Theatre Three suffered damaged to costumes, props and other mechanical equipment, though productions went on a mere 72 hours after the storm. Photo by Kyle Barr
Though the floodwaters have receded a week later, cleanup and questions still remain.
Port Jefferson Village was hit with more than four inches of rain in about an hour during the evening Sept. 25, and while village trustee Bruce D’Abramo joked Port Jeff might have been prepared to handle a 100-year storm, it wasn’t ready for the “200-year storm” it sustained. The extreme rate of rainfall resulted in flash flooding that inundated Main Street, trapped motorists in cars, washed out those dining out in restaurants and soaked auditioning actors at Theatre Three. The theater and other businesses like Ruvo East on Wynn Lane and Old Fields of Port Jefferson a block over experienced high water marks of about four feet. Old Fields was closed for a few days after the storm while Ruvo remained closed for renovations due to the flooding as of Oct. 2. Port Jefferson School District’s two instructional buildings also were affected by the flooding, according to its website, and officials are in the process of determining what aspects of the damage are covered by insurance.
Theatre Three suffered damaged to costumes, props and other mechanical equipment, though productions went on a mere 72 hours after the storm. Photo by Kyle Barr
A furious volunteer effort ensued to get Theatre Three up and running in time for its Sept. 28 productions.
“We managed to get everything ready for Friday night and ran the entire weekend,” said Jeffrey Sanzel the theater’s executive artistic director.
Bradlee Bing, who serves on Theatre Three’s board of directors and was one of its founding directors in 1973, said cleanup efforts were undertaken by dozens of volunteers and staff in the 72 hours between the storm and Friday night’s productions. Work was done around the clock, spearheaded in large part by Brian Hoerger, the theater’s facilities manager, who Bing called the “champion” of the cleanup effort for his organizational and leadership role.
“As dark a day as it was, the sunshine and light of the volunteers really rejuvenated our energies and enthusiasm for what we’ve [been] doing these past 50 years,” Bing said. “The number of people that came down, multiple dozens of people that committed their time to putting everything back in order. The support of the town and community was overwhelming.”
He said restaurants donated food to help keep volunteers going, and The Home Depot and Lowe’s donated supplies to help remove the tons of mud and other remnants of the flood. He said much of the theater’s electrical wiring was destroyed. Sanzel said some other important items sustained major damage, including an HVAC unit, the boiler, costumes, a large chunk of props used in annual productions of “A Christmas Carol,” all of the props from the touring show “From the Fires: Voices of the Holocaust,” along with “many, many other things.”
“We’ve experienced in the past certain types of flooding in Port Jefferson,” Bing said. “This last one was the worst flooding event we’ve ever experienced. Wednesday morning was a mud disaster in the theater.”
Theatre Three suffered damaged to costumes, props and other mechanical equipment, though productions went on a mere 72 hours after the storm. Photo by Kyle Barr
New York State Assemblyman Steve Englebright (D-Setauket) indicated he’s seen severe flooding in Port Jeff in the past during nonhurricane weather events, but this particular storm raised his eyebrows for a number of reasons. The storm occurred during low tide and flooding was not due to tidal waters, meaning had it occurred during high tide it’s possible tidal floodwaters would have combined with the flash flooding to cause water levels to reach in the ballpark of 10 feet instead of the four to five feet that actually occurred, Englebright said.
“When you put a layer of sand on top of a living marsh and then build housing and buildings on it, and rename it from Drowned Meadow to Port Jefferson, and hope nobody would notice, nature will come back and bite you from time to time,” he said. As the chairman of the Assembly’s Committee on Environmental Conservation, Englebright indicated storms like this one could become more frequent. “That’s a kind of a preview of what’s going to happen if we don’t seriously address climate. The big flood is still in the future, but the signposts all point toward continuing sea level rise. So I’m concerned.”
Englebright suggested in the meantime serious consideration be given to raising future structures constructed in the village above ground level.
Theatre Three in Port Jefferson Sept. 26 after a storm flooded the building the night before. Photo by Kyle Barr
Port Jefferson Fire Department Sept. 25 during a storm that flooded the building. Photo from Brennan Holmes
Jeffrey Sanzel, executive artistic director at Theatre Three, assesses damage to his office following a Sept. 25 flood. Photo by Kyle Barr
Theatre Three is riddled with damage Sept. 26 after the storm. Photo by Kyle Barr
Emergency personnel respond to flooding on Main Street in PJ Village Sept. 25. Photo from Brennan Holmes
By Alex Petroski & Kyle Barr
Those strolling through Port Jefferson Village on the morning of Sept. 26 couldn’t stride too far without hearing the distinct sound of Shop-Vacs. The area was hit with more than 4 inches of rain during the evening into the night Sept. 25, according to the National Weather Service, leading to severe flooding in Port Jefferson Village.
The intense rain storm flooded businesses, the Port Jefferson Fire Department and even forced emergency evacuations from Theatre Three. Fire department Chief Brennan Holmes said water levels on the department’s grounds on Maple Place reached about 5 feet high.
“The problem with this was it was 4 inches of rain in an hour and a half, so it rose so quickly that a chief’s car got stuck in a flash flood, we couldn’t get the trucks out,” he said Wednesday morning as cleanup efforts were already well underway. He added he had just spoken to Brookhaven Town Highway Superintendent Dan Losquadro (R), whose department was helping out with the cleanup effort. “I think we took 10 people out of flooded cars.”
Christian Neubert, a member of the fire department, said around 8 p.m. Tuesday night people were trapped in their cars in the vicinity of Wynn Lane, as well as others on Liberty Avenue near Port Jefferson High School. Holmes said between 7:30 p.m. and 9:30 p.m. the department responded to 14 alarms related to the flooding.
In addition to damage to at least one department car, Holmes said the radio room also flooded, sustaining damage that was still being assessed Wednesday.
“We had a lot of stuff damaged,” Holmes said. “Usually [some flooding is] easily mitigated. We’re good with that. We get the trucks out and up the hill. This just came so fast and so quick and so much that it was tough.”
Theatre Three was inundated with water during the storm. The deluge left a watermark 4 feet high in the theater’s basement, high enough to nearly pour over the bar and stools used for the theater’s comedy nights.
Theatre Three president, Andrew Markowitz, said the flooding started around 7:30 p.m. Sept. 25. The water reached high enough to muddy the costumes and props the theater was to use in this upcoming Friday’s production of “The Addams Family,” many of which will have to be quickly replaced. Worse still, much of the theater’s lighting apparatus was stored downstairs, and personnel were still determining what needed to be repaired or replaced Wednesday.
“We have a lot of volunteers who are helping out, but anyone who wants to come down and clean they are welcome,” Markowitz said.
The office on a lower floor used by Jeffrey Sanzel, the theater’s executive artistic director, was nearly submerged. The small office contained innumerable books, original stage scripts and stage props, many of which Sanzel said were completely ruined by the rushing waters. He estimated several thousand dollars worth of items were destroyed. However, their loss means much more to him on a personal level.
“I spend more time in that office than I do in my own house, and everything in my desk, from my shelves down, is gone,” Sanzel said, his pants stained with mud. “The personal stuff — it’s just gone, I’ve never seen it like this. But then again, we could be in the Carolinas, you have to put things in proportion.”
At the same time the theater was hosting about 40 children and their families in auditions for its yearly portrayal of “A Christmas Carol.” Since the kids had nowhere to go with the several-foot-deep waters outside, Sanzel said they simply continued on with the auditions in order to keep the kids calm.
Holmes indicated that while the flooding was catastrophic, it occurred during low tide. When asked what this storm might have looked like had it happened during high tide, the chief responded, “We don’t want to know.”
Markowitz said Theatre Three is still waiting for the assessment on total damages, but he feared the cost could be astronomical. He said the theater would work hard over the next days to make sure the production of “The Addams Family” goes on, despite the flooding.
“The show must go on,” he said.
Donations are already pouring in, and theater operators said they have received close to $5,000 just in the morning hours after the flood.
For more information, go to the website: www.theatrethreetickets.com/donations.
The cast of 'The Addams Family'. Photo by Brian Hoerger
By Heidi Sutton
Halloween is still a few weeks away, but there’s something creepy and kooky and altogether spooky going on at Theatre Three that’s not to be missed.
The theater opens its 49th season with the musical comedy “The Addams Family,” a nostalgic trip down memory lane for fans of this atypical clan, and judging by the packed house on opening night, that amounts to quite a few.
Created by Charles Addams, the lovable, albeit macabre, family first appeared in a New Yorker comic strip in 1938 but truly came to life in the 1960s ABC television series starring John Astin and Carolyn Jones as Gomez and Morticia. The two film versions in the 1990s paved the way for the Broadway musical in 2010 starring Nathan Lane and Bebe Neuwirth.
The cast of ‘The Addams Family’. Photo by Brian Hoerger
Last Saturday’s opening performance began as it should, with the audience snapping their fingers or clapping their hands to the iconic theme song, and suddenly they appeared — all the familiar, eccentric characters we have all come to love — Gomez (Matt Senese), Morticia (TracyLynn Conner), Uncle Fester (Rick Grossman), Grandma (Ginger Dalton), Wednesday (Jessica Murphy), Pugsley (Max Venezia), Lurch (James Taffurelli) and Thing and Cousin Itt (both played by Cameron Turner). What followed was a fun, wonderful evening of live theater.
Directed by Jeffrey Sanzel, the show opens, most fittingly, in the family cemetery (“Oh the intoxicating smell of the graveyard!”) as the family lets their ancestors out of a mausoleum to celebrate what it is to be an Addams. It is here that we see the first of many “Thriller”-inspired musical numbers, expertly choreographed by Nicole Bianco, that dominate the show.
The storyline revolves around Wednesday who is all grown up and has fallen in love with a “normal boy,” Lucas Beineke (Matt Paredi) from Ohio (“the swing state!”), and wants to bring him and his parents, straight arrow Mal (Steve Ayle) and the perfectly rhyming Alice (Linda May), over for one “normal night.” She confides in her father that she wants to marry Lucas and makes him promise not to tell her mother yet, putting Gomez in several hilarious sticky situations and leading up to his solo, “Trapped (like a corpse in the ground).”
Matt Senese as Gomez and Jessica Murphy as Wednesday. Photo by Brian Hoerger
Uncle Fester, on the other hand, recruits the ancestors to find out if this is really true love, and if so, to help it along. Dressed in ghostly white costumes, they float in and out of every scene as they spy on the family’s affairs.
As the Beineke family arrive, they are invited to take part in the family game, Full Disclosure, during which everyone takes a sip from a sacred chalice and reveals something they’ve never told anyone. When Pugsley steals a magical potion from Grandma (“One swig of that and Mary Poppins turns into Madea!”) and pours it in the chalice, the evening takes a dark and eventful turn.
Accompanied by an outstanding eight-member band led by Jeffrey Hoffman, the 20 musical numbers perfectly tie the storyline together. The costumes by Chakira Doherty are wonderful, especially for the ghoulish ancestors, and the Gothic set, cleverly designed by Randall Parsons includes panels that swivel and rotate to reveal different scenery. As the actors sing their solo or duet, they move toward the edge of the stage as the curtain closes, allowing the set to be quickly changed for the next scene.
With exceptional vocals, the entire cast become fully immersed in their individual character. The chemistry between Gomez and Morticia is as alive as ever. Morticia: “I feel darkness and grief and unspeakable sorrow.” Gomez: “I love it when you speak sexy, Cara Mia.”
Matt Senese as Gomez and TracyLynn Conner as Morticia. Photo by Peter Lanscombe
Although she’s in love, Wednesday’s inner darkness makes several appearances, and Uncle Fester is as lovable as ever (yes, he is still in love with the moon.) Pugsley secretly loves to be tortured (electrocuted to be precise) by his big sister, Grandma is still wacky and Lurch is still grunting; but in the end they are just one big family that has to deal with every day issues just like everyone else.
In his director’s notes, Sanzel sums it up perfectly. “The ultimate message of ‘The Addams Family’ musical is to find out who you are so you can be true to yourself. Whether vacationing in the sewers of Paris, starting out in a new marriage or finding the spark in an old one, or flying to your true love (‘To the moon, Alice!’), the Addams Family and ‘The Addams Family’ remind us to ‘live before we die.’”
Go see this wonderful show. You’ll find much to cherish.
Stay after the performance for a photo with the cast on stage if you wish — the $5 donation goes to support the theater’s scholarship fund.
Theatre Three, 412 Main St., Port Jefferson will present “The Addams Family” through Oct. 27. Tickets are $35 adults, $28 seniors and students and $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.
‘Love, Gilda’ will be screened on Sept. 17 at Theatre Three
By Heidi Sutton
Fresh off its special summer screening of the blockbuster documentary “RBG” to a sold-out crowd at Theatre Three, the award-winning Port Jefferson Documentary Series kicks off its fall 2018 season on Monday, Sept. 17. Seven notable and acclaimed documentary films will be showcased, exploring everything from science fairs, ovarian cancer, poaching, disco, baseball and more.
‘Love Gilda’
Sponsored by the Greater Port Jefferson-Northern Brookhaven Arts Council and the Suffolk County Office of Film and Cultural Affairs, the first six films will be screened at Theatre Three while the final documentary will be presented in Earl L. Vandermeulen High School’s auditorium. Both venues are located in the Village of Port Jefferson. Each screening will be followed by a Q-&-A session with guest speakers.
The documentaries are chosen by a seven-member film board, affectionately known as “the film ladies,” who each choose one film to present to the audience. This fall’s picks were selected after the members attended screenings at the Tribeca Film Festival, DOC NYC and the Hamptons Film Festival.
The board members,including co-directors Lyn Boland, Barbara Sverd and Wendy Feinberg along with Honey Katz, Phyllis Ross, Lorie Rothstein and Lynn Rein, along with volunteers Suzanne Velasquez, Elaine Friedman and Denise Livrieri, are celebrating the festival’s 13th year this month.
Lyn Boland is excited about sharing this new crop of films with audiences this season. “It’s a very interesting lineup,” she mused during a recent phone interview.
According to Boland, one of the more touching films this fall is “Love, Gilda,” an intimate portrait of the comedian, writer and actress Gilda Radner using personal recordings and journal entries along with interviews of her friends and family, including her husband, Gene Wilder. Radner died in 1989 from ovarian cancer at the age of 42. “For me, it was a revelation about who she was because … a lot of comedians have a dark side … but she was seemingly funny and charming and loved by everyone in her family and friend circle from the time she was a little girl,” explained Boland. “[Radner] was very endearing, very bright, very creative — it is a tragic story that she died so young.”
A scene from ‘When Lambs Become Lions’
Another film that will tug at the heart strings, especially for animal lovers, is “When Lambs Become Lions,” which documents the lives of a poacher and a park ranger in Kenya over the course of three years. “I’m very anxious to ask the director how he got this kind of cooperation. It’s just remarkable to see this story from both sides and it has a very intriguing ending,” said Boland.
The co-director’s personal favorite is the highly acclaimed “Roll Red Roll” where amateur blogger Alex Goddard uncovers evidence on social media about the sexual assault of an intoxicated teenage girl by football players at a preseason party in Steubenville, Ohio, in 2012.
“The real crux of the story is that this blogger found these pictures online because the team was tweeting them and if it hadn’t been for her having the courage to follow up on it, this would’ve gone completely under the radar. It wasn’t reported to the police — just bragged about online,” explained Boland. “It’s one of those tales of personal courage and points out that small town ‘football team is everything’ way of thinking. It’s very well done and very suspenseful and winning a lot of awards.”
A scene from ‘Science Fair’
Perhaps the documentary that has received the most buzz in the news lately is “Science Fair,” which shadows nine teenagers working to win top honors at the acclaimed International Science and Engineering Fair. According to Boland, this is one of those films the entire family can enjoy. “It’s really one of those great stories of terrific talented kids doing their best and the different things that come into play when you are a teenager” no matter how smart you are.
For Boland, being a part of this committee for the last 13 years has been a true labor of love and one she is very proud of. It has also been the perfect outlet to share her love of documentaries to the community. “I really feel that documentaries are a very powerful way of communicating. When you finish watching a really good documentary, you sit there and say “Oh my god, what if I hadn’t seen this? What if I didn’t know? Because in 90 minutes you get a very well fleshed out description of a situation and it’s something that we all need to know more about.” The co-director encourages everyone to stay after the screenings for the Q&A, which can get quite lively.
The Port Jefferson Documentary Series will be held at 7 p.m. every Monday night from Sept. 17 to Oct. 22 at Theatre Three, 412 Main St., Port Jefferson and at Earl Vandermeulen High School, 350 Old Post Road, Port Jefferson on Oct. 29. Tickets, sold at the door, are $8 per person. (No credit cards please.) If you would like to volunteer, please call 631-473-5200. For more information, visit www.portjeffdocumentaryseries.com.
Film schedule:
■ The fall season will kick off with “Love, Gilda” at Theatre Three on Sept. 17. Lisa D’Apolito’s exuberant and moving documentary portrait of Gilda Radner looks back and reflects on the comedian’s life and career. Weaving together recently discovered audiotapes, interviews with her friends, rare home movies and diaries read by modern-day comedians, the film offers a unique window into the honest and whimsical world of a beloved performer whose greatest role was sharing her story.Presented in collaboration with the Long Island Chapter of the National Ovarian Cancer Coalition, the event will be moderated by Tom Needham, host of “Sounds of Film” on Stony Brook University’s WUSB. Guest speakers will include producer Bronwyn Berry and executive producer Carolyn Hepburn.
■ “When Lambs BecomeLions” heads to Theatre Three on Sept. 24. Exploring the violative African poaching trade, the film profiles an ivory dealer from Kenya and his cousin, a wildlife ranger who is tasked with hunting down poachers. Who are these hunters who will risk death, arrest and the moral outrage of the world? Guest speaker, director Jon Kasbe, followed the film’s subjects over a three-year period, gaining an extraordinary level of access and trust as he became part of their everyday lives.
■ The season continues on Oct. 1 at Theatre Three with “Roll Red Roll,” which examines the cover up of the infamous 2012 rape of a teenage girl by the star players of a Steubenville, Ohio, football team. As amateur crime blogger Alex Goddard uncovers disturbing evidence on Facebook, YouTube and Twitter, questions arise around the collusion of teen and adult bystanders. The film documents the case in such a powerful fashion that your feelings of outrage will persist long after the movie is over. Guest speaker will be director Nancy Schwartzman.
■ “Heading Home: The Tale of Team Israel,” to be screened at Theatre Three on Oct. 8, is a stirring story of sports, patriotism and personal growth which charts the underdog journey of Israel’s national baseball team competing for the first time in the World Baseball Classic. Director Daniel A. Miller will be the guest speaker. The film is sponsored by The Preserve at Indian Hills and Temple Isaiah. Enjoy a donut from Duck Donuts and take part in a raffle to win a Long Island Ducks gift basket.
A scene from ‘Skid Row Marathon’
■ The series continues at Theatre Three with “Skid Row Marathon” on Oct. 15. The inspiring and uplifting documentary follows Superior Judge Craig Mitchell over a period of four years as he starts a running club on L.A.’s infamous Skid Row. If club members stay clean, off the streets and out of jail, the judge will take them around the world to run marathons. The runners fight the pull of addiction and homelessness at every turn. Not everyone crosses the finish line yet second chances do exist. Sponsored by The Law office of Michael S. Ross PC, guest speakers will include director Mark Hayes and producer Gabrielle Hayes.
■ “Studio 54” will be screened at Theatre Three on Oct. 22. Studio 54 was the epicenter of ‘70s hedonism — a place that not only redefined the nightclub but also came to symbolize an entire era. Located at West 54th Street, a then-seedy part of town, the nightclub was the brainchild of Ian Schrager and Steve Rubell, two college buddy entrepreneurs from Brooklyn who, over the course of 33 months, became the kings of New York — and then lost it all due to greed. Now, 39 years after the velvet rope was first slung across the club’s hallowed threshold, we hear the whole unvarnished story for the first time, with a treasure trove of rare footage and celebrity interviews, the real story behind the greatest club of all time.Guest speakers include Myra Scheer, executive assistant to Rubell and Schrager; Marc Benecke, doorman; Gerard Renny, VIP doorman; Scottie Taylor, bartender; and Chuck Garelick, head of security.
■ The series concludes on a high note with “Science Fair” at Earl Vandermuelen High School on Oct. 29. Directed by Christina Costantini and Darren Foster, “Science Fair” won the first ever Festival Favorite Award at the 2018 Sundance Film Festival, beating out 123 other films. The film follows nine students and one mentor from around the globe as they navigate rivalries, setbacks and hormones, on their journey to compete against 1,700 students from 75 countries at the Intel Science Fair. Though all are participating for the love of science, we also learn there are underlying influences motivating them to pursue their dreams. With guest speaker Dr. Marnie Kula, director InStar Science Research/Science Chair at Ward Melville High School, Three Village school district.
Jessica Murphy will play the role of Wednesday in Theatre Three’s ‘The Addams Family.’
By Melissa Arnold
Jessica Murphy in the role of Wednesday. Photo by Peter Lanscombe, Theatre Three Productions Inc.
From their first appearance in comic strips in the 1930s, the iconic Addams family has won the hearts of many for their “creepy and kooky, mysterious and spooky” antics. Their story has been told and retold through television, movies, books and even video games. This fall, Theatre Three in Port Jefferson will present “The Addams Family” musical, which debuted on Broadway in 2010.
The show finds the Addams children approaching adulthood, and for daughter Wednesday, there are certainly some growing pains. She’s fallen head over heels for a boy, her first real love, and to her family’s horror, he’s … well, normal. And the Addamses are anything but normal. Things are bound to get weird when Wednesday brings her beau and his parents home to meet her family. Underneath all of the zany comedy you’d expect from “The Addams Family” is a story about love, family, growing up and acceptance. It’s a lighthearted, silly show that’s perfect for the Halloween season.
Jessica Murphy of Northport plays everyone’s favorite goth girl, Wednesday Addams. The 23-year-old shared her thoughts on the show and making her Theatre Three debut.
Matt Senese (Gomez) and Jessica Murphy
How did you get your start in acting?
I started doing small plays and dance recitals when I was around four years old. It was just a hobby, but I found that I really loved being on the stage, being a presence and making people laugh. I did shows all through high school, and in my senior year I was cast as the lead. I wanted to pursue acting professionally, but I didn’t think I could make a career of it. Originally I was going to study elementary education at Loyola University in Maryland. I had always wanted to be a teacher — my mother and grandmother were both teachers, and I love working with kids. But in the car on the way home from orientation I couldn’t stop crying. I couldn’t see myself doing anything else but theater.
How did your family respond?
They were incredibly supportive and encouraged me to take a gap year. Afterward, I went to SUNY Geneseo and eventually graduated from there with a bachelor’s degree in musical theater. Now I’m just focusing on getting involved with as many theaters and productions as I can.
What made you want to audition for this show?
I love the music from “The Addams Family,” and my mom saw [this show] on Broadway and loved it. I had never been to Theatre Three before, so I was excited to get involved in a group that was new to me.
Were you nervous about being a newcomer?
It was a little intimidating going to a theater for the first time that has such a devoted base of actors. Many of them have done multiple shows at Theatre Three and so they know each other well. But it’s been a fantastic experience. Everyone has been so kind and I’ve loved working with them — they are all incredibly talented.
Jessica Murphy and Max Venezia will play the roles of Wednesday and Pugsley in Theatre Three’s “The Addams Family”
Were you hoping to be cast as Wednesday?
Honestly, I just wanted to be a part of it! I was hoping for the role of Wednesday, but wasn’t necessarily expecting it … they asked if I wanted time to think it over, but I was so excited that I said yes immediately.
What do you like about your character?
This show gives a completely different take on Wednesday because she’s much older than she’s usually portrayed. She’s grown into her own independent person who knows who she is and what she wants. We also spend a lot of time on the family aspect of the show — Wednesday will always be her mother’s daughter, but she’s really a daddy’s girl at heart.
Do you have a favorite scene in the show?
There’s a scene in the second act when [Addams family patriarch] Gomez sings a song called “Happy Sad.” — It’s a more serious father/daughter moment that’s very touching. Most of the show is so zany, but it’s one of those moments where we see that underneath all the craziness in the family, they have deep love and affection for each other.
What is the best reason to come see this show?
At the end of the day, this show is all about love. It’s fun during this time of year to have a show with these kooky and crazy characters, but they really have a lot of heart to them as well. And of course, there’s a lot of laughs!
“The Addams Family,” opens this Saturday, Sept. 15 at 8 p.m. at Theatre Three, 412 Main St., Port Jefferson. The show runs through Oct. 27. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. No children under 5 are permitted. To purchase tickets, call 631-928-9100 or visit www.theatrethree.com.
Photos by Peter Lanscombe, Theatre Three Productions Inc.
Now through Aug. 9, Theatre Three’s Children’s Theatre presents the world premiere of “The Princess Who Saved a Dragon.” With book by Jeffrey Sanzel and music by Douglas J. Quattrock, the show combines magic, music, dance and a clever script to create an original fairy tale that is simply delightful.
It’s Princess Abigail’s 21st birthday, and her mother, the absent minded Queen Marjorie, has sent out birthday party invitations to everyone in the kingdom (including all eligible bachelors) — everyone except a wicked witch named Wicked Faery.
The cast of ‘The Princess Who Saved a Dragon’
When the witch realizes she’s been left out of the festivities, she feels slighted and, after calling 1-800-Dragon, summons a fire-breathing serpent to wreak havoc on the land. The queen decrees that whoever slays the dragon may marry the princess. Will a brave knight come forth to save the day?
Directed by Sanzel, the seven-member cast does a wonderful job portraying the story, all the while emphasizing the importance of “just be who you are.” Michaela Catapano (Princess Abigail) gives us a modern version of a warrior princess, confident and brave and not in a rush to get married. Ginger Dalton (Queen Marjorie) is terrific as her forgetful mother, Nicole Bianco is perfectly cast as the Wicked Faery and Steven Uihlein draws the most laughs in the role of the scaly dragon who has a penchant for flowers. (“I’m a gardener, not a fighter.”)
Andrew Lenahan as Knight Night, the dragon slayer, and Matt Hoffman as his squire, Julius Pleasant, make a great tag team; and jack-of-all-trades Aria Saltini plays over seven supporting roles throughout the show with ease.
Accompanied on piano by Quattrock and choreographed by Bianco, the song and dance numbers are fresh and exciting, especially Lenahan and Hoffman’s duet “The Night Knight Night Came to Be,” Catapano and Uihlein’s duet,“To Be Me” and the fun hip-hop/rap “Spell to Raise a Dragon” by Bianco.
From left, Nicole Bianco and Michaela Catapano in a scene from the show.
Costumes by Teresa Matteson and Toni St. John hit their mark, from Princess Abigail’s armor and sword to a shimmering dragon outfit to a purple and black witch costume complete with an impressive set of horns.
Now putting a twist on well-known fairy tales is Sanzel’s forte, but this particular “princess and dragon” scenario is so topsy-turvy that nothing is what it seems and hilarity ensues. Although the tale involves a witch and big flying reptile and is told with the use of stage smoke and flashing lights, there is nothing scary about it.
During last Friday’s opening performance, the children in the audience embraced the new show as giggles and laughter filled the theater. When the dragon, aka Scales, appeared at the end of the first act, the excited youngsters pointed and yelled, “I see it! I see it!” And when the cast made its way up the aisles to the lobby for photos after the show, they were greeted with high fives and hugs, a true testament to the magic of live theater.
Theatre Three, 412 Main St., Port Jefferson will present “The Princess Who Saved a Dragon” on July 13, 14, 20, 21, 27, 28 and Aug. 9 at 11 a.m. and Aug. 3 at 1:30 p.m. Children’s theater continues with “Alice’s Most Decidedly Unusual Adventures in Wonderland” from Aug. 3 to 11 and “Kooky Spooky Halloween” from Oct. 6 to 27. Booster seats are available and costumes are encouraged. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.
Photos by Peter Lanscombe, Theatre Three Productions Inc.
Theatre Three, 412 Main St., Port Jefferson will hold an open cast call for strong singer/actor/dancers (ages 16 and up) on Tuesday, July 10 and Monday, July 16 at 7 p.m. for its upcoming production of “The Addams Family.” Prepare 16 bars from the song of your choice; bring sheet music in the proper key and be prepared to dance. Readings will be from the script. Please bring picture/résumé. Performances will be held from Sept. 16 to Oct. 27. For further information, call 631-928-9202 or visit https://theatrethree.com/auditions.html.
From left, Tom Needham, Julie Cohen and Wendy Feinberg at the June 25 event. Photo by Lynn Rein
By Heidi Sutton
The film ladies of the Port Jefferson Documentary Series (PJDS) hosted a special summer screening of the blockbuster documentary “RBG” to an enthusiastic sold-out crowd at Theatre Three in Port Jefferson on June 25. Wendy Feinberg, co-director of the award-winning series, introduced the event and informed the audience that the film, which explores Supreme Court Justice Ruth Bader Ginsburg’s exceptional life and career, is now the highest grossing film from Magnolia Pictures.
Feinberg had met one of the co-directors, Julie Cohen, at last year’s PJDS screening of “American Veteran.” “When she told me she was working on a film about Supreme Court Justice Ruth Bader Ginsburg, I immediately thought,wow, she would be a great subject,” and invited Cohen to come back when the film was completed.
“The project started about 3½ years ago when myself and Betsy West, my directing and producing partner, started to notice that Ruth Bader Ginsburg was getting quite a bit of attention,” said Cohen. “We knew her story, we knew what an amazing woman she is … and we just said someone ought to make a documentary about her and why shouldn’t it be us?”
She continued, “We approached Justice Ginsburg with this idea, this ambitious plan to make a film about her life. Her answer to us essentially was ‘not yet.’ We looked carefully over her emails — we know the Justice is a woman who chooses her words very precisely and we know two words that were not in her emails were ‘no’ and ‘never’ so we decided to proceed. ”
The film had its world premiere at this year’s Sundance Film Festival and has been making the rounds ever since.
The evening was preceded by a Toast to Ruth Bader Ginsburg wine and cheese reception downstairs at Griswold’s Cafe and was followed by a Q&A with Cohen which was moderated by Tom Needham, host of “Sounds of Film” on WUSB.
Reached after the event, Feinberg said she couldn’t believe the wonderful turnout. “We knew that ‘RBG’ had already played at the Cinema Arts Centre in Huntington since early May, at the AMC Stony Brook 17, and at the Port Jefferson Cinemas, among others.” While the reception sold out in two weeks, the ticket sales on the day of the event was a record for the series. Feinberg attributed the evening’s success to the film’s subject, the political climate and the fact that Julie Cohen made a guest appearance. “What can top this?” she laughed.
“It really moved so many people — they just loved it,” added co-director Lyn Boland, “It was just very gratifying to feel the community together like that. The audience’s reaction was great and on point. It was an amazing night.”
The team at the Port Jefferson Documentary Series is now preparing for its exciting Fall 2018 series, which begins on Sept. 17 with “Love, Gilda” followed by “When Lambs Become Lions” and “Roll Red Roll,” among others. Visit www.portjeffdocumentaryseries.com for updates.
The PJDS would like to thank Theatre Three, Pindar Vineyards of Port Jefferson, Wild by Nature, Pasta Pasta, Nantuckets Restaurant, C’est Cheese, Z-Pita and La Bonne Boulangerie Bakery for making the evening possible.
The three bears, from left, discover Goldilocks sleeping in Baby Bear’s bed.
By Heidi Sutton
Summer is just around the corner, making for the perfect opportunity to review safety and stranger danger protocols with young children. Theatre Three’s latest show, “Goldilocks — Is That You?” accomplishes just that through the magic of live theater.
The cast of ‘Goldilocks — Is That You?’
The original musical, written by Jeffrey Sanzel and Kevin F. Story, is an interpretation of one of the most popular fairy tales of all time, “Goldilocks and the Three Bears” by Robert Southey, and encompasses all of the beloved characters from the original story plus a few colorful new ones.
In this production, Papa Bear, Mama Bear and Baby Bear are show biz bears who have retired from the circus and are now living in a house in the country. It’s the first of the month and the banker, Billy de Goat Gruff, has come to collect the rent money, which they don’t have. The grouchy goat gives them until the end of the day or they will be kicked out. While their porridge is cooling down, the bears decide to go for a walk to think of ways to come up with the rent.
In the meantime, Goldilocks, a Campfire Bluebird Pioneer Scout Girl who lives with her grandmother Granny Locks, sets off to her cousin’s house to deliver cookies. She ends up at the bear family’s house by mistake and lets herself in. In one of the funniest scenes of the show, Goldilocks tastes the three bowls of porridge, sits in the three chairs and tries out the three beds, choosing Baby Bear’s bed in which to take a nap.
When Granny Locks realizes that Goldilocks has not arrived at her destination, she seeks the help of local forest ranger Wolf Hunter to find the missing girl. They arrive at the bear’s house just as Baby Bear realizes that “someone’s been sleeping in my bed, and she’s still there!” Luckily for Goldilocks the bears are friendly — they even know Granny Locks from their circus days when she was Eloise of the Flying Trapeze.
But all’s not well. The banker still wants his rent money, so the group puts on a show to help young people learn about safety to raise the funds. Soon all the children in the audience are learning about the importance of staying safe and that “strangers can mean danger — so don’t talk to strangers.”
Eric J. Hughes, Nicole Bianco and Jessica Contino play the three showbiz bears in ‘Goldilocks — Is That You?’
Expertly directed by Sanzel, the talented cast of seven adults put on a charming and funny show, evident by the constant giggles from the young audience at last Saturday’s opening performance. Meg Bush is perfectly cast as the sweet and innocent Goldilocks and Dylan Robert Poulos, channeling his inner Gilbert Godfrey, is hilarious in the role of Billy de Goat Gruff. Eric J. Hughes, Nicole Bianco and Jessica Contino tackle the roles of the three bears and do a fine job, especially Contino as the adorable Baby Bear. Ginger Dalton plays a fun Granny Locks and Steven Uihlein as the superhero Wolf Hunter, Forest Ranger (“Wherever there’s trouble or danger, you’ll find Wolf Hunter, Forest Ranger!”) is an audience favorite.
The musical numbers, accompanied on piano by Steve McCoy, are delightful; the choreography by Nicole Bianco, which incorporates baton twirling, ballet and tap, are fresh and exciting; and the costumes, by the design team of Teresa Matteson and Toni St. John, are amazing, especially on the bears and Billy De Goat Gruff.
All in all, the play can be compared to a greatbig bear hug and is just right for young children from beginning to end. Meet the cast in the lobby for photos after the show.
Theatre Three, located at 412 Main St., Port Jefferson will present “Goldilocks — Is That You?” on June 2 and 9 at 11 a.m. with a sensory-sensitive performance on June 3 at 11 a.m. Children’s theater continues with “The Princess Who Saved the Dragon” from July 6 to Aug. 9 and “Alice’s Most Decidedly Unusual Adventures in Wonderland” from Aug. 3 to 11. Tickets are $10. To order, call 631-928-9100 or visit www.theatrethree.com.
All photos by Peter Lanscombe, Theatre Three Productions, Inc.
Theatre Three closes out its 48th season with a rousing revival of the musical comedy whodunit “Curtains.” The show, which opened on the Mainstage last Saturday night, will keep the audience guessing, and laughing, right up to until the very end.
With book by Rupert Holmes and music and lyrics by John Kander and Fred Ebb (both of “Chicago” and “Cabaret” fame), the eight-time Tony-nominated show had a successful Broadway run starring David Hyde Pierce (who won a Tony for his performance) from 2007 to 2008. Now the hilarious musical comes to Port Jefferson and does not disappoint.
A scene from ‘Curtains’
The play takes place at the Colonial Theater in Boston in 1959. A theater troupe is performing a new cowboy musical “Robbin’ Hood!” (think “Oklahoma!”) on opening night. As the ensemble performs the final act, “Wide Open Spaces,” it is clear that the star of the show, Jessica Cranshaw (Meg Bush) is a complete mess — singing out of tune, missing dance steps and flubbing her lines. (“I was distracted all night by a man waving his hands at me,” she laments. “That was the conductor,” the director mutters.)
A few minutes after the final curtain Cranshaw collapses and is rushed to the hospital. It is later discovered that she has been murdered. “Now she has a conflict — she’s dead.”
Lt. Frank Cioffi (Steve McCoy) of the Boston Police Department, a homicide detective who happens to be a musical theater buff, is assigned to the case. The entire company is suspect, so he immediately places them on lockdown, barring them from leaving the theater until the case is solved.
The reviews are in!
The reviews come pouring in and they are brutal, especially from the Boston Globe. The producers decide to invite the newspaper’s critic, Daryl Grady (Andrew Gasparini), back when the show has been revamped.
The crew immediately starts reworking the songs and improving the scenes, with more than the occasional input from Detective Cioffi. “I’ve done a little community theater,” he admits modestly. “In ‘Midsummer Night’s Dream,’ my Bottom was very well-received.” He is also distracted by one of the actresses, Niki (Jenna Kavaler) and their blossoming relationship is fun to watch.
In the meantime, a second victim, co-producer Sidney Bernstein (Lon Shomer) is found hanging from the rafters, Bernstein’s wife, Carmen (Mary Ellin Kurtz) is shot at and Cioffi is pushed off a catwalk and narrowly survives. The plot thickens.
As the show progresses, Cioffi starts peeling away the layers of this “family” to uncover romantic relationships, jealousy, blackmail, rocky family dynamics and infidelity. Will he be able to solve the crime in time or will the entire company be picked off one by one?
A scene from ‘Curtains’
Singing, dancing and clever humor abound in this production that showcases a cast of 23 uber-talented actors directed by Jeffrey Sanzel. The high-energy performances, choreographed by Whitney Stone, are exhausting to watch but the cast pulls them off with ease. The musical numbers, accompanied by a live orchestra led by Jeffrey Hoffman, are a nice blend of show tunes and love songs. The costumes and wigs designed by Chakira Dohertyn are fun, especially the cowboy and cowgirl outfits; and the Western-themed set, designed by Randall Parson, ties the whole show together nicely.
The incredible cast also features Nicole Bianco, Christopher M. Fretto, Dylan Robert Poulos, James Taffurelli, James Schultz, Tracylynn Conner, Matt Senese, Melanie Acampora, Eric J. Hughes, Lindsay DeFranco, Kyle Breitenbach, Cassidy O’Brien, Steven Uihlein, Alex Esquivel, Jeffrey Pangurn and Kiernan Urso.
If you’re looking for a fun night out, don’t miss “Curtains.” Griswold’s Cafe, located on the lower level of the theater, will be open before the show and during intermission for a snack or beverage, and take a chance on a 50/50 raffle. You may win big! Running time is two and a half hours with one 15-minute intermission.
Theatre Three, 412 Main St., Port Jefferson will present “Curtains” through June 23. Contains mature content. After a brief hiatus, the 2018-19 Mainstage season will open with “The Addams Family” from Sept. 15 to Oct. 27. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.
All photos by Brian Hoerger, Theatre Three Productions Inc.
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