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Yearly Archives: 2016

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The cover of Cindy Sommer's new children's book. Photo courtesy of Cindy Sommer

By Heidi Sutton

Just in time for fall, Stony Brook resident Cindy Sommer has released her first children’s book, “Saving Kate’s Flowers” (Arbordale Publishing). Recommended for ages 3 to 8, the 32-page picture book, with gorgeous illustrations by Laurie Allen Klein, follows little Kate the rabbit in her quest to save the flowers in her family’s garden from dying at the end of the summer. After her mother teaches her about perennials, annuals and how to save seeds, Kate asks to bring the annuals inside. Unfortunately, Kate’s father is allergic to flowers! Will Kate find homes for all the flowers before the cold weather sets in?

As an added bonus, the book also includes educational resources in the back to learn more about the parts of a plant, the life cycle of plants and how to pot and identify flowers. Sommer recently took time out from preparing for a book signing and reading at the Suffolk County Farm in Yaphank on Oct. 1 to answer a few questions about her adorable new book.

Above, the author with her dog Pepper, a mini Australian shepherd. Photo courtesy of Cindy Sommer
Above, the author with her dog Pepper, a mini Australian shepherd. Photo courtesy of Cindy Sommer

Can you give a little background about yourself?

I have lived in Stony Brook all my life. I attended Three Village schools and graduated from Ward Melville High School. I then graduated from SUNY Oneonta with a BA in English. I’ve always been interested in reading and writing, particularly horse books. Once I had my two daughters, I found some time to finally write.

What was your favorite book as a child?

All the Black Stallion and Marguerite Henry books. I think I had them all. Why did you decide to write this children’s book? When my daughter, Samantha, was young, she asked me “Why do flowers die in winter?” and I thought that was a very good question. I wanted to give her a simple answer, but there was no easy way. So I wrote this story. Kate is actually Samantha.

Do you have a garden at home?

Yes, I have a big backyard but a small vegetable garden. I grow some cucumbers, tomatoes and basil. I have lots of flowers … I love flowers. I love anything that blooms for most of the summer; Stella d’oro lilies, hydrangeas and dianthus.

Do you have any rabbits in your yard?

Every year we have rabbits in our yard. This year there seemed to be a lot! I think they knew my book was coming out.

Will there be more adventures with Kate in the future?

There are plans for a sequel. I don’t want to give it away, but it might involve snow. Hopefully, there will be many more adventures.

You are a member of the Long Island Children’s Writers and Illustrators. Can you tell us a little about the group?

A local librarian told me about LICWI when I first started writing. I was so nervous the first time I went to a meeting, I didn’t go in! I found that they are a wonderful encouraging group, willing to help out any writer, beginner or experienced. I learn new things every time I go to a meeting. But they will tell you the truth in a constructive way. If you can’t take criticism, you should not join a writer’s group. It has made my writing stronger, and I appreciate all of their opinions and great advice.

We meet every second Saturday a month during the school year at St. Joseph’s College in Patchogue. We usually have a break over the summer with a garden party. For more information, you can see visit their website: www.licwi.com.

What advice would you give to someone who is writing their first book?

Read the genre for the type of book you want to write. I have read hundreds of picture books. Get to know the structure, the language and the pacing. Join a local writer’s group and the SCBWI (Society of Children’s Book Writers and Illustrators). Try to go to writing conferences. I used to go to Hofstra when they had their conferences. Sadly they no longer have them. I looked forward to meeting editors and going to workshops. SCBWI has started offering some writing events at the Huntington Public Library, and they hold many in NYC. Wait for your story to be the absolute best it can be before you send it out anywhere. And write because you love to write. Most authors do not make much money in real life.

Why do you think reading to a young child is so important?

Reading is something they will be doing for the rest of their lives, so it’s something that should be encouraged from the very start. If they are given good basics and a love of books at an early age, they will have the tools they need to accomplish whatever they want to in life.

Tell me about the book signing event on Oct. 3.

I will be in the Children’s Garden at the Suffolk County Farm and Education Center in Yaphank on Oct. 3 at 1 p.m. during the farm’s PumpkinFest, with a rain date of Oct. 4. I will probably read my book at 1:30 p.m. with signings followed by a flower-themed craft available until around 3:30 p.m.

Any more book signings in the works?

Since this is my first book, I am eager to get started. I am doing a presentation for a girls’ book club soon. My schedule is open for presentations in elementary schools. My program is registered through Eastern Suffolk and Nassau BOCES. I would love to do a reading and craft storytime for libraries and bookstores.

savingflowers_pic3“Saving Kate’s Flowers” is available at www.Amazon.com, the publisher’s website at www.arbordalepublishing.com and www.barnesandnoble.com. For more information about the author, visit www.cindysommer.com.

Please note that this article has been updated:

The PumpkinFest in Yaphank has been rescheduled to Oct. 3 and 4. 

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Scientists for Policy, Advocacy, Diplomacy and Education officers from left, Treasurer Ashleigh Lussenden, Secretary Kayla Gogarty, President Lyl Tomlinson and Vice President Adrian Di Antonio. Photo from SPADE

Opioid addiction is the focus of a community forum to be held Saturday, Oct. 1 at Stony Brook University, thanks to an organization created by three of the school’s own.

The event, entitled “The Opioid Epidemic,” will run from 4:30 to 6:30 p.m. in the theatre at the Charles B. Wang Center. The forum is a product of Scientists for Policy, Advocacy, Diplomacy and Education, an entity created last winter by three doctoral candidates in the Department of Neurobiology.

The story behind the organization’s inception can be traced back to conversations about the future between Adrian Di Antonio, Ashleigh Lussenden and Lyl Tomlinson as they worked toward their doctoral degrees, Di Antonio said in a telephone interview. In their individual labs, they were solving specific problems, but together they wondered about what they could do to learn more and broaden their impact, he said. The three found and presented articles to each other, and eventually invited other graduate students from other disciplines to join in discussions.

The four SPADE leaders are looking to boost membership via their first major campuswide event. There will be speeches by elected officials, who will also participate in a panel discussion with a representative from the Suffolk County Sheriff’s office and medical professionals from Stony Brook and Columbia Universities.

So far, SPADE has one recruit: Kayla Gogarty, a doctoral candidate in Stony Brook’s chemistry department. She grew up in Suffolk County and earned her undergraduate degree from Drexel University in Philadelphia.

“As I’ve been immersed in science, I have realized that even if scientists provide concrete data, it is very difficult for this knowledge [e.g., climate change] to be translated into our laws,” she wrote in an email. “This has led me to my interest in science policy, because the data is not useful unless people in the community understand it and lawmakers use it for policy change.”

The members chose journalism professor Steven Reiner to be the moderator at their event. He has been at Stony Brook University for seven years and previously worked as a producer for 60 Minutes and National Public Radio. He currently hosts a web-series called Science on Tap, in which he helps distill complex information down to comprehensible language in the casual environment of a bar, according to Di Antonio.

Tomlinson is a proponent of making science understandable. Two years ago, the Brooklyn native and CUNY Brooklyn graduate won a NASA-hosted National Science Communication competition called FameLab.

“Think American Idol meets TED talks,” he wrote in an email. “I competed against almost 100 scientists from across the U.S. to deliver interesting science in bite-sized, three-minute chunks that were accessible and informative.” He did not add that he placed second, representing the U.S. in the international competition at The Times Cheltenham Science Festival in the United Kingdom, which brought together FameLab winners from more than 25 countries.

Di Antonio hales from Philadelphia, where he earned his undergraduate degree at the University of Pennsylvania. After SPADE was founded, he said the group explored ways they might get involved on campus. “Some topic at the intersection of policy and people,” he said.

As opioid drug overdoses currently cause more deaths than auto accidents or firearms, according to the Centers for Disease Control and Prevention, Tomlinson said they want people to know that this is an important issue.

Lussenden will speak on behalf of SPADE at the beginning of the program. A fourth year doctoral candidate, she received a National Science Foundation Graduate Research Fellowship. “I have always been interested in science and politics,” she wrote in an email, “and would like to work in science policy and diplomacy when I graduate.”

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Port Jefferson Mayor Margot Garant shows attendees at a public hearing Sept. 26 plans for the revitalization of Port Jefferson Station. File photo by Alex Petroski

By Alex Petroski

Port Jefferson Village is looking to bring Uptown Funk to Port Jefferson Station, but it’ll need some help.

The Port Jefferson Village board of trustees plans to submit a funding proposal to the Empire State Development Corporation to breathe new life into upper Port Jefferson.

The plans are part of the Restore New York Communities Initiative, which was funded in the 2015-16 state budget for the sole purpose of supporting municipalities in rehabilitating blighted commercial properties.

If awarded, the funding proposal would grant the village up to $500,000 to be used to clean up five adjacent parcels near the intersection of Perry Street and Main Street, about a block north of the Long Island Rail Road station. The village is calling the multiphased project Uptown Funk.

Mayor Margot Garant said during a public hearing on the matter Sept. 26 that the village plans to apply for the grant yearly in the hopes of redeveloping multiple areas in upper Port over time. The grant will also require the village to match at least 10 percent of the $500,000 toward the project, according to Garant.

“The $500,000 can be used for sidewalk restoration, demolition, redevelopment, parking lot improvements — all the things that would be necessary to help a developer make an improvement to this area.”

— Margot Garant

The location was selected following a blight study in May, which targeted several areas in Port Jefferson Station in need of attention. The buildings named in the funding proposal were ultimately chosen because of the village’s belief that the property owner will cooperate. The grant requires a willing participant from the private sector. Currently the buildings on the property are vacant.

Village grant writer Nicole Christian said she expects to hear back regarding the application by the spring of 2017, and at the moment no concrete parameters have been established for how exactly the money would be put to use.

“The $500,000 can be used for sidewalk restoration, demolition, redevelopment, parking lot improvements — all the things that would be necessary to help a developer make an improvement to this area,” Garant said. “The $500,000 is sort of loosely prescribed, and what I mean by that is we’re not told we have to put it into sidewalks, or told we have to put it into one aspect of the project. So as far as we see it, it enables the village to bring $500,000 to the table to help incentivize a project that will give back to the village perhaps more of what it would like to see, which is a strong, anchor retail establishment on the main floor, or a restaurant with housing above.”

Trustee Bruce D’Abramo expressed his excitement to get the project started.

“I’m really happy to see the village moving forward on this particular issue,” he said of the revitalization of Port Jefferson Station. “It has been a clear goal of mine since I became a trustee to do something about upper Port, and this is one of the mechanisms that I’m happy we can embrace.”

Trustee Larry Lapointe also voiced support for the plan.

“I think this particular corner is perhaps the worst corner uptown,” he said. “The two buildings that are on site were deemed to be so unsafe that we had to vacate and board them up. Two of the lots behind are magnets for homeless people, and we’re constantly working with the owners to get camps moved out of that area when they spring up. It’s sorely in need of redevelopment.”

Barbara Ransome, director of operations for The Greater Port Jefferson Chamber of Commerce, addressed the proposal during the hearing.

“The Greater Port Jefferson Chamber of Commerce certainly supports this potential funding and really feels it’s very important, especially in upper Port, in our business community there, and as a gateway coming into the village,” she said. “It’s critical for this type of development to continue.”

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From left, Steven Uihlein, Jessica Contino, Melanie Acampora and Emily Gates star in 'Pumpkin Patch Magic'. Photo by Peter Lanscombe, Theatre Three Productions, Inc.

By Melissa Arnold

Twenty years ago, Theatre Three’s Artistic Director Jeffrey Sanzel wrote a Halloween play for children with sweet, goofy characters and an encouraging moral lesson. This October, the Port Jefferson theater will present an updated version of Sanzel’s original show, “Pumpkin Patch Magic,” featuring all-new music and lyrics by Jules Cohen. I sat down with Sanzel and Cohen to learn more about bringing the show to life again.

Jeffrey Sanzel has written or adapted more than 100 plays in his 28 years at Theatre Three.

What inspired you to write this play?

Jeff Sanzel: This goes back many years. We’ve actually done “Pumpkin Patch Magic” twice, with the original performances happening 20 years ago. (My writing partner and I) were looking for a new Halloween show and decided we wanted the theme to be based around the saying, “If at first you don’t succeed, try, try again.” We always want to have a moral underpinning for our stories. So we created this world of Halloween with all the characters you’d expect — witches, ghosts, gnomes — and their different skills and limitations. For example, there’s a witch who can fly and a witch who can’t. It’s very funny.

How do you go about developing a show like this?

We talk about a theme, and then work on characters. I usually sit down and think about the sort of direction I want the story to go in, and from there I’ll start writing … there are usually 15 to 20 pages that never make it into the show — it’s just about getting the ideas going. If we’re doing an adaptation, I’ll read as many different versions of the story as I can to help flesh out how I want to tell it and what kind of message we want to convey.

From left, Princess Pumpkin (Melanie Acampora) Ermengarde Broomwellsweepalot the Witch (Emily Gates) and Norman the Nervous Gnome (Steve Uihlein) star in ‘Pumpkin Patch Magic. Photo by Peter Lanscombe, Theater Three Productions, Inc.
From left, Princess Pumpkin (Melanie Acampora) Ermengarde Broomwellsweepalot the Witch (Emily Gates) and Norman the Nervous Gnome (Steve Uihlein) star in ‘Pumpkin Patch Magic. Photo by Peter Lanscombe, Theater Three Productions, Inc.

Can you summarize the story?

These characters are the ones who are responsible for getting pumpkins into the pumpkin patches all over the world. There are two groups involved: the overachievers and the underachievers. Some of the characters are limited in what they can do, and they’re always being reminded of how they can’t do as much as others. The story is told by a fairy, Loquacious Chattalot, who tries to encourage them, but it backfires and they give up. But in the end, it’s the limited ones who end up making it all happen successfully.

How did you come up with the name Fairy Loquacious Chattalot?

I’m a big fan of Charles Dickens — we do “A Christmas Carol” here at Theatre Three every year — and Dickens-style names always tend to stick in my head. The characters’ names really reflect who they are, and that is definitely true for this fairy. She’s a very nonstop talker, and that’s where I got Loquacious Chattalot.

For what age group is this play recommended? I would say it’s best for ages 3 and up.

It’s very entertaining, fast and colorful. It’s not scary at all — in fact, it’s very silly. The humor is very goofy, and the show is extremely family-friendly. All of our children’s shows are meant for the whole family to be entertained.

Are children encouraged to come dressed in their Halloween costumes?

Absolutely! We love when the kids show up in costume; it’s so much fun. And if you stay after the show, the characters will come out [in the lobby] to meet the kids and have their picture taken.

Why should parents bring their kids to see the show?

Children’s theater is the greatest way to introduce kids to theater, and the earlier on they’re exposed to it, the more they can develop an appreciation for it. Seasonal shows like this one are a lot of fun and the message for this show is so important — keep trying. You can learn, you can make a difference and there’s nothing you can’t do.

Jules Cohen has written music for dozens of shows all over the country, but now he fights breast cancer as an oncologist at Stony Brook University Hospital.

Are you a native Long Islander?

Jules Cohen: I grew up in Poughkeepsie, and after college I lived in Manhattan for 20 years. I moved to Suffolk County six years ago to work at Stony Brook.

Composer Jules Cohen, center, with the cast of 'Pumpkin Patch Magic' at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
Composer Jules Cohen, center, with the cast of ‘Pumpkin Patch Magic’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions, Inc.

You studied music in college, but now you’re an oncologist. What led to that change?

I have a bachelor’s degree in music and a master’s in music composition. I hoped to make my career as a musical director in theatre and a songwriter, and I did that for several years working with several reasonably high-profile directors. But it’s difficult to make a living in those fields, as you never know where your next job will come from. I had to move all over the country — I’ve worked in Vermont; San Francisco; Louisville, Kentucky; and in New York City. I knew that if I wanted a more stable life, I needed a more structured day job. Music and theater could always remain a hobby while I did other work. My initial thought was to become a psychologist, so I went to medical school, and once I got there I found I really gravitated more toward medical oncology.

Was the transition difficult for you?

Once I decided to go to med school, I pursued it wholeheartedly and didn’t find leaving the music and theater career difficult. I’ve always played the piano and am working on jazz piano now. That satisfies the musical part of my brain.

What inspired you to get involved with composing for ‘Pumpkin Patch Magic’?

I have two young children — a 5-year-old and a 10-year-old. I’ve always taken them to basically every show at Theatre Three, and it got to the point where the actors all knew Emma and Oscar. They really watched them grow. I decided to see if I could get involved, and I met Jeff in the lobby one day. He suggested I collaborate with him on one of his kids’ shows, and a few weeks later he emailed me the script for a Halloween show he had written years ago. From there I worked on updating the score, one song at a time. My kids love Halloween, so they’re very excited, and my daughter is very into musical theater — she loves to give her input.

What’s involved with writing a song? What is the process like?

Writing lyrics was relatively new for me, but I really enjoyed spending time working on the rhyme and wordplay. That process develops a sense of rhythm, and from there I start thinking about pitches. You flesh it out a bit at a time, eventually developing chords and a melody line, then adding little embellishments and intricacies. It’s really not magic or anything — as they say, it’s 10 percent inspiration and 90 percent perspiration.

How would you describe the music for the show?

It’s definitely heavily influenced by jazz, and the whole score is written for keyboard. Who are your musical influences? I really enjoy musicians in both jazz and theater, and the intersection between them — George Gershwin, Cole Porter, Frank Lesser, Thelonious Monk, and Charlie Parker are some of my favorites.

What are you most looking forward to about the show?

I’m very excited to hear my songs performed by real actors and singers, to see them come to life onstage. I’m hoping that people will appreciate it and that they leave tapping their feet. I know that I’m pleased with the songs — they are fun and clever.

“Pumpkin Patch Magic” or “If At First You Don’t Succeed” will run from Oct. 1 through Oct. 29 on Saturdays and Sundays at Theatre Three, 412 Main St., Port Jefferson. All seats are $10. For more information or to purchase tickets, call (631) 928-9100 or visit www.theatrethree.com.

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Supporters for both candidates are out early on debate day at Hofstra. Photo by Victoria Espinoza

By Victoria Espinoza

A historic political event, which carried what felt like an unprecedented level of uncertainty, took place close to home Sept. 26.

Hofstra University was the place to be, as thousands of reporters, protestors, students and politicians flocked to the Hempstead campus to witness a debate featuring the first female presidential nominee of a major political party in United States history and one of the most powerful businessmen in the world. Hillary Clinton (D) and Donald Trump (R) were the main attraction, but there was so much more to be seen and heard on campus in the hours leading up to show time.

Major news outlets from all over the world covered the event.

The scene was already buzzing around 10 a.m. Businesses set up booths to hand out free debate gear, and MSNBC, Fox News and CNN were already warming up their outdoor stages for a full day of coverage.

Some students carried signs with Clinton and Trump’s name, while others raised humorous, homemade signs with messages like “Mom, please come pick me up, I’m scared.” Freshmen to seniors visited the photo booths and interview stands set up, and seemed enthused and excited to be a part of the historic day.

https://www.youtube.com/watch?v=0y4EhseIuAE&feature=youtu.be

One of the more popular activities of the day was an inflatable, replica White House for students to jump around in. In the early morning it lit up the parking lot and seemed like a spot students would enjoy a carefree few minutes after the stations focused on national issues were seen.

But soon enough, the inflatable White House became a backdrop for a serious scene.

Dozens of #BlackLivesMatter supporters stood silently arm in arm, in front of the White House. Observers around the area were silent as well.

It was a reminder early on that this debate was not just an exciting event, but also would spur a serious conversation about the state of America, and how it we will be led into the future.

Bernard Coles, a senior at Hofstra, said he wasn’t confident the issues important to #BlackLivesMatter supporters would come up at the debate.

“We’ve been talking nonstop about Brangelina for the past week so I’m not very optimistic about it coming up but I hope so,” he said in an interview. He also said he feels Clinton best represents the #BlackLivesMatter cause.

Black Lives Matter protestors make their presence felt at Hofstra University on debate day. Photo by Victoria Espinoza
Black Lives Matter protestors make their presence felt at Hofstra University on debate day. Photo by Victoria Espinoza

“I feel a thousand times more confident in the direction Hillary Clinton would take the country. She’s been trying to listen to us and support us and represent us for decades and I don’t understand why people are forgetting that.”

Although #BlackLivesMatter was not directly referenced Monday night, moderator Lester Holt asked a question entirely focused on race relations. Both candidates talked about solutions they have proposed to help improve the criminal justice system, while also touching on their personal relationships with ethnic communities.

About a half-mile from the center point of campus was the free speech tent, an area heavily guarded by police where supporters of lesser-known presidential candidates Jill Stein (G) and Gary Jonhson (L) protested their exclusion from the event.

Entrance to the free speech tent required passage through a metal detector and a search of belongings. Officers on horseback lined the street, and at the tent, a man dressed in a polar bear costume spoke out on global warming, and an “election frog” croaked “Rig it, rig it.”

Chris Roy, a Stein supporter, said it was a disgrace that she was not allowed into the debate arena.

“I’m thoroughly disgusted and disturbed and furious,” Roy said in an interview. He questioned why two parties are allowed to make the rules for other minor parties, and said Trump and Clinton should be speaking up to allow the other candidates in.

“She [Stein] is the only one that is in the trenches fighting with the people,” he said. “They’re [Clinton and Trump] both just totally corrupt. They don’t speak out for open debates, which is awful. When you turn on the television all you see is Hillary and Trump.”

Stein has been the presidential nominee for the Green Party for the last two debates, and was escorted off the premises Monday after reportedly failing to present the necessary credentials.

Costumes are used to emphasize political talking points. Photo by Victoria Espinoza
Costumes are used to emphasize political talking points. Photo by Victoria Espinoza

Like Stein, Johnson is not new to the presidential campaign circuit. He has been the Libertarian Party’s presidential candidate for the last two elections.

Both candidates have been vocal about being denied the opportunity to debate.

Neither reached the 15-percent polling threshold on national surveys needed by the Commission on Presidential Debates to qualify.

Hofstra students throughout campus donned “Make America Great Again” hats and “I’m With Her” pins, and at the end of the night everyone argued over which candidate had the most success.

After leaving the scene of the debate, and walking out of what felt like a bunker, it seemed like all issues discussed during the day had been forgotten and all that mattered was Clinton and Trump’s performances.

Hofstra’s campus gave a voice to more than just the typical election season rhetoric, and helped remind a reporter like me that this election season is about so much more than just the two candidates who stood on the stage for 90 minutes.

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File photo

Suffolk County Police Homicide Squad detectives are investigating an incident in which a man and woman were found dead inside a hotel room at Commack Motor Inn, located at 2231 Jericho Turnpike in Commack at approximately 12:33 p.m.

An employee entered a room after the occupants, Omar Torres and Yesenia Abreu, failed to check out at their scheduled time, and discovered them dead inside. The investigation revealed the Torres, 31, of Glendale, killed Abreu, 29, of Glendale, and then shot himself. Abreu’s cause of death remains undetermined. Detectives are awaiting autopsy results from the Office of the Suffolk County Medical Examiner.

The investigation is ongoing.

This version was updated to include the names, now released from the SCPD, of the two people found dead at the Commack Motor Inn. 

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From left, Andrew Hendrick, James D. Schultz, Christopher Wynne Duffy, Peter Saide, Benjamin Howes, Jake Mills, Kevin Robert Kelly, and Stephen Valenti in a scene from ‘1776’. Photo by Michael DeCristofaro

By Rita J. Egan

With talented actors, period-appropriate costumes and a detailed set, a theatrical production can make audience members feel as if they have traveled back in time. This is certainly the case with the John W. Engeman Theater’s production of “1776,” which opened last week.

Before there was “Hamilton,” there was “1776.” The classic musical, with music and lyrics by Sherman Edwards and a book by Peter Stone, debuted on Broadway in 1969 and was turned into a movie in 1972. Dramatizing the efforts of John Adams to persuade his fellow delegates of the Second Continental Congress to vote for American independence, “1776” focuses on the last weeks leading up to the signing of the Declaration of Independence.

The first lines by Adams, played by James LaVerdiere, help to set the tone for the musical: “I have come to the conclusion that one useless man is called a disgrace — that two are called a law firm — and that three or more become a Congress.” With this quote as well as the opening number “For God’s Sake, John, Sit Down,” the audience discovers that while the musical discusses a serious matter, it is delivered with a sense of familiarity and a good dose of humor.

Jennifer Hope Wills (as Abigail Adams) and Jamie LaVerdiere (as John Adams). Photo by Michael DeCristofaro
Jennifer Hope Wills (as Abigail Adams) and Jamie LaVerdiere (as John Adams) in a scene from ‘1776’. Photo by Michael DeCristofaro

LaVerdiere perfectly captures the frustrations and persuasiveness of Adams, who his fellow delegates describe as obnoxious and disliked. The scenes between him and Jennifer Hope Wills, who plays Abigail Adams, where the Massachusetts delegate imagines conversations with his wife, allow the audience to learn of the struggles of the women who were left at home dealing with sick children and failing farms and business. During Act 1, the two deliver a sweet and touching version of “Yours, Yours, Yours,” and we discover a softer side of Adams.

When Thomas Jefferson, played by Michael Glavan, yearns to go home to see his wife, we meet the second of only two female characters, when Adams sends for Martha to come to Philadelphia while Jefferson works on the Declaration of Independence. Portrayed by Adriana Milbrath, the actress delivers a delightful “He Plays the Violin” with LaVerdiere and David Studwell, perfectly cast as the charming and witty Benjamin Franklin. Glavan is a strong vocalist, too, who audience members have the pleasure of hearing during “But, Mr. Adams” and “The Egg.”

A surprise standout performance comes from Matthew Rafanelli, playing the disheveled courier delivering messages from George Washington. In the beginning of the play, it’s understandable if one thinks he has a small part, but by the end of Act 1, Rafanelli delivers a perfectly executed “Momma Look Sharp.” His heart-wrenching vocals on the song, which details the loss of young boys on the battlefield, left many with tears in their eyes during the press opening last Saturday night.

It should also be noted that Robert Budnick playfully portrays a cheerful Stephen Hopkins, and Tom Lucca perfectly captures the authoritative nature of John Hancock. Special mentions should be made of Jon Reinhold (Richard Henry Lee) who plays the cocky Virginian with a great deal of humor, Benjamin Howes (John Dickinson) who provides strong lead vocals on “Cool, Cool Considerate Men,” and Peter Saide (Edward Rutledge) who delivers a powerful “Molasses to Rum.”

Igor Goldin has expertly directed the cast of 25 actors, who should all be commended for their strong vocals and mastering of a great amount of dialogue. Due to the craftsmanship of all of those involved in Engeman’s “1776,” the dreams of our country’s forefathers come to life once again.

The John W. Engeman Theater, 250 Main St., Northport, presents “1776” through Nov. 6. Tickets range from $71 to $76. For more information, call 631-261-2900, or visit www.engemantheater.com.

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Huntington residents wearing “Pierce the Cap” shirts cheer after the town board votes to pierce the tax levy cap for the 2017 budget. Photo by Victoria Espinoza

By Victoria Espinoza

Huntington residents were unanimous at the town board meeting Tuesday night: Pierce the tax levy cap for the 2017 budget and keep our programs. And the town board agreed.

The proposed 2017 budget comes in at $190 million, with a tax levy increase of 2.85 percent, which would cost residents approximately $18 to $30 more per household, town spokesperson A.J. Carter said in a phone interview.

Town hall was packed with union, youth program and nonprofit members asking the board to support them in this year’s budget proposal.

Supervisor Frank Petrone (D) said at the town board meeting if Huntington is to stay within the state set tax levy cap of 0.68 percent for this year, the town’s workforce would decline; arts and youth programs would have to be cut; and parks and beaches would see a reduction in services and programs they offer.

“It’s not just a couple of bucks less for culture and arts. If we cut [funding] down, Huntington suffers. It’s millions of dollars out of the pockets of local residents.” —Ken Katz

“We committed ourselves to these programs because people are not traveling like they did — the economy is such that they are staying home and we felt it is our responsibility to … provide programs that would be cultural and recreational in nature, and social programs that help catch people in a safety net,” he said.

Jolena Smith, a Huntington High School student and member of the Tri Community Youth Agency, a not-for-profit organization that offers educational, recreational, social, cultural, athletics, counseling and advocacy programs for the town’s youth, became emotional when speaking about why it’s so important to her that the board pierce the cap this year and maintain Tri CYA funding.

“The Tri CYA provides all types of programs, services and activities to the youth that don’t have other choices or places to go,” she said at the meeting. “I’ve been coming to the Tri CYA for as long as I can remember, and it means a lot to me. The staff is an extended family. The Tri CYA helps kids stay off the streets. It helped me be the person I am today.”

Alicia Lawrence, president of the Tri CYA, talked about all the opportunities the not-for-profit offers to kids in town.

“Our staff is compassionate and professional,” Lawrence said. “They know the kids, they know the families and they know the community. They resolve problems before they escalate.”

Tri CYA offers numerous classes including cooking, reading and homework help, as well as provide students with school supplies, winter jackets and meals. The president said many of the children they work with are “at or below the poverty level.”

Ken Katz, a Huntington resident and member of the board of directors at the Cinema Arts Centre, also talked about how crucial funding from the town is for the survival of the CAC, a nonprofit organization that helps provide programs for students and seniors, as well as support many other local businesses.

“It’s not just a couple of bucks less for culture and arts,” he said. “If we cut [funding] down, Huntington suffers, not the Cinema Arts Centre. It’s not just going to a museum and seeing one less painting. It’s millions of dollars out of the pockets of local residents.”

Nonprofits were not the only voices heard. William Hennessey, president of Local 342 Long Island Public Service Employees, a union for workers in retail and wholesale food service, distribution, delivery and health care, spoke about the dangers of reducing the town workforce.

“[Local 342] represents many of the town employees residing in the town of Huntington,” he said. “If the staffing levels were to be substantially reduced due to budget cuts, the level of service that the residents of this town have become accustomed to would be severely reduced.” Hennessey used Hurricane Sandy as an example of when town employees worked “around the clock in 12-hour shifts” to help residents stay safe.

The board unanimously voted to approve the resolution to pierce the tax cap, to a round of applause from the audience, and the 2017 preliminary budget was passed out to the town board members.

According to Carter, Petrone said when he began the 2017 budget process this summer, he realized how much the town would have to cut to stay within the 0.68 percent state-mandated cap for this year. So instead, he drafted a second budget, which would pierce the cap. The budget holds social, youth and art programs at 2016 funding levels; there are no freezes on salaries for elected and appointed officials and union workers; and there are no layoffs, Carter said.

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Mount Sinai’s Caiya Schuster makes a save against Shoreham-Wading River’s Nicky Constant. Photo by Desirée Keegan

By Desirée Keegan

All Lydia Kessel was thinking in the final seconds of overtime is that she couldn’t let Mount Sinai score.

The Shoreham-Wading River junior goalkeeper wanted action, but received almost more than she could handle. A cluster of frenzied girls squeezed between the six and 18-yard line, and that made it difficult to get a hand on the ball.

Mount Sinai's Victoria Johnson and Shoreham-Wading River's Haley Rose battle for the ball. Photo by Desirée Keegan
Mount Sinai’s Victoria Johnson and Shoreham-Wading River’s Haley Rose battle for the ball. Photo by Desirée Keegan

“It was like a game of Pong,” she said of the final frantic moments of the Sept. 27 match. “It was just touches — the ball was going back and forth and the only thing going through my head is that I had to get the ball. If I could get the ball, I could get it out and we can get through the last 10 seconds. I did not want to lose in the last 10 seconds.”

Kessel eventually muscled her way to the ball, although she missed it on the first grab and left a Mount Sinai player with an open net. She threw herself on top of the loose ball, scooped it up and tossed it away to escape with the 0-0 draw for her Wildcats and the Mustangs after two 10-minute overtime sessions.

“They’re a much more physical team,” Shoreham-Wading River head coach Adrian Gilmore said of Mount Sinai. “But we played a hard game. [Mount Sinai] plays a lot in the air, which is different from the way we play, since we play more to feet. I feel like any time we play them, anything could happen, because they’re so physical.”

Mount Sinai controlled the game for the first few minutes and showed that toughness, but Shoreham-Wading River pushed right back, and came up with back-to-back chances at a goal, the first of which went off the right post.

After the two teams tied 2-2 Sept. 8, Mount Sinai head coach Courtney Leonard expected much of the same the second time around.

“I thought something like this would occur,” she said. “Shoreham — their personnel, our personnel are very evenly matched. They had chances and we had them. They had an unfortunate post in the beginning of the game that could’ve gone in and we had some opportunities in the middle of the net with nobody there that we should’ve gotten. But I thought we did a great job.”

Lydia Kessel sends the ball into play after making a stop. Photo by Desirée Keegan
Lydia Kessel sends the ball into play after making a stop. Photo by Desirée Keegan

Shoreham-Wading River senior outside midfielder Alex Kuhnle had several opportunities to help her team put one away in the second half. First, she attempted a fake from 25 yards out, but Mount Sinai’s junior goalkeeper Caiya Schuster saved her shot. Later, sophomore striker Nicky Constant, took a pass from senior midfielder Sarah Stietzle, but the touch was too soft. Kuhnle also tried to set up Constant twice, but Schuster saved the first, and although the second attempt went in, an offside call waved off the goal. Another shot went in within a five-minute span, but offside was called again. Schuster made 10 big saves on the evening to keep her team in the game.

“Mount Sinai is always a tough team to go up against,” Kuhnle said. “They always come out strong, and I think that we reacted well. We were just unlucky with our shots. We had a lot of opportunities, so that’s a good thing, but moving on, we need to work on finishing.”

Despite junior sweeper Samantha Higgins being forced to leave the game with a foot injury, Shoreham-Wading River’s defense held its own. Kessel made a save with 5:54 left in regulation, one of her five for the game.

“It was a tough battle, but we all helped,” Mount Sinai sophomore midfielder and forward Brooke Cergol said. “We focused on covering their top players, attacking and looking outside; we just really wanted to score and win this game.”

Mount Sinai’s Brooke Cergol and Shoreham-Wading River’s Alex Kuhnle race for the ball. Photo by Desirée Keegan
Mount Sinai’s Brooke Cergol and Shoreham-Wading River’s Alex Kuhnle race for the ball. Photo by Desirée Keegan

Gilmore said having Kessel, a three-year varsity starter, in goal helped her feel more comfortable about the matchup.

“I think having her in the back is such a dangerous weapon,” she said. “My assistant coach [Brian Ferguson] thinks it was one of the best games he’s seen her play. I expect her to do what she does, and it’s a nice feeling.”

With the draw, both teams move to 4-1-2 in League VI. It is the last time the two rivals — that are just miles from each other down Route 25A — are scheduled to battle this season, but it certainly may not be the last time they face off.

Kuhnle said if they see each other again in the postseason, her team will be ready.

“There’s a ton of talent on this team and we can go as far as we want to go if everyone comes together and plays hard,” she said. “This will help fuel a fire for playoffs and show us what we have to work on, so maybe we’ll focus a little more in practice to improve. I’m not disappointed with our performance though; we just got unlucky.”

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