriel, Vivian Gattuso, Maureen Ginipro, Jan Guarino, Katherine Hiscox, Paul Hitchen, David Jaycox Jr., Jim Kelson, Lynn Kinsella, Mary Lor, Jeanette Martone, Frederic Mendelsohn, Joseph Miller, Margaret Minardi, Debra Puzzo, Kate Rocks, Micheline Ronningen, Joseph Santarpia, Stacey Schuman, Kathee Shaff Kelson, Margaret Shipman, Roxene Sloate, Rosemary Sloggatt, Hannah Steele, Rita Swanteson, Alexandra Turner, Nicholas J. Valentino, Adriann Valiquette and Patty Yantz.

While finding the task difficult because “the level of technical skill in the entries was impressive,” Strickland eventually chose a first-, second-, and third-place winner along with three honorable mentions.

First place was awarded to “Summer on the Sidewalk,” pencil and ink on paper, by  Jeanette Martone of Bay Shore; second place went to “Summer Bouquet,” acrylic on canvas, by Renee Blank of Holbrook; and “Eternize #3,” paper lithograph and mixed media by Claudia Cron from Connecticut, garnered third. 

Honorable Mentions include “Driveway of the Artist,” oil, by Frederic Mendelsohn of Port Jefferson Station; “Sight,” charcoal on wood, by Hannah Steele from Massachusetts; and “Golden Grasses,” pastel, by Julie Doczi of Port Jefferson Station.

According to Strickland, she made her final decisions based on presenting “a wide array of different facets of the theme, to show images that varied in media, subject and style,” as well as looking “for works that aroused a response in me.”

For Cruz, Strickland’s presence was an important one for the gallery and the participating artists. “For me personally, it was an opportunity that fits into my line of thinking,” she said. “When I do a juried show and I’m hiring a juror, the point of it is to give the artists a different experience, a different opportunity to have someone with a different background to look at their work.”

 For Strickland, the feeling was mutual. “In all cases, I appreciated each artist’s originality and individual approach to mark-making … and wish all entrants a satisfying future of art making.”

The Mills Pond Gallery, located at 660 Route 25A, St. James, will present the Smithtown Township Arts Council’s Member Artist Showcase through June 24. The gallery is open Wednesday to Friday from 10 a.m. to 4 p.m. and Saturday and Sunday from noon to 4 p.m. Admission is free. For more information, call 631-862-6575 or visit www.millspondgallery.org.

All images courtesy of Allison Cruz

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'Man of La Boca' by Virginia Khuri

The Huntington Arts Council, celebrating its 55th year, recently unveiled its latest exhibit at its Main Street Gallery. Titled 12 × 12, the juried show features artwork inspired by the LP Record Jacket and will be on display until May 26. The winners, selected by juror Beth Giacummo, were announced at an opening reception on May 4. 

‘Bound,’ Honorable Mention by Shreya Krishnan

“It was a pleasure to juror the Huntington Arts Council 12×12 open call,” said Giacummo in a recent press release. An artist, curator and educator, Giacummo currently serves as the gallery director for Farmingdale State College and is the executive director of the Patchogue Arts Council. “I’d like to thank all the artists who took the time to submit work for consideration, there was a fantastic response and it made the final decisions difficult. I’d also like to thank the HAC for the invitation to be a guest juror. I enjoyed seeing so much new work,” she added. 

The idea of the 12-inch LP has been a concurrent image in popular culture since the first one was pressed in 1903. The images on the cover grew from signage and marketing to works of art that represented the music and the culture in which both were and currently are being created. The album cover quickly emerged as a way to feature the work of talented artists. Its iconic format still maintains the visual representation for the auditory message enclosed within. 

‘The Rain King,’ Honorable Mention by Patty Eljaiek

Thirty-six artists were accepted as finalists including Detlef Aderhold, Patrick Aievoli, Beth Atkinson, Quinn Blackburn, Winifred Boyd, Mary Brodersen, Terry Canavan, Wendy Curtis, Dawn Daisley, Grainne de Buitlear, Doris Diamond, James Dima, Patty Eljaiek, Terry Finch, Nicole Franz, William Grabowski, Jan Guarino, Rodee Hansen, Dan Hittleman, Melissa Johnides, Amy Kasindorf, Kate Kelly, Virginia Khuri, Karen Lynne Kirshner, Myungja Koh, Shreya Krishnan, Anny Lamsifer, Jacques LeBlanc, Ellen Liebenthal, John Micheals, Kasmira Mohanty, Michael Ricigliano, Toxic/Nature Studios By Scott Schneider, Roya Shamsdiba, Meredith Smith and Stephen Wyler.

Best in Show was awarded to Virginia Khuri for “Man of La Boca,” with honorable mentions handed to Shreya Krishnan for  “Bound,” Patrick Aievoli for “Patsy and the Kisco Kids v1” and Patty Eljaiek for “The Rain King.” Congratulations!

‘Patsy and the Kisco Kids v1,’ Honorable Mention by Patrick Aievoli

“We are excited to feature this small works show inspired by artistic impact of the record jacket,” said Marc Courtade, executive director of the HAC. “This concept crosses so many generations of artists, particularly now with the resurgence in the popularity of the LP. Its just one example of how we are working to provide a broader range of creative options for artist to show their work. Please stop by the gallery to see this show.” 

The Huntington Arts Council’s Main Street Gallery is located at 213 Main St., Huntington. The gallery is open from Monday to Friday from 9 a.m. to 5 p.m. and Saturdays from noon to 4 p.m. Admission is free. For more information, call 631-271-8423 or visit www.huntingtonarts.org.

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Council members Mark Cuthbertson, Joan Cergol and Ed Smyth, center, pose with art students and their teachers in front of the Heckscher Museum on May 4. Photo from Town of Huntington

In conjunction with the Town of Huntington’s 18th annual Tulip Festival, intermediate and middle school students within the Huntington Township were invited once again to enter the annual Tulip Festival School Art Contest. 

The event was sponsored by the Town of Huntington, NEFCU, Huntington Arts Council and the Heckscher Museum of Art.

By Laurel Bonn of Finley Middle School

This year’s theme was Huntington in Bloom. Students were encouraged to independently interpret the theme and create personal reflections of springtime in Huntington. The winning artwork was selected by a jury comprised of artists and art professionals and was displayed at the Chapin Rainbow Stage in Heckscher Park during the Tulip Festival last Sunday. 

Laurel Bonn of Finley Middle School was awarded the Carolyn Fostel Best in Show award, given in honor of the late Ms. Fostel. Fostel was instrumental in planning and securing sponsorship support of the initial Huntington Tulip Festival in 2001 and continued to be active in these capacities on the Festival Committee until she passed away in 2011.

By Shivaangi Salhotra of the Long Island School for the Gifted

Shivaangi Salhotra of the Long Island School for the Gifted received a Showwide Honorable Mention. 

Three winners from each grade level were honored at the event, with the first-prize winner receiving a $50 gift card courtesy of NEFCU.

Third-grade winners: First Place — Isla McAlister, Second Place — Alexa Blumo, Third Place — Sophia Marino.

Fourth-grade winners: First Place — Nina Corbett, Second Place — Lily Kramer, Third Place — Grace Lu, Honorable Mention — Megan LaMena, Honorable Mention — Avery Veter Walsh.

Fifth-grade winners: First Place — Grace Schoonmaker, Second Place — Sameera Chaudhry, Third Place — Andrew Vitale.

Sixth-grade winners: First Place — Caterina Dottino, Second Place — Hannah Stark, Third Place — Gabriella Messing.

Seventh-grade winners: First Place — Emily Gershuny, Second Place — Elisa Kong, Third Place — Stephanie Wickey.

Eighth-grade winners: First Place — Si Yue Jiang, Second Place — Jennifer Zhu, Third Place — Lily Chai.

Art teachers also received $50 for each student whose art was chosen as the best of the grade for use in purchasing art supplies, also courtesy of NEFCU.

To see images of all the entries, visit www.huntingtonarts.org.

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Juror Debbie Wells, far left, poses with the winners, from left, Elizabeth Milward, Barron Krody, Gabriella Grama and Julianna Kirk (not present, Jovanna Hopkins) Photo by Heidi Sutton
'All Aboard', black and white photo by Elizabeth Milward. Image from LIM
Elizabeth Milward with her winning photograph, 'All Aboard'. Photo by Heidi Sutton
'Happiness Is ...', oil on canvas, by Barron Krody. Image from LIM
Barron Krody with his artwork, 'Happiness Is ...'. Photo by Heidi Sutton
'Prague Street,' colored pencil, by Juliana Kirk. Image from LIM
Julianna Kirk with her artwork, 'Prague Street'. Photo by Heidi Sutton
'Zabriskie Point, Death Valley, CA', digital photograph by Jovanna Hopkins. Image from LIM
'Worldly Possessions', mosaic on vintage suitcase, by Gabriella Grama. Image from LIM
Gabriella Grama with her artwork, 'Worldly Possessions'. Photo by Heidi Sutton
Artist Linda Louis with her artwork, 'Kayaking the Everglades,' was and pigment. Photo by Heidi Sutton
Winners honored at art reception on April 20

By Heidi Sutton

Wanderlust: a strong desire for or impulse to wander or travel and explore the world.

The Long Island Museum in Stony Brook kicked off its 2018 juried art competition, Wanderlust, with a standing room only artist reception on April 20. 

Amateur and professional artists were invited to submit up to three pieces using the desire to travel as their inspiration. 

Neil Watson, executive director of the LIM, opened the reception by congratulating the artists.“You deserve a huge hand. This is one of the strongest shows that I’ve seen in five years.” 

“I’ve been a museum director for many years in many different kinds of museums and artists are the core … Whether it’s a carriage that’s made by a group of artisans from the wheels to the fabric … or it’s a painting or a photograph, it’s a maker. I applaud all of you for being makers and continuing to do that and push it because I know it’s really hard.”

Watson went on to mention that the works of 39 members of the LIMarts, a collaborative arts group, were in the show and encouraged the other artists in the room to join. “This museum believes in makers,” he said. 

Museum staff members combed through more than 300 entries submitted to come up with 76 final entries. Debbie Wells, co-founder and partner of Artful Circle, served as juror and was tasked with selecting a first-, second-, and third-place winner along with two honorable mentions. Wells was also present at the reception, a first for a juried exhibit reception at the museum.

Before announcing the winners, Lisa Unander, director of education at the museum, encouraged all the visitors to browse the exhibit to see all of the artist’s works. “It’s a fantastic show. We are so happy for the turnout for [all the artists] tonight,” she said.

Smithtown resident Elizabeth Milward captured first place for her hauntingly beautiful black and white photo,  “All Aboard,” which was taken on the Strasburg Railroad in Pennsylvania. “Just beaming with artistic talent” was a comment overhead from one of the visitors.

Barron Krody of Stony Brook nabbed second place for his oil on canvas painting, “Happiness Is …” depicting a young girl with a big smile sitting on a cloud with arms outstretched as if flying. “When I heard about the theme [for the show] the word that came to mind was exuberance,’’ said Krody at the reception. Mission accomplished Mr. Krody. 

Third place was awarded to Julianna Kirk of the hamlet of Brookhaven for her  colored pencil masterpiece, “Prague Street,” which featured a young girl in the foreground.

Two honorable mentions were awarded as well. The first was to Jovanna Hopkins of Dix Hills for her stunning digital photograph of Zabriskie Point in California’s Death Valley. The second was to Ronkonkoma’s Gabriella Grama for a vintage suitcase decorated with mosaic tile titled “Worldy Possessions.” The work of art is adorned with images of all the places she has visited, including Egypt. Said the mosaic artist, “I made this just for the show because I love to travel.”

Juror’s comments:

1stplace  

 Elizabeth Milward

All Aboard, Photography

“This photograph tells the story of wanderlust – the desire to journey. The composition of the two figures facing the tracks into the misty distance is very strong and quite moving. The atmospheric quality is enhanced by their vintage clothing and the soft landscape ahead of them.  Excellent monochromatic layering and use of photographic techniques makes it worthy of first prize.  It exemplifies the theme of the exhibition.”

2ndplace 

Baron Krody

Happiness is…,Oil on Canvas

“The perfect title for this whimsical take on the Wanderlust theme. Beautiful, painterly clouds float throughout the composition. Like a cherry on an ice cream sundae, the young girl is brave, happy and poised to embark on an adventure.  This piece is colorful and imaginative – the viewer does not know what is going to happen next, but there is much optimism for this girl!”

 3rdplace 

 Julianna Kirk

Prague Street, Pencil

“This storybook-style illustration was executed by an artist with superior skills in colored pencil techniques.  The perspective of the buildings and architectural landscape are charming and beautifully drawn.  By adding the red-headed woman in the foreground, it frames the composition so that the viewer is seeing the world as she sees it.  The color choices are interesting – a terracotta palette with touches of green give the piece an old world feel.  One wonders what this woman is dreaming about in this European courtyard scene.”

 Honorable Mentions

 Gabriella Grama

Worldly Possessions, Mosaic on Vintage Suitcase

“Most exhibitions feature art on the walls, but when a piece made of unusual materials is showcased, it always stands out.  This mixed media artwork is an unexpected combination of materials.  The form underneath is a suitcase, symbolizing travel and carrying one’s belongings from place to place.  By covering it with mosaics, it adds a sense of permanence because mosaics are not mobile. They historically, are adhered to walls and decorative objects. The juxtaposition of movement and stability is intriguing.  The travel stickers are both fanciful and well-created as they document the travel itinerary of the suitcase.”

Jovanna Hopkins

Zabriskie-Point, Death Valley, Ca.,Photography

“This photograph takes a vast landscape and reduces it to a viewpoint that is nearly abstract.  Between the intense colors and the varying textures of the rocks and shadows, the viewer must look at this scene for the beauty of the shapes, rather than its reality. The composition forces the eye round and round with just enough time to stop and appreciate nature at its finest. Sometimes ‘wanderlust’ means one wants to keep going, but there are also times where it is necessary to just sit and really look at where you are!”

Whether you’re a world traveler or just a dreamer, don’t miss this beautiful exhibit. The Long Island Museum, 1200 Route 25A, Stony Brook will present Wanderlust in the Visitors Center through June 3. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

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Jan Staller, ‘Water Purification Plant,’ Hempstead, Long Island, 1991, Heckscher Museum of Art

By Kevin Redding

Heavy metal is coming to Huntington’s Heckscher Museum of Art this month. Not in the form of head-banging music but the photography of Jan Staller — a Long Island native whose large-scale shots of industrial landscapes, urban infrastructure, neglected buildings and construction materials have been subjects of beauty and acclaim for almost 40 years. 

From April 21 through July 29, nearly two decades of Staller’s career will be on display at Heckscher’s Heavy Metal: Photographs by Jan Staller exhibition, which will feature more than a dozen of his “monumental photographs,” a three-channel video of his work and an in-depth discussion with the artist himself on May 10 at 7 p.m. 

Jan Staller, ‘Pile of Rebar,’ Flushing, Queens, 2007, on loan by the artist

Staller, who moved to Manhattan in 1976 after gathering up degrees at Bard College at Simon’s Rock in Massachusetts and Maryland Institute, rejected the trend among photographers at the time to journey across the country in search of subjects and instead began capturing his immediate surroundings. A deteriorated highway along the Hudson River. Buildings in ruin. Unfamiliar architecture. All with a focus on pattern, geometry, line color and light — both natural and artificial. 

Staller has said of his unique work that he “looks for the sculptural, formal and lyrical qualities of objects that are not always thought to warrant contemplation.”

This ability to zero in on the unseen and passed-by in the urban setting, and capture the gradual development of Manhattan over time, has brought Staller’s work to the pages of Time and Life Magazine, Forbes and The New York Times and inside the Museum of Modern Art, the Metropolitan and the Art Institute of Chicago. 

Since the 1970s, he has taken his camera across the country and world and was chosen to photograph on the sets of such films as “12 Monkeys” and “Fargo.” The latter’s snowbound setting was a natural fit for Staller, whose snapshots of blizzards in empty New York City in the ’70s and ’80s are among his most famous. He has also had two monographs of his photographs published — “Frontier New York” and “On Planet Earth.”

“Jan’s photographs show us our ordinary, everyday surroundings in a way that many of us do not perceive them,” said Lisa Chalif, the museum’s curator, who first met Staller during an exhibition in 2009 titled Long Island Moderns, highlighting local artists from painters to photographers to architects. “He makes me stop and see things differently. You see the beauty there and most of us are not able to look and isolate the formal structures necessarily in those sights. You can see all the color in the rusted steel. I didn’t always see that but he helps me see that.”

She continued, “Staller perceives in existing manufactured forms, seen in random industrial settings, a serene beauty that he isolates with his camera, discerning order in chaos, beauty in decay and a sense of mystery within the ordinary.”

In a recent interview, Staller, who grew up primarily in Sag Harbor, said he became infatuated with photography at an early age as his father pursued the art as a hobby, dark room in the house and all. By the time he was 13, he had his own 35mm camera and was snapping pictures of the garden and nature. A couple of years later, at 15, he started developing his own prints with the aid of a dark room he built at school. 

Looking back at his long career, Staller said the common thread in all his work is an “ephemeral” subject matter.

“Things in transition are, for at least in the moment that I’m there, of particular interest,” he said. “I think that’s something I’ve always been captivated by. But if you look at my work over the years, you can see there’s a gradual [inclination] to get closer in on the subject matter, a lessening of the contextual details and a greater emphasis on the thing itself. Until the thing itself is the only issue being explored, such as these photographs made of construction materials … ” 

The photographer, who still resides in Manhattan, said he was looking forward to the exhibition and gauging the public’s response to his work. “I think that being an artist, we’re exploring some ideas and are hoping to impart those to others,” he said. “So when people understand that in a very clear way, that’s probably the most gratifying thing.” 

Staller continued, “I often quip that we artists are all wannabe cult leaders, in the sense that we think that we have this vision of the world and art is something that is affirmed by a consensus or not. So it all depends on who or how many people are affirming the work. A show at The Heckscher Museum is an affirmation and one that I’m very satisfied with.”

The Heckscher Museum of Art, 2 Prime Ave., Huntington will present Heavy Metal: Photographs of Jan Staller from April 21 to July 29. The community is invited to a Gallery Talk on Thursday, May 10 from 7 to 8:30 p.m. $5 per person, members free. For more information, call 631-351-3250 or visit www.Heckscher.org.

Photos courtesy of The Heckscher Museum

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From left, Town of Huntington Supervisor Chad Lupinacci; Jillian Guthman, receiver of taxes; Best in Show winner Paulina Trzonkowska of West Babylon; and Huntington Councilman Ed Smyth. Photo courtesy of Heckscher Museum

The Heckscher Museum of Art in Huntington recently announced the top awards for Long Island’s Best: Young Artists at The Heckscher Museum. The prestigious competition received 385 entries from a record-breaking 62 high schools across Suffolk and Nassau counties. The juried selection narrowed the field down to 80 works currently featured in the museum gallery through April 15.

“Every year, the caliber of artwork is more impressive and the artists’ statements increasingly more creative and thoughtful. It is a challenge to choose the best of the best from hundreds of entries,” noted Joy Weiner, director of education.  

The competition’s four top honorees were Paulina Trzonkowska, a senior at West Babylon High School who received the Celebrate Achievement Best in Show Award for her colored pencil work titled “Too Close”; Isabelle Lin, a junior at Manhasset High School,  who received Second Place, the Judith Sposato Memorial Prize, for her painting, “Two Flags”; Estefanie Arrue, a senior at Hicksville High School, received Third Place, the Hadley Prize, for “Female Reconstruction,” a mixed media work; and Rico Ford, a senior at Valley Stream Central High School, received Fourth Place for the colored pencil work “Pair of Kings.”   

 Now in its 22nd year, Long Island’s Best provides students the opportunity to exhibit their artwork in a prominent museum and to be featured in a full-color catalog while museum visitors are treated to exceptional artwork by talented emerging artists.  

Jurors for the exhibition were Lisa Chalif, curator, The Heckscher Museum of Art, and guest juror Doug Reina, a notable Setauket artist and 2014 Pollock-Krasner Foundation grant recipient. 

“For high school students, this is a rare and exciting opportunity to put their skills to the ultimate test and show the world who they are. This is where you bring your A game,” said Reina. “This is their first taste of what life in the contemporary art world is really like. The ‘creative pressure’ gives these young people terrific experience as they become the next generation of the world’s artists.”

In addition to the gallery exhibition, visitors can see all of the artwork submitted to the competition on a digital display that will run for the entirety of the exhibition and Mitchells, a Huntington-based department store, will display select images from Long Island’s Best in its windows on Main Street beginning mid-April.  

Generous support for exhibit is provided by The Darrell Fund Endowment, Strong-Cuevas Foundation, TD Charitable Foundation, The Claire Friedlander Family Foundation,  RBC Wealth Management,  A Friend of the Museum and Dr. Inna Gellerman of Gellerman Orthodontics.

The Heckscher Museum of Art, 2 Prime Ave., Huntington is open Wednesday to Friday from 10 a.m. to 5 p.m. and Saturday and Sunday from 11 a.m. to 5 p.m. For more information, call 631-351-3250 or visit www.heckscher.org.

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‘Dance of the Haymakers’ by William Sydney Mount, 1845

By Heidi Sutton

Now through Sept. 3, The Long Island Museum in Stony Brook presents a delightful treat: a special exhibit titled Perfect Harmony: The Musical Life and Art of William Sidney Mount.

William Sidney Mount (1807-1868) was a renowned artist best known for his genre paintings, although he also painted landscapes and portraits. Born in Setauket, Mount lived in Stony Brook and painted many local scenes. A man of many talents, Mount was also a musician (he played the fiddle and fife), composer and inventor, designing a hollow-back violin that he named the Cradle of Harmony.

‘The Banjo Player,’ 1856, by William Sidney Mount, oil on canvas, gift of Ward and Dorothy Melville. Image from LIM

So many of Mount’s paintings incorporate music into the scene, whether it is dancing or playing a musical instrument so it was only natural to “connect his two major passions in life,” according to the exhibit’s curator, Joshua Ruff, director of collections and interpretations and chief curator at The LIM.

Currently on view in the Victoria V. Costigan Gallery in the Art Museum on the hill, the fascinating exhibit links Mount’s music and art with more than 20 oil paintings, pencil drawings, musical instruments, original compositions and more.

Of course, it is the incredible oil paintings, drawn from the museum’s unsurpassed collection, that take center stage. “Catching the Tune,” “Dancing on the Barn Floor,” “Just in Tune” and the famous “Dance of the Haymakers,” among others, are displayed in all their glory.

The portraits, some of which are over 160 years old, are as colorful and vibrant as ever. “Both William and his brother, Shepard Alonzo Mount, were really great at painting eyes and giving one the feeling like they are sitting in a room across from you,” commented Ruff, who has a fondness for “The Banjo Player.”

‘Just in Tune,’ 1849, oil on canvas, by William Sidney Mount, gift of Ward and Dorothy Melville. Image from LIM

Situated toward the center of the room is a unique music stand that Mount illustrated with sheet music of early American folk tunes including “Dearest Ellen” and a patriotic Fourth of July song. “These musical pieces were popular in the 19th century,” explained Ruff during a recent tour. The stand was designed to accommodate four musicians at a time and Ruff said that Mount most likely used it. “I would be surprised if he didn’t,” said the curator.

Also on display are some of Mount’s compositions including “In the Cars on the Long Island Railroad” and “The Musings of an Old Bachelor,” as well as musical instruments — a tin whistle, hornpipe, tuning fork — which belonged to the Mount family. A piano owned by Mount’s uncle Micah Hawkins sits in the corner. A General Store owner at Catherine’s Market in lower Manhattan, Hawkins composed music and to some extent was an influence to Mount “but his whole family was passionate about music,” said Ruff.

Along with Mount’s personal violin and initialed case, three prototypes of Mount’s Cradle of Harmony are also on view. “It’s nice that we were able to have all three examples of the violin that he designed and we have the 1852 patent design drawing for the first one,” the curator said.

In the background, a video plays several of Mount’s compositions, initially recorded by violinist Gilbert Ross for the Smithsonian in 1976 on its own Cradle of Harmony, tying the exhibit together perfectly.

“It is amazing how Mount was just able to bring music and art together and combine it. Until you have all [these items] gathered in a gallery you don’t necessarily appreciate just how much he was setting a violin down and picking up a paintbrush,” reflected Ruff. “Where one started and one finished is not always clear … nor should it be. It was just this continuing, constant influence and important part of his life.”

Related programs

Art & Music lecture

The Atelier at Flowerfield, 2 Flowerfield, St. James will present a lecture on the Perfect Harmony exhibit with guest speaker, curator Joshua Ruff, on Thursday, April 12 from 7 to 8:30 p.m. in Atelier Hall featuring an early American fiddle performance by Director Kevin McEvoy. Suggested donation is $10. For more information, call 631-250-9009.

Mount tribute concert

On Saturday, April 14, The LIM will host a concert by the Manhattan-based Red Skies Music Ensemble at 2 p.m. The group will bring Mount’s music and art to life through visual imagery and theatrical interpretation of songs from the artist’s own collection. One of the musicians will play Mount’s Cradle of Harmony. Followed by a Q&A. Admission is $20 adults, $18 seniors, $15 members and students. To register, call 631-751-0066, ext. 212.

Hands-On Art

Students in grades K through 4 can take part in an after school program, Hands-On Art, on Thursday, May 3 from 4:30 to 5:30 p.m. by visiting the Perfect Harmony exhibit and taking inspiration from William Sidney Mount to combine music and art. $10 per child. To register, call 631-751-0066, ext. 212.

The Long Island Museum, 1200 Route 25A, Stony Brook will present Perfect Harmony: The Musical Life and Art of William Sidney Mount through Sept. 3. The museum is open Thursday, Friday and Saturday from 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m. Admission is $10 adults, $7 seniors, $5 students, children 5 and under free. For further information, call 631-751-0066 or visit www.longislandmuseum.org.

 

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