Home History

Movie Review: Martin Scorsese’s ‘Killers of the Flower Moon’ is a compelling epic

by Jeffrey Sanzel - October 25, 2023

0 500

Reviewed by Jeffrey Sanzel

David Grann’s true-crime Killers of the Flower Moon: The Osage Murders and the Birth of the FBI brilliantly chronicles the Reign of Terror that cut a blood-stained swath through the Osage tribe in Oklahoma in the early 1920s. Two dozen murders were directly attributed to the four-year period, but further inquiry revealed a larger conspiracy that spanned at least two decades and hundreds of homicides. The book was one of the best or most notable books of 2017 by The New York Times, Wall Street Journal, Washington Post, Time, NPR, and many others.

Members of the Osage Nation earned royalties from oil sales through their federally mandated “head rights.” As the oil market grew, many amassed wealth, leading to widespread swindles and violence on the unsuspecting Native Americans. In addition, the Burke Act (1906) imposed an unscrupulous situation of guardianships, depriving many of the Osage control over their money making them wards of predatory opportunists.

Lily Gladstone and Leonardo DiCaprio in a scene from the film. Photo courtesy of Apple TV+

The book’s narrative is one of poisonings, shootings, and even the bombing of a house. The history is fraught with coverups by local authorities, high-profile citizens, police, doctors, and even undertakers. Coercion, blackmail, and negotiations with criminals are all part of the byzantine tapestry. The country found little sympathy for the victims, instead focused with a morbid glee on the lurid details: “Osage Indian Killing Conspiracy Thrills,” heralded the Reno Evening Gazette.

With over forty films (including multiple documentaries), Martin Scorsese’s extraordinary roster includes Mean Streets, Alice Doesn’t Live Here Anymore, Taxi Driver, Raging Bull, Goodfellas, The Age of Innocence, Casino, The Departed, The Wolf of Wall Street, and, his last film, 2019’s The Irishman. The Award-winning director has co-written the screenplay for Killers of the Flower Moon with Eric Roth (Forrest Gump, Munich, The Curious Case of Benjamin Button, and A Star Is Born). The result is a compelling epic.

The story alternates between wider brutality and intimate moments among a trio of first-rate actors, surrounded by a varied, if not fully developed, supporting cast. Clocking in at nearly three and a half hours, Killers of the Flower Moon is a powerful, important film, but surprisingly misses some of the broader and significant elements of the story.

The film opens with a ritual burying of a peace pipe in a meditative and communal ceremony. Set to a pulsing soundtrack, the action shifts to an almost orgasmic oil gush, segueing into a portrait of the Osage, who became the world’s richest people per capita.

The scene changes to Fairfax, Oklahoma. While it is the 1920s, the town seems more a portrait of Wild West chaos, contrasting the wealthy Native Americans with an earthy population of white speculators and oil workers.

Ernest Burkhart (Leonardo DiCaprio) returns from Europe, where he served as an infantry cook in World War I, and his uncle, William King Hale (Robert De Niro), takes him in. Hale, the self-titled King of the Osage Hills, is a friend and supporter of the Osage, speaking the language and moving with ease in their community. The façade is quickly dispelled as Ernest is drawn into Hale’s machinations of deception and vicious, destructive manipulations. With his sly, paternal benevolence, he advises Ernest not to make small but big trouble—for there lies the big payoff.

While driving a cab, Ernest meets and courts Osage Mollie Kyle (Lily Gladstone). Much of the film is shown through her eyes and heard in her brief voiceovers, simply and devastatingly enumerating the many uninvestigated tribal murders. After their marriage, Hale continues to involve Ernest in a range of illegal and immoral activities, resulting in the death of Mollie’s sisters.

Scorsese and Roth have narrowed the scope, focusing mainly on Ernest, Mollie, and Hale, allowing for extraordinary performances. DiCaprio has never been better as the conflicted but easily swayed Ernest, who becomes one of the “squaw men,” the lay-about husbands living off their wives’ money. DiCaprio shows Ernest’s struggle, creating a character of active and passive complicity but still revealing lingering shreds of humanity.

Lily Gladstone is a revelation of nuance and subtle dimension, finding joy, pain, humor, and strength. Her ability to project extraordinary shades of emotion in complete stillness is matched by her anguish in the film’s most gut-wrenching scenes of loss. Late in the film, her declaration that “this blanket is a target on our backs” reflects a woman robbed of peace of mind, living in a world crumbling from within and without.

De Niro balances the “great white father” with the darkness of a conscienceless villain whose lack of moral compass tips towards the amoral. De Niro (and the film) might have been better served by a gradual revelation of Hale’s true colors, something in which the book succeeds.

As for the rest of the players, there are no weak links, but they have only one or two notes to play. The rogues are rough, whiskey-soaked outlaws. The citizens of Fairfax carry a certain generic “oldy-timey” vibe. The members of the Bureau of Investigation (the forerunner to the FBI) are a tight-lipped crew, directed by Agent Tom White, an effective Jesse Plemons. While a good portion of Grann’s book deals with the investigation under J. Edgar Hoover, the film truncates the inquiry. The trial itself is abbreviated, with John Lithgow, as Prosecutor Leaward, and Brendan Fraser, as W.S. Hamilton, Hale’s attorney, basically serving their functions.

Throughout, the wrongs committed against the Osage are rightly and unflinchingly highlighted. Whether being overcharged for funeral arrangements, targets of arson and insurance fraud, or treated with disdain, suspicion, and envy by the “buzzards circling [the Osage] community,” the Osage nobility is fully present. Never caricatured, their ascendency from victim to the pursuit of justice in the face of systematic murder creates the core of the film’s final stretch.

Scorsese’s penultimate scene is fascinating, allowing a seeming gimmick to work on another level (as it is fact-based). His cameo is fun, if a bit jarring. Killers of the Flower Moon’s final image, a contemporary nod, is beautiful—the ideal resolution to a film that casts light on a bloody, scarred chapter of American history.

Rated R, the film is now playing in local theaters and will later play on Apple TV+.

Long Island Music and Entertainment Hall of Fame announces tribute exhibit to the Piano Man

by Rita J. Egan - October 25, 2023

0 731

1 of 6

By Rita J. Egan

The Long Island Music and Entertainment Hall of Fame board and staff members are in a Billy Joel state of mind.

At a press conference on Oct. 20, Ernie Canadeo, LIMEHOF chairman, announced that the venue’s upcoming exhibit, Billy Joel — My Life, A Piano Man’s Journey, will open at the museum in Stony Brook Village on Nov. 24.

“It’s so appropriate that it’s located here on Long Island, where Billy has spent most of his life and created much of his incredible music,” Canadeo said. “It is also appropriate that it has been created and will be displayed exclusively at the Long Island Music and Entertainment Hall of Fame.”

Canadeo said LIMEHOF, which has more than 120 inductees, including Joel, has been planning the first major exhibit dedicated to the singer and songwriter for nearly a year. The museum’s second exhibit since it opened November 2022 will cover Joel’s life from his upbringing in the Levitt home section in Hicksville throughout his more than 50-year music career.

Among the items featured will be awards, memorabilia, behind-the-scenes video, rare audio and video recordings, vintage instruments and photos. Many of the items will be protected with acrylic cases with no doors, and other precautionary steps will be taken.

Canadeo and LIMEHOF exhibit designer Kevin O’Callaghan visited Joel’s storage unit to find items for the exhibit. Among them is about 60 minutes of a recording session audio. Visitors to the exhibit will be able to hear Joel and his band recording a song in the venue’s theater on the second floor.

At the press conference, Canadeo said the nine-foot piano in the room was the one Joel used during the Face to Face Tour with Elton John. Inside, the staff found the musician’s harmonica and a towel.

O’Callaghan, who has worked on more than 150 exhibits during his career, said it was a dream come true for him to work on the project. “This is very close to my heart because I am a Long Islander, and I’m very proud of it,” he said.

The designer added he was nervous when he and Canadeo met with Joel since he heard the entertainer could be tough regarding saying OK to similar projects.

“He usually doesn’t do things that put him on a pedestal, but I explained to him that this would be a party, that we’re going to celebrate your career,” O’Callaghan said.

He added the exhibit will also include tributes to those who were inspired by Joel and those who inspired him, such as Paul McCartney, Ray Charles and Beethoven.

“Anything that Billy felt close to or felt that he was inspired by,” he said.

Billy Joel — My Life, A Piano Man’s Journey exhibit will open on Friday, Nov. 24 at noon at the Long Island Music and Entertainment Hall of Fame, 97 Main Street, Stony Brook and run for a limited time.

The exhibit is being supported and sponsored by Catholic Health, The Billy Joel Foundation, Madison Square Garden Entertainment, Jake’s 58 Casino Hotel, The Haugland Group, M&T Bank, The EGC Group and Lessing’s Hospitality.

Timed tickets, available at www.TheBillyJoelExhibit.com or at the museum, are $35 for adults, $32.50 for seniors and veterans, and $20 for students over 13. VIP tickets are $49. For more information about LIMEHOF, visit www.limehof.org.

History Close at Hand: Stony Brook before and after Ward Melville

by Beverly C. Tyler - October 20, 2023

0 1122

002 MillerFrankSchaefer FeedingDucks&SwansSBMillPond 1930sRayTylerPhotoPrintBCT collection — Above, Miller Frank Schaefer feeds ducks and swans in front of his Stony Brook Grist Mill. Schaefer had kept the mill in operation until 1947. Photo courtesy Beverly C. Tyler

By Beverly C. Tyler

“Don’t change Stony Brook too much! Leave some dirt roads, some crooked lanes, some old trees, some old homes and the winding brook and creeks. Clean them up a bit, if you will. Restore for permanency, but don’t use 20th-century plastic surgery on a 17th-century face.” — Edward A. Lapham, “Stony Brook Secrets”

Frank Melville, Ward’s father, was intrigued with Williamsburg and wanted to do something here. After Frank Melville died, Ward carried out the project and said in January 1940, “This project has been in my mind and in the minds of my mother and father before me going back some 10 years.”

Ward Melville envisioned the rehabilitated Stony Brook as a beautification project, an economic engine and a community social undertaking. As described in a pamphlet, “An interesting and most pleasant consequence of the Stony Brook project was the new interest the villagers took in the appearance of their own homes as the village green and shopping center took shape. … As pride of appearance asserted itself, the whole village began to acquire its present neat, clean-cut look of simplicity.”

Melville saw Stony Brook as a community where people would walk, greet one another, converse, discuss the day’s politics and be responsible, involved citizens. The village green and central post office were the keys to this concept. However, the inclusion of village shops and offices for doctors, dentists and real estate agents was designed to make this a functioning community.

Main Street in Stony Brook during the 19th and early part of the 20th century was an active commercial area with a wide variety of shops. This commercial and tourist-generated activity ended with World War I as Stony Brook became a small, locally used harbor village.

South of Harbor Road and the mill pond, there were several small homesteads and farms, a harness maker’s shop, a blacksmith shop and a schoolhouse. The business area began at the grist mill, and except for Jacinsky’s Saloon and a bakery opposite Harbor Road, all the stores were on the west side of the road between the mill pond and the harbor.

Shops included an ice cream parlor, drug store, hardware store, tea room, secondhand clothing store, Chinese laundry, a tailor shop, a harness maker’s shop that became a butcher shop and grocery store about 1900, a barber shop, livery stable, shoemaker’s shop, post office and at least two general stores.

The butcher in Stony Brook at the turn of the 20th century was Orlando G. Smith. His brother, Charles E. Smith, ran a butcher shop and general store in East Setauket. Orlando took over the butcher business from Bennie Wells, who died in 1875. In 1898, Orlando built a new store on the site of an earlier butcher shop run by George Hawkins.

In his booklet “A Century of Progress,” Percy Smith indicated, “In the mid-[1890s], farmers around Stony Brook began decreasing the sale of their livestock, and Orlando Smith was forced to find another source of supply. The closest place was Bridgeport, about 15 miles across the Sound, but Smith encountered many difficulties obtaining meat from even so short a distance.

“His order had to go to Bridgeport by mail. The meat was then hauled to the Bridgeport docks and shipped by boat to Port Jefferson. There, it was loaded into a wagon and brought to Stony Brook. During this time, Orlando bought what meat he could, but this had dwindled mostly to calves, lambs and pigs.”

Orlando Smith’s butcher shop was located south of the current Reboli Center. In 1913, Percy Smith took over the butcher business after it had been owned for less than a year by Captain Robert F. Wells and then by Percy’s father, W.H. Smith. In 1922, Percy moved to a new location in the old post office building located a few lots north of the Reboli Center.

Tom and Mamie Anderson stand outside their general store around 1920. Photo courtesy Beverly C. Tyler

Up Christian Avenue and just to the left, behind the house on the corner of Sand Street, was Tom and Mamie Anderson’s store. According to Edward A. Lapham’s “Stony Brook Secrets,” it had been a general store until World War I, when “groceries became so difficult to obtain that Tom gave up that end of the business and sold only ice cream and candy. He also sold real estate and looked after the town roads.”

When they first came to Stony Brook in the 1920s, Lapham and his wife Anna took a room at the Andersons’ home. Lapham noted that Mrs. Anderson “explained that her home was old fashioned, that there was no running water and that the outhouse was located on the hill above the store. However, if we wanted the room, she would try to make us comfortable.”

Many residents in Stony Brook would provide a room for visitors, especially during the summer when the Stony Brook Assembly was in operation.

Returning to the center of the business area of Stony Brook, the Bank of Suffolk County began its operation in 1907 in a building at the south corner of the old business triangle, which is now part of the Stony Brook Village Green. The building, featuring a shingled mansard roof, was owned by the Odd Fellows and contained a drug store and soda fountain, a library, lodge and dance hall in addition to the bank. The bank moved to the current Reboli Center in 1912, and the original building was torn down as part of the rehabilitation of the Stony Brook shopping area in 1941.

When the bank moved, it occupied a location formerly owned by Dan Sherry, who ran a livery stable before the turn of the century. Just north of Sherry’s was the home and general store of J.N. Gould. Gould’s house later became the home of Doctor Squire. North of Gould’s home was the general store and home of Edward Oaks. Oaks, in 1873, was a “dealer in dry goods, groceries and other supplies.”

According to Percy Smith, Oaks’ general store — later Toppings general store — was the “better” general store in town. “It had everything,” Smith commented, “Bales of hay, kerosene, hardware, patent medicine, food and clothing.”

When the rehabilitation of Stony Brook was completed, Percy Smith was the first shopkeeper to move into the new shopping center. Percy opened his butcher shop in what is now Wiggs Opticians. Many old stores and homes were moved and restored, while many others were demolished. The result was a modern Stony Brook business area with a strong flavor of the past.

An “Images of America” book on the history of Stony Brook is available from the Three Village Historical Society. For further information, contact the Society at 631-751-3730 or stop at the Society History Center and book/gift shop, 93 North Country Road, Setauket, Thursdays through Sundays from 12-4 p.m.

A copy of “Stony Brook Secrets” is available in the Long Island collection of the Emma S. Clark Memorial Library.

Beverly C. Tyler is a Three Village Historical Society historian and author of books available from the society.

Guided tour of Huntington’s Old Burying Ground offers insight into Town’s historic past

by Tara Mae - October 20, 2023

0 936

1 of 8

By Tara Mae

The past whispers lessons to those willing to listen in the present.

A spooky stroll through Huntington’s Old Burying Ground unearths the town’s human history. Organized by the Huntington Historical Society, participants first gather inside the Soldiers and Sailors Memorial Building, located at 228 Main Street. Built in 1892 as a memorial to residents who perished in the Civil War, it housed the town’s first library and now hosts Huntington’s History and Decorative Art Museum.

As leaves crunch underfoot and the sky fades overhead, tour guide Erika Verrill Burke leads participants on a traipse back in time. Winding through Huntington’s earliest public burial ground, established soon after the town was founded in 1653, she introduces individuals who may have once trod this terrain.

Approximately 7500 people may be buried here, with roughly 1700 surviving tombstones. By the mid-1850s the rural cemetery on New York Avenue had opened, and the population of the Ground plateaued. Sporadic interments occurred over the years, mainly of people who had relatives already resting there, such as Nelson Smith. A co-founder of Huntington’s first AME Church, he died in 1888 and was buried, per his request, at the Old Burying Ground to be with his first wife who had perished in childbirth. The last burial was circa 1954.

Notably, this location is not a cemetery, which technically refers to a planned area specifically designed to inter the dead. Rather, the Old Burying Ground is simply a communal space where Huntington residents of yore laid their loved ones to rest.

“One of the really great things about the Old Burying Ground is its egalitarianism; this is a nondenominational secular burying ground; rich and poor, young and old, free and enslaved are buried here,” explained Verrill Burke.

Up hills and through paths marked only by memory and the footsteps of those who went before, Verrill Burke guides her audience into the past. Covering the scope of the site, as the group maneuvers among the gravestones, she excavates stories that survive through their retelling. Special occurrences and ordinary persons are enlivened in the process.

“We walk the entire grounds, discussing early Huntington history, and some key people and events that occurred in and around the burying ground,” she said. “Also discussed are some broader topics such as burying practices, the American Revolution on Long Island, and enslavement on Long Island.”

Veterans of wars are buried near casualties of disease. Entire family sagas are condensed to the clues inherent in epitaphs: men who were lost to pestilence; women who died in childbirth; children who died of preventable illnesses. A single family plot may encapsulate all of these calamities.

Citizens overlooked by posterity are in repose near founding family members of the Brookhaven settlement such as Ketchum, Conklin, and Platt.

The Ground’s oldest identifiable grave belongs to perhaps a lesser known name: Silas Sammis. Born in 1676, he died in 1723; his tombstone is a roughly hewn rock with his name, birthday, and death date painstakingly carved into it.

“Someone cared enough to drag a rock here,” Verrill Burke said.

Evidence of love is engraved into many elements of the Old Burying Ground; personal tributes and declarations of mournful devotion are interspersed with more traditional, yet poignant, sayings.

The grave markers themselves offer insights beyond what is etched into surfaces; their very essence speaks to monetary wealth and social standing, economic growth and resource accessibility.

Many early headstones are made from sandstone, which can be found on Long Island. Later headstones are made of granite or marble, reflecting the town’s growing prosperity, since the materials were imported from other states.

Free Blacks have gravestones similar to their white counterparts. Enslaved people were buried with the families of their enslavers; their plots are generally marked by rough field stones.

The disparity in circumstance invites onlookers to examine their collective heritage from multiple points of view. Trials and triumphs, as shared by Verrill Burke, create a narrative that coalesces into a deeper understanding of how personal anecdotes adorn the annals of history.

“The tour appeals to our imagination! The public is invited to imagine what life was like for the earlier residents of Huntington. I also think that discussing the life and death of certain residents helps us feel a more tangible connection to the past, and a more relatable view of the human condition. Times may change, but people are people,” she said.

It is this interpersonal connection that Verrill Burke emphasizes with the human interest she highlights. More than enchanting listeners with legend and lore, she enraptures them with the tenacity of truth and a winsome wit.

An engaging orator, Verill Burke is a public interest lawyer by trade. She has been a guide since 2014, but the tours have been going on for many years.

Verrill Burke became involved with the Huntington Historical Society while on sabbatical from her job, volunteering first for different programs, including its Passport to the Past camp for children.

“I wanted to do field trips for the campers, and the burial ground seemed like a good fit. Kids love all things macabre and so do I,” she said. The popular tours have since found fans of all ages.

Intrigued by the Old Burying Ground, Verrill Burke sought the knowledge of Huntington Town Historian Robert Hughes and the late Huntington Historical Society Historian Rex Metcalf. She also scoured the Society’s archives, one of the largest collections on Long Island. From there, she developed a routine that encompasses centuries and sense memories.

“People are fascinated. Even if individuals are coming along to keep a history buff friend company, there is something of interest for almost everyone on this tour, and questions are very, very welcome (that’s how I know everyone is staying awake!),” Verrill Burke said.

This meander through remembrance is next scheduled for Saturday, October 28, at 3 p.m. Tickets are $10 for members, $15 for nonmembers, and $5 for children. They must be purchased in advance and are not sold the day of the tour. To make reservations, please visit www.huntingtonhistoricalsociety.org. For more information, call 631-427-7045.

$125,000 grant secured for Ward Melville Heritage Organization’s historic properties

by Press Release - October 19, 2023

0 515

WMHO Eagle — Pictured from left, Dr. Richard Rugen, WMHO Chairman; Honorable Steve Englebright; Olivia and Harlan Fischer, President of Branch Financial Services; and Gloria Rocchio, WMHO President. Photo courtesy of WMHO

Ward Melville Heritage Organization (WMHO) announced on Oct. 13 that former Assemblyman Steve Englebright has successfully secured a $125,000 grant for repairs to several of Ward Melville Heritage Organization’s historic properties.

Pictured from left, Dr. Richard Rugen, WMHO Chairman; Honorable Steve Englebright; Olivia and Harlan Fischer, President of Branch Financial Services; and Gloria Rocchio, WMHO President. Photo courtesy of WMHO

“When Ward Melville rehabilitated the village most of the renovations were completed at the same time. We have had repairs done over the years, but everything is accelerating because of age. It is hard to do everything at once. Thank you, Steve and so many more for helping us preserve this legacy,” said WMHO Chairman Dr. Richard Rugen.

The properties to receive restoration are the Stony Brook Grill Mill c. 1751, the Brewster House c. 1665 and the Eagle (1940) atop the Stony Brook Post Office.

Honorable Steve Englebright said, “This beautiful, carved, mechanical eagle is likely the earliest public art sculpture in our region. It is also a symbol of our nation. It is an honor to have helped advance restoration of this icon of American history.”

This iconic eagle is the only one in the United States to flap its wings every hour on the hour. When word went out about repairs needed to the eagle, donations were received from around the country. The cost to restore it was larger than anticipated, so WMHO organized a Summer Soiree and Olivia and Harlan Fischer, Branch Financial Services, came forward with the largest donation to meet the goal of $75,000 for the eagle alone.

Olivia and Harlan Fischer and Dr. Richard Rugen, examining the mechanism that controls the eagle. Photo from WMHO

In making this contribution Olivia and Harlan said, “That eagle has been flapping its wings every hour for over 80 years. Both residents and visitors wait in front of the Post Office just to watch. We wanted to make sure that this tradition continues.”

A restricted account has been established to handle any repairs to the mechanism or the eagle itself in the future. Any donation to the eagle is tax deductible. Work will begin in the Spring of 2024, but the work on the elements of the eagle will begin over the winter 2023. Work on the other properties will begin in the Spring of 2024.

Founded in 1939, WMHO is a not-for-profit corporation that develops and fosters community enrichment through cultural and educational experiences. WMHO accomplishes this by enhancing and interpreting its historic and environmentally sensitive properties and by utilizing state-of-the-art technology. For more information, please visit www.wmho.org

Spirits Cemetery Tour returns to Setauket

by Rita J. Egan - October 14, 2023

0 797

Spirits Tour — Historical re-enactors Mort Rosen and Donna Smith at last year's event. Photo by Raina Angelier

By Rita J. Egan

For nearly 30 years, the Three Village Historical Society (TVHS) has brewed up ghostly fun with a twist of history at its annual Spirits Cemetery Tour. The popular event returns on Saturday, Oct. 21 with A Century of Chicken Hill.

Attendees will visit 10 locations in the Caroline Episcopal Church of Setauket and Setauket Presbyterian Church graveyards, where they will learn about the lives of former Chicken Hill residents.

Mari Irizarry, TVHS director, said the society’s educational committee writes and develops the scripts for the annual event. While some dialogues could be reused in the past, all the scripts are original this year.

A scene from the 2022 Spirits Tour. Photo by Raina Angler

“This year, we’re going to see some characters with names that we definitely know like Ridgeway, like Golden,” Irizarry said. “People who were really active in the Chicken Hill community just 100 years ago, 120 years ago.” Joseph Ridgeway was a key investor in the Rubber Factory which once operated in Setauket, and the Goldens were third-generation Jewish residents in the Three Village area.

During previous tours, actors playing the spirits would talk directly to attendees and describe their character’s life. While a few will do the same this year, overall, guests will walk in on conversations taking place among Chicken Hill spirits.

“You will listen in on a conversation they are having about maybe the shipyard off Shore Road or about the new railway that’s coming to Stony Brook,” Irizarry said.

With descendants of some of the former residents depicted on the tour still living in the area, the society’s director said they had the opportunity to confirm a fact about one spirit with a great-grandchild who lives in Stony Brook. “We don’t get to do that very often,” she said.

This year marks the first Spirits Tour Kimberly Phyfe, TVHS development coordinator, has worked on and will experience. She said she is excited to see it and knows regulars will, too.

“Even if you have come to the Spirits Tour in the past, year after year, you’re going to see new characters, you’re going to meet new spirits,” Phyfe said. “We have different locations. Even though, obviously they’re in the same church graveyards, it’s a totally different experience, because it’s all new scripts and a lot of new actors, a lot of returning actors, too.”

She added that researching using the historical society’s archives with Scott Ferrara, collections and exhibits coordinator, was fascinating.

Donna Smith portrays Maria Smith Williamson during previous Spirits Tour

“We were able to reference pieces in our archives that directly relate to and support the scripts of the Chicken Hill characters,” Phyfe said, adding among the items are the Ridgeway family bible, and items listed in a ledger that Rubber Factory laborer and Chicken Hill community member Jacob Hart’s wife, Hannah, bought at the Tyler General Store and more.

“Just knowing that our archives are in direct relation to the program that we are putting on is really incredible to be a part of,” she said. “lt’s living history. It’s not just in a box on the shelf somewhere. We’re able to bring that out into the community.”

Phyfe added characters not depicting a specific person will be based on the types of people they have documentation on.

Among those who played a part in writing and editing the script were Town of Brookhaven Historian Barbara Russell and professional editor Stephanie Sakson.

Sakson has portrayed spirits twice in the past and helped with the scripts. She said for the Chicken Hill dialogues, she fine-tuned them and added some more history and humor. She said researching Chicken Hill was interesting.

A scene from a previous Spirits Tour. Photo by Beverly C. Tyler

“I really didn’t know anything about Chicken Hill,” the Port Jefferson resident said. “I told my friends ‘you have to come see this!'”

She hopes attendees will gain “an appreciation that history is a living thing” and be inspired to do further research by visiting places such as the historical society and library.

“It’s not like it happened and it’s over,” she said. “You can see around you the effects of history, and how it has shaped how we feel about where we live and gives us an appreciation of how colorful and rich the place where we live is.”

The 29th Annual Spirits Tour will be held on Saturday, Oct. 21 (Rain date Oct. 28). Tours, which are approximately 1 hour and 15 minutes long, leave from the Setauket Presbyterian Church, 5 Caroline Ave., Setauket every 15 minutes starting at 5 p.m. The last tour departs at 7:30 p.m.

Irizarry urges all tourgoers to arrive early, dress for extended time outdoors, wear comfortable walking shoes and bring a flashlight. An exhibit with additional information on Chicken Hill will be on display at Setauket Presbyterian Church throughout the night and complementary apple cider from Ann Marie’s Farmstand in Setauket and donuts donated from local supermarkets will be served.

Tickets in advance at www.tvhs.org are $25. Tickets on the night of the event, if available, are $30. For more information, call 631-751-3730.

Suffolk County Leg. Anker secures grant for Rocky Point Historical Society

by Press Release - October 1, 2023

0 924

Suffolk County Legislator Sarah Anker (D-Mount Sinai) recently presented the Rocky Point Historical Society with a $7,583 grant, which is awarded to organizations that benefit tourism and/or cultural programming in Suffolk County.

The Rocky Point Historical Society strives to gather, preserve, display and make available for study artifacts, relics, books, manuscripts, papers, photographs and other records and materials relating to the history of the State of New York and particularly of Rocky Point.

“I want to thank the Rocky Point Historical Society for their hard work that enables our community to celebrate and learn about our local history,” Anker said. “It is thanks to the organization’s passion to preserve Long Island’s history that the Noah Hallock Homestead is maintained and accessible.”

For more information, please visit their website at rockypointhistoricalsociety.org.

The Woodhull Books: A recent acquisition by the Three Village Historical Society

by Press Release - September 29, 2023

0 895

The two recently acquired books are on display at the Three Village Historical Society headquarters for a limited time. Photo by Kimberly Phyfe, Development Coordinator at the TVHS

By Scott Ferrara

There’s no doubt that Long Island played a major role in the success of the American Revolution. In fact, Setauket was home to numerous people who comprised a network of clandestine intelligence operatives known as the Culper Spy Ring.

One of those Setauket spies was Abraham Woodhull (1750-1826). Woodhull, known for his alias Samuel Culper Sr., resided in British-Occupied Setauket during the war and used invisible ink to send encoded messages of enemy troop movement to General George Washington.

Unfortunately, few artifacts and personal belongings of Woodhull’s survived, both through the passage of time as well as the 1931 fire that razed his former home.

On July 26th, 2023, the Three Village Historical Society (TVHS) acquired two books at auction that belonged to the Woodhull family, one of the books bearing Abraham Woodhull’s signature. These books hold promise as a cultural resource for the community, and for their research potential of Three Village history and the history of our nation.

The third page of The Rise and Progress of Religion in the Soul by Phillip Doddridge contains Abraham Woodhull’s signature. Photo by Kimberly Phyfe, Development Coordinator at the TVHS

The first book, The Rise and Progress of Religion in the Soul by Phillip Doddridge, was signed by Abraham Woodhull prior to both the American Revolution (1775-1784) and activities of the Culper Spy Ring (1778-1783). Abraham wrote his name on the first page of the book as well as a brief description of where he was at the time, Newfoundland.

We know he was only 23 years old at the time, had not yet married or taken over the family farm and estate. His youthful decisions had found him aboard the ship the Dolphin during a very tense moment in American history. After all, Abraham had conveniently provided us the date of his travel, Aug. 27, 1773.

This date provides clues as to the social environment Abraham was reading this book in. August of 1773 was a very tense summer in our nation’s history. Only three months earlier, in May of 1773, King George signed into effect the Tea Act which undercut colonial merchants, who had been prospering in maritime trade, and increased the power and influence of the British East India Company. This discriminatory act angered American colonists and sparked resentment that would eventually lead to war.

These tensions would eventually boil over in December of that same year when the Sons of Liberty threw bricks of tea into the Boston harbor in an act of protest and defiance of the British King; an event known today as the Boston Tea Party. What was Abraham doing so far away from home during such a kinetic social time? Who or what was in Newfoundland that would draw him away from his family? These, among many more questions, have yet to be answered.

Abraham, later in life, gifted this book to his second wife, Lidia, shortly before Christmas in their wedding year of 1824. We know this because she had inscribed her name and a brief note on the page following her husband’s earlier signature. Abraham passed away two years later.

The book moved through many hands over time until the departure of its most recent owner in Islip last year. The book, along with the rest of their estate, was inventoried and listed at private auction where it was identified by friends of the TVHS.

The inside cover of The Holy War by John Bunyan bears the signatures of Charity and William Woodhull. Photo by Kimberly Phyfe, Development Coordinator at the TVHS

A second book was also included in the auction lot. This book bears the signatures of Charity Woodhull and William Woodhull, likely niece and nephew of the patriot spy, Abraham. This book is titled The Holy War by John Bunyan (1682). The Holy War is a fiction book with Christian themes that tells the story of a mighty king who is overthrown by evil rebels and must fight to reclaim his throne.

The acquisition of these books is exciting for the Three Village community. The TVHS can now appropriately curate them, while making these artifacts accessible to scholars. In fact, these books have incredible research potential both historically and genealogically.

The Three Village Historical Society is currently exhibiting the Woodhull books for a limited time. These books can be viewed at TVHS headquarters located at 93 N Country Road in East Setauket.

Guests are welcomed to visit TVHS.org to book a docent- or self-guided tour of the historical society’s museum or a walking tour throughout the Three Village community (operated by Tri-Spy Tours). The TVHS’s Spies! exhibit also features interactive software, hands-on learning activities, and the original Abraham Woodhull costume worn by actor Jamie Bell in the TURN: Washington’s spies television series. The society also welcomes researchers who wish to study their collections for academic or independent research projects.

Acknowledgments: Acquisition of these historical items would not have been possible without the combined efforts of the Three Village Historical Society’s staff and trustees. Specifically, the Collections Committee comprised of Christina Tortora Ph.D., Brian Bennett and Judi Wallace, as well as Brookhaven Town Historian Barbara Russell, Three Village Historian Beverly C. Tyler, the Society’s director Mari Irizarry, and President of the Board of Trustees, Jeff Schnee.

Author Scott Ferrara is the Exhibits & Collections Coordinator at the Three Village Historical Society.

Long Island Music & Entertainment Hall of Fame to hold new Beatles book discussion & signing event

by Press Release - September 24, 2023

0 751

Steve Matteo discusses his new book ‘Act Naturally, The Beatles on Film’

Smithtown author Steve Matteo will participate in a Q&A discussion (moderated byTony Traguardo, Fab4Free4All podcast) and book signing event featuring his new book “Act Naturally: The Beatles on Film” at the Long Island Music and Entertainment Hall of Fame (LIMEHOF), 97 Main Street, Stony Brook on Saturday, September 30 at 2 p.m. The event is free with admission and open to the public.

“I grew up on Long Island and have written for many Long Island music and entertainment publications,” Matteo said. “I’m thrilled to be interviewed at LIMEHOF about my new book on the Beatles. The hall is all about honoring and celebrating the legacy of great music. When I write my books, chronicling musical history that give music fans a deeper understanding of artists and their times is very important to me. Long Island has a rich history of popular music and music fans on Long Island are some of the most knowledgeable and passionate in the world.”

This unique event bridges the mediums of books, music and film and is likely to appeal to audiences of all genres, not to mention Beatles fans. Copies of the book will be available for purchase to be signed at the event. LIMEHOF plans to do more author themed events in the future.

“We are excited to have Steve come speak at The Hall of Fame about his book “Act Naturally” and share his insights on The Beatles on Film,” said Kelly Leung, LIMEHOF Board Member and Director of Community Outreach who organized the event. “Having Tony Traguedo from the Fab4Free4All podcast moderate and speak is also an added bonus to what is sure to be a fun event. We continue to welcome opportunities to introduce Long Islanders to local authors and podcasters on a regular basis at the museum.”

For details on this and upcoming events please visit https://www.limusichalloffame.org/museum/

About Act Naturally, the Beatles on Film

The Beatles produced five films during their time together: A Hard Day’s Night, Help!, Magical Mystery Tour, Yellow Submarine, and Let It Be. Some were cinematic successes, and some were not, but—along with subsequent reissues, bonus material, and Peter Jackson’s The Beatles: Get Back, a documentary companion to Let It Be—they comprise an endlessly fascinating document of key phases in the group’s career.

In this comprehensive deep-dive into the band’s movies, author and longtime music journalist Steve Matteo follows the origins, filming, and often frenzied fan reception of projects from the 1964 premiere of A Hard Day’s Night through 1970’s Let It Be to the release of Get Back in 2022. Matteo explores the production process, original theatrical film releases, subsequent VHS, DVD, and Blu-ray releases, and bonus materials, along with the US and UK soundtracks. In addition to copious anecdotes and behind-the-scenes details, he also places these films in their larger context, a period of unprecedented artistic and commercial innovation in British and world cinema. Filled with stories and insights that will satisfy collectors, buffs, and casual fans alike, this is the definitive account of an underappreciated part of the Beatles’ creative output.

About Steve Matteo

Steve Matteo is the author of Let It Be (33 1/3-Bloomsbury) and Dylan (Union Square & Company-Barnes & Noble). He recently contributed to The Beatles in Context, which was published by Cambridge University Press.

He is Contributing Editor with The Vinyl District and has written for such publications as The New York Times, The Los Angeles Times, New York magazine, Time Out New York, Rolling Stone, Spin, Rock’s Backpages, Relix, Goldmine, Interview, Elle, Citizen Truth, Literary Hub and Salon.

He has worked for Pete Townshend of the Who in various capacities for Left Field Services, Towser Tunes and Trinifold. His radio career includes working at WLIR-FM, WNYT and FM Odyssey and he often appears on radio, including on the Sirius XM Volume Channel, Q104, Joe Johnson’s Beatle Brunch, Talk More Talk: A Solo Beatles Videocast, 21st Century Radio, WAAM, WFUV, WUSB, WPPB and WHPC and television in his capacity as a music journalist and an author. He has lectured on Bob Dylan at the New School for Social Research in New York and journalism at the University of Alabama in Tuscaloosa. He holds a B.F.A. in Communication Arts from the New York Institute of Technology.

About LIMEHOF

Founded in 2004, the Long Island Music Hall of Fame is a 501(c) (3) organization dedicated to the idea that Long Island’s musical and entertainment heritage is an important resource to be celebrated and preserved for future generations. The organization, which encompasses New York State’s Nassau, Suffolk, Queens, and Kings (Brooklyn) Counties, was created as a place of community that inspires and explores Long Island music and entertainment in all its forms. In 2022 LIMEHOF opened its first Hall of Fame building location in Stony Brook Village. To date, the organization has inducted more than 120 musicians and music industry executives, and also offers education programs and scholarships, and awards to Long Island students and educators. ###

History Close at Hand: The harrowing tale of the ‘Long Island Express,’ the ’38 hurricane that rocked the Island

by Beverly C. Tyler - September 24, 2023

0 982

36 Bayview Ave the morning after the 38' hurricane. The chimney on the house top was destroyed — 36 Bayview Ave. in East Setauket on the morning after the ‘38 hurricane, the house’s chimney obliterated by the storm. Photo courtesy of Beverly Tyler

By Beverly C. Tyler

Eighty-five years ago, on Wednesday, Sept. 21, 1938, just past noon, a tidal wave swept over Fire Island and the Long Island South Shore, the advance wind and waves announcing the arrival of a hurricane, later named the “Long Island Express.”

It swept across eastern Long Island and continued across Long Island Sound to have even greater destruction and loss of life in southern New England.

That evening at 10 p.m., my grandmother, Edith Tyler, then Setauket’s postmaster, wrote on a penny postcard describing the storm’s local impact. She postmarked the card the following morning and sent it to my father in Brooklyn.

Edith wrote, “Beverly – Did you have a storm today? We have had a northeaster followed by west wind – no lights, telephone – and what a wreck Setauket is – about a dozen trees down. … The green was a wreck – 25 trees from here to Catholic Church down – 100 they say down at Wide Water … mail didn’t get in until 8 p.m. … Jimmy says the Bridgeport boat hasn’t been reported since 2 p.m. Never saw anything like it before – tree blew down on Brennan’s house – wind changed and blew it off … general destruction all around – Mother.”

The hurricane was the subject of Three Village Historical Society oral history interviews. A few were printed in the society’s journal, “The Three Village Historian.”

East Setauket’s Forrest West described the hurricane. “I was commuting in those days on the [Long Island Rail Road] from East Setauket to Brooklyn,” he said. “On my usual afternoon train that day, my head was buried in my newspaper. Only at Huntington did I look up briefly. Noting people braced into the wind and umbrellas being blown inside out – or away – I mildly noted to myself that there was quite a wind blowing and returned to my paper.”

He continued, “Nearing Smithtown, I laid my paper aside and noted that we seemed to be held up going into the station. Held up we surely were for the remainder of the trip, as trees had to be cleared from the tracks. The immensity of the storm was finally getting into my consciousness. Arriving hours late at the Setauket station, I by then knew that my wife would not be meeting me. Surprise, though! There was a fellow I knew there in a pickup, and he offered me a ride. There were so many trees down that we hardly used the streets but rather detoured constantly through people’s yards. Home safely, the night was beautiful and quiet … We were without electricity for 13 days, but we had bottled gas for cooking and a little heat.

“My wife, Peg, was then teaching in the old high school on the hill. She recalls how she and her class watched from the second-story windows as bricks flew out of the walls of the old brick (rubber) factory building on Chicken Hill. No buses, the teachers were obligated to get the students home. She drew a crew that lived in Old Field. With trees crashing alongside and behind, she made her last delivery, advised at one point by an official to ‘get out of here fast. This is the last road open.’ Aside from the safety of her kids, she had one concern on her mind: ‘Please don’t hit this car; we are trading it in tomorrow.’”

Elizabeth R. Medd, from Stony Brook, noted, “The Old Field Club was to have a bridge luncheon that day to start at 11:30 a.m. In spite of the warnings on the radio, we decided to attend, thinking we could drive quickly to our homes if the storm became really threatening. We soon realized we all should go home as the tides were rising, and the winds became fierce from all directions very suddenly.

“I live on Christian Avenue. When I made the turn off Quaker Path, a huge tree fell across the road directly in front of me. I quickly got out of the car and somehow managed to reach my house, dodging other falling trees or climbing over them. In a similar fashion, my older son managed to reach home from The Stony Brook School.

“Suddenly, there seemed to be a lull in the storm. We decided to try to get to the village to find our young son, who was at the village school. At the corner of Cedar Street, we saw a neighbor with five children – two of his own, two who lived in Old Field and our son. He had abandoned his car and was trying to get home by climbing over fallen trees. He continued with his children, leaving the other two with us. As the hurricane soon returned, they had to spend the night, and my heart ached for their parents, who, of course, had no idea where their children were until the next day when the town did a great job repairing communications and clearing roads.”

William B. Minuse, who lived on Shore Road in East Setauket, said, “That day, I went to work for Robartes in Port Jefferson. It was storming. Too rainy and windy to work outside … I really wasn’t aware that it was such a severe storm. The wind blew very hard, but the area where I was was rather sheltered.

“I worked until 5, then I started home. At that point, I realized that there was something more serious going on than an ordinary storm. There were limbs down on the road and some trees down, but I got home without any real difficulty.

“By that time, I believe the electricity was off … I ate dinner, and by that time, the wind had gone down. I got in my car and drove to Stony Brook after dark. … A great many trees [were] down, although I managed to get through Christian Avenue. … Prior to that storm, Stony Brook used to have a beautiful growth of locust trees along Christian Avenue. A great many of them were destroyed and were lying across and alongside the road. Somehow, I managed to get through right down into the village.

“Next morning, I went back to Robartes’ office to go to work. Got there without any difficulty, and he sent myself and my helper, George Brown … to survey some lots in Mastic Beach. … We got into where the lots were located, not far from the Great South Bay. There were trees down there more seriously than there were over here, I would say.

“While we were working there, this bleary-eyed figure came out of one of the houses. It was a man. He told us that he had been in the house all night long. The water had come up around the house, and he had sat on a table waiting for the water to go down, and he had a bottle of whiskey. I think he must have emptied the bottle because he was just about able to stagger when he came out to talk to us. I guess he had a pretty good scare.

“We finished the survey … and started home. At that time, the police had formed a roadblock around the entire Mastic Beach area to prevent looting. We established our identity. … We had no problem with the police, but at that time, the seriousness of the situation was really felt.”

The Port Jefferson-Bridgeport steamer ferry boat, Park City. Photo courtesy Beverly C. Tyler

In Port Jefferson, concern was for the Port Jefferson-Bridgeport steamer ferry boat, Park City, which left Port Jeff at 2 p.m. on the day of the hurricane and was not heard of again until she was discovered anchored in the Sound. The boiler had been flooded, but the crew and passengers had kept the pumps going. She was subsequently towed back into Port Jefferson Harbor by a U.S. Coast Guard cutter. In addition to the crew, two men, three women and a baby were on board, who arrived on the little 40-year-old vessel after a harrowing 18 to 20 hours.

Beverly C. Tyler is a Three Village Historical Society historian and author of books available from the society at 93 North Country Road, Setauket. For more information, call 631-751-3730.

Prev 1...456...73 Next

Page 5 of 73