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Vance Locke

Fischetti site excavations during the summer of 1981. Three Village Historical Society photo

By Beverly C. Tyler

For over 8,000 years, indigenous people, Long Island’s original settlers, have lived here. Today Native Americans still live in Brookhaven, where their ancestors settled in coastal villages.

Setalcott Indigenous People village, Vance Locke mural at the Setauket School.
Courtesy of TVHS

According to what we know today, the first settlers reached North America at least 13,200 years ago, possibly coming across the land bridge from Asia to Alaska; these Asiatic people were the first humans on the continent. However, there are now a few other sites in North and South America, including one near Pittsburgh, PA that indicate that humans were here earlier. 

Some of the earliest North Americans are called Clovis people. Clovis refers to the Clovis Point that was used as a spear point to hunt and kill the elephant-like Mammoths and Mastodons that populated North America at that time. The Clovis point is unique to North America. It, apparently, was not developed until humans crossed into North America. During a 300 year period Clovis people spread all over North America, including Long Island, and hunted the Mastodon and Mammoth to extinction. The Clovis culture existed from about 13,200 to 12,900 BP (Before Present), coming to an end at the same time that the last Mammoth disappeared from North America. A number of Clovis points have been found on Long Island.

There are three recognized periods of Native American culture. The earliest is Paleo-lndian culture. Paleo means “of ancient origin” (Webster’s New International Dictionary). This period extends from about 12,500 to 8,000 BP. The second period is called  Archaic culture. This is the hunting & gathering period which extends from about 8,000 to 3,000 BP. The third period is called Woodland Culture, the period when Native Americans first practiced agriculture and provided the first indication of the use of clay pottery.This period extends from about 3,000 to 1,000 BP.

The period that ended the isolation of Long Island Indians is called Late Woodland culture. This second part of the Woodland period extends from about 1,000 to the calendar year 1600. Native Americans reached their highest level of art and culture during this period, which also includes the first contact with European explorers, hunters, trappers and settlers.

First residents

We don’t know all the details about life on Long Island before the Europeans came because the people living here did not leave us a written or photographic record of their lives.

Fischetti site artifact – clay pot sherd. Three Village Historical Society collection/photo

Archaeological excavations have given us most of the details of how people lived in this area as early as 5,000 years ago. One of the most famous sites in New York State was a shell midden, along Aunt Amy’s Creek, named The Stony Brook Site, excavated by State Archaeologist William Richie, in 1955. From archaeological digs by Richie and others, we know that between 5,000 to 3,000 years ago, the native people were hunters and gatherers, dependent upon hunting local animals and gathering plants, stones and clay for food, shelter, tools, clothes and medicines.

The Fischetti Site is a prehistoric Native American site that was discovered during a cultural resource investigation (evaluating the building sites to see what, if anything, is there that might be of cultural/historical significance) of a proposed residential development in November of 1980. Salvage excavations (a more intensive archaeological dig because of the press of time) continued through October of 1981.

Artifacts from the Fischetti site in Setauket, along West Meadow Creek, are from what appears to have been a site for manufacturing stone tools and spear points. 

Fischetti site artifact – stone tool. Three Village Historical Society collection/photo

The site was probably selected by the Native Americans due to the availability of drinking water and food and shelter from the elements. It was occupied by Algonquin Indians about (circa) 3300-1000 B.P. We know the Algonquian used this location then because of the type of arrow and spear points and blades recovered. The major activity here, on the edge of Stony Brook creek, was making stone tools. We know this by the large quantities of stone flakes and roughed-out stones. Although native Long Island quartz was utilized, some flints (darker, almost black in color) from upper New York State and Connecticut were recovered, indicating some trading with other native groups.

The almost total absence of food remains at the site shows that this was not the location of a village. However, a village site–The Stony Brook site–existed approximately 700 meters (765 yards) to the south, along what is now known as Aunt Amy’s Creek, during the same time period.

This stone tool manufacturing site (Fischetti Site) was an area separated from the village, since the making of stone implements involved the hazardous work of chipping stone, resulting in flakes of sharp stone pieces flying all over the area. This area was still in use by Woodland Native Americans (circa 3000 B.P . To 1600) as pieces of clay pottery appear in the upper layers of the site. (From a report by Edward J. Johannemann and Laurie S. Billadello-Long Island Archaeological Project)

The artifacts taken from the Fischetti Site are part of the collection of the Three Village Historical Society. Artifacts from the Richie Site are a part of the collection of the New York State Museum.

Fischetti site artifacts – projectile point. Three Village Historical Society collection/photo

For thousands of years the Indians used natural resources, wood, stone and animals, to make their housing, tools and clothing. About 3,000 years ago, their way of life changed with the introduction of three things: pottery, the bow and arrow and horticulture. Like the earlier American Indians, the Woodland Indians continued to rely on natural resources.

Vance Locke pictures a Setalcott village along the shoreline of Setauket in what archaeologists call the Late Woodland Period from about 1,000 years ago to about the year 1600. 

There is a hunter, a woman making wampum and women grinding corn. Men are smoking fish and spearing fish from a trap. There are many other details in this scene that can be observed. The Setalcotts relied on the use of local trees and plants in their daily lives. Many of the native trees and plants can be found along the nature trails in the Frank Melville Memorial Park and Sanctuary in Setauket. Many are listed in the book Native and Near Native by Albert Hostek.

It is important for me (personally) to say, “I wish to acknowledge that I am sitting on the land of the Setalcott Indigenous people in Setauket and I pay respect to the Setalcott people whose land is where I live.” 

Beverly C. Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730. WWW.TVHS.org 

Painting by Vance Locke

Reviewed by Jeffrey Sanzel

History Close at Hand has published the noteworthy and informative Setauket and Brookhaven History, a book that relates its story through the murals of Old Field artist Vance Locke (1913-1977). Commissioned by philanthropists Ward and Dorothy Melville as a gift to the community, the murals, completed in 1952, adorn the walls of the Setauket School’s Woodhull Auditorium.

Author Beverly C. Tyler

Beverly C. Tyler’s prose is crisp and his materials are well-chosen, clearly explaining the content of the murals. Throughout, he posits questions to the reader which will prompt further exploration. He often indicates where the reader can see the referenced locations and offers additional resources. He has selected quotes from the late historian William B. Minuse to further develop the narrative. Tyler touches on Locke’s process of conceptualizing and painting as well as his revising to get the correct representations.

One of the first ideas in the book — and a powerful one — is an explanation of Indigenous Culture. Tyler’s recognition bears repeating:

We call the native people who were the first humans to live here Native Americans or American Indians. A more accurate description might be Indigenous People. Everyone else who came, beginning with the English settlers are immigrants. It is important for me (personally) to say, “I wish to acknowledge that I am sitting on the land of the Setalcott Indigenous People in Setauket and I pay respect to the Setalcott people whose land is where I live.”

The murals, along with archaeological studies, have helped piece together the evolution of the changing lives on Long Island. Tyler presents how and when the facts were discovered. The murals progress through time, highlighting farming and millwork, the blacksmith and the shipwright. There is the cutting of ice and the mercantile and the purchase of land. The last is appropriately followed by an explanation that the Setalcotts did not share the same view of land ownership proffered by the English settlers.

The book is about craft and skills, commerce and community. Short anecdotes woven into the chronicle’s fabric augment the comprehensive facts and general text. For example, there is a quick account of the Daisy that sunk from a leak created by beans swelled by seawater, bursting the ship’s hull.

Often, there is the intersection of work and communal gatherings, represented by the uniquely American general store. With each section of the mural, Tyler gives background on the various aspects of day-to-day existence as well its historical relevance. The aspects of general life are enhanced with specific sketches and personal histories that surround a particular topic. Many of the names will be familiar to Long Island denizens. 

The most extended section deals with Setauket’s place in the Revolutionary War — especially George Washington’s Culper Spy Ring which was based in Setauket. In many ways, the first half of the book is building to this, allowing for context of the events.

Tyler uses both primary and secondary sources to enrich his telling of the story, shedding light on the challenges and sacrifices, the humanity and the intrigue. It is appropriately thorough but equally succinct.     

In addition to reprinting the murals in vivid color, there are photos of artifacts as well as the current sites and artifacts, reprints of period maps and documents, and stills of historical recreations. The plethora of illustrations are well-chosen for their interest and variety, and they effectively supplement the text.

Setauket and Brookhaven History is a slender book that is rich in detail and will hold the interest of readers of all ages. The ease of Tyler’s writing belies the hundreds of research hours that undoubtedly went into its creation. This edifying work is ideal to be read aloud and discussed. It will certainly stimulate thought and conversation both in the family and the classroom.

“Murals tell a story, sometimes more than one. Could there be more than one story in this mural?” Tyler gives us a good deal to observe, a great deal to read, and even more to think about it.

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Author Beverly C. Tyler is the historian for the Three Village Historical Society and conducts walking tours and field trips as Revolutionary War farmer and spy Abraham Woodhull. He has appeared on the History Channel’s Histories Mysteries production Spies of the Revolutionary War and writes a local history column for TBR News Media’s Village Times Herald.

Pick up a signed copy of Setauket and Brookhaven History and meet the author at the upcoming outdoor Holiday Market at the Three Village Historical Society, 93 North Country Road, Setauket on Nov. 28, Dec. 5, 12 and 19 from 11 a.m. to 4 p.m. The book will also be available at the Three Village Historical Society’s online gift shop at www.TVHS.org in January 2021.