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On Aug. 30, the American Association for State and Local History presented an Award of Excellence to the Three Village Historical Society for the society’s Founders Day program. The program is conducted each spring for Three Village Central School District fourth-grade students.

Donna Smith and Steve Healy (center) receive the AASLH Award of Excellence on behalf of the Three Village Historical Society at the AASLH Awards Dinner in Philadelphia, PA on Aug. 30 in photo with John Fleming, AASLH Chair on the left, AASLH Predient & CEO John R. Dichtl on the right.

As a direct result of the program, during the 2017-18 school year, Setauket School fourth-grade students produced videos about each of the 12 Vance Locke murals in the Setauket School Auditorium. The students, with the assistance of their teachers and Andy Weik, lead teacher for instructional technology for the district, wrote and produced the videos.

Because of the work of the students, the  auditorium was opened to the public for the first time on the 2018 Culper Spy Day. To make the videos available to anyone visiting the auditorium, a QR code was added below each mural. The follow-up to the Founders Day program by Setauket School fourth-grade students gave an added impetus for the decision to present the Three Village Historical Society with the AASLH Award of Excellence.

On Sept. 10, members of the Founders Day Committee Donna Smith, TVHS education director; Beverly Tyler, TVHS historian; Karen Mizell, Setauket School principal; Lindsey Steward-Goldberg, TVHS committee member; along with Steve Healy, TVHS president  met with the 110, now sixth-grade, Setauket School students and teachers to congratulate them on their part in the Founders Day Award.

Smith and Tyler thanked the Setauket School, Principal Karen Mizell and the Three Village Central School District for their partnership with the Three Village Historical Society and the Founders Day Committee over the 14-year (2006-2019) existence of the Founders Day program. The event was also attended by Town of Brookhaven Supervisor Ed Romaine and Leg. Kara Hahn.

Supervisor Ed Romaine thanks the students.

Supervisor Romaine spoke briefly to the students before presenting the Three Village Historical Society with a proclamation officially announcing Sept. 10 as Three Village Historical Society Day for its efforts in promoting local history. “Two years ago when you were in fourth grade you were able to take videos photos of the Grist Mill and other historic sites around town … and members of the Three Village Historical Society took your work to the AMA and they won an award which says one thing — you’re all great historians,” Romaine told the students.

“Our history is so important to us as a community in establishing our sense of place and understanding where we came from and how the people who founded this community helped to make it the great place that it is today,” said Leg. Hahn. “And so I hope you are learning a lot about our local community thanks to the wonderful volunteers at the historical society and all of your teachers … to help you understand how important Setauket was to the founding of this nation.”

By Rita J. Egan

On Sept. 12, the John W. Engeman Theater at Northport debuted “Sunset Blvd.” Filled with memorable performances, the cast members are definitely ready for their close-ups.

With music by Andrew Lloyd Webber and book and lyrics by Don Black and Christoper Hampton, “Sunset Blvd.” tells the story of Norma Desmond, an aging silent screen star who is desperately holding on to her glory days. Set in 1949 and 1950, Desmond meets struggling writer Joe Gillis. The screen star feels a spark of hope in her reclusive life when she asks Joe to edit a screenplay that she hopes will pave the way to her comeback.

The production, based on the 1950 movie of the same name starring Gloria Swanson and William Holden, spins an intriguing web of seduction, unrequited love and jealousy. The musical’s culmination is a dramatic Hollywood ending.

Opening on Broadway in 1994 and running for more than two years, the show won several Tony Awards including Best Musical and Best Performance by an Actress in a Leading Role for Glenn Close. The production was revived in 2017 for a brief Broadway run with Close once again starring as Desmond.

The Northport version, under the direction of Matt Kunkel, is filled with a talented cast that brings the Great White Way to the North Shore. Judy McLane as Norma Desmond steals the spotlight the moment she steps on stage with her striking appearance, strong stage presence and sensational vocals. It’s no surprise that McLane’s a Broadway veteran appearing in hits such as “Mamma Mia!” (Donna and Tanya), “Kiss of the Spider Woman” and “Chess.”

McLane shines in her solos especially during “With One Look,” “As If We Never Said Goodbye” and in her duet with Bryant Martin, as Joe Gillis, in “New Ways to Dream.”

David Hess, who appeared in “Sunset Blvd.” on Broadway, is perfect as the stoic Max, Norma’s butler, who has been in love with her since the first time they met on a movie set. Hess’ vocals are fantastic. During the first act, he performs a beautiful version of “The Greatest Star of All” while giving Joe a tour of Desmond’s run-down mansion.

Martin is a suave and charismatic Joe on whom Norma sets her sights not only to work with but to be her lover early in the musical. The character also serves as the narrator of the complex tale. Martin gets to show off his singing chops in a duet with McLane titled “The Perfect Year” during Act I, and later in Act II while performing “Too Much in Love to Care” with the talented Sarah Quinn Taylor, who plays a delightful Betty.

Because she’s his friend’s fiancée, Joe tries to fight off falling in love with Betty but finds it difficult to resist her as they work on a screenplay together. The budding romance between Joe and Betty soon creates tension between him and Norma, which leads to a dramatic twist that seals his fate. Douglas Waterbury-Tieman as Betty’s fiancé Artie Green, Martin, Taylor and the whole ensemble, perform an entertaining “This Time Next Year” toward the end of Act I. Ensemble member Cody Gerszewski steals the scene at times as he convincingly portrays a drunk partygoer.

Eric Jon Mahlum is also a scene-stealer during the number “The Lady’s Paying” as the tailor Manfred who has been hired to make over Joe with a stylish new wardrobe. And during a visit to the Paramount Pictures studio, Larry Daggett, with his strong vocals and an air of confidence, captures the essence of old-time Hollywood perfectly playing director Cecil B. DeMille.

Among the show’s stars are the musicians conducted by Charlie Reuter and the costumes by Kurt Alger. The costumes encapsulate the spirit of the period, especially with Norma’s glamorous outfits. As for Paige Hathaway’s scenic design, it’s a clever one using sliding wood doors and a movable staircase that help transform the stage seamlessly from Norma’s mansion to the Paramount Pictures backlot.

The musical leaves a lot to ponder about growing old gracefully and the difference between true love and obsession, and the Northport cast of “Sunset Blvd.” delivers the iconic classic with grace and talent.

The John W. Engeman Theater, 250 Main St., Northport, presents “Sunset Blvd.” through  Oct. 27. Showtimes are Thursdays and Fridays at 8 p.m., Saturdays at 3 and 8 p.m. and Sunday at 3 p.m. Tickets are $80 for Saturday evenings and $75 for all other performances with free valet parking. For more information, call 631-261-2900 or visit www.engemantheater.com.

The Centereach Cougars looked to notch their second win of the early season in a Division I field hockey matchup on the road against Patchogue-Medford. The Cougars struggled offensively as they were unable to find the box falling to the Raiders, 2-0.

Centereach senior goal keep Amanda Prevete had four saves in net. The loss drops the Cougars to 1-3 in the division, 1-4 overall.

Centereach retakes the field Sept. 20 where they’ll travel to Ward Melville to face the powerhouse Patriots. Game time is 4:15 p.m.

By Heidi Sutton

It’s been 14 years since the world was first introduced to Alex the Lion, Marty the Zebra, Melman the giraffe and Gloria the hippo in DreamWork’s computer-animated comedy “Madagascar.” Since its release, there have been two sequels, a spinoff (“Penguins of Madagascar”) and more recently a stage adaptation.

The latter opened at the Smithtown Center for the Performing Arts last weekend in the form of “Madagascar A Musical Adventure Jr.,” a show for kids performed by kids, and the end result is a fabulous afternoon of live theater. Sitting in the balcony during last Saturday’s performance, I was quickly reminded of just how clever and funny and entertaining this story is.

Living the good life at the Central Park Zoo, Alex (Hunter Pszybylski), Gloria (Gianna Oppedisano) and Melman (Jacob Christie) help Marty (Thomas Lau) celebrate his 10th birthday. When asked to make a wish, Marty wishes he can go back to the wild (aka Connecticut). Moments later he escapes with “cute and cuddly” penguins, Rico (Ari Spiegel), Kowalski (Hannah Waller), Private (Laurie Kratochvil) and Skipper (Max Lamberg) who are determined to get back to Antarctica “where we belong, on the ice.”

When Marty’s friends go looking for him, the entire group is cornered in the halls of Grand Central Station by the zookeepers and tranquilized. When they awaken, they find themselves in crates on a ship headed to a wildlife preserve in Africa. When the penguins escape their confinement and seize the ship, their antics cause the crates to fall overboard and the four friends wash up on the shores of Madagascar.

There they are met by King Julien (Zachary Podair), his sidekick Maurice (Emily Warner) and a tribe of ring-tailed lemurs who hope that Alex can protect them from the terrible foosa, cat-like animals that “are always trespassing, interrupting our parties and ripping our limbs off!” However, when Alex’s stomach starts rumbling and the lemurs can only offer him seaweed on a stick, things take a turn for the worse.

Expertly directed by Tommy Ranieri, the young cast (19 in all) do an excellent job bringing the personalities of these zany characters to life in this musical about the importance of friendship.

The songs are executed perfectly with special mention to “Relax, Be Cool, Chill Out,” “Best Friends,” “Steak,” and the big dance number “Living in Paradise” with fresh choreography by Ryan Cavanagh.

Costumes are simple but cleverly designed by Ronald Green III with the outfits matching the zoo animal’s colors with an orange wig for Alex’s mane, while his monochromatic friend Marty sports a mohawk. The set, used from the current main stage production, features panels that change to reveal different scenery and the show uses fog and incredible sound effects in telling the story.

The finale, a rousing rendition of “I Like to Move It” led by King Julien himself, is the icing on the cake. Meet the main cast in the lobby after the show for photos and autographs.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown, presents “Madagascar Jr.” through Oct. 27. Up next is a main stage production of “Annie” from Nov. 9 to Jan. 20 and then children’s theater continues with “Shrek the Musical Jr.” For more information, call 631-724-3700 or visit www.smithtownpac.org.

All photos by Courtney Braun

By Heidi Sutton

The U.S. Postal Service celebrated the 32nd honoree in the Literary Arts stamp series, Walt Whitman (1819-1892), with a first day of issue stamp dedication and unveiling ceremony on Sept. 12.

The event was held at a most fitting venue, The Walt Whitman Birthplace State Historic Site’s Interpretive Center in Huntington Station, which boasts the second largest Whitman collection in the world, only superceded by the Library of Congress. The farmhouse where Whitman was born sits on the property.

Thursday’s unveiling honored the 200th anniversary of the Long Island native’s birth.

Influenced by the works of Ralph Waldo Emerson, Whitman wrote over 400 poems including “Song of Myself,” “Crossing Brooklyn Ferry,” “I Sing the Body Electric,” and his 1855 masterpiece “Leaves of Grass.” 

In addition to avid stamp collectors, the event was attended by many elected officials including Assemblyman Andrew Raia, Sen. James Gaughran, Legislator Susan Berland, Supervisor Chad Lupinacci, Legislator Tom Donnelly, Councilman Mark Cuthbertson along with Executive Director of the Suffolk County Vanderbilt Museum Lance Reinheimer, Huntington historian Robert C. Hughes, Executive Director of Planting Fields Arboretum State Historic Park Vincent A. Simeone, Deputy Regional Director of NYS Parks Brian X. Foley, Regional Director of NYS Parks George “Chip” Gorman and many employees of the U.S. Postal Service.

Michael Gargiulo, WNBC co-anchor of “Today in New York” served as master of ceremonies. “I’m a huge history fan, I’m a huge stamp fan and I’m thrilled to be here,” he said before introducing Cynthia L. Shor, executive director of the Walt Whitman Birthplace Association; Jeffrey S. Gould, who sits on the board of trustees of the association; and Erik Kulleseid, commissioner of the New York State Office of Parks, Recreation and Historic Preservation for welcoming remarks.

The official stamp dedication was led by Cara M. Greene, vice president and controller of the U.S. Postal Service, and Walt Whitman personator Darrel Blaine Ford treated the audience to a soul-stirring reading of “Song of the Open Road.”

“Walt Whitman’s message of equality, tolerance, and the idea that we are all of the natural world, not separate from it, drew international acclaim in the 19th century and rings just as true today,” said Kulleseid, who thanked Shor and the board of directors “for all you’ve done since the 1950s to preserve this site and to educate visitors about Whitman’s vision of what it truly means to be an American.”

“[Whitman] is considered by many as the father of modern American poetry. The key word here is modern because of the topics and themes he explored — freedom, human dignity and democracy — and his stylistic innovations that at times mimicked ordinary speech and the long cadences of biblical poetry. His work continues to resonate with us today,” said Greene before unveiling the 85-cent commemorative stamp, which is intended for domestic First-Class Mail weighing up to 3 ounces.

Designed by Greg Breeding, the stamp features a portrait of Whitman painted by Brooklyn artist Sam Weber based on a photograph of the poet taken by Frank Pearsall in 1869. It depicts Whitman in his 50s, with long white hair and a beard gazing out with his chin resting in his left hand. The light purple background with a hermit thrush siting on the branch of a lilac tree recalls “When Lilacs Last in the Door-yard Bloom’d,” an elegy for President Abraham Lincoln written by Whitman soon after Lincoln‘s assassination on April 14, 1865. It appeared in the second edition of “Drum Taps,” a collection of poems mostly written during the Civil War.

“Why do we honor Walt Whitman? He has had a tremendous influence on poetry, he relaxed the poetic line, dispensing with rhyme and meter and opening the way to what we call ‘free verse.’ He was really the great poet of American democracy — his poems embraced people of all religions and races and social classes,” at a time of great nativism, said David S. Reynolds, author of “Walt Whitman’s America: A Cultural Biography.”

Although he witnessed much suffering during the Civil War and endured several strokes, Reynolds said Whitman “never surrendered his optimism … His poetry radiates this joyful spirit. It brims with his love of the beauty and miracles of everyday life … and lifts our spirits.”

By John Turner

This article is devoted to wood pewees everywhere.

The species names spill off the tongue quickly — “Oh, that’s a pink lady’s slipper … or a green darner … or a round-leaved sundew or great-crested flycatcher. Perhaps its a brook trout … or eastern chipmunk or a diamondback terrapin.” These names, and hundreds of thousands of others, are the scientifically established common names for these creatures, useful because they help to establish order, definition and identity. After all, we humans like to give every living thing a name as a means to begin to understand it and by so doing, legitimize its existence.

But these common names are almost always stated matter of factly, as if they are nothing more than dry words with nothing behind them. There’s no appreciation for the fascinating information these names convey, no thought about the creative and colorful descriptors they contain, illuminating some interesting aspect of the species. We say “diamondback terrapin” but fail to visualize the stunning concentric-ringed design of the diamond-shaped scutes on its top shell.

Lately, I’ve been thinking about the “color” behind common names, relishing the rich universe of descriptive choices. Take the group of wildflowers known as “goldenrods” blooming now throughout Suffolk County. I smile just saying the name. I could struggle for hours, and would utterly fail, attempting to come up with a more apt and succinct name to describe this group of upright, buttery-yellow wildflowers common to Long Island’s fields and roadsides. Indeed, these plants are golden-colored with rodlike upright stems.

Many of the common names of species are descriptive to coloration — the white-throated sparrow has a bright white throat patch and the rufous-sided towhee has flanks the color of a brick, bathed in the warm light of sunset. Want to guess the color of a blue shark, white ibis or scarlet tanager? The color of the throat patch of a ruby-throated hummingbird? How about the skin and plumage patterns on a spotted salamander, barred owl or reticulated python?

Still, others names describe places where the species was first discovered or is most abundant. Thus, you have Cape May and Tennessee warblers, Mississippi kite, Carolina wren and Florida scrub-jay.

One species with a misperception regarding the geography of its common name is the Baltimore oriole. It gained its name not through its abundance or being first identified in Baltimore, Maryland, but rather from the fact the bird’s bright orange and black plumage matched the colors on the coat-of-arms of Lord Baltimore.

And then there’s the easy ones to understand — common names established to honor or recognize some person of prominence or fame. Hence, we have Wilson’s warbler and phalarope (Alexander Wilson has four North American birds named after him, more than any other person), Henslow’s sparrow, Swainson’s hawk and Audubon’s shearwater (what a great description of the bird’s flight habit of cutting the ocean’s surface with its wing tips as it dynamically soars in search of food).   

Still other names convey information about some anatomical or physical aspect of the organism; thus, you have weeping willow, shagbark hickory, gull-billed tern, scissor-tailed flycatcher and rough-stemmed goldenrod. And for sea creatures how can we ignore bottlenose dolphins or humpback whales?

Adding to the richness of species’ official common names are the numerous unofficial, alternative names associated with these species.  So for dodder, a golden-yellow parasitic vine common in Island fields and meadows where it grows in tangles atop other wildflowers, we have the following common names: hairweed, lady’s laces, wizard’s net, goldthread, angel hair, witches’ hair, devil’s hair, pull-down, strangleweed and my favorite devil’s guts.

If you want a bird example look no further than other names for the American woodcock: timberdoodle, whistling snipe, big mud snipe, mud bat, night peck, night partridge, bog-borer, bog Sucker, bog-bird, wood snipe, wood hen, siphon snipe, the whistler, hookum pake and the Labrador twister.

Dragonflies are a great group, filled with species having impressive and expressive common names. The group name of “dragonflies” is colorful enough — they must appear to be a flying, fire-breathing monster to any smaller airborne insect. Thus, we have ferocious and formidable dragonfly names such as sanddragons, sundragons, shadowdragons, snaketails, meadowhawks, pondhawks and dragon hunters (they like to eat other dragonflies). Contrast them with their diminutive, nonthreatening winged cousins, the damselflies, who have members with these names: jewel wings, bluets, spreadwings, rubyspots and, of course, the “dancers.” What damsel in distress wouldn’t want to be rescued by these gossamer-winged creatures?

The most colorful and descriptive common names of all? Moths are the best, hands down, reaching new levels in imagination, revealing that lepidopterists have quite the sense of humor. Lest you think I’m making this up go on the internet and check out the following moth species, found in the eastern United States, that have been formally described by science and given these names: the old maid, the thinker, the laugher, abrupt brother, the joker, and there’s the elegant prominent, hooked silver Y, sebaceous Hebrew character, striped chocolate-tip, approachable sallow, afflicted dagger, owl-eyed bird-dropping moth, sharp angle shades, the slowpoke, grateful midget and cloaked marvel.

Then there’s the intractable Quaker and the cynical Quaker, grieving woodland, the German cousin and the nutmeg. Lastly, there’s stormy arches and if you like this one, how about stormy’s cousins: neighborly arches, disparaged arches, bridled arches, explicit arches, laudable arches and implicit arches.

Let’s close with my all-time favorite common name, the wood pewee, a neo-tropical migrant that overwinters in South America. Living up to his spritely name he’s a small, nondescript flycatcher, whistling his distinctive up-slurred “pee-awee” from the end of a dead tree branch in the middle of a Long Island forest. His name defines his essence.

What’s your favorite name?

A resident of Setauket, John Turner is conservation chair of the Four Harbors Audubon Society, author of “Exploring the Other Island: A Seasonal Nature Guide to Long Island” and president of Alula Birding & Natural History Tours.

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Bayport-Blue Point’s field hockey team struck first in a Division II matchup Sept. 17, but it was Miller Place senior Ally Schreck who answered the call to tie the game midway through the opening. Alexa Corbin, a junior, scored the go-ahead goal for Miller Place 13 minutes into the second  half as the Panthers held on for a 2-1 victory at home. Goalie Meaghan Stoessel had seven saves on the day. 

The Panthers are back in action when they hit the road to take on Sayville Sept. 19. Game time is set for. 4 p.m.

The win lifts Miller Place to 2-1 in the division, 4-1 overall.

Newfield’s offense struggled early on being held scoreless in the first half in its Division II season opener against visiting Smithtown East Sept. 13. The Wolverines were able to gain traction in the second half, and it was wide receiver Hunter Hughes’ reception from quarterback Maxwell Martin on short yardage to tie the game on the final play of regulation.

After a scoreless first overtime period Martin found Hughes again from 5 yards out when the senior made the catch and again found the end zone for the game winner.

Martin threw for 106 yards on 15 attempts and Eric Dougherty rushed for 46 yards on 7 carries.

The foot of Smithtown East senior Anthony Weidtman had field goals 45, 43 and 42 yards along with 2 points after scores for 11 points.

The Wolverines will look to build on their momentum when they hit the road Sept. 21 against Bellport. Game time is 2 p.m. Smithtown East is also back in action Sept. 21 when they travel to Deer Park for a 1:30 start.

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Comsewogue’s girls soccer team scored in first 10 minutes into the second half, but the Warrior’s lead proved short-lived Sept. 16. The West Islip Lions answered back with a pair of goal two minutes apart and tacked on an insurance goal late in the final period. With the loss the Warriors slip to 1-3 in the early season.

The Warriors will look to put another game in the win column when they travel to Half Hollow Hills East Sept. 20. Game time is set for 4 p.m.

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At each of the boats’ prow, a dragon, open-mouthed, roared its challenge to each other boat beating in time alongside. All day, Sept. 14, the dragons raced through Port Jefferson Harbor.

At the 6th annual Dragon Boat Race Festival, hosted by the Greater Port Jefferson Chamber of Commerce, 27 teams competed on a 250-meter, three-lane racing course in front of Harborfront Park. Each boat consisted of 20 paddlers along with one steersman and one drummer who beat out the time of the oars. The vast majority of teams were made up of amateurs, some whose first time stepping into a rowing position was at the Sept. 14 event.

Alongside the rows of tents used for the teams and their rowers, children could also watch and try their hands at traditional Chinese calligraphy and get their faces painted.

In addition to the ongoing races in the harbor, performers made use of the new stage at Haborfront Park for productions, from the Yiyuan Dance School showcasing a traditional Chinese and Xinjiang folk set to the Stony Brook-based Taiko Tides doing the classic Japanese percussion ensemble. Multiple martial arts schools gave demonstrations of Kung Fu and Karate.