As part of the Fall 2017 Port Jefferson Documentary Series, Theatre Three, 412 Main St., Port Jefferson will present a screening of the documentary, “Frank Serpico,” on Monday, Oct. 9 at 7 p.m.
Director Antonino D’Ambrosio with Frank Serpico
As an NYPD officer in the hippie era, Frank Serpico blew the whistle on the corruption and payoffs running rampant in the department. He was shot in the face during a drug arrest that was rumored to be a setup and most famously became the subject of Sidney Lumet’s classic film SERPICO.
Forty-plus years later, Serpico talks about his Southern Italian roots, his time as an undercover officer, and his post-NYPD life. Adding their own recollections are his fellow officers, childhood friends, his West Side neighbors, and his admirers such as writer Luc Sante and actor John Turturro. With unprecedented access to his subject, Antonino D’Ambrosio creates a memorable, powerful portrait of an always-committed public servant who still walks the walk in his very own unique way.
Followed by a Q&A with director Antonino D’Ambrosio. Tickets are $7 at the door. For further details, please call 473-5220 or visit www.portjeffdocumentaryseries.com.
TracyLynn Conner and Brian Gill in a scene from 'The Bridges of Madison County'
By Michael Tessler
You know you’ve seen an incredible production when you find yourself pondering your own life and place in the universe after exiting the theater. That was the case last Sunday afternoon after attending a production of “The Bridges of Madison County” at Theatre Three in Port Jefferson.
TracyLynn Conner and Brian Gill with the cast from ‘The Bridges of Madison County’
Based on the award-winning novel by Robert James Walker and the beloved film starring Meryl Streep and Clint Eastwood, this musical adaptation has a score worthy of Broadway, and Theatre Three provides a cast equally deserving of that designation.
For those unfamiliar with the plot, this is an unconventional love story. Not cliched but brutally honest and so refreshingly human.
As not to spoil much, we meet our protagonist Francesca, an Italian refugee fleeing a war-torn Italy and a life she’s ready to leave behind. To accomplish this she marries Bud Johnson, a simple-minded but well-meaning American soldier who left life on the farm to serve his country. Both travel back to the United States where they build a home and a beautiful family. Their son Michael doesn’t want to live the life of a farmer like his father; their daughter Carolyn, however, embraces it as she trains an award-winning steer for the annual state fair.
Francesca, lovingly called Fran by her husband, longs for the life she dreamed of as a little girl. She feels it is far too late to begin anew, and while there is food on the table, there’s no money for her to visit her home in Italy and the life she left behind. So she settles for a life as a farmer’s wife, trying to find contentment packing lunches.
From left, Marissa Girgus, Dennis Creighton, Steve McCoy, TracyLynn Conner, Matthew Rafanelli and Ella Watts in a scene from ‘The Bridges of Madison County’
Everything changes for Fran when her husband and children take a trip to the state fair. She gets a rare opportunity to breathe and relax. That is until a beat up pickup truck rolls into her driveway and with it the arrival of Robert Kincaid — a professional photographer from National Geographic putting together a photo series on bridges throughout the United States. He’s lost and needs some directions. He’s well-traveled, having just recently visited Italy and having seen every corner of the globe. Fran invites him into her home and, by extension, her life. Thus her world changes forever.
Though I won’t spoil the rest, the show is a real treat. You’ll feel just about every emotion in the book in this two-act musical. Once again Jeffrey Sanzel shines as a director capable of any genre. His unique vision can make a timeless story feel brand new again.
Undoubtedly some lines are picked up directly from the book and film adaptation, but Sanzel’s production takes you for a ride in that worn down pickup truck. You get a glimpse into someone’s world, and that’s a beautiful thing. Sanzel guides his incredibly talented cast, making it impossible not to feel for these characters. I found myself so invested in characters who managed to emote so much in such a short time. Sanzel has no problem setting the bar higher and higher with each passing performance.
This show’s phenomenal cast certainly made his job easier though! Leading the production is the show’s star, TracyLynn Conner who portrays Francesca. First off, her accent is marvelous and never breaks even once. Her voice is one of the finest I’ve ever heard on a stage. Operatic, emotional and just so beautiful to listen to.
Much credit goes to Jeffrey Hoffman who handled the show’s musical direction and turned this small cast into an incredible musical ensemble.
Matthew Rafanelli and Ella Watts
Fran’s husband Bud is played by Dennis Creighton, who really captures the essence of the character and shows his musical tenor in the show’s second act and final number. He’s accompanied by two incredible young actors — Ella Watts as their daughter Carolyn and Matthew Rafanelli as her bookish brother, Michael. I was particularly impressed with Watts. This former star of NBC’s “The Sound of Music Live!” has a voice so incredibly refined that you wish she had even more time on stage. Rafanelli really shines in his role and you’ll find yourself constantly rooting for him and his dreams and flashing back to your own childhood sibling drama. No doubt we’ll be seeing both actors on stage many times in the future!
Theatre Three veteran and Bryan Cranston look alike Steve McCoy remains one of my favorite company members. He plays Charlie — the friendly, simpleton neighbor of the Johnsons and provides comic relief throughout some of the show’s tougher moments. His wife Marge provides nonstop laughter followed by some incredibly endearing scenes. She is portrayed by the incredibly talented Amy Wodon Huben.
Brian Gill’s low and powerful voice brings Robert Kincaid, the world traveling photographer to life. His duets with Conner are some of the highlights of the show. His personality is infectious and translates beautifully on stage.
Last, though certainly not least, is the incredibly diversified performances of Marissa Girgus who plays not one but over four roles. She steps into each of them flawlessly, creating performances both touching and comedic. I felt all sorts of emotions during her nothing short of groovy performance of “Another Life.”
Being a smaller cast, you can get a sense that each character was crafted to perfection not just by the actors but by their director. They feel so real and so dynamic, which is exceptional as several actors play multiple roles … something that usually takes you out of an experience but now suddenly enhances it.
Brian Gill and TracyLynn Conner
My favorite part of the show (outside of its cast) was its unique score, which combines two radically different genres to make something genuinely unique. Strings played as though from the Italian countryside, harrowing and haunting — a reminder of an old world, an abandoned life combined with the lively sound of the great American Midwest, and the wholehearted lifestyle of the American farmer. For a brief moment these sounds clash into something unique and unforgettable.
This may be one of the most beautiful sets I’ve seen at Theatre Three. Randall Parsons transports you to the great American Midwest. Robert W. Henderson Jr., the show’s lighting designer, ensures the light breaks through the barn wood in spectacular ways. One can’t help but feel nostalgic when looking at the kitchen they designed as well.
From top to bottom this show is local theater at its finest. Provoking several audible gasps from the audience followed by thunderous rounds of applause, “The Bridges of Madison County” is something you wish you could photograph and treasure forever.
Theatre Three, 412 Main St., Port Jefferson will present “The Bridges of Madison County” on the Mainstage through Oct. 28. Tickets are $35 adults, $28 seniors and students, $20 ages 5 to 12. Children under 5 not permitted. Contains adult subject matter. Parental discretion is advised.
A special event, “Behind the Curtain with ‘The Bridges of Madison County’” will be held on Oct. 22. Join Director Jeffrey Sanzel, musical director Jeffrey Hoffman and actor TracyLynn Conner for a freewheeling exploration of this powerful contemporary musical. The full buffet supper and talk will begin at 5 p.m. $30 per person. The event will be followed by the Mainstage performance of “The Bridges of Madison County” at 7 p.m. Tickets for the performance may be purchased separately.
For more information, call 631-928-9100 or visit www.theatrethree.com.
All photos by Peter Lanscombe, Theatre Three Productions Inc.
The season will open with a screening of ‘An American Veteran’ on Sept. 11. Photo from PJDS
By Heidi Sutton
The ravages of war, arranged marriages, police corruption, high fashion — these topics and more will be explored in detail as the Port Jefferson Documentary Series kicks off its Fall 2017 season on Monday, Sept. 11.
The series, which is sponsored by the Greater Port Jefferson North Brookhaven Arts Council, the Suffolk County Office of Film and Cultural Affairs and the New York State Council on the Arts, will present eight award-winning documentaries through Oct. 30, with the first and last to be screened at the Long Island Museum in Stony Brook and the rest at Theatre Three in Port Jefferson. Each film will be followed by a Q&A with guest speakers.
The documentaries were hand-picked by a seven-member film board which includes co-directors Lyn Boland, Barbara Sverd and Wendy Feinberg along with Honey Katz, Phyllis Ross, Lorie Rothstein and Lynn Rein.
This season will mark the series’ 12th year which is just fine for the film ladies, as they are affectionately called. “I think after 10 years I started to become a believer that it was actually going to have some staying power,” said Boland in a recent phone interview. “I was always holding my breath hoping that we would be there the next year … now I believe that the show will go on.”
Boland said working with the group is “an absolute pleasure. I’m really dumbfounded that everyone sticks around every year,” she laughed. “It seems like the amount of work that has to get done just gets bigger each time because we add things every year — the audience award, surveys, sponsors, concerts. We want to add something ‘special’ to each season.”
This fall’s dynamic line-up was selected after the members attended the Stony Brook Film Festival, DOC NYC, the Hamptons Film Festival and the Tribeca Film Festival.
The group as a whole is most excited about presenting “Restless Creature: Wendy Whelan,” a behind the scenes look at the New York City Ballet’s long-time principal dancer Wendy Whelan as she faces injury and retirement. “It just took everyone’s breath away,” gushed Boland. “The film just wins you over, plus if you love watching ballet, the ballet sequences are just the perfect length to see how great she was.” Whelan will appear in person at the screening.
Personally, Boland is looking forward to sharing “City of Ghosts” with the audience. “I think it is the most important film this season because it’s really an inside look at what is going on in Syria,” she said. “When you see it, it’s just so horrifying. We knew we had to get this story out — that people have to see this. What’s going on there is so devastating that you can’t believe it’s not on the news every night.”
Boland is also excited to share “House of Z” which traces dress designer Zac Posen’s career. “I think that the fashionistas and ‘Project Runway’ fans in the audience are going to love every minute of ‘House of Z’ because you really get to see behind the scenes [of the fashion industry],” she said.
One film that has garnered a lot of interest from music lovers, especially blues fans, is the series’ final film, “Sidemen: Long Road To Glory.” The documentary highlights the lives and legacies of Pinetop Perkins, Willie “Big Eyes” Smith and Hubert Sulin, all Muddy Waters and Howlin’ Wolf sidemen and will be preceded by a special blues concert with Scott Sharrard, lead guitarist for the Gregg Allman Band, who makes an appearance in the film.
The film ladies are grateful for the support of the local venues that host their films. “Theatre Three is our home, that’s where we started. It’s a great size, 400 seats, and we have a wonderful relationship with Jeff Sanzel,” said Boland. With 129 seats, the Long Island Museum’s Gillespie Room in the Carriage Museum “provides for a more intimate experience and the films screened there tie in to one of the museum’s exhibits.”
Boland relishes the positive feedback she receives after each screening. “I love it when someone is really ‘woke’ by the film, but I also love it when they just love the film and the subject.” For her, the goal of the PJDS is to provide “insight into something and in a very, very small way, cause disruption of people’s previously held ideas and open up a discussion.”
The Port Jefferson Documentary Series will be held at 7 p.m. every Monday night from Sept. 11 to Oct. 30 at Theatre Three, 412 Main St., Port Jefferson or The Long Island Museum, 1200 Route 25A, Stony Brook. Tickets, sold at the door, are $7 per person. (No credit cards please). If you would like to volunteer, please call 631-473-5200. For more information, visit www.portjeffdocumentaryseries.com.
Film schedule
The season will open with a screening of ‘An American Veteran’ on Sept. 11. Photo from PJDS
▶ The fall season will kick off with a screening of “American Veteran” at The Long Island Museum on Sept. 11. Filmed over a five year period, the documentary follows Army Sergeant Nick Mendes, paralyzed from the neck down by an explosive device in Afghanistan, from the V.A. hospital bed where he spent 7 months, to the fully accessible home where he now lives with his wife Wendy. Winner of the Panavision Showcase at the Syracuse International Film Festival, the film is co-sponsored by Jim and Theresa Tsunis and The Northwind Group of Hauppauge. Guest speaker will be director Julie Cohen.
‘House of Z’
▶ “House of Z,” which will be screened at Theatre Three on Sept. 18, chronicles the meteoric rise of fashion designer Zac Posen at the age of 21, his brand’s falling out of favor several years later and his challenge to rebuild his company and his reputation. The documentary peeks past the glamour of the runway and the red carpet to show audiences a true portrait of Posen as both an artist and businessman. Guest speaker, via Skype, will be director Sandy Chronopoulos.
‘Bombshell: The Hedy Lamarr Story’
▶ Theatre Three will screen “Bombshell: The Hedy Lamarr Story” on Sept. 25. Produced by Susan Sarandon, this illuminating documentary explores Lamarr’s career as a 1940s Hollywood actress (Snow White was created in her image) and later as the secret inventor of secure wifi, bluetooth and GPS communications. The screening is co-sponsored by the Department of Technology and Society at Stony Brook University. Director Alexandra Dean will be the guest speaker for the evening.
‘A Suitable Girl’
▶ The fourth film, titled “A Suitable Girl,” will be screened on Oct. 2 at Theatre Three and tackles the subject of arranged marriages, an issue which has become increasingly controversial to the Western world as women have rightfully embraced their independence. Winner of the Albert Maysles New Documentary Director Award at the 2017 Tribeca Film Festival, “A Suitable Girl” follows several young, modern women in India looking to get married over the course of four years and intimately capturing their thoughts on arranged marriage, giving them a voice, and offering a unique perspective into the nuances of this institution. Guest speaker will be director Sarita Khurana.
‘Frank Serpico’
▶ The series continues on Oct. 9 with a screening of “Frank Serpico” at Theatre Three. As an NYPD officer in the hippie era, Frank Serpico blew the whistle on the corruption and payoffs running rampant in the department. He was shot in the face during a drug arrest that was rumored to be a setup and most famously became the subject of Sidney Lumet’s classic film, “Serpico.” Forty-plus years later, Serpico talks about his Southern Italian roots, his time as an undercover officer, and his post-NYPD life. The documentary gives a powerful portrait of an always-committed public servant who still walks the walk in his very own unique way. Guest speaker will be director Antonino D’Ambrosio.
‘Restless Creature: Wendy Whelan’
▶ “Restless Creature: Wendy Whelan,” to be screened at Theatre Three on Oct. 16, offers an intimate portrait of prima ballerina Wendy Whelan as she prepares to leave the New York City Ballet after a record-setting three decades. One of the modern era’s most acclaimed dancers, Whelan danced ballets by George Balanchine, Jerome Robbins as well as new works by modern standout choreographers with many roles made specifically for her. Co-sponsored by the Law Offices of Michael S. Ross, P.C. in Hauppauge; Backstage Studio of Dance in Port Jefferson Station; and Amy Tyler School of Dance in Port Jefferson. Guest speaker will be Prima Ballerina Wendy Whelan.
‘City of Ghosts’
▶ “City of Ghosts,” which will be screened at Theatre Three on Oct. 23, follows the efforts of “Raqqa Is Being Slaughtered Silently” (RBSS), a handful of anonymous activists who banded together after their homeland was taken over by ISIS in 2014. With deeply personal access, this is the story of a brave group of citizen journalists as they face the realities of life undercover, on the run, and in exile, risking their lives to stand up against one of the greatest evils in the world today. Directed by Matthew Heineman, “City of Ghosts” was the winner of the Grand Jury Award at the Sheffield Documentary Festival. Guest speaker TBD.
‘Sidemen: Long Road to Glory’
▶ The final film for the Fall 2017 season, “Sidemen: Long Road to Glory,” will be screened at the Long Island Museum on Oct. 30. An intimate look at the incredible lives and legacies of piano player Pinetop Perkins, drummer Willie “Big Eyes” Smith and guitarist Hubert Sumlin, all Muddy Waters and Howlin’ Wolf sidemen, the film captures some of the last interviews and their final live performances together before their deaths in 2011. Co-sponsored by the Long Island Music Hall of Fame and the Long Island Blues Society. A Q&A will be conducted by Tom Needham of the Long Island Music Hall of Fame and WUSB with guest speakers director Scott Rosenbaum and lead guitarist for the Gregg Allman Band, Scott Sharrard. A pre-film blues concert will be held at 6 p.m. featuring Scott Sharrard. Tickets for both the concert and film are $14.
From left, Susan Emory, Michaela Catapano, Mark Jackett and Debbie D'Amore in a scene from 'The Frog Prince.'
By Heidi Sutton
There’s a whole lot of hopping going on at Theatre Three this week as its Children’s Theatre presents an original musical retelling of the classic Brothers Grimm fairy tale, “The Frog Prince.” Written by Jeffrey Sanzel and Kevin F. Story, the show teaches us to not judge a book by its cover and to “open yourself up and wonderful things will happen.”
Above, the cast of ‘The Frog Prince’
The swamp in the kingdom of King Tarvin is filling up with more frogs every day, much to the dismay of the Frog King. Turns out The Enchantress Livia and her sister, The Enchantress Aurora, are responsible for the sudden overpopulation, transforming everyone who crosses them into a clammy amphibian, even the dry cleaner!
When the pompous Prince Darnay of Caversham refuses to give Aurora, who is disguised as a beggar woman, some water, he meets the same fate as the others and is turned into the Frog Prince. His servant, Squire Tweel, takes him to the swamp to meet the Frog King and try to break the spell.
The Frog King introduces him to the shy and independent Princess Madrigal, who prefers to keep to herself. When she accidently drops a gold ball into a pond, the Frog Prince retrieves it for her and the two become fast friends. Will she be the one to break the magic spell and turn him into a prince again with a kiss or will he have to eat flies for the rest of his life?
Directed by Sanzel, the show is nothing short of adorable and packed with enough frog jokes to last a whole month!
From left, Ginger Dalton, Steve Uihlein and Aria Saltini in a scene from ‘The Frog Prince’
Matt Hoffman, last seen in the role of Aladdin, is terrific in the dual role of Prince Darnay and the Frog Prince. His transformation from a spoiled brat to a sweet prince is remarkable. Newcomer Michaela Catapano shines as Princess Madrigal and her rendition of “Babble Chatter Prattle” is magical. Steve Uihlein is the quintessential Frog King, and plays his warty role to the fullest. Aria Saltini and Ginger Dalton make a great team as The Enchantresses and also serve as narrators to the story, which is a nice touch. Meg Bush is delightful in the role of Squire Tweel who can’t help but poke a little fun at her master’s webby predicament (“Yes, your Greenship!”).
Mark Jackett (King Tarvin), Susan Emory (Queen Cecile) and Debbie D’Amore as Princess Madrigal’s nanny are a solid supporting cast. The production is further enhanced by the addition of 34 talented students from the theater’s summer acting workshops, who serve as royal princesses, pages, citizens, townspeople, frogs and party guests.
Matthew Hoffman and Michaela Catapano in scene from ‘The Frog Prince’
The musical numbers, accompanied on piano by Steve McCoy, are fun and hip with special mention to the solo “Not Heard and Not Seen” by Hoffman, “Life Couldn’t Be Better” by the Frog King & the Frogs and “Warts and All” by the entire company. Costumes by Teresa Matteson from the royal garbs to the green frog costumes are exceptional, and Sari Feldman’s choreography is first rate.
From the play itself to casting and crew, every aspect is aimed at providing a magical theatrical experience for children, and this wonderful production hits the mark. Meet the main cast in the lobby for photos after the show.
Running time is approximately one hour and 15 minutes with one intermission. Booster seats are available.
Theatre Three, 412 Main St., Port Jefferson will present “The Frog Prince” on Aug. 11 at 11 a.m. and Aug. 12 at 11 a.m. and 2 p.m. Children’s Theatre will continue with a brand new musical, “A Kooky Spooky Halloween,” from Oct. 7 to 28 and everyone’s holiday favorite, “Barnaby Saves Christmas,” from Nov. 24 to Dec. 30. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.
The entire company
All photos by Peter Lanscombe, Theatre Three Productions, Inc.
Amber Ferrari will pay tribute to Pat Benatar on July 15. Photo by Marie Fristachi
By Rita J. Egan
Vocalist Amber Ferrari is ready to hit music lovers with her best shot by taking on the hits of pop icon Pat Benatar.
Amber Ferrari as Pat Benatar
Known on Long Island for her production Joplin’s Pearl Featuring Amber Ferrari, dedicated to the ’60s icon Janis Joplin, Ferrari recently decided to create a show paying tribute to the music of Benatar — the singer behind hits such as “Love Is a Battlefield,” “We Belong,” “Hit Me with Your Best Shot,” “Heartbreaker” and so much more. The new production, Benatar Featuring Amber Ferrari, will debut at Theatre Three July 15 as part of the venue’s Summer Concert Series.
It’s no surprise that the local singer is taking on the icon’s music. Not only are both from Long Island — Ferrari a native of East Patchogue and Benatar a graduate of Lindenhurst Senior High School — but both possess large vocal ranges. Ferrari said Benatar’s vocal style is one of the reasons she loves singing her songs, citing the pop stars knack for being able to sing classically or rock ‘n’ roll with a rasp.
“I enjoy singing rock music, and her songs have such a large vocal range,” Ferrari said. “She sings both clean and dirty, so I’m able to use both aspects of my vocals, and I love doing that.”
Ferrari said Benatar’s 1980 “Hell Is for Children” from the “Crimes of Passion” album and the second single from the “Precious Time” LP, “Promises in the Dark,” are among her favorites. “I love ‘Hell Is for Children’ because it’s so hard vocally, and ‘Promises in the Dark’ because the vocal range is so large,” she said. “It goes slow to up-tempo as well.”
Similar to her Janis Joplin show, and her 2015 production Material Girl Featuring Amber Ferrari, which spotlights Madonna’s hits, the Benatar show will open with a few songs from other artists. Ferrari said she has selected hits from Blondie, Melissa Etheridge, Linda Rondstadt and Journey as well as one of her own.
Ferrari said Theatre Three is the perfect spot to debut her new show. “Theatre Three has a dear spot in my heart,” she said. “First theater I ever did one of my full shows at was Theatre Three.” It was during Ferrari’s participation in the theater’s production of Woodstockmania: Woodstock in Concert in 2005 where the late music director Ellen Michelmore asked Ferrari to sing Joplin’s songs. After that experience, she was inspired to perform the legend’s songs on a regular basis and created her signature show.
Douglas Quattrock, director of development and group sales and marketing coordinator at Theatre Three, said he is always excited when Ferrari performs at the theater but he’s even more than usual with the singer debuting the Benatar show at the venue.
“As an artist, she is always expanding her horizons and never fails to impress her audiences with new material,” he said. “So when she told me she was thinking of putting together a Benatar show, I was thrilled. It is a perfect fit for her.” Quattrock said he is looking forward to Ferrari’s renditions of “We Belong” and “Promises in the Dark.”
The production will also feature special guest Teddy Rondinelli from the group Rondinelli who has performed with Vanilla Fudge and Robert Plant. Ferrari will be accompanied by her band, which includes Chris Ferrari on guitar, Mike Chiusano on bass, Gary Gonzalez on drums, Bob Bellucci on keyboards and Jim Carroll on percussion.
Ferrari said she’s attended concerts of Benatar’s in the past, and her performances are amazing to see. One day she hopes she’ll have the opportunity to meet the icon. Until then, she’s busy rehearsing for the her new show’s debut and is hoping music lovers will enjoy the production.
She encourages audience members to wear their favorite Benatar-inspired outfit the night of the show, too. “I hope they’ll have a rocking great time, and it will bring them back to the ’80s and rocking out,” Ferrari said.
Theatre Three, 412 Main St., Port Jefferson, will present Benatar Featuring Amber Ferrari July 15 at 8 p.m. Tickets are $39 and may be purchased by calling 631-928-9100 or by visiting www.theatrethree.com.
From left, Emily Gates, Ashley Iadanza, Melanie Acampora, Bobby Montaniz and Steve Uihlein in a scene from ‘The Princess & the Pea’.Photo by Peter Lanscombe, Theatre Three Productions Inc
When Hans Christian Andersen passed away in Copenhagen in 1875 the Danish government stated they had lost a national treasure. Although a writer of many genres, he is best remembered for his wonderful fairy tales, including “The Little Mermaid,” “The Red Shoes,” “The Snow Queen,” “The Ugly Duckling,” “Thumbelina” and, my favorite, “The Tinder Box.” As a child, I read them all but I always remember being fascinated by “The Princess & the Pea” and the curious image of a young girl trying to fall asleep atop of 10 mattresses.
The entire company of ‘The Princess & the Pea’. Photo by Peter Lanscombe, Theatre Three Productions Inc.
Through June 10, Theatre Three’s Children’s Theatre kicks off its 2017-2018 season with a hilarious musical retelling of the sleepy story that is not to be missed. With a genius script written by Jeffrey Sanzel and Steve McCoy, the story teaches us that true nobility comes from inside.
Priscilla Noble and her friend Tom have just graduated from college. On the last day of school Tom reveals to Priscilla that he is really Prince Sterling of Pewtersberg and that he has feelings for her. He invites Priscilla to visit him at his castle over the summer so that they can get to know each other better. In the meantime his mother, Queen Irritata of Pewtersberg, has arranged for her son to marry Princess Monica from a neighboring kingdom. When both girls arrive at the castle, the queen puts them through a series of challenges that, in theory, only a true princess would overcome. Add a tower, a bunch of mattresses and a large pea and you’ve got yourself an entertaining afternoon of live theater.
Directed by Sanzel, a stellar cast of nine adult actors keep the young audience entranced. Never have I seen a more well-behaved group of children than at last Saturday morning’s performance, sitting quietly and just taking it all in, a true testament to the magic of live theater.
Jessica Contino and Dylan Robert Poulos star in ‘The Princess & the Pea’.Photo by Peter Lanscombe, Theatre Three Productions Inc
Jessica Contino plays the lead role of Priscilla with confidence and determination. Continuously being put down for being a commoner by the queen, her character remains polite and respectful throughout. A perfect role model for today’s youth, she proves that studying and doing well in school pays off in the end.
Dylan Robert Poulos is perfectly cast as the tall, dark and handsome Prince Sterling and Andrew Gasparini shines as Lord Chancellor Pandergrovel.
Emily Gates is terrific in the role of Princess Monica, falling asleep all over the stage, much to the dismay of her sisters Princess Miranda (Melanie Acampora) and Princess Margot (Ashley Iadanza) who have been give strict orders by their parents to marry her off. And boy can she snore!
Newcomer Linda Pentz tackles the role of Queen Irritata of Pewtersberg, who seems to have a permanent migraine (“honestly!”), with aplomb. Determined to have her son marry royalty, her character remains stubborn until the very end.
Jessica Contino and Linda Pentz in a scene from ‘The Princess & the Pea’. Photo by Peter Lanscombe, Theatre Three Productions Inc.
However, it is the queen’s brothers, Henry, Earl of Blunt, played by Steven Uihlein, and Richard, Duke of Yuck (yes you read that right), played by Bobby Montaniz, who steal the show with their comedic antics. These two should have a comedy act together!
The original score, with choreography by Sari Feldman, is fresh and hip, with special mention to “A Friend in Need,” “I Say, You Do!” and “The Test,” which is performed entirely in rap. Teresa Matteson’s detailed costumes, especially the intricate royal garb and wigs, are first rate, and live musical accompaniment by Steve McCoy on piano is a nice touch.
Meet the cast in the lobby after the show for photo ops and tell Princess Monica to get some sleep! Honestly!
Theatre Three, 412 Main St., Port Jefferson will present “Princess & the Pea” through June 10 with a sensory-friendly performance on June 4. Children’s Theatre will continue with “Aladdin & the Lamp” from July 7 to Aug. 10 and “The Frog Prince” from Aug. 4 to 12. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.
The cast performs the finale. Photo by Brian Hoerger
By Susan Risoli
There’s no reason why Theatre Three’s musical version of “Saturday Night Fever” can’t stand on its own, despite starting life as a famous film that defined an era. Audiences who grew up knowing John Travolta as Tony Manero should have open minds, right? Even when the opening night crowd includes one theater patron reenacting the “he hits my hair” scene … and a lady reminiscing about falling off her platform shoes … and a couple boogie-ing down the aisle to take their seats.
Above, the cast performs “Stayin’ Alive.’ Photo by Brian Hoerger
Fortunately for all, those memories didn’t get in the way during the show’s opening performance last Saturday night. The cast, crew and musicians of this version of “Saturday Night Fever” make it their own. We realize there will be subtlety at work here when the performance begins and we are told it’s July 1977, a sweltering summer when even Con Ed can’t take the heat. Then, when the cast takes the stage, they manage to look wilted and pent-up at the same time.
There is a sweetness in the characters as this cast brings them to life, and that’s a good thing. Nobody would dare say John Travolta, Donna Pescow and their colleagues weren’t great in the movie. But they looked older, wiser, already cynical and too tough to convey the fear behind their bravado. Under the direction of Jeffrey Sanzel, the Brooklyn residents on Theatre Three’s stage convince us that these people are kids, still in adolescence or barely out of it. They don’t know which way to turn — they’re lost and mixed-up. When the cast sings, “Life going nowhere, somebody help me,” we want to.
Bobby Peterson as Tony Manero delivers the physicality the role demands. This Tony can strut! But beyond Tony’s frustration, Peterson shows us his confusion, and that serves the story well. Maybe the neighborhood isn’t really the center of the universe? Maybe women can do things reserved for men, and vice versa? Peterson lets us hear the wheels turning in Tony’s head.
Bobby Peterson as Tony Manero and Rachel Greenblatt as Stephanie Romano. Photo by Brian Hoerger
When Tony meets his match in local-girl-made-good Stephanie Mangano, Rachel Greenblatt brings a different shading to the role. Stephanie’s upward mobility seems less grasping here, her ambition less brittle. She’s more like a real person, biting off more than she can chew and dealing with it. Greenblatt too brings the physicality her character needs, and with it a simplicity and economy of movement. With cool confidence, she ties a pretty scarf around her waist, and instantly her sweaty dance clothes become a chic ensemble. We understand why Tony chases her.
And then there’s Annette, played by Beth Whitford. As with all the actors, the youthful innocence of her interpretation of Annette makes the character more compelling. If anyone is trapped by the labels society slaps on you, it’s Annette. Nice girl? Whore? Young woman who makes her own rules? She doesn’t even know that other people don’t have the right to define her. We don’t know if she’ll end up victim or victor, but Whitford has us debating it long after the curtain comes down.
Surprisingly, this production is funny. Yes, the film had its comedic moments, but everything else was so heavy we didn’t laugh long. Here the comedy is part of the character’s daily lives. Tony and his friends are kids, after all, and sometimes kids act goofy. Also displaying skillful comedic timing are Jeff Pangburn as Frank Sr., Debbie D’Amore as Tony’s mother, and Steven Incarnato as Father Frank Jr. And do you have to be Italian to appreciate the show’s amusing cultural references? No, but it’s a sly treat if you are.
Bobby Peterson as Tony Manero. Photo by Brian Hoerger
And oh, the dancing, the costumes and the sets! Somehow we believe that the stage is a cavernous disco. When the full cast dances, it’s great fun to watch them. Remember that couple who take on Tony and Stephanie in the big dance contest? Their Latin dance routine is performed by Nicole Bianco and Alex Esquivel. Wow, just wow—control, passion and flow—something to see. Kudos to choreographer Whitney Stone, costume and wig designer Ronald Green III and scenic designer Randall Parsons for a job well done.
With musical direction by Jeffrey Hoffman, all of the songs are wonderful. Some are the classic 1970s tunes we already know from the Bee Gees — “Stayin’ Alive,” “Night Fever,” “Jive Talking,” “You Should Be Dancing,” and “How Deep is Your Love” — sung here as part of the developing story. The actors do a good job of bringing fresh meaning to old friends. There are new songs too, and they work well.
Sometimes the characters in Theatre Three’s “Saturday Night Fever” are content. Sometimes they explode. Sometimes they don’t know what comes next, and neither do we. But they are well worth hanging out with.
Theatre Three, 412 Main St., Port Jefferson will present ‘Saturday Night Fever’ through June 24. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. Children under 5 are not permitted. Contains adult subject matter and language. For more information, call 631-928-9100 or visit www.theatrethree.com.
Rachel Greenblatt and Bobby Peterson in a scene from 'Saturday Night Fever.' Photo by Peter Lanscombe, Theatre Three Productions Inc.
By Susan Risoli
Theatre Three’s upcoming musical production of “Saturday Night Fever” has all the irresistible energy of the 1977 film, while it turns up the story and character development. Actor Bobby Peterson of Hampton Bays will tackle the role of Tony Manero, a Brooklyn kid who knows we should be dancin’ — and reaching for a dream. Sitting in the theater’s intimate Griswold’s Café during off-hours, 29-year-old Peterson talked about the show and its lasting appeal.
Why should people come to this show?
This production has so much to offer. It has dance. It’s going to be fun and uplifting. It has enticing and entertaining characters. And people will witness a very beautiful story. In the movie, I think, the story gets lost.
Bobby Peterson will star in Theatre Three’s upcoming musical, ‘Saturday Night Fever.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
How does this version handle the differences between ‘Saturday Night Fever’ as a movie versus the musical?
How do people deal with it when they read the Lord of The Rings books, versus when they see the movies? A book can do things differently than what a movie can do or what a stage play can do. I just try to look at a story that I’m trying to convey. The first thing I look for is, is this version complete, and continuous, and succinct? Does it have well-written dialogue? Does it have good compositions? A lot of that comes from Jeff [Sanzel, Theatre Three executive artistic director], as the director of the show. As an actor and performer, my job is to convey a director’s vision and an author’s vision, to the best of my ability. I think all actors should be humble in that concept. You’re here to act as an instrument to convey the thoughts and concepts of another person, as best you can. I try to put my own work in technique, in the type of voice and the different inflections I’m going to use, in the dancing and singing.
Is it intimidating to play a role that people are so familiar with?
It is an iconic role. I want to put my own spin on it, but I think a lot of people are going to come to the musical having their own ideas about what John Travolta brought to this role. When I talk to people about it, they talk about the impact of Travolta on the dance floor.
What’s the most fun thing for you, about being in the show?
This is one of those classic triple-threat roles and it’s a challenge to me because every step of the way, there is every facet of what musical theatre is. There’s a lot of dancing. And the script is 130 pages long. It’s a huge memory challenge because there are so many little moments that weave in and out of the dancing. The cast is amazing too. I must say, everyone who Jeff has cast is really great for their roles.
What’s the least fun thing?
Probably the drive here from [home in] Hampton Bays!
Tony Manero has so much swagger. How do you convey the vulnerable part of his personality?
An actor can only be as good as the writer. I feel very supported by the writers, and by the piece itself. It has set up and designed scenes for the actors to convey deeper parts, and different sides, of the characters. This rendition has a scene where after Tony wins a dance contest, he has a whole two pages speaking to Stephanie about how it’s not right that he won, because there’s a couple who danced better than him. That’s his epiphany.
Will the audience have fun?
Yes, there’s plenty of that. When numbers like “Stayin’ Alive” and “Disco Inferno” come on, it is full-cast dancing. The choreographer Whitney Stone has done an amazing job making use of the space that we have. She’s designed her choreography very well. And she’s included some of those dance moves that people are going to want to see.
How did you prepare for this role?
For a role this size, I’ll really micromanage myself. I get home as early as I can, and spend the whole next day focusing on making sure that I’ll be good for the next show. Sometimes after rehearsals, I’ll go to the gym because it is a physically taxing role. There’s a lot of lifts with partners. There’s a strong incentive to really muscle-build, to make sure one is strong enough and fit enough to perform. Mentally, I’m always thinking about the script. I’m always reading through lines in my head. And I grew up as a pianist, so I play the accompaniments myself and sing along with them.
Promotional materials for this production say that it features Tony as ‘humble paint store clerk by day, dance king by night.’ Do you think everyone has that duality inside of them?
No, I don’t. Sometimes what people yearn for is a simple life. I don’t think it’s necessarily everybody’s struggle. I don’t think it can be, for the same reason that there can’t be too many cooks in the kitchen. Sometimes we need people to be comfortable in what they do and what they are, to bring balance to everything.
In the sequel to the film, Tony finds success as a professional dancer. But not everyone can succeed so completely, or on that level. Should we still try?
People can find contentment that they did try. But never trying can eat away at your soul forever. If people feel a calling within them, they’re going to be much better off doing something about that.
What else would you like our readers to know about this show?
I’m very excited for people to come and see it, and then to see what their reaction will be. I don’t think people are going to get completely what they’re expecting and I’m very excited to see how people are going to handle that and how they’re going to react.
“Saturday Night Fever” will run from May 20 through June 24 on the Main Stage at Theatre Three, 412 E. Main St., Port Jefferson. Tickets for adults $35; seniors and students $28; children ages 5 to 12 $20. For more information or to purchase tickets, visit www.theatrethree.com or call 631-928-9100.
Photo by Peter Lanscombe, Theatre Three Productions, Inc.
By Heidi Sutton
The entire company. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
Spring has finally arrived to the Village of Port Jefferson — the tulips, the daffodils, even the Bradford pear trees are in full bloom. Spring in the village also signals the arrival of another perennial favorite, “The Adventures of Peter Rabbit,” at Theatre Three. Written by Jeffrey E. Sanzel and the late Brent Erlanson and suggested by the characters created by Beatrix Potter, this adorable children’s musical has become an annual tradition for many families in the area.
Directed by Sanzel, the story follows the mischievous adventures of Peter Rabbit, played by Dylan Robert Poulos, and his cousin Benjamin Bunny, played by Steven Uihlein, as they sneak into Mr. McGregor’s garden again and again to steal his vegetables.
Caitlin Nofi, Beth Whitford and Melanie Acampora play good little bunnies Flopsy, Mopsy and Cotton-Tail who spend most of their time searching for their wayward brother Peter. Jessica Contino is terrific as Mrs. Rabbit, playing the role with just the right amount of strictness.
Andrew Lenahan, last seen in “Raggedy Ann & Andy,” tackles the role of Mr. McGregor and does a fine job while Emily Gates shines as Mrs. McGregor. The two draw the most laughs from the parents when Gates says “We’re friends, aren’t we?” and Lenahan answers, “Are we? I thought we were married.”
A scene from ‘The Adventures of Peter Rabbit.’ Photo by Peter Lanscombe, Theatre Three Productions, Inc.
The set is sparse, with a few props including a scarecrow, a few signs, a table and a trap door for a rabbit hole but let your imagination fly and you will see a mouthwatering garden full of parsley, cucumbers, tomatoes, string beans and lettuce that can be very tempting for a little rabbit. The costumes, designed by Teresa Matteson, are on point, from the farmer’s overalls to the little white tails on the rabbits with brand new dresses for Flopsy, Mopsy ad Cotton-Tail in soft shades of yellow, pink and purple.
With fresh choreography by Sari Feldman, the musical numbers, accompanied on piano by Steve McCoy, are all fun and hip, especially “One More Time Around,” “Run, Peter, Run!” and “Peter’s Socks,” and the audience is treated to an encore performance of all the songs in a finale mega mix.
The show is action-packed with several chase scenes through the aisles, a Mission-Impossible-inspired heist to retrieve Peter’s socks and shoes and vest and jacket and hat from a scarecrow erected by Mr. McGregor, acrobatics (courtesy of Poulos) and audience participation. Throw in some singing and dancing and Theatre Three has a bona fide hit. So gather up all your good little bunnies and hop over to Theatre Three for a real spring treat.
Souvenir bunnies in various colors are sold during intermission, and booster seats are available. Meet the entire cast in the lobby after the show for photos.
Theatre Three, located at 412 Main St., in Port Jefferson will present “The Adventures of Peter Rabbit” through May 6 with a sensory-friendly performance on April 23. Children’s Theater will continue with “The Princess & the Pea” from May 27 to June 10, “Aladdin & the Lamp” from July 7 to Aug. 10 and “The Frog Prince” from Aug. 4 to 12. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.
From left, Phyllis March, Maryellen Molfetta and Ginger Dalton in a scene from the show. Photo by Brian Hoerger
By Michael Tessler
Theatre Three’s latest production “Where There’$ a Will,” opened last Saturday night to an intrigued audience. Originally produced in 1985 by an eighteen-year-old Jeffrey Sanzel, this wonderful piece of theater is such a hidden treasure that I’m glad it resurfaced just in time for me to review!
Our story begins as the late millionaire Hiram Cedricson, a self-proclaimed “Potato King,” has assembled his widow (and fourth wife), her not-so-new lover and a slapdash theater crew of washouts, has-beens and could-bes to hear his last will and testament be read aloud by a uniquely unqualified lawyer.
Phyllis March and Mary Ellin Kurtz in a scene from the show. Photo by Brian Hoerger
Hilarity ensues as the lawyer reveals that prior to Cedricson’s death he wrote an original play … with no prior experience in theater, with a title so funny that I’m unable to print it. His dying wish is for this cast and crew of misfits to perform the show verbatim, in a decrepit theater he purchased just before his death … in two weeks. If they can accomplish this, they each receive $500,000. If they fail, the snarky widow and her lover get all the money.
So despite quarrels and some seriously conflicting personalities, the group agrees to the terms. What none of them realize is that Hiram Cedricson was the furthest thing from a writer and that his show would be an accidental comedy of epic proportions! The result is as Cedricson so eloquently puts it — “wonderfug.” What’s best is that the ghost of Cedricson and two of his former wives (one dead, one divorced) get to enjoy the chaos as casual spectators from the balcony, bickering among themselves through the process.
Ginger Dalton in a scene from ‘Where There’$ a Will’. Photo by Brian Hoerger
By every definition this is an all-star cast — immensely talented, perfectly paced, and hilariously human. Expertly directed by Sanzel, each actor takes on a caricature so unique and well-written that it’s impossible not to feel emotionally invested in their success. There is such incredible range in their performances. All of these cast members could have and likely were leads in previous productions.
There are so many familiar faces that at times, and much to my amusement, I felt like I was watching a reunion show of Long Island’s greatest talent. Though I lack the column inches necessary to write in detail about each of these extraordinary actors, I do want to say that this is by far the best ensemble cast I’ve ever seen outside of a Broadway production. They are so much more than just funny — they are uniquely lovable, memorable and multidimensional.
This can be attributed not just to the enormous talent of this cast, but to the show’s ambitious and masterfully crafted script. Somehow, not a single character goes underutilized in both acts of this large-scale comedy.
From left, Phylis March, Jessica Contino and Mary Ellin Kurtz in a scene from Sanzel’s new play. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
Though not a musical, there are several musical numbers, all of which will have you grinning cheek to cheek. Throughout the show there is a wonderful score dreamed up by Theatre Three’s Tim Peierls, and Randall Parsons creates a visually striking set, which is complemented perfectly by Robert Henderson’s lighting design. The young but extraordinarily talented Peter Casdia expertly stage manages the production, ensuring a flawless experience. Costume designer Chakira Doherty must have had some fun putting together the most uniquely diverse set of costumes I can remember in recent productions.
Jeffrey Sanzel and his assistant director Andrew Markowitz put on a genuinely charming production, perfect for ringing in the spring season. “Where There’$ a Will” feels like a classic that has been playing forever, and that’s because maybe it should be.
The cast: Steve Ayle, Marci Bing, Michael Butera, Carol Carota, Jessica Contino, Ginger Dalton, Susan Emory, Sari Feldman, Jack Howell, Joan Howell, Skyler Quinn Johnson, Mary Ellin Kurtz, Linda May, Phyllis March, Steve McCoy, Maryellen Molfetta and Ruthie Pincus
Theatre Three, 412 Main St., Port Jefferson will present “Where’s There’$ a Will” through May 6 on the Mainstage. Tickets for adults $35; seniors and students $28; children ages 5 to 12 for $20. Children under 5 are not permitted. A matinee will be held at 2 p.m. Wednesday, May 3 with $20 tickets. To order, call 631-928-9100 or visit www.theatrethree.com.
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